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Composer & Artist:
Composer: Johann Sebastian Bach
Artists: Various artists

About this Album:
This 11CD set brings together the music which Johann Sebastian Bach wrote for the celebration of the Nativity, the most important feast of the liturgical year. As Cantor of the Thomaskirche in Leipzig Bach had to write a Cantata for each Sunday, and the Christmas Season inspired him to write some of his most famous, festive and jubilant Cantatas.
This set contains the complete Christmas Oratorio, other Advent and Christmas Cantatas and organ works based on the well known Christmas melodies, such as Nun Komm der Heiden Heiland, In Dulci Jubilo and Von Himmel Hoch da Komm Ich Her. Excellent performances by the Dresdner Kreuzchor, Holland Boys Choir and Netherlands Bach Collegium, soloists Arleen Auger, Peter Schreier, Theo Adam and organist Stefano Molardi.
Recordings date from 1974/5, 2010 and 2013.
Contains newly commissioned liner notes on each piece in the set by Peter Quantrill.


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Composer & Artist:
Composer: Zoltán Kodály
Artists: Hungarian State (Symphony Orchestra), Adam Fischer (conductor )


About this Album:
The best-known, most colourful orchestral works by the father of modern Hungarian music, in unbeatable native accounts.

‘The Hungarian dances presented to the world by Brahms strike the tone of urban Hungary in the 1860s, and are mainly by the composers of the time. The Dances of Marosszék are rooted in an earlier period: they conjure up an image of a Fairyland of the past.’ So wrote Zoltán Kodály in the preface to his through-composed rondo-collection of dances, but his point stands for the other works on this compilation. He was a pioneer in bringing genuinely native inflections and timbres to the context of art-music from Hungary.

Tracklist:
00:00:00 Háry János, Op. 15: I. Prelude – The Fairy-Tale Begins
00:04:11 Háry János, Op. 15: II. Viennese Musical Clock
00:06:15 Háry János, Op. 15: III. Song
00:11:53 Háry János, Op. 15: IV. Battle and Defeat of Napoleon
00:16:36 Háry János, Op. 15: V. Intermezzo
00:22:04 Háry János, Op. 15: VI. Entrance of the Emperor and his Court
00:25:22 Dances of Galánta
00:42:49 Variations on a Hungarian Folksong “The Peacock”
01:11:18 Psalmus Hungaricus, Op. 13
01:31:43 Dances of Marosszék
01:44:25 Dances of Galánta
 
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Composer & Artist:
Composer: Wolfgang Amadeus Mozart
Artists: Herman Jeurissen (horn),Netherlands (Chamber Orchestra),Roy Goodman (conductor)



About this Album:
Mozart excelled in all areas of composition, and his horn concertos – despite making up a very modest part of his total output – still reside among the finest achievements in the horn literature. The composer became acquainted with the mellow sonorities of the instrument from an early age, courtesy of his friend Joseph Leutgeb, who had been employed by the Hofkapelle in Salzburg. It was not until the remaining 10 years of his life, however, that Mozart finally set to work on his six concertos for horn.

Apart from K370b/371, which represents the composer’s first attempt at writing a horn concerto and whose musical content differs markedly from that of the later ones – there are no ‘hunting effects’ in the rondo and the first movement is more declamatory in style than lyrical – it seems that all of the works were composed for Leutgeb, who was often a target of Mozart’s mockery and teasing. Though the numerous points of harmonic, melodic and structural correspondence between the pieces suggest that Mozart did not take this genre especially seriously, the works still delight the listener for their gaiety, lightness of touch and warmth of orchestration. It is therefore a shame that only three of the six pieces remain complete, a resulting combination of more pressing work, lost manuscripts and the composer’s untimely death. Jeurissen, the soloist on this recording and principal horn player of the Residentie Orchestra in The Hague, has taken it upon himself, based on analyses of similar passages in other works by Mozart, to work up all of these fragments into playable, practical versions. The results are laudable, and Jeurissen’s passion for the works is evident from his highly accomplished, charismatic playing. Hungary.

Tracklist:
00:00:00 Horn Concerto No. 2 in E-Flat Major, KV 417: I. Allegro
00:06:29 Horn Concerto No. 2 in E-Flat Major, KV 417: II. Andante
00:09:49 Horn Concerto No. 2 in E-Flat Major, KV 417: III. Rondo: Allegro
00:13:22 Horn Concerto No. 3 in E-Flat, KV 447: I. Allegro
00:20:02 Horn Concerto No. 3 in E-Flat, KV 447: II. Romance: Larghetto
00:23:59 Horn Concerto No. 3 in E-Flat, KV 447: III. Allegro
00:27:49 Concerto movement in E Major, KV 494a: I. Allegro
00:36:51 Horn Concerto No. 1 in D Major, KV 412: I. Allegro
00:41:40 Horn Concerto No. 1 in D Major, KV 412: II. Rondo: Allegro
00:45:45 Horn Concerto in E-Flat Major, KV 370b/371: I. Allegro
00:53:06 Horn Concerto in E-Flat Major, KV 370b/371: II. Rondeau: Allegro
00:59:06 Horn Concerto No. 4 in E-Flat Major, KV 495: I. Allegro
01:06:47 Horn Concerto No. 4 in E-Flat Major, KV 495: II. Romance: Andante
01:11:13Horn Concerto No. 4 in E-Flat Major, KV 495: III. Rondo: Allegro
01:15:18 Horn Concerto No. 1 in D Major, KV 412: I. Allegro


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This fascinating survey of the Russian (and Polish!) piano concerto in 15 CDs includes the masterworks of Pyotr Ilyich Tchaikovsky and Rachmaninov – beloved examples at the pinnacle of both Russian music and the piano concerto genre – along with more- and lesser-known yet all eminently worthy works by composers from both Imperial and Soviet Russia and those by Paderewski, Scharwenka and Moszkowski, who were born in what today is Poland.

Though the piano concerto is now inextricably linked in modern minds to the Russian repertoire, the area’s isolation meant that it would take some time for the genre to take hold there, but that it would grow into a unique, characteristic and varied expression. The accompanying essay by David Moncur leads interested readers logically along the timeline of the genre’s development in the east of Europe, exploring the generational and stylistic interconnections between fellow-composers and musician colleagues who were teachers, mentors, supporters and dedicatees.

There is a special quality to Russian Piano Concertos: apart from their jaw-dropping virtuosity and orchestral brilliance they share that common Slavonic flavor, an undefinable mixture of melancholy and passion, whether smouldering or blazing.
This set contains the famous concertos by Tchaikovsky, Rachmaninoff, Shostakovich and Prokofiev, but also lesser known composers: Anton Rubinstein, Medtner, Glazunov, Kabalevsky, Scriabin, Khatchaturian, Arensky, Balakirev, Lyapunov, Bortkiewicz and Khrennikov. Adding extra spice to the set are the concertos by Scharwenka and Moszkowski, Polish by birth but Slavic in spirit.
Excellent performances by Michael Ponti, Boris Giltburg, Yevgeny Kissin, Stefan Doniga and others.

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Composer: Georg Philipp Telemann
Artists: various

About this Album:
Born in 1681, Georg Philip Telemann would inevitably suffer from comparisons with one of the towering figures of western Classical music, born just four years later: Johann Sebastian Bach. Although after his death Telemann may have been constantly cast into the Leipzig composer’s shadow, during his lifetime he was exalted as Bach’s equal and was considered one of the greatest German composers of the early 18th century. Certainly, the size of his output compares very favourably with Bach’s; Telemann was also a highly productive composer, writing over 3,000 works during his lifetime (although not all have survived). Despite his popularity falling away in the 19th century, today Telemann is almost as highly regarded as he was in his own lifetime – the large number of new recordings on this edition pays tribute to the flurry of interest that has grown around the composer Telemann over the past 30 years. After starting his career in Leipzig, Telemann became Kapellmeister in Sorau (now Żary in Poland), where by his own estimation he wrote over 200 overtures, imbued with the Polish and French influences of the court that surrounded him. The cornerstone of his output, many of these diverse overtures make up a large part of this disc. Telemann then moved first to Eisenach, in central Germany, followed by Frankfurt, his fame steadily increasing along with his output. Among his new compositions were church cantatas, psalms and other sacred works, as well as instrumental music; he became known for his concertos in the French style, which he valued above the Italian style that was more popular at the time. It was in Frankfurt that he began to write concertos for various different instruments, many of which are to be found in this edition.

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This set gathers outstanding sacred vocal music from the Renaissance, Baroque and Classical eras recounting perhaps the most dramatic and moving story in all of the Christian canon: the Passion, Death and Resurrection of Christ. In addition to these masterworks of the 16th, 17th and 18th centuries is the St John Passion of Arvo Pärt, the Estonian whose captivating, minimal, crystalline music has made him one of the most-performed living composers in the world.

The stunning performances from expert choirs and soloists cover iconic works like Handel’s Messiah, the St John and St Matthew Passions of J.S. Bach, Haydn’s Stabat Mater and Seven Last Words and three of the prolific Telemann’s more than 20 extant Passion settings and several Passion oratorios, along with hauntingly beautiful Renaissance polyphony and lesser-known gems of the Italian Baroque.

This unique box-set presents a musical journey through one of the most crucial episodes of Christianity: the suffering, death and resurrection of Jesus Christ. It tells of the deepest sorrow and anguish in the Lamentation and Stabat Mater, the moving story of the Passion, and the luminous joy of the Resurrection and the Ascension.

Included are works by Allegri, Byrd, Weelkes, Josquin, Palestrina, Gesualdo, Schütz, Pergolesi, Sturla, J.S. & C.P.E. Bach, Sturla, Telemann, Handel, Arvo Pärt, and many more. Performed by world class choirs and ensemble, like the King’s College Choir, the Clare College Choir, La Stravaganza Köln, Cappella Augustana, Rheinische Kantorei and others.
A superb collection of the most moving music ever composed, expressing both the suffering and the consolation of humanity.
Recordings date from 1978 to 2013.

Spring Waltz (Yiruma ) played by Jeroen van Veen.

Variously described as “contemporary classical”, “minimalist” and even “New Age”, Yiruma’s gorgeously peaceful music is
impossible to classify – it is simply there to be enjoyed.

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This is a sparkling set of concertos for the trumpet along with other pieces that highlight the instrument, providing vivid readings of some of the most renowned masterworks in the trumpet repertoire plus recordings of lesser-known yet equally idiomatic compositions.

Joining the well loved Classical trumpet concertos of Haydn and Hummel are the many Baroque works featuring trumpet by Telemann and an Italian champion of the instrument, Giuseppe Torelli, along with famous pieces by Vivaldi and Handel. We find another prolific trumpet composer in the German baroque violinist Johann Melchior Molter, and fine concertos from Quantz, famed more for his flute music, and Johannes Matthias Sperger, a renowned player of and composer for the double bass.

The music of Quantz’s teacher, Jan Dismas Zelenka, is enjoying a revival, as is that of Johann Friedrich Fasch, admired by both Bach and Telemann, who wrote an extraordinary concerto for three wind choirs with nine trumpets between them. Later in the 18th century, some composers stretched the limits of virtuosity in the natural trumpet, before the advent of valves around 1815. These include Georg Reutter II and the enigmatic Franz Querfurth, who both demanded sustained playing in the highest register. Tuscan composer Francesco Manfredini, like Querfurth, is known today for little else besides his trumpet concerto, while the majority of his works are now lost to history.

Authors who wrote prominently for the trumpet in pieces other than concertos include Johann Schmelzer and Johann Joseph Fux, along with Fux’s student František Tůma, while Beethoven’s composition teacher Johann Georg Albrechtsberger wrote concertos for the jaw harp, whose harmonics are well suited to adaptation for the natural trumpet.

Though somewhat overshadowed by their more illustrious family members, Michael Haydn and Leopold Mozart both wrote fine trumpet concertos, while two generations of Bibers, Carl Heinrich and his more prominent father Heinrich Ignaz Franz, composed sonatas and dances for multiple trumpets.

Rounding out this set are outstanding modern additions to the trumpet repertoire, including trumpet concertos by the Armenian Alexander Arutiunian and French composer André Jolivet, as well as Shostakovich’s Piano Concerto No.1, which casts the solo trumpet in a prominent role.

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Artist:
Jeroen van Veen

Tracklist:
1 Heldenklage, NWV 2
2 Ungarischer Marsch, NWV 5
3 Édes titok
4 So lach doch mal, NWV 9
5 Da geht ein Bach, NWV 10b
6 In Mondschein auf der Puszta, NWV 11
7 Ermanarich, Symphonische Dichtung
8 Unserer Altvordern eingedenk, NWV 13: I. Mazurka
9 Unserer Altvordern eingedenk, NWV 13: II. Aus der Czarda
10 Das zerbrochene Ringlein
11 Albumblatt
12 Das Fragment an sich, NWV 35
13 Hymnus an die Freundschaft, NWV 42: I. Vorspiel
14 Hymnus an die Freundschaft, NWV 42: II. Hymnus erste Strophe
15 Hymnus an die Freundschaft, NWV 42: III.Erstes Zwischenspiel
16 Hymnus an die Freundschaft, NWV 42: IV. Hymnus zweite Strophe
17 Hymnus an die Freundschaft, NWV 42: V. Zweites Zwischenspiel5’10
18 Hymnus an die Freundschaft, NWV 42: VI. seht Fest
19 Hymnus an die Freundschaft, NWV 42: VII. Hymnus dritte Strophe

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Brilliant Classics presents the top 50 most popular wedding classics. Featuring composers such as J.S. Bach, Mozart, Mendelssohn, Wagner, Händel and Vivaldi. Performed by vocalists and choirs such as the Royal Philharmonic Orchestra, Staatskapelle Berlin, Consort of London, Choir of St. John’s College Cambridge.

00:00:00 Mendelssohn - Wedding March in C Major
00:05:05 Wagner - Lohengrin, WWV 75: Treulich geführt ziehet dahin – Das süße Lied Verhallt (Bridal chorus)
00:13:28 Händel - Solomon, HWV 67, Sinfonia II, Pt. III: I. Arrival of the Queen of Sheba
00:16:37 Albinoni - Adagio in G Minor
00:23:16 Pachelbel - Canon and Gigue in D Major, P.37: I. Canon
00:27:59 Faure - Cantique de Jean Racine, Op. 11
00:33:20 Mozart - Ave verum corpus in D Major, K. 618
00:36:52 Franck - Mass in A Major, Op. 12: V. Panis angelicus
00:40:20 Bach - Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
00:44:36 Bach - Herz und Mund und Tat und Leben, BWV 147: X. Jesu bleibet meine Freude
00:47:47 Händel - Messiah, HWV 56, Pt. 2: XLIV. Hallelujah!
00:51:22 Händel - Zadok the Priest, HWV 258
00:56:40 Verdi - Aida, Pt. 2: I. Grand March
01:04:18 Elgar - Variations on an Original Theme "Enigma", Op. 36
01:08:03 Offenbach - Orphée aux enfers, Pt. 2: XV. Can-Can
01:10:16 Puccini - Turandot, Pt. 3: I. Aria. Nessun dorma
01:13:16 Vivaldi - Gloria in D Major, RV 589: I. Gloria in excelsis deo
01:15:26 Saint-Saëns - Carnival of the Animals: XIII. The Swan
01:18:33 Händel - Serse, HWV 40: Ombra mai fu
01:22:50 Mascagni - Cavalleria Rusticana: VII. Intermezzo
01:25:45 Vivaldi - Le quattro stagione, Concerto No. 1 in E Major, RV 269: I. Allegro
01:29:11 Händel - Music for the Royal Fireworks, HWV 351: IV. La réjouissance
01:31:26 Händel - Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
01:35:13 Boccherini - String Quintet in E Major, G. 275: III. Menuet
01:38:27 Grieg - Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
01:42:39 Grieg - Lyric Pieces, Op. 65: VI. Wedding Day at Troldhaugen
01:48:56 Fauré - Pavane in F-Sharp Minor, Op. 50
01:55:23 Parry - Jerusalem
01:58:15 Puccini - Gianni Schicchi, SC 88: Aria "o mio babbino caro"
02:01:17 R.Strauss - Also sprach Zarathustra, Op. 30, TrV 176: I. Introduction

Tracklist Below.

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Artist:
Raffaele La Ragione, Giacomo Enrico Ferrari

00:00:00 Serenata napoletana
00:06:01 Plenilunio
00:10:24 Serenatella
00:11:52 Suite for Mandolin and Piano: I. Cantabile
00:15:43 Suite for Mandolin and Piano: II. Intermezzo
00:17:35 Suite for Mandolin and Piano: III. Serenata
00:20:11 Serenata00:17:35
00:23:55 Serenata romantic
00:27:14 Nenia d’amore
00:32:10 Trois morceaux: I. Melodie
00:34:14 Trois morceaux: II. Barcarolle
00:37:26 Trois morceaux: III. Gavotte
00:40:20 Serenata napoletana
00:44:36 Mormorio d’amore
00:48:26 Serenata
00:51:53 Fantasia di concerto

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A unique collection of Spanish and Latin-American lullabies.
The Spanish lullaby is characterised by a special bitter-sweet flavour, in which the joy and pain of childhood are perfectly captured. The lullabies on this recording are original art-songs by famous composers: De Falla, Rodrigo, Halffter, Montsalvatge, Abril, Moreno-Torroba, Guastavino, Toldra and others.

Carmen Solis is one of the leading sopranos of her home country Spain. She has the right mixture of melancholy, innocence, serenity and that deep smouldering Spanish passion in her voice, which make this performance irresistible!

Artist: Carmen Solis (soprano) & Eduardo Moreno (piano)

00:00:00 Corderito blanco (Joaquin Rodrigo)
00:02:52 Cantarcillo (Eduard Toldrá)
00:06:12 Canción de cuna para dormir a un negrito (Xavier Montsalvatge)
00:09:00 7 Canciones populares Españolas: V. Nana (Manuel de Falla )
00:11:02 Oración de las madres que tienen a sus hijos en brazos (Manuel de Falla)
00:13:05 Niñerías, Series 1, Op. 21: IV. Berceuse (Joaquin Turina)
00:16:33 Encantamiento (Carlos Guastavino)
00:18:25 Nana del niño malo (Carlos Guastavino)
00:20:11 Meciendo (Carlos Guastavino)
00:22:22 Rocío (Carlos Guastavino)
00:24:39 Canción de cuna (from La mujer del héroe) (Carlos Guastavino) (Joaquin Turina)
00:28:42 Lullaby (Ernesto Halffter)
00:30:54 Nana de la cigüeña (Anton Garcia Abril)
00:33:00 Nana de la negra flor (Anton Garcia Abril)
00:35:17 Nana del niño malo (Anton Garcia Abril)
00:36:46 Arrorró (Alberto Ginastera)
00:38:45 Ea, la nana (Federico Morena Torroba)
00:42:36 Nana de primavera (Joaquin Rodrigo)
00:44:54 Nani, nani (Joaquin Rodrigo)
00:48:33 Nana del niño malo (Guilermo Alonso Iriarte)
00:51:13 Nana de la lejanía (Jorge Montero)
00:54:39 Canciones españolas antiguas: VIII. Nana de Sevilla (Federico Garcia Lorca)

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A musical portrait of a master guitar-maker of the 19th century.
The last two decades have seen a richly merited revival of interest in the music of Erwin Schulhoff, one of the German-Jewish composers who fell victim to the Nazis’ rise to power in the 1930s and whose work was soon declared Entartete Musik; he was deported to a concentration camp in Bavaria in the winter of 1941 and died there of tuberculosis nine months later, not yet 50 years old.

By then Schulhoff had earned a considerable reputation in his native Prague and beyond, with a catalogue of large, ambitiously programmatic symphonies, daring jazz-age chamber
music and an opulent, Expressionist opera, Flammen, first staged in Brno in 1932. The Suite and First Sonata violin and piano are much earlier works, less harmonically adventurous and more indebted to the examples of Debussy, Richard Strauss and his teacher Max Reger, effusive and lyrical in expression.
00:00:00 Suite for Violin and Piano, WV 18: I. Präludium. Stürmisch
00:04:05 Suite for Violin and Piano, WV 18: II. Gavotte. Mäßig
00:08:12 Suite for Violin and Piano, WV 18: III. Menuetto
00:12:29 Suite for Violin and Piano, WV 18: IV. Walzer
00:16:35 Suite for Violin and Piano, WV 18: V. Scherzo
00:22:27 Sonata No. 1 for Violin and Piano, WV 24: I. Wuchtig
00:29:08 Sonata No. 1 for Violin and Piano, WV 24: II. Ruhig
00:33:45 Sonata No. 1 for Violin and Piano, WV 24: III. Scherzo. Bewegt
00:36:40 Sonata No. 1 for Violin and Piano, WV 24: IV. Rondo. Nicht zu schnell
00:44:23 Sonata for Solo Violin, WV 83: I. Allegro con fuoco
00:46:42 Sonata for Solo Violin, WV 83: II. Andante sostenuto
00:52:04 Sonata for Solo Violin, WV 83: III. Scherzo. Allegretto grazioso
00:54:52 Sonata for Solo Violin, WV 83: IV. Allegro risoluto
00:58:00 Violin Sonata No. 2, WV 91: I. Allegro impetuoso
01:04:44 Violin Sonata No. 2, WV 91: II. Andante
01:09:58 Violin Sonata No. 2, WV 91: III. Burlesca. Allegretto
01:12:41 Violin Sonata No. 2, WV 91: IV. Allegro risoluto

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Composer & Artist:
Composer: Carlo Sturla
Artists: Il Concento Ecclesiastico, Luca Franco Ferrari (conductor)

About this Album:
We don’t know much about Carlo Sturla, not even the dates of his birth and death, and he is absent from Google – quite an achievement! The sole reference to him is in the register of the Convent of Santa Brigida belonging to the Sisters of the Sacred Heart. Sturla worked here, but apparently his assiduous attendance upon and training of the young women under his tutelage was viewed with some suspicion.

His Passio di Venerdi di Venerdi di Santo displays a thorough appreciation of contemporary Genovese opera, with recitatives reserved for the dramatic content as was the fashion at the time. The arias therefore do not depict the drama and action, but relay rather vague emotions and feelings. His vocal writing requires agility, and the mocking chorus depicting the crowd reveal a theatrical yearning. The style is simple and the musical writing is linear, but the overall effect is one of delicate lyricism, and graceful but never excessive virtuosity.

This work was probably composed for Holy Week, and any religious establishment that boasted its own choir would often commission local composers to provide music for the services during this busy week. Sturla and his young choir would have been ideal candidates for such a task.

Tracklist:
00:00:00 Cantus firmus: Passio Domini Nostri
00:01:49 Coro: Iesum Nazarenum!
00:02:34 Cantus firmus: Dicit eis Iesus
00:03:35 Recitativo: Iesum Nazarenum!
00:04:17 Cantus firmus: Ut impleretur sermo
00:06:54 Aria: Numquid et tu
00:07:52 Cantus firmus / Recitativo: Dicit ille / Non sum
00:09:54 Aria: Sic respondes pontifici?
00:10:37 Cantus firmus: Respondit ei Iesus
00:11:38 Coro: Numquid et tu
00:12:50 Cantus firmus / Recitativo: Negavit ille / Non sum
00:13:17 Aria: Nonne ego te vidi
00:14:28 Coro: Ave, rex Iudaeorum
00:15:10 Aria: Ecce adduco vobis
00:16:50 Cantus firmus / Recitativo: Exivit ergo Iesus / Ecce homo
00:17:40 Coro: Crucufige, crucifige eum!
00:19:38 Recitativo / Aria: Accipite eum vos / Ego enim non invenio
00:20:32 Cantus firmus / Coro: Responderunt ei / Nos legem habemus
00:21:46 Cantus firmus / Recitativo: Cum ergo audisset / Unde es tu?
00:25:11 Coro: Si hunc dimittis
00:26:51 Cantus firmus / Recitativo: Pilatus autem / Ecce rex vester
00:27:49 Coro: Tolle, tolle crucifige
00:29:17 Cantus firmus / Recitativo: Dicit eis / Regem vestrum
00:31:48 Coro: Non habemus regem
00:32:50 Cantus firmus: Tunc ergo tradidit
00:33:18 Duetto: Noli scrivere rex Iudaeorum
00:36:16 Cantus firmus: Respondit Pilatus
00:37:32 Coro: Non scindamus eam

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Many people prefer steady, pulsing music for their workouts. Even for classical music lovers, classical isn't often the go-to genre for exercise music, but classical music is full of dynamic shifts that can be used for workout, running and other exercises. We have come up with a selection of twenty pieces of classical music that can motivate and energize you as you try to improve your health and fitness. Try it out!

00:00:00 Wagner: The Valkyrie, WWV 86B, Pt. 3: The Ride of the Valkyries by Royal Philharmonic Orchestra
00:05:09 Verdi: Triumphal March, Aida, Pt. 2: Grand March by Royal Philharmonic Orchestra, Owain Arwel Hughes
00:12:47 Offenbach: Orphée aux enfers, Pt. 2: Can-Can by Royal Philharmonic Orchestra, Philip Ellis
00:15:00 Dvorak: Slavonic Dances, Op. 46: VIII. Slavonic Dance in G Minor. Furiant by Royal Philharmonic Orchestra, Nick Davies
00:19:30 Orff: Carmina Burana: O fortuna Royal Philharmonic Orchestra, Owain Arwel
00:22:03 Elgar: Pomp and Circumstance, Op. 39: March No. 1 in D Major by Royal Philharmonic Orchestra, Philip Ellis
00:27:37 Khatchaturian: Gayaneh, Ballet Suite: Sabre Dance by Royal Philharmonic Orchestra, Philip Ellis
00:30:03 Suppé: Light Cavalry by Royal Philharmonic Orchestra, Charles Dutoit
00:36:46 Chopin: Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" by Martijn van den Hoek
00:38:29 Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio by Staatskapelle Dresden & Herbert Blomstedt
00:47:42 Schubert: Symphony No. 9 in C Major, Op. posth., D. 944 'The Great': IV. Finale. Allegro vivace by Staatskapelle Dresden & Herbert Blomstedt
00:59:55 Vivaldi: The Four Seasons, Concerto No. 2 in G Minor, RV 315, Op. 8, "Summer": III. Presto by La Magnifica Comunitá
01:02:46 Vivaldi: The Four Seasons No. 4 in F Minor, RV 297, Op. 8, "Winter": I. Allegro non molto by La Magnifica Comunitá
01:06:03 Dvorak: Symphony No. 9 in E Minor, Op. 95, B. 178: IV. Allegro con fuoco by Staatskapelle Berlin & Otmar Suitner
01:16:52 Dvorak: Czech Suite, Op. 39, B. 93: V. Finále. Presto by Janáček Philharmonic Orchestra & Theodore Kuchar
01:22:17 Mozart: Symphony No. 25 in G Major, Minor, K. 186: IV. Allegro by Mozart Akademie Amsterdam & Jaap ter Linden
01:29:35 Bach: Concerto No. 3 in G Major, BWV 1048: I. – by Musica Amphion & Pieter-Jan Belder
01:34:55 Mozart: Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai by Klára Würtz
01:41:37 Tchaikovsky: The Nutcracker, Op. 71, Pt. 2: XVII. Trepak by Royal Philharmonic Orchestra & David Maninov
01:42:46 Schumann: Toccata, Op. 7 by Wolfram Schmitt-Leonardy

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Composer & Artist:
Composer: Béla Bartók, Nino Rota, Paul Hindemith
Artists: Il Solisti Aquilani, Flavio Emilio Scogna (conductor)


About this Album:
A rare collection of recordings featuring some of the finest examples of the neo-Classical school, this release brings together a collective of high-calibre string players and some exciting young soloists under the guidance of globally renowned conductor Flavio Emilio Scogna. Together they interpret some of the most emotionally complex and technically demanding works written for string orchestra in the 20th century.

The two Italians represented here are equally sophisticated in their treatment of the ensemble: the mysterious, macabre Allegro moderato e spiritoso gives way to the spritely, dynamic interplay of soloist and ensemble of the Rondo: Vivace con brio in Ghedini’s Concerto for violin and strings. Rota, whilst better known for his film scores, displays all the provocative simplicity and stylistic versatility of his orchestral and chamber works in his Concerto for strings; the Scherzo and Finale teem with references to European folk music. The three movements from Bartók’s Divertimento similarly contain clear allusions to Romanian folk music, but come from his more tonally grounded period, the utterly danceable Allegro non troppo and Allegro assai contrasting with the dark and moody Molto adagio. Like Bartók, Hindemith wrote his Trauermusik under the looming threat of global conflict and the composer’s music from this period demonstrates appropriately melancholic attributes. Written in only six hours after the death of King George V, the beautiful solemnity and understatement of this work is a fitting tribute both to the King and Hindemith’s style of the time.

Tracklist:
00:00:00 Divertimento, Sz. 113: I. Allegro non troppo
00:10:13 Divertimento, Sz. 113: II. Molto adagio
00:20:42 Divertimento, Sz. 113: III. Allegro assai
00:28:26 Concerto for Violin and Strings, “Il belprato”: I. Allegro moderato e spiritoso
00:33:27 Concerto for Violin and Strings, “Il belprato”: II. Andante fiorito
00:38:34 Concerto for Violin and Strings, “Il belprato”: III. Rondò. Vivace con brio
00:40:58 Concerto for Violin and Strings, “Il belprato”: IV. Molto adagio
00:44:50 Concerto for Violin and Strings, “Il belprato”: V. Quasi presto
00:47:27 Concerto for Strings: I. Preludio. Allegro ben moderato e cantabile
00:51:53 Concerto for Strings: II. Scherzo. Allegretto comodo
00:56:25 Concerto for Strings: III. Aria. Andante quasi adagio
01:01:35 Concerto for Strings: IV. Finale. Allegrissimo
01:04:39 Trauermusik: I. Langsam
01:09:33 Trauermusik: II. Ruhig bewegt
01:10:25 Trauermusik: III. Lebhaft
01:11:59 Trauermusik: IV. Choral. “Vor deinen Thron tret ich hiermit”


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This unusual collection is dedicated to a very popular style: minimal music. Over the years this has evolved from austere, almost strict repetition with tiny ‘movements’ to a more varied and free approach to material and technique.

This set includes works for piano solo by most of the famous ‘minimal’ composers. Starting with initiator, if you will, Cage, and followed by the first generation entirely devoting itself to this style: Riley and Glass (Steve Reich did not write anything for solo piano). The next generation is represented by John Adams and Michael Nyman (his music for the film The Piano).

Dutch pianist Jeroen van Veen is fascinated by minimal music. He was one of the initiators and participants of the highly successful complete recordings on 11 CD’s of Simeon ten Holt’s, a Dutch ‘minimalist’, complete works for multiple piano’s. On this solo album van Veen demonstrates his affinity with minimalism with great flair.

The repertoire included here also comprises compositions by Satie, Friedrich Nietzsche and Arvo Pärt. There are two CD’s with music by the pianist himself and several recordings of minimal pieces by other present-day French, Belgian and Dutch composers.

This attractive set will appeal to a wide audience and sheds light on the present state of minimalism

00:00:00 Minimal Préludes, Book II : Prélude Nr. 13 In F Sharp
00:06:53 Minimal Préludes, Book II : Prélude Nr. 14 In E Flat Minor
00:12:11 Minimal Préludes, Book II : Prélude Nr. 15 In D Flat
00:14:47 Minimal Préludes, Book II : Prélude Nr. 16 In B Flat Minor
00:17:43 Minimal Préludes, Book II : Prélude Nr. 17 In A Flat
00:22:17 Minimal Préludes, Book II : Prélude Nr. 18 In F Minor
00:32:27 Minimal Préludes, Book II : Prélude Nr. 19 In E Flat
00:36:21 Minimal Préludes, Book II : Prélude Nr. 20 In C Minor
00:40:34 Minimal Préludes, Book II : Prélude Nr. 21 In B Flat
00:45:12 Minimal Préludes, Book II : Prélude Nr. 22 In G Minor
00:51:16 Minimal Préludes, Book II : Prélude Nr. 23 In F
00:57:24 Minimal Préludes, Book II : Prélude Nr. 24 In D Minor
01:07:18 Struggle for Pleasure
01:12:27An Hour for Piano
02:11:49 Postnuclear Winterscenario Nr. 1
02:21:24 Toccata Americana
02:28:26 Echo
02:31:32 Three Minimal Preludes
02:42:44 In C

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Composers: Various Composers
Artist: Jeroen van Veen, Sandra van Veen, Marcel Bergmann, Elizabeth Bergmann, Tamara Rumiantsev (pianos)

The Minimal Piano Collection for one piano ended with “In C” by Terry Riley. Many of the composers on this new 11 Cd box have stated that this particular piece was a starting point for them to compose in a new way, exploring the ways that were created, the spaces between the notes, the emptiness, the freedom.

Elizabeth Bergmann & Marcel Bergmann, Tamara Rumiantsev and Sandra van Veen & Jeroen van Veen recorded 83 compositions. From two pianos up to six pianos, from Steve Reich ‘standard’ Pianophase to Six Pianos.

The composers on this new box are John Adams, Jurriaan Andriessen, Louis Andriessen, Marcel Bergmann, William Duckworth, Julius Eastman, Douwe Eisenga, Morton Feldman, Graham Fitkin, Joep Franssens, Kyle Gann, Philip Glass, Gabriel Jackson, Tom Johnson, Simeon ten Holt, David Lang, Colin McPhee, Chiel Meijering, Wim Mertens, John Metcalf, Carlos Michans, Meredith Monk, Arvo Pärt, Michael Parsons, Alexander Rabinovitch, Steve Reich, Frederic Rzewski, Tim Seddon, Jeroen van Veen, Jacob ter Veldhuis and Kevin Volans.

Get carried away by the new black box; 854 minutes of wonderful music, enjoy the Minimal Piano Collection, let the journey begin including a few recording premieres!

Simeon ten Holt - Canto Ostinato
00:00:00 Section 1
00:02:27 Section 5
00:05:11 Section 10
00:09:00 Section 15
00:14:12 Section 20
00:17:28 Section 25
00:18:57 Section 30
00:21:24 Section 35
00:24:17 Section 40
00:26:15 Section 45
00:28:00 Section 50
00:29:43 Section 55
00:31:55 Section 60
00:33:06 Section 69
00:35:50 Section 74: Theme I
00:41:56 Section 80
00:43:30 Section 83
00:45:05 Section 86
00:48:00 Section 88
01:01:48 Section 89
01:08:13 Section 92
01:09:36 Section 95: Theme II
01:13:07 Section 100
01:15:16 Section 105
01:17:13 Section 106

William Duckworth:
01:19:12 Forty Changes
01:30:24 Binary Images

Michael Parsons:
01:39:44 Rhythm Studies: Nr I
01:53:01 Rhythm Studies: Nr II

Douwe Eisenga
02:06:46 City Lines

Gabriel Jackson:
02:20:12 Rhapsody in red

Kyle Gann:
02:37:57 Long Night for Three Pianos

Philip Glass:
03:08:53 Metamorphosis II (Arranged for Two Pianos by Jeroen van Veen)
03:16:21 Metamorphosis III (Arranged for Three Pianos by Jeroen van Veen)
03:22:21 Metamorphosis IV (Arranged for Four Pianos by Jeroen van Veen)

Douwe Eisenga:
03:30:31 Les Chants Estivaux (Four Pianos)

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Rutter: Gloria - Bernstein: Chichester Psalms - Poulenc: Quatre petites prières
Rutter & Bernstein & Poulenc: Choral Works

Here are dynamic modern performances of some of the most popular of all sacred vocal works written in the second half of the last century, expertly done by chamber choirs soaked in the tradition which the works themselves draw upon.

The Gloria is perhaps the best-known of the extended compositions by John Rutter, composer of such choral evergreens as A Gaelic Blessing and Shepherds’ Pipe Carol. Rutter’s setting fully captures the exuberance of the text, with sparkling orchestral colours and fullbodied choral parts.

Like the Gloria, Bernstein’s Chichester Psalms (socalled because of the nature of their original commission, made in 1964 by the Dean of Chichester Cathedral, Walter Hussey) may be musically sophisticated in technical terms, but never at the expense of creating an instant impression or of serving the texts. The poignant treble solo in the second movement is still, along with ‘Maria’, one of Bernstein’s most imperishable melodies.

Poulenc, too, had melodies pouring out of him, though his settings of ancient liturgical texts (and rustic peasant prayers) in Litanies à la Vierge Noire, Quatre Petites Prières de Saint François d’Assise, Exsultate Deo and Salve Regina are in the more austere tradition of French sacred works.

00:00:00 Gloria: Gloria in Excelsis deo (Allegro vivace)
00:05:16 Gloria: Domine deus, Rex Coelestis (Andante)
00:12:31 Gloria: Quoniam Tu Solus Sanctus (vivace e ritmico)Bernstein by Choir of Clare College Cambridge, Timothy Brown & The Wallace Collection:
00:17:59 Chichester Psalms: Psalm 108, v.2; Psalm 100 (Maestoso ma energico)
00:22:04 Chichester Psalms: Psalm 2, vv. 1-4; Psalm 23 vv. 1-6 (Andante Con moto, ma tranquillo)
00:27:05 Chichester Psalms: Psalm 131; Psalm 133, v.1 (Prelude - Peacefully flowingmFrancis Poulenc by Corydon Singers, Matthew Best & Richard Pearce:
00:35:28 Quatre Petites Prières de St François d'Assise: Salut, Dame Sainte
00:37:54 Quatre Petites Prières de St François d'Assise: Tout Puissant, Très Saint
00:39:21 Quatre Petites Prières de St François d'Assise: Seigneur, Je Vous En Prie
00:40:39 Quatre Petites Prières de St François d'Assise: O Mes Très Chers Frères
00:42:44 Litanies à La vierge Noire
00:51:58 Exultate deo
00:55:00 Salve Regina

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Composer & Artist:
Composer: César Auguste Franck
Artists: Adriano Falcioni (organ)


About this Album:
The grand swell and floating poetry of César Franck’s works for organ have long given rise to descriptions such as musical incense, which focus on their numinous spiritual address, perhaps at the expense of their ingenious construction, which may owe much to a Wagnerian, leitmotivically inspired process of continuous development but also to older models of the French organ school – and which in turn became influential for the next two generations of French organ composers such as Dupré and Duruflé.

The Three Chorals and the Pièce héroïque are relatively well known now, at least in recital (their technical difficulties place them beyond the reach of many church organists, and a few church organs, come to that), but beyond those late and deeply intimate explorations are some spectacular transformations of Bachian counterpoint into 19th-century showpieces such as the Final in B flat.

Tracklist:
00:00:00 Six Pièces: Fantasy in C, Op. 16
00:12:17 Six Pièces: Grande pièce symphonique, Op. 17
00:34:58 Six Pièces: Prélude, fugue et variation, Op. 18
00:45:20 Six Pièces: Pastorale, Op. 19
00:54:29 Six Pièces: Prière, Op. 20
01:08:07 Six Pièces: Final, Op. 21
01:19:11 Trois Pièces: Fantasy in A
01:32:28 Trois Pièces: Cantabile
01:38:22 Trois Pièces: Pièce héroïque
01:46:45 Trois Chorals: No. 1 in E
02:01:34 Trois Chorals: No. 2 in B Minor
02:15:00 Trois Chorals: No. 3 in A Minor

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