Tracklist below.

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The latest in Brilliant Classics’ selection of Vivaldi releases, this vivid and inventive collection can be considered the first true example of the genre later to be connected so strongly with the ‘Prete Rosso’: the violin concerto.

Tracklist:
00:00:00 Violin Concerto No. 1 in B-Flat Major, RV 383a: I. Allegro
00:02:56 Violin Concerto No. 1 in B-Flat Major, RV 383a: II. Largo e cantabile
00:06:00 Violin Concerto No. 1 in B-Flat Major, RV 383a: III. Allegro
00:08:07 Violin Concerto No. 11 in D Major, RV 204: I. Allegro
00:11:01 Violin Concerto No. 11 in D Major, RV 204: II. Largo
00:12:37 Violin Concerto No. 11 in D Major, RV 204: III. Allegro assai
00:14:28 Violin Concerto No. 9 in F Major, RV 284: I. Allegro
00:17:05 Violin Concerto No. 9 in F Major, RV 284: II. Largo
00:19:11 Violin Concerto No. 9 in F Major, RV 284: III. Allegro
00:21:22 Violin Concerto No. 4 in A Minor, RV 357: I. Allegro
00:24:14 Violin Concerto No. 4 in A Minor, RV 357: II. Grave e sempre piano
00:26:30 Violin Concerto No. 4 in A Minor, RV 357: III. Allegro
00:29:09 Violin Concerto No. 7 in C Major, RV 185: I. Largo
00:31:24 Violin Concerto No. 7 in C Major, RV 185: II. Allegro
00:33:22 Violin Concerto No. 7 in C Major, RV 185: III. Largo
00:35:00 Violin Concerto No. 7 in C Major, RV 185: IV. Allegro
00:37:00 Violin Concerto No. 2 in E Minor, RV 279: I. Allegro
00:41:08 Violin Concerto No. 2 in E Minor, RV 279: II. Largo
00:43:20 Violin Concerto No. 2 in E Minor, RV 279: III. Allegro
00:46:22 Violin Concerto No. 12 in G Major, RV 298: I. Spiritoso e non presto
00:48:51 Violin Concerto No. 12 in G Major, RV 298: II. Largo
00:52:06 Violin Concerto No. 12 in G Major, RV 298: III. Allegro
00:55:32 Violin Concerto No. 8 in D Minor, RV 249: I. Allegro
00:58:06 Violin Concerto No. 8 in D Minor, RV 249: II. Adagio – Presto – Adagio
00:59:29 Violin Concerto No. 8 in D Minor, RV 249: III. Allegro
01:02:52 Violin Concerto No. 5 in A Major, RV 347: I. Allegro
01:06:16 Violin Concerto No. 5 in A Major, RV 347: II. Largo
01:08:24 Violin Concerto No. 5 in A Major, RV 347: III. Allegro
01:11:36 Violin Concerto No. 10 in C Minor, RV 196: I. Spiritoso
01:14:26 Violin Concerto No. 10 in C Minor, RV 196: II. Adagio
01:16:34 Violin Concerto No. 10 in C Minor, RV 196: III. Allegro
01:19:26 Violin Concerto No. 6 in G Minor, RV 316a: I. Allegro
01:21:55 Violin Concerto No. 6 in G Minor, RV 316a: II. Largo
01:24:47 Violin Concerto No. 6 in G Minor, RV 316a: III. Allegro
01:28:21 Violin Concerto No. 3 in G Major, RV 301: I. Allegro
01:31:06 Violin Concerto No. 3 in G Major, RV 301: II. Largo
01:33:37 Violin Concerto No. 3 in G Major, RV 301: III. Allegro

Artist:
Federico Guglielmo (violin)
L'Arte dell'Arco

Tracklist below.
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Beethoven’s oeuvre only comprises a small collection of works for cello and piano, but that the composer was an accomplished writer for this combination of instruments is evident from the fact that Jean-Louis Duport, one of Frederick II’s court cellists and one of the most revered musicians of his day, incorporated many of the techniques found in the Op.5 sonatas into his instruction manual for cello.

Other information:
The two musicians Timora Rosler and Klára Würtz have been playing together for more than 15 years, having won several chamber music prizes. They performed the Beethoven cycle several times in concert over the years, and their interpretation has ripened to such an extent that the time came to record it. And here it is: every note alive and vibrant, played with gusto and feeling, alternating melancholy and joy, sadness and sheer fun.


00:00:00 Cello Sonata in F Major, Op. 5 No. 1: I. Adagio sostenuto – Allegro
00:17:01 Cello Sonata in F Major, Op. 5 No. 1: II. Rondo. Allegro vivace
00:23:22 Cello Sonata in G Minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivo
00:28:58 Cello Sonata in G Minor, Op. 5 No. 2: I. Allegro molto più tosto presto
00:38:51 Cello Sonata in G Minor, Op. 5 No. 2: 5 II. Rondo. Allegro
00:47:20 Cello Sonata in A Major, Op. 69: I. Allegro ma non tanto
00:59:51 Cello Sonata in A Major, Op. 69: II. Scherzo. Allegro molto
01:04:54 Cello Sonata in A Major, Op. 69: III. Adagio cantabile – Allegro vivace
01:13:06 Cello Sonata in C Major, Op. 102 No. 1: I. Adagio – Allegro vivace
01:20:19 Cello Sonata in C Major, Op. 102 No. 1: II. Adagio – Tempo d’andante – Allegro vivace
01:27:18 Cello Sonata in D Major, Op. 102 No. 2: I. Allegro con brio
01:33:42 Cello Sonata in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto
01:41:31 Cello Sonata in D Major, Op. 102 No. 2: III. Allegro – Allegro fugato
01:46:00 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Thema. Allegretto
01:46:42 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 1
01:47:20 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 2
01:47:58 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 3
01:48:36 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 4
01:49:20 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 5
01:50:04 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 6
01:50:42 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 7
01:51:22 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 8
01:51:59 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 9
01:52:42 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 10
01:53:25 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 11. Adagio
01:56:24 12 Variations on “See the Conqu’ring Hero comes”, WoO 45: Variation 12. Allegro
01:57:27 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Thema. Allegretto
01:57:57 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 1
01:58:29 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 2
01:59:02 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 3
01:59:32 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 4
02:00:05 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 5
02:00:38 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 6
02:01:06 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 7
02:01:45 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 8
02:02:22 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 9
02:02:54 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 10. Adagio
02:04:03 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 11. Poco adagio, quasi andante
02:04:58 12 Variations on “Ein Mädchen oder Weibchen”, Op. 66: Variation 12. Allegro
02:06:56 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Thema. Andante
02:07:41 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation 1
02:08:19 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation 2
02:09:02 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation 3
02:10:06 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation 4
02:11:22 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation 5. Si prenda il tempo un poco
02:11:58 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation 6. Adagio
02:14:05 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation 7. Allegro ma non troppo

Artist:
Timora Rosler (cello)
Klara Wurtz (piano)

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Composer: Francisco Tárrega
Artists: Giulio Tampalini

Tracklist:
00:00:00 Capricho árabe
00:04:36 Alborada
00:06:26 Marieta
00:08:20 Pavana
00:10:04 María
00:11:21 Isabel
00:12:36 La cartagenera
00:17:22 Adelita in E Minor
00:18:52 Rosita in D Major
00:20:38 El columpio
00:22:58 Danza mora
00:24:56 Gran vals in A Major
00:27:31 Malagueña fácil
00:30:17 Recuerdos de la Alhambra
00:35:45 Mazurka in G Major
00:38:13 Las dos hermanas
00:41:45 Minuetto in E Major
00:43:11 Paquito
00:45:07 Pepita
00:46:25 Danza odalisca
00:49:04 Sueño Mazurka
00:50:31 Vals in D Major
00:52:31 Variaciones sobre el carnaval de Venecia de Paganini
01:00:35 Prelude No. 1 in D Minor
01:01:46 Prelude No. 2 in A Minor
01:03:15 Prelude No. 3 in G Major
01:00:35 Prelude No. 4 in E Major
01:04:39 Prelude No. 5 in E Major
01:05:57 Prelude No. 6 in B Minor
01:06:51 Prelude No. 7 in A Major
01:07:35 Prelude No. 8 in A Major
01:07:56 Prelude No. 9 in A Major
01:08:18 Prelude No. 10 in D Major
01:08:36 Prelude in D Major
01:09:02 Prelude in A Minor
01:09:27 Prelude in D Major
01:10:04 Lágrima
01:11:35 Prelude in G Major
01:12:17 Prelude in C Major
01:12:57 Endecha
01:13:47 Oremus
01:14:41 Prelude in A Minor
01:15:06 Prelude in D Major
01:15:35 Prelude in A Major
01:15:55 Estudio en forma de minuet
01:17:31 Estudio sobre un estudio de cramer
01:18:55 Sueño Trémolo
01:25:17 Estudio sobre una sonatina de Alard
01:27:32 Estudio de velocidad
01:29:01 Estudio sobre un tema de la traviata de Verdi
01:30:00 La mariposa in D Major
01:31:10 Estudio sobre “andante en etude” de Émile Prudent
01:33:15 Estudio sobre un fragmento de Schumann
01:34:07 Fantasía sobre motivos de la traviata de Verdi
01:40:08 Gran jota de concierto
01:49:30 Nocturne in E-Flat Major, Op. 9 No. 2
01:53:54 Mazurka in G-Sharp Minor, Op. 33 No. 1
01:55:18 Mazurka in B Minor, Op. 33 No. 4
02:00:00 Mazurka in A Minor, Op. 67 No. 4
02:03:36 Waltz in A Minor, Op. 34 No. 2
02:08:29 Prelude in E Minor, Op. 28 No. 4
02:10:12 Prelude in B Minor, Op. 28 No. 6
02:11:43 Prelude in A Major, Op. 28 No. 7
02:12:19 Prelude in D-Flat Major, Op. 28 No. 15
02:16:16 Prelude in C Minor, Op. 28 No. 20
02:17:22 Fantasiestücke, Op. 12: I. “Des Abends”
02:20:21 Albumblätter, Op. 124: XVI. “Schlummerlied”
02:23:53 Bunte Blätter, Op. 99 Albumblätter
02:25:15 Bunte Blätter, Op. 99: I. “Nicht schnell, mit Innigkeit”
02:27:08 Album für die Jugend, Op. 68: XII. “Knecht Ruprecht”
02:28:34 Novelletten, Op. 21: I. “Romanza”
02:29:28 Kinderszenen, Op. 15: VII. “Träumere"
02:32:01 Minuet WoO 10 No. 3
02:34:05 Piano Sonata No. 8, Op. 13: II. Adagio cantabile
02:38:06 Symphony No. 7, Op. 92: II. Allegretto
02:39:43 Sonata, Op. 2 No. 2: III. Scherzo
02:43:24 Sonata No. 4, Op. 7: II. Largo
02:48:12 Septet, Op. 20: IV. Andante (1st Variation)
02:49:11 Sonata No. 14 “Moonlight”, Op. 27 No. 2: I. Adagio
02:53:28 Sonata No. 18 in G Major, D.894: III. Minuet
02:57:41 La damnation de Faust – Ballet des Sylphes
02:59:50 Lyric Pieces, Op. 43 No. 2 “Solitary Traveller”
03:00:43 Norwegian Folk Songs, Op. 66 No. 13 “A Little Grey Man”
03:02:10 Peer Gynt, Op. 23: The Death of Åse
03:05:25 August Heinrich von Weyrauch nach Osten
03:07:07 Violi Sonata No. 1 in G Minor, BWV 1001: II. Fugue
03:11:14 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I, VI. Bourée II
03:14:14 Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di bourrée
03:17:24 String Quintet No. 5 in D Major, K. 593: III. Minuet
03:21:53 String Quartet No. 15 in D Minor, K. 421: III. Minuet
03:25:30 String Quartet, Hob.III:74: II. Largo assai
03:28:41 Keyboard Sonata, Hob.XVI:33: III. Tempo di minuetto
03:30:03 Baryton Trio, Hob.XI:87: III. Minuet
03:31:58 “Ox Minuet”, Hob.IX:27
03:34:36 Chorale
03:36:58 Samson, HWV 5: Minuet
03:38:42 L’Arlésienne, Op. 23, Pt. III: IXX. Mélodrame. Adagio
03:40:23 Tannhäuser, WWV 70: March
03:44:38 Mefistofele
03:50:42 L’Africaine: Morceau d’ensemble et finale
03:54:34 Lieder ohne Worte, Op. 30: VI. Venetianisches Gondellied
03:57:16 Lieder ohne Worte, Op. 19b: VI. Venetianisches Gondellied
03:59:24 Estudio
04:00:56 String Quartet in B-Flat Major: Minuet
04:04:04 El ratón
04:05:37 O sole mio
04:07:05 El pobre valbuena
04:09:40 Tango
04:11:38 La Paloma
04:13:48 Suite Española, Op. 47 No. 5: Sevilla

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It may seem surprising: can 10 discs really contain all of Arcangelo Corelli’s output? They can, and do, but the surprise is merited, for the influence and reputation of these works far outstrips their quantity (and how often can one say that of a Barock composer!). On display here is the apogee of Barock form as displayed in the genres of Solo Sonatas, Trio Sonatas and Concerti Grossi, full of sparkling virtuosity and an intimate knowledge and love of the violin and its potential as a solo instrument.

The influence was felt most immediately in Rome, where he was based for his adult life, but publication of these collections soon earned him a name across Europe, as much as his prowess as a solo violinist did; for this was the golden age of the composer as creator, when composition went hand in hand with performance. Of course there is plenty more music Corelli composed which hasn’t survived, or at least not on manuscripts with his name on them, for Corelli as an impresario frequently staged oratorios to which he would have contributed sinfonias and instrumental numbers.

What survives is never less than highly polished; often bold, and continually inventive, as is more than evident in these performances from a welcome and uniform perspective by a leading Dutch period-instrument ensemble. And it’s unique; there is no other Corelli box on the market, nor has such a project ever been attempted before or since.

00:00:00 Trio Sonatas OP.3 1-12
01:20:28 Trio Sonatas OP.4 NOS 1-12
02:40:36 Trio Sonatas WoO 9-10


Full Tracklist in the comment section

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Composer:
Einaudi

Artist:
Jeroen van Veen (piano)

Tracklist
00:00:00 Divenire: No. 1, Uno
00:03:34 Divenire: No. 2, Divenire
00:10:37 Divenire: No. 3, Monday
00:17:47 Divenire: No. 4, Andare
00:24:53 Divenire: No. 5, Rose
00:29:37 Divenire: No. 6, Primavera
00:37:01 Divenire: No. 7, Oltremare
00:50:20 Divenire: No. 8, L'Origine nascosta
00:53:55 Divenire: No. 9, Fly
00:58:46 Divenire: No. 10, Ascolta
01:03:38 Divenire: No. 11, Ritornare
01:14:23 Nightbook: No. 1, In Principio
01:17:38 Nightbook: No. 2, Lady Labyrinth
01:23:26 Nightbook: No. 3, Nightbook
01:29:20 Nightbook: No. 4, Indaco
01:35:20 Nightbook: No. 5, The Snow Prelude No. 15
01:41:08 Nightbook: No. 6, Reverie
01:46:22 Nightbook: No. 7, The Crane Dance
01:49:41 Nightbook: No. 8, The Snow Prelude No. 2
01:54:11 Nightbook: No. 9, The Tower
01:58:48 Nightbook: No. 10, Bye Bye mon amour
02:07:51 Nightbook: No. 11, The Planets
02:15:39 Nightbook: No. 12, Tu sei
02:22:15 Nightbook: No. 13, Berlin Song
02:27:13 In a Time Lapse: No. 1, Corale
02:29:16 In a Time Lapse: No. 2, Time Lapse
02:34:55 In a Time Lapse: No. 3, Life
02:39:40 In a Time Lapse: No. 4, Walk
02:42:26 In a Time Lapse: No. 5, Discovery at Night
02:47:38 In a Time Lapse: No. 6, Run
02:53:43 In a Time Lapse: No. 7, Brothers
02:58:50 In a Time Lapse: No. 8, Orbits
03:01:57 In a Time Lapse: No. 9, Two Trees
03:09:20 In a Time Lapse: No. 10, Newton's Cradle
03:17:13 In a Time Lapse: No. 11, Waterways
03:21:43 In a Time Lapse: No. 12, Experience
03:27:05 In a Time Lapse: No. 13, Underwood
03:21:26 In a Time Lapse: No. 14, Burning
03:36:40 In a Time Lapse: No. 15, Luce

Tracklist below.

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Composer: Johann Sebastian Bach
Artist: Kristóf Baráti (violin)

Bach may well be one of the most widely acknowledged master composers of all time, but that only serves to make each performer’s interpretation of his work all the more challenging and distinctive: each musician must both do justice to the composer’s intention, making a decision as to the best way of conveying that within the music which is not fixed, and at the same time leave their own mark on the performance. This is especially true for these Sonatas and Partitas given the variety of styles in which such Baroque masterworks have been performed, ranging from the freely romantic to the strictly precise, and the technical challenge posed by these complex pieces for a single instrument.

The works in this collection are something of an enigma, not only because of the uncertainty surrounding the circumstances and date of their composition, but, more crucially, because of the way in which they stretch the capacity for polyphony of a single violin beyond its physical limit. It is as though Bach had written for a full ensemble of instruments – but on a single staff. Modern musicians have even speculated as to the possible existence of a special bow with which an exact performance of the music might have been achieved in Bach’s day. The music is no less rich for all of this, however: on the contrary, the harmonic complexity of these pieces is at once captivating and beautiful; the implied but absent notes are thrillingly suggestive; and the multiplicity of voices leaves the listener marvelling at Bach’s compositional vision and the performer’s ability.

This accomplished musical feat is performed by Kristóf Baráti, a Hungarian violinist who has worked with an astonishing number of world-famous orchestras and conductors. Baráti plays a 1703 Stradivarius violin, and one can sense this echo of the era of the pieces as much as one can his intense emotional involvement with the music.

00:00:00 Sonata No. 1 in G Minor, BWV 1001: I. Adagio
00:03:53 Sonata No. 1 in G Minor, BWV 1001: II. Fuga: Allegro
00:09:21 Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
00:12:25 Sonata No. 1 in G Minor, BWV 1001: IV. Presto
00:15:04 Partita No. 1 in B Minor, BWV 1002: I. Allemanda
00:19:29 Partita No. 1 in B Minor, BWV 1002: II. Double
00:21:40 Partita No. 1 in B Minor, BWV 1002: III. Corrente
00:23:55 Partita No. 1 in B Minor, BWV 1002: IV. Double: Presto
00:26:39 Partita No. 1 in B Minor, BWV 1002: V. Sarabande
00:28:31 Partita No. 1 in B Minor, BWV 1002: VI. Double
00:29:53 Partita No. 1 in B Minor, BWV 1002: VII. Tempo di borea
00:32:09 Partita No. 1 in B Minor, BWV 1002: VIII. Double
00:34:33 Sonata No. 2 in A Minor, BWV 1003: I. Grave
00:38:24 Sonata No. 2 in A Minor, BWV 1003: II. Fuga
00:46:06 Sonata No. 2 in A Minor, BWV 1003: III. Andante
00:51:24 Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
00:55:30 Partita No. 2 in D Minor, BWV 1004: I. Allemanda
00:58:34 Partita No. 2 in D Minor, BWV 1004: II. Corrente
01:00:34 Partita No. 2 in D Minor, BWV 1004: III. Sarabanda
01:03:00 Partita No. 2 in D Minor, BWV 1004: IV. Giga
01:06:09 Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
01:19:13 Sonata No. 3 in C Major, BWV 1005: I. Adagio
01:23:12 Sonata No. 3 in C Major, BWV 1005: II. Fuga
01:32:50 Sonata No. 3 in C Major, BWV 1005: III. Largo
01:35:53 Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
01:39:29 Partita No. 3 in E Major, BWV 1006: I. Preludio
01:43:20 Partita No. 3 in E Major, BWV 1006: II. Loure
01:46:07 Partita No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau
01:48:54 Partita No. 3 in E Major, BWV 1006: IV. Menuet I, II
01:50:53 Partita No. 3 in E Major, BWV 1006: V. Bourée
01:52:00 Partita No. 3 in E Major, BWV 1006: VI. Gigue

Tracklist below.

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Described by the composer himself as ‘the king of instruments’, the organ and its music form a small but not insignificant part of Mozart’s vast œuvre. This new release, performed by acclaimed Italian organist Ivan Ronda, comprises all of his major works for the instrument, including the extended Adagio and Rondo in C minor and the small-scale works from the London Sketchbook. Also included is the charming Adagio in C for the glass harmonica: just 28 bars in length, the work was originally conceived for this curious instrument, which consists of glass bowls that rotate in water, but is equally effective on the organ. Mozart’s output of Church Sonatas – notable for their single movement form – are represented here by the Sonata in C K336, the only one to have a proper solo part for the organ, and was specially transcribed by André Isoir for this recording.

The disc is rounded off with the imposing Fantasia in F minor. Described in Mozart’s own catalogue of work as ‘an organ piece for a clock’, it was commissioned by Count Joseph Deym for a musical automaton that contained a small pipe organ. When transferred to an organ on the scale of that at the Church of Maria Vergine Immacolata in Gallo Cavour, Italy, where this recording was made, it takes on a certain grandeur, and exploits the various echo and dialogue effects of the instrument.

00:00:00 Suite in C Major, K. 399: I. Overture
00:05:00 Andante in F Major, K. 616
00:12:41 Adagio and Allegro in F Minor, K. 594
00:25:10 Adagio in C Major, K. 356
00:29:23 Church Sonata in C Major, K. 336
00:34:28 Piece in F Major, K. 33b
00:35:57 The London Sketchbook: Rondo in F Major, K. 15hh
00:37:23 The London Sketchbook: Allegro in F Major, K. 15a
00:38:39 The London Sketchbook: Rondo in D Major, K. 15d
00:40:16 Adagio and Rondo in C Minor, K. 617
00:53:10 Fantasia in F Minor, K. 608

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Composer: Johann Sebastian Bach
Artists: Thomas Zehetmair (violin), Amsterdam Bach Soloists

The great Johann Sebastian Bach grew up around violin music: his father Johann Ambrosius was an accomplished violinist. This influence is reflected in Sebastian’s compositional output, which contains a large number of solo and ensemble works for the instrument – including the concertos on this recording.

The works, written in approximately 1720, are based on Vivaldi’s concerto model from the beginning of the 18th century, and – in the case of the D minor and G minor concertos – are reconstructions of the harpsichord concertos. Indeed, many of Bach’s concertos for harpsichord were in fact rearrangements of earlier instrumental works, and from the passagework in BWV 1052 and 1056 it is clear that the violin was originally the intended instrument. Together with rich-sounding dialogue that is a result of the contrast between the intricate solo passages and the slower-moving accompanying instruments, opportunities for virtuosic display abound in all of the works’ final movements, especially in the energetic Gigue of BWV1041.

Violinist Thomas Zehetmair studied at the Salzburg Mozarteum and made his festival debut at the Salzburg Festival aged just 16. He has since built up an impressive international career as a soloist, also performing with the Zehetmair Quartet, and is musical director of the Northern Sinfonia (UK) as well as guest conductor of several other major European orchestras. He is joined in the recording by the acclaimed Amsterdam Bach Soloists.

00:00:00 Violin Concerto in E Major, BWV 1042: I. Allegro
00:07:10 Violin Concerto in E Major, BWV 1042: II. Adagio
00:13:57 Violin Concerto in E Major, BWV 1042: III. Allegro assai
00:16:44 Violin Concerto in A Minor, BWV 1041: I. (without tempo marking)
00:20:42 Violin Concerto in A Minor, BWV 1041: II. Andante
00:27:00 Violin Concerto in A Minor, BWV 1041: III. Allegro assai
00:30:31 Violin Concerto D Minor, BWV 1052, reconstructed from the Harpsichord Concerto, BWV 1052: I. (without tempo marking)
00:37:57 Violin Concerto D Minor, BWV 1052, reconstructed from the Harpsichord Concerto, BWV 1052: II. Adagio
00:44:41 Violin Concerto D Minor, BWV 1052, reconstructed from the Harpsichord Concerto, BWV 1052: III. Allegro
00:52:23 Violin Concerto in G Minor, BWV 1056, reconstructed from the Harpsichord Concerto, BWV 1056: I. (without tempo marking)
00:55:49 Violin Concerto in G Minor, BWV 1056, reconstructed from the Harpsichord Concerto, BWV 1056: II. Largo
00:58:55 Violin Concerto in G Minor, BWV 1056, reconstructed from the Harpsichord Concerto, BWV 1056: III. Presto

Tracklist below.
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Erik Bosgraaf has won international acclaim for his Brilliant Classics recordings of music from Jakob van Eyck (Der Fluyten Lust Hof, BC93391) to Pierre Boulez (Dialogues, BC94842). His discography includes no fewer than three previous albums dedicated to Georg Philipp Telemann, the composer who more than any other in the German Baroque elevated the recorder and its relatives to the status of a high-art instrument, capable of hitherto undreamt expressive range and technical refinement.
This recording contains the double concertos with recorder: for two recorders or in combination with traverso, bassoon or viola da gamba. Telemann himself was a professional recorder player. These concertos contain some of his most personal music, his usual brilliance, wit and virtuosity alternate with passages of deep emotion and melancholy.
Erik Bosgraaf is one of the most remarkable recorder players of today. Equally at home in early as well as contemporary music he extends the limits of his instrument, achieving an extreme range of expression and unheard-of effects.
Liner notes in English and German.
Excellent reviews for the previous Telemann recordings: “5 stars! Temperamentvoll und inspiriert” (Klassik.com), “Mitreissender Enthusiasmus! CD Tipp SWR Radio”.

00:00:00 Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo
00:03:52 Concerto for Recorder and Flute in E Minor, TWV 52:e1: II. Allegro
00:08:07 Concerto for Recorder and Flute in E Minor, TWV 52:e1: III. Largo
00:11:47 Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto
00:14:32 Concerto for 2 Recorders in A Minor, TWV 52:a2: I. Gravement
00:16:45 Concerto for 2 Recorders in A Minor, TWV 52:a2: II. Vistement
00:18:19 Concerto for 2 Recorders in A Minor, TWV 52:a2: III. Largement
00:20:16 Concerto in for 2 Recorders in A Minor, TWV 52:a2: IV. Vivement
00:22:24 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo
00:26:50 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: II. Vivace
00:32:11 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. —
00:36:27 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: IV. Allegro
00:39:58 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: I. Grave
00:43:48 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: II. Allegro
00:47:54 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: III. Dolce
00:51:25 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: IV. Allegro
00:55:37 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: I. Grave
00:57:44 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: II. Vivace
00:59:17 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: III. Tendrement
01:01:05 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: IV. Gayment

Artist:
Erik Bosgraaf (recorder & direction)
Anna Besson (traverso)
Yi-Chang (Liangrecorder)
Robert Smith (viola da gamba)
Marije van der Ende (bassoon)
Ensemble Cordevento

Tracklist below.

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Composer: Frédéric Chopin
Artist: Wolfram Schmitt-Leonardy (piano)

Tracklist:
00:00:00 Ballade No. 1 in G Minor, Op. 23
00:09:04 Ballade No. 2 in F Major, Op. 38
00:16:28 Ballade No. 3 in A- Flat Major, Op. 47
00:23:35 Ballade No. 4 in F Minor, Op. 52
00:34:23 Impromptu No. 1 in A-Flat Major, Op. 29
00:38:23 Impromptu No. 2 in F-Sharp Major, Op. 36
00:44:11 Impromptu No. 3 in G-Flat Major, Op. 51
00:49:20 Fantaisie-impromptu in C-Sharp Minor, Op. 66
00:54:20 Preludes, Op. 28: I. Prelude in C Major. Agitato
00:55:09 Preludes, Op. 28: II. Prelude in A Minor. Lento
00:57:20 Preludes, Op. 28: III. Prelude in G Major. Vivace
00:58:21 Preludes, Op. 28: IV. Prelude in E Minor. Largo
01:00:28 Preludes, Op. 28: V. Prelude in D Major. Allegro molto
01:01:07 Preludes, Op. 28: VI. Prelude in B Minor. Lento assai
01:03:18 Preludes, Op. 28: VII. Prelude in A Major. Andantino
01:04:05 Preludes, Op. 28: VIII. Prelude in F-Sharp Minor. Molto agitato
01:05:57 Preludes, Op. 28: IX. Prelude in E Major. Largo
01:07:19 Preludes, Op. 28: X. Prelude in C-Sharp Minor. Allegro molto
01:07:53 Preludes, Op. 28: XI. Prelude in B Major. Vivace
01:08:32 Preludes, Op. 28: XII. Prelude in G-Sharp Minor. Presto
01:09:45 Preludes, Op. 28: XIII. Prelude in F-Sharp Major. Lento
01:13:17 Preludes, Op. 28: XIV. Prelude in E-Flat Minor. Allegro
01:13:50 Preludes, Op. 28: XV. Prelude in D-Flat Major “Raindrop”. Sostenuto
01:19:34 Preludes, Op. 28: XVI. Prelude in B-Flat Minor. Presto con fuoco
01:20:42 Preludes, Op. 28: XVII. Prelude in A-Flat Major. Allegretto
01:24:35 Preludes, Op. 28: XVIII. Prelude in F Minor. Allegro molto
01:25:33 Preludes, Op. 28: XIX. Prelude in E-Flat Major. Vivace
01:27:03 Preludes, Op. 28: XX. Prelude in C Minor. Largo
01:28:49 Preludes, Op. 28: XXI. Prelude in B-Flat Major. Cantabile
01:31:21 Preludes, Op. 28: XXII. Prelude in G Minor. Molto agitato
01:32:09 Preludes, Op. 28: XXIII. Prelude in F Major. Moderato
01:33:05 Preludes, Op. 28: XXIV. Prelude in D Minor. Allegro appassionato

Tracklist below.
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Accepted onto the early admissions programme of the University of Chicago, Philip Glass graduated aged just nineteen with a degree in Mathematics and Philosophy, practising the piano in his spare time. Subsequently studying at the Juilliard School, Glass’s name has since become synonymous with the minimalist style. His film compositions have earned him a Golden Globe as well as three Academy Award nominations.
This selection of pieces showcases Glass’s music for solo piano, with each of the works baring the hallmarks of minimalism. Among the pieces featured in the collection is Metamorphosis, a set of five variations that evolve over the course of the entire work to create a stirring final movement. Also present are extracts from the soundtrack of Stephen Daldry’s film The Hours, as well as ‘Truman Sleeps’ from The Truman Show (which earned Glass a Golden Globe award for ‘Best Original Score’). The collection ends with the ‘Trilogy’ Sonata, containing piano transcriptions of Glass’s three ‘portrait’ operas: Einstein on the Beach, Satyagraha and Akhnaten.
Dutch pianist and composer Jeroen Van Veen studied at the Utrecht Conservatory and has played with many orchestras throughout Europe and the USA, under renowned conductors such as Howard Williams, Peter Eötvös and Robert Craft. An accomplished recitalist, van Veen has also appeared at festivals including the Reder Piano Festival and the Festival der Kunsten (Bad Gleichenberg). His compositional style is closely related to minimalism, and contains elements of jazz, blues and pop music.
Other information:
- Recorded 23–28 October 2006, Barbara Church, Culemborg, The Netherlands.
- A new compilation of the music for piano solo by Philip Glass, icon of minimalism. In his piano music, Glass presents structures of repeated patterns which slowly and gradually, seemingly unconsciously, change in rhythm, speed or form, creating a fascinating sound landscape of slowly shifting colours and patterns.
- Dutch pianist Jeroen van Veen is a champion of the minimalist piano school. His earlier set of minimalist piano works (BC 9171) has won rave reviews in the international press: “The leading exponent of minimalism (Fanfare)”, “10/10” performance/recording, Classicstoday.

00:00:00 Glassworks – opening(arr. Jeroen van Veen)
00:08:53 Metamorphosis: No.1
00:15:57 Metamorphosis: No.2
00:22:51 Metamorphosis: No.3
00:27:15 Metamorphosis: No.4
00:33:08 Metamorphosis: No.5
00:39:15 Mad Rush
00:54:28 Wichita Vortex Sutra
01:01:54 Glassworks – opening
01:11:19 The Hours: The Poet Acts
01:14:55 The Hours: Morning Passages
01:20:20 The Hours: Something She Has To Do
01:23:51 The Hours: I’m Going To Make A Cake
01:27:36 The Hours: An Unwelcome Friend
01:32:08 The Hours: Dead Things
01:36:04 The Hours: Why Does Someone Have to Die?
01:39:41 The Hours: Tearing Herself Away
01:43:49 The Hours: Escape!
01:47:23 The Hours: Choosing Life
01:51:33 The Hours: The Hours
01:58:46 ‘Truman Sleeps’ from The Truman Show
02:00:57 Glassworks – opening
02:07:07 Olympian
02:11:06 Modern Love Waltz
02:16:04 How Now
02:41:13 ‘Trilogy’ Sonata: I. Einstein on the Beach – Knee Play No. 4
02:48:56 ‘Trilogy’ Sonata: II. Satyagraha – Act III Conclusion
02:57:46 ‘Trilogy’ Sonata: III. Akhnaten – Dance (from Scene 3)

Artist:
Jeroen van Veen (piano)

Componist: Antonio Vivaldi
Artist: Federico Guglielmo, L'Arte dell'Arco

Tracklist below.

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00:00:00 Trio Sonata No. 1 in G Minor, RV 73: I. Preludio. Grave
00:01:46 Trio Sonata No. 1 in G Minor, RV 73: II. Allemanda. Allegro
00:03:48 Trio Sonata No. 1 in G Minor, RV 73: III. Adagio
00:05:11 Trio Sonata No. 1 in G Minor, RV 73: IV. Capriccio. Allegro
00:05:56 Trio Sonata No. 1 in G Minor, RV 73: V. Gavotta. Allegro
00:07:44 Trio Sonata No. 8 in D Minor, RV 64: I. Preludio. Largo
00:10:27 Trio Sonata No. 8 in D Minor, RV 64: II. Corrente. Allegro
00:12:33 Trio Sonata No. 8 in D Minor, RV 64: III. Grave
00:14:24 Trio Sonata No. 8 in D Minor, RV 64: IV. Giga. Allegro
00:16:35 Trio Sonata No. 5 in F Major, RV 69: I. Preludio. Largo
00:18:00 Trio Sonata No. 5 in F Major, RV 69: II. Allemanda. Presto
00:19:01 Trio Sonata No. 5 in F Major, RV 69: III. Corrente. Allegro
00:20:29 Trio Sonata No. 5 in F Major, RV 69: IV. Gavotta. Presto
00:21:15 Trio Sonata No. 10 in B-Flat Major, RV 78: I. Preludio. Adagio
00:23:21 Trio Sonata No. 10 in B-Flat Major, RV 78: II. Allemanda. Allegro
00:26:00 Trio Sonata No. 10 in B-Flat Major, RV 78: III. Gavotta. Presto
00:27:29 Trio Sonata No. 6 in D Major, RV 62: I. Preludio. Grave
00:28:52 Trio Sonata No. 6 in D Major, RV 62: II. Corrente. Allegro
00:30:47 Trio Sonata No. 6 in D Major, RV 62: III. Adagio
00:32:29 Trio Sonata No. 6 in D Major, RV 62: IV. Allemanda. Allegro
00:33:51 Trio Sonata No. 12 in D Minor RV 63 “Follia”: I. Adagio . Andante. Allegro, II. —. Adagio. Vivace. Allegro. Larghetto. Allegro, III. Adagio. Allegro
00:43:25 Trio Sonata No. 9 in A Major, RV 75: I. Preludio. Allegro
00:44:09 Trio Sonata No. 9 in A Major, RV 75: II. Adagio
00:45:36 Trio Sonata No. 9 in A Major, RV 75: III. Allemanda. Allegro
00:48:23 Trio Sonata No. 9 in A Major, RV 75: IV. Corrente. Presto
00:50:24 Trio Sonata No. 7 in E-Flat Major, RV 65: I. Preludio. Largo
00:52:36 Trio Sonata No. 7 in E-Flat Major, RV 65: II. Allemanda. Allegro
00:55:23 Trio Sonata No. 7 in E-Flat Major, RV 65: III. Sarabanda. Andante
00:57:33 Trio Sonata No. 7 in E-Flat Major, RV 65: IV. Giga. Presto
00:58:34 Trio Sonata No. 3 in C Major, RV 61: I. Adagio
01:00:03 Trio Sonata No. 3 in C Major, RV 61: II. Allemanda. Allegro
01:02:18 Trio Sonata No. 3 in C Major, RV 61: III. Adagio
01:02:47 Trio Sonata No. 3 in C Major, RV 61: IV. Sarabanda. Allegro
01:04:44 Trio Sonata No. 4 in E Major, RV 66: I. Largo
01:05:29 Trio Sonata No. 4 in E Major, RV 66: II. Allegro – Adagio
01:06:38 Trio Sonata No. 4 in E Major, RV 66: III. Allemanda. Allegro
01:07:44 Trio Sonata No. 4 in E Major, RV 66: IV. Sarabanda. Largo
01:08:49 Trio Sonata No. 4 in E Major, RV 66: V. Giga. Allegro
01:10:12 Trio Sonata No. 11 in B Minor, RV 79: I. Preludio. Andante
01:13:06 Trio Sonata No. 11 in B Minor, RV 79: II. Corrente. Allegro
01:15:15 Trio Sonata No. 11 in B Minor, RV 79: III. Giga. Allegro
01:16:45 Trio Sonata No. 11 in B Minor, RV 79: IV. Gavotta. Presto
01:17:52 Trio Sonata No. 2 in E Minor, RV 67: I. Grave
01:19:58 Trio Sonata No. 2 in E Minor, RV 67: II. Corrente. Allegro
01:21:59 Trio Sonata No. 2 in E Minor, RV 67: III. Giga. Allegro
01:24:08 Trio Sonata No. 2 in E Minor, RV 67:

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Composer & Artist:
Composer: Domenico Scarlatti
Artists: Capella Tiberina, Paolo Perrone (baroque violin), Alexandra Nigito (harpsichord)

About this Album:
Amid Domenico Scarlatti's extensive output of over 555 keyboard sonatas lie a small number of works that, given such traits such as figured bass, multi-movement structure and even bowing-like articulation, were probably originally written for solo instrument (such as violin) and continuo. In their third recording for Brilliant Classics, members of the Cappella Tiberina present a selection of these works, experimenting with different scorings which historical sources show were common throughout the Baroque repertoire – hence K78 is presented on the theorbo, while K132 is played as a harpsichord solo.

The pieces are certainly not without their technical challenges; four-part chords and uncomfortable multiple-stops suggest that K88 was probably written for mandolin, though it is here skilfully negotiated by violinist Paolo Perrone. Ranging from ambitious works to more modest ones, these continuo sonatas document a fascinating corner of the Baroque master's oeuvre and simultaneously reveal the beginnings of the soon-to-emerge Classical style. Capella Tiberina's historical interpretations offer a fresh take on this engaging music.

Tracklist:
00:00:00 Sonata in D Minor, Kk. 89: I. Allegro
00:03:18 Sonata in D Minor, Kk. 89: II. Grave
00:04:38 Sonata in D Minor, Kk. 89: III. Allegro
00:06:43 Sonata in C Minor, Kk. 73: I. Allegro
00:09:08 Sonata in C Minor, Kk. 73: II. Minuetto
00:10:42 Sonata in C Minor, Kk. 73: III. Minuetto
00:11:45 Sonata in G Minor, Kk. 88: I. Grave
00:14:21 Sonata in G Minor, Kk. 88: II. Andante moderato
00:17:08 Sonata in G Minor, Kk. 88: III. Allegro
00:18:42 Sonata in G Minor, Kk. 88: IV. Minuet
00:20:09 Sonata in F Major, Kk. 78: I. Giga
00:22:08 Sonata in F Major, Kk. 78: II. Minuetto
00:23:00 Fuga in F Major (Kk. 82)
00:25:51 Sonata in D Minor, Kk. 90: I. Grave
00:28:48 Sonata in D Minor, Kk. 90: II. Allegro
00:33:23 Sonata in D Minor, Kk. 90: III. Tarantella
00:34:32 Sonata in D Minor, Kk. 90: IV. Allegro
00:35:53 Minuetto in F Major (Kk. 94)
00:37:53 Sonata in E Minor Kk. 81: I. Grave
00:39:48 Sonata in E Minor Kk. 81: II. Allegro
00:42:12 Sonata in E Minor Kk. 81: III. Grave
00:44:42 Sonata in E Minor Kk. 81: IV. Allegro
00:46:19 Sonata in C Minor, Kk. 84: I. Allegro
00:51:05 Sonata in F Major, Kk. 85: I. Allegro
00:52:44 Sonata in D Minor, Kk. 77: I. Moderato e cantabile
00:57:52 Sonata in D Minor, Kk. 77: II. Minuet
00:59:39 Sonata in C Major, Kk. 132: I. Cantabile
01:08:51 Sonata in G Major, Kk. 91: I. Grave
01:10:43 Sonata in G Major, Kk. 91: II. Allegro
01:14:12 Sonata in G Major, Kk. 91: III. Grave
01:15:26 Sonata in G Major, Kk. 91: IV. Allegro

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Violinmusic #ClassicalViolin #Scarlatti

Tracklist below.

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Among the most revered virtuosos of all time, Nicolò Paganini was a true musical legend of his era, inspiring musicians such as Roberto Schumann to forge his own career as a pianist. Franz Schubert was also a regular audience member at Paganini’s concerts, despite the outlandish ticket prices.
Paganini often remarked that, despite his legendary status as a violinist, he found it rather difficult to compose for the instrument. This release brings together the Italian maestro’s two violin concertos: No.1, his first large work, was written around 1817 but published posthumously in 1851, and the second dates from 1826. Audiences were wowed at the premiere of No.1, thanks to its many extended passages of double-stopping and harmonics. Concerto No.2 in B minor is nicknamed ‘La campanella’, famous for its third-movement Rondo that employs a small bell at each reinstatement of the theme.

Kristóf Baráti is the soloist, performing the works on his much-loved ‘Lady Harmsworth’ Stradivarius violin. The release is a welcome addition to his ever-growing Brilliant Classics discography, of which Beethoven’s Complete Violin Sonatas (94310) garnered such reviews as ‘today’s reference recording’ (Frankfurte Allgemeine). Here he is joined by esteemed conductor Eiji Oue and the NDR Radiophilharmonie Hannover.
Composer:
Nicolò Paganini
Artist:
Kristóf Baráti violin
NDR Radiophilharmonie Hannover
Eiji Oue conductor

00:00:00 Violin Concerto No. 1 in D Major, Op. 6: I. Allegro maestoso (Cadenza by Émile Sauret)
00:20:23 Violin Concerto No. 1 in D Major, Op. 6: II. Adagio
00:25:20 Violin Concerto No. 1 in D Major, Op. 6: III. Rondo. Allegro spiritoso
00:35:20 Violin Concerto No. 2 in B Minor, Op. 7: I. Allegro maestoso (Cadenza by Kristóf Baráti)
00:49:48 Violin Concerto No. 2 in B Minor, Op. 7: II. Adagio
00:56:08 Violin Concerto No. 2 in B Minor, Op. 7: III. Rondo à la clochette "La campanella"

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00:00:00 Piano Sonata No. 1 in C Major, KV. 279: Allegro
00:04:57 Piano Sonata No. 1 in C Major, KV. 279: Andante
00:10:09 Piano Sonata No. 1 in C Major, KV. 279: Allegro
00:13:31 Piano Sonata No. 2 in F Major, KV. 280: Allegro assai
00:18:03 Piano Sonata No. 2 in F Major, KV. 280: Adagio
00:24:05 Piano Sonata No. 2 in F Major, KV. 280: Presto
00:27:00 Piano Sonata No. 3 in B-Flat Major, KV. 281: Allegro
00:33:47 Piano Sonata No. 3 in B-Flat Major, KV. 281: Andante amoroso
00:39:20 Piano Sonata No. 3 in B-Flat Major, KV. 281: Rondeau, allegro
00:43:57 Piano Sonata No. 4 in E-Flat Major, KV. 282: Adagio
00:50:57 Piano Sonata No. 4 in E-Flat Major, KV. 282: Menuetto
00:55:03 Piano Sonata No. 4 in E-Flat Major, KV. 282: Allegro
00:58:07 Piano Sonata No. 5 in G Major, KV. 283: Allegro
01:03:33 Piano Sonata No. 5 in G Major, KV. 283: Andante
01:09:15 Piano Sonata No. 5 in G Major, KV. 283: Presto
01:13:03 Piano Sonata No. 6 in D Major, KV. 284: Allegro
01:18:15 Piano Sonata No. 6 in D Major, KV. 284: Rondeau en polonaise, andante
01:22:39 Piano Sonata No. 6 in D Major, KV. 284: Andante (Tema con variazioni)
01:38:16 Piano Sonata No. 7 in C Major, KV. 309: Allegro con spirito
01:44:14 Piano Sonata No. 7 in C Major, KV. 309: Andante un poco adagio
01:49:22 Piano Sonata No. 7 in C Major, KV. 309: Rondeau, allegretto grazioso
01:55:25 Piano Sonata No. 8 in A Minor, KV. 310: Allegro maestoso
02:01:26 Piano Sonata No. 8 in A Minor, KV. 310: Andante cantabile con espressione
02:08:32 Piano Sonata No. 8 in A Minor, KV. 310: Presto
02:11:15 Piano Sonata No. 9 in D Major, KV. 311: Allegro con spirito
02:15:43 Piano Sonata No. 9 in D Major, KV. 311: Andante con espressione
02:20:35 Piano Sonata No. 9 in D Major, KV. 311: Rondeau, allegro
02:26:41 Piano Sonata No. 10 in C Major, KV. 330: Allegro moderato
02:33:22 Piano Sonata No. 10 in C Major, KV. 330: Andante cantabile
02:39:55 Piano Sonata No. 10 in C Major, KV. 330: Allegretto
02:45:38 Piano Sonata No. 11 in A Major, KV. 331: Andante grazioso
02:58:32 Piano Sonata No. 11 in A Major, KV. 331: Menuetto
03:04:27 Piano Sonata No. 11 in A Major, KV. 331: Alla Turca, allegretto
03:07:53 Piano Sonata No. 12 in F Major, KV. 332: Allegro
03:14:27 Piano Sonata No. 12 in F Major, KV. 332: Adagio
03:19:10 Piano Sonata No. 12 in F Major, KV. 332: Allegro assai
03:26:01 Piano Sonata No. 13 in B-Flat Major, KV. 333: Allegro
03:33:23 Piano Sonata No. 13 in B-Flat Major, KV. 333: Andante cantabile
03:38:56 Piano Sonata No. 13 in B-Flat Major, KV. 333: Allegretto grazioso
03:45:33 Piano Sonata No. 14 in C Minor, KV. 457: Allegro molto
03:51:02 Piano Sonata No. 14 in C Minor, KV. 457: Adagio
03:58:45 Piano Sonata No. 14 in C Minor, KV. 457: Allegro assai
04:03:05 Piano Sonata No. 15 in F Major, KV. 533: Allegro
04:10:42 Piano Sonata No. 15 in F Major, KV. 533: Andante
04:17:18 Piano Sonata No. 15 in F Major, KV. 533: Rondeau, allegretto
04:23:45 Piano Sonata No. 16 in C Major, KV. 545: Allegro
04:27:05 Piano Sonata No. 16 in C Major, KV. 545: Andante
04:31:16 Piano Sonata No. 16 in C Major, KV. 545: Rondo
04:33:01 Piano Sonata No. 17 in B-Flat Major, KV. 570: Allegro
04:38:45 Piano Sonata No. 17 in B-Flat Major, KV. 570: Adagio
04:46:11 Piano Sonata No. 17 in B-Flat Major, KV. 570: Allegretto
04:49:42 Piano Sonata No. 18 in D Major, KV. 576: Allegro
04:54:54 Piano Sonata No. 18 in D Major, KV. 576: Adagio
05:00:27 Piano Sonata No. 18 in D Major, KV. 576: Allegretto

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Composer & Artist:
Composer: Franz Joseph Haydn
Artists: Haydn-Trio Eisenstadt and Cornelia Löscher (violine), Martin Bramböck (horn), Dominik Taschler (horn)

About this Album:
Haydn’s compositions for piano trio and his pioneering work in the genre of the string quartet are well known. However, he also left a considerable body of work for chamber ensembles that do not fit comfortably within the sonata, trio or quartet category. This release explores some of these early and fascinating hybrids.

One thing all the works have in common is that the piano is the centre of attention. Written for Count Morzin the Divertimento Hob.XIV:1 adds two horns to the traditional piano trio. They have some virtuosic passages, similar in fact to the contemporaneous Symphonies Nos. 31 and 72. Presumably these parts were written with particular horn players in mind. and Count Morzin’s orchestra possessed some of the greatest horn virtuosi of the time.

Tracklist:
00:00:00 Concertino in C-Dur, Hob. XIV:12: Allegro
00:04:15 Concertino in C-Dur, Hob. XIV:12: Adagio
00:10:53 Concertino in C-Dur, Hob. XIV:12: Finale-Allegro
00:13:51 Divertimento in C-Dur, Hob. XIV:7: Allegro moderato
00:17:24 Divertimento in C-Dur, Hob. XIV:7: Menuet
00:20:47 Divertimento in C-Dur, Hob. XIV:7: Finale-Presto
00:22:16 Concertino in F-Dur, Hob. XVIII:F2: Moderato
00:25:46 Concertino in F-Dur, Hob. XVIII:F2: Adagio
00:31:42 Concertino in F-Dur, Hob. XVIII:F2: Allegro assai
00:33:37 Divertimento in C-Dur, Hob. XIV:3: Allegro moderato
00:36:33 Divertimento in C-Dur, Hob. XIV:3: Menuet
00:39:35 Divertimento in C-Dur, Hob. XIV:3: Finale-Allegro molto
00:40:20 Quintett in Es-Dur, Hob. XIV:1: Moderato
00:44:51 Quintett in Es-Dur, Hob. XIV:1: Menuet
00:48:39 Quintett in Es-Dur, Hob. XIV:1: Finale-Allegro
00:51:38 Divertimento in C-Dur, Hob. XIV:C2:
00:53:25 Divertimento in C-Dur, Hob. XIV:C2:
00:55:08 Divertimento in C-Dur, Hob. XIV:4: Allegro
00:59:07 Divertimento in C-Dur, Hob. XIV:4: Menuet
01:02:54 Divertimento in C-Dur, Hob. XIV:4: Finale (Allegro)
01:06:20 Concertino in C-Dur, Hob. XIV:11: Moderato
01:10:00 Concertino in C-Dur, Hob. XIV:11: Adagio
01:14:52 Concertino in C-Dur, Hob. XIV:11: Allegro
01:16:47 Divertimento in C-Dur, Hob. XIV:8: Allegro moderato
01:21:14 Divertimento in C-Dur, Hob. XIV:8: Menuet
01:24:36 Divertimento in C-Dur, Hob. XIV:8: Finale-Scherzo
01:26:06 Concertino in G-Dur, Hob. XIV:13: Allegro moderato
01:29:37 Concertino in G-Dur, Hob. XIV:13: Adagio
01:34:18 Concertino in G-Dur, Hob. XIV:13: Finale-Presto
01:36:22 Divertimento in F-Dur, Hob. XIV:9: Allegro
01:37:40 Divertimento in F-Dur, Hob. XIV:9: Menuet
01:40:20 Divertimento in F-Dur, Hob. XIV:9: Finale-Allegro molto
01:42:26 Sonata für Klavier und Violine in G-Dur, Hob. XV:32: Andante
01:48:23 Sonata für Klavier und Violine in G-Dur, Hob. XV:32: Allegro

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Tracklist below.

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Composer: Antonio Vivaldi
Artist: L'Arte dell'Arco

00:00:00 Cello Concerto in D Minor, RV 405: I. —
00:02:40 Cello Concerto in D Minor, RV 405: II. Adagio
00:06:27 Cello Concerto in D Minor, RV 405: III. Allegro
00:08:45 Cello Concerto in G Minor, RV 417: I. Allegro
00:11:28 Cello Concerto in G Minor, RV 417: II. Andante
00:15:22 Cello Concerto in G Minor, RV 417: III. Allegro
00:18:22 Cello Concerto in D Major, RV 403: I. Allegro
00:21:10 Cello Concerto in D Major, RV 403: II. —
00:22:52 Cello Concerto in D Major, RV 403: III. Allegro
00:25:29 Cello Concerto in F Major, RV 410: I. Allegro
00:28:49 Cello Concerto in F Major, RV 410: II. Adagio, solo a piacimento
00:32:39 Cello Concerto in F Major, RV 410: III. —
00:36:05 Cello Concerto in A Minor, RV 420: I. Andante
00:39:49 Cello Concerto in A Minor, RV 420: II. Adagio
00:43:13 Cello Concerto in A Minor, RV 420: III. Allegro
00:46:39 Cello Concerto in G Major, RV 414: I. Allegro molto
00:50:07 Cello Concerto in G Major, RV 414: II. Andante
00:52:54 Cello Concerto in G Major, RV 414: III. Presto
00:56:07 Cello Concerto in G Minor, RV 416: I. Allegro
00:59:39 Cello Concerto in G Minor, RV 416: II. Adagio (Largo)
01:02:50 Cello Concerto in G Minor, RV 416: III. Allegro
01:05:37 Cello Concerto in A Minor, RV 418: I. Allegro
01:09:32 Cello Concerto in A Minor, RV 418: II. —
01:12:52 Cello Concerto in A Minor, RV 418: III. Allegro
01:15:49 Cello Concerto in C Minor, RV 401: I. Allegro non molto
01:19:53 Cello Concerto in C Minor, RV 401: II. Adagio
01:22:12 Cello Concerto in C Minor, RV 401: III. Allegro ma non molto
01:25:03 Cello Concerto in G Major, RV 413: I. Allegro
01:28:02 Cello Concerto in G Major, RV 413: II. Largo
01:31:52 Cello Concerto in G Major, RV 413: III. Allegro
01:34:45 Cello Concerto in G Major, RV 415: I. Allegro
01:37:20 Cello Concerto in G Major, RV 415: II. Siciliana
01:40:26 Cello Concerto in G Major, RV 415: III. Alla breve
01:43:29 Cello Concerto in A Minor, RV 419: I. Allegro
01:47:00 Cello Concerto in A Minor, RV 419: II. Andante
01:50:01 Cello Concerto in A Minor, RV 419: III. Allegro
01:51:34 Cello Concerto in B Minor, RV 424: I. Allegro non molto
01:55:14 Cello Concerto in B Minor, RV 424: II. Largo
01:57:39 Cello Concerto in B Minor, RV 424: III. Allegro
02:01:03 Cello Concerto in D Minor, RV 406: I. Allegro non molto
02:03:52 Cello Concerto in D Minor, RV 406: II. Andante
02:06:12 Cello Concerto in D Minor, RV 406: III. Minuet
02:10:57 Cello Concerto in A Minor, RV 421: I. Allegro non troppo
02:13:57 Cello Concerto in A Minor, RV 421: II. —
02:15:57 Cello Concerto in A Minor, RV 421: III. Allegro
02:18:19 Cello Concerto in C Major, RV 399: I. Allegro
02:20:26 Cello Concerto in C Major, RV 399: II. Largo
02:22:26 Cello Concerto in C Major, RV 399: III. —
02:24:39 Cello Concerto in F Major, RV 411: I. Allegro
02:27:28 Cello Concerto in F Major, RV 411: II. Largo
02:28:49 Cello Concerto in F Major, RV 411: III. Allegro molto
02:30:45 Cello Concerto in D Major, RV 404: I. —
02:33:31 Cello Concerto in D Major, RV 404: II. Affettuoso
02:35:21 Cello Concerto in D Major, RV 404: III. Allegro
02:38:24 Cello Concerto in C Major, RV 398: I. Allegro
02:41:03 Cello Concerto in C Major, RV 398: II. Largo
02:42:57 Cello Concerto in C Major, RV 398: III. —
02:45:07 Cello Concerto in C Minor, RV 402: I. Allegro
02:48:29 Cello Concerto in C Minor, RV 402: II. Adagio
02:51:36 Cello Concerto in C Minor, RV 402: III. Allegro
02:53:57 Cello Concerto in F Major, RV 412: I. —
02:56:37 Cello Concerto in F Major, RV 412: II. Larghetto
02:58:38 Cello Concerto in F Major, RV 412: III. Allegro
03:00:56 Cello Concerto in D Minor, RV 407: I. Allegro
03:04:05 Cello Concerto in D Minor, RV 407: II. Largo
03:07:18 Cello Concerto in D Minor, RV 407: III. Allegro
03:10:22 Cello Concerto in C Major, RV 400: I. Allegro
03:13:15 Cello Concerto in C Major, RV 400: II. Largo
03:16:00 Cello Concerto in C Major, RV 400: III. Allegro non molto
03:18:28 Cello Concerto in E Minor, RV 409: I. Adagio – Allegro molto}
03:23:05 Cello Concerto in E Minor, RV 409: II. Allegro – Adagio
03:24:19 Cello Concerto in E Minor, RV 409: III. Allegro
03:26:45 Cello Concerto in B-Flat Major, RV 423: I. Allegro
03:20:09 Cello Concerto in B-Flat Major, RV 423: II. Largo
03:32:41 Cello Concerto in B-Flat Major, RV 423: III. Allegro
03:36:11 Cello Concerto in E-Flat Major, RV 408: I. Allegro non molto
03:39:41 Cello Concerto in E-Flat Major, RV 408: II. Largo
03:43:08 Cello Concerto in E-Flat Major, RV 408: III. Allegro
03:45:15 Cello Concerto in A Minor, RV 422: I. Allegro
03:48:21 Cello Concerto in A Minor, RV 422: II. Largo cantabile
03:51:16 Cello Concerto in A Minor, RV 422: III. Allegro

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Composer: Georg Philipp Telemann
Artists: Collegium Instrumentale Brugense, Patrick Peire (conductor)

Georg Philipp Telemann (1681–1767) was one of the most prolific composers of the 18th century; although the largest part of his compositional activities were devoted to vocal music, he wrote a substantial number of overtures, which this splendid 8-disc collection is dedicated to.

Although Telemann chose the title of ‘Overtures’, this was somewhat interchangeable with the genre of the Suite in his era. Each work opens with a three-part French overture, and this is followed by a series of varied, shorter pieces – encompassing everything from dances (drawn from the French tradition and beyond), fugues, chaconnes, passacailles, musical portraits, folk dances and evocations of scenes and characters.

In these eight discs, Collegium Instrumentale Brugense and Patrick Peire’s three separate volumes of Telemann Overtures have been collected together for the first time, creating a box set that is set apart by its breadth. Its overview of 33 Overtures illuminates Telemann’s hugely inventive approach to instrumentation, while revealing the wealth of subjects that he sought inspiration in. The ‘Alster Overtüre’, for example, named after the Alster river in Germany, features a ‘Concert of Frogs and Crows’, while another Overture is inspired by Cervantes’ Don Quixote.

A generous selection of 33 Overtures (or Orchestral Suites) by Georg Philipp Telemann, formerly issued separately, now collected in one 8-CD set. This collection contains the first 2 out of 8 discs.

-CD1: TWV55: D18, G10 ‘Burlesque de Quixotte’, c2 & D4
-CD2: TWV55: F11 ‘Alster’, B5 ‘Volker’,d2 & B7
CD3: TWV55: a4, A4, D23 & G4 ‘Des Nations anciens et modernes’
CD4: TWV55: D22 ‘Ouverture jointes d’une Suite tragi-comique’, e7, h4, e3 & c4
CD5: TWV55: d3, F4, B11 ‘La Bourse’ & Es1
CD6: TWV55: C6, f1, B8 ‘Burlesque’ & g9
CD7: TWV55: D17, A2, a2 & e8 ‘l’Omphale’
CD8: TWV55: F16 ‘Pour S.A.S. Monseigheur Le Landgrave de Darmstadt’, g2 ‘La Changeante’, G7 & D13 ‘La Gaillarde’


Tracklist can be found in the comment section below!

Tracklist Below:
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Arvo Pärt’s music resists the easily achieved peace of much Minimalist music of its time, even if its economy of gesture and expression – the joy taken in apparently simple beauty – has made him one of the iconic composers of our time. Such beauty is not simply achieved, and Pärt has written slowly, again unlike many of his contemporaries, filling each new piece with quiet quirks of harmony and unexpected turns that make them as satisfying to perform as they are to hear.

All the works on this album of music reflecting Pärt’s deep Christian faith derive from the ‘tintinnabuli’ style which he created in the 1970s, in rebellion from an earlier embrace of Modernism. In Cantate Domino (1978), a simple melodic voice embraced by an accompaniment taken from the tonic triad – the bell-like sound inspiring the label. In the Berliner-Messe of 1990 there are certainly many moments of ascetic detachment but these are balanced with a compelling range of emotion: originally written with string parts, the Mass is here performed as it would more commonly be heard in a liturgical context, with organ accompaniment. The organ plays a central role in The Beatitudes (199X): granite slabs of sound come into focus over unyielding pedal notes, the message intensified in the silences. Intensity rises with pitch until the music is torn apart by the organ at the concluding Amen.

Spiegel im Spiegel is a Pärt classic for its ineffable and seemingly inevitable progression, and makes no less haunting an effect than the violin-and-piano original in this arrangement for organ made in 2010. The other organ works are more imposing: Annum per annum, Trivium and Pari intervallo, all making full use of the Klais-restored organ of Leeds Cathedral.

The cathedral’s musicians have made several well-received recordings for Brilliant Classics, of music by Maurice Duruflé (9264), Hendrik Andriessen (94958), Georgi Mushel (9279) and others. Of the Durufle, Gramophone’s reviewer wrote: ‘Leeds Cathedral Choir…bright tone and honest, natural singing deliver very accomplished and satisfying performances. The choir are ably supported by the splendid accompaniments of the Skipton Camerata and organists Benjamin Saunders and Daniel Justin. It’s faithfully captured by the excellent recording… an enjoyable and rewarding two-CD set.’

As follow-up on their successful Duruflé recording (BC 9264) the splendid Leeds Cathedral Choir, conductor Benjamin Saunders and organist Felix Justin present choral and organ music by Arvo Pärt, the iconic Estonian master of New Spirituality.
Included are the popular Berliner Messe, the Beatitudes, the complete organ works and Pärt’s most famous work, Spiegel im Spiegel, here played on the organ.
Recorded in the spacious and generous acoustics of Leeds Cathedral, also featuring its magnificent organ.
Booklet contains excellent liner notes, as well as the sung texts and the English translation, plus biographies of the artists.


00:00:00 The Beatitudes
00:07:49 Berliner Messe: I. Kyrie
00:10:58 Berliner Messe: II. Gloria
00:15:00 Berliner Messe: III. Erster Alleluiavers
00:16:13 Berliner Messe: IV. Zweiter Alleluiavers
00:17:40 Berliner Messe: V. Veni sancte spiritus
00:24:31 Berliner Messe: VI. Credo
00:28:59 Berliner Messe: VII. Sanctus
00:32:16 Berliner Messe: VIII. Agnus dei
00:34:15 Cantate domino
00:38:14 Annum per annum Einleitung: – K – G – C – S – A – Coda
00:50:09 Mein Weg hat Gipfel und Wellentäler
00:58:37 Pari intervallo
01:04:04 Trivium
01:11:42 Spiegel im Spiegel

Artist:
Daniel Justin (organ)
Thomas Leech (organ)
Leeds Cathedral Choir
Benjamin Saunders (conductor)

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Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. However, the late sonatas, such as K457 are full of surprises, and here the influence of Haydn is to the fore – even predicting Beethoven in passages. The years from 1773 to the late 80s saw the rapid development of the piano from a novelty and experimental instrument, to the stage where it’s power and range provided composers with a hitherto undreamed palate of colours and expression. Mozart exploited the new instruments to maximum effect in his concertos and his sonatas.
Composer: Wolfgang Amadeus Mozart
Artist: Klara Würtz (piano)

00:00:00 Piano Sonata No.1 in C, K279: I. Allegro
00:04:56 Piano Sonata No.1 in C, K279: II. Andante
00:10:09 Piano Sonata No.1 in C, K279: III. Allegro
00:13:31 Piano Sonata No.2 in F, K280: I. Allegro assai
00:18:02 Piano Sonata No.2 in F, K280: II. Adagio
00:24:04 Piano Sonata No.2 in F, K280: III. Presto
00:26:59 Piano Sonata No.3 in B flat, K281: I. Allegro
00:33:47 Piano Sonata No.3 in B flat, K281: II. Andante amoroso
00:39:19 Piano Sonata No.3 in B flat, K281: III. Rondeau: Allegro
00:43:56 Piano Sonata No.4 in E flat, K282: I. Adagio
00:50:57 Piano Sonata No.4 in E flat, K282: II. Menuetto
00:55:02 Piano Sonata No.4 in E flat, K282: III. Allegro
00:58:06 Piano Sonata No.5 in G, K283: I. Allegro
01:03:32 Piano Sonata No.5 in G, K283: II. Andante
01:09:14 Piano Sonata No.5 in G, K283: III. Presto
01:13:02 Piano Sonata No.6 in D, K284: I. Allegro
01:18:32 Piano Sonata No.6 in D, K284: II. Rondeau en polonaise: Andante
01:22:38 Piano Sonata No.6 in D, K284: III. Andante (Tema con variazioni)
01:38:15 Piano Sonata No.7 in C, K309: I. Allegro con spirito
01:44:13 Piano Sonata No.7 in C, K309: II. Andante un poco adagio
01:49:21 Piano Sonata No.7 in C, K309: III. Rondeau: Allegretto grazioso
01:55:23 Piano Sonata No.8 in A Minor, K310: I. Allegro maestoso
02:01:24 Piano Sonata No.8 in A Minor, K310: II. Andante cantabile con espressione
02:08:31 Piano Sonata No.8 in A Minor, K310: III. Presto
02:11:14 Piano Sonata No.9 In D, K311: I. Allegro con spirito
02:15:41 Piano Sonata No.9 In D, K311: II. Andante con espressione
02:20:33 Piano Sonata No.9 In D, K311: III. Rondeau: Allegro
02:26:39 Piano Sonata No.10 In C, KV330: I. Allegro moderato
02:33:20 Piano Sonata No.10 In C, KV330: II. Andante cantabile
02:39:53 Piano Sonata No.10 In C, KV330: III. Allegretto
02:45:36 Piano Sonata No.11 In A, K331: I. Andante grazioso
02:58:30 Piano Sonata No.11 In A, K331: II. Menuetto
03:04:25 Piano Sonata No.11 In A, K331: III. Alla Turca: Allegretto
03:07:50 Piano Sonata No.12 in F, K332: I. Allegro
03:14:24 Piano Sonata No.12 in F, K332: II. Adagio
03:19:07 Piano Sonata No.12 in F, K332:III. Allegro assai
03:25:58 Piano Sonata No.13 in B flat, K333: I. Allegro
03:33:20 Piano Sonata No.13 in B flat, K333: II. Andante cantabile
03:38:53 Piano Sonata No.13 in B flat, K333: III. Allegretto grazioso
03:45:30 Piano Sonata No.14 in C Minor, K457: I. Allegro molto
03:50:59 Piano Sonata No.14 in C Minor, K457: II. Adagio
03:58:42 Piano Sonata No.14 in C Minor, K457: III. Allegro assai
04:03:02 Piano Sonata No.15 in F, K533: Allegro
04:10:39 Piano Sonata No.15 in F, K533: Andante
04:17:14 Piano Sonata No.15 in F, K533: Rondeau: Allegretto
04:23:42 Piano Sonata No.16 in C, K545: I. Allegro
04:27:02 Piano Sonata No.16 in C, K545: II. Andante
04:31:12 Piano Sonata No.16 in C, K545: III. Rondo
04:32:58 Piano Sonata No.17 in B flat, K570: I. Allegro
04:38:32 Piano Sonata No.17 in B flat, K570: II. Adagio
04:46:07 Piano Sonata No.17 in B flat, K570: III. Allegretto
04:49:38 Piano Sonata No.18 in D, K576: I. Allegro
04:54:50 Piano Sonata No.18 in D, K576: II. Adagio
05:00:23 Piano Sonata No.18 in D, K576: III. Allegretto