Tracklist below.

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Among the most revered virtuosos of all time, Nicolò Paganini was a true musical legend of his era, inspiring musicians such as Roberto Schumann to forge his own career as a pianist. Franz Schubert was also a regular audience member at Paganini’s concerts, despite the outlandish ticket prices.
Paganini often remarked that, despite his legendary status as a violinist, he found it rather difficult to compose for the instrument. This release brings together the Italian maestro’s two violin concertos: No.1, his first large work, was written around 1817 but published posthumously in 1851, and the second dates from 1826. Audiences were wowed at the premiere of No.1, thanks to its many extended passages of double-stopping and harmonics. Concerto No.2 in B minor is nicknamed ‘La campanella’, famous for its third-movement Rondo that employs a small bell at each reinstatement of the theme.

Kristóf Baráti is the soloist, performing the works on his much-loved ‘Lady Harmsworth’ Stradivarius violin. The release is a welcome addition to his ever-growing Brilliant Classics discography, of which Beethoven’s Complete Violin Sonatas (94310) garnered such reviews as ‘today’s reference recording’ (Frankfurte Allgemeine). Here he is joined by esteemed conductor Eiji Oue and the NDR Radiophilharmonie Hannover.
Composer:
Nicolò Paganini
Artist:
Kristóf Baráti violin
NDR Radiophilharmonie Hannover
Eiji Oue conductor

00:00:00 Violin Concerto No. 1 in D Major, Op. 6: I. Allegro maestoso (Cadenza by Émile Sauret)
00:20:23 Violin Concerto No. 1 in D Major, Op. 6: II. Adagio
00:25:20 Violin Concerto No. 1 in D Major, Op. 6: III. Rondo. Allegro spiritoso
00:35:20 Violin Concerto No. 2 in B Minor, Op. 7: I. Allegro maestoso (Cadenza by Kristóf Baráti)
00:49:48 Violin Concerto No. 2 in B Minor, Op. 7: II. Adagio
00:56:08 Violin Concerto No. 2 in B Minor, Op. 7: III. Rondo à la clochette "La campanella"

El Cardenal Newman ya es santo. San John Henry Newman fue inscrito en el libro de los santos en una multitudinaria Misa celebrada este domingo 13 de octubre en la Plaza de San Pedro del Vaticano presidida por el Papa Francisco en la que también se canonizó a Santa Giuseppina Vanni, Santa Mariam Thresia Chiramel Mankidiyan, Santa Dulce Lopes Pontes y a Santa Marguerite Bays.
Más información en: https://www.aciprensa.com/noti....cias/fiesta-en-el-ci

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Composers: Carl Philipp Emanuel Bach
Artists: Solamente Naturali, Didier Talpain (conductor), Marek Toporowski (conductor)

This release presents the 4 symphonies that Carl Philipp Emanuel Bach wrote during his stay in Hamburg. In these large-scale works the string section is extended with 2 flutes, 2 oboes, 2 horns and bassoon, instruments which are treated quasi solistically, so that one can almost speak of a Sinfonia Concertante.

The musical language is clearly “Sturm und Drang”, full of vehement dynamics and changes of sentiment, the fingerprint of this most famous son of Johann Sebastian.

Brilliant performances on period instruments by Solamente Naturali, an exciting group of early music players from Bratislava.

00:00:00 Symphony Wq183/1 (H663) in D Allegro di molto
00:05:35 Symphony Wq183/1 (H663) in D Largo
00:07:20 Symphony Wq183/1 (H663) in D Presto
00:10:10 Symphony Wq183/2 (H664) in E flat Allegro di molto
00:14:00 Symphony Wq183/2 (H664) in E flat Larghetto
00:15:28 Symphony Wq183/2 (H664) in E flat Presto
00:20:52 Symphony Wq183/2 (H664) in E flat Allegro assai
00:24:20 Harpsichord Concerto Wq43/4 (H474) in C Minor Poco adagio
00:26:30 Harpsichord Concerto Wq43/4 (H474) in C Minor Tempo di menuetto
00:29:16 Harpsichord Concerto Wq43/4 (H474) in C Minor Allegro assai
00:33:54 Symphony Wq183/3 (H665) in F Allegro di molto
00:38:54 Symphony Wq183/3 (H665) in F Larghetto
00:41:26 Symphony Wq183/3 (H665) in F Presto
00:44:14 Symphony Wq183/4 (H666) in G Allegro assai
00:47:12 Symphony Wq183/4 (H666) in G Poco andante
00:52:12 Symphony Wq183/4 (H666) in G Presto

Tracklist below.
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This an issue of series consisting of 14 3CD-sets with selected highlights taken from our Mozart complete edition, intented for those who prefer to buy more selectively.
This release contains the following works: K. 41, K. 271 “Jeunehomme”, K. 449, K. 456, K. 491, K. 537 “Coronation Concerto“ and K. 595.

00:00:00 Piano Concerto No. 18 in B-Flat Major, KV 456: Allegro vivace
00:12:36 Piano Concerto No. 18 in B-Flat Major, KV 456: Andante un poco sostenuto
00:22:12 Piano Concerto No. 18 in B-Flat Major, KV 456: Allegro vivace
00:30:21 Piano Concerto No. 26 in D Major, KV 537, “Coronation Concerto”: Allegro
00:44:51 Piano Concerto No. 26 in D Major, KV 537, “Coronation Concerto”: Larghetto
00:50:58 Piano Concerto No. 26 in D Major, KV 537, “Coronation Concerto”: Allegretto
01:01:52 Piano Concerto No. 14 in E-Flat Major, KV 449: Allegro vivace
01:10:45 Piano Concerto No. 14 in E-Flat Major, KV 449: Andantino
01:17:06 Piano Concerto No. 14 in E-Flat Major, KV 449: Allegro ma non troppo
01:23:24 Piano Concerto No. 4 in G Major, KV 41: Allegro
01:28:29 Piano Concerto No. 4 in G Major, KV 41: Andante
01:32:20 Piano Concerto No. 4 in G Major, KV 41: Molto allegro
01:36:10 Piano Concerto No. 27 in B-Flat Major, KV 595: Allegro
01:50:21 Piano Concerto No. 27 in B-Flat Major, KV 595: Larghetto
01:57:15 Piano Concerto No. 27 in B-Flat Major, KV 595: Rondo, alelgro
02:06:35 Piano Concerto E-Flat Major, KV 271, “Jeunehomme”: Allegro
02:16:49 Piano Concerto E-Flat Major, KV 271, “Jeunehomme”: Andantino
02:27:00 Piano Concerto E-Flat Major, KV 271, “Jeunehomme”: Rondeau. Presto
02:37:19 Piano Concerto in C Minor, KV 491: Allegro
02:50:50 Piano Concerto in C Minor, KV 491: Larghetto
02:58:30 Piano Concerto in C Minor, KV 491: Allegretto

Artist:
Derek Han (piano)
Philharmonia Orchestra
Paul Freeman (conductor)

El catecismo de la Iglesia católica contiene la fe esencial del Pueblo de Dios recogida de las Sagradas Escrituras y del Magisterio de la Iglesia

En entrevista a ACI Prensa, el Secretario General de la Conferencia Episcopal de Chile (CECh) y Obispo de Melipilla, Mons. Cristián Contreras Villarroel, se refirió al rol social del laico católico y afirmó que ciertamente “tiene que conocer la cultura que le toca vivir, no para adaptarse a esa cultura sino para impregnar esa cultura con los valores del Evangelio y con el anuncio de Jesucristo”.

Agregó que es importante lograr “una síntesis de fe y vida, una síntesis de la celebración litúrgica con el compromiso, con la vida moral y ética personal y también comunitaria”.

“No puede ser que nosotros separemos el aspecto, por ejemplo, de la vida cultual de lo que son mis negocios, mi vida familiar, de lo que es vivir los grandes valores humanos como por ejemplo la justicia, la honradez, la verdad, la veracidad, el trabajo por la justicia y la paz, etc.”, sostuvo.

El Secretario General de la CECh destacó la invitación del Papa Francisco “a ser una Iglesia en salida”, pero también animó a trabajar por ser “una Iglesia de la acogida, para que se produzca este encuentro de una Iglesia que sale a anunciar el Evangelio con aquellos que están saliendo de sus periferias existenciales, con tantas problemáticas que le aquejan y quieren en la Iglesia también un espacio de acogida”.

Defensa de la vida

Por otro lado, frente a la consulta respecto al protagonismo de los laicos en temas como la defensa de la vida, el obispo reiteró la postura de la Iglesia en contra del actual proyecto de despenalización del aborto en Chile y advirtió que “en todo esto hay motivaciones de orden económico, de grandes trasnacionales. Son estos neocolonialismos culturales que nos quieren imponer a los países del sur”.

“Estos no eran los temas prioritarios para el país, pero decir eso es muy impopular y eso puede restar votos”, agregó Mons. Contreras en relación a las distintas iniciativas legales que están contempladas en la agenda valórica del Gobierno de la Presidenta Bachelet y que atentan directamente contra la familia y la vida en Chile.

Frente a esto Mons. Contreras comentó que el 21 de noviembre de este año se realizará por segunda vez en Santiago de Chile la marcha “La Alegría de Ser Católico”, de la cual él es parte del equipo organizador, que movilizará a miles de católicos por la defensa de la vida desde su concepción hasta la muerte natural.

“Nosotros queremos jugarnos por el derecho del ser humano a nacer y también por los derechos de ese ser humano nacido, y eso implica acompañar a la persona en todo el trayecto de su existencia en esta vida”, señaló el Obispo.

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The year was 1778. Mozart (22 Years old) was in Paris, trying to break into musical society and get a well-payed placement.

It was first the first trip he had made without his father Leopold. But the places he visited weren't impressed by his skills now, even though they'd been whipped into a wild frenzy by Mozart when he was a 6 year old performing prodigy.

His entire Paris trip was catastrophic, personally and professionally. Aside from his mother dying during his stay there (she had accompanied him), French musicians and listeners were snobby and rude to Mozart. He deeply resented them for the rest of his life.

Worse still, his job search was futile. Nobody wanted to hire him!

But a fantastic opportunity presented itself at one point. Mozart was asked to write a symphony to open Paris's most famous concert series, with a fantastically large orchestra at his disposal.

Perfect - a chance to make a huge splash, and get himself noticed by Paris's elite!

He finished the piece, his 31st symphony, in June 1778. The premiere was at a private concert at an ambassador's house, and the public premiere followed a few days later.

Mozart had tried hard to fit his symphony into the mold of French tastes. The audiences in Paris at that time loved raw excitement and flashy colors in their music. Mozart delivered in spades, using his large orchestra to dazzle and delight.

The audience were very pleased with the symphony, even applauding in the middle of it at certain points!

Composer:
Wolfgang Amadeus Mozart

Artist:
Mozart Akademie Amsterdam
Jaap ter Linden (conductor)

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://VA.lnk.to/ChopinFavPiano
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Composer: Frédéric Chopin
Artists: Alwin Bär, Folke Nauta, Pieter van Winkel, Martijn van den Hoek, Paolo Giacometti (pianos)

A CD filled with short characteristic pieces by Frédéric Chopin. Played by several Dutch pianists, including International Franz Liszt Piano Competition winner Martijn van den Hoek and Alwin Bär.

00:00:00 Berceuse in D-Flat Major, Op. 57
00:05:06 Polonaise in A-Flat Major, Op. 53, “Heroic”
00:12:07 Nocturne in E-Flat Major, Op. 9 No. 2
00:16:22 Waltz in D-Flat Major, Op. 64 No. 1, “Minute Waltz”
00:18:06 Waltz in C-Sharp Minor, Op. 64 No. 2
00:21:45 Ballade No. 3 in A-Flat Major, Op. 47
00:29:06 Souvenir de Paganini
00:33:21 Fantasie-Impromptu in C-Sharp Minor, Op. 66
00:38:29 Etude in E Major, Op. 10 No. 3
00:42:30 Scherzo No. 2 in B-Flat Minor, Op. 31
00:52:19 Prelude in D-Flat Major, Op. 28 No. 15, “Raindrop”
00:57:32 Etude in C Minor, Op. 10 No. 12, “Revolutionary”
01:00:16 Nocturne in B-Flat Minor, Op. 9 No. 1
01:05:41 Barcarolle in F-Sharp Major, Op. 60

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Giovanni Benedetto Platti is no household name, but in his day he was lauded as an exceptionally fine singer, oboist and composer, leaving his native country Italy in 1722 to take up a position at the court of Würzburg, Germany, where he served Prince-Bishop Johann Philipp Franz von Schönborn until the nobleman's sudden death from a heart attack in 1724.

The concertos featured in this compendium can be traced as far back as this latter year, for from 1724 onwards Platti had both the time and the inclination to devote himself to the Bishop's music-loving brother, Count Rudolf Franz Erwein. A passionate cellist, Erwein is surely the dedicatee behind the three Concerti con Violoncello obligato, works whose fast movements exhibit a characteristically nimble style and whose slow movements abound with expressive harmony. We also know that Platti prepared musical material on a regular basis for the Count, and his handwriting can indeed be found in the adaptation of Corelli's Op.5 Violin Sonatas, which had no doubt caught Erwein's attention when they were first published in Rome in 1700. Here Corelli's violin part is shared between two Concertino instruments, and the alternation of larger and smaller forces – a characteristic trait of the Concerto grosso – helps accentuate the various reprises of the musical theme.

Dedicated to all matters Baroque and Classical, Ensemble Cordia – which uses period instruments to combine 'authentic sound' with youthful, fresh performances – is at the helm to perform these little-known but highly elegant works. The group has recorded widely for Brilliant Classics – its 2011 recording of Platti's Oboe Concertos (94007) earned the following review from Fanfare: "seldom have I heard Baroque instrumental playing so heartfelt and impassioned". The soloist for the cello concertos is Stefano Veggetti, whose assured playing can only serve to deepen our appreciation for a composer whose music is at last being fitfully rediscovered.

00:00:00 Concerto in A Major, D-WD 654: I. Allegro
00:04:58 Concerto in A Major, D-WD 654: II. Largo e cantabile
00:10:16 Concerto in A Major, D-WD 654: III. Presto
00:13:59 Concerto grosso in D Major, D-WD 538, After Sonata Op. 5 No. 1 by Corelli: I. Grave – Allegro – Adagio – Grave – Allegro – Adagio
00:17:10 Concerto grosso in D Major, D-WD 538, After Sonata Op. 5 No. 1 by Corelli: II. Allegro
00:19:33 Concerto grosso in D Major, D-WD 538, After Sonata Op. 5 No. 1 by Corelli: III. Allegro
00:20:37 Concerto grosso in D Major, D-WD 538, After Sonata Op. 5 No. 1 by Corelli: IV. Adagio
00:23:29 Concerto grosso in D Major, D-WD 538, After Sonata Op. 5 No. 1 by Corelli: V. Allegro
00:25:07 Concerto in D Minor, D-WD 657: I. Non tanto allegro
00:30:03 Concerto in D Minor, D-WD 657: II. Adagio
00:34:30 Concerto in D Minor, D-WD 657: III. Alla breve: Fuga
00:39:17 Concerto grosso in C Major, D-WD 539, After Sonata Op. 5 No. 3 by Corelli: I. Adagio
00:41:54 Concerto grosso in C Major, D-WD 539, After Sonata Op. 5 No. 3 by Corelli: II. Allegro
00:43:50 Concerto grosso in C Major, D-WD 539, After Sonata Op. 5 No. 3 by Corelli: III. Adagio
00:47:04 Concerto grosso in C Major, D-WD 539, After Sonata Op. 5 No. 3 by Corelli: IV. Allegro
00:48:07 Concerto grosso in C Major, D-WD 539, After Sonata Op. 5 No. 3 by Corelli: V. Allegro
00:50:35 Concerto in D Major, D-WD 650: I. Allegro
00:54:40 Concerto in D Major, D-WD 650: II. Adagio
00:58:11 Concerto in D Major, D-WD 650: III. Allegro

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Componist: Luigi Boccherini
Artist: Luigi Puxeddu

A much-underrated composer, Luigi Boccherini (1743-1805) was one of the leading composers of the late 18th century, a friend and colleague of both Haydn and Mozart, and a formidable cello virtuoso. His reputation was such that he was nicknamed ‘Mrs Haydn’ – not in a pejorative sense, the appellation was due to his music sounding Haydnesque, but with a sensual, feminine grace rather than the Sturm und Drang of his Austrian friend’s music.

Boccherini’s prodigious talent as a cellist is apparent in the virtuosic cello sonatas, which call for an array of dazzling instrumental techniques. Cellist Luigi Puxeddu has recorded all of these sonatas, featured on this set.

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Retomó la catequesis sobre la familia en la primera audiencia general del 2015.

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Descubre La Bella Durmiente, la historia de la princesa Aurora, una joven dulce y con una maravillosa una voz, que ha permanecido escondida en el bosque junto a sus hadas madrinas para ser protegida de la maldición de Maléfica. Cuando le cuentan la verdad y debe regresar con sus padres a su castillo, la despiadada profecía se concreta y gracias a un atenuante sólo cae en un sueño profundo. Con la ayuda de Flora, Fauna, Primavera y el Príncipe Felipe, Aurora supera el maleficio y su vida cambia para siempre.

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¿Cómo debemos los cristianos ver a la muerte, es el final o en realidad es el inicio de la vida eterna?

En diálogo con ACI Prensa, el P. Carlos Rosell, doctor en Sagrada Teología por la Universidad de Navarra, dio algunas claves que los católicos deben tener en cuenta para comprender el dogma del Purgatorio.

Descubre Enredados, la historia de Rapunzel, una joven curiosa, enérgica y creativa, con 21 metros de cabello mágico. Escondida toda su vida en una torre, sueña con ver de cerca las luces del reino que ve desde su ventana en cada cumpleaños. Cuando Flynn Rider aparece, Rapunzel ve en él una oportunidad para cumplir su sueño. Con determinación, valentía y la ayuda de inesperados amigos, se embarca en una gran aventura y en el camino tendrá que descubrirse a sí misma y su verdadera identidad.
#SoyPrincesaSiendoYo
#DescubriendoEnredados

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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Como última actividad de su viaje a Ecuador, el Papa Francisco visitó el Santuario de Nuestra Señora de la Presentación del Quinche, patrona del país, donde dejó de lado el discurso oficial e improvisó un mensaje para exhortar a consagrados y sacerdotes a no caer en el “Alzheimer espiritual” y recordarles que la vocación es un servicio que se ejerce siempre de manera gratuita.
Más información en: https://www.aciprensa.com/noticias/papa-francisco-dio-en-ecuador-estos-ocho-consejos-para-sacerdotes-y-consagrados-94248/o=U&video_id=fkOfIO9WOdk

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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