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A TOP 40 of the most popular classical melodies. The very best tracks of the moment. Also great for Relaxation music, work or studying.

00:00:00 Vivaldi - Violin Concerto in E Major, RV 269, "Spring": I. Allegro
00:03:30 Camille Saint-Saëns - The Carnival of the Animals: XIII. The Swan
00:06:27 Mozart - Sonata No. 11 in A Major, K. 331: III. Rondo alla turca
00:09:55 Chopin - Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz"
00:11:37 Mozart - Eine kleine Nachtmusik, K. 525: I. Allegro

00:16:52 Gabriel Fauré - Sicilienne, Op. 78
00:20:16 Claude Debussy - Childrens Corner, L. 113: No. 6, Golliwog's Cake-walk
00:22:57 Franz liszt - Liebestraum, S. 541: No. 3, Oh Lieb, so lang du lieben kannst
00:27:29 Johannes Brahms - 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby"
00:29:06 Beethoven - Piano Sonata No. 8 in C Minor, Op. 13, "Pathetique": I. Adagio cantabile

00:33:48 Robert Schumann - Kinderszenen, Op. 15: No. 7, Traumerei in F Major
00:36:56 Mozart - Piano Concerto No. 23 in A Major, K. 488: II. Adagio
00:43:12 Nicolló Paganini - Cantabile e Valser, Op. 19: I. Cantabile quasi adagio
00:46:40 Franz liszt - Consolations, S. 172: III. Lento placido in D-Flat Major
00:49:43 Charles-valentin Alkan - 6 French Songs, Op. 65: No. 6, Barcarolle

00:53:25 J.S. Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
00:56:58 Beethoven - Bagatelle in A Minor, WoO 59 "Für Elise"
00:59:48 Edvard Grieg - Lyric Pieces, Op. 43: No. 6, To Spring
01:02:15 Telemann - Ouverture-Suite in E Minor, TWV 55: No. 6, Air. Un peu vivement
01:06:38 Gabriel Fauré - Berceuse, Op. 16

01:10:04 Vivaldi - Flute Concerto No. 3 in D Major, RV 428 "Il gardellino": I. Allegro
01:14:06 Mussorgsky - Pictures at an Exhibition: Promenade II, No. 2, The Old Castle
01:19:11 Beethoven - Piano Sonata in C-Sharp Major, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
01:24:49 Claude Debussy - Suite Bergamasque, L. 75: III. Clair de Lune
01:29:44 Erik Satie - 3 Gymnopédies: No. 1, Lent et douloureux in D Major

01:33:23 Mozart - Piano Concerto in C Major, K. 467: II. Andante "Elvira Madigan"
01:40:13 Franz liszt - 2 Concert-Studies, S. 145: No. 1, Waldesrauschen. Vivace
01:44:17 Tchaikovsky - The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile
01:47:41 Anatoly Lyadov - 2 Morceaux, Op. 9: No. 1, Valse
01:50:43 Felix Mendessohn - Lieder ohne Worte, Op. 19b: No. 6, Venetian Gondola Song. Andante sostenuto

01:52:14 Claude Debussy - 2 Arabesques, L. 66: No. 1, Première Arabesque in E Major
01:56:22 Chopin - Nocturnes, Op. 9: No. 2, Nocturne in E-Flat Major
02:00:40 Edvard Grieg - Lyric Pieces, Op. 54: No. 3, March of the Dwarfs
02:03:32 Gabriel Fauré - Requiem, Op. 48: XII. In Paradisum
02:06:45 J.S. Bach - Jesu, meine Freude, BWV 227
02:09:45 Erik Satie - Gnossiennes: No. 5, Moderato
02:12:31 Tchaikovsky - The Seasons, Op. 37a: No. 3, March. Song of the Lark in G Minor. Andantino espressivo
02:14:12 Johannes Brahms - Symphony No. 3, Op. 90: III. Poco allegretto in C Minor
02:20:12 Franz Schubert - 6 Moments musicaux, D. 780: No. 3, Allegro moderato
02:22:16 Chopin - Preludes, Op. 28: No. 15, Prelude in D-Flat Major "Raindrop"

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Composer: Philip Glass
Artist: Jeroen van Veen piano

Along with the two books of piano studies by Gyorgy Ligeti, the Etudes of Philip Glass have taken their place as modern classics of the literature, serving both a didactic purpose to train the fingers and minds of their performers, but also bringing their unique soundworlds to new audiences.

Glass himself remarked that the first book, compiled from work between 1991 and 2012, had a twin objective, ‘to explore a variety of tempi, textures and piano techniques. At the same time it was meant to serve as a pedagogical tool by which I would improve my piano playing.’ The studies of Book 2 (2012-14) are often bolder in finding new structures and fresh keyboard colours. Each of the 20 Etudes handles a specific piano technique, and the two books are united by the instantly recognisable quirks of Glass’s harmonic language and, as Jeroen van Veen remarks in his booklet note, ‘in almost all the etudes, endurance is the main issue to overcome’.

Most recent of the pianist’s many Brilliant Classics recordings of Minimalist music have been albums dedicated to the genre’s godfather, Erik Satie (BC95350) and his successors including Michael Nyman (BC95112) and Max Richter (BC95390). ‘Van Veen’s beautiful and texturally varied sonority, his long-lined sensibility, and his intense focus draw you in,’ remarked Classics Today of the complete Satie box.
‘Sample the Nocturnes’ sustained, almost otherworldly serenity, or the subtle spacing of notes throughout the Véritables préludes flaques, and you’ll hear how completely and masterfully van Veen conveys his intentions, abetted by superb, full-bodied sonics… His fascinating and riveting pianism is well worth Brilliant Classics’ attractive budget price.’

Philip Glass’ Piano Etudes stand at the end of a long line of development, starting with “exercises” by Scarlatti, through romantic piano etudes composers such as Clementi, Czerny, Hummel, Chopin, Schumann, Brahms, Scriabin, Rachmaninoff, Debussy, to 20-th century masters like Ligeti and Cage.
Philip Glass, icon of the Minimal Music, wrote these etudes between 1991 and 2012, to “explore a variety of tempi, textures and piano techniques”, and also “to become a better player”.
Jeroen van Veen, celebrated pioneer of the performance of Minimal Music and Extraordinary Repertoire, considers these etudes as “refreshingly new, really adding something to the existing repertoire, the challenge being not only the technical hurdles but mainly the endurance and concentration”.

00:00:00 Etudes for Piano Book I: I. Etude in G Minor
00:06:29 Etudes for Piano Book I: II. Etude in A Minor
00:13:56 Etudes for Piano Book I: III. Etude in A Major
00:18:42 Etudes for Piano Book I: IV. Etude in D Minor
00:23:05 Etudes for Piano Book I: V. Etude in F Minor
00:32:55 Etudes for Piano Book I: VI. Etude in F Minor
00:38:44 Etudes for Piano Book I: VII. Etude in A Minor
00:53:24 Etudes for Piano Book I: VIII. Etude in C Major
01:00:28 Etudes for Piano Book I: IX. Etude in F Minor
01:04:21 Etudes for Piano Book I: X. Etude in E-Flat Major
01:12:58 Etudes for Piano Book II: XI. Etude in C Minor
01:21:28 Etudes for Piano Book II: XII. Etude in D Minor
01:29:12 Etudes for Piano Book II: XIII. Etude in F Major
01:34:09 Etudes for Piano Book II: XIV. Etude in A-Flat Major
01:40:26 Etudes for Piano Book II: XV. Etude in D Major
01:48:13 Etudes for Piano Book II: XVI. Etude in G Minor
01:53:57 Etudes for Piano Book II: XVII. Etude in F Minor
02:02:39 Etudes for Piano Book II: XVIII. Etude in G Minor
02:07:08 Etudes for Piano Book II: IXX Etude in C Major
02:12:58 Etudes for Piano Book II: XX. Etude in C Major

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Gustav Mahler was the last composer to write large-scale symphonies. Nine to be precise (the 10th remained unfinished) which often include vocal parts. This release contains the fifth symphony for orchestra. Played by the Junge Deutsche Philharmonie, lead by Rudolf Barshai.`

00:00:00 Symphony No. 5: I. Trauermarsch
00:11:55 Symphony No. 5: II. Stürmisch bewegt, mit grösster Vehemenz
00:26:26 Symphony No. 5: III. Scherzo
00:44:58 Symphony No. 5: IV. Adagietto
00:53:14 Symphony No. 5: V. Finale. Rondo

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Composer: Georg Philipp Telemann
Artists: Collegium Instrumentale Brugense, Patrick Peire (conductor)

Georg Philipp Telemann (1681–1767) was one of the most prolific composers of the 18th century; although the largest part of his compositional activities were devoted to vocal music, he wrote a substantial number of overtures, which this splendid 8-disc collection is dedicated to.

Although Telemann chose the title of ‘Overtures’, this was somewhat interchangeable with the genre of the Suite in his era. Each work opens with a three-part French overture, and this is followed by a series of varied, shorter pieces – encompassing everything from dances (drawn from the French tradition and beyond), fugues, chaconnes, passacailles, musical portraits, folk dances and evocations of scenes and characters.

In these eight discs, Collegium Instrumentale Brugense and Patrick Peire’s three separate volumes of Telemann Overtures have been collected together for the first time, creating a box set that is set apart by its breadth. Its overview of 33 Overtures illuminates Telemann’s hugely inventive approach to instrumentation, while revealing the wealth of subjects that he sought inspiration in. The ‘Alster Overtüre’, for example, named after the Alster river in Germany, features a ‘Concert of Frogs and Crows’, while another Overture is inspired by Cervantes’ Don Quixote.

A generous selection of 33 Overtures (or Orchestral Suites) by Georg Philipp Telemann, formerly issued separately, now collected in one 8-CD set. This collection contains the Last 2 out of 8 discs.

CD1: TWV55: D18, G10 ‘Burlesque de Quixotte’, c2 & D4
CD2: TWV55: F11 ‘Alster’, B5 ‘Volker’,d2 & B7
CD3: TWV55: a4, A4, D23 & G4 ‘Des Nations anciens et modernes’
CD4: TWV55: D22 ‘Ouverture jointes d’une Suite tragi-comique’, e7, h4, e3 & c4
CD5: TWV55: d3, F4, B11 ‘La Bourse’ & Es1
CD6: TWV55: C6, f1, B8 ‘Burlesque’ & g9
-CD7: TWV55: D17, A2, a2 & e8 ‘l’Omphale’
-CD8: TWV55: F16 ‘Pour S.A.S. Monseigheur Le Landgrave de Darmstadt’, g2 ‘La Changeante’, G7 & D13 ‘La Gaillarde’


Tracklist can be found in the comment section below!

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Artist: RIAS Kammerchor, Akademie fur Alte Musik Berlin, René Jacobs (conductor)

Johann Sebastian Bach’s Mass in B minor is regarded by many as one of the supreme achievements of Western classical music. Even before its first complete performance, the Swiss music historian and publisher Hans Georg Nägeli described it as the “greatest musical masterpiece of all times and nations”. Many scholars believe that, along with the Art of Fugue and the Musical Offering, the work presents a summation of Bach’s musicianship as well as the most glorious presentation of the composer’s deeply held religious beliefs. Much of the Mass gave new form to vocal music that Bach had composed throughout his career, some of which was not from sacred sources (a point of contention for Leipzig churchgoers). The Kyrie and Gloria (known as the “Missa”) had been written as an application for the post of court composer at Dresden. The remaining movements, the Sanctus, Benedictus and Agnus Dei, turn the “Missa” into a “Missa tota”: the full setting of the Ordinary of the Mass.

In the Kyrie, Bach explores three different forms of musical expression in an impassioned entreaty for God’s mercy. He brings in trumpets and drums to sing the praises of the Lord in the Gloria, Credo and Sanctus, and, as so often before, saves one of his most exquisite and poignant musical phrases to express the idea of peace in the ‘et in terra pax’. The dramatic contrast forged between the ‘Crucifixus’ and ‘Et resurrexit’ movements of the Credo serve as a dramatic representation of the Christian statement of belief, and the lamenting Agnus Dei aria gives way to a exultant chorus of ‘Dona nobis pacem’ (Grant us thy peace), bringing the vast score to its conclusion. René Jacobs directs the Akademie für Alte Musik Berlin in this reading, which was described as “Spacious and intimate … a compelling performance” by the BBC Music Magazine following its first release.

The Reissue of one of the finest recordings of Bach’s “Hohe Messe’!

This “compelling performance..spacious and intimate” (Gramophone) boasts of a line‐up of famous soloists: Christoph Prégardien, Matthias Goerne, Bernarda Fink and Hillevi Martinpelto, singers of world renown who have amply won their spurs in Early Music. René Jacobs and his Akademie für Alte Musik Berlin and the Rias Kammerchor count among the best (if not THE best..) of Baroque ensembles and choirs around the world.

00:00:00 Mass in B Minor BWV 232, Pt. 1: I. Chorus. Kyrie eleison (A 5)
00:10:10 Mass in B Minor BWV 232, Pt. 1: II. Duet. Christe eleison (Two Sopranos)
00:15:32 Mass in B Minor BWV 232, Pt. 1: III. Chorus. Kyrie eleison (A 4)
00:19:48 Mass in B Minor BWV 232, Pt. 1: IV. Chorus. Gloria in excelsis Deo (A 5)
00:21:37 Mass in B Minor BWV 232, Pt. 1: V. Chorus. Et in terra pax hominibus (A 5)
00:28:18 Mass in B Minor BWV 232, Pt. 1: VI. Aria. Laudamus te (Soprano II)
00:32:35 Mass in B Minor BWV 232, Pt. 1: VII. Chorus. Gratias agimus tibi (A 4)
00:35:08 Mass in B Minor BWV 232, Pt. 1: VIII. Duet Domine Deus (Soprano I, Tenor)
00:40:37 Mass in B Minor BWV 232, Pt. 1: IX. Chorus. Qui tollis peccata mundi (A 4, Soloists)
00:43:07 Mass in B Minor BWV 232, Pt. 1: X. Aria. Qui sedes ad dexteram Patris (Alto)
00:47:22 Mass in B Minor BWV 232, Pt. 1: XI. Aria. Quoniam tu solus Sanctus (Bass II)
00:51:59 Mass in B Minor BWV 232, Pt. 1: XII. Chorus. Cum Sancto Spiritu (A 5)
00:55:48 Mass in B Minor BWV 232, Pt. 2: I. Chorus. Credo in unum Deum (A 5)
00:58:30 Mass in B Minor BWV 232, Pt. 2: II. Chorus. Patrem omnipotentem (A 4)
01:00:32 Mass in B Minor BWV 232, Pt. 2: III. Duet. Et in unum Dominum (Soprano I, Alto)
01:05:31 Mass in B Minor BWV 232, Pt. 2: IV. Chorus & Soloists. Et incarnatus est (A 5)
01:08:08 Mass in B Minor BWV 232, Pt. 2: V. Chorus. Crucifixus etiam pro nobis (A 4)
01:11:25 Mass in B Minor BWV 232, Pt. 2: VI. Chorus & Soloists. Et resurrexit tertia die (A 5)
01:15:16 Mass in B Minor BWV 232, Pt. 2: VII. Aria. Et in Spiritum Sanctum (Bass)
01:20:13 Mass in B Minor BWV 232, Pt. 2: VIII. Chorus. Confiteor unum baptisma etiarn pro nobis (A 5)
01:25:18 Mass in B Minor BWV 232, Pt. 2: IX. Chorus. Et expecto resurrectionem (A 5)
01:27:24 Mass in B Minor BWV 232, Pt. 3: Chorus. Sanctus (A 6)
01:32:41 Mass in B Minor BWV 232, Pt. 4: I. Chorus. Osanna in excelsis (A 8)
01:35:15 Mass in B Minor BWV 232, Pt. 4: II. Aria. Benedictus (Tenor)
01:39:31 Mass in B Minor BWV 232, Pt. 4: III. Chorus. Osanna in excelsis (A 8)
01:42:05 Mass in B Minor BWV 232, Pt. 4: IV. Aria. Agnus Dei (Soprano II)
01:47:03 Mass in B Minor BWV 232, Pt. 4: V. Chorus. Dona nobis pacem (A 4)

Tracklist below.

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There is no piece of music as synonymous with the organ than J.S. Bach’s Toccata and Fugue in D minor BWV565: the two-note introductory motif is as well recognised as the opening of Beethoven’s Fifth Symphony, and has featured widely in popular culture – in films such as Disney’s Fantasia and The Phantom of the Opera. Interestingly, it may actually be an arrangement for organ of an original work for violin, possibly not even by Bach himself! However, regardless of its authenticity, it is this fantastical and much-loved piece that opens Stefano Molardi’s recital of Bach’s greatest compositions for the ‘king of instruments’.

Molardi’s programme continues with major works such as the Toccata, Adagio and Fugue in C BWV564 and the monumental Passacaglia in C minor BWV582, interspersed with more delicate pieces from the composer’s different collections of chorale preludes – the Orgelbüchlein, ‘Schübler’ Chorales and third part of the Clavierübung. The Trio Sonata in C BWV529 adds some great variety to the compilation, and is a feat of technical ingenuity, with three individual melodies taken up by each hand and the feet of the player. This two-disc set brings together the best-known organ works by its greatest patron: a perfect introduction to organ music for a beginner, and a marvellous addition to the collection of an enthusiast already well-versed in the repertoire. Award-winning organist, harpsichordist, conductor and scholar Stefano Molardi is a peerless interpreter, with his ongoing recording of Bach’s Complete Organ Music for Brilliant Classics now into its third volume (BC94981). The instruments heard on this album date from Bach’s time, therefore bringing us as close as possible to the soundworld of the great Leipzig Cantor and allowing us to hear them as he might have done himself.

00:00:00 Toccata and Fugue in D Minor, BWV 565: I. Toccata
00:02:22 Toccata and Fugue in D Minor, BWV 565: II. Fugue
00:08:48 Das Orgel-Büchlein: Gott, durch deine Güte, BWV 600
00:10:08 Das Orgel-Büchlein: Der Tag, der ist so freudenreich, BWV 605 à 2 Clav. et Ped.
00:12:01 Das Orgel-Büchlein: Vom Himmel kam der Engel Schar, BWV 607
00:13:19 Das Orgel-Büchlein: In dulci jubilo, BWV 608
00:15:05 Toccata, Adagio and Fugue in C Major, BWV 564: I. Toccata
00:20:54 Toccata, Adagio and Fugue in C Major, BWV 564: II. Adagio
00:25:25 Toccata, Adagio and Fugue in C Major, BWV 564: III. Fugue
00:30:34 Das Orgel-Büchlein: Ich ruf zu dir, Herr Jesu Christ, BWV 639
00:32:59 Das Orgel-Büchlein: Wenn wir in höchsten Nöten sein, BWV 641
00:34:53 Organ Concerto in A Minor, BWV 593: I. Allegro
00:38:47 Organ Concerto in A Minor, BWV 593: II. Recitative. Adagio
00:42:18 Organ Concerto in A Minor, BWV 593: III. Allegro
00:46:19 18 Chorale Preludes: Nun komm, der Heiden Heiland, BWV 659 à 2 Clav. et Ped.
00:51:02 18 Chorale Preludes: Trio super Allein Gott in der Höh sei Her, BWV 664
00:56:40 Passacaglia in C Minor, BWV 582
01:10:56 Fantasia and Fugue in G Minor, BWV 542: I. Fantasia
01:16:16 Fantasia and Fugue in G Minor, BWV 542: II. Fugue
01:23:09 Wachet auf, ruft uns die Stimme in E-Flat Major, BWV 645
01:27:37 Kommst du nun, Jesu, vom Himmel herunter, BWV 650
01:31:20 Organ Sonata No. 5 in C Major, BWV 529: I. Allegro
01:36:39 Organ Sonata No. 5 in C Major, BWV 529: II. Largo
01:43:06 Organ Sonata No. 5 in C Major, BWV 529: III. Allegro
01:46:53 Das Orgel-Büchlein: O Mensch, bewein dein Sünde groß, BWV 622
01:52:42 Das Orgel-Büchlein: Hilf, Gott, daß mir’s gelinge, BWV 624
01:53:59 Toccata and Fugue in D Minor, BWV 538: I. Toccata
01:59:46 Toccata and Fugue in D Minor, BWV 538: II. Fugue
02:09:26 Christ, unser Herr, zum Jordan kam, BWV 684
02:13:40 Schmücke dich, o liebe Seele, BWV 654 à 2 Clav. et Ped.
02:22:46 Prelude and Fugue in G Major, BWV 541: I. Prelude
02:25:47 Prelude and Fugue in G Major, BWV 541: II. Fugue

A TOP 50 of the most popular Sacred music. Featuring composers such as J.S. Bach, Mozart, Pergolesi, Palestrina and Fauré. Performed by vocalists and choirs such as The Choir of King’s College Cambridge, Chamber Choir of Europe, Holland Boys Choir, Cappella Augustana, Angharad Gruffydd Jones, Lynne Dawson, Emma Kirkby and many others.

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00:00:00 Requiem in D Minor, Op. 48: Pie Jesu
00:04:03 Ave verum corpus, Op. 2
00:06:44 Hear My Prayer, O Lord, Z. 15
00:08:46 Stabat Mater in F Minor: No. 9, Sancta mater
00:14:11 Déploration sur le mort de Johannes Ockeghem
00:18:46 Ein deutsches Requiem, Op.45: IV. Wie lieblich sind deine Wohnungen
00:24:38 Crucifixus
00:27:59 Die sieben letzten Worte unseres Erlosers am Kreuze, Hob. XX:2: Es ist vollbracht!
00:33:19 Stabat Mater
00:44:36 Matthäus Passion, BWV 244: Aria. Erbarme Dich
00:50:37 Matthäus Passion, BWV 244: Chorale. O Haupt voll Blut und Wunden
00:52:36 Matthäus Passion, BWV 244: Chorus. Wir setzen uns mit Tränen nieder
00:58:03 Requiem in D Minor, K.626: No. 5, Recordare
01:02:29 Hymn. Oh for a Closer Walk with God
01:06:04 Messiah, HWV 56: I Know That My Redeemer Liveth
01:11:54 Ave maris stella, EG 150
01:14:44 Salve Regina in C Minor
01:18:12 Requiem, Op. 9: Pie Jesu
01:21:32 Requiem in D Minor, Op. 48: In Paradisum
01:24:46 Ave verum corpus, K. 618
01:28:20 Messe solennelle in A Major, Op.12: Panis Angelicus
01:31:47 Stabat Mater Dolorosa
01:35:39 Laudate Dominum, KV 339
01:40:45 Locus iste, WAB 23
01:43:19 Hymn. Ave maris stella
01:49:02 Cantique de Jean Racine, Op. 11
01:54:26 Miserere
02:07:05 Requiem in D Minor, K.626: Requiem aeternam
02:11:53 Ich habe Genug, BWV 82: Aria. Ich habe Genug
02:19:37 Mass in C Minor KV 427: Aria. Et incarnatus est
02:28:45 Ave Maria, Op. 12
02:32:11 Stabat Mater in F Minor: No. 12, Quando corpus morietur
02:35:59 Requiem in D Minor, K.626: No. 13, Lux aeterna
02:41:41 Messiah, HWV 56: Hallelujah
02:45:34 Geistliches Lied, Op.30
02:50:43 Matthäus Passion, BWV 244: Aria. Aus Liebe will mein Heiland sterben
02:55:26 Psalm 42
03:00:45 Ave verum corpus
03:05:02 3 Motets, Op. 69: I. Herr, nun lässest du deinen Diener in Frieden fahren
03:10:01 Deutsche Messe, D. 872: No. 5, Zum Sanctus
03:13:06 Requiem in D Minor, Op. 48: Sanctus
03:16:20 Symphoniae Sacrea, Op. 6: XI. Benedicam Dominum In Omni Tempore
03:20:01 Symphoniae Sacrea, Op. 6: XIII. Fili Mi, Absalon
03:26:17 Symphoniae Sacrea, Op. 6: XVIII. Veni, Dilecte Mi, In Hortum Meum
03:32:27 Symphoniae Sacrea, Op. 6: XX. Jubilate Deo In Chordis Et Organo
03:35:18 A German Requiem, Op.45: IV. How Lovely Are Thy Dwellings
03:40:48 Lamentations of Jeremiah
03:48:18 Hymn of the Cherubim
03:56:10 Dido and Aeneas, Act 3: When I am laid in earth
04:00:31 Herz und Mund und Tat und Leben, BWV 147: X. Choral. Jesu Bleibet Meine Freude

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Composer & Artist:
Composers: Angelo Morigi, Christian Petzold, Giuseppe Colombi, Pedro Lopes Nogueira
Artist: Valerio Losito (viola)

About this Album:
Famed for its distinctive sound, the viola d’amore – literally meaning ‘viola of love’ – is one of the more unusual members of the string family, an instrument that appeared towards the end of the 17th century and which owes its silvery, angelic tones to the symbiotic vibrations between its two sets of strings, one gut- and one wire-based.

This release celebrates the d’amore’s versatility of sound by bringing together some of its finest Baroque repertoire. Beginning with the Ave Maris Stella, an ancient hymn dedicated to the Mother of God, the compilation takes the listener on an absorbing journey that combines the famous with the not so widely known; from Petzold’s illustrious two partitas – which are considered to be on the same level of importance for the d’amore as Bach’s partitas and sonatas are for the violin – to Morigi’s Capriccio and Menuetto, the compilation also touches on various anonymous works, including the delightful Partita in D. Dance movements abound, reflecting the Baroque period’s predilection for all things French.

Tracklist:
00:00:00 Ave Maris Stella
00:01:11 Suite in D minor: I. Aria
00:01:50 Suite in D minor: II. Courante
00:02:23 Suite in D minor: III. Gigue
00:03:06 Suite in D minor: IV. Sarabande
00:04:35 Scordatura in G
00:05:47 Scordatura (Ciacona)
00:09:00 Capriccio and Minuet in A: I. Capriccio
00:10:54 Capriccio and Minuet in A: II. Minuetto
00:12:17 Partita in D: I. Aria
00:14:08 Partita in D: II. Gigue
00:15:50 Partita in D: III. Menuet
00:17:34 Partita in D: IV. Gavotte
00:18:33 Partita in D: V. Rigaudon
00:20:19 Partita in D: VI. Menuet I & II
00:22:01 Scordatura in A
00:23:05 Nitida stella
00:24:11 Partita in F: I. Gavotte
00:25:28 Partita in F: II. Gigue
00:26:58 Partita in F: III. Bourrée
00:28:47 Partita in F: IV. Air
00:30:33 Partita in F: V. Courante
00:32:03 Partita in F: VI. Sarabande
00:33:44 Partita in F: VII. Menuet I & II
00:36:36 Gaita de folle
00:40:08 Partita in A: I. Introduction
00:41:04 Partita in A: II. Allemande
00:42:38 Partita in A: III. Courante
00:44:00 Partita in A: VI. Sarabande
00:46:28 Partita in A:. Menuet
00:48:33 Partita in A: VI. Gigue
00:50:10 Partita in A: VII. Aria
00:55:02 Partita in A: VIII. Gavotte
00:55:42 Partita in A: IX. Bourrée
00:57:22 Partita in A: X. Rondeau
00:58:56 Partita in A: XI. Menuet
00:59:54 Scordatura in E minor

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This sublime compilation will take listeners on a journey through 3 hours of the most beautiful classical music ever written.

A compilation with some of the best classical music for studying, work, concentration, sleep and relaxation.

Included are works by J.S Bach, Handel, Mozart, Vivaldi, Albinoni, Marcello, Pachelbel, Beethoven, Chopin, Bizet, Debussy, Elgar, Liszt, Mascagni, Massenet, Saint-Saëns, Satie, Schubert, Schumann, Shostakovich, Straiss, Tchaikovsky, Brahms, Orff, Piazolla, Rachmaninoff, Ravel and Tárrega.

Tracklist can be Found down Below!

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Luigi Boccherini wrote many string quintets for various combinations of instruments. This is the second volume of Boccherini's complete string quintets, performed by La Magnifica Comunità on period instruments. Their baroque ensemble here consist of the for Boccherini typical combination of two violins, one viola and two cellos.

Composer: Luigi Boccherini
Artist: Enrico Casazza violin and concert master La Magnifica Comunità ensemble

00:00:00 Quintetto I in B-Flat Major, G. 271: adagio non tanto
00:06:29 Quintetto II in A Major, G. 272: allegro non molto
00:13:46Quintetto I in B-Flat Major, G. 271: allegro
00:23:07Quintetto I in B-Flat Major, G. 271: allegro assai
00:29:52 Quintetto III in C Major, G. 273: allegro molto
00:36:54Quintetto III in C Major, G. 273: Larghetto
00:40:16 Quintetto III in C Major, G. 273: Minuetto, trio
00:43:22 Quintetto III in C Major, G. 273: Presto
00:46:59 Quintetto IV in F Minor, G. 274: Larghetto
00:52:11 Quintetto V in E Major, G. 275: Minuetto, trio
00:55:25 Quintetto II in A Major, G. 272: allegro assai
00:59:19 Quintetto VI in D Major, G. 276, "L’Uccelliera": adagio assai
01:00:15 Quintetto II in A Major, G. 272: Larghetto
01:05:13Quintetto II in A Major, G. 272: Minuetto, trio
01:09:41Quintetto IV in F Minor, G. 274: Vivace
01:18:09 Quintetto IV in F Minor, G. 274: Minuetto, trio
01:21:22 Quintetto IV in F Minor, G. 274: Presto
01:25:09 Quintetto V in E Major, G. 275: amoroso
01:29:59 Quintetto V in E Major, G. 275: rondeau, andante
01:37:31 Quintetto VI in D Major, G. 276, "L’Uccelliera": allegro Giusto
01:48:33 Quintetto VI in D Major, G. 276, "L’Uccelliera": allegro (Li Pastori e Li Cacciatori)
01:50:58 Quintetto V in E Major, G. 275: allegro e con spirito
01:59:04 Quintetto VI in D Major, G. 276, "L’Uccelliera": tempo di Minuetto
02:01:45 Quintetto VI in D Major, G. 276, "L’Uccelliera": tempo di Prima

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Composer: Luigi Boccherini
Artist: Eros Roselli (guitar), La Magnifica Comunità, Enrico Casazza (violin and concert master)

The 9 guitar quintets by Luigi Boccherini are probably arrangements of other pieces he wrote. Some were originally for piano quintet, some are combinations of pieces for other instruments. Nevertheless they sound very original, have a definite Spanish feel to them and make very enjoyable listening.

Of course two movements have become famous by themselves. There is the Fandango, the final movement of the fourth quintet with an unmistakable obviously Spanish rhythm. And the ninth quintet has the highly entertaining 'La ritirata di Madrid', depicting Madrid at night. Luciano Berio liked it so much that he made an arrangement of it.

A recording by La Magnifica Communitá. This ensemble has recorded Boccherini’s other quintets as well. They are here joined by guitarist Eros Roselli.

00:00:00 Quintetto I in D Minor, G. 445: Allegro moderato
00:08:01 Quintetto I in D Minor, G. 445: Cantabile
00:12:35 Quintetto I in D Minor, G. 445: Minuetto
00:17:14 Quintetto I in D Minor, G. 445: Allegro assai
00:22:40 Quintetto III in B-Flat Major, G. 447: Allegro moderato
00:28:17 Quintetto III in B-Flat Major, G. 447: Tempo di Minuetto
00:33:18 Quintetto III in B-Flat Major, G. 447: Adagio
00:38:23 Quintetto III in B-Flat Major, G. 447: Allegro
00:44:47 Quintetto V in D Major, G.449: Andantino pausato
00:50:18 Quintetto V in D Major, G.449: Minuetto (Allegro)
00:53:29 Quintetto V in D Major, G.449: Allegro giusto
00:56:31 Quintetto V in D Major, G.449: Andantino pausato con variazioni
01:04:27 Quintetto VI in G Major, G. 450: Allegro con vivacità
01:08:49 Quintetto VI in G Major, G. 450: Andantino lento
01:12:01 Quintetto VI in G Major, G. 450: Tempo di Minuetto
01:16:15 Quintetto VI in G Major, G. 450: Allegretto
01:20:03 Quintetto IV in D Major, G. 448, "Fandango": Pastorale
01:24:29 Quintetto IV in D Major, G. 448, "Fandango": Allegro maestoso
01:31:08 Quintetto IV in D Major, G. 448, "Fandango": Grave assai
01:32:40 Quintetto IV in D Major, G. 448, "Fandango": Fandango
01:38:23 Quintetto II in E Major, G. 446: Maestoso assai
01:46:44 Quintetto II in E Major, G. 446: Adagio
01:48:48 Quintetto II in E Major, G. 446: Allegretto
01:51:53 Quintetto II in E Major, G. 446: Polacca. Tempo di Minuetto
01:57:48 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Allegro maestoso assai
02:08:47 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Andantino
02:15:01 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Allegretto
02:21:10 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Maestoso e lento (La Ritirata di Madrid)

This set includes over 3 hours of the most memorable romantic melodies played by some of the world’s finest pianists. The collection contains the most beautiful compositions of great composers like Mozart, Chopin, Liszt and many more!

Take a Deep Breath and Enjoy!

Tracklist:

Johannes Brahms
00:00:00 8 Piano Pieces, Op. 76: No. 4, Intermezzo in B-Flat Major. Allegretto grazioso
01:40:11 4 Ballades, Op. 10: No. 2, Ballade in D Major. Andante
01:45:53 4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor. Adagio
02:27:22 2 Rhapsodies, Op. 79: No. 2, Rhapsody in G Minor. Molto passionato, Ma non troppo allegro

Franz Schubert
00:02:33 Four Impromptus, D. 935: No. 2, Impromptu in A-Flat Major
01:12:01 Moments musicaux, D. 780: No. 2, Andantino in A-Flat Major

Felix Mendelssohn
00:09:05 Lieder ohne Worte, Op. 30: No. 6, Allegretto in F-Sharp Minor "Venetian Gondola Song"
00:12:10 6 Gesänge, Op. 47: No. 3, Frühlingslied
00:14:30 Lieder ohne Worte, Op. 102: No. 5, Allegro vivace
00:27:52 Lieder ohne Worte, Op. 19b: No. 3, Molto allegro e vivace in A Major
01:24:40 Lieder ohne Worte, Op. 38: No. 6, Duetto in A-Flat Major. Andante con moto
01:53:07 Lieder ohne Worte, Op. 19b: No. 5, Poco agitato

Chopin
00:15:51 Berceuse in D-Flat Major, Op. 57
01:27:31 Souvenir de Paganini in A Major, B. 37
01:34:40 Etude in C Minor, Op. 10 No. 12 "Revolutionary"
01:56:38 Nocturnes, Op. 27: No. 2, Nocturne in D-Flat Major
02:03:03 Grande valse brillante in E-Flat Major, Op. 18
02:14:06 Etudes, Op. 25: No. 1, Etude in A-Flat Major "Aeolian Harp"
02:33:27 Waltzes, Op. 64: No. 2, Waltz in C-Sharp Minor
03:08:23 Polonaise in A-Flat Major, Op. 53 "Heroic"

Edvard Grieg
00:20:54 Lyric Pieces, Op. 38: No. 1, Cradle Song
00:23:11 Lyric Pieces, Op. 43: No. 3, Little Bird
00:25:03 Lyric Pieces, Op. 68: No. 5, At the Cradle
03:15:24 Lyric Pieces, Op. 12: No. 1, Arietta

Claude Debussey
00:30:02 Childrens Corner, L. 113: No. 5, The Little Shepherd
00:32:26 Childrens Corner, L. 113: No. 6, Golliwog's Cake-walk

Wolfgang Amadeus Mozart
00:35:07 Sonate facile in C Major, K. 545: II. Andante
00:39:20 Sonate facile in C Major, K. 545: III. Rondo
00:53:54 Piano Sonata No. 12 in F Major, K. 332: I. Allegro
01:00:28 Piano Sonata No. 12 in F Major, K. 332: II. Adagio
01:05:11 Piano Sonata No. 12 in F Major, K. 332: III. Allegro assai

Tchaikovsky
00:41:03 The Seasons, Op. 37a: No. 2, February. The Carnival in D Major
00:44:00 The Seasons, Op. 37a: No. 12, December. Christmas in A-Flat Major
03:03:00 The Seasons, Op. 37a: No. 6, June. Barcarolle in G Minor. Andante cantabile
03:06:43 The Seasons, Op. 37a: No. 3, March. Song of the Lark in G Minor. Andantino espressivo

Erik Satie
00:47:42 3 Gymnopèdies: No. 2, Lent et triste in C Major
00:50:58 3 Gymnopèdies: No. 3, Lent et grave in A Minor

Charles Henri Valentin Alkan
01:18:15 Nocturne, Op. 22
01:49:16 Recueil de Chants, Op. 65: No. 6, Barcarolle in G Minor

Robert Schumann
01:31:47 Fantasiestücke, Op. 12: No. 2, Aufschwung in F Minor
02:08:08 Fantasiestücke, Op. 12: No. 5, In der Nacht in F Minor
02:11:55 Kinderszenen, Op. 15: No. 12, Kind im Einschlummern

Franz Liszt
01:37:29 2 Konzertetüden, S. 145: No. 2, Gnomenreigen. Presto scherzando
02:16:43 Hungarian Rhapsody No. 2, S. 244
02:37:05 Hungarian Rhapsody No. 11 in A Minor, S. 244
02:42:48 Années de pèlerinage III, S. 163: No. 4, Les jeux d'eaux a la villa d'Este

César Auguste Franck
02:50:31 Prèlude, Fugue et Variation, Op. 18: No. 1, Prèlude

Leoš Janácek
02:54:20 On an Overgrown Path: No. 4, The Madonna of Frydek

Petrovich Mussorgsky
02:57:46 Pictures at an Exhibition: Promenade II - No. 2, The Old Castle

Ludovico Einaudi
03:16:57 Una Mattina

Tracklist below.
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Bach’s set of six Brandenburg concertos remains among his most attractive works. Recorded by Muscia Amphion, a specialized Dutch period instrument ensemble led by harpsichordist Pieter-Jan Belder.
Musica Amphion delivers highly energetic performances. The musicians are joined by several of the most prominent early music specialists such as Wilbert Hazelzet on flute and Daniel Brüggen on the recorder.
00:00:00 Concerto No. 1 in F Major, BWV 1046: Without tempo indication
00:03:54 Concerto No. 1 in F Major, BWV 1046: Adagio
00:07:28 Concerto No. 1 in F Major, BWV 1046: Allegro
00:11:34 Concerto No. 1 in F Major, BWV 1046: Menuet - Trio I - Polonaise- Trio II
00:19:39 Concerto No. 2 in F Major, BWV 1047: Without tempo indication
00:24:27 Concerto No. 2 in F Major, BWV 1047: Andante
00:27:42 Concerto No. 2 in F Major, BWV 1047: Allegro assai
00:30:26 Concerto No. 3 in G Major, BWV 1048: Without tempo indication
00:35:45 Concerto No. 3 in G Major, BWV 1048: Adagio
00:36:06 Concerto No. 3 in G Major, BWV 1048: Allegro
00:40:51 Concerto No. 4 in G Major, BWV 1049: Allegro
00:47:33 Concerto No. 4 in G Major, BWV 1049: Andante
00:51:04 Concerto No. 4 in G Major, BWV 1049: Presto
00:55:39 Concerto No. 5 in D Major, BWV 1050: Allegro
01:05:26 Concerto No. 5 in D Major, BWV 1050: Affettuoso
01:11:08 Concerto No. 5 in D Major, BWV 1050: Allegro
01:16:20 Concerto No. 6 in B-Flat Major, BWV 1051: Without tempo indication
01:22:17 Concerto No. 6 in B-Flat Major, BWV 1051: Adagio ma non tanto
01:27:00 Concerto No. 6 in B-Flat Major, BWV 1051: Allegro

Artist:
Musica Amphion
Pieter-Jan Belder harpsichord and concert master with
Wilbert Hazelzet (flute)
Daniel Brüggen (recorder)

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Composer: Moritz Moszkowski
Artists: Domenico Monaco/Michele Solimando (piano 4 hands)

This collection of duets by Moritz Moszkowski, a German pianist and composer of Polish descent, astonishes in its range and variety. From the spirited Polish Folk Dances, via the elegant Deutsche Reigen or the virtuoso Tarantelle from the Klavierstücke, to the distinctive and exotic sound of the Spanish Dances for which Moszkowski was best known, every disc in the set reveals a new aspect of the composer’s craft. The influences are varied too, as the composer tips his hat to musical traditions from a range of countries including Hungary, Russia, Spain, his native Germany, and the Poland of his ancestors. This interest in styles characteristic of different countries is most clearly showcased in his Aus aller Herren Ländern (From Foreign Parts), a set that is both engaging and – of course – full of variety.

Italian pianists Domenico Monaco and Michele Solimando appear here for the first time on Brilliant Classics. Both have received many prestigious awards, including prizes in international competitions such as ‘P. Badura Skoda’ at Villa Seca (Spain), and enjoy busy performing careers alongside their regular teaching.
 
00:00:00 5 Spanische Tänze, Op. 12: I. Allegro brioso
00:01:48 5 Spanische Tänze, Op. 12: II. Moderato
00:06:05 5 Spanische Tänze, Op. 12: III. Con moto
00:08:37 5 Spanische Tänze, Op. 12: IV.. Allegro comodo
00:11:29 5 Spanische Tänze, Op. 12: V. Bolero. Con spirito
00:14:06 Album Espagnol, Op. 21: I. Allegro moderato
00:17:21 Album Espagnol, Op. 21: II. Vivace assai
00:19:31 Album Espagnol, Op. 21: III. Con moto
00:23:30 Album Espagnol, Op. 21: IV. Moderato e grazioso
00:27:06 4 Polnische Volkstänze, Op. 55: I. Mazurka: Allegro
00:30:52 4 Polnische Volkstänze, Op. 55: II. Mazurka: Allegro un poco moderato
00:34:16 4 Polnische Volkstänze, Op. 55: III. Polonaise: Allegretto con moto
00:40:08 4 Polnische Volkstänze, Op. 55: IV. Krakowiak: Allegro con spirito
00:43:21 3 Neue Spanische Tänze, Op. 65: I. Allegro ma non troppo
00:47:40 3 Neue Spanische Tänze, Op. 65: II. Andante con moto
00:52:28 3 Neue Spanische Tänze, Op. 65: III. Habanera: Allegretto
00:57:17 5 Walzer, Op. 8: I. Allegro moderato
01:00:14 5 Walzer, Op. 8: II. Pesante e lugubre
01:02:58 5 Walzer, Op. 8: III. Allegro grazioso
01:06:25 5 Walzer, Op. 8: IV. Vivace assai
01:08:21 5 Walzer, Op. 8: V. Pomposo ed energico, ma non troppo allegro
01:12:25 5 Deutsche Reigen, Op. 25: I. Moderato
01:16:06 5 Deutsche Reigen, Op. 25: II. Allegretto con moto
01:17:40 5 Deutsche Reigen, Op. 25: III. Moderato e grazioso
01:21:18 5 Deutsche Reigen, Op. 25: IV. Allegro animato
01:26:35 5 Deutsche Reigen, Op. 25: V. Allegro con brio
01:31:08 4 Klavierstücke, Op. 33: I. Kinder Marsch. Allegro
01:34:27 4 Klavierstücke, Op. 33: II. Humoreske. Allegretto
01:37:53 4 Klavierstücke, Op. 33: III. Tarantelle. Allegro molto
01:42:36 4 Klavierstücke, Op. 33: IV. Spinnerlied. Vivo
01:45:41 Le maître et l’élève, Op. 96: I. Prologue. Allegro brioso
01:47:30 Le maître et l’élève, Op. 96: II. Moment musical. Molto moderato
01:48:55 Le maître et l’élève, Op. 96: III. Mélodie. Allegro moderato
01:50:45 Le maître et l’élève, Op. 96: IV. Air de Ballet. Andante con moto
01:52:32 Le maître et l’élève, Op. 96: V. Arabesque. Allegretto animato
01:54:33 Le maître et l’élève, Op. 96: VI. Berceuse. Andante
01:56:50 Le maître et l’élève, Op. 96: VII. Valse. Tempo moderato
01:58:54 Le maître et l’élève, Op. 96: VIII. Tarantelle. Molto vivace
01:59:55 3 Stücke, Op. 11: I. Polonaise. Brioso ed energico
02:04:08 3 Stücke, Op. 11: II. Walzer. Allegretto grazioso
02:10:41 3 Stücke, Op. 11: III. Ungarischer Tanz. Allegro con fuoco
02:13:21 Aus aller Herren Ländern, Op. 23: I. Russia. Allegretto
02:15:43 Aus aller Herren Ländern, Op. 23: II. Germany. Andante
02:20:31 Aus aller Herren Ländern, Op. 23: III. Spain. Molto vivace
02:22:22 Aus aller Herren Ländern, Op. 23: IV. Poland. Allegro con fuoco
02:28:19 Aus aller Herren Ländern, Op. 23: V. Italy. Presto
02:32:38 Aus aller Herren Ländern, Op. 23: VI. Hungary. Molto allegro
02:35:51 Cortège et gavotte, Op.43: I. Cortège. Allegro ma non troppo
02:41:09 Cortège et gavotte, Op.43: II. Gavotte. Moderato
02:46:03 Kaleidoskop, Op. 74: I. Molto allegro e con fuoco
02:47:29 Kaleidoskop, Op. 74: II. Presto
02:48:37 Kaleidoskop, Op. 74: III. Andante
02:51:25 Kaleidoskop, Op. 74: IV. Allegro moderato e grazioso
02:54:28 Kaleidoskop, Op. 74: V. Allegro con spirito
02:57:14 Kaleidoskop, Op. 74: VI. Mesto
03:01:01 Kaleidoskop, Op. 74: VII. Tempo di Valse

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Composer: Antonio Vivaldi
Artists: l'Arte dell'Arco, Federico Guglielmo (violin & concert master)

These performances of Vivaldi’s violins concertos Op. 6 are a far cry from the elegant and charming performances of past generations: played on period instruments Vivaldi sounds powerful, vibrant, full of passion and drama.The “one player per part” formation is based on recent research by English scholar Richard Maunder, and provide a close, immediate sound, as it might have been heard in a Venetian Palace.

Vivaldi’s op.6 concertos first appeared in print in Amsterdam in 1719. However, this edition was unreliable in the extreme. Scoring was incorrect, the number of works indistinct, random movements separated from their correct work, and a host of other errors.
What is clear though is that these concertos are a decisive step forward from the works found in opp. 3 and 4. For example, all follow the fast-slow-fast pattern of the threemovement concerto. The solo violin has prominence, so we are moving away from the concerto-grosso style.
These recordings are the world premiere of the new critical edition by Alessandro Borin, Istituto Italiano Antonio Vivaldi, Fondazione Giorgio Cini,Venice.

00:00:00 Concerto No. 4 in D, RV 216 for violin, strings and continuo: I. Allegro
00:02:01 Concerto No. 4 in D, RV 216 for violin, strings and continuo: II. Adagio
00:03:33 Concerto No. 4 in D, RV 216 for violin, strings and continuo: III. Allegro
00:06:00 Concerto No. 5 in E Minor, RV 280 for violin, strings and continuo: I. Allegro
00:09:00 Concerto No. 5 in E Minor, RV 280 for violin, strings and continuo: II. Largo
00:11:05 Concerto No. 5 in E Minor, RV 280 for violin, strings and continuo: III. Allegro)
00:13:05 Concerto No. 6 in D Minor, RV 239 for violin, strings and continuo: I. Allegro
00:16:29 Concerto No. 6 in D Minor, RV 239 for violin, strings and continuo: II. Largo
00:18:55 Concerto No. 6 in D Minor, RV 239 for violin, strings and continuo: III. Allegro
00:22:03 Concerto No. 2 in E-Flat, RV 259 for violin, strings and continuo: I. Allegro
00:26:00 Concerto No. 2 in E-Flat, RV 259 for violin, strings and continuo: II. Largo
00:27:47 Concerto No. 2 in E-Flat, RV 259 for violin, strings and continuo: III. Allegro
00:30:48 Concerto No. 1 in G Minor, RV 324 for violin, strings and continuo: I. Allegro
00:34:19 Concerto No. 1 in G Minor, RV 324 for violin, strings and continuo: II. Grave
00:37:33 Concerto No. 1 in G Minor, RV 324 for violin, strings and continuo: III. Allegro
00:40:11 Concerto No. 3 in G, RV 318 for violin, strings and continuo: I. Allegro
00:43:17 Concerto No. 3 in G, RV 318 for violin, strings and continuo: II. Adagio
00:45:00 Concerto No. 3 in G, RV 318 for violin, strings and continuo: III. Allegro

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Composer: Luigi Boccherini
Artists: La Magnifica Communità, Enrico Casazza (violin and concert master)

A much-underrated composer, Luigi Boccherini (1743-1805) was one of the leading composers of the late 18th century, a friend and colleague of both Haydn and Mozart, and a formidable cello virtuoso. His reputation was such that he was nicknamed ‘Mrs Haydn’ – not in a pejorative sense, the appellation was due to his music sounding Haydnesque, but with a sensual, feminine grace rather than the Sturm und Drang of his Austrian friend’s music.

Although his cello concerti and some of his symphonies remain in the repertoire, it is his chamber music that his reputation today rests, especially the quintets. Boccherini championed this genre, and it was his example that inspired Mozart to compose his quintets.

This release contains the string quintets Op. 10 - Op. 13. Great performances by La Magnifica Communità, lead by violinist Enrico Casazza

The tracklist can be found in the comments section below!

Tracklist below.

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Oleg Timofeyev, a Russian-born American lutenist, brings together a personal collection of some of his favourite Elizabethan pavans, each carefully chosen from lute books or unpublished manuscripts, spanning the length of Queen Elizabeth I’s reign. What intrigues Timofeyev is the special status that the pavan held during this time, and how it morphed from a simple dance to a slow, grand, fantasy-like composition. This album showcases this fascinating development; from two pavans inspired by Elizabeth’s predecessor, King Henry VIII, the first of which includes a marvellous ‘fanfare’ section, to a collection of anonymous pavans that utilised common harmonic progressions for the first time, delighting the post-Renaissance listener. The famous John Dowland features on this release, with his tongue-in-cheek ‘Semper Downland semper dolens’ (a complaint that he neverheld a position at Elizabeth’s court), as well as Daniel Bacheler and John Daniel, whose eccentric, almost decadent style brought the art of the pavan to its highest degree of sophistication.
Oleg Timofeyev is a lutenist, guitarist, musicologist and documentary film director.
Since arriving in America in 1989, he has studied with the likes of Hopkinson Smith and Peter Williams, and has gone on to record dozens of CDs. He has been responsible for the revival of the seven-string Russian guitar, and in 2008 together with his wife he made a compelling documentary about his former guitar teacher, Kamill Frautschi.
The Pavan is an ancient Spanish-Italian Dance form, solemn, slow and stately. It gained great popularity in Renaissance England, in which it developed from a straight dance form in the time of Henry VIII to a highly sophisticated composition of a slow, rhapsodic and fantasy-like nature, in which the composer expressed his often melancholy emotions. The composers featured are Cotton, Ferrabosco, Philips, Johnson, Mason, Robinson, Dowland, Daniel, Bacheler and several Anonymi. Oleg Timofeyev is a highly respected lutenist, guitarist, musicologist and documentary film director. He wrote the excellent liner notes for this release.

Artist: Oleg Timofeyev lute
00:00:00 Kyng Harry the VIIIth Pavyn
00:01:58 The Kinges Pavane
00:03:43 Pavan
00:06:31 Quadro pavan
00:08:48 Anthony pavan
00:11:06 Passamezzo pavan (Marsh Lute Book)
00:14:41 Pavan
00:18:07 Quadro Pavan (Willoughby Lute Book)
00:20:10 Pavana cromatica
00:23:37 Spanish pavan
00:28:28 Philips pavan
00:31:48 Mason pavan
00:36:03 Lachrimae pavan
00:40:53 Spanish pavan
00:43:57 Semper Dowland semper dolens
00:47:14 Sims pavan
00:52:06 Pavan (Cozens Lue Book)
00:54:58 Pavan
01:00:14 Rosamund

Composer: Frédéric Chopin
00:00:00 Berceuse in D-Flat Major, Op. 57 by Alwin Bär
00:05:06 Nocturne in E-Flat Major, Op. 9 No. 2 by Pieter van Winkel
00:09:21 Waltz in C-Sharp Minor, Op. 64 No. 2 by Martijn van den Hoek
00:13:00 Ballade No. 3 in A-Flat Major, Op. 47 by Pieter van Winkel
00:20:21 Souvenir de Paganini by Frank van de Laar
00:24:36 Etude in E Major, Op. 10 No. 3 by Martijn van den Hoek

Composer: Yann tiersen
00:28:37 Comptine d`un autre été: l`après midi By Jeroen van Veen

Composer: Erik satie
00:31:01 3 Sarabandes (1887): No. 1 by Håkon Austbö
00:36:35 3 Sarabandes (1887): No. 2 by Håkon Austbö
00:41:35 3 Sarabandes (1887): No. 3 by Håkon Austbö
00:45:49 3 Gymnopédies (1889): No. 1: Lent et douloureux by Håkon Austbö
00:49:29 3 Gymnopédies (1889): No. 2: Lent et triste by Håkon Austbö
00:52:47 3 Gymnopédies (1889): No. 3: Lent et grave by Håkon Austbö
00:55:40 Gnossiennes 1-3 (1890): No. 1 by Håkon Austbö
00:59:47 Gnossiennes 1-3 (1890): No. 2 by Håkon Austbö
01:01:47 Gnossiennes 1-3 (1890): No. 3 by Håkon Austbö
01:05:13 Gnossiennes 4-6 (1889-1897): No. 4 by Håkon Austbö
01:08:04 Gnossiennes 4-6 (1889-1897): No. 5 by Håkon Austbö
01:10:55 Gnossiennes 4-6 (1889-1897): No. 6 by Håkon Austbö

Composer: Wolfgang Amadeus Mozart
01:12:29 Piano Concerto No. 23 in A, KV 488 I Allegro - Mozart Akademie Amsterdam
01:23:17 Piano Concerto No. 23 in A, KV 488 II Andante - Mozart Akademie Amsterdam
01:29:32 Piano Concerto No. 23 in A, KV 488 III Allegro - Mozart Akademie Amsterdam

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Working in all the standard genres from string quartet to symphony, sonata to concerto, ballet to opera, Reinhold Glière never attained the fame of his contemporary Rachmaninov, but his music is no less recognisably Russian, no less filled with long and aching cantabile melodies; the significant point of contrast is that Glière, who never left Russia, was not afflicted with the pervasive melancholy that so memorably colours Rachmaninov’s music.

The difference is quickly apparent in the 30 Preludes which are Glière’s major contribution to piano literature. The C minor Second may very obviously be written in the shadow of Chopin, but most of the major-key examples enjoy the carefree mood of a relaxed, Russian Brahms. Nearly all of them invite words to be sung with them, such as the spring-like No.7 or the Romance of No.15. For pianists and lovers of Romantic piano music alike, the Preludes of Glière should be a joyful discovery.

On his debut recording for Brilliant Classics, Gianluca Imperato complements the Preludes with selections from other, slighter keyboard collections: the Kinderstücke Op.31, 12 Sketches Op.47 and then the Two Piano Pieces Op.99 dating from 1955: an impromptu for left-hand alone which is not to be confused with his Op.35 No.9 (a favourite miniature for violin and cello recitals); indeed neither it nor the companion Melodie have been recorded before. They show that at the age of 80, Glière could still pen music that was remarkably refined, calm and melancholy; suspended in time, or beyond the reach of events.
Composer Reinhold Gliere
Artist Gianluca Imperato piano

00:00:00 25 Preludes, Op. 30: No. 1 in C Major
00:01:22 25 Preludes, Op. 30: No. 2 in C Minor
00:04:25 25 Preludes, Op. 30: No. 3 in D-Flat Major
00:05:23 25 Preludes, Op. 30: No. 4 in C-Sharp Minor
00:08:15 25 Preludes, Op. 30: No. 5 in D Major
00:12:01 25 Preludes, Op. 30: No. 6 in D Minor
00:13:41 25 Preludes, Op. 30: No. 7 in E-Flat Major
00:15:38 25 Preludes, Op. 30: No. 8 in E-Flat Minor
00:16:37 25 Preludes, Op. 30: No. 9 in E Major
00:20:19 25 Preludes, Op. 30: No. 10 in E Minor
00:23:22 25 Preludes, Op. 30: No. 11 in F Major
00:25:31 25 Preludes, Op. 30: No. 12 in F Minor
00:26:51 25 Preludes, Op. 30: No. 13 in F-Sharp Major
00:29:07 25 Preludes, Op. 30: No. 14 in F-Sharp Minor
00:32:09 25 Preludes, Op. 30: No. 15 in G Major
00:35:09 25 Preludes, Op. 30: No. 16 in G Minor
00:36:21 25 Preludes, Op. 30: No. 17 in A-Flat Major
00:37:12 25 Preludes, Op. 30: No. 18 in G-Sharp Minor
00:38:38 25 Preludes, Op. 30: No. 19 in A Major
00:40:43 25 Preludes, Op. 30: No. 20 in A Minor
00:43:54 25 Preludes, Op. 30: No. 21 in B-Flat Major
00:47:11 25 Preludes, Op. 30: No. 22 in B-Flat Minor
00:48:34 25 Preludes, Op. 30: No. 23 in B Major
00:50:17 25 Preludes, Op. 30: No. 24 in B Minor
00:51:05 25 Preludes, Op. 30: No. 25 in C Major
00:52:42 Romance No. 2, Op. 16
00:56:07 Kinderstücke, Op. 31: IV. Träumereien
00:58:23 Kinderstücke, Op. 31: VI. Valzer
01:00:05 Kinderstücke, Op. 31: X. Lied aus dem Osten
01:01:38 Kinderstücke, Op. 31: XI. Albumblatt
01:03:37 12 Sketches, Op. 47: III. Gajamente
01:04:38 12 Sketches, Op. 47: VII. Agitato
01:05:36 Two Piano Pieces, Op. 99: I. Impromptu for the Left Hand in E Major
01:08:26 Two Piano Pieces, Op. 99: II. Melodie B-Flat Major

The album contains the best classical music composed by Wolfgang Amadeus Mozart.

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00:00:00 Symphony No. 40 in G Minor, KV 550: Andante – Jaap ter Linden
00:09:53 Symphony No. 40 in G Minor, KV 550: Molto allegro – Jaap ter Linden
00:17:22 Symphony No. 40 in G Minor, KV 550: Menuetto – Jaap ter Linden
00:21:12 Symphony No. 40 in G Minor, KV 550: Allegro assai – Jaap ter Linden

00:28:15 Symphony No. 41 in C, KV 551 “Jupiter”: Allegro vivace – Jaap ter Linden
00:39:57 Symphony No. 41 in C, KV 551 “Jupiter”: Andante cantabile – Jaap ter Linden
00:50:12 Symphony No. 41 in C, KV 551 “Jupiter”: Menuetto – Jaap ter Linden
00:54:36 Symphony No. 41 in C, KV 551 “Jupiter”: Molto allegro – Jaap ter Linden

01:03:40 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Allegro – Derek Han, Paul Freeman
01:18:19 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Andante– Derek Han, Paul Freeman
01:25:08 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Allegro vivace assai– Derek Han, Paul Freeman

01:32:33 Piano Concerto No. 23 in A, KV 488: Allegro– Derek Han, Paul Freeman
01:43:21 Piano Concerto No. 23 in A, KV 488: Andante– Derek Han, Paul Freeman
01:49:36 Piano Concerto No. 23 in A, KV 488: Allegro– Derek Han, Paul Freeman

01:57:37 Requiem in D Minor, KV 626: Introitus, Requiem aeternam – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:02:22 Requiem in D Minor, KV 626: Kyrie eleison – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:05:07 Requiem in D Minor, KV 626: Dies Irae – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:07:05 Requiem in D Minor, KV 626: Tuba mirum – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:10:11 Requiem in D Minor, KV 626: Rex tremendae – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:12:20 Requiem in D Minor, KV 626: Recordare – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:16:44 Requiem in D Minor, KV 626: Confutatis – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:19:13 Requiem in D Minor, KV 626: Lacrimosa – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:22:17 Requiem in D Minor, KV 626: Domine Jesu – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:26:03 Requiem in D Minor, KV 626: Hostias – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:30:03 Requiem in D Minor, KV 626: Sanctus – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:31:43 Requiem in D Minor, KV 626: Benedictus – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:36:10 Requiem in D Minor, KV 626: Agnus Dei – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:40:13 Requiem in D Minor, KV 626: Lux aeterna b– Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer