Here's how I edit my sound in Adobe Audition. I also show you two videos submitted to my Konova Gear Contest. Funny stuff!

Rode NTG-3: http://tinyurl.com/lsnvvgs
Rode NTG-2: http://tinyurl.com/ku5ydgt
Zoom H4n: http://tinyurl.com/nz7au7b

REACH THE BASIC FILMMAKER:
Email: thebasicfilmmaker@gmail.com
Blog: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answering any question you ask about filming.

GEAR USED.
Canon DSLRs and lenses. Rode mics and Zoom recorders. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
Music licensed from Footage Firm. All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

BUY STUFF HERE: If you use these links it throws a few pennies my way and helps me, and costs you absolutely nothing. I know you're a filmmaker, so you buy stuff. We all do! :)

AMAZON YOURSELF HERE:
http://tinyurl.com/ntxn4y8

ADORAMA GEAR HERE:
http://adorama.evyy.net/c/72663/37879/1036

TRAINING HERE:
7 DAYS UNLIMITED FREE ACCESS:
Lynda.com training: http://tinyurl.com/l32tfwz

RENT GEAR HERE:
Borrow Lenses: http://www.borrowlenses.com/?blpid=bfmborrowlenses

GET FOOTAGE AND SOUND HERE:
http://videoblocks.evyy.net/c/69880/72779/1928

GET 50% OFF VIMEO
Vimeo: http://www.jdoqocy.com/click-7168208-11319345

GET GRAPHICS HERE:
http://GraphicStock.evyy.net/c/69880/91712/2238

THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing.

#sound #audition #adobe #konova #contest #basicfilmmaker #filmmaking #videos

Always wanted to do a "Top (insert number) Beginning Filmmaking Mistakes" video of my own. I finally settled on one. No, I mean one, as is 1.

LINKS MENTIONED:
D4Darious - Top 15 Mistakes Beginner Filmmakers Make: https://youtu.be/t1myw_0W5E8
Simon Cade - 5 Filmmaking Mistakes to Avoid: https://youtu.be/PMEdvqw9WME

MORE MISTAKE VIDEOS:
Tom Antos - Top 10 Mistakes Beginner Filmmakers Make: https://youtu.be/Q9254w8H3So
iam Your Ex - Top 5 Filmmaking Mistakes Beginner Filmmaker Makes: https://youtu.be/IDF1AZlk18o
Film Riot: Film Continuity & Movie Mistakes!: https://youtu.be/_3vQQ3ntVY4
Film Courage: Foolish Mistakes I've Seen Other Filmmakers Make by Paul Osborne: https://youtu.be/k8rGc2mPdW8

SOCIAL:
Email: thebasicfilmmaker@gmail.com
YouTube: http://www.youtube.com/thebasicfilmmaker
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
Instagram: http://www.instagram.com/basicfilmmaker
Website: http://www.thebasicfilmmaker.com
Vimeo: https://vimeo.com/channels/thebasicfilmmaker

BUY STUFF: Throws me few pennies and costs you nothing.

AMAZON: http://bit.ly/AmazonYourself
B&H: http://bit.ly/BandHPhotoMain
ADORAMA: http://bit.ly/AdoramaGear
TRAINING: http://bit.ly/LyndaDotComTraining
RENTING: http://bit.ly/BorrowLensesRentals
FOOTAGE: http://bit.ly/VideoBlocksSubscription
VIMEO: http://bit.ly/VimeoPlusSubscrption
GRAPHICS: http://bit.ly/GraphicStockSubscription

Famebit: https://famebit.com/u/BasicFilmmaker

ETHICS: I am not paid for product reviews.
CREATED: Using Canon, Rode, and Adobe products.
LEGAL: All music, footage and graphics are created or licensed. #basicfilmmaker #filmmaking #videos

I review the Glide Gear Geranos 3-Axis full 360 degree stabilizer and horn system. I found this system to be easy to use and extremely reliable. Time markers are in the video description, as this is a rather long video. #geranos #stabilizer #glidegear #share

Geranos Amazon: https://amzn.to/2JNQXOL
Geranos B&H: https://bhpho.to/2HzvHvB

RetiCam Mount: https://amzn.to/2EM3sH0


TIME MARKERS:
Intro: 0:11
Quick Start 1:23
The Real Beginning: 2:24
Tech Specs: 3:45
Parts and Gizmos: 5:37
Rant Guy: Cases and Bags: 5:51
Geranos Parts: 6:29
Horn Parts: 8:09
Assembling the Geranos: 9:28
Balancing the Geranos: 9:58
Typical Camera: 10:16
Balancing Typical Camera: 11:36
Balancing Step By Step: 12:27
Balancing Tips: 14:47
Balancing Heavy Lens: 16:17
Balancing Phone: 18:24
Overloading: 18:02
Balancing Overload: 18:28
Operating the Geranos: 20:48
Remote Control: 23:52
Geranos - Test Shots: 25:17
Test Shots Conclusion: 28:22
Geranos Shooting Tips: 29:55
Tip - Walking: 30:05
Tip - Aperture: 30:30
Tip - Focus: 30:49
The Horn: 31:04
Tripods, Sliders, Jibs 31:52
Tripod: 32:08
Monopod: 32:22
Slider: 32:42
Jib: 32:54
Other Mountings: 33:10
Conclusions: 33:19
Rant Guy - Planes: 33:51

SUBSCRIBING HELPS:
http://bit.ly/SubscribeToBasicFilmmaker

SOCIAL:
Email: thebasicfilmmaker@gmail.com
Email: bfm@basicfilmmakeruniversity.com
http://bit.ly/BFUniversityEnrollment
http://bit.ly/BasicFilmmakerFacebook
http://bit.ly/BasicFilmmakerTwitter
http://bit.ly/BasicFilmmakerInstagram
http://bit.ly/BasicFilmmakerPinterest
http://bit.ly/BasicFilmmakerYouTube
http://bit.ly/BasicFilmmakerVimeo
http://bit.ly/BasicFilmmakerWebsite
http://bit.ly/BasicFilmmakerSwag

ETHICS: I am not paid for product reviews unless noted.
GEAR: Canon, Rode, Zoom, Glide Gear and Adobe.
LEGAL: All music, footage and graphics are created or licensed.

Music from PremiumBeat.com licensed here: http://bit.ly/PremiumBeatMusic #basicfilmmaker #filmmaking #videos

I get this question a lot: "How do your do those card things in your videos?" I call them "flippy cards." Here's how to do it in Premier Pro, but you can figure out how to do it in any video editor. Oh yeah, at the end, you'll learn about your finger.

LINKS MENTIONED:
The SD Card Shown: http://bit.ly/SDCardFastAmazon

SOCIAL:
Email: thebasicfilmmaker@gmail.com
Website: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
Instagram: http://www.instagram.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker

CREATED: Using Canon, Rode, and Adobe products.
LEGAL: All music, footage and graphics are created or licensed. #basicfilmmaker #filmmaking #videos

You asked how I render my videos? OK. Here ya go! These should also apply to any other editor you may be using. I also have my priorities straight - MEAT!

Want to spend $800 or more on a tiny SD Card? Here's a 500GB SD card from Sansdisk. Hate to lose this sucker/ :)

http://www.sandisk.com/product....s/memory-cards/sd/ex

REACH THE BASIC FILMMAKER:
Email: thebasicfilmmaker@gmail.com
Blog: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answer any question you ask about filming.

ETHICS STATEMENT (these seem to be all the rage, so here's mine):
Any product I review is because I want to, because I like it, because I think it would be useful to someone, and is something I would use and buy. I am not paid by anyone for doing product reviews. In other words, no one owns me, and I cannot be bought.

GEAR USED.
Canon DSLRs and lenses. Rode mics and Zoom recorders. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
Some music licensed from Footage Firm. All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

BUY STUFF HERE: If you use these links it throws a few pennies my way, and costs you absolutely nothing. I know you're a filmmaker, so you buy stuff. We all do! :)

AMAZON YOURSELF HERE:
http://tinyurl.com/ntxn4y8

ADORAMA GEAR HERE:
http://adorama.evyy.net/c/72663/37879/1036

TRAINING HERE:
7 DAYS UNLIMITED FREE ACCESS:
Lynda.com training: http://tinyurl.com/l32tfwz

RENT GEAR HERE:
Borrow Lenses: http://www.borrowlenses.com/?blpid=bfmborrowlenses

GET FOOTAGE AND SOUND HERE:
http://videoblocks.evyy.net/c/69880/72779/1928

GET 50% OFF VIMEO
Vimeo: http://www.jdoqocy.com/click-7168208-11319345

GET GRAPHICS HERE:
http://GraphicStock.evyy.net/c/69880/91712/2238

THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing.

#keyword #keyword #keyword #keyword #basicfilmmaker #filmmaking #videos

In this episode, I cover a basic skill that YOU CAN DEVELOP, which will dramatically improve your films and videos. And I accidentally do a hand puppet rap thing...or maybe not.

THIS MAKES THE WORLD A BETTER PLACE:
Please like, comment and subscribe: http://tinyurl.com/78tf9qk

REACH THE BASIC FILMMAKER:
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
Email: thebasicfilmmaker@gmail.com
Home: http://www.thebasicfilmmaker.com
Blog 2: http://www.thebasicfilmmaker.wordpress.com
Vimeo: http://www.vimeo.com/thebasicfilmmaker

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answering any question you ask about filming.

GEAR USED.
Canon DSLR and 28mm lens. Rode lapel mic and Zoom H1 recorder. Edited in Premier Pro CS 6.

MUSIC, FOOTAGE AND GRAPHICS.
All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

THANKS.
To My YouTube Favs...
Video Copilot, Andrew Kramer, FreddieW, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing, and, to YouTube and Vimeo for giving filmmakers a home.

Here's some gear you can check out. It's linked to my Amazon account, throws a few pennies my way, and costs you nothing. :)

CAMERAS:
Canon 550D (T2i): http://tinyurl.com/breu6bj
Canon 600D (T3i): http://tinyurl.com/c4uzyoh
Canon 650D (T4i): http://tinyurl.com/7x469u6
Canon 5D Mark II: http://tinyurl.com/8kvmxny
Canon 5D Mark III: http://tinyurl.com/9qxeajr
Canon Canon XF300 Camcorder: http://tinyurl.com/92zardq

Tripod: http://tinyurl.com/95wm3zg

STORAGE:
SanDisk Extreme 45MB/s 16GB SDHC Card: http://tinyurl.com/7wd2p5a
3 TB USB Drive: http://tinyurl.com/9xl4gk3

LENSES:
50mm Lens ("the nifty fifty"): http://tinyurl.com/7c7wsaa
28mm Lens ("the great 28"): http://tinyurl.com/6mdcfj7
40mm Lens ("pancake"): http://tinyurl.com/9k6grha
Zoom Lens: (28mm - 135mm): http://tinyurl.com/7gjt4lu
28MM/T2.1 Compact Prime CP.2 Cine Lens: http://tinyurl.com/9w2lbm8

FLUID HEADS:
Manfrotto 701HDV Pro Fluid Video Mini Head: http://tinyurl.com/95uf5bu
Manfrotto 501HDV Video Head: http://tinyurl.com/8osn6vh
Manfrotto 504HD Video Head: http://tinyurl.com/8veyxle

QUICK CONNECT CONNECTOR:
Manfrotto 577 Rapid Connect Adapter: http://tinyurl.com/8jrc26v

SHOULDER RIG:
Cinema ready Shoulder Stabilizer: http://tinyurl.com/92v6obm

SOUND:
Zoom H1: http://tinyurl.com/7mu5tb2
Zoom H4n: http://tinyurl.com/8wnefkp
Audio Technica ATR-3350 Lapel Mic (Cheap!): http://tinyurl.com/8wrtg3z
Rode Lapel Mic (Not Cheap!): http://tinyurl.com/8zt9xu7
Rode MiCon-2 Connector (3.5mm Stereo): http://tinyurl.com/ctk8q9d
Rode Micon Extension Cable: http://tinyurl.com/9cs77pt
Shure SM-58: http://tinyurl.com/86neg7k
JuicedLink (minijack - cheaper): http://tinyurl.com/7u679s7
Hosa Line Match Transformer: http://tinyurl.com/8zdc24g

HDMI MONITOR
Lilliput 7-inch: http://tinyurl.com/8eh57j3

SLIDER:
Konova Slider: http://tinyurl.com/976lgpl

GREEN/BLUE SCREENS:
Portable: http://tinyurl.com/9c9lbud
Full Studio Set With Lights: http://tinyurl.com/9bftnqo

LIGHTS:
Camera Top Mounted LED: http://tinyurl.com/9kcx9e9

CLAMPS:
Pedro Clamps: http://tinyurl.com/8wsjwf3
Mini Spring Clamps: http://tinyurl.com/9mkk6df

WHITE BALANCE:
White Balance Filter: http://tinyurl.com/7e4k3rr #basicfilmmaker #filmmaking #videos

Researching the last bits of my "How To Create A Successful YouTube Channel" university course, I finally found a way to make YouTube and social media titles NOT based on opinion, but on facts. Check it out!

LINKS MENTIONED:
Headline Analyzer: http://coschedule.com/headline-analyzer
Take A Free Course: http://www.basicfilmmakeruniversity.com

SOCIAL:
Email: thebasicfilmmaker@gmail.com
University: http://www.basicfilmmakeruniversity.com
Website: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/theBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
Instagram: http://www.instagram.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker
http://bit.ly/basicfilmmakerswag

BUY HERE TO SUPPORT THE CHANNEL (costs you nothing):
http://bit.ly/AmazonYourself
http://bit.ly/BandHPhotoMain

ETHICS: I am not paid for product reviews unless noted.
GEAR: Using Canon, Rode, Zoom, and Adobe products.
LEGAL: All music, footage and graphics are created or licensed.

Music from PremiumBeat.com licensed here: http://bit.ly/PremiumBeatMusic #basicfilmmaker #filmmaking #videos

I wanted to make a point, which is, using an iPhone, you can shoot your YouTube videos and they can look good. So the iPhone is a little soft? Yeah! Compared to a $3000 camera!!! No excuses - Go make something! Links in the description. ▼

GEAR:
▶ https://kit.com/BasicFilmmaker

TRAINING:
▶ http://bit.ly/BFUniversityEnrollment

DONATIONS:
▶ http://bit.ly/DonationsWelcome

MUSIC:
▶ http://bit.ly/PremiumBeatMusic

PLEASE SHARE:
▶ http://bit.ly/SubscribeToBasicFilmmaker

SOCIAL:
▶ http://bit.ly/BasicFilmmakerFacebook
▶ http://bit.ly/BasicFilmmakerTwitter
▶ http://bit.ly/BasicFilmmakerYouTube
▶ http://bit.ly/BasicFilmmakerWebsite #basicfilmmaker #filmmaking #videos

[Asked which of my videos I like best - it's this one from 2012 - reissuing it in 2019 for those interested.] Most professions subscribe to a set of basic principles. I wanted one for filmmakers and video creators so I created The Code of a Filmmaker. http://bit.ly/SubscribeToBasicFilmmaker

#basicfilmmaker #filmmaking #code

I've been asked so many times which video I've created over the years is my favorite. So I went through the 300+ videos on the channel, and I have to say, It's this one from almost 7 years ago. I hope you enjoy watching it as much as I do.

THE CODE OF A FILMMAKER
-----------------------------------------------
1. I PROMISE TO CREATE THE BEST WORKS I CAN, USING THE TIME, KNOWLEDGE AND TOOLS I HAVE AVAILABLE AND COMPLETE THOSE WORKS TO THE BEST OF MY ABILITY.

2. I PROMISE TO NOT EXPLAIN OR MAKE EXCUSES FOR MY WORK BUT TO IMPROVE MY COMPETENCE BY LEARNING AND PRACTICING MY CRAFT.

3. I PROMISE TO HELP OTHERS WHEN I CAN WITH THOSE THINGS I KNOW AND TO NOT PRETEND I KNOW SOMETHING WHEN I DON'T.

4. I PROMISE TO NOT MAKE LESS OF MY OWN OR ANOTHER'S WORK AND TO NOT DAMAGE ANOTHER FILMMAKER'S REPUTATION OR STATUS.

5. I PROMISE TO GIVE ADVICE TO THOSE WHO ASK FOR IT AND TO KEEP MY ADVICE CONSTRUCTIVE AND HELPFUL.

6. I PROMISE TO IGNORE AND NOT ENGAGE THOSE WHO ARE SUPER-CRITICAL AND IRRATIONAL.

7. I PROMISE TO NOT CONDONE THE THEFT OF ANOTHER'S WORK, AND WILL LEGALLY OBTAIN, LICENSE AND CREDIT ANOTHER'S WORK AS REQUIRED.

8. I PROMISE TO GET THE PROPER RELEASES AND PERMISSIONS I NEED FOR MY WORK AS REQUIRED.

9. I PROMISE TO TREAT THOSE AROUND ME WITH RESPECT, COURTESY, AND UNDERSTANDING, AND TO HELP THEM UNDERSTAND THE FILM MAKING PROCESS AND ITS TERMINOLOGY.

10. I PROMISE TO NOT PERMIT UNAUTHORIZED PHOTOS, SHOTS, SOUND RECORDINGS, OR INFORMATION GIVEN TO ME IN CONFIDENCE, TO BE PASSED ON TO ANYONE FOR ANY REASON.

11. I PROMISE TO NOT CONDONE ANY TYPE OF DISCRIMINATION OF ANY FILMMAKER BECAUSE OF RACE, COLOR, RELIGION, CREED, AGE, SEX, OR NATIONAL ORIGIN.

12. I PROMISE TO RECOGNIZE AND SUPPORT FILMMAKERS, KNOWING THEIR TRUE INTENTIONS ARE TO HAVE THEIR IDEAS BROUGHT INTO BEING, SHARED AND ENJOYED BY OTHERS.

---------------------------------------------
LINKS TO GEAR AND TOOLS
I USE AND RECOMMEND:
---------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Tripod:
https://amzn.to/2ISCeFJ

Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb

Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1

85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY

24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU

Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75

Deity S-Mic 2:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf

Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB

SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY

SD Card:
https://amzn.to/2CZVv4n
https://bhpho.to/2Pk7q30

Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr

Sound Blankets:
https://amzn.to/2R9Y7Qa

Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

Light Stands:
https://amzn.to/2yuk9GH

Wall Mounting Brackets:
https://amzn.to/2CYpzxz

C-Stand:
https://amzn.to/2D0WWzv

Fake Brick Tapestry:
https://amzn.to/2RcrzoZ

Backdrop Mounting Unit:
https://amzn.to/2CYFQlS

Adobe Premiere Pro:
http://bit.ly/AdobeCCFull

Blackout Window Shades:
https://amzn.to/2PV8w2h

Clicker for Lights:
https://amzn.to/2R5tNpU

Gaffer Tape:
https://amzn.to/2JbMQMJ

Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker

----------------------------------------------
Free and Paid Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

----------------------------------------------
Credits
----------------------------------------------
MUSIC AND GRAPHICS
All music and graphics are created or licensed by me. The music "Rush Hour" and "Penance" are available from http://www.footagefirm.com.

----------------------------------------------
Connect with me here:
----------------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY

----------------------------------------------
Copyright (c) 2012, 2019 Basic Filmmaker. All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs!

Online Purchase/Streaming (Spotify, Itunes store, Google Play, Deezer, Apple Play, Tidal, Amazon): https://brilliant-classics.lnk.to/Spiegelimspiegel


These days Estonian composer Arvo Pärt is mainly associated with his later works. Born in 1935 he wrote ‘avant-garde’ works at first. In the nineteen seventies he increasingly found his inspiration in medieval religious music, both western and eastern European. This first transpired in his Für Alina for piano. It already has the telling low tempo and (two) layers. Pärt further extended his so-called tintinnabuli (i.e. bells) style in small-scale pieces like the different versions of Spiegel im Spiegel and Variationen zur Gesundung von Arinuschka. Although this last piece has ‘classical’ features as well.

00:00:00 Spiegel im Spiegel, for violin & piano
00:10:22 Variationen zur Gesundung von Arinuschka, for piano solo
00:15:58 Für Alina, for piano solo
00:19:29 Spiegel im Spiegel, for viola & piano
00:29:34 Mozart-Adagio, for violin, cello & piano
00:37:20 Spiegel im Spiegel, for cello & piano

Artist:
Benjamin Hudson (viola)
Sebastian Klinger (cello)
Jürgen Kruse (piano)

Arvo Pärt: Variationen zur Gesundung von Arinuschka.

Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.....to/SchubertPianoTri
Facebook page: https://www.facebook.com/brilliantclassics/

Schubert’s two piano trios were composed late in his short life (his only trio prior to these is the short B flat trio movement D28 of 1812), probably in late 1827 and the summer of 1828, the year of his death. They are vast works, worthy of Schumann’s comment on Schubert’s Ninth Symphony of being of ‘heavenly length’.

Although structured along similar lines to Beethoven’s piano trios, Schubert’s trios inhabit a different world to the older composer’s ‘Ghost’ or ‘Archduke’ works. Beethoven revelled in drama and complex and ingenious textures. Schubert concentrates instead on beautiful tunes, and eloquent dialogues between the three players. The music of the Austrian countryside permeates these works, and although they date from Schubert’s last months, they contain little of the world weariness and desolation of Winterreisse, the late sonatas or the proto-Mahlerian slow movement of the Tenth Symphony D936a.
00:00:00 Piano Trio No.1 in B flat D898: I. Allegro moderato
00:14:29 Piano Trio No.1 in B flat D898: II. Andante, un poco mosso
00:23:05 Piano Trio No.1 in B flat D898: III. Scherzo – Trio – Allegro
00:29:47 Piano Trio No.1 in B flat D898: IV Rondo – Allegro vivace – Presto
00:38:37 Piano Trio No.1 in B flat D898: Notturno in E flat D897
00:48:50 Piano Trio No.2 in E flat D929: I. Allegro
01:00:23 Piano Trio No.2 in E flat D929: II. Andante con moto
01:09:31 Piano Trio No.2 in E flat D929: III. Scherzando: Allegro moderato
01:16:39 Piano Trio No.2 in E flat D929: IV. Allegro moderato

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Composer & Artist:
Composer: Miguel Llobet
Artist: Giulio Tampalini (guitar)

About this Album:
This new recording presents the complete guitar works of Llobet, who himself was a virtuoso on his instrument, as shown in the complex and innovative writing. Barcelona-born Miguel Llobet once played for the Spanish royal family in the early 20th century. Credited with beginning the notion of a touring classical guitarist, Llobet travelled throughout Europe and beyond, briefly settling in both Paris and Buenos Aires. He later returned to Barcelona, unable to distance himself from his birthplace despite the grip of the civil war in which the city found itself.

This collection brings together Llobet’s complete works for guitar, beginning with Leonesa and his popular arrangements of 13 Catalan folk songs. These arrangements, each of a varying character, wring a different emotion from the guitar, from the sprightly L’Hereu Riera and lilting El Noi de la Mare to the flourishes of Cançó de Lladre and the mournful El Testament d’Amelia. The Variations on a Theme of Sor, based on Fernando Sor’s B minor study, contrast a haunting melody with complex articulation. Also featured on the disc are Llobet’s 5 Preludes, the Argentinian Folk Songs, Etudes, the witty and bright Scherzo-Waltz, and the composer’s debut composition Romance, among others.

Tracklist:
00:00:00 Leonesa
00:01:54 Popular Catalan Songs: Cançó de Lladre
00:09:14 Popular Catalan Songs: El Testament d’Amelia
00:10:51 Popular Catalan Songs: Lo Fill del Rei
00:12:04 Popular Catalan Songs: La Pastoreta
00:18:27 Popular Catalan Songs: La Nit de Nadal
00:36:42 Variations on a Theme of Sor: Variation IV
00:37:19 Variations on a Theme of Sor: Variation V
00:37:48 Variations on a Theme of Sor: Variation VI
00:38:19 Variations on a Theme of Sor: Intermezzo
00:39:15 Variations on a Theme of Sor: Variation VII
00:46:31 Prelude in A
00:48:21 Prelude in D (à Maria Luisa Anido)
00:48:35 Original prelude
00:55:48 Etude-Caprice
00:57:32 Etude in E
00:59:18 Respuesta

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Composer: Johann Sebastian Bach
Artist: Luigi Attademo (guitar)

J.S. Bach composed no original works for guitar, and although several compositions for lute have been attributed to him, his interest in this expressive instrument appears to have been rather limited, possibly because his mastery and knowledge of it was less extensive than of other instruments, such as the violin and keyboard.

However, the 20th century still witnessed an increasing interest in the possibility of performing Bach’s music on the guitar. It was in the late 1920s that Andrés Segovia recorded the Courante of the 3rd Cello Suite, and he followed this with the Chaconne from the Partita No.2 for solo violin, later recording the entire work. Julian Bream and Narciso Yepes also made recordings on the guitar of Bach’s music, but it was John Williams who eventually recorded the complete works for lute.

These discs focus particularly on Bach’s Suites for lute – including BWV996, now attributed to his pupil J.L. Krebs. Also included is the complete Partita No.2 for solo violin.

To ensure that questions of interpretation were considered thoroughly, these recordings were made following extensive study of 18th century performance practice, as well as secondary sources that discuss how Bach’s music was originally played.

00:00:00 Suite, BWV 996 in E Minor: I. Preludio: Passaggio – Presto
00:02:57 Suite, BWV 996 in E Minor: II. Allemande
00:06:47 Suite, BWV 996 in E Minor: III. Courante
00:09:19 Suite, BWV 996 in E Minor: IV. Sarabande
00:13:31 Suite, BWV 996 in E Minor: V. Bourée
00:14:42 Suite, BWV 996 in E Minor: VI. Giga
00:17:32 Suite, BWV 1006 in E: I. Präludium
00:21:40 Suite, BWV 1006 in E: II. Loure
00:25:10 Suite, BWV 1006 in E: III. Gavotte en Rondeaux
00:28:12 Suite, BWV 1006 in E: IV. Menuett I
00:29:28 Suite, BWV 1006 in E: V. Menuett II
00:31:38 Suite, BWV 1006 in E: VI. Bourée
00:33:12 Suite, BWV 1006 in E: VII. Gigue
00:35:07 Partita, BWV 1004 in D Minor: I. Allemanda
00:42:10 Partita, BWV 1004 in D Minor: II. Corrente
00:44:58 Partita, BWV 1004 in D Minor: III. Sarabanda
00:49:14 Partita, BWV 1004 in D Minor: IV. Giga
00:53:46 Partita, BWV 1004 in D Minor: V. Ciaccona
01:08:07 Suite, BWV 995 in A Minor: I. Prelude
01:13:26 Suite, BWV 995 in A Minor: II. Allemande
01:20:10 Suite, BWV 995 in A Minor: III. Courante
01:22:43 Suite, BWV 995 in A Minor: IV. Sarabande
01:26:46 Suite, BWV 995 in A Minor: V. Gavotte I
01:28:54 Suite, BWV 995 in A Minor: VI. Gavotte II en Rondeaux
01:31:14 Suite, BWV 995 in A Minor: VII. Gigue
01:33:22 Suite, BWV 997 in A Minor: I. Prelude
01:36:46 Suite, BWV 997 in A Minor: II. Fuga
01:44:51 Suite, BWV 997 in A Minor: III. Sarabande
01:50:04 Suite, BWV 997 in A Minor: IV. Giga
01:52:57 Suite, BWV 997 in A Minor: V. Double
01:55:48 Suite, BWV 998 in D: I. Prelude
01:58:34 Suite, BWV 998 in D: II. Fuga
02:03:50 Suite, BWV 998 in D: III. Allegro
02:07:23 Prelude for lute, BWV 999 in D Minor
02:09:05 Fugue, BWV 1000 in A Minor

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00:00:00 Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
-Edvard Hagerup Grieg- Royal Philharmonic Orchestra, Rigby John
00:04:12 Symphony No. 6 in D Major, Hob. I:6: I. Adagio – Allegro
-Franz Joseph Haydn- Austro-Hungarian Haydn Orchestra, Fischer Adam
00:09:54 Violin Concerto Op. 8 No. 1 in E Major, RV. 269 “La primavera”: I. Allegro
- Antonio Vivald - Casazza Enrico, La Magnifica Comunità
00:13:21 Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Without tempo indication
- Johann Sebastian Bach - Musica Amphion, Belder Pieter-Jan
00:18:09 Suite No. 1 in F Major, HWV 348: I. Ouverture. Largo – Allegro
- Georg Frideric Handel - Concerto Köln, Steck Anton
00:21:33 Arabeske, Op. 18
- Robert Schumann - Würtz Klára
00:27:58 Liebestraum – Notturno for Piano No. 3 in A-Flat Major
- Franz Liszt - Würtz Klára
00:32:21 The Swan (Carnival of the Animals)
- Camille Saint-Saëns - Warenberg Wladislaw, Crombach Sara
00:35:24 Pavane in F-Sharp Minor, Op. 50
- Gabriel Fauré - Royal Philharmonic Orchestra, Hughes Owain Arwel
00:41:52 The Valkyrie, WWV 86B, Pt. 3: The Ride of the Valkyries
- Richard Wagner - Royal Philharmonic Orchestra, Ellis Philip
00:47:02 Sleeping Beauty, Act 1: No. 6, Waltz
- Piotr Ilyich Tchaikovsky - Royal Philharmonic Orchestra, Rigby John
00:51:34 Pizzicato Polka in C Major
- Johann Strauss Sr. - Royal Philharmonic Orchestra, Rigby John
00:54:23 Nocturnes, Op. 9: No. 1, Nocturne in B-Flat Minor
- Frédéric Chopin - Winkel Pieter van
00:59:48 Four Impromptus, D. 935: No. 3, Impromtu in B-Flat Major "Rosamunde"
- Franz Schubert - Winkel Pieter van
01:11:42 Lieder ohne Worte, Op. 30: No. 6, Allegretto in F-Sharp Minor "Venetian Gondola Song"
- Felix Mendelssohn - Winkel Pieter van
01:14:47 Piano Sonata No. 8 in C Minor, Op. 13 "Pathetique": I. Adagio cantabile
- Ludwig van Beethoven - Winkel Pieter van
01:19:31 Berceuse in D-Flat Major, Op. 57
- Frédéric Chopin - Bär Alwin
01:24:35 Eine kleine Nachtmusik, K. 525: I. Allegro
- Wolfgang Amadeus Mozart - Kammerorchester Mannheim, Heyerick Florian
01:29:51 Piano Concerto No. 23 in A Major, K. 488: II. Adagio
- Wolfgang Amadeus Mozart - Han Derek, Philharmonia Orchestra, Freeman Paul
01:36:07 Jesu, meine Freude, BWV 227
- Johann Sebastian Bach - Holland Boys Choir, Leusink Pieter Jan

Who doesn't like the Mazurkas of Chopin? And what is better to have them complete, in one long video? A full album, with all the mazurkas of the legendary composer!

Tracklist below.

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Artist: Rem Urasin (piano)

00:00:00 Mazurka in G Major, KKIIa No. 2
00:01:13 Mazurka in B-Flat Major, KKIIa No. 3
00:02:50 Mazurka in A Minor, Op. 68 No. 2
00:06:12 Mazurka in C Major, Op. 68 No. 1
00:07:36 Mazurka in F Major, Op. 68 No. 3
00:09:55 Mazurkas, Op. 6: I. M.M. in F-Sharp Minor
00:12:02 Mazurkas, Op. 6: II. Sotto voce in C-Sharp Minor
00:14:13 Mazurkas, Op. 6: III. Vivace in E Major
00:16:11 Mazurkas, Op. 6: IV. Presto ma non troppo in E-Flat Minor
00:17:07 Mazurkas, Op. 7: I. Vivace in B-Flat Major
00:18:42 Mazurkas, Op. 7: II. Vivo, ma non troppo in A Minor
00:21:19 Mazurkas, Op. 7: III. Mazurka in F Minor
00:23:45 Mazurkas, Op. 7: IV. Presto in A-Flat Major
00:24:48 Mazurkas, Op. 7: V. Vivo in C Major
00:25:41 Mazurka in B-Flat Major, KKIVb No. 1
00:26:51 Mazurka in D Major, KKIVb No. 2
00:28:43 Mazurkas, Op. 17: I. Vivo e risoluto in B-Flat Major
00:30:45 Mazurkas, Op. 17: II. Lento, ma non troppo in E Minor
00:33:07 Mazurkas, Op. 17: III. Legato assai in A-Flat Major
00:37:03 Mazurkas, Op. 17: IV. Lento, ma non troppo in A Minor
00:42:49 Mazurka in C Major, B.82
00:44:45 Mazurka in A-Flat Major, B.85
00:46:55 Mazurkas, Op. 24: I. Lento in G Minor
00:50:19 Mazurkas, Op. 24: II. Allegro non troppo in C Major
00:52:57 Mazurkas, Op. 24: III. Moderato con anima in A-Flat Major
00:55:19 Mazurkas, Op. 24: IV. Moderato in B-Flat Minor
01:01:14 Mazurkas, Op. 67: III. Sllegretto in C Major
01:03:08 Mazurkas, Op. 67: I. Vivace in G Major
01:04:24 Mazurkas, Op. 30: I. Allegretto non tanto in C Minor
01:06:09 Mazurkas, Op. 30: II. Vivace in B Minor
01:07:36 Mazurkas, Op. 30: III. Allegro non troppo in D-Flat Major
01:10:45 Mazurkas, Op. 30: IV. Allegretto in C-Sharp Minor
01:14:28 Mazurka in A Minor, KKIIb No. 5
01:17:56 Mazurkas, Op. 33: I. Mesto in G-Sharp Minor
01:19:52 Mazurkas, Op. 33: II. Vivace in D Major
01:22:31 Mazurkas, Op. 33: III. Semplice in C Major
01:24:21 Mazurkas, Op. 33: IV. Mesto in B Minor
01:30:55 Mazurkas, Op. 41: I. Maestoso in C-Sharp Minor
01:34:39 Mazurkas, Op. 41: II. Andantino in E Minor
01:37:27 Mazurkas, Op. 41: III. Animato in B Major
01:38:43 Mazurkas, Op. 41: IV. Allegretto in A-Flat Major
01:41:09 Mazurka in A Minor, KKIIb No. 4
01:45:25 Mazurkas, Op. 50: I. Vivace in G Major
01:47:51 Mazurkas, Op. 50: II. Allegretto in A-Flat Major
01:51:04 Mazurkas, Op. 50: III. Moderato in C-Sharp Minor
01:56:51 Mazurkas, Op. 56: I. Allegro non tanto in B Major
02:01:32 Mazurkas, Op. 56: II. Vivace in C Major
02:03:13 Mazurkas, Op. 56: III. Moderato in C Minor
02:09:57 Mazurkas, Op. 59: I. Moderato in A Minor
02:13:51 Mazurkas, Op. 59: II. Allegretto in A-Flat Major
02:16:54 Mazurkas, Op. 59: III. Vivace in F-Sharp Minor
02:20:32 Mazurkas, Op. 63: I. Vivace in B Major
02:23:05 Mazurkas, Op. 63: II. Lento in F Minor
02:25:05 Mazurkas, Op. 63: III. Allegretto in C-Sharp Minor
02:27:30 Mazurkas, Op. 67: IV. Moderato animato in A Minor
02:30:06 Mazurkas, Op. 67: II. Cantabile in G Minor
02:31:53 Mazurkas, Op. 68: No. 4 in F Minor

Tracklist below.

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Some of Boccherini’s cello concertos are popular. But a complete set of all 12 is hard to find.This release has them all with cellist Enrico Bronzi as the soloist. He plays together with the Italian ensemble Accademia i Filarmonici di Verona which he conducts as well.
Some of the musicians in this ensemble also work as principals of the main Italian orchestras like the one of La Scala, others are chamber musicians or teachers.
Boccherini had a great affinity with the cello. Each of the 12 concertos is a musical gem, well-suited for the instrument, delightfully light-hearted. The Italian performers provide a sunny listening experience.
Other information:
- The first complete set of Boccherini’s cello concertos released in a long time.

Composer:
Luigi Boccherini

Artist:
Enrico Bronzi cello
Accademia I Filarmonici Di Verona

00:00:00 Concerto for Cello and Strings in D No. 2, G. 479: Allegro
00:06:57 Concerto for Cello and Strings in D No. 2, G. 479: Adagio
00:11:38 Concerto for Cello and Strings in D No. 2, G. 479: Allegro assai
00:16:13 Concerto for Cello and Strings in G No. 3, G. 480: Allegro
00:22:59 Concerto for Cello and Strings in G No. 3, G. 480: Adagio
00:27:02 Concerto for Cello and Strings in G No. 3, G. 480: Allegro
00:32:12 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Allegro
00:37:22 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Largo
00:41:01 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Allegro
00:45:37 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Allegro moderato
00:53:28 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Andantino grazioso
00:59:28 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Rondò Allegro
01:04:47 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: I – Maestoso
01:10:46 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: II – Largo
01:15:35 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: III – Allegro
01:19:41 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: I - Allegro con spirito
01:26:18 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: II – Larghetto
01:33:31 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: III Rondò-Rondò II-Comodo assai
01:42:51 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: I – AllegroV
01:47:06 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: II – Adagio
01:51:09 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: III - Rondò – Allegro
01:55:10 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: I - Allegro moderato
02:02:44 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: II - Andante Lentarello
02:08:23 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: III - Allegro e con moto
02:15:05 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: I – Allegro
02:15:05 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: II – Largo
02:22:53 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: III - Allegro (Rondò)
02:29:18 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: I – Maestoso
02:39:14 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: II - Largo cantabile
02:43:33 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: III - Allegro comodo
02:49:03 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: I – Allegro
02:55:57 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: II - Largo
03:01:11 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: III – Allegro
03:05:15 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: I - Allegro moderato
03:12:11 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: II – Adagio
03:17:37 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: III - Allegretto

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Composer:
Einaudi

Artist:
Jeroen van Veen (piano)

Tracklist
00:00:00 Divenire: No. 1, Uno
00:03:34 Divenire: No. 2, Divenire
00:10:37 Divenire: No. 3, Monday
00:17:47 Divenire: No. 4, Andare
00:24:53 Divenire: No. 5, Rose
00:29:37 Divenire: No. 6, Primavera
00:37:01 Divenire: No. 7, Oltremare
00:50:20 Divenire: No. 8, L'Origine nascosta
00:53:55 Divenire: No. 9, Fly
00:58:46 Divenire: No. 10, Ascolta
01:03:38 Divenire: No. 11, Ritornare
01:14:23 Nightbook: No. 1, In Principio
01:17:38 Nightbook: No. 2, Lady Labyrinth
01:23:26 Nightbook: No. 3, Nightbook
01:29:20 Nightbook: No. 4, Indaco
01:35:20 Nightbook: No. 5, The Snow Prelude No. 15
01:41:08 Nightbook: No. 6, Reverie
01:46:22 Nightbook: No. 7, The Crane Dance
01:49:41 Nightbook: No. 8, The Snow Prelude No. 2
01:54:11 Nightbook: No. 9, The Tower
01:58:48 Nightbook: No. 10, Bye Bye mon amour
02:07:51 Nightbook: No. 11, The Planets
02:15:39 Nightbook: No. 12, Tu sei
02:22:15 Nightbook: No. 13, Berlin Song
02:27:13 In a Time Lapse: No. 1, Corale
02:29:16 In a Time Lapse: No. 2, Time Lapse
02:34:55 In a Time Lapse: No. 3, Life
02:39:40 In a Time Lapse: No. 4, Walk
02:42:26 In a Time Lapse: No. 5, Discovery at Night
02:47:38 In a Time Lapse: No. 6, Run
02:53:43 In a Time Lapse: No. 7, Brothers
02:58:50 In a Time Lapse: No. 8, Orbits
03:01:57 In a Time Lapse: No. 9, Two Trees
03:09:20 In a Time Lapse: No. 10, Newton's Cradle
03:17:13 In a Time Lapse: No. 11, Waterways
03:21:43 In a Time Lapse: No. 12, Experience
03:27:05 In a Time Lapse: No. 13, Underwood
03:21:26 In a Time Lapse: No. 14, Burning
03:36:40 In a Time Lapse: No. 15, Luce

Tracklist below.

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Described by the composer himself as ‘the king of instruments’, the organ and its music form a small but not insignificant part of Mozart’s vast œuvre. This new release, performed by acclaimed Italian organist Ivan Ronda, comprises all of his major works for the instrument, including the extended Adagio and Rondo in C minor and the small-scale works from the London Sketchbook. Also included is the charming Adagio in C for the glass harmonica: just 28 bars in length, the work was originally conceived for this curious instrument, which consists of glass bowls that rotate in water, but is equally effective on the organ. Mozart’s output of Church Sonatas – notable for their single movement form – are represented here by the Sonata in C K336, the only one to have a proper solo part for the organ, and was specially transcribed by André Isoir for this recording.

The disc is rounded off with the imposing Fantasia in F minor. Described in Mozart’s own catalogue of work as ‘an organ piece for a clock’, it was commissioned by Count Joseph Deym for a musical automaton that contained a small pipe organ. When transferred to an organ on the scale of that at the Church of Maria Vergine Immacolata in Gallo Cavour, Italy, where this recording was made, it takes on a certain grandeur, and exploits the various echo and dialogue effects of the instrument.

00:00:00 Suite in C Major, K. 399: I. Overture
00:05:00 Andante in F Major, K. 616
00:12:41 Adagio and Allegro in F Minor, K. 594
00:25:10 Adagio in C Major, K. 356
00:29:23 Church Sonata in C Major, K. 336
00:34:28 Piece in F Major, K. 33b
00:35:57 The London Sketchbook: Rondo in F Major, K. 15hh
00:37:23 The London Sketchbook: Allegro in F Major, K. 15a
00:38:39 The London Sketchbook: Rondo in D Major, K. 15d
00:40:16 Adagio and Rondo in C Minor, K. 617
00:53:10 Fantasia in F Minor, K. 608

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Composers: Ludwig van Beethoven
Artists: Shoko Sugitani (piano), Berliner Symphoniker, Gerard Oskamp (conductor)

This release presents both of Ludwig van Beethoven’s most often performed piano concertos. Enjoyable performances by Shoko Sugitani with the Berliner Symphoniker.


00:00:00 Piano Concerto No. 3 in C Minor, Op. 37: Allegro con brio
00:17:05 Piano Concerto No. 3 in C Minor, Op. 37: Largo
00:27:38 Piano Concerto No. 3 in C Minor, Op. 37: Rondo, allegro
00:36:44 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Allegro
00:56:51 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Adagio un poco mosso
01:05:33 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Rondo, allegro ma non troppo