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Composer: Antonio Vivaldi
Artists: Modo Antiquo, Federico Sardelli (conductor)

About this Album:
Recorded in 2002, this release contains a unique program of the complete overtures of all Vivaldi’s operas. As an opera composer, Vivaldi has long been neglected, but these works showcase his great dramatic genius.

Performances on period instruments by Modo Antiquo, conducted by Federico Maria Sardelli, one of the foremost specialists in this field, who has also recorded for full price labels such as Naïve and Deutsche Grammophon.

Tracklist:
00:00:00 La Fida Ninfa (Tempesta di mare): Allegro molto-presto
00:01:11 Arsilda: Allegro
00:03:00 Arsilda: Andante-allegro
00:06:18 Il Giustino: [allegro]
00:08:51 Il Giustino: [andante]-allegro
00:12:22 Bajazet: Allegro
00:14:42 Bajazet: Andante molto-allegro
00:18:41 L’Olimpiade: Allegro
00:20:53 L’Olimpiade: Andante-allegro
00:24:25 La Sena festeggiante: Sinfonia. Allegro
00:26:47 La Sena festeggiante: Sinfonia. Andante molto-allegro molto
00:30:57 La Sena festeggiante: Ouverture. Adagio - Presto- Adagio
00:33:38 La Sena festeggiante: Ouverture. Allegro molto
00:34:37 La Griselda: Allegro
00:36:35 La Griselda: Andante-allegro
00:40:36 Il Teuzzone: Allegro
00:42:28 Il Teuzzone: Andante-allegro
00:46:01 L’Ottone in villa: Allegro
00:48:47 L’Ottone in villa: Larghetto-[allegro]
00:50:38 Il Farnace: [allegro]
00:52:31 Il Farnace: Andante-[presto]
00:55:39 L’incoronazione di Dario: Allegro
00:58:00 L’incoronazione di Dario: [andante]-presto
01:00:44 Armida: Allegro
01:02:27 Armida: [andante]-allegro
01:05:32 La Dorilla: Allegro (3-rd movement)

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A classical TOP 30 with the intention of relaxation and chillin'. Sit back, relax, and enjoy these Chillout Tunes.

00:00:00 Piano Concerto No. 21 in C Major, K. 467: II. Andante 'Elvira Madigan'
00:06:07 Carnival of the Animals: XIII. The Swan
00:09:12 Liebestraum, S. 541: No. 3, Oh Lieb, so lang du lieben kannst in A-Flat Major
00:13:16 Serenade No. 13 in G Major, K. 525 ‘Eine kleine Nachtmusik’: II. Romanze
00:18:19 Pictures at an Exhibition: Promenade No. 2 - No. 2, The Old Castle
00:23:35 Nocturnes, Op. 9: No. 2, Nocturne in E-Flat Major
00:27:56 Orfeo ed Euridice, Act 2: Dance of the Blessed Spirits
00:35:01 Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo
00:37:05 Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
00:43:05 Thaïs, Act 2: Méditation
00:47:47 Preludes, Op. 28: No. 15, Prelude in D-Flat Major 'Raindrop'
00:52:37 Violin Concerto in D Major, Op. 77: II. Adagio
01:02:24 Piano Sonata No. 8 in C Minor, Op. 13 ‘Pathétique’: II. Adagio cantabile
01:07:11 Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 ‘Moonlight’: I. Adagio sostenuto
01:12:54 Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto
01:19:47 Bagatelle No. 25 in A Minor WoO 59 ‘Für Elise’
01:22:41 Symphony No. 5: IV. Adagietto
01:31:04 Piano Concerto No. 1 in E Minor, Op. 11: II. Romanze. Larghetto
01:41:52 Suite Bergamasque, L. 75: III. Clair de Lune
01:46:50 3 Gymnopédies: No. 1, Lent et douloureux in D Major
01:50:32 Mass in A Major, Op. 12: No. 5, Panis angelicus
01:54:04 Jesu, meine Freude, BWV 227
01:57:06 Vesperae solennes de confessore in C Major, K. 339: No. 5, Laudate Dominum
02:02:15 Sicilienne for Flute and Orchestra, Op. 78
02:05:39 Piano Concerto No. 23 in A Major, K. 488: II. Adagio
02:11:59 Ave verum corpus in D Major, K. 618
02:15:36 Berceuse, Op. 16
02:19:06 Élégie for Cello and Orchestra, Op. 24
02:25:35 Piano Trio No. 1 in D Minor, Op. 49: II. Andante con molto tranquillo
02:32:00 Dido and Aeneas, Act 3, Z. 626: When I Am Laid in Earth

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Composer: Pasquale Pericoli
Artists: Federico Bracalente (cello), Nicola Procaccini (harpsichord)

Pasquale Pericoli is now so obscured by time that neither his place and date of birth or death can be ascertained, though in the preface to these six sonatas he declares himself ‘a Neapolitan from Lecce’. Neapolitan should be loosely understood here, as the writ of its kingdom in the 18th century ran all the way east and south to the town of Lecce in the heel of Italy.

These sonatas are indeed Pericoli’s only extant works, and they are a most stylish, melodically appealing example of Neapolitan chamber music otherwise represented with greater renown by composers such as Leonardo Leo and Alessandro Scarlatti. His fame as both a performer and composer spread sufficiently far across Europe for him to work for an Italian theatre-opera company in Stockholm between 1752 and 1757. Although the style of these sonatas belongs recognisably to the Neapolitan school, Pericoli was far better than an epigone or slavish imitator, and his writing betrays first-hand knowledge of the cello and its technical possibilities, including much high writing and string-crossing in the quicker movements. The sonatas were published together as a set in 1769, and perhaps conceived as a single entity given that they were written in different keys, in an ascending scale of B flat major, C major, E flat major, F minor, G minor and A major.

Taken together, the sonatas embody a moment of significant development in the history of music in the movement from Baroque to Classical aesthetics. In this sense the Fourth Sonata is emblematic, with a sonata-form Allegro, an Aria in the guise
of a Siciliana, distinctly reminiscent of Pergolesi and Leo, and a severely contrapuntal quick finale.

The sonatas are played here by a pair of Italian musicians thoroughly versed in the historically informed performing traditions of the time.

First recording of Pericoli’s 6 Cello Sonatas.
Little is known about the life of Pasquale Pericoli, who lived and worked in the second half of the 18th century. He is known to have produced operas in Stockholm for some years, he himself claimed to be of Neapolitan origin.
His Neapolitan roots certainly are betrayed in his 6 Cello Sonatas, in which the formal structure of the Sonata (albeit in embryonic form, not yet fully developed as in the Classical Period) is imbued with melodic charm and cantabile, the cello seeming to sing instead of play.
Cellist Federico Bracalente specialised in the performance of Baroque music, playing in illustrious ensembles like the Orchestra da Camera di Mantova, and collaborates with artists such as Sara Mingardo, Alfredo Bernardini and Romina Basso.
Excellent liner notes written by a scholar, in both Italian and English.

00:00:00 Cello Sonata No. 1 in B-Flat Major: I. Allegretto
00:04:03 Cello Sonata No. 1 in B-Flat Major: II. Cantabile
00:09:07 Cello Sonata No. 1 in B-Flat Major: III. Spiritoso
00:12:37 Cello Sonata No. 2 in C Major: I. Allegro
00:15:30 Cello Sonata No. 2 in C Major: II. Cantabile
00:17:32 Cello Sonata No. 2 in C Major: III. Allegretto a modo di cembalo
00:20:00 Cello Sonata No. 3 in E-Flat Major: I. Allegretto cantabile
00:23:56 Cello Sonata No. 3 in E-Flat Major: II. Largo
00:26:51 Cello Sonata No. 3 in E-Flat Major: III. Allegro
00:29:16 Cello Sonata No. 4 in F Minor: I. Allegretto
00:33:21 Cello Sonata No. 4 in F Minor: II. Siciliana. Cantabile
00:36:30 Cello Sonata No. 4 in F Minor: III. Allegro
00:38:10 Cello Sonata No. 5 in G Minor: I. Allegretto
00:43:26 Cello Sonata No. 5 in G Minor: II. Cantabile
00:46:59 Cello Sonata No. 5 in G Minor: III. Allegro
00:49:06 Cello Sonata No. 6 in A Major: I. Allegro
00:52:48 Cello Sonata No. 6 in A Major: II. Largo
00:55:26 Cello Sonata No. 6 in A Major: III. Allegro

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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.

Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences

Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.

Tracklist can be found below!

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Composer: Franz Joseph Haydn
Artists: L'Arte dell'Arco, Federico Guglielmo (violin and concert master)

About this Album:
Haydn’s violin concertos are early works dating from the 1760s. The First in C was only discovered in 1909 in the archives of the publishers Breitkopf – 100 years after the composer’s death.

The First and Third concertos (the second is lost) were
composed for the Italian violinist Luigi Tomasini, who,
in 1761 was the concertmaster of the court chapel at
Esterhaza. Doubtless his considerable skills influenced the writing for the solo parts as it both concertos are indebted to the Italian school, with Vivaldian sequences, and in the case of the First concerto, a delicious slow movement.

The Fourth Concerto in G is a very different work in style, and it is doubtful that it was written for Tomasini. More likely (and it is by no means certain that the work is actually Haydn’s – it just has enough ‘finger prints’ to be attributed to him) it was composed
for the leader of the Morzin orchestra. It is the most old-fashioned of the three concertos on this CD, but nonetheless contains some lovely moments, especially the slow movement and the restless finale.

Tracklist:
00:00:00 Violin Concerto in C Hob VIIa: 1: I. Allegro moderato
00:09:37 Violin Concerto in C Hob VIIa: 1: II. Adagio
00:14:43 Violin Concerto in C Hob VIIa: 1: III. Presto
00:19:01 Violin Concerto in G Hob VIIa: 4: I. Allegro moderato
00:27:35 Violin Concerto in G Hob VIIa: 4: II. Adagio
00:33:17 Violin Concerto in G Hob VIIa: 4: III. Allegro
00:36:52 Violin Concerto in A Hob VIIa: 3: I. Moderato
00:47:38 Violin Concerto in A Hob VIIa: 3: II. Adagio
00:53:17 Violin Concerto in A Hob VIIa: 3: III. Allegro

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #ClassicalViolinMusic #Violin #haydn

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Composer: Antonio Vivaldi
Artists: La Magnifica Comunitá, Enrico Casazza (violin and concert master)

Vivaldi’s Four Seasons is one of the world’s most popular and widely recorded collections of music, a set that instantly became an international hit after it was first published at part of the composer’s Op.8 in 1725. No doubt it was its imitative directness – extra musical occurrences/phenomena evoked in an extremely suggestive manner and even written into the score, such as ‘the barking dog’ or ‘the drunkards’ sleep’ etc. – that caused such as sensation in its time, effortlessly bridging the gap between the salons of the highborn and the alehouses of the lowly. Today nothing has changed: the concertos are performed both by great violin virtuosos and famous hard rockers; they are works that are constantly being presented in new guises through the re-imagining and re-working of the musical score. This is an extremely infectious performance by early music specialists La Magnifica Comunitá.

00:00:00 Concerto in E, Op. 8 No. 1, RV 269, F. I/22, ‘La primavera (Spring): I. Allegro
00:03:26 Concerto in E, Op. 8 No. 1, RV 269, F. I/22, ‘La primavera (Spring): II. Allegro e pianissimo sempre
00:05:46 Concerto in E, Op. 8 No. 1, RV 269, F. I/22, ‘La primavera (Spring): III. Danza pastorale: Allegro
00:09:37 Concerto in G Minor, Op. 8 No. 2, RV 315, F. I/23, ‘l’estate’ (Summer): I. Allegro non molto
00:15:23 Concerto in G Minor, Op. 8 No. 2, RV 315, F. I/23, ‘l’estate’ (Summer): II. Adagio – Presto
00:17:39 Concerto in G Minor, Op. 8 No. 2, RV 315, F. I/23,‘l’estate’ (Summer): III. Presto
00:20:30 Concerto in F, Op. 8 No. 3, RV 293, F. I/24, Lautunno (Autumn): I. Allegro
00:25:27 Concerto in F, Op. 8 No. 3, RV 293, F. I/24, Lautunno (Autumn): II. Adagio
00:28:30 Concerto in F, Op. 8 No. 3, RV 293, F. I/24, Lautunno (Autumn): III. Allegro
00:31:44 Concerto in F Minor, Op. 8 No. 4, RV 297, F. I/25, ‘L’inverno’ (Winter): I. Allegro non molto
00:35:00 Concerto in F Minor, Op. 8 No. 4, RV 297, F. I/25, ‘L’inverno’ (Winter): II. Largo
00:37:05 Concerto in F Minor, Op. 8 No. 4, RV 297, F. I/25, ‘L’inverno’ (Winter): III. Allegro
00:40:12 Concerto in E-Flat, Op. 8 No. 5, RV 253, F. I/26, ‘La tempesta di mare’: I. Presto
00:43:01 Concerto in E-Flat, Op. 8 No. 5, RV 253, F. I/26, ‘La tempesta di mare’: II. Largo
00:45:48 Concerto in E-Flat, Op. 8 No. 5, RV 253, F. I/26, ‘La tempesta di mare’: III. Presto
00:49:24 Concerto in C, Op. 8 No. 6, RV 180, F. I/27, Il piacere: I. Allegro
00:52:35 Concerto in C, Op. 8 No. 6, RV 180, F. I/27, Il piacere: II. Largo e cantabile
00:55:49 Concerto in C, Op. 8 No. 6, RV 180, F. I/2, Il piacere: III. Allegro

Tracklist below.

Are you studying? In need for some relaxation? Listen now to our compilation of the best classical music ever made for one of the most beautiful instruments of the world: the piano! Listen to more than 2 hours of populair piano pieces. Enjoy, and go for more information to brilliantclassics.com.

Tracklist
1) 00:00:00 – Nocturne in B-Flat Minor, Op. 9 No. 1 – Frédéric Chopin
2) 00:05:13 – Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 “Moonlight”: I. Adagio sostenuto – Ludwig van Beethoven
3) 00:11:12 – Nocturne in C-Sharp Minor, Op. Posth. – Frédéric Chopin
4) 00:15:17 – Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 “Moonlight”: III. Presto agitato – Ludwig van Beethoven
5) 00:22:53 – Children’s Corner, L. 113: VI. Golliwog’s Cakewalk – Claude Debussy
6) 00:25:35 – Liebestraum No. 3, S. 541 – Franz Liszt
7) 00:30:06 – Fantasie Impromptu No. 4 in C-Sharp Minor, Op. 66 - Frédéric Chopin
8) 00:35:17 – Piano Sonata No. 8 in C Minor, Op. 13 No. 2 “Pathétique”: I. Grave – Allegro di molto e con brio – Ludwig van Beethoven
9) 00:44:25 – Nocturne in E-Flat Major, Op. 9 No. 2 – Frédéric Chopin
10) 00:48:42 – Claire de Lune, L. 32 – Claude Debussy
11) 00:53:41 – Gymnopédie No. 1. Lent et douloureux – Erik Satie
12) 00:57:21 – 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor. Allegretto non troppo – Johannes Brahms
13) 01:01:03 – Piano Sonata No. 8 in C Minor, Op. 13 No. 2 “Pathétique”: II. Adagio Cantabile – Ludwig van Beethoven
14) 01:06:47 – Polonaise in A Major, Op. 40 No. 1 “Military” - Frédéric Chopin
15) 01:12:23 – Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca. Allegretto – Wolfgang Amadeus Mozart
16) 01:15:51 – Piano Sonata No. 8 in C Minor, Op. 13 No. 2 “Pathétique”: III. Rondo. Allegro – Ludwig van Beethoven
17) 01:20:16 – 6 Moments musicaux, D. 780: No. 3, Allegro moderato – Franz Schubert
18) 01:22:20 – Lyric Pieces, Op. 54: III. March of the Dwarfs – Edvard Grieg
19) 01:25:14 – Consolation in D-Flat Major, S. 172 – Franz Liszt
20) 01:28:20 – Bagatelle in A Minor “Fur Elise”, WoO 59 – Ludwig van Beethoven
21) 01:31:11 – Polonaise in A-Flat Major, Op. 53 “Heroic” – Frédéric Chopin
22) 01:38:14 – Valses oubliées, S. 215: No. 1 – Franz Liszt
23) 01:41:20 – Consolation in E-Flat Major, S. 172 – Franz Liszt
24) 01:44:41 – Sonate facile in C Major, K. 545: I. Allegro – Wolfgang Amadeus Mozart
25) 01:48:04 – 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major “Lullaby” – Johannes Brahms
26) 01:49:41 – Nocturne in E-Flat Major, Op. 9 No. 2 – Frédéric Chopin
27) 01:53:50 – Prelude in D-Flat, Op. 28 No. 15 “Raindrop” – Frédéric Chopin
28) 01:59:05 – Intermezzo in B-Flat Minor, Op. 117 No. 2 – Johannes Brahms
29) 02:03:57 – Arabeske, Op. 18 – Robert Schumann
30) 02:10:17 – 4 Impromptus, D. 889, Op. 90: III. Impromptu in G-Flat Major – Franz Schubert
31) 02:15:33 – The Seasons, Op. 37a: No. 3, March. Song of Lark in G Minor. Adantino Esspresivo. Pyotr Ilyich Tchaikovsky
32) 02:17:13 – 2 Morceaux, Op 9: No. 1, Valse – Anatoly Lyadov
33) 02:18:44 – Lyric Pieces, Op. 43: No. 6, To Spring – Edvard Grieg
34) 02:21:10 – Waltzes, Op. 64: No. 1, Waltz in D-Flat Major “Minute Waltz” – Frédéric Chopin
35) 02:22:52 – Lieder ohne Worte, Op. 19b: No. 6, Venetian Gondola Song. Andante sostenuto – Felix Mendelssohn
36) 02:25:55 – Rêverie, L. 68 – Claude Debussy
37) 02:29:39 – Waldszenen, Op. 82: No. 7, Vogel als Prophet – Robert Schumann
38) 02:32:30 – Rhapsodies, Op. 79: No. 1 in B Minor: Agitato – Johannes Brahms

The Nocturne is a romantic piano piece in which a nocturnal, romantic atmosphere is expressed, where perfumed melodies float serenely over a calmly murmuring accompaniment.-Credit where credit is due: the inventor of the genre is the Irish composer John Field, who made fame as a pianist of his own works. It needed the genius of Chopin to perfect the genre to the highest artistic level: Chopin's Nocturnes are the archetypes of romantic piano music, and count among his best loved works.

Among the contemporaries we hear beautiful specimens of Kalkbrenner, Pleyel, Alkan and others.-Played on fortepianos from the time of composition like Broadwood, Pleyel and Érard pianos by expert Bart van Oort, who draws unexpected colours from these wonderful instruments, thus bringing us back to the salons of the 19th century

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Tracklist can be found in the comment section!

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Composers: Franz Schubert
Artists: Martijn van den Hoek (piano), Folke Nauta (piano), Pieter van Winkel (piano)

This release contains a selection of solo piano works by Schubert. An Impromptu is such a piece, typical of the romantic era. Franz Schubert wrote eight of them. The second series of four was only published after his death. They are all available on this release. Martijn van den Hoek is the pianist. Also featured are the Moments Musicaux, performed by Folka Nauta, and 3 Klavierstücke (Impromptus aus dem Nachlass) played by Pieter van Winkel.

00:00:00 Impromptus: Impromptu in C Minor, Op. 90 No. 1: Allegro molto moderato
00:09:26 Impromptus: Impromptu in E-Flat Major, Op. 90 No. 2 : Allegro
00:13:44 Impromptus: Impromptu in G-Flat Major, Op. 90 No. 3: Andante
00:19:22 Impromptus: Impromptu in A-Flat Major, Op. 90 No. 4: Allegretto
00:27:20 Impromptus: Impromptu in F Minor, Op. 142 No. 1: Allegro moderato
00:40:08 Impromptus: Impromptu in A-Flat Major, Op. 142 No. 2: Allegretto
00:48:02 Impromptus: Impromptu in B-Flat Major, Op. 142 No. 3: Andante mit Variationen (Rosamunde)
00:59:39 Impromptus: Impromptu in F Minor, Op. 142 No. 4: Allegro vivace
01:06:21 Moments musicaux, D. 780: Moderato, in C Major
01:11:56 Moments musicaux, D. 780: Andantino, in A-Flat Major
01:18:09 Moments musicaux, D. 780: Allegretto moderato, in F Minor
01:20:17 Moments musicaux, D. 780: Moderato, in C-Sharp Minor
01:25:45 Moments musicaux, D. 780: Allegro vivace, in F Minor
01:28:02 Moments musicaux, D. 780: Allegretto, in A-Flat Major
01:36:32 3 Klavierstücke (Impromptus aus dem Nachlass), D. 946: Allegro molto, in E-Flat Minor
01:49:42 3 Klavierstücke (Impromptus aus dem Nachlass), D. 946: Allegretto, in E-Flat Major
02:00:38 3 Klavierstücke (Impromptus aus dem Nachlass), D. 946: Allegro, in C Major

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Composer & Artist:
Composer: Sergei Rachmaninoff
Artists: Janáček Philharmonic Orchestra, Wolfram Schmitt-Leonardy (piano), Theodore Kuchar

About this Album:
Rachmaninoff’s fifth piano concerto? How could you have missed it? Well, do not be alarmed, there has been no such thing until last year, 2007. In fact this concerto is an arrangement of Rachmaninoff’s second symphony. But putting it like that would be selling short this work.

These days injured pianist Alexander Warenberg mainly works as a composer and arranger. He was asked to tackle the seemingly ludicrous task of changing the second symphony into a work with an important piano part. Warenberg has meticulously reworked the four movements of the symphony into the regular three movements of Rachmaninoff’s concertos.

Tracklist:
00:00:00 Symphony No. 2 in E Minor, Op. 27: I. Largo - Allegro moderato (Arranged as Piano Concerto by Alexander Warenberg)
00:18:36 Symphony No. 2 in E Minor, Op. 27: II. Adagio - Molto allegro (Arranged as Piano Concerto by Alexander Warenberg)
00:31:48 Symphony No. 2 in E Minor, Op. 27: III. Allegro vivace (Arranged as Piano Concerto by Alexander Warenberg)

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Tracklist below.

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Artist:
François Dumont (piano)
Laurent Le Flécher (violin)
Virginie Constant (cello)
Trio Élégiaque

00:00:00 Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace
00:12:05 Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione
00:21:57 Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro
00:25:40 Piano Trio in G Major, Op. 1 No. 2: IV. Finale. Presto
00:33:30 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: I. Allegro vivace
00:43:58 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: II. Largo assai ed espressivo
00:55:02 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: III. Presto
01:03:28 Piano Trio in E-Flat Major, WoO 38: I. Allegro moderato
01:07:36 Piano Trio in E-Flat Major, WoO 38: II. Scherzo. Allegro ma non troppo
01:12:01 Piano Trio in E-Flat Major, WoO 38: III. Rondo. Allegretto
01:17:05 Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio
01:26:22 Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni
01:33:26 Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio
01:36:54 Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo
01:44:43 Piano Trio in E-Flat Major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo
01:55:04 Piano Trio in E-Flat Major, Op. 70 No. 2: II. Allegretto
02:00:01 Piano Trio in E-Flat Major, Op. 70 No. 2: III. Allegretto ma non troppo
02:04:47 Piano Trio in E-Flat Major, Op. 70 No. 2: IV. Finale. Allegro
02:12:39 Piano Trio in E-Flat Major, Op. 44: 14 Variations on an Original Theme: Tema. Andante con variazioni
02:25:22 Piano Trio in E-Flat Major, Op. 1 No. 1: I. Allegro
02:35:00 Piano Trio in E-Flat Major, Op. 1 No. 1: II. Adagio cantabile
02:42:02 Piano Trio in E-Flat Major, Op. 1 No. 1: III. Scherzo. Allegro assai
02:46:56 Piano Trio in E-Flat Major, Op. 1 No. 1: IV. Finale. Presto
02:54:23 Piano Trio in D Major, After Symphony No. 2, Op. 36: I. Adagio – Allegro con brio
03:06:37 Piano Trio in D Major, After Symphony No. 2, Op. 36: II. Larghetto quasi andante
03:17:33 Piano Trio in D Major, After Symphony No. 2, Op. 36: III. Scherzo
03:21:14 Piano Trio in D Major, After Symphony No. 2, Op. 36: IV. Allegro molto
03:27:54 Triosatz in E-Flat Major, Op. Posth. (Allegretto)
03:31:18 Piano Trio in B-Flat Major, Op. 97 “Archduke”: I. Allegro moderato03:44:09 Piano Trio in B-Flat Major, Op. 97 “Archduke”: II. Scherzo. Allegro
03:50:29 Piano Trio in B-Flat Major, Op. 97 “Archduke”: III. Andante cantabile, ma però con moto – Poco più adagio
04:02:27 Piano Trio in B-Flat Major, Op. 97 “Archduke”: IV. Allegro moderato
04:09:26 Piano Trio in B-Flat Major WoO39 (Allegretto)
04:15:39 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: I. Allegro con brio
04:23:43 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: II. Andante
03:30:23 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: III. Menuetto – Trio
04:36:36 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: IV. Finale. Presto
04:42:32 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: I. Allegro con brio
04:51:23 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: II. Adagio
04:56:30 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: III. Tema. Pria ch'io l'impegno allegretto con variazioni
05:03:15 Piano Trio in G Major, Op. 121a “Ich bin der Schneider Kakadu” (Introduzione. Adagio assai – Tema. Allegretto con variazioni)
05:19:19 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: I. Adagio – Allegro con brio
05:26:38 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: II. Adagio cantabile
05:34:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: III. Tempo di menuetto
05:37:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: IV. Andante con variazioni
05:44:44 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: V. Scherzo. Allegro molto e vivace
05:48:01 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: VI. Andante con moto alla marcia – Presto

No more than a handful of pieces represent the entire musical heritage for baroque lute by Johann Sebastian Bach – not a lot when we consider the enormity of the composer’s total output. Although it is not known whether Bach himself played the instrument, the seven works which are ascribable to it continue to enjoy extraordinary attention on the part of musicians due to their exceptional quality, and indeed the majority originate from the areas of Germany that were home to the lute’s greatest exponents – musicians who we can be almost certain the composer came into contact with.

This recording thus presents four compositions in suite form and three pieces of a different nature, all belonging to the florid repertoire of the courtly Salonmusik that was in vogue among the German upper classes at the time. Performing them is acclaimed Italian lutenist Mario D’Agosto, whose changes in tonality aim to better serve the capacities of the instrument (BWV 996 and 997, for instance, were written for the ‘Lautenwerk’, a sort of lute-harpsichord favoured by Bach) and whose embellishments are testament to the high level of ornamentation which played such an intrinsic role in baroque performance practice.

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Composer: Johann Sebastian Bach
Artist: Mario D'Agosto (lute)

00:00:00 Suite in E Minor, BWV 996: I. Prelude
00:03:11 Suite in E Minor, BWV 996: II. Allemande
00:06:25 Suite in E Minor, BWV 996: III. Courante
00:09:03 Suite in E Minor, BWV 996: IV. Sarabande
00:13:02 Suite in E Minor, BWV 996: V. Bourrée
00:14:43 Suite in E Minor, BWV 996: VI. Gigue
00:18:09 Prelude, fugue and allegro in E-Flat Major, BWV 998: I. Prelude
00:21:13 Prelude, fugue and allegro in E-Flat Major, BWV 998: II. Fugue
00:28:00 Prelude, fugue and allegro in E-Flat Major, BWV 998: III. Allegro
00:32:18 Suite in G Minor, BWV 995: I. Prelude
00:38:15 Suite in G Minor, BWV 995: II. Allemande
00:43:20 Suite in G Minor, BWV 995: III. Courante
00:45:48 Suite in G Minor, BWV 995: IV. Sarabande
00:49:18 Suite in G Minor, BWV 995: V. Gavottes I & II ‘en Rondeau’
00:54:05 Suite in G Minor, BWV 995: VI. Gigue
00:56:37 Partita in C Minor, BWV 997: I. Prelude
01:00:28 Partita in C Minor, BWV 997: II. Fugue
01:08:08 Partita in C Minor, BWV 997: III. Sarabande
01:12:31 Partita in C Minor, BWV 997: IV. Gigue - Double
01:16:01 Partita in E Major, BWV 1006a: I. Prelude
01:20:47 Partita in E Major, BWV 1006a: II. Loure
01:23:55 Partita in E Major, BWV 1006a: III. Gavotte ‘en Rondeau’
01:27:31 Partita in E Major, BWV 1006a: IV. Menuets I & II
01:32:54 Partita in E Major, BWV 1006a: V. Bourrée
01:35:19 Partita in E Major, BWV 1006a: VI. Gigue
01:38:09 Prelude in C Minor, BWV 999
01:39:47 Fugue in G Minor, BWV 1000

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Composer & Artist:
Composer: Frédéric François Chopin
Artists: Various artists

About this Album:
3 CD's containing the best music composed by Frédéric François Chopin.

Tracklist:
00:00:00 Ballade No. 1 in G Minor, Op. 23
00:08:28 Prelude in C sharp Minor, Op. 45
00:12:53 Rondo a la Mazur in F, Op. 5
00:22:37 Polonaise in A, Op. 40 No. 1 “Military”
00:28:13 Etude in A-Flat, Op. 25 NO. 1 “Aeolian Harp”
00:30:51 Waltz in E-Flat, Op. 18
00:35:58 Nocturne in C-Sharp Minor, Op. 27 No. 1
00:41:03 Mazurka Op.24 No. 1 in G Minor
00:44:03 Mazurka Op. 24 No. 2 in C
00:46:25 Mazurka Op. 24 No. 3 in A-Flat
00:48:55 Mazurka Op. 24 No. 4 in B-Flat Mino
00:53:04 Fantasie in F Minor, Op. 49
01:06:14 Andante Spianato et Grande Polonaise Brilliante in E-Flat, Op. 22
01:20:31 Nocturne in D-Flat, Op. 27 No. 2
01:26:57 Krakoviak for piano & orchestra, Op. 14
01:42:49 Nocturne in C-Sharp Minor, Op. Posth.
01:46:54 Mazurka Op. 59 No. 1 in A Minor
01:50:32 Mazurka Op. 59 No. 2 in A-Flat
01:53:16 Mazurka Op. 59 No. 3 in F-Sharp Minor
01:56:45 Impromptu in A-Flat, Op. 29
02:00:32 Waltz in A Minor, Op. 34 No. 1
02:05:56 Ballade No. 4 in F Minor, Op. 52
02:17:21 Berceuse in D-Flat, Op. 57
02:22:30 Polonaise in A-Flat, Op. 53 “Heroic”
02:29:32 Nocturne in E-Flat, Op. 9 No. 2
02:33:42 Waltz in D-Flat, Op. 64 No. 1 “Minute Waltz”
02:35:28 Waltz in C-Sharp Minor, Op. 64 No. 2
02:39:09 Ballade No. 3 in A-Flat, Op. 47
02:46:31 Souvenir de Paganini
02:50:49 Fantasie-Impromptu No. 4 in C-Sharp Minor, Op. 66
02:55:59 Etude in E, Op. 10 No. 3 “Tristesse”
03:00:02 Scherzo No. 2 in B-Flat Minor, Op. 31
03:09:52 Prelude in D-Flat, Op. 28 No. 15 “Raindrop”
03:15:08 Etude in C Minor, Op. 10 No. 12 “Revolutionary”
03:17:54 Nocturne in B-Flat Minor, Op. 9 No. 1
03:23:07 Barcarolle in F-Sharp, Op. 60

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Tracklist below.

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A deeply personal project, this transcription for organ of three of Bach’s works for violin and orchestra represents the fulfilment of a dream more than 20 years in the making. Organist Daniele Boccaccio admits that, originally, he thought it impossible to create an effective and faithful transcription of these pieces with which he fell in love at the age of 21. After years of fermentation, however, the idea grew irresistible. The result is compelling, and Boccaccio treads a well-chosen path that prioritises fidelity – his approach to the transcribing process informed by Bach’s own transcriptions of Vivaldi Concertos – but leaves room for personalisation, and makes sure that the ensuing pieces are never lacking in fullness. More than two decades after his initial discovery of the Bach works, Boccaccio has succeeded in bringing them well and truly into the realm of his instrument.

Boccacio remains the youngest ever winner of the Noale National Organ Competition (1985). He has gone on to enjoy a varied career as an organist, participating in a wide array of performances, recordings, teaching and masterclasses in Italy, Austria and beyond.

00:00:00 Concerto in D Major, BWV 1042: I. Allegro
00:07:44 Concerto in D Major, BWV 1042: II. Adagio
00:13:40 Concerto in D Major, BWV 1042: III. Allegro assai
00:16:31 Concerto in G Minor, BWV 1041: I. Allegro
00:20:23 Concerto in G Minor, BWV 1041: II. Andante
00:26:38 Concerto in G Minor, BWV 1041: III. Allegro assai
00:30:34 Concerto in C Minor, BWV 1043: I. Vivace
00:34:26 Concerto in C Minor, BWV 1043: II. Largo, ma non tanto
00:40:57 Concerto in C Minor, BWV 1043: III. Allegro

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Composer: Franz Liszt

Franz Liszt is universally celebrated as one of the greatest-ever virtuoso performers on the modern piano. Contemporary accounts describe his seemingly superhuman technical abilities and equally striking charisma and stage presence. Yet Liszt was a formidable composer, and his expansion of pianistic possibilities was achieved as much through innovation in his own great piano works as through his astonishing performance on the instrument, if not more. Like many child virtuosos thrust early into busy concert careers (Liszt’s began at the age of nine) he retired early, weary of the spotlight, turning his back on the stage at the remarkably early age of 35. Since he lived to the likewise remarkable old age of 75, much more than the latter half of his life was devoted solely to composition, and having been a pianist of his calibre, the works he created for his own instrument were indeed groundbreaking.

Tracklist Below:

Played by: Vincenzo Maltempo
00:00:00 Hungarian Rhapsodies No. 1 in C-Sharp Minor, S.244/1
00:13:02 Hungarian Rhapsodies No. 2 in C-Sharp Minor, S.244/2
00:25:41 Hungarian Rhapsodies No. 3 in B-Flat Minor, S.244/3
00:30:58 Hungarian Rhapsodies No. 4 in E-Flat Major
00:36:20 Hungarian Rhapsodies No. 5 in E Minor, S.244/5
00:46:17 Hungarian Rhapsodies No. 6 in D-Flat Major, S.244/6
00:53:22 Hungarian Rhapsodies No. 7 in D Minor, S.244/7
00:58:57 Hungarian Rhapsodies No. 8 in F-Sharp Minor, S.244/8
01:06:13 Hungarian Rhapsodies No. 9 in E-Flat Major, S.244/9
01:17:35 Hungarian Rhapsodies No. 10 in E Major, S.244/10
01:23:39 Hungarian Rhapsodies No. 11 in A Minor, S.244/11
01:29:37 Hungarian Rhapsodies No. 12 in C-Sharp Minor, S.244/12
01:39:56 Hungarian Rhapsodies No. 13 in A Minor, S.244/13
01:50:05 Hungarian Rhapsodies No. 14 in F Minor, S.244/14
02:02:59 Hungarian Rhapsodies No. 15 in A Minor, S.244/15
02:08:49 Hungarian Rhapsodies No. 16 in A Minor, S.244/16
02:13:50 Hungarian Rhapsodies No. 17 in D Minor, S.244/17
02:16:46 Hungarian Rhapsodies No. 18 in F-Sharp Minor, S.244/18
02:19:53 Hungarian Rhapsodies No. 19 in D Minor, Ss.244/19

Played by: Enrico Pace
02:30:04 Années de pèlerinage I, S.160: I. Chapelle de Guillaume Tell
02:35:34 Années de pèlerinage I, S.160: II. Au lac de Wallenstadt
02:38:43 Années de pèlerinage I, S.160: III. Pastorale
02:40:24 Années de pèlerinage I, S.160: IV. Au bord d'une source
02:44:22 Années de pèlerinage I, S.160: V. Orage
02:48:29 Années de pèlerinage I, S.160: VI. Vallée d'Obermann
03:02:20 Années de pèlerinage I, S.160: VII. Eglogue
03:05:58 Années de pèlerinage I, S.160: VIII. Le mal du pays
03:11:54 Années de pèlerinage I, S.160: IX. Les cloches de Genève

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00:00:00 Pièces de Clavecin en concerts, Concert No. 1: I. La coulicam
00:03:26 Pièces de Clavecin en concerts, Concert No. 1: II. La livri
00:06:00 Pièces de Clavecin en concerts, Concert No. 1: III. Le vézinet
00:09:26 Pièces de Clavecin en concerts, Concert No. 2: I. La laborde
00:14:47 Pièces de Clavecin en concerts, Concert No. 2: II. La bboucon
00:19:31 Pièces de Clavecin en concerts, Concert No. 2: III. L’Agaçante
00:22:06 Pièces de Clavecin en concerts, Concert No. 2: IV. Menuet No. 1 - Menuet No. 2
00:26:37 Pièces de Clavecin en concerts, Concert No. 3: I. La la poplinière
00:29:34 Pièces de Clavecin en concerts, Concert No. 3: II. La timide
00:34:41 Pièces de Clavecin en concerts, Concert No. 3: III. Tambourin
00:36:53 Pièces de Clavecin en concerts, Concert No. 4: I. La pantomime
00:41:40 Pièces de Clavecin en concerts, Concert No. 4: II. L’Indiscrète
00:43:02 Pièces de Clavecin en concerts, Concert No. 4: III. La Rameau
00:47:09 Pièces de Clavecin en concerts, Concert No. 5: La Forqueray
00:51:43 Pièces de Clavecin en concerts, Concert No. 5: La Cupis
00:57:31 Pièces de Clavecin en concerts, Concert No. 5: La Marais
00:59:59 Premier livre de pièces de clavecin: I. Prélude
01:02:37 Premier livre de pièces de clavecin: II. Allemande No. 1
01:08:00 Premier livre de pièces de clavecin: III. Allemande No. 2
01:09:48 Premier livre de pièces de clavecin: IV. Courante
01:11:32 Premier livre de pièces de clavecin: V. Gigue
01:13:52 Premier livre de pièces de clavecin: VI. Sarabande No. 1 - Sarabande No. 2
01:16:20 Premier livre de pièces de clavecin: VII. Vénitienne
01:17:36 Premier livre de pièces de clavecin: VIII. Gavotte
01:19:40 Premier livre de pièces de clavecin: IX. Menuet
01:20:36 Pièces de clavecin, Suite No. 2 in E Minor: I. Allemande
01:25:00 Pièces de clavecin, Suite No. 2 in E Minor: II. Courante
01:26:36 Pièces de clavecin, Suite No. 2 in E Minor: III. Gigue en rondeau
01:27:54 Pièces de clavecin, Suite No. 2 in E Minor: IV. Gigue en rondeau No. 2
01:29:56 Pièces de clavecin, Suite No. 2 in E Minor: V. Le rappel des oiseaux
01:32:28 Pièces de clavecin, Suite No. 2 in E Minor: VI. Rigaudon
01:33:40 Pièces de clavecin, Suite No. 2 in E Minor: VII. Musette en rondeau
01:36:03 Pièces de clavecin, Suite No. 2 in E Minor: VIII. Tambourin

01:37:17 Pièces de clavecin, Suite No. 2 in E Minor: XI. Rondeau. La villageoise
01:39:56 Pièces de clavecin, Suite No. 3 in D Major: I. Rondeau. Les tendres plaintes
01:43:20 Pièces de clavecin, Suite No. 3 in D Major: II. Les niais de sologne et deux doubles
01:49:11 Pièces de clavecin, Suite No. 3 in D Major: III. Tendrement. Les Soupirs
01:54:21 Pièces de clavecin, Suite No. 3 in D Major: IV. Rondeau. La joyeuse
01:55:29 Pièces de clavecin, Suite No. 3 in D Major: V. Rondeau. La follette
01:56:42 Pièces de clavecin, Suite No. 3 in D Major: VI. L’Entretien des muses
02:02:55 Pièces de clavecin, Suite No. 3 in D Major: VII. Rondeau. Les tourbillons
02:05:16 Pièces de clavecin, Suite No. 3 in D Major: VIII. Rondeau. Les cyclopes
02:08:58 Pièces de clavecin, Suite No. 3 in D Major: IX. Menuet. Le lardon
02:09:33 Pièces de clavecin, Suite No. 3 in D Major: X. La boiteuse
02:10:19 La Dauphine
02:14:08 Les Petits Marteaux
02:15:52 Nouvelles suites de pièces de Clavecin: I. Allemande
02:22:52 Nouvelles suites de pièces de Clavecin: II. Courante
02:26:40 Nouvelles suites de pièces de Clavecin: III. Sarabande
02:29:04 Nouvelles suites de pièces de Clavecin: IV. Les trois mains
02:34:09 Nouvelles suites de pièces de Clavecin: V. Fanfarinette
02:36:03 Nouvelles suites de pièces de Clavecin: VI. La triomphante
02:37:42 Nouvelles suites de pièces de Clavecin: VII. Gavotte et six doubles
02:45:55 Nouvelles suites de pièces de Clavecin: VIII. Rondeau. Les tricotets
02:48:13 Nouvelles suites de pièces de Clavecin: IX. L’Indifférente
02:49:35 Nouvelles suites de pièces de Clavecin: X. Menuet No. 1 - Menuet No. 2
02:51:46 Nouvelles suites de pièces de Clavecin: XI. La poule
02:56:54 Nouvelles suites de pièces de Clavecin: XII. Les triolets
02:59:57 Nouvelles suites de pièces de Clavecin: XIII. Les sauvages
03:02:17 Nouvelles suites de pièces de Clavecin: XIV. L’Enharmonique
03:08:58 Nouvelles suites de pièces de Clavecin: XV. L’Égyptienne

Artist:
Pieter-Jan Belder (harpsichord)
Musica Amphion

Tracklist below.
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Le Nuove Musiche, a vibrant young ensemble from the Netherlands, specialises in music from the first half of the 17thcentury. While seeking to maintain authentic performance standards, the ensemble brings the music very much into the present, arguing that artistic questions of the past still permeate the musical landscape today. Featuring a captivating group of solo singers, who between them have performed with the Amsterdam Baroque Choir and The Bach Choir & Orchestra of The Netherlands, the ensemble is headed by Krijn Koetsveld, leader and harpsichordist, who has previously collaborated with the Groot Omroepkoor and the prestigious Netherlands Chamber Choir.

This is the second of a planned release of Claudio Monteverdi’s complete madrigals.The fifth and sixth book – already released on Brilliant Classics as 93799 – were the first to break with tradition and herald ‘la seconda pratica’, the era of the basso continuo. From then on, the publication of Monteverdi’s innovative settings were eagerly awaited, as they set the stage for more instrumental ritornellos, a newly important basso continuo and the addition of ornamentation around the bass and vocal parts. The book finishes with a ballo, Tirsi e Clori, a love duet with a five‐part accompaniment, highly elaborate, with a chatty Tirsi contrasting with a sweet and melodic Clori. When the two singers come together with the rest of the ensemble, the listener is treated to the pinnacle of the madrigal era. 00:00:00 Sinfonia – Tempro la cetra, SV 117
00:08:11 A quest’olmo, a quest’ombre, SV 119
00:14:02 Non è di gentil core, SV 118
00:17:49 O come sei gentile, SV 120
00:21:49 Io son pur vezzosetta pastorella, SV 121
00:25:05 O viva fiamma, o miei sospiri ardenti, SV 122
00:28:13 Vorrei baciarti, SV 123
00:32:33 Dice la mia bellissima Licori, SV 124
00:35:02 Non vedrò mai le stelle, SV 126
00:38:58 Ah, che non si conviene, SV 125
00:42:12 Ecco vicine, o bella tigre, l’ore, SV 127
00:46:15 Perché fuggi tra’ salci, SV 128
00:49:31 Tornate, o cari baci, SV 129
00:52:11 Soave libertate, SV 130
00:55:38 Se ’l vostro cor, Madonna, SV 131
00:58:41 Interrotte speranze, eterna fede, SV 132
01:01:14 Augellin, che la voce al canto spieghi, SV 133
01:04:42 Vaga su spina ascosa, SV 134
01:07:34 Eccomi pronta ai baci, SV 135
01:10:07 Parlo, miser, o taccio?, SV 136
01:14:36 Tu dormi, ah crudo core!, SV 137
01:17:47 Al lume de le stelle, SV 138
01:21:50 Con che soavità, labbra adorate, SV 139
01:26:21 Ohimé, dove il mio ben, SV 140
01:31:02 Se i languidi miei sguardi, SV 141
01:38:49 Se pur destina e vole, SV 142
01:47:42 Chiome d’oro, SV 143
01:50:49 Amor, che deggio far?, SV 144
01:55:33 Ballo. Tirsi e Clori, SV 145

Artist:
Le Nuove Musiche
Krijn Koetsveld (artistic leader)

Physical purchase: http://www.brilliantclassics.c....om/articles/b/beetho
Facebook page: https://www.facebook.com/brilliantclassics/

Composer: Ludwig van Beethoven
Violin concerto:Emmy Verhey (violin), Utrecht Symphony Orchestra, Hans Vonk (conductor)
Romances No. 2: Royal Philharmonic Orchestra, Hans Vonk (conductor)
Romances No. 1: Brabant Orchestra, Eduardo Marturet (conductor)


Thé violin concerto by Beethoven together with the two Romances for violin and orchestra. The soloist is Emmy Verhey.

00:00:00 Violin Concerto in D Major, Op. 61: Allegro ma non troppo
00:25:53 Violin Concerto in D Major, Op. 61: Larghetto
00:35:43 Violin Concerto in D Major, Op. 61: Rondo
00:46:32 Romance for Violin & Orchestra No. 2 in F Major, Op. 50
00:55:44 Romance for Violin & Orchestra No. 1 in G Major, Op. 40

The maestro of Minimalist piano music has done it again, with an album of gentle melodies and soothing sounds from Yann Tiersen (b.1970) a composer best known outside his native France for the soundtrack to the movie Amélie (2001): the soundtrack sold over 200,000 copies in his homeland, and became Platinum in the US and Germany.

For the complete Album Click the following Links:

Buy CD: http://brilliantclassics.com/a....rticles/t/tiersen-po
Download via iTunes: https://itunes.apple.com/nl/al....bum/tiersen-pour-ame
Listen on Spotify: https://open.spotify.com/album..../0yK5uQabfypXDhYEsis

Artist:
Jeroen van Veen

Spotify: https://open.spotify.com/album..../2b3Sia98rloJFFNlf3I
Physical CD: http://brilliantclassics.com/a....rticles/j/js-bach-ch
iTunes: https://itunes.apple.com/album/id944183966?ls=1&app=itunes

Here perhaps is the very heart of Bach; a very palpable demonstration of his heritage and impact. Bach revered his forebears, while at the same time wishing to renew their legacy – both that of his own, already notable Bach family and of their musical contemporaries – and leave a mark on posterity. His endless inventiveness in taking the old hymn tunes devised in the generations before him, and clothing them in rich and strange harmonies, each one tailored to the specific text and mood of its content, creates a box of small wonders.

Composer:
Johann Sebastian Bach

Artist:
Chamber Choir of Europe
Nicol Matt (conductor)