In which John Green teaches you about the Democratic Republic of the Congo, which used to be Zaire, which used to be The Belgian Congo, which used to be the Congo Free State, which used to be the region surrounding the Congo River Basin in central Africa. So the history of this place is a little convoluted. The history of Congo is central to the history of central Africa, and the Congo Wars embroiled neighboring countries like Uganda and Rwanda. John will talk you through the history of Congo and the region.

You can directly support Crash Course at http://www.subbable.com/crashcourse Subscribe for as little as $0 to keep up with everything we're doing. Free is nice, but if you can afford to pay a little every month, it really helps us to continue producing this content.

Citation 1: David van Reybrouck, Congo: The Epic History of a People. Trans. Sam Garrett. Harper Collins. 2014.
Citation 2: van Reybrouck. p 468

Grace se niega a que Nancy deje a los niños pequeños entrar en su casa de muñecas. Así que Nancy deberá decidir entre quien cree que son sus amigos y sus amigos de verdad.

Suscríbete al canal de Disney Junior Youtube Oficial http://bit.ly/1lZqZIe.

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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.

Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences

Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.

Tracklist can be found below!

EWTN Global Catholic Television Network: Cara a Cara -Alejandro Bermúdez con Enrique Elías - Los medios y el Vaticano

Algunas noches son ideales para volar entre las estrellas. ¡Apúntate al viaje más maravilloso con Vampirina y su familia mientras cantamos en inglés!

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http://es.romereports.com Esta melodía pegadiza se inspira en una canción nigeriana sobre el Evangelio. Se llama "Say yes", habla de Jesús y es el single del nuevo disco de Michelle Williams. .

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Surprise eggs toy unboxing and balloons popping fun show for learning numbers. Make your kids learn to count from 1 to 10 by popping these colorful balloons.

Subscribe to ChuChu TV Surprise Channel for more upcoming Surprise Eggs Learning Fun
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ChuChu TV Police Chase Thief in Police Car Save Huge Birthday Egg Surprise Toys Gifts for Twin Kids
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Surprise Eggs Wildlife Toys | Learn Wild Animals & Animal Sounds - https://www.youtube.com/watch?v=rKk9uJqi4hY

Magical Surprise Eggs Ball Pit Show For Kids | Learn Colours & Shapes
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Chuchu TV Surprise Eggs Street Vehicles For Kids | Baby Vehicles, Public Transport Vehicles, Utility Vehicles & more
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Chuchu TV Surprise Eggs Toys for kids to Learn Fruits & Vegetables
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Chuchu TV Surprise Eggs Toys for Learning Numbers - Learn To Count 1 to 10
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Learn Baby Farm Animals & Animal Sounds | Chuchu TV Kids Surprise
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Canta con tus personajes favoritos de Disney Junior: Mickey Mouse.
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

BY VIEWER REQUEST, here's the LONG version with some comments on setting lights and white balance for your DSLR or Camcorder and getting it balanced. Short Version? Use your eyes! http://bit.ly/SubscribeToBasicFilmmaker

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Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

Download & Streaming:
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These are not modern arrangements of two classic violin sonatas but classic examples of the art of transcriptions, made by two superb French cellists in the last half of the 19th century. They cater less for the demand of amateur musicians for repertoire for domestic music-making – even in their originals, the sonatas lie somewhere beyond the technical level of all but the most accomplished performers – but for the growing number of professional cellists who sought more than showpieces for their recitals yet were understandably frustrated by the lack of substantial contributions to the cello repertoire by composers of their time.

The greatest Parisian cellist of his day, August Franchomme, arranged the ‘Kreutzer’ Sonata in 1867. It is among Beethoven’s most ambitious pieces of chamber music, symphonic in scale. Reportedly, the first transcription for the cello was made by Carl Czerny, at the request of Beethoven himself. However, Czerny considerably simplified the most important virtuoso passages that had made this sonata a piece for seasoned musicians. Franchomme also made certain adaptations, inevitable when transcribing a piece of this complexity for a lower instrument, but he retained its sense of thrill and danger.

Composer :César Auguste Franck, Ludwig van Beethoven
Artist: Roberto Trainini (cello)
Christiano Burato (piano)

00:00:00 Violin Sonata No. 9 in A Major, Op. 47: I. Adagio sostenuto. Presto
00:14:13 Violin Sonata No. 9 in A Major, Op. 47: II. Andante con variazioni
00:30:13 Violin Sonata No. 9 in A Major, Op. 47: III. Finale. Presto
00:39:44 Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato
00:46:04 Violin Sonata in A Major, FWV 8: II. Allegro
00:54:32 Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato
01:02:02 Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso

Tracklist below.

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Composer:
Johann Sebastian Bach

Artist:
Daniele Boccaccio organ

00:00:00 Prelude No. 1 in C Major, BWV 846
00:01:42 Fugue No. 1 in C Major, BWV 846
00:04:10 Prelude No. 2 in C Minor, BWV 847
00:05:43 Fugue No. 2 in C Minor, BWV 847
00:07:49 Prelude No. 3 in C-Sharp Major, BWV 848
00:09:17 Fugue No. 3 in C-Sharp Major, BWV 848
00:12:19 Prelude No. 4 in C-Sharp Minor, BWV 849
00:15:19 Fugue No. 4 in C-Sharp Minor, BWV 849
00:19:24 Prelude No. 5 in D Major, BWV 850
00:20:47 Fugue No. 5 in D Major, BWV 850
00:22:47 Prelude No. 6 in D Minor, BWV 851
00:24:32 Fugue. No. 6 in D Minor, BWV 851
00:26:44 Prelude No. 7 in E-Flat Major, BWV 852
00:30:41 Fugue No. 7 in E-Flat Major, BWV 852
00:32:45 Prelude No. 8 in E-Flat Minor, BWV 853
00:35:35 Fugue No. 8 in E-Flat Minor, BWV 853
00:42:01 Prelude No. 9 in E Major, BWV 854
00:43:40 Fugue No. 9 in E Major, BWV 854
00:45:14 Prelude No. 10 in E Minor, BWV 855
00:47:21 Fugue No.10 in E Minor, BWV 855
00:48:38 Prelude No. 11 in F Major, BWV 856
00:50:03 Fugue No. 11 in F Major, BWV 856
00:51:35 Prelude No. 12 in F Minor, BWV 857
00:53:24 Fugue No. 12 in F Minor, BWV 857
00:57:56 Prelude No. 13 in F-Sharp Major, BWV 858
00:59:21 Fugue No. 13 in F-Sharp Major, BWV 858
01:01:49 Prelude No. 14 in F-Sharp Minor, BWV 859
01:03:19 Fugue No. 14 in F-Sharp Minor, BWV 859
01:06:11 Prelude No. 15 in G Major, BWV 860
01:07:15 Fugue No. 15 in G Major, BWV 860
01:10:37 Prelude No. 16 in G Minor, BWV 861
01:11:59 Fugue No. 16 in G Minor, BWV 861
01:14:20 Prelude No. 17 in A-Flat Major, BWV 862
01:15:36 Fugue No. 17 in A-Flat Major, BWV 862
01:18:12 Prelude No. 18 in G-Sharp Minor, BWV 863
01:19:27 Fugue No. 18 in G-Sharp Minor, BWV 863
01:21:46 Prelude No. 19 in A Major, BWV 864
01:23:11 Fugue No. 19 in A Major, BWV 864
01:25:43 Prelude No. 20 in A Minor, BWV 865
01:27:02 Fuge No. 20 in A Minor, BWV 865
01:32:25 Prelude No. 21 in B-Flat Major, BWV 866
01:34:25 Fugue No. 21 in B-Flat Major, BWV 866
01:36:37 Prelude No. 22 in B-Flat Minor, BWV 867
01:38:27 Fugue No. 22 in B-Flat Minor, BWV 867
01:41:36 Prelude No. 23 in B Major, BWV 868
01:42:44 Fugue No. 23 in B Major, BWV 868
01:45:16 Prelude No. 24 in B Minor, BWV 869
01:49:23 Fugue No. 24 in B Minor, BWV 869
01:56:06 Prelude No. 1 in C Major, BWV 870
01:58:32 Fugue No. 1 in C Major, BWV 870
02:00:38 Prelude No. 2 in C Minor, BWV 871
02:03:17 Fugue No. 2 in C Minor, BWV 871
02:05:34 Prelude No. 3 in C-Sharp Major, BWV 872
02:07:09 Fugue No. 3 in C-Sharp Major, BWV 872
02:09:30 Prelude No. 4 in C-Sharp Minor, BWV 873
02:13:15 Fugue No. 4 in C-Sharp Minor, BWV 873
02:16:03 Prelude No. 5 in D Major, BWV 874
02:21:42 Fugue No. 5 in D Major, BWV 874
02:24:20 Prelude No. 6 in D Minor, BWV 875
02:26:07 Fugue No. 6 in D Minor, BWV 875
02:28:09 Prelude No. 7 in E-Flat Major, BWV 876
02:30:31 Fugue No. 7 in E-Flat Major, BWV 876
02:32:33 Prelude No. 8 in D-Sharp Minor, BWV 877
02:36:34 Fugue No. 8 in D-Sharp Minor, BWV 877
02:40:15 Prelude No. 9 in E Major, BWV 878
02:45:30 Fugue No. 9 in E Major, BWV 878
02:48:35 Prelude No. 10 in E Minor, BWV 879
02:52:27 Fugue No. 10 in E Minor, BWV 879
02:55:52 Prelude No. 11 in F Major, BWV 880
02:59:26 Fugue No. 11 in F Major, BWV 880
03:01:10 Prelude No. 12 in F Minor, BWV 881
03:05:32 Fugue No. 12 in F Minor, BWV 881
03:08:02 Prelude No. 13 in F-Sharp Major, BWV 882
03:11:42 Fugue No. 13 in F-Sharp Major, BWV 882
03:14:28 Prelude No. 14 in F-Sharp Minor, BWV 883
03:17:20 Fugue No. 14 in F-Sharp Minor, BWV 883
03:21:47 Prelude No. 15 in G Major, BWV 884
03:24:44 Fugue No. 15 in G Major, BWV 884
03:26:06 Prelude No. 16 in G Minor, BWV 885
03:28:10 Fugue No. 16 in G Minor, BWV 885
03:31:33 Prelude No. 17 in A-Flat Major, BWV 886
03:35:30 Fugue No. 17 in A-Flat Major, BWV 886
03:38:14 Prelude No. 18 in G-Sharp Minor, BWV 887
03:43:20 Fugue No. 18 in G-Sharp Minor, BWV 887
03:47:10 Prelude No. 19 in A Major, BWV 888
03:48:55 Fugue No. 19 in A Major, BWV 888
03:50:35 Prelude No. 20 in A Minor, BWV 889
03:54:38 Fugue No. 20 in A Minor, BWV 889
03:56:31 Prelude No. 21 in B-Flat Major, BWV 890
04:04:55 Fugue No. 21 in B-Flat Major, BWV 890
04:07:20 Prelude No. 22 in B-Flat Minor, BWV 891
04:10:09 Fugue No. 22 in B-Flat Minor, BWV 891
04:15:24 Prelude No. 23 in B Major, BWV 892
04:17:35 Fugue No. 23 in B Major, BWV 892
04:21:31 Prelude No. 24 in B Minor, BWV 893
04:23:39 Fugue No. 24 in B Minor, BWV 893

Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/PaisielloInVienn
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This ingeniously programmed conceptalbum contains no original music by Paisiello but rather presents a selection of works which take as their inspiration his best‐known aria. ‘Nel cor più non mi sento’ is a duet from his 1788 opera L'amor contrastato, ossia La molinara – generally referred to as La molinara and, in an intriguing twist of history, translated in to German as Die schöne Müllerin. But in fact Schubert is one of the few noted variationcomposers absent here. Paganini’s later set of variations is a staple of the virtuoso‐violin repertoire, but this enterprising trio of musicians have looked to lesser‐known treatments of the duet, which attained great popularity on account of its simple but winning melody, so suitable for elaboration. Bortolazzi was well-known in his day as a superb mandolin player, and composed prodigiously for his instrument just as Mauro Giuliani did for the guitar, with an intimate understanding of its technical and expressive possibilities. Wanhal’s variations were originally composed for a melody instrument such as violin or flute, but it has been arranged specially for the trio here. Beethoven’s piano‐only variation set is relatively well‐known and has been recorded many times, but the smaller works for mandolin and fortepiano are no less engaging and have received little attention: this period-instrument performance almost has the field to itself. Michael Salka plays an original 1820 Böhm fortepiano, Alon Sariel an 1850 mandolin and Izhar Elias a Guadagnini guitar from 1812, less than two decades after the works recorded here were composed. This fascinating release is completed by Hummel’s ‘Grande Sonata’ for mandolin and piano and an extensive Potpourri for guitar and piano.
Composer: Johann Nepomuk Hummel, Ludwig van Beethoven
Artist: Izhar Elias (guitar)
Alon Sariel (mandolin)
Michael Tsalka (fortepiano)
00:00:00 Variations in G Major on Paisiello’s “nel cor più non mi sento”, Op. 8
00:06:45 Grand Sonata in C Major, Op. 37a: I. Allegro con spirit
00:12:47 Grand Sonata in C Major, Op. 37a: II. Andante moderato siziliano
00:16:06 Grand Sonata in C Major, Op. 37a: III. Rondo. Allegretto più tosto allegro
00:20:31 Introduction and Variations in A Major on Paisiello’s “nel cor più non mi sento”, Op.113
00:30:31 Polonaise Allegro in A Major, Op. 113
00:39:26 Andante with Variations in D Major, WoO 44b
00:48:11 Sonatina in C Minor, WoO 43a
00:52:03 Sonatina in C Major, WoO 44a
00:54:46 6 Variations in G Major on Paisiello’s “nel cor più non mi sento”, WoO 70
01:01:34 Pot-pourri for Guitar and Piano, Op. 53
01:12:47 6 Variations in G Major on Paisiello’s “nel cor più non mi sento”, Op. 42

About 8 months ago, I was helping a new filmmaker who wanted tips and tricks to quickly shoot a voiceover. He had one (1) crappy recorder, a girl with a nice voice, and a gym next to a noisy street. He recorded it with an iPhone and I thought these tips and tricks might be useful for you.

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INTRO/OUTRO:
By Kevin Anson. Please visit him here:
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MUSIC:
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Copyright (c) 2018 by The Basic Filmmaker.

What I shoot my episodes with:
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Amazon:

Canon 5D: https://amzn.to/2HA1zQC
Canon 50mm: https://amzn.to/2vgPcq4
Rode NTG-3: https://amzn.to/2GY9cPO
Zoom H6: https://amzn.to/2HxHcn3


B&H:


Canon 5D: https://bhpho.to/2GXbUoz
Canon 50mm: https://bhpho.to/2HzkoDE
Rode NTG-3: https://bhpho.to/2HxxL75
Zoom H6: https://bhpho.to/2Hz3nJx

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http://es.romereports.com El Vaticano anunció que el Papa visitaría estrictamente en privado la ciudad de Caserta para reunirse con un amigo. Pero el obispo fue tan insistente que arrancó otra visita al Papa. O sea, que viajará allí dos veces en menos de 48 horas. .

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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Pumba le enseña a Timón los peligros y los beneficios del fuego, mientras ambos le hacen honor a la frase que aprendiste en El Rey León: Hakuna Matata :)

Sitio Oficial: http://www.disneylatino.com/disneyjunior/

Síguenos en Facebook: http://www.facebook.com/DisneyJuniorLatinoamerica

¡Haz click en el botón SUSCRIBIR y entérate de los nuevos videos de Disney Junior en Youtube!

Composer: Claudio Monteverdi
Artist: Le Nuove Musiche
Krijn Koetsveld (artistic leader)

Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/MonteverdiMadrig
More Information: https://www.brilliantclassics.....com/articles/m/monte
Spotify: https://open.spotify.com/user/....brilliantclassics?si
Facebook: https://www.facebook.com/brilliantclassics

Le Nuove Musiche, led by acclaimed director Krijn Koetsveld, continue with their exceptional series of Claudio Monteverdi’s complete madrigals. Following on from Books V & VI (BC93799), and Book VII (BC94980), released in December 2015, they turn their attention to Books III & IV. At this stage of Monteverdi’s career, he was at a turning point, something that comes across quite clearly in his compositions. In the more traditional works, he gives a clear nod to his teacher Marc’Antonio Ingegneri, as he demonstrates his ability to write in the declamatory Renaissance style. Where Monteverdi sets himself apart, however, is when he demonstrates his ability to match the tender lyrics to sound. O come è gran martire, ‘O what suffering it is’, is a perfect illustration of this, as the mournfully drawn-out ‘O’ immediately captures the listener’s attention, forcing us to appreciate the lover’s lament. He repeats this device in Vattene pur crudel, when Armida’s distressed cry of loneliness soars above the other lines: her rage at having been abandoned by her lover consumes the piece. Monteverdi straddles the Renaissance and the Baroque, and this comes to the fore especially in these two exciting books of madrigals.

Le Nuove Musiche’s approach to Monteverdi is an innovative one: to bring the past into the present, keeping alive the questions of the Renaissance that still permeate our musical landscape today, while seeking to maintain the highest standards of performance authenticity. Their release of Books V & VI garnered excellent reviews, including five stars in the French magazine Diapason.

00:00:00 Madrigals, Book 3, SV 60-74: La giovinetta pianta, SV 60
00:03:18 Madrigals, Book 3, SV 60-74: O come è gran martire, SV 61
00:06:14 Madrigals, Book 3, SV 60-74: Sovra tenere erbette e bianchi fiori, SV 62
00:09:21 Madrigals, Book 3, SV 60-74: O dolce anima mia, dunque è pur vero, SV 63
00:12:43 Madrigals, Book 3, SV 60-74: Stracciami pur il core,SV 64
00:16:06 Madrigals, Book 3, SV 60-74: O rossignuol che in queste verdi fronde, SV 65
00:20:04 Madrigals, Book 3, SV 60-74: Se per estremo ardore, SV 66
00:23:08 Madrigals, Book 3, SV 60-74: Vattene pur, crudel, con quella pace, SV 67
00:25:11Madrigals, Book 3, SV 60-74: Là tra ’l sangue e le morti egro giacente, SV 67
00:27:37 Madrigals, Book 3, SV 60-74: Poi ch’ella in sé tornò, deserto e muto, SV 65
00:30:38 Madrigals, Book 3, SV 60-74: O primavera, gioventú de l’anno, SV 68
00:33:21 Madrigals, Book 3, SV 60-74: Perfidissimo volto, SV 69
00:36:44 Madrigals, Book 3, SV 60-74: Ch’io non t’ami, cor mio, SV 70
00:40:26 Madrigals, Book 3, SV 60-74: Occhi, un tempo mia vita, SV 71
00:43:17 Madrigals, Book 3, SV 60-74: Vivrò fra i miei tormenti e le mie cure, SV 72
00:44:57 Madrigals, Book 3, SV 60-74: Ma dove, o lasso me, dove restaro, SV 72
00:47:36 Madrigals, Book 3, SV 60-74: Io pur verrò là dove sete, e voi, SV 72
00:49:54 Madrigals, Book 3, SV 60-74: Lumi, miei cari lumi, SV 73
00:52:20 Madrigals, Book 3, SV 60-74: Rimanti in pace, SV 74
00:55:50 Madrigals, Book 3, SV 60-74: Ond’ei di morte la sua faccia impressa, SV 74
00:59:22 Madrigals, Book 4, SV 75-93: Ah dolente partita, SV 75
01:02:52 Madrigals, Book 4, SV 75-93: Cor mio, mentre vi miro, SV 76
01:04:45 Madrigals, Book 4, SV 75-93: Cor mio, non mori? E mori, SV 77
01:07:19 Madrigals, Book 4, SV 75-93: Sfogava con le stelle, SV 78
01:10:00 Madrigals, Book 4, SV 75-93: Volgea l’anima mia soavemente, SV 79
01:13:07 Madrigals, Book 4, SV 75-93: Anima mia, perdona, SV 80a
01:15:37 Madrigals, Book 4, SV 75-93: Che se tu se’ il cor mio, SV 80b
01:17:59 Madrigals, Book 4, SV 75-93: Luci serene e chiare, SV 81
01:21:05 Madrigals, Book 4, SV 75-93: La piaga c’ho nel core, SV 82
01:23:03 Madrigals, Book 4, SV 75-93: Voi pur da me partite, anima dura, SV 83
01:26:10 Madrigals, Book 4, SV 75-93: A un giro sol de bell’occhi lucent, SV 84
01:28:33 Madrigals, Book 4, SV 75-93: Ohimé, se tanto amate, SV 85
01:30:53 Madrigals, Book 4, SV 75-93: Io mi son giovinetta, SV 86
01:33:33 Madrigals, Book 4, SV 75-93: Quell’augellin che canta, SV 87
01:35:52 Madrigals, Book 4, SV 75-93: Non piú guerra, pietate, SV 88
01:38:23 Madrigals, Book 4, SV 75-93: Sí ch’io vorrei morire, SV 89
01:41:20 Madrigals, Book 4, SV 75-93: Anima dolorosa che vivendo, SV 90
01:43:49 Madrigals, Book 4, SV 75-93: Anima del cor mio, SV 91
01:45:53 Madrigals, Book 4, SV 75-93: Longe da te, cor mio, SV 92
01:48:01 Madrigals, Book 4, SV 75-93: Piagne e sospira, SV 93

Versión definitiva e inédita de la película 3 de Detective Conan, titulada El mago de fin de siglo.

-Nuevo máster en 1080p
-Audios en la más alta calidad (Español latino, japonés, catalán y gallego)
-Subtítulos al español para los letreros (con y sin doblaje) traducidos directo del japonés
-Canciones dobladas al español latino (Inéditas)

Exclusivo en generacionretro.net