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Cosmic Voices Performing

user42
5 vistas · 5 años hace

Cosmic Voices, Bulgaria's most famous female acapela choir performed at the first ever Bulgarian Society for Animal Protection and Preservation (BSAPP) benefit concert

Elitsa Todorova & Stoyan Yankulov - Samo Shampioni (Only Champions) (Bulgaria) First Rehearsal

user42
7 vistas · 5 años hace

Powered by: http://www.eurovision.tv

Elitsa Todorova & Stoyan Yankulov, representing Bulgaria with the entry Samo Shampioni (Only Champions), finished their first rehearsal at the 2013 Eurovision Song Contest in the Malmö Arena.

Elitsa Todorova & Stoyan Yankulov are multi-talented musicians, bringing together the best in terms of vocals, styles, and instruments. They are famous especially for their innovative ways of combining traditional singing, percussions and modern influences.

Elitsa Todorova was born on 1977 in Varna. She studied music, specialising in authentic folklore
singing and in percussions. She attracts the attention of both the audience and the critics with her
specific voice - strong, deep-toned, clear and hardy, the tone-quality being one of a beautiful and
rich ornamentation. She worked at the State Dance and Music Ensemble in Varna, in the choir The Mystery of the Bulgarian voices, and the Cosmic Voices of Bulgaria choir where she performed authentic Bulgarian folk songs, and compositions in Yiddish and Sanskrit.

In 2003 Elitsa Todorova began working with Bulgaria's most popular and renowned drummer and percussionist Stoyan Yankulov. The unique Elitsa Todorova-Stoyan Yankulov Duo
turned into a phenomenon in no time. Elitsa Todorova develops a percussions-playing style of her own, combining quick ostinate rhythms on the tarambuka with synhronised tarambuka with synchronised playing and singing. The result is a mosaic of unique vocal movements and impeccable musical improvisations.

She plays traditional percussion instruments in a most non-traditional way. The singer easily mixes traditional folklore with jazz, drum and base, ethno-motifs, classics and spontaneous improvisation.
The result is fascinating. In her repertoire Elitsa Todorova plays instruments like the tarambuka, drums, maracas, clavess, old silver coins, shepperd's chimes, horses' bells, a magical thunder-wand, guirro, chimes, but of all musical instruments the best, in her opinion, is human voice. Through combining authentic Bulgarian folk songs with the energy of percussions Elitsa Todorova presents in a most touching way the core, the potency and the emotional power of Bulgarian culture.

Valia Balkanska - Izlel e Delio Haidutin (Cosmic voyager song) Magic of Bulgarian Voices - REACTION

user42
7 vistas · 5 años hace

Original Video --- https://youtu.be/-VUY6n4W1VA
Valia Balkanska - Izlel e Delio Haidutin (Cosmic voyager song) Magic of Bulgarian Voices - REACTION
Valia Balkanska - Izlel e Delio Haidutin (Cosmic voyager song) Magic of Bulgarian Voices
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The London Bulgarian Choir - Pilentce Pee

user42
7 vistas · 5 años hace

Chamber Quartet 'Thrakian Youth' - X-FACTOR (Bulgaria)

user42
5 vistas · 5 años hace

http://www.bulgarian-music.bg-market.com
Regional styles abound in Bulgaria. Dobrudzha, Sofia, Rhodopes, Macedonia, Thrace and the Danube shore all have distinctive sounds.

Folk music revolved around holidays like Christmas, New Year's Day, midsummer, and the Feast of St. Lazarus, as well as the Strandzha region's unusual Nestinarstvo rites, in which villagers fell into a trance and danced on hot coals as part of the joint feast of Sts Konstantin and Elena on May 21. Music was also a part of more personal celebrations such as weddings.

Singing has always been a tradition for both men and men. Songs were often sung by women at work parties such as the sedenka (often attended by young men and women in search of partners to court), betrothal ceremonies, and just for fun. Women had an extensive repertoire of songs that they sang while working in the fields. Young women eligible for marriage played a particularly important role at the dancing in the village square (which not too long ago was the major form of "entertainment" in the village and was a very important social scene).

The dancing — every Sunday and for three days on major holidays like Easter — began not with instrumental music, but with two groups of young women singing, one leading each end of the dance line. Later on, instrumental musicians might arrive and the singers would no longer be the dance leaders. A special form of song, the lament, was sung not only at funerals but also upon the departure of young men for military service.

The distinctive sounds of women's choirs in Bulgarian folk music come partly from their unique rhythms, harmony and polyphony, such as the use of close intervals like the major second and the singing of a drone accompaniment underneath the melody, especially common in songs from the Shope region around the Bulgarian capital Sofia and the Pirin region. In addition to Koutev, who pioneered many of the harmonies, and composed several songs that were covered by other groups, (especially Tudora), various women's vocal groups gained popularity, including Trio Bulgarka, consisting of Yanka Roupkina, Eva Georgieva, and Stoyanka Boneva, some of whom were included in the "Mystery of the Bulgarian Voices" tours.

http://www.bulgarian-music.bg-market.com