Del disco 'Doble Opuesto'

Video clip del nuevo sencillo "Olvidar".

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La Ley presenta su nueva canción "Sin Ti", cover de la canción "Wicked Game" de Chris Isaak.

¡Apréndete aquí la letra!

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La Ley presenta su nueva canción "Sin Ti", cover de la canción "Wicked Game" de Chris Isaak.

¡Apréndete aquí la letra!

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La Ley / Invisible / 1995.
Video oficial transmitido desde el canal oficial de La Ley.

Frank Sinatra-Killing me softly

Das 3D Hintergrundvideo aus den 3D Shows.

From the Electric Cafe Album

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Composer & Artist:
Composer: Various
Artists: Flavio Apro (guitar)



About this Album:
On this varied and atmospheric album, accomplished guitarist Flávio Apro selects pieces from nine different composers, all representative of the evolution of classical Brazilian guitar music over the course of the late-19th and 20th centuries. What connects many of these luminaries is their ability to bring European dance forms into their musical world and then to mould them into something different by injecting elements of Brazilian musical tradition. Particularly striking examples of this are João Pernambuco, whose Sons de Carrilhões incorporates elements of European polka, yet embellished with rhythmic and harmonic repetitions that conjure up numerous surprises for the listener; and Egberto Gismonti, whose work fuses traditional Brazilian genres with elements of jazz, classical, world and contemporary music.

Meanwhile, other composers from this collection push the envelope of guitar composition in different ways. Leo Brouwer’s challenging, four-part Sonata del Caminante travels through waves of landscape-evoking intensity, via extremes of tempo, dynamics and scope; while Rafael Altro’s Homenagem is a true test of the performer’s dexterity and skill.

Tracklist:
00:00:00 Sons de Carrilhões (Arr. Apro)
00:04:02 Suite Antiga: ‘Aria’ (Arr. Apro)
00:08:24 Odeon (Arr. Apro)
00:11:20 Desvairada (Arr. Apro)
00:14:47 Modinha
00:19:03 Homenagem
00:22:58 Sonata del Caminante Vision de la Amazônia – El Gran Sertão – Danza Festiva – Toccata Nordestina
00:40:47 Esperança
00:44:33 A Santa Ceia Segundo Athayde
00:48:39 Dança das Cabeças (Arr. Apro)
 
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Composer & Artist:
Composer: Terry Riley
Artist: Jeroen van Veen

About this Album:
From ‘the man who records faster than his shadow’ a multitracked version of Terry Riley’s toolkit of minimalism, recorded over just two days by Jeroen van Veen on piano and a variety of electronic keyboards. The layers were then edited and superimposed to create the particular, hypnotic quality of the piece’s development.

Jeroen van Veen has won acclaim for his many Brilliant Classics recordings of minimalism, including his own music, but also the piano oeuvres of Philip Glass, Arvo Pärt and Ludovico Einaudi: a testament both to the variety of styles to be found under the minimalist umbrella but also to van Veen’s ready mastery of those styles. There are many recordings of In C, but almost none at budget price: this release is sure to receive wide critical and popular attention.

Terry Riley is one of the founders of the Minimalist Movement. His most famous and ground breaking work, “In C”, is based on structured interlocking repetitive patterns, creating a hypnotic, multi-layered aural sensation, which inspired many compoers and musicians after him.
On this recording Jeroen van Veen used two grand pianos, 3 electronic keyboards, clavichord, 4 synthesizers, and several other instruments, recording the layers one by one.
Another fascinating issue by Jeroen van Veen, Dutch champion of Minimal Music. His earlier issue (Pärt, Glass, Einaudi, Satie, Minimalists) are worldwide bestsellers!
The liner notes are written by Jeroen van Veen.

Tracklist:
00:00:00 In C: I. Part 1
00:06:11 In C: II. Part 2
00:10:03 In C: III. Part 3
00:17:52 In C: IV. Part 4
00:24:29 In C: V. Part 5
00:33:2 In C: VI. Part 6
00:43:52 In C: VII. Part 7
00:47:13 In C: VIII. Part 8
00:53:49 In C: IX. Part 9
01:01:30 In C: X. Part 10
01:05:03 In C: XI. Part 11
01:13:52 In C: XII. Part 12

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Composer & Artist:
Composer: Johann Sebastian Bach
Artists: Various artists

About this Album:
This 11CD set brings together the music which Johann Sebastian Bach wrote for the celebration of the Nativity, the most important feast of the liturgical year. As Cantor of the Thomaskirche in Leipzig Bach had to write a Cantata for each Sunday, and the Christmas Season inspired him to write some of his most famous, festive and jubilant Cantatas.
This set contains the complete Christmas Oratorio, other Advent and Christmas Cantatas and organ works based on the well known Christmas melodies, such as Nun Komm der Heiden Heiland, In Dulci Jubilo and Von Himmel Hoch da Komm Ich Her. Excellent performances by the Dresdner Kreuzchor, Holland Boys Choir and Netherlands Bach Collegium, soloists Arleen Auger, Peter Schreier, Theo Adam and organist Stefano Molardi.
Recordings date from 1974/5, 2010 and 2013.
Contains newly commissioned liner notes on each piece in the set by Peter Quantrill.


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Composer & Artist:
Composer: Zoltán Kodály
Artists: Hungarian State (Symphony Orchestra), Adam Fischer (conductor )


About this Album:
The best-known, most colourful orchestral works by the father of modern Hungarian music, in unbeatable native accounts.

‘The Hungarian dances presented to the world by Brahms strike the tone of urban Hungary in the 1860s, and are mainly by the composers of the time. The Dances of Marosszék are rooted in an earlier period: they conjure up an image of a Fairyland of the past.’ So wrote Zoltán Kodály in the preface to his through-composed rondo-collection of dances, but his point stands for the other works on this compilation. He was a pioneer in bringing genuinely native inflections and timbres to the context of art-music from Hungary.

Tracklist:
00:00:00 Háry János, Op. 15: I. Prelude – The Fairy-Tale Begins
00:04:11 Háry János, Op. 15: II. Viennese Musical Clock
00:06:15 Háry János, Op. 15: III. Song
00:11:53 Háry János, Op. 15: IV. Battle and Defeat of Napoleon
00:16:36 Háry János, Op. 15: V. Intermezzo
00:22:04 Háry János, Op. 15: VI. Entrance of the Emperor and his Court
00:25:22 Dances of Galánta
00:42:49 Variations on a Hungarian Folksong “The Peacock”
01:11:18 Psalmus Hungaricus, Op. 13
01:31:43 Dances of Marosszék
01:44:25 Dances of Galánta
 
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Composer & Artist:
Composer: Wolfgang Amadeus Mozart
Artists: Herman Jeurissen (horn),Netherlands (Chamber Orchestra),Roy Goodman (conductor)



About this Album:
Mozart excelled in all areas of composition, and his horn concertos – despite making up a very modest part of his total output – still reside among the finest achievements in the horn literature. The composer became acquainted with the mellow sonorities of the instrument from an early age, courtesy of his friend Joseph Leutgeb, who had been employed by the Hofkapelle in Salzburg. It was not until the remaining 10 years of his life, however, that Mozart finally set to work on his six concertos for horn.

Apart from K370b/371, which represents the composer’s first attempt at writing a horn concerto and whose musical content differs markedly from that of the later ones – there are no ‘hunting effects’ in the rondo and the first movement is more declamatory in style than lyrical – it seems that all of the works were composed for Leutgeb, who was often a target of Mozart’s mockery and teasing. Though the numerous points of harmonic, melodic and structural correspondence between the pieces suggest that Mozart did not take this genre especially seriously, the works still delight the listener for their gaiety, lightness of touch and warmth of orchestration. It is therefore a shame that only three of the six pieces remain complete, a resulting combination of more pressing work, lost manuscripts and the composer’s untimely death. Jeurissen, the soloist on this recording and principal horn player of the Residentie Orchestra in The Hague, has taken it upon himself, based on analyses of similar passages in other works by Mozart, to work up all of these fragments into playable, practical versions. The results are laudable, and Jeurissen’s passion for the works is evident from his highly accomplished, charismatic playing. Hungary.

Tracklist:
00:00:00 Horn Concerto No. 2 in E-Flat Major, KV 417: I. Allegro
00:06:29 Horn Concerto No. 2 in E-Flat Major, KV 417: II. Andante
00:09:49 Horn Concerto No. 2 in E-Flat Major, KV 417: III. Rondo: Allegro
00:13:22 Horn Concerto No. 3 in E-Flat, KV 447: I. Allegro
00:20:02 Horn Concerto No. 3 in E-Flat, KV 447: II. Romance: Larghetto
00:23:59 Horn Concerto No. 3 in E-Flat, KV 447: III. Allegro
00:27:49 Concerto movement in E Major, KV 494a: I. Allegro
00:36:51 Horn Concerto No. 1 in D Major, KV 412: I. Allegro
00:41:40 Horn Concerto No. 1 in D Major, KV 412: II. Rondo: Allegro
00:45:45 Horn Concerto in E-Flat Major, KV 370b/371: I. Allegro
00:53:06 Horn Concerto in E-Flat Major, KV 370b/371: II. Rondeau: Allegro
00:59:06 Horn Concerto No. 4 in E-Flat Major, KV 495: I. Allegro
01:06:47 Horn Concerto No. 4 in E-Flat Major, KV 495: II. Romance: Andante
01:11:13Horn Concerto No. 4 in E-Flat Major, KV 495: III. Rondo: Allegro
01:15:18 Horn Concerto No. 1 in D Major, KV 412: I. Allegro


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This fascinating survey of the Russian (and Polish!) piano concerto in 15 CDs includes the masterworks of Pyotr Ilyich Tchaikovsky and Rachmaninov – beloved examples at the pinnacle of both Russian music and the piano concerto genre – along with more- and lesser-known yet all eminently worthy works by composers from both Imperial and Soviet Russia and those by Paderewski, Scharwenka and Moszkowski, who were born in what today is Poland.

Though the piano concerto is now inextricably linked in modern minds to the Russian repertoire, the area’s isolation meant that it would take some time for the genre to take hold there, but that it would grow into a unique, characteristic and varied expression. The accompanying essay by David Moncur leads interested readers logically along the timeline of the genre’s development in the east of Europe, exploring the generational and stylistic interconnections between fellow-composers and musician colleagues who were teachers, mentors, supporters and dedicatees.

There is a special quality to Russian Piano Concertos: apart from their jaw-dropping virtuosity and orchestral brilliance they share that common Slavonic flavor, an undefinable mixture of melancholy and passion, whether smouldering or blazing.
This set contains the famous concertos by Tchaikovsky, Rachmaninoff, Shostakovich and Prokofiev, but also lesser known composers: Anton Rubinstein, Medtner, Glazunov, Kabalevsky, Scriabin, Khatchaturian, Arensky, Balakirev, Lyapunov, Bortkiewicz and Khrennikov. Adding extra spice to the set are the concertos by Scharwenka and Moszkowski, Polish by birth but Slavic in spirit.
Excellent performances by Michael Ponti, Boris Giltburg, Yevgeny Kissin, Stefan Doniga and others.

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Composer: Georg Philipp Telemann
Artists: various

About this Album:
Born in 1681, Georg Philip Telemann would inevitably suffer from comparisons with one of the towering figures of western Classical music, born just four years later: Johann Sebastian Bach. Although after his death Telemann may have been constantly cast into the Leipzig composer’s shadow, during his lifetime he was exalted as Bach’s equal and was considered one of the greatest German composers of the early 18th century. Certainly, the size of his output compares very favourably with Bach’s; Telemann was also a highly productive composer, writing over 3,000 works during his lifetime (although not all have survived). Despite his popularity falling away in the 19th century, today Telemann is almost as highly regarded as he was in his own lifetime – the large number of new recordings on this edition pays tribute to the flurry of interest that has grown around the composer Telemann over the past 30 years. After starting his career in Leipzig, Telemann became Kapellmeister in Sorau (now Żary in Poland), where by his own estimation he wrote over 200 overtures, imbued with the Polish and French influences of the court that surrounded him. The cornerstone of his output, many of these diverse overtures make up a large part of this disc. Telemann then moved first to Eisenach, in central Germany, followed by Frankfurt, his fame steadily increasing along with his output. Among his new compositions were church cantatas, psalms and other sacred works, as well as instrumental music; he became known for his concertos in the French style, which he valued above the Italian style that was more popular at the time. It was in Frankfurt that he began to write concertos for various different instruments, many of which are to be found in this edition.

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This set gathers outstanding sacred vocal music from the Renaissance, Baroque and Classical eras recounting perhaps the most dramatic and moving story in all of the Christian canon: the Passion, Death and Resurrection of Christ. In addition to these masterworks of the 16th, 17th and 18th centuries is the St John Passion of Arvo Pärt, the Estonian whose captivating, minimal, crystalline music has made him one of the most-performed living composers in the world.

The stunning performances from expert choirs and soloists cover iconic works like Handel’s Messiah, the St John and St Matthew Passions of J.S. Bach, Haydn’s Stabat Mater and Seven Last Words and three of the prolific Telemann’s more than 20 extant Passion settings and several Passion oratorios, along with hauntingly beautiful Renaissance polyphony and lesser-known gems of the Italian Baroque.

This unique box-set presents a musical journey through one of the most crucial episodes of Christianity: the suffering, death and resurrection of Jesus Christ. It tells of the deepest sorrow and anguish in the Lamentation and Stabat Mater, the moving story of the Passion, and the luminous joy of the Resurrection and the Ascension.

Included are works by Allegri, Byrd, Weelkes, Josquin, Palestrina, Gesualdo, Schütz, Pergolesi, Sturla, J.S. & C.P.E. Bach, Sturla, Telemann, Handel, Arvo Pärt, and many more. Performed by world class choirs and ensemble, like the King’s College Choir, the Clare College Choir, La Stravaganza Köln, Cappella Augustana, Rheinische Kantorei and others.
A superb collection of the most moving music ever composed, expressing both the suffering and the consolation of humanity.
Recordings date from 1978 to 2013.