Os Bolechas, galegofalantes, son un referente para os cativos e cativas de Galicia.
O seu éxito, en palabras do seu creador, Pepe Carreiro, débese a que os seus protagonistas, seis irmáns (Carlos, as xemelgas Loli e Pili, Braulio, Sonia, o pequeno Tatá e o seu incondicional can Chispa).

Jubelt und freut euch über den Herrn, er hat Großes an uns getan,
Jubelt und freut euch, fürchtet euch nicht. Alleluja, alleluja.

Music: Taizé
Photo: Photo Claude TRUONG-NGOC
36e rencontres internationales de Taizé Strasbourg 27 décembre 2013

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Thanks to Whole Foods UCLA for allowing us to film their potatoes and Zach T for filming.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.to/RomanticHarp
Physical Purchase:
https://www.brilliantclassics.....com/articles/r/roman

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The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
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Composer: Georg Frideric Handel, Wolfgang Amadeus Mozart
Artists: Charlotte Balzereit harp,
Giselle Herbert harp,
Jutta Zoff harp,
Jana Bouskova harp,
Staatskapelle Dresden,
Les Violins du Roy,
Stuttgart Chamber Orchestra,
Nicol Matt conductor,
Südwestdeutsches Kammerorchester Pforzheim,
Vladislav Czarnecki conductor,

About this Album:
The harp is the ultimate romantic icon: the instrument of angels, and of Cupid, the god of love. One of the world’s oldest musical instruments, yet one of the most versatile and cherished, its modern counterpart also has the largest range of any orchestral instrument. This dreamy collection pulls together an equally extensive range of concertos for harp, contrasting the towering figures of Handel and Mozart with gems by lesser-known composers such as François-Adrien Boieldieu and Johann Georg Albrechtsberger.


Tracklist:
00:00:00 Harp Concerto in B-Flat Major, HWV 294: I. Andante – allegro (Handel)
00:04:18 Harp Concerto in B-Flat Major, HWV 294: II. Larghetto (Handel)
00:09:49 Harp Concerto in B-Flat Major, HWV 294: III. Allegro moderato (Handel)
00:12:30 Concerto for Flute and Harp in C Major, K. 299: I. Allegro (Mozart)
00:22:06 Concerto for Flute and Harp in C Major, K. 299: II. Andantino (Mozart)
00:30:16 Concerto for Flute and Harp in C Major, K. 299: III. Rondo. Allegro (Mozart)
00:39:55 Harp Concerto in C in Major: I. Allegro brillante (Boieldieu)
00:50:54 Harp Concerto in C in Major: II. Andante lento (Boieldieu)
00:55:02 Harp Concerto in C in Major: III. Rondo. Allegro agitato (Boieldieu)
01:02:04 Harp Concerto in A Major: I. Allegro molto (Dittersdorf)
01:08:42 Harp Concerto in A Major: II. Larghetto (Dittersdorf)
01:17:52 Harp Concerto in A Major: III. Rondo. Allegretto (Dittersdorf)
01:21:25 Harp Concerto in C Major: I. Allegro moderato (Albrechtsberger)
01:27:54 Harp Concerto in C Major: II. Adagio (Albrechtsberger)
01:37:39 Harp Concerto in C Major: III. Allegro (Albrechtsberger)
01:40:54 Partita in F Major: I. Presto (Albrechtsberger)
01:44:44 Partita in F Major: II. Adagio un poco (Albrechtsberger)
01:51:46 Partita in F Major: III. Menuetto (Albrechtsberger)
01:54:29 Partita in F Major: IV. Finale. Allegro (Albrechtsberger)
01:58:35 Harp Concerto in G Major: I. Allegro (Wagenseil)
02:02:25Harp Concerto in G Major: II. Andante (Wagenseil)
02:07:03 Harp Concerto in G Major: III. Vivace (Wagenseil)

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"One Wish (For Christmas)" by Whitney Houston
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Chorus:
If I had one wish for Christmas
There would be joy and peace here on earth
If I had one wish for Christmas this year
We would all come together as one

#WhitneyHouston #OneWish #OfficialAudio

Audio castellano. Boing.
Género: Infantil / Preescolar

Os Bolechas, galegofalantes, son un referente para os cativos e cativas de Galicia.
O seu éxito, en palabras do seu creador, Pepe Carreiro, débese a que os seus protagonistas, seis irmáns (Carlos, as xemelgas Loli e Pili, Braulio, Sonia, o pequeno Tatá e o seu incondicional can Chispa).

Pictures and video sound attuned album.

Bulgarian folklore choral singing workshop during Falun Folkmusic festival '90.
Traditional folklore song from Rodopi mountain region - Bulgaria.
Arrangement - Philip Koutev

Levanto mis manos de Samuel Hernández. Musica cristiana de adoración.
Canción con unción y ministración del Espiritu Santo. !!Compartela!!
Para que sea de bendición a otros.
Cuando levanto mis manos mis cargas se van. Que bueno es nuestro Dios.
FACEBOOK : https://www.facebook.com/music....acristianaconletra?r
https://es-es.facebook.com/CCI.Huelva
Twitter: https://twitter.com/ccihuelva
EL BLOG DE LA MUSICA :http://musicacristianaconletra.blogspot.com.es/
CANCION DISPONIBLE EN ITUNES

Tracklist below.
iTunes: https://itunes.apple.com/album..../glass-solo-piano-mu
Physical sale: http://brilliantclassics.com/a....rticles/g/glass-solo
Spotify: https://open.spotify.com/album..../5upYxk2zN25WaSSsKR0

Accepted onto the early admissions programme of the University of Chicago, Philip Glass graduated aged just nineteen with a degree in Mathematics and Philosophy, practising the piano in his spare time. Subsequently studying at the Juilliard School, Glass’s name has since become synonymous with the minimalist style. His film compositions have earned him a Golden Globe as well as three Academy Award nominations.
This selection of pieces showcases Glass’s music for solo piano, with each of the works baring the hallmarks of minimalism. Among the pieces featured in the collection is Metamorphosis, a set of five variations that evolve over the course of the entire work to create a stirring final movement. Also present are extracts from the soundtrack of Stephen Daldry’s film The Hours, as well as ‘Truman Sleeps’ from The Truman Show (which earned Glass a Golden Globe award for ‘Best Original Score’). The collection ends with the ‘Trilogy’ Sonata, containing piano transcriptions of Glass’s three ‘portrait’ operas: Einstein on the Beach, Satyagraha and Akhnaten.
Dutch pianist and composer Jeroen Van Veen studied at the Utrecht Conservatory and has played with many orchestras throughout Europe and the USA, under renowned conductors such as Howard Williams, Peter Eötvös and Robert Craft. An accomplished recitalist, van Veen has also appeared at festivals including the Reder Piano Festival and the Festival der Kunsten (Bad Gleichenberg). His compositional style is closely related to minimalism, and contains elements of jazz, blues and pop music.
Other information:
- Recorded 23–28 October 2006, Barbara Church, Culemborg, The Netherlands.
- A new compilation of the music for piano solo by Philip Glass, icon of minimalism. In his piano music, Glass presents structures of repeated patterns which slowly and gradually, seemingly unconsciously, change in rhythm, speed or form, creating a fascinating sound landscape of slowly shifting colours and patterns.
- Dutch pianist Jeroen van Veen is a champion of the minimalist piano school. His earlier set of minimalist piano works (BC 9171) has won rave reviews in the international press: “The leading exponent of minimalism (Fanfare)”, “10/10” performance/recording, Classicstoday.

00:00:00 Glassworks – opening(arr. Jeroen van Veen)
00:08:53 Metamorphosis: No.1
00:15:57 Metamorphosis: No.2
00:22:51 Metamorphosis: No.3
00:27:15 Metamorphosis: No.4
00:33:08 Metamorphosis: No.5
00:39:15 Mad Rush
00:54:28 Wichita Vortex Sutra
01:01:54 Glassworks – opening
01:11:19 The Hours: The Poet Acts
01:14:55 The Hours: Morning Passages
01:20:20 The Hours: Something She Has To Do
01:23:51 The Hours: I’m Going To Make A Cake
01:27:36 The Hours: An Unwelcome Friend
01:32:08 The Hours: Dead Things
01:36:04 The Hours: Why Does Someone Have to Die?
01:39:41 The Hours: Tearing Herself Away
01:43:49 The Hours: Escape!
01:47:23 The Hours: Choosing Life
01:51:33 The Hours: The Hours
01:58:46 ‘Truman Sleeps’ from The Truman Show
02:00:57 Glassworks – opening
02:07:07 Olympian
02:11:06 Modern Love Waltz
02:16:04 How Now
02:41:13 ‘Trilogy’ Sonata: I. Einstein on the Beach – Knee Play No. 4
02:48:56 ‘Trilogy’ Sonata: II. Satyagraha – Act III Conclusion
02:57:46 ‘Trilogy’ Sonata: III. Akhnaten – Dance (from Scene 3)

Artist:
Jeroen van Veen (piano)

As a Canadian-Australian, I have always wondered why it is that Australia has so many venomous animals that can kill you while Canada has virtually none.
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But it's not just Australia - it seems like all beautiful, warm places are cursed with venomous native species. So I set out to find the truth: why have all these venomous species evolved in the world's best holiday destinations?

I asked chemists, visited the zoo, interviewed entomologists and snake experts. The answer I found was complicated:
1. The majority of venomous species are ectotherms, cold-blooded creatures whose internal temperatures are governed by their surroundings.
2. This means they have limited periods of activity - mainly while it's warm out, and can only exert short bursts of energy, so they are generally "sit and wait" predators. This may explain why they, more than mammals or birds, evolved venom.
3. It also explains why there are more of these species in warm climates. There are more of all species in warm climates, but this trend is especially pronounced for ectotherms.
4. So there are a greater number of venomous species in warm places, simply because there are more species in warm places. Cold climates still have venomous creatures, like the rattlesnakes of Canada and European vipers.
5. But history also has a role to play. In Australia, there were no snakes until 20 million years ago when a venomous sea snake from Asia encountered the land, sending venomous species to all corners of the continent. Later non-venomous arrivals have done well in the tropics but not as well in Australia's colder climates, so venomous types still dominate there. Hawaii has no venomous land snakes and nor does Jamaica.
6. The recent ice age also would have driven ectotherms from the northern parts of the Northern Hemisphere. This is why there are no snakes in Ireland, for example.

Special thanks to Prof. Rick Shine, Prof. Dieter Hochuli, Prof. Roger Lowe, Prof. Martyn Poliakoff and Taronga Zoo, especially Joe Haddock and Dean Purcell.

Cinematography by Charles Clement

Esto es una muestra de audio,
autor del MT (Luis Sicajá).

Info para COMPRA al Inbox:
https://www.facebook.com/luis.sicaja.714

"All The Man That I Need" ("El Hombre que Necesito") fue publicado en diciembre de 1990 y es el segundo sencillo del álbum I'm Your Baby Tonight..La canción fue compuesta por Dean Pitchford and Michael Gore. Es un tema pop que tiene un solo de saxo de Kenny G.

All The Man That I Need

I used to cry myself to sleep at night
But that was all before he came
I thought love had to hurt to turn out right
But now he's here, it's not the same
It's not the same

He fills me up
He gives me love
More love than I've ever seen
He's all I've got
He's all I've got in this world
But he's all the man that I need

And in the morning when I kiss his eyes
He takes me down
And rocks me slow
And in the evening when the moon is high
He holds me close
And won't let go
He won't let go

He fills me up
He gives me love
More love than I've ever seen
He's all I've got
He's all I've got in this world
But he's all the man that I need

He fills me up
He gives me love
More love than I've ever seen (more love more love)
He's all I've got
He's all I've got in this world
But he's all the man (all the man) that I need

More love than I've ever seen ..

More love than I've ever seen ..

Domingo 13/septiembre/2015
Envío para la gloria de Dios el concierto que nuestro amado hno. Roberto Orellana ofreció en el TBB Apopa.

"You Give Good Love" from the album "Whitney Houston" 1985

Música 'Try It On My Own (On My Own) (Babyface, Jason Edmonds, Carole Bayer Sager, Aleese Simmons e Nathan Walton)', gravada primeiramente em 2002, no álbum da própria cantora chamado 'Just Whitney'.

Veja este vídeo na nossa homenagem com fotos, texto e vídeos a Whitney Houston em nosso blog 'O Teatro Da Vida':
http://oteatrodavida.blogspot.....com.br/2012/02/olimp

Un hermoso video que me inspiró el Señor espero que les guste y les bendiga el Señor Jesús ?