The third movement of Karl Jenkins' Songs of the Earth, commissioned for BBC Radio 3 and first performed by the BBC National Orchestra of Wales, BBC National Chorus of Wales and the amassed Youth Choirs of Wales.

4 Nov 2013 - Großes Festspielhaus Salzburg
Dirigent: Norbert Brandauer

MITWIRKENDE:
Salzburger Landesjugendorchester
Oberösterreichisches Jugendsinfonieorchester
Chor des Musischen Gymnasiums Salzburg
Chor des PG Borromäum
Voices Unlimited
Chor der BAKIP Salzburg
Jugendkantorei am Dom
Landesjugendchor Südtirol
Kärntner Landesjugendchor
chorus juventus der Wiener Sängerknaben


I. The Armed Man | The Armed Man - A Mass for Peace
II. The Call To Prayers (Adhaan) - 06:56 | The Armed Man - A Mass for Peace
III. Kyrie - 09:04 | The Armed Man - A Mass for Peace
IV. Save Me From Bloody Men 17:48 | The Armed Man - A Mass for Peace
V. Sanctus - 19:52 | The Armed Man - A Mass for Peace
VI. Hymn Before Action - 26:48 | The Armed Man - A Mass for Peace
VII. Charge - 30:10 | The Armed Man - A Mass for Peace
VIII. Angry Flames - 36:41 | The Armed Man - A Mass for Peace
IX. Torches - 40:52 | The Armed Man - A Mass for Peace
X. Agnus Dei - 43:56 | The Armed Man - A Mass for Peace
XI. Now The Guns Have Stopped - 48:50 | The Armed Man - A Mass for Peace
XII. Benedictus - 52:20 | The Armed Man - A Mass for Peace
XIII. Better Is Peace - 59:37 | The Armed Man - A Mass for Peace

my "rearranged version" from a version I've found in the net and the original, I think this is the right tune (d-minor)

CORO MOZART - Songs of Sanctuary (Kayama/Adiemus)[Karl Jenkins][2014] [Maestro: Dionísio Vila Maior]

This is the second part of Karl Jenkins's The Armed Man: A Mass for Peace, 2001.

The national youth choir of GB
The London Philharmonic Orchestra / Karl Jenkins.

Conductor: Irakli Shermazanashvili
Performer: German-Georgian youth Orchestra and Choir

Facebook: https://www.Facebook.com/Shermazanashvili
Instagram: https://www.Instagram.com/Irakli.Shermazanashvili
YouTube: https://www.YouTube.com/IrakliShermazanashvili

Ave Verum - Karl Jenkins
Aperitiefconcert 2016

Karl Jenkins, the classically trained master of global crossover, has composed a new work for choir and orchestra, Stella Natalis, as a gift to music lovers of all stylistic and spiritual backgrounds for the 2009 holiday season. Its coupling, Joy to the world, features arrangements by Jenkins of carols from around the globe in keeping with the composers inclusive and universal approach to the message of music.

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Around the World with Kokoro, June 9th and 10th, 2012 - Adiemus (Karl Jenkins, Arr. Nicholas Hare)

Kerstconcert Stella Natalis - 19-20 december 2014
Koor La Gioia Vichte en Koor J'Ansoldo Anzegem.
Dirigent: Jeanno Defrenne
Sopraansoliste: Kaatje Chiers
Trompet: Frankie De Kuyffer
Piano: An De Ruyter
Slagwerk: Christa Defrenne, Luc Cosaert, Dieter Hinnens

Pie Jesu Domine,---Lord, all pitying, Jesu blest.
Dona eis requiem, sempiternam.---Grant them Thine eternal rest.

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Karl Jenkins:
Karl Jenkins knew from an early age that he wanted to make his life in music. As the son of the chapel choir master and organist in the village of Penclawdd, Wales, Jenkins learned piano and music theory from his father and was strongly influenced by the singing tradition of the Welsh church. At school he excelled at oboe, performing with the National Youth Symphony of Wales. Continuing his musical studies at Cardiff University and the Royal Academy of Music, he found himself drawn to jazz, preferring it to the atonal, dissonant style of music being taught in his composition classes. Describing himself as “one of the few jazz oboists in captivity,” he spent the following decades touring as a jazz performer, composer, and band leader.

Jenkins’ musical career entered a new chapter when he settled in London and began composing music for movies and advertising. His distinctive fusion of European and world music attracted an enthusiastic audience, most notably with his Adiemus recordings used in Delta Air Lines commercials in the 1990s. Composing next for the concert hall, he turned to the great liturgical works of the Christian church, revisiting the historic texts to interpret them anew using influences and ideas from other cultures. Over the course of his career to date Jenkins’ music has earned him 17 gold and platinum recordings and a host of accolades, including being named a Fellow of the Royal Academy of Music. In 2015, Jenkins was awarded a Knighthood for “services to composing and crossing musical genres.”

In a documentary on his career, Jenkins commented “I feel quite strongly that composing should communicate with people...I don’t think there’s any point in writing music if one doesn’t have an audience.” Of that the eminent composer should have no fear: his life in music has made him the most performed living composer in the world today.

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Requiem – Karl Jenkins:
The Japanese understanding of death has no corresponding concept of judgment, punishment, and reward. Instead, death is a natural process in which a soul returns inevitably to nature, just as snow must melt and cherry blossoms must fall. The spirits of the departed roam the world for months or even years before they are finally ready to merge with the cosmos. Just prior to death, many Japanese follow an ancient tradition of composing a jisei, which is a farewell poem to life, in the form of a haiku.
Karl Jenkins beautifully combines these two cultural understandings of death in his Requiem, enriching the Latin text codified by the church in the 16th century with Japanese death haiku from the 17th and 18th centuries. His musical settings reflect the origins of the texts: Latin prayers sung with Western orchestration and choral harmonies, Japanese haiku sung with Japanese flute and melodic styles. Jenkins vividly paints the texts within these styles, as the relentless rhythms of the Dies Irae give way to the melting solo flute of The Snow of Yesterday.

Jenkins also found points of commonality between the two philosophies, with haiku that echo the Benedictus and the Agnus Dei of the Requiem Mass. He combined the texts in these movements, with the women singing the Japanese poems above the men intoning the Latin prayers in monastic style. He concludes his Requiem with an ethereal setting of In Paradisum, in which a joyful and playful harp welcomes the souls of the departed into paradise.

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Performed by the Exultate Festival Choir and Orchestra on Sunday, March 18, 2018, at Augustana Lutheran Church in West St. Paul, MN, USA.

Thomas D. Rossin, Artistic Director
Exultate.org

This is the eighth track from Karl Jenkins' album Requiem, 2005.

Cantores Celestes Women's Choir
Kelly Galbraith: Director
Ellen Meyer: Pianist
Matthew Coons: Organist
Emperor String Quartet
Christine McClymont: Recorder
Lynette Evans: Percussion
Colleen Jenkins: Percussion
Laura Webster: Percussion

www.cantorescelestes.com
http://www.facebook.com/CantoresCelestes
http://www.youtube.com/user/cantorescelestes
http://twitter.com/Cantores_Choir

Roma - Basilica di San Paolo Fuori le Mura - Chrystal Symphony Orchestra diretta da Rino Andolfi - Cori: Gruppo Vocale Cristallo Roma (Dr. Piero Melfa e Ida Piccolantonio), Liberi Cantores Aprilia (LT) (Dr. Rita Nuti) - Ensemble Notevolmente Roma (Dr. Marco Schunnach) - Corale Centonote Roma (Rino Andolfi) - Corale "G. Savani" Carpi (MO) (Dr. Giampaolo Violi), Coro di Voci Bianche "Cantintondo" Aprilia (LT) (Dr. Rita Nuti), Coro di Voci Bianche ArCoroBaleno Piranesi Roma (Dr. Rino Andolfi) - Soprano: Maria Ausilia D'Antona - Soprano Monica Di Maria - Mezzosoprano: Chiara Chialli - Direzione artistica: Giovanni Galotta - Regia Arianna Pieragostini.

La musica pubblicata in questo canale ha esclusivamente scopi di divulgazione e non commerciali.
Chi dovesse sostenere che un qualsiasi video pubblicato in questo canale viola il diritto d'autore, prima di inviare una richiesta di Youtube, lo invito vivamente ad informarmi ... provvederò personalmente a rimuoverlo.

A clip form the Armed Man film, available to project behind performances of the Armed Man a Mass for Peace by Karl Jenkins

In Caelum Fero, Zarabanda, Palladio, Cantus - 'Song of Aeolus', Adiemus

The Maidstone Singers perform Karl Jenkins' Sancta Mater from his 'Stabat Mater' together with the Przemyski Chor Kameralny in Poland 2011.