This is how live radio looks! Watch Ira Flatow talk to scientist turned playwright Carl Djerassi, actor Simon Jones and chemist Alfred Vendl talk about Djerassi's new play Phallacy.

Alfred Brendel’s first recorded cycle of the complete works for piano of Beethoven appeared in the 1960s on the Vox label. They established his reputation as a leading interpreter of the composer, and although he returned to the studio subsequently to re-record the sonatas and concertos for Philips, these early recordings have retained their freshness and originality. For many record collectors, the budget price Turnabout label provided a happy hunting ground for those who sought out unusual repertoire. The parent company Vox also had the vision to ask the relatively unknown Brendel to undertake the huge project of recording all the Beethoven Sonatas, Variations and Piano Concertos. These recordings document the artist as a young man at the outset of his extraordinary journey, and in repertoire that will always be closely associated with him. They also stand comparison with his later interpretations of Beethoven.

Composer: Ludwig van Beethoven
Artist: Alfred Brendel (piano)

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00:00:00 Piano Sonata No.14 in C sharp Minor Op.27 No.2 ‘Moonlight’: I. Adagio sostenuto
00:05:58 Piano Sonata No.14 in C sharp Minor Op.27 No.2 ‘Moonlight’: II. Allegretto
00:08:16 Piano Sonata No.14 in C sharp Minor Op.27 No.2 ‘Moonlight’: III. Presto agitato
00:15:52 Piano Sonata No.8 in C Minor Op.13 ‘Pathétique’: I. Grave – Allegro di molto e con brio
00:25:00 Piano Sonata No.8 in C Minor Op.13 ‘Pathétique’: II. Adagio cantabile
00:30:44 Piano Sonata No.8 in C Minor Op.13 ‘Pathétique’: III. Rondo:Allegro
00:35:09 Piano Sonata No.23 in F Minor Op.57 ‘Appassionata’: I. Allegro assai
00:44:47 Piano Sonata No.23 in F Minor Op.57 ‘Appassionata’: II. Andante con moto
00:51:03 Piano Sonata No.23 in F Minor Op.57 ‘Appassionata’: III. Allegro ma non troppo

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Artist: Kitaro
Song: Estrella
Album: Thinking of You

43rd GRAMMY WINNING ALBUM (Best New Age Album)

"Thinking of You" is a resplendent expression of the beauty unearthed in nature portrayed musically as only Kitaro can.
Woven within a musical tapestry of song, Kitaro brings you ten astounding compositions rendering light to the environment of which many take for granted. As Kitaro notes, "Living close to this wonderful nature is the discovery of the joy of life everyday".
This Grammy Award winning release has garnered the accolades of die-hard and newcomers alike. As Kitaro remarks, "the 'You' in the titles signifies people close to me, those near and those far away from me. I tried to speak to each one of them through this musical expression."

Song List

01. Estrella
02. Mercury
03. Cosmic Wave
04. Harmony of the Forest
05. Fiesta
06. Thinking of You
07. Spirit of Water
08. Stream
09. Space II
10. Del Mar

Kitaro Official Artist Page
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喜多郎オフィシャルウェブサイトhttp://www.diaa.net/kitaro/index.php

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Composer & Artist:
Composer: Michel Corrette
Artists: La Fantasia ensemble, Rien Voskuilen (organ and concert master)

About this Album:
Michel Corrette (1709–1795) was born in Rouen, where his father Gaspard was an organist. Sadly, little is known about his early life, but we know he held positions as organist in several churches in Paris. For many years his reputation rested on his teaching methods and educational works, and he can claim to have written and published more teaching methods than any other composer. These include works on the mandolin, guitar, violin, cello, viola da gamba, organ, harpsichord, double bass and harp. Today, these books are of interest as they throw light upon the ‘Italian’ style that was all the rage in France in the early 18th century. The proceeds of all these successful books meant that Corrette became relatively well off, which aroused feelings of envy among his contemporaries, who often made sure that his music received lukewarm reviews.

On this release of Les Six Symphonies de Noël, we hear Corrette writing in a style firmly rooted in the Baroque, but the inclusion of ‘foreign’ material such as the tune from Poland and from North America show the innovative and truly creative side of the composer. Noëls were extremely popular in France, and many were intended for organ alone, though Corrette stipulates that his can be performed within an orchestral setting. He probably meant by this that the organ and a small string ensemble would be the ideal forces.


Tracklist:

00:00:00 Sinfonia I: Ã La Venue De Noël: Moderato
00:02:20 Sinfonia I: Le Roy Des Cieux vient De Naître: Andante
00:04:21 Sinfonia I: Voici Le Jour Solennel: Moderato
00:06:26 Sinfonia I: Adam Fut Un Pauvre Homme: Allegro
00:08:35 Sinfonia II: Où S'en Vont Ces Gais Bergers: Allegro
00:11:08 Sinfonia II: Noël Polonais: Largo
00:12:58 Sinfonia II: Laissez Paître Vos Bêtes: Allegro
00:16:08 Sinfonia III: Quand Je M'éilla Et Eus Assez Dormi: Moderato
00:18:20 Sinfonia III: Vous Qui Désirez Sans FIn: Andante
00:20:58 Sinfonia III: Noël Allemand: Largo
00:22:04 Sinfonia III: Noël De St. Cyr: Allegro
00:24:05 Sinfonia III: Cette Journée: Allegro
00:25:41 Sinfonia III: Puer Nobis Nascitur: Moderato
00:27:56 Sinfonia III: Chantons Je Vous Prie: Allegro
00:28:49 Sinfonia III: Joseph Est Un Bon Compagnon: Allegro
00:30:14 Sinfonia IV: Une Jeune Pucelle: Moderato
00:32:04 Sinfonia IV: (Je Me Suis Levé Par Un Matinet): Allegro
00:33:19 Sinfonia IV: Chrétien(s) Qui SuIVez L'église: Adagio
00:35:15 Sinfonia IV: Nous Sommes En Voie: Allegro
00:36:03 Sinfonia IV: Noel Allemand: Largo
00:37:46 Sinfonia IV: Noël Américain: Allegro
00:38:40 Sinfonia IV: Nouveau Noël Sur Un Ancien Air De M. Lully (Votre Bonté Grand Deiu: Allegro
00:40:54 Sinfonia V: Chantons Je Vous Prie Noël Hautement: Moderato
00:42:29 Sinfonia V: Bergers Allons Voir Dans Ce Lieu: Andante
00:43:34 Sinfonia V: Joseph Est Bien Marié: Allegro
00:44:50 Sinfonia V: Un Jour Dieu Se Résolut
00:45:28 Sinfonia V: Michau Qui Causoit Ce Grand Bruit: Allegro
00:46:09 Sinfonia V: Or, Nous Dites, Marie: Adagio
00:49:48 Sinfonia V: Chantons De VoIX Hautaine: vivace
00:51:55 Sinfonia V: Noël Suisse: Allegro
00:55:10 Sinfonia vi: Tous Les Bourgeois De Chartres: Allegro
00:57:20 Sinfonia vi: Quoy Ma Voisine Es-Tu Fâchée: Amorozo
00:59:42 Sinfonia vi: Noël De Saintonge; (Savez-Vous Mon Cher Voisin): Allegro
01:01:12 Sinfonia vi: Bon Joseph Ëcoutez-Moi

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#corrette #classical #composer #brilliantclassics #music #ClassicalMusic

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Composer: Antonio Vivaldi
Artists: Modo Antiquo, Federico Sardelli (conductor)

About this Album:
Recorded in 2002, this release contains a unique program of the complete overtures of all Vivaldi’s operas. As an opera composer, Vivaldi has long been neglected, but these works showcase his great dramatic genius.

Performances on period instruments by Modo Antiquo, conducted by Federico Maria Sardelli, one of the foremost specialists in this field, who has also recorded for full price labels such as Naïve and Deutsche Grammophon.

Tracklist:
00:00:00 La Fida Ninfa (Tempesta di mare): Allegro molto-presto
00:01:11 Arsilda: Allegro
00:03:00 Arsilda: Andante-allegro
00:06:18 Il Giustino: [allegro]
00:08:51 Il Giustino: [andante]-allegro
00:12:22 Bajazet: Allegro
00:14:42 Bajazet: Andante molto-allegro
00:18:41 L’Olimpiade: Allegro
00:20:53 L’Olimpiade: Andante-allegro
00:24:25 La Sena festeggiante: Sinfonia. Allegro
00:26:47 La Sena festeggiante: Sinfonia. Andante molto-allegro molto
00:30:57 La Sena festeggiante: Ouverture. Adagio - Presto- Adagio
00:33:38 La Sena festeggiante: Ouverture. Allegro molto
00:34:37 La Griselda: Allegro
00:36:35 La Griselda: Andante-allegro
00:40:36 Il Teuzzone: Allegro
00:42:28 Il Teuzzone: Andante-allegro
00:46:01 L’Ottone in villa: Allegro
00:48:47 L’Ottone in villa: Larghetto-[allegro]
00:50:38 Il Farnace: [allegro]
00:52:31 Il Farnace: Andante-[presto]
00:55:39 L’incoronazione di Dario: Allegro
00:58:00 L’incoronazione di Dario: [andante]-presto
01:00:44 Armida: Allegro
01:02:27 Armida: [andante]-allegro
01:05:32 La Dorilla: Allegro (3-rd movement)

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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The album contains the best classical music composed by Wolfgang Amadeus Mozart.

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00:00:00 Symphony No. 40 in G Minor, KV 550: Andante – Jaap ter Linden
00:09:53 Symphony No. 40 in G Minor, KV 550: Molto allegro – Jaap ter Linden
00:17:22 Symphony No. 40 in G Minor, KV 550: Menuetto – Jaap ter Linden
00:21:12 Symphony No. 40 in G Minor, KV 550: Allegro assai – Jaap ter Linden

00:28:15 Symphony No. 41 in C, KV 551 “Jupiter”: Allegro vivace – Jaap ter Linden
00:39:57 Symphony No. 41 in C, KV 551 “Jupiter”: Andante cantabile – Jaap ter Linden
00:50:12 Symphony No. 41 in C, KV 551 “Jupiter”: Menuetto – Jaap ter Linden
00:54:36 Symphony No. 41 in C, KV 551 “Jupiter”: Molto allegro – Jaap ter Linden

01:03:40 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Allegro – Derek Han, Paul Freeman
01:18:19 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Andante– Derek Han, Paul Freeman
01:25:08 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Allegro vivace assai– Derek Han, Paul Freeman

01:32:33 Piano Concerto No. 23 in A, KV 488: Allegro– Derek Han, Paul Freeman
01:43:21 Piano Concerto No. 23 in A, KV 488: Andante– Derek Han, Paul Freeman
01:49:36 Piano Concerto No. 23 in A, KV 488: Allegro– Derek Han, Paul Freeman

01:57:37 Requiem in D Minor, KV 626: Introitus, Requiem aeternam – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:02:22 Requiem in D Minor, KV 626: Kyrie eleison – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:05:07 Requiem in D Minor, KV 626: Dies Irae – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:07:05 Requiem in D Minor, KV 626: Tuba mirum – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:10:11 Requiem in D Minor, KV 626: Rex tremendae – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:12:20 Requiem in D Minor, KV 626: Recordare – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:16:44 Requiem in D Minor, KV 626: Confutatis – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:19:13 Requiem in D Minor, KV 626: Lacrimosa – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:22:17 Requiem in D Minor, KV 626: Domine Jesu – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:26:03 Requiem in D Minor, KV 626: Hostias – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:30:03 Requiem in D Minor, KV 626: Sanctus – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:31:43 Requiem in D Minor, KV 626: Benedictus – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:36:10 Requiem in D Minor, KV 626: Agnus Dei – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:40:13 Requiem in D Minor, KV 626: Lux aeterna b– Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer

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This release presents works of Chopin written in his Vienna period, and here they are played on exactly such an instrument, as is still preserved in the Italian Palazzo Contucci in Montepulciano.
The young Chopin, a child prodigy if ever there was one, soon found his surroundings in his native Warsaw too narrow, and visited the cultural capital Vienna during the years 1829-1831. Here he met the local piano manufacturer Conrad Graf and was seduced by his instruments, with their light action and delicate, pliant sound.

His triumphal concerts in Vienna were played on Graf’s pianos, and the young Fryderick was presented one as a gift by Graf himself.

Other information:
- The extensive booklet supplies historical background, pictures, illustrations and photos.
- Costantino Mastroprimiano has already recorded extensively for Brilliant Classics: the complete keyboard music of Clementi highly praised by international critics.

Picture : Sunset Vienna

Composer:
Frédéric Chopin

Artist:
Constantino Mastroprimiano fortepiano

00:00:00 Polonaise in A flat Major (dedicated to Zywny) (1821)
00:04:05 Rondo in C Minor op. 1 (1825)
00:13:22 Mazurka in G Major, (1825-26)
00:14:29 Mazurka in B flat Major, (1825-26)
00:16:00 Polonaise in B flat Minor (1826)
00:22:22 Rondo à la Mazur in F Major op. 5 (1826)
00:32:51 3 Polonaises op. 71 (1827-29) in d Minor
00:39:19 3 Polonaises op. 71 (1827-29) in F Minor
00:49:26 3 Polonaises op. 71 (1827-29) in B flat Major
00:56:26 Polonaise in G flat Major (1829)
01:04:44 Variations in A Major “Souvenir de Paganini” (1829)
01:08:38 “Casta DIVa” from V. Bellini’s “Norma” (transcription for P. viardot)

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For a collection of small nations at the northern fringe of Europe, Scandinavia produced in a relatively short space of time a remarkable quantity of great musicians – including from the late classical and early periods Berwald, Pacius and Crusell, to Gade, Svendsen ,Sinding and Grieg in the mid 19th, and of course Sibelius, Nielsen, Laangaard and Stenhammer at the end of the 19th who became major international composers in the first three decades of the 20th century.

Edvard Grieg (1843 - 1907) of course will always be remembered as the composer of the highly effective A minor piano concerto, and his incidental music to Ibsen’s play Peer Gynt. However, it is as a miniaturist that Greig’s true genius lies. Grieg was a very capable pianist, and had in fact made his early career as a concert pianist, and his songs and solo piano music form the heart of his output. The early piano sonata although interesting shows clearly why the less restricting forms of the miniatures for solo piano suited his genius. The Lyric Pieces and Peasant Dances display his keen ear for traditional folk music, matched probably only by Bartok and Kodaly.

The 66 works that comprise the 10 books of Lyric Pieces date from 1867 to 1901, and are extraordinary, exquisitely crafted works that can stand comparison to any of the great sonatas of his contemporaries. This set includes the complete Lyric Pieces, the Sonata, The Holberg Suite and the lesser-known piano works of this great composer who captured the very essence of his native Norway in music.

Composer: Edvard Hagerup Grieg
Artist : Håkon Austbö piano

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To relax. To disconnect from the tentacles of 24/7 technology. To truly unplug. It’s become more than a goal. It’s become a necessity. And, it’s become more difficult than ever to do, especially when we sleep. Essential to one’s complete physical, emotion and mental health, the deeper and more tranquil sleep, the better. The answer to those better nights lies with music.

Think of the baby and the lullaby; how the gentle sounds, almost instinctively, hypnotically induce a calming, soothing state ideal for sleeping. Slower rhythms with soft sonic edges, played at a consistent volume, encourage deep relaxation, blocking out distractions, and helping the body to quickly find and maintain its natural sleep rhythm. Music is the medicine.

Chronic sleep problems can be physically draining, and turn what should be hours of blissful escape into anxiety-ridden nightly recurrences. Set aside the daily grind and unwind with music designed specifically to promote soothing dream states, and provide more rejuvenation in the morning. Not to mention the proven benefits of lower heart rate and lower blood pressure, reduced insomnia, and increased energy the next day.

It’s time to fall asleep faster, wake-up less, and feel more rested in the morning. It’s time for Music For Sleep.

Composer: Antonio Vivaldi
Artists: Erik Bosgraaf (recorder & director), Ensemle Cordevento, Zefira Valova & Ivan Iliev (violin), Zdenka Prochazkova (viola), Linda Mantcheva (cello), Tomoki Sumiya (double bass), Alessandro Pianu (harpsichord & organ), Yavor Genov (chitarrone & baroque guitar)

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Vivaldi’s Four Seasons is one of the world’s most popular and widely recorded collections of music, a set that instantly became an international hit after it was first published at part of the composer’s Op.8 in 1725. No doubt it was its imitative directness – extra musical occurrences/phenomena evoked in an extremely suggestive manner and even written into the score, such as ‘the barking dog’ or ‘the drunkards’ sleep’ etc. – that caused such as sensation in its time, effortlessly bridging the gap between the salons of the highborn and the alehouses of the lowly. Today nothing has changed: the concertos are performed both by great violin virtuosos and famous hard rockers; they are works that are constantly being presented in new guises through the re-imagining and re-working of the musical score.

Such is the standpoint adopted on this recording by Erik Bosgraaf, who has chosen here to adapt the violin part for recorder, explaining how ‘the violin part can be played on the recorder with surprising ease, without many changes. In some ways it works even better than concertos Vivaldi wrote specifically for the recorder!’ Years ago Bosgraaf performed The Four Seasons with a symphony orchestra; for the present album, however, he wanted to approach his ideal as closely as possible using Cordevento, a small baroque ensemble he founded himself, knowing all the musicians through and through. Bosgraaf’s aim is to make the four legendary concertos sound as if they had been written for the recorder in the first place – and the results are laudable, with the contrasts between the wind instrument and the accompanying strings revealing previously unheard stratifications and details. As the soloist himself puts it, ‘Listen to Vivaldi with fresh ears and enjoy!’

Erik Bosgraaf is considered one of the most innovative and versatile recorder players of his generation. His concerts are happenings, and offer fascinating combinations of classical and experimental music. His importance for the emancipation of the recorder (still often considered a stuffy and even childish instrument) is enormous. Bosgraaf’s version of Vivaldi’s Four Seasons (of course originally for violin and orchestra) is not a mere transcription for another instrument, but a recreation of a work of startling originality and power: listen to the furioso rendering of the Summer Storm!

Tracklist:
00:00:00 Concerto No. 1 in E Major, RV. 269 “La primavera”: I. Allegro
00:03:14 Concerto No. 1 in E Major, RV. 269 “La primavera”: II. Largo
00:05:54 Concerto No. 1 in E Major, RV. 269 “La primavera”: III. Allegro. Danza pastorale
00:10:02 Concerto No. 2 in G Minor, RV. 315 “L’estate”: I. Allegro non molto
00:15:04 Concerto No. 2 in G Minor, RV. 315 “L’estate”: II. Adagio
00:17:24 Concerto No. 2 in G Minor, RV. 315 “L’estate”: III. Presto. Tempo impetuoso d’estate
00:20:20 Concerto No. 3 in F Major, RV. 293 “L’autunno”: I. Allegro
00:25:43 Concerto No. 3 in F Major, RV. 293 “L’autunno”: II. Adagio
00:28:14 Concerto No. 3 in F Major, RV. 293 “L’autunno”: III. Allegro. La caccia
00:31:23 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: I. Allegro non molto
00:34:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: II. Largo
00:36:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: III. Allegro

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Composer: Leo Brouwer, Maximo Diego Pujol
Artists: Elias Izhar (guitar )
Netherlands Chamber Orchestra
Matangi (Quartet)
Florian Magnus Maier (moog guitar)

About this Album:
Izhar Elias has produced several successful and imaginative albums for Brilliant Classics. None of them have confirmed to a ‘Spanish guitar’ stereotype but all have engaged in various original ways with the developing heritage of the instrument during the 19th century, from ‘Paisiello in Vienna’ (BC95301) to ‘Beethoven and the Guitar’ (BC94631) to Giuliani’s astonishing transcription of Rossini’s grand tragedy Semiramide (BC93902).

His latest recording brings the classical guitar up to date with works by composers from four different countries; within them may be heard influences from classical music, avant-garde, Caribbean music, Spanish folklore, flamenco, Arabic music, blues, Argentinean tango and even trip-hop and heavy metal: provocative testament to the world’s most versatile instrument. The Guernica Suite by Pujol (b.1959) focuses on different aspects of Picasso’s painting in six movements, with a tentatively positive conclusion.

The Triptych of Roberto Sierra (b.1953) evokes some nocturnal sounds from his native Puerto Rico, including the tropical tree frog as well as a night on the tiles. The three Danzas Concertantes pulse and glide with the rhythms of Leo Brouwer’s native Cuba, offset by some astringent harmonies that place the guitar’s usual role as purveyor of folkloristic colour under threat. Finally there is the Schattenspiel Suite by Florian Magnus Maier (b.1973), who also plays electric Moog guitar on this recording. Maier pursues a diverse career as a composer, guitarist and vocalist with bands including Alkaloid, Dark Fortress and Noneuclid; this tripartite suite inspired by shadows is his best-known work in the classical tradition, and for this recording he has made a new arrangement for two guitars and string quartet. There is something for everyone on this album: it’s essential listening for guitar-music enthusiasts who want to broaden their horizons.

For this exciting new recording Dutch guitarist Izhar Elias selected 4 works for guitar and strings to show the versatility of his instrument. In these works by Brouwer, Pujol , Sierra and Maier influences can be traced from classical music, Avant-Garde, Caribbean music, Spanish folklore, Flamenco, Arabic music, tango, blues and even trip-hop and heavy metal: fascinating!
Izhar Elias secured the collaboration of world-class musicians (composer Florian Magnus Maier plays the Moog electric guitar), each bringing a different musical background and an open mind.
In the booklet text each composer comments on his own work, a better introduction is hardly possible.

Tracklist:
00:00:00 Tres danzas concertantes: I. Allegro
00:03:37 Tres danzas concertantes: II. Andantino
00:08:55 Tres danzas concertantes: III. Toccata
00:14:02 Guernica suite: I. Mujeres
00:16:15 Guernica suite: II. El ave
00:19:29 Guernica suite: III. El guerrero
00:22:49 Guernica suite: IV. El caballo y el toro
00:26:35 Guernica suite: V. Mujer con niño muerto
00:28:35 Guernica suite: VI. Epílogo
00:33:17 Tríptico: I. Tranquilo
00:36:48 Tríptico: II. Rítmico
00:41:35 Tríptico: III. Fluido
00:45:30 Schattenspiel


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Bartok’s assessment of Zoltán Kodály’s music as “the most perfect embodiment of the Hungarian spirit” will strike a chord with those familiar with the suite from his opera Háry János, the Dances of Galanta or indeed the works for cello which moved the instrument on from the Romantic idiom of Brahms, and at the same time looked backwards to the dancing elegance of Bach’s solo Suites.

He had taught himself to play the cello to a reasonable standard (also the violin and viola) and while, as he freely admitted, not a natural virtuoso, he had a feeling for the instrument which is obvious in his writing. The Adagio was his first published work, dating from 1905 and originally written for violin and piano: still broadly Romantic in idiom, and unaffected as yet by his work in collecting folk songs from the countries of south-eastern Europe which would decisively influence his mature idiom.

Composer: Zoltán Kodály
Artist: István Várdai (cello)
Klara Würtz (piano)

00:00:00 Sonata for Cello in B Minor, Op. 8: I. Allegro maestoso ma appassionato
00:09:16 Sonata for Cello in B Minor, Op. 8: II. Adagio con gran espressione
00:20:46 Sonata for Cello in B Minor, Op. 8: III. Allegro molto vivace
00:32:26 Sonatina for Cello and Piano
00:41:12 Capriccio for Cello Solo
00:46:07 Adagio for Cello and Piano
00:53:55 Sonata, Op. 4: I. Fantasia
01:01:31 Sonata, Op. 4: II. Allegro con spirit

"It's freezing cold!"

Visit http://kiskeya.life For more videos and articles about the Kiskeya island, the Dominican Republic and Haiti!

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https://www.youtube.com/watch?v=xzvqxNNCMSA&list=PL79F2CCC45CB29260

------------------------------------------------

Credits:

Written, directed, edited and produced by Alec Corday
http://www.aleccorday.com

Executive Producer Lola Mendez
http://www.uhlola.com

Theme Music by SENNA

Aditional footage by
https://www.youtube.com/user/Toad22484
https://www.youtube.com/user/supermariobros3636

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- Los Patos River -

About half an hour out of Barahona you will find Paradise. It's a small township hugging a mountainous coastline that truly lives up to its name. And just a few minutes beyond that, you will find the locality of Los Patos -- The Ducks.

The reason there is a township at all is the river Los Patos, or Duck River. I came here to find out why it was called Duck River and what is so special about it.

There is several things about this river that stand out. First of all, the name. While ducks do exist on the island, they are not exactly the most common fowl. You will find the odd domesticated duck, but truly wild ducks are rare. About a hundred years ago, that was different. You could find ducks all over the place and particularly in this river. However, ducks have one big problem: they are delicious.

By the 1980s the ducks were virtually extinct in the Duck River. Only the name remained. When I visited the river in the mid-2000s on my motorcycle tour of the island... Oh yeah, I'm now shamelessly plugging my old motorcycle show Rubberside Down... There were no ducks at all in the river. Thus for many the name made no sense. A duck river without ducks? That's just crazy.

But on my recent trip... They were back! Since the river has become a local tourist attraction, the local tourism board decided to bring in a few ducks, so the river could live up to its name. They’re now kept, fed and nobody is allowed to hunt them.

And because they are now completely tame, they will take advantage of you.

Another thing that makes this river unique is its length. With just 61 meters -- depending on the tide -- it is the shortest river on the island and among the shortest rivers in the world.

Finally there is its temperature, something all of the rivers and creeks in this area seem to have in common. It is unexpectedly freezing cold. With the uncomfortable heat in the area the icy cold river is a welcome change, but it's still a shock... A welcome shock. Bathing in water that had just come out of the ground a few seconds ago is an amazing experience. I can't prove it, but i suspect the water, being natural spring water, has mineral qualities. But who knows. Still, I felt like a kid again bathing in that water. Of course, it could just have been the cold temperature.

And as you would expect, with so much water running through and out of these hills, the hills are perforated with caves and chasms, all of which remain largely unexplored. But that's a different story.

So, if you come here, it will have to be on your own as you will be hard-pressed to find tours available. There are very few hotels in the area, and tourism is scarce. There is a good hotel right next to the river, but other than that, there is very little concerning accommodations. Also make sure to come during the week, as on the weekends it gets very full here with local tourists. It would seem the area is an italian secret, as you will find a lot of italian tourists here, but only the adventurous kind. There is no large scale tourism infrastructure in place and for now Duck River with its ducks and natural spring water is an off-the-beaten-track secret.

And let's keep it that way.

"¿Porque los viejos de Samaná saben ingles?"

Freed Slave Emigrants to Samana
by Dr. Dana Minaya of the Samana College Research Center
https://www.youtube.com/watch?v=3oDgbDGxI4s

African Americans in Samana
by Nestor Montilla, Sr. (The Common Roots Project)
https://www.youtube.com/watch?v=8zXumAsq03Y

Samana History
by JorgeLuisAnderson
https://www.youtube.com/watch?v=HddZn8TMzv0

El coro al final The Plantation Singers
Swing Low, Sweet Chariot
https://www.youtube.com/watch?v=ljup8cIRzIk

Visite http://kiskeya.life para mas vídeos y artículos en Ingles y Español sobre Quisqueya!

¡Duda, investiga y aprende!

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------------------------------------------------

Créditos:

Escrito, dirigido y producido por Alec Corday
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Productor Ejecutivo Lola Mendez
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Composer & Artist:
Composer: Various
Artists: Flavio Apro (guitar)



About this Album:
On this varied and atmospheric album, accomplished guitarist Flávio Apro selects pieces from nine different composers, all representative of the evolution of classical Brazilian guitar music over the course of the late-19th and 20th centuries. What connects many of these luminaries is their ability to bring European dance forms into their musical world and then to mould them into something different by injecting elements of Brazilian musical tradition. Particularly striking examples of this are João Pernambuco, whose Sons de Carrilhões incorporates elements of European polka, yet embellished with rhythmic and harmonic repetitions that conjure up numerous surprises for the listener; and Egberto Gismonti, whose work fuses traditional Brazilian genres with elements of jazz, classical, world and contemporary music.

Meanwhile, other composers from this collection push the envelope of guitar composition in different ways. Leo Brouwer’s challenging, four-part Sonata del Caminante travels through waves of landscape-evoking intensity, via extremes of tempo, dynamics and scope; while Rafael Altro’s Homenagem is a true test of the performer’s dexterity and skill.

Tracklist:
00:00:00 Sons de Carrilhões (Arr. Apro)
00:04:02 Suite Antiga: ‘Aria’ (Arr. Apro)
00:08:24 Odeon (Arr. Apro)
00:11:20 Desvairada (Arr. Apro)
00:14:47 Modinha
00:19:03 Homenagem
00:22:58 Sonata del Caminante Vision de la Amazônia – El Gran Sertão – Danza Festiva – Toccata Nordestina
00:40:47 Esperança
00:44:33 A Santa Ceia Segundo Athayde
00:48:39 Dança das Cabeças (Arr. Apro)
 
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#FlavioApro #Guitar #Brazilian #Classical #BrilliantClassics #Music #Composer #ClassicalMusic

Best Goal Ever ,
Best Goal Ever Scored in a Final Match ,

Messi Solo Goal vs Athletic Club ,
Messi Solo Goal vs Athletic Bilbao ,

Best Goal in Football ,
Best Goal Ever ,

Messi Wonder Goal vs Athletic ,
Messi Goal vs Athletic in 2015 Copa Del Rey Final ,

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More about this programme: http://www.bbc.co.uk/programmes/b013gp4t Performing live in Edinburgh, The Boy flies a plane, and orchestrates an elaborate disco dance.

Sound waves in a tube of gas create flames of different heights that dance to the music. A metal tube with holes in it is filled with gas. The gas is lit to create a row of tiny flames. A speaker at one end plays sound into the tube, which creates a standing wave of sound: areas where air molecules are vibrating rapidly separated by areas where the air is fairly still. This produces the different heights of flames and allows the wavelength of the sound wave to be estimated.

To celebrate the announcement of the discovery of a particle consistent with the Higgs Boson at the LHC, I took to the streets with Vi Hart to give out free Higgs. Now giving out a subatomic particle, especially the Higgs, would have been incredibly difficult so instead we gave out hand-drawn cards of the Standard Model, our current best theory of all matter particles in the universe and their iteractions (now with Higgs!). We also offered a hug with an integer spin, usually 1 or 2 (and in rare cases 0). This is a way of showing others that you care about the Higgs Boson.