El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

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If you were looking at two shapes—specifically, a pointy, jagged polygon and an amoeboid-like splotch—which would you name "bouba," and which would you name "kiki"? In most scientific research, upwards of 90 percent of people will associate the pointy one with "kiki" and and the rounded one with "bouba." This worldwide phenomenon is known as the "Bouba-Kiki Effect" and has been recorded in many languages, and even with toddlers. Why most of us share the same tendency to link certain nonsensical visual and auditory stimuli isn't clear, but cognitive psychologists like Kelly McCormick have several compelling theories.

Alfred Brendel’s first recorded cycle of the complete works for piano of Beethoven appeared in the 1960s on the Vox label. They established his reputation as a leading interpreter of the composer, and although he returned to the studio subsequently to re-record the sonatas and concertos for Philips, these early recordings have retained their freshness and originality. For many record collectors, the budget price Turnabout label provided a happy hunting ground for those who sought out unusual repertoire. The parent company Vox also had the vision to ask the relatively unknown Brendel to undertake the huge project of recording all the Beethoven Sonatas, Variations and Piano Concertos. These recordings document the artist as a young man at the outset of his extraordinary journey, and in repertoire that will always be closely associated with him. They also stand comparison with his later interpretations of Beethoven.

Composer: Ludwig van Beethoven
Artist: Alfred Brendel (piano)

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00:00:00 Piano Sonata No.14 in C sharp Minor Op.27 No.2 ‘Moonlight’: I. Adagio sostenuto
00:05:58 Piano Sonata No.14 in C sharp Minor Op.27 No.2 ‘Moonlight’: II. Allegretto
00:08:16 Piano Sonata No.14 in C sharp Minor Op.27 No.2 ‘Moonlight’: III. Presto agitato
00:15:52 Piano Sonata No.8 in C Minor Op.13 ‘Pathétique’: I. Grave – Allegro di molto e con brio
00:25:00 Piano Sonata No.8 in C Minor Op.13 ‘Pathétique’: II. Adagio cantabile
00:30:44 Piano Sonata No.8 in C Minor Op.13 ‘Pathétique’: III. Rondo:Allegro
00:35:09 Piano Sonata No.23 in F Minor Op.57 ‘Appassionata’: I. Allegro assai
00:44:47 Piano Sonata No.23 in F Minor Op.57 ‘Appassionata’: II. Andante con moto
00:51:03 Piano Sonata No.23 in F Minor Op.57 ‘Appassionata’: III. Allegro ma non troppo

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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.

Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences

Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.

Tracklist can be found below!

Composer: Ludwig van Beethoven
Artists: Kristóf Baráti (violin), Klára Würtz (piano)

Tracklist below.

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Sonatas for piano with violin, Beethoven thought of them, and the early set of three Op. 12 does seem to look back towards the early Classical, even late-Baroque emphasis on the multi-voiced part to which the violin adds emphasis or decoration as required. But the genre matured with Beethoven, and by the time of the ‘Kreutzer’ he was composing a fullyfledged, pre-Romantic virtuoso journey for the combination, vast in breadth of expression and length. These works have always attracted great artists, but every generation must come to them afresh, and here are two superb musicians from Hungary to add their own approach: on ‘traditional’ rather than ‘period’ instruments but interpretatively untrammelled by one or another performing dogma.

Kristóf Baráti is one of the most exciting violinists of the younger generation. After winning several important prizes (top-3 prize winner of the Elizabeth Competition when he was 18 years old, first prize at the prestigious Paganini Competition in Moscow) he is building an international career, playing with important orchestras and conductors (Ivan Fischer, Charles Dutoit, Marek Janovski, Kurt Masur).

Klára Würtz needs little introduction to Brilliant Classics fans: her many recordings (Mozart, Schubert, Schumann) show an exceptional artist, with a natural musical instinct, effortless virtuosity and heart-warming charisma.

00:00:00 Violin Sonata No. 1 in D, Op. 12 No. 1: I. Allegro con brio
00:08:01 Violin Sonata No. 1 in D, Op. 12 No. 1: II. Tema con variazioni
00:14:45 Violin Sonata No. 1 in D, Op. 12 No. 1: III. Rondo: Allegro
00:19:01 Violin Sonata No. 2 in A, Op. 12 No. 2: I. Allegro vivace
00:25:02 Violin Sonata No. 2 in A, Op. 12 No. 2: II. Andante, più tosto allegretto
00:30:02 Violin Sonata No. 2 in A, Op. 12 No. 2: III. Allegro piacevole
00:34:45 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: I. Allegro con spirito
00:42:49 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: II. Adagio con molt’espressione
00:48:15 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: III. Rondo: Allegro molto
00:52:12 Violin Sonata No. 4 in A Minor, Op. 23: I. Presto
00:59:08 Violin Sonata No. 4 in A Minor, Op. 23: II. Andante scherzoso, più allegretto
01:06:08 Violin Sonata No. 4 in A Minor, Op. 23: III. Allegro molto
01:10:57 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: I. Allegro
01:20:03 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: II. Adagio molto espressivo
01:25:35 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: III. Scherzo: Allegro molto
01:26:36 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: IV. Rondo: Allegro ma non troppo
01:32:46 Violin Sonata No. 6 in A, Op. 30 No. 1: I. Allegro
01:39:37 Violin Sonata No. 6 in A, Op. 30 No. 1: II. Adagio molto espressivo
01:46:31 Violin Sonata No. 6 in A, Op. 30 No. 1: III. Allegretto con variazioni
01:54:02 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio
02:01:09 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile
02:09:48 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo, allegro
02:13:01 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: IV. Finale: Allegro
02:17:39 Violin Sonata No. 8 in G, Op. 30 No. 3: I. Allegro assai
02:23:23 Violin Sonata No. 8 in G, Op. 30 No. 3: II. Tempo di menuetto
02:30:56 Violin Sonata No. 8 in G, Op. 30 No. 3: III. Allegro vivace
02:34:08 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: I. Adagio sostenuto – Presto
02:47:01 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: II. Andante con variazioni
03:01:23 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: III. Finale: Presto
03:09:42 Violin Sonata No. 10 in G, Op. 96: I. Allegro moderato
03:19:48 Violin Sonata No. 10 in G, Op. 96: II. Adagio espressivo
03:25:05 Violin Sonata No. 10 in G, Op. 96: III. Scherzo: Allegro
03:26:54 Violin Sonata No. 10 in G, Op. 96: IV. Poco allegretto

Tracklist Below:
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Elise Neumann
00:00:00 País de abanico
00:04:40 Medallon Antiguo
00:08:07 Habanera
00:12:04 Vals Op.8 No.4
00:16:13 Gavota al estilo antiguo
00:18:51 Vals Tropical
00:21:37 El sueño de la razón produce monstruos
00:28:01 I. La Serenor
00:32:43 II. La Joia
00:35:57 III. La Calma
00:39:02 IV. La Gaubança
00:41:19 V. La Frisança

Giorgio Mirto
00:44:41 El destierro del jerarca
00:48:47 La rosa eterna
00:51:46 Rojas rodillas muertas
00:55:11 Una senil illusion
00:58:24 Los sueños reales son
01:02:56 El ultimo viaje
01:06:50 Flor de otoño

Frédéric Zigante
01:10:18 I. Mazurka-chôro
01:13:44 II. Schottisch-chôro
01:16:59 III. Valsa-chôro
01:22:07 IV. Gavotta-chôro
01:27:14 V. Chôrinho
01:31:29 Andante – Valsa brilhante
01:35:45 Mazurka
Giusepe Feola
01:38:10 No. 6, Fantasia. Aragon
01:43:47 No. 2, Oriental
01:48:25 No. 3, Sevillanas. Sevilla
01:53:19 No. 1, Serenata. Granada
01:58:37 No. 4, Saeta. Cadiz
02:03:20 No. 4, Córdoba
02:09:53 No. 8, Capricho. Cuba
02:15:04 No. 5, Leyenda. Asturias
02:22:16 No. 7, Seguidillas. Castilla
02:26:02 No. 2, Curranda. Cataluña
02:30:16 No. 3, Bajo la palmera

Ermanno Brignolo
02:35:58 Cançò en el mar
02:39:51 Catalanesca
02:42:09 Una leyenda
02:48:05 I. Pueblo castellano
02:49:55 II. En Aragón
02:51:15 III. Brujerias
02:53:00 I. Preludio
02:56:55 II. Coral
03:01:14 III. Cuna
03:06:47 IV. Recitativo
03:11:24 V. Canción
03:14:21 VI. Muñeira
03:17:13 Leyenda catalana

This album comes from the French Harpsichord Music box-set, containing the first 7 CD's out of 29.

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Composer: Jacques Champion de Chambonnières, Jean-Henry d’Anglebert, Gaspard Le Roux
Artists: Pieter-Jan Belder (harpsichord), Michael Borgstede (harpsichord), Yago Mahúgo (harpsichord), Francesco Cera (harpsichord), Franz Silvestri (harpsichord)

Brilliant Classics is proud to have released a number of harpsichord music of the highest quality over the past few years. This collection brings these works together, as well as never before published recordings, allowing the listener to soak up the sounds of 17th- and 18th-century France in its most intimate, domestic setting.

The release starts with Jean Henri d’Anglebert, featuring four of his extensive suites. Each begins with a precisely notated prelude, followed by various dance movements of lively gigues and slow sarabandes. Anglebert’s complex ornamentation system was so admired that it would later be copied by J.S. Bach. Francesco Cera, described as ‘one of the most promising talents in Italy’, performs the works. Jacques Champion de Chambonnières comes next; known as the ‘founding father’ of the French harpsichord tradition, he worked in the courts of both Louis XIII and XIV as a dancer and musician. Franz Silvestri plays on a modern-day harpsichord after Vaudry, Chambonnières’ suites reflect the regal French court at its peak. Pieter-Jan Belder, whose recordings span keyboard music from across Europe during this period, chooses to put the spotlight on Le Roux, a shadowy figure about whom not much is known. He has left us with a beguiling set of harpsichord suites, unusually printed twice: once for one harpsichord and one as an alternative setting for two harpsichords.

Tracklist can be found in the comment section!

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Composer: Dmitri Shostakovich
Artist: WDR Sinfonieorchester, Rudolph Barshai (conductor)

Shostakovich' music is the music of 20th century Russia, from the turbulent Revolution, through the horrors of war to the communistic repression. It is the cry of a soul in torment, expressing grief, despair in a highly personal way, through irony or bitter truth. The symphonies span Shostakovich'whole life, and form a milestone in the symphonic repertoire. They are frequently played, and have gained nearly the same popularity as Mahler's symphonies. A great recording by Russian conductor Rudolf Barshai, an authority in this repertoire, as he has worked closely together with the composer for a long time, and premiered the 14th symphony.

00:00:00 Symphony No. 1 in F Minor, Op. 10: Allegretto
00:08:09 Symphony No. 1 in F Minor, Op. 10: Allegro
00:12:55 Symphony No. 1 in F Minor, Op. 10: Lento
00:20:38 Symphony No. 1 in F Minor, Op. 10: Allegro molto

00:29:29 Symphony No. 2 in B Major, Op. 14 for Chorus & Orchestra "To October"

00:48:29 Symphony No. 3 in E-Flat Major, Op. 20 for Chorus & Orchestra "First of May"

01:14:59 Symphony No. 4 in C Minor, Op. 43: Allegretto poco moderato
01:42:10 Symphony No. 4 in C Minor, Op. 43: Moderato con moto
01:50:56 Symphony No. 4 in C Minor, Op. 43: Largo-allegro

02:16:58 Symphony No. 5 in D Minor, Op. 47: Moderato
02:32:29 Symphony No. 5 in D Minor, Op. 47: Allegretto
02:38:01 Symphony No. 5 in D Minor, Op. 47: Largo
02:51:19 Symphony No. 5 in D Minor, Op. 47: Allegro non troppo

03:02:49 Symphony No. 6 in B Minor, Op. 54: Largo
03:21:38 Symphony No. 6 in B Minor, Op. 54: Allegro
03:27:25 Symphony No. 6 in B Minor, Op. 54: Presto

From the album Sacred Hip-Hop.

The Pudding Monsters are ready to embark on an urban adventure! Experience 25 new levels and other surprises in our new Pudding Monsters - City Tour Update.

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Have you heard the latest buzz? Our Cut the Rope -- Buzz Box update is now available! Now Om Nom has two reasons to love bees. First, they produce yummy honey. Second, they have teamed up to help him get his favorite candy.

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As we learn more about electricity, we have to talk about fields. Electric fields may seem complicated, but they're really fascinating and a crucial part of physics. In this episode of Crash Course Physics, Shini chats about capacitors, conductors, electric field lines, and how objects with net charge generate electric fields.

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Here's the scoop on coffee's flavor: the taste comes from compounds locked into roasted coffee beans. Add hot water, and those flavors escape into your pot -- but not all flavors escape at the same time, says Harold McGee, food science writer and author of On Food and Cooking. For example, sour flavors, acids, come first and the plant carbohydrates responsible for coffee's body come later. Taste for yourself with this counter-top chemistry experiment.

Biology graduate student Tom McDonagh is taking shadow puppetry to the next level. One of his latest productions is based on the (true) story of an American doctor and French inventor who took to the skies in a hydrogen balloon and made the first trip -- by air -- across the English Channel. McDonagh, whose Ph.D. project at Rockefeller University has centered on building a microscope, is also experimenting with shadow puppet production -- from laser cut puppets to 3D shadows. McDonagh and puppeteers Jo Jo Hristova, Arlee Chadwick and Emma Wiseman will be performing several of his pieces at Puppet Festival rEvolution on August 6th, 2013 in Swarthmore, PA.

Science Friday spreads Pi Day cheer on the streets of New York. Meet the Pi enthusiasts lingering outside of New York University's math department.

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This video shows some sculptures by Postromantic Artist Leonardo Pereznieto. If you would like more information about them, please write to: info@leopereznieto.com

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El chef Joan Roca describe en este vídeo las claves de la creatividad en su cocina: dedicar tiempo, recursos y medios a la investigación y el aprendizaje, ya sea a través de viajes por el mundo, a través de libros o de la inspiración de otros cocineros. "Aprendemos mucho de los chicos que vienen a aprender y de los alumnos a los que daba clase en la Escuela de Hostelería. Es una simbiosis; un intercambio de conocimiento", afirma.

Considerado uno de los mejores chefs del mundo, Premio Nacional de Gastronomía y referente internacional de la cocina de vanguardia, Joan Roca dirige junto a sus hermanos el restaurante El Celler de Can Roca, en Girona, galardonado con tres Estrellas Michelín y tres Soles Repsol.


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I thought it was a good idea to compile the sound effects videos I already made into a 5 minute video.

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