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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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La oportunidad era inmejorable. Ante más de 12.000 parejas de novios, el Papa Francisco ofreció los ingredientes para elaborar la receta de un amor sólido.
Sigue toda la actualidad del Vaticano, haz click aquí: http://smarturl.it/RomeReportsESP

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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La campaña 'Abrazar la vida' promueve el uso del cinturón de seguridad de un modo totalmente diferente. No utiliza ni estadísticas ni sangrientas escenas de accidentes de tráfico, sino que apela al valor de la familia.

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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18 de enero, 2016. Francisco visita sinagoga de Roma: “No” a cualquier forma de antisemitismo

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7 de marzo, 2016. Su Iglesia piensa que apoya visión pro-rusa de la guerra en Ucrania, y se siente casi abandonada.

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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This is my last NAB 2018 video. I thought it would be nice to piece together a sort of NAB reel (shot on my phone) for anyone who wasn't able to make it. You'll see tons of gear, a few cameos from Dave Dugdale at learningvideo.com, Curtis and Cary Judd from learnlightandsound.com, Dave Andrade from Post Color Blog, Caleb Pike from dslrvideoshooter.com, Philip Bloom from everywhere, Ted Sim from Aputure, and many others. I hope you enjoy it. I'll return to my regularly scheduled programming this week, and thanks for being a Basic Filmmaker subscriber and viewer.


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Copyright (c) 2018 by The Basic Filmmaker

Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

I do a quick review of the Zhiyun Smooth II, a 3-Axis handheld electronic gimbal stabilizer for smart phones such as the iPhone and Android. I found this unit easy to use, extremely reliable, and very handy. #zhiyun #stabilizer #iPhone #smartphone #share

LINKS:

Smooth II at Amazon: http://bit.ly/ZhiyunSmooth2Amazon
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Curtis Judd Review: https://youtu.be/neIwZ9dwDwQ
Blunty Review: https://youtu.be/4jZqciqoC3k
Geekyranjit Review: https://youtu.be/EDeMIQq6xwU
Geranos Review: https://youtu.be/_Oqt4r7_vfI
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There is a green tint on the edge of the light cast by the Aputure COB 300D. Aputure offers a replacement part to fix it. I test the before, show the step-by-styep installation, and test the after. Part link in the description. ▼

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Falcon Eyes was kind enough to send me a mini spotlight to play with, and I think it has definite uses for some in their videos and films. http://bit.ly/SubscribeToBasicFilmmaker

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Download & Streams (Spotify, Itunes store, Google Play, Deezer, Apple Play, Tidal, Amazon): https://brilliant-classics.lnk.to/vivaldiconcerti

It is remarkable that concertos by Vivaldi are still awaiting their first recordings, and this CD programmes 8 ‘solemn’ concertos. Solemn in this context usually meant a slow introduction, acting as a prelude to the following 3 movements. Vivaldi was a master at creating concertos from other works, and these were known as ‘pasticcio’ concertos. For example, sinfonias or overtures to his many operas provided a happy hunting ground for such concertos, and on this CD the concertos are a mix of Vivaldi’s pasticcios and those of the Pablo Queipo de Llano, a Vivaldi scholar and author the comprehensive CD booklet essay.

To illustrate how adept Vivaldi was at turning existing works to new uses, the finale of RV197 was originally the double fugue from the overture to the serenata La senna festeggiante RV693. This had in turn been adapted by Vivaldi from the closing section of Lotti’s Moralita d’una perla. The opening movement of RV155 was reused by Vivaldi for his Salve Regina RV618
The tradition of pasticcio concertos arranged from other composer’s works was common practice at the Dresden court, where the director was Johann Georg Pisendal, a pupil of Vivaldi. Many movements by Vivaldi were found among the manuscripts in Dresden, and form the basis for these reconstructions.

00:00:00 Concerto per archi e basso continuo in do Minore RV 197
00:03:31 Concerto per archi e basso continuo in do Minore RV 197
00:06:10 Concerto per archi e basso continuo in do Minore RV 197
00:07:58 Sinfonia per archi e basso continuo in la maggiore RV Anh. 85
00:10:05 Sinfonia per archi e basso continuo in la maggiore RV Anh. 85
00:12:52 Sinfonia per archi e basso continuo in la maggiore RV Anh. 85
00:16:45 Concerto per 2 Violini, archi e basso continuo in sol Minore RV 155
00:19:05 Concerto per 2 Violini, archi e basso continuo in sol Minore RV 155
00:22:54 Concerto per 2 Violini, archi e basso continuo in sol Minore RV 155
00:26:33 Concerto per 2 Violini, archi e basso continuo in sol Minore RV 155
00:30:56 Concerto per archi e basso continuo in sol Minore RV 316
00:33:27 Concerto per archi e basso continuo in sol Minore RV 316
00:34:39 Concerto per archi e basso continuo in sol Minore RV 316
00:36:36 Concerto per archi e basso continuo in do maggiore RV 185
00:37:41 Concerto per archi e basso continuo in do maggiore RV 185
00:40:10 Concerto per archi e basso continuo in do maggiore RV 185
00:41:37 Concerto per archi e basso continuo in do maggiore RV 185
00:44:00 Concerto per 2 Violini, archi e basso continuo in re Minore RV 247
00:46:46 Concerto per 2 Violini, archi e basso continuo in re Minore RV 247
00:49:59 Concerto per 2 Violini, archi e basso continuo in re Minore RV 247
00:53:04 Concerto per archi e basso continuo in fa maggiore RV 292
00:55:32 Concerto per archi e basso continuo in fa maggiore RV 292
00:57:46 Concerto per archi e basso continuo in fa maggiore RV 292
00:58:35 Concerto per archi e basso continuo in fa maggiore RV 292
01:02:51 Concerto per archi e basso continuo in mi Minore RV 134
01:05:38 Concerto per archi e basso continuo in mi Minore RV 134
01:07:08 Concerto per archi e basso continuo in mi Minore RV 134

Tracklist below.

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Composer: Wolfgang Amadeus Mozart
Artists: Ensemble Pyramide, Markus Brönnimann (flute), Barbara Tillmann (oboe), Ulrike Jacoby (violin), Muriel Schweizer (viola), Anita Jehli (cello)

For many Mozart is more ‘perfector’ than ‘innovator’, a composer who drew on an already extant vocabulary to create some of the greatest works in European culture. In this recording, however, we are introduced to Mozart the ‘trailblazer’: the first composer in history to take wind instruments seriously. Whereas his colleagues were inclined to employ the so-called Harmonie merely to reinforce the general sonority, Mozart took it upon himself to exploit the character of each of these instruments, endowing them with a much more individualistic, distinctive role – as soloists, in the orchestra or in chamber music, the subject of this engaging release.

Such writing is evident in the Quartet for oboe and strings, a work of wide leaps and brilliant passages that was composed for the Mannheim virtuoso Friedrich Ramm, and the Flute Quartet in D – written for the highly accomplished amateur musician Ferdinand Dejean and in which the principal voice, equipped with pearling runs in the first movement, is treated with great care, displaying nothing of the composer’s supposed aversion to the instrument. Both works are milestones of their respective genres, and they are joined on this recording by three pieces originally composed for mechanical organ (and arranged for this recording by flautist Markus Brönnimann), originally commissioned by Count Deym to be used as accompaniment for a newly erected mausoleum in Vienna. Among these, the Fantasia in F minor K608 stands out as the most intense and dramatic, combining rigorous harmonic invention with memorable melody, polyphonic complexity and compositional virtuosity. Brönnimann’s suggestion as to a possible comparison with the works of the American-born composer Conlon Nancarrow, as mentioned in the booklet note, reveals just how forwardthinking this music was for its time.

At hand to perform these works is Ensemble Pyramide, a group whose diverse repertoire ranges from Baroque to 21st century and whose recital programmes are often based around the juxtaposition between new and old. Based in Zurich and awarded the city’s cultural stipend ‘Werkjahr für Interpretation’ in 2006, its recordings for radio and on CD (which take in labels such as Naxos and Ars Musici) are complemented by an active recording schedule throughout Europe.

00:00:00 Quartet in F Major, K. 370: I. Allegro
00:07:03 Quartet in F Major, K. 370: II. Adagio
00:10:05 Quartet in F Major, K. 370: III. Rondeau. Allegro
00:14:46 Adagio and Allegro in F Minor K. 594 (Adagio - Allegro - Adagio)
00:24:54 Andante in F Major, K. 616
00:32:18 Fantasia in F Minor, K. 608 (Allegro - Andante - Tempo primo)
00:41:40 Quartet in D Major, K. 285: I. Allegro
00:48:49 Quartet in D Major, K. 285: II. Adagio
00:51:41 Quartet in D Major, K. 285: III. Rondeau. Allegretto

Tracklist below.
Download via iTunes: https://itunes.apple.com/album..../richter-solo-piano-
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Having made a gradual switch during the 15 years since his first album was published from electronica to instrumental variations on ambient and minimalism, Max Richter is among the most commercially successful composers of our time. This album of his solo piano music belongs in the genre explored so thoroughly for Brilliant Classics by Jeroen van Veen, whose prolific recording history includes hugely popular albums of Philip Glass (BC9419) and Michael Nyman (BC95112), Ludovico Einaudi (BC94910) and Yann Tiersen (BC95129) and his fellow Dutch musician Jakob ter Veldhuis (BC94873) and himself (BC9454). The appetite for slowly moving, unchallenging, post-Minimalist music is apparently infinite, and so this new album is sure to be a success.

Born in 1966, Richter has in the last few years achieved international fame with his recomposed version of Vivaldi’s Four Seasons, which topped the iTunes chart in the UK, the US and Germany. Then last year, came the record-breaking Sleep, an ‘eight-hour cradle song’ which like the Vivaldi mixed live and pre-recorded, electronic and acoustic sounds, to induce and accompany deep slumber.

The songs on this album are all shorter, though sharing the somnambulistic mood of Sleep. Vladimir's Blues featured on a BBC documentary series about the deep sea, while The Twins (Prague) was used in a series on Auschwitz, The Nazis and the Final Solution. As Richter’s own programme notes explain, the music is for beginners, based on classical Alberti-style bass figures.

Several tracks derive from his albums The Blue Notebooks and Songs from Before; H in New England is extracted from the incidental music written by Richter for the film Henry May Long.

Max Richter (born in 1966) is one of the most influential composers of his generation. Electro-acoustic polymath Max Richter defies definition: composer, pianist, producer, remixer, and collaborator, and beyond argument one of the most prolific of contemporary musical artists. Inspired equally by Bach, punk rock and ambient electronica, Richter’s sonic world blends a formal classical training (he graduated from the Royal Academy of Music, and was a pupil of renowned composer Luciano Berio) with modern technology.
This new recording presents Richter’s solo piano music up to date.
Dutchman Jeroen van Veen is one of the leading pianists of today focusing on Minimalism and championing a new generation of composers, easily crossing borders between musical styles.

00:00:00 Andras
00:04:51 The Blue Notebooks
00:06:12 Circles from the rue Simon-Crubellier
00:07:23 Departure
00:09:04 The Family
00:11:53 Fragment
00:13:49 From the rue Villin
00:15:19 H in New England
00:17:38 Horizon Variations
00:19:55 INFRA 3
00:23:27 Leo’s Journal
00:25:21 The Tartu Piano
00:27:48 The Twins
00:30:31 Vladimir’s Blues
00:32:34 Written on The Sky I
00:35:11 Horizon Variations II
00:38:31 Waltz with Bashir Reflection
00:40:14 Written on the Sky II

Artist:
Jeroen van Veen (piano)

Online Purchase/Streaming (Spotify, Itunes store, Google Play, Deezer, Apple Play, Tidal, Amazon): https://brilliant-classics.lnk.to/Top50Violin

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Artists:
Mela Tenenbaum (violin)
Gil Sharon (violin)
Matthieu Arama (violin)
Aurélien Pontier (piano)
Richard Kapp (piano)
Anton Nel (piano)
Idith Zvi (piano)

Tracklist:
00:00:00 Mazurka in A Minor, Op. 67 No. 4 (Chopin)
00:03:01 Song Without Words, Op. 2 No. 3 (Tchaikovsky)
00:06:20 Divertimento, K. 334: Menuet (Mozart)
00:10:29 Hungarian Dance No. 6, WoO 1 (Brahms)
00:13:42 Hungarian Dance No. 1, WoO 1 (Brahms)
00:16:40 Romance in A Major, Op. 94 No. 2 (Schumann)
00:22:02 Morceaux, Op. 10: No. 2, Humoresque in G Major. Menuet (Bocherini)
00:25:34 Les millions D'Arlequin: Serenade (Drigo)
00:30:10 Sonata in A Major (Paganini)
00:35:04 Träumerei, Op. 21 (Drdla)
00:37:45 Das Lied der Geige, Op. 2 (Schebek)
00:40:56 Immer oder nimmer Walzer, Op. 156 (Waldteufel)
00:50:22 Schön Rosmarin (Kreisler)
00:52:10 Espana, Op. 165 No. 2: Tango (Albeniz)
00:54:45 Russian Romance (Chernyetsky)
00:57:36 Guitarre, Op. 45 No. 2 (Moszkowski)
01:01:14 Menuet (Attr. Porpora) (Porpora / Kreisler)
01:05:20 Allegretto grazioso (Porpora / Bonelli)
01:07:25 Le triomphe de la République: Tambourin (Arr. Burmester) (Gossec (Francois))
01:08:42 Salut d'amour, Op. 12 (Elgar)
01:11:16 3 Pieces, Op. 11: Mazurka in F-Sharp Minor (Chopin)
01:14:07 Poème for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) (Fibich (Zdenek))
01:16:01 5 Gedichte, WWV 91: V. Träume (Wagner)
01:19:38 Valse scherzo (Tchaikovsky)
01:21:30 Song Without Words, Op. 60: I. Andante espressivo “May Breezes” (Arr. Kreisler) (Mendelssohn)
01:24:12 Myrthen, Op. 25: I. Dedication (Schumann)
01:26:38 Romance (Rubinstein)
01:29:18 Cantabile in D Major, Op. 17 (Paganini)
01:32:19 Hungarian Dance No. 7 in F Major, WoO 1 (Allegretto) (Brahms)
01:34:45 Romance, Op. 3 (Gliere)
01:38:50 Kujawiak in A Minor (Wieniawski (Henryk))
01:41:48 3 Old Viennese Dances: II. Liebesleid (Kreisler)
01:44:48 Le roi s'amuse: VII. Passepied (Arr. Elman) (Delibes / Elman (Mischa))
01:46:46 Waltz No. 1 in A Major, Op.54 (Moderato) (Dvorák)
01:50:22 5 Spanish Dances, Op. 12: I. Allegro brioso (Moszkowski)
01:52:01 16 Morceaux de Salon, Op. 49: VII. La Sevillana (Alard (Delphin))
01:54:33 Bandana Sketches, Op. 12 "Nobody Knows the Trouble I've Seen" (White)
01:57:57 Le Secret (Gautier (Jacques))
02:00:40 14 Romances, Op. 34: No. 14, Vocalise (Rachmaninoff)
02:06:31 Préludes, L. 117, Premier Livre: VIII. La fille aux cheveux de lin (Debussy)
02:09:17 Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) (Von Gluck, arr. Jascha Heifetz)
02:12:27 2 Pieces for Cello and Orchestra, Op.20: II. Serenade Espagnole (Arr. Kreisler) (Glazunov, arr. Kreisler)
02:15:50 3 Romantic Pieces, Op. 75: I. Allegro moderato (Dvorák)
02:19:25 3 Romantic Pieces, Op. 75: II. Allegro maestoso (Dvorák)
02:22:22 3 Romantic Pieces, Op. 75: III. Allegro appassionato (Dvorák)
02:25:13 Thaïs, Act 2: Méditation (Massenet)
02:29:49 Zigeunerweisen, Op. 20 (Sarasate (Pablo de))
02:39:46 Romance (Wieniawski (Henryk))
02:44:46 Hora staccato (Dinicu (Grigoras))
02:46:10 Pacsirta (Dinicu (Grigoras))

Tracklist below.

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Alexander Borodin was a part-time composer whose primary career was in science. Borodin was a member of the ‘Mighty Handful’, the group of five Russian composers which included Balakirev, Cui, Rimsky Korsakov and Mussorgsky, who established a Russian school of composition building on the legacy of Mikhail Glinka.
Borodin liked to joke, ‘I compose only when I am ill’, and he left a small body of work, much of it in a fragmentary state at his death, which was later edited and completed by Rimsky and Glazunov. However, such is the quality of these works that his place among the greatest of Russian composers is assured. The three symphonies, In the Steppes of central Asia, the opera Prince Igor and the two string quartets are masterpieces.
Borodin studied the piano as a small child, and the earliest work on this survey of his complete output for piano is the Polka Helene, composed when he was just 9 years old. Paraphrases on a Simple Theme was a venture with Lyadov, Rimsky-Korsakov and Cui, with Liszt providing the prelude. Written for fun, they are delightfully witty. The Petite Suite is a collection of short works Borodin composed over a number of years, an example of high class salon music – Borodin knew his Kalkbrenner, Field and Hummel well. The Scherzo in A flat from 1885 is a wonderful work, often played as an encore by Rachmaninov. Ravel admired Borodin, and had studied his music as a teenager, and his affectionate tribute to Borodin is included in the little Waltz in the manner of Borodin.
Other information:
- Recorded in 2008.
- Contains the premiere recordings of ‘In the Steppes of central Asia’ in the composers arrangement for 4 hands, plus premier recordings for the Scherzo in E, Allegretto in D-Flat, Polka Helene, and Adagio Patetico in A-Flat.
- Marco Rapetti has recorded the piano music of Lyapunov, as well as the sonata by Dukas and works for two pianos by Malipiero.
- Comprehensive booklet notes included.







00:00:00 Petite Suite: I. Au couvent. Andante religioso (1885)
00:06:03 Petite Suite: II. Intermezzo. Tempo di menuetto (1885)
00:09:33 Petite Suite: III. Mazurka No. 1, Allegro (1885)
00:12:23 Petite Suite: IV. Mazurka No. 2, Allegretto (1885)
00:16:22 Petite Suite: V. Rêverie. Andante (1885)
00:18:29 Petite Suite: VI. Sérénade. Allegretto (1885)
00:20:40 Petite Suite: VII. Nocturne. Andantino (1885)
00:23:43 Scherzo in A-Flat Major (1885)
00:27:04 Dans les steppes de l’Asie centrale, for Piano Four Hands (Arr. Borodin, 1880)
00:34:43 Paraphrases: Prélude (Arr. Borodin, 1878-79)
00:35:29 Paraphrases: Polka (1878-79)
00:36:46 Paraphrases: Marche Funèbre (1878-79)
00:38:26 Paraphrases: Valse (Arr. Borodin, 1878-79)
00:40:25 Paraphrases: Berceuse (Arr. Borodin, 1878-79)
00:42:59 Paraphrases: Galop (Arr. Borodin, 1878-79)
00:44:02 Paraphrases: Gigue (Arr. Borodin, 1878-79)
00:44:50 Paraphrases: Fughetta on B-A-C-H (Arr. Borodin, 1878-79)
00:45:30 Paraphrases: Tarantella (Arr. Borodin, 1878-79)
00:46:52 Paraphrases: Menuetto (Arr. Borodin, 1878-79)
00:47:47 Paraphrases: Valse (Arr. Borodin, 1878-79)
00:49:51 Paraphrases: Requiem (1878-79)
00:53:35 Paraphrases: Carillon (Arr. Borodin, 1878-79)
00:55:11 Paraphrases: Mazurka (Arr. Borodin, 1878-79)
00:56:39 Paraphrases: Fugue Grotesque (Arr. Borodin, 1878-79)
00:57:22 Paraphrases: Cortège Triomphal (Arr. Borodin, 1878-79)
00:59:52 Tarantella in D Major for Piano Four Hands (1862)
01:04:20 Allegretto in D-Flat Major for Piano Four Hands (1861)
01:06:04 Scherzo in E Major for Piano Four Hands (1861)
01:11:04 Adagio patetico in A-Flat Major (1849)
01:15:10 Polka Hélène in D Minor (1843)
01:17:24 À la manière de Borodine (1913)

Artist:
Marco Rapetti (piano)
featuring:
Daniela de Santis
Giampaolo Nuti
piano four hands

Tracklist below.

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00:00:00 Concerto Estienne Roger: allegro
00:01:45 Concerto Estienne Roger: adagio
00:03:39 Concerto Estienne Roger: presto
00:05:05 Sonata, G. 1: andante
00:06:42 Sonata, G. 1: allegro
00:08:10 Sonata, G. 1: Grave
00:09:52 Sonata, G. 1: allegro
00:11:22 Sinfonia, G. 2: allegro
00:12:22 Sinfonia, G. 2: Grave
00:14:10 Sinfonia, G. 2: allegro
00:15:40 Sinfonia, G. 3: adagio
00:17:04 Sinfonia, G. 3: Grave/allegro
00:18:51 Sinfonia, G. 3: allegro
00:19:53 Sinfonia, G. 4: presto
00:20:53 Sinfonia, G. 4: adagio e spiccato/presto
00:21:49 Sinfonia, G. 4: allegro
00:22:49 Sonata, G. 5: adagio
00:23:26 Sonata, G. 5: allegro e staccato
00:24:44 Sonata, G. 5: adagio
00:25:14 Sonata, G. 5: allegro
00:26:10 Sonata, G. 6: Vivace
00:27:22 Sonata, G. 6: adagio/largo
00:28:10 Sonata, G. 6: allegro come stà
00:29:56 Sonata, G. 7: Grave/allegro
00:31:04 Sonata, G. 7: Grave
00:31:21 Sonata, G. 7: allegro
00:33:28 Sonata, G. 7: Grave
00:33:54 Sonata, G. 7: allegro
00:35:14 Sinfonia, G. 8: allegro
00:36:59 Sinfonia, G. 8: adagio
00:37:31 Sinfonia, G. 8: allegro
00:38:12 Sinfonia, G. 8: allegro
00:39:51 Sinfonia in D Major, G. 9: allegro
00:41:54 Sinfonia in D Major, G. 9: prestissimo/adagio
00:42:30 Sinfonia in D Major, G. 9: allegro
00:43:46 Sinfonia in D, G. 10: allegro
00:44:54 Sinfonia in D, G. 10: presto/adagio
00:45:45 Sinfonia in D, G. 10: allegro
00:46:36 Sinfonia in D, G. 10: adagio/allegro
00:48:18 Sinfonia con Tromba, G. 11: allegro
00:49:55 Sinfonia con Tromba, G. 11: presto/adagio
00:50:25 Sinfonia con Tromba, G. 11: allegro
00:52:00 Sonata in D, G. 13: allegro
00:53:34 Sonata in D, G. 13: largo/allegro/largo
00:55:12 Sonata in D, G. 13: allegro
00:56:23 sinfonia avanti l’ opera, G. 14: allegro
00:57:37 sinfonia avanti l’ opera, G. 14: largo e spicco
00:58:07 sinfonia avanti l’ opera, G. 14: allegro
00:59:06 Sonata a cinque, G. 15: presto
00:59:42 Sonata a cinque, G. 15: adagio/presto
01:00:51 Sonata a cinque, G. 15: allegro
01:01:38 sinfonia con Trombeé Violini, G. 16: allegro
01:03:30 sinfonia con Trombeé Violini, G. 16: Grave/allegro
01:04:52 sinfonia con Trombeé Violini, G. 16: allegro
01:06:41 Concerto con Trombe, G. 18: largo assai
01:07:42 Concerto con Trombe, G. 18: allegro
01:09:45 Concerto con Trombe, G. 18: adagio e staccato
01:11:39 Concerto con Trombe, G. 18: allegro
01:13:23 Sinfonia con Trombe, G. 20: allegro
01:15:06 Sinfonia con Trombe, G. 20: adagio/largo e staccato
01:16:11 Sinfonia con Trombe, G. 20: allegro
01:17:25 Sinfonia con Trombe, G. 20: allegro
01:18:37 Sinfonia con due Trombe, G. 21: presto
01:19:54 Sinfonia con due Trombe, G. 21: adagio e staccato/allegro staccato e piano
01:20:55 Sinfonia con due Trombe, G. 21: allegro
01:22:39 Sinfonia con due Trombe é instrumenti, G. 22: Vivace e staccato
01:23:30 Sinfonia con due Trombe é instrumenti, G. 22: largo e staccato/Vivace/Grave
01:24:38 Sinfonia con due Trombe é instrumenti, G. 22: allegro
01:26:49 Sinfonia in D Major, G. 23: allegro
01:29:09 Sinfonia in D Major, G. 23: largo/allegro
01:30:58 Sinfonia in D Major, G. 23: Vivace
01:33:12 Concerto in D Major for two trumpets and b.c., G. 24: allegro
01:35:36 Concerto in D Major for two trumpets and b.c., G. 24: largo e staccato/presto
01:37:24 Concerto in D Major for two trumpets and b.c., G. 24: allegro

Artist:
Thomas Hammes (trumpet)
European Chamber Soloists
Nicol Matt (conductor)

Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.....to/Top50BestPianoCl

Spotify Playlists:
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Artists:
Misha Goldstein
Klára Würtz
Håkon astbø

Tracklist:
00:00:00 Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst - Franz Liszt
00:04:36 Lieder ohne Worte, Op. 19b: I. Andante con moto - Felix Mendelssohn
00:08:29 Nocturne in B-Flat Minor, Op. 9 No. 1 - Frédéric Chopin
00:13:54 4 Impromptus, D. 935, Op. 142: III. Impromptu in B-Flat Major "Rosamunde" - Franz Schubert
00:25:49 Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso - Johannes Brahms
00:28:22 4 Impromptus, D. 935: II. Impromptu in A-Flat Major - Franz Schubert
00:34:54 6 Lieder, Op. 57: V. Venetianisches Gondellied - Felix Mendelssohn
00:37:59 Intermezzo in E-Flat Major, Op. 117 No. 1 - Johannes Brahms
00:43:20 Intermezzo in B-Flat Minor, Op. 117 No. 2 - Johannes Brahms
00:48:12 Consolation in E-Flat Major, S. 172 - Franz Liszt
00:51:33 Piano Sonata No. 14, Op. 27 No. 2: II. Allegretto - Ludwig van Beethoven
00:57:13 Lieder ohne Worte, Op. 62: VI. Allegretto grazioso "Frühlingslied" - Felix Mendelssohn
00:59:33 Deux Arabesques, L. 66: I. Première Arabesque - Claude Debussy
01:03:43 Moments musicaux, D. 780, Op. 90: IV. Moderato - Franz Schubert
01:05:23 Sonate Pathetique, Op. 13: II. Adagio - Ludwig van Beethoven
01:10:07 Für Elise, WoO 59 - Ludwig van Beethoven
01:12:58 Klavierstück in E-Flat Major, D. 946, No. 2 - Franz Schubert
01:24:07 Intermezzo in A Major, Op. 118, No. 2 - Johannes Brahms
01:30:29 Deux Arabesques, L. 66: Deuxième Arabesque - Claude Debussy
01:33:35 Fantasiestücke, Op. 12: I. Des Abends - Robert Schumann
01:36:59 4 Impromptus, D. 899, Op. 90: III. Impromptu in G-Flat Major - Franz Schubert
01:42:15 Rêverie, L. 68 - Claude Debussy
01:45:59 3 Romances, Op. 28: II. Romanze in F-Sharp Major - Robert Schumann
01:49:21 Sonate in B Minor, Kk. 27 - Domenico Scarlatti
01:54:49 Consolation in D-Flat Major, S. 172 - Franz Liszt
01:57:14 Clair de Lune, L. 32 - Claude Debussy
02:02:13 Träumerei, Op. 15 No. 7 - Robert Schumann
02:05:25 Prelude in D-Flat Major, Op. 28 No. 15, "Regentropfen" - Frédéric Chopin
02:10:12 Nocturne in E-Flat Major, Op. 9 No. 2 - Frédéric Chopin
02:14:30 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby" - Johannes Brahms
02:16:08 Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca. Allegretto - Wolfgang Amadeus Mozart
02:19:35 Lieder ohne Worte, Op.67: IV. Spinnerlied in A Major. Presto - Felix Mendelssohn
02:21:38 Lyric Pieces, Op. 12: IV. Dance of the Fairies - Edvard Hagerup Grieg
02:22:33 Lyric Pieces, Op. 38: I. Berceuse - Edvard Hagerup Grieg
02:24:50 Lyric Pieces, Op. 43: I. Butterfly -Edvard Hagerup Grieg
02:26:27 Lyric Pieces, Op. 54: III. March of the Dwarfs - Edvard Hagerup Grieg
02:29:22 Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" - Frédéric Chopin
02:31:06 Sonate facile in C Major, K. 545: I. Allegro - Wolfgang Amadeus Mozart
02:34:28 3 Gymnopédies: No. 1, Lent et douloureux - Erik Satie
02:38:07 Gnossiennes Nos. 4-6: Gnossienne No. 5 - Erik Satie
02:40:59 Nocturne in C-Sharp Minor Op. Posth. - Frédéric Chopin
02:45:02 Etudes in E Major Op. 10: III. “Tristesse” - Frédéric Chopin
02:49:32 2 Konzertetüden, S.145: No. 1 in A-Flat Major “Waldesrauschen“ - Franz Liszt
02:53:39 Impromptu No. 1 in A-Flat Major, Op. 29 - Frédéric Chopin
02:57:26 The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile - Piotr Ilyich Tchaikovsky
03:00:50 Pavane pour une infante défunte in G Major, M. 19 - Maurice Ravel
03:07:15 Waldszenen, Op. 82: No. 7, Vogel als Prophet - Robert Schumann
03:10:06 Ballade No. 3 in A-Flat Major, Op. 47 - Frédéric Chopin
03:17:29 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor. Allegretto non troppo - Johannes Brahms
03:21:11 Fantasie Impromptu No. 4 in C-Sharp Minor, Op. 66 - Frédéric Chopin

Artist:
Misha Goldstein
Klára Würtz
Håkon astbø

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
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The Complete Oboe Concertos (full album) of Vivaldi. Amazing to think in these days of plenty, when Vivaldi's sun has surely never shone brighter, that there can still be examples of his 660 or so concertos which have yet to be heard on record, but this invaluable set contains one such work, the G minor concerto RV459, as well as all the other works which the Venetian composer originally wrote for an instrument for which he evidently conceived a great affection, well suited as it is to the virtuoso roulades and trills which distinguish his writing for his own instrument, the violin, as well as testing the soloist with great demands on breath control in the fast outer movements and lyrical intensity in the central slow ones. It is more than likely that Vivaldi’s earliest concertos for wind instruments were those he composed for the oboe. The documents at the Ospedale della Pietà, where Vivaldi was a long-serving teacher and maestro della musica, reveal a specific interest on his part for the instrument.

00:00:00 Oboe Concerto in C Major, RV 449: I. Allegro00:02:58 Oboe Concerto in C Major, RV 449: II. Largo
00:05:51 Oboe Concerto in C Major, RV 449: III. Allegro
00:09:08 Oboe Concerto in G Minor, RV 460: I. Allegro non tanto
00:12:52 Oboe Concerto in G Minor, RV 460: II. Largo
00:15:54 Oboe Concerto in G Minor, RV 460: III. Allegro non molto
00:19:30 Oboe Concerto in B-Flat Major, RV 465: I. Allegro
00:21:46 Oboe Concerto in B-Flat Major, RV 465: II. Adagio
00:23:29 Oboe Concerto in B-Flat Major, RV 465: III. Allegro
00:25:20 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: I. Largo
00:29:02 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: II. Allegro – Adagio
00:31:36 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: III. Presto
00:33:33 Oboe Concerto in D Minor, RV 454: I. Allegro
00:36:31 Oboe Concerto in D Minor, RV 454: II. Largo
00:38:48 Oboe Concerto in D Minor, RV 454: III. Allegro
00:41:31 Oboe Concerto in B-Flat Major, RV 464: I. Allegro
00:44:12 Oboe Concerto in B-Flat Major, RV 464: II. Largo
00:45:54 Oboe Concerto in B-Flat Major, RV 464: III. Allegro
00:47:43 Oboe Concerto in D Major, RV 453: I. Allegro
00:50:54 Oboe Concerto in D Major, RV 453: II. Largo
00:52:57 Oboe Concerto in D Major, RV 453: III. Allegro
00:56:06 Oboe Concerto in A Minor, RV 463: I. Allegro
00:59:11 Oboe Concerto in A Minor, RV 463: II. Largo
01:02:40 Oboe Concerto in A Minor, RV 463: III. Allegro
01:05:35 Oboe Concerto in C Major, RV 450: I. Allegro molto
01:09:49 Oboe Concerto in C Major, RV 450: II. Larghetto
01:12:57 Oboe Concerto in C Major, RV 450: III. Allegro
01:15:47 Oboe Concerto in F Major, RV 457: I. Allegro non molto
01:20:22 Oboe Concerto in F Major, RV 457: II. Andante
01:23:19 Oboe Concerto in F Major, RV 457: III. Allegro molto
01:26:04 Oboe Concerto in C Major, RV 448: I. −
01:30:31 Oboe Concerto in C Major, RV 448: II. Larghetto
01:34:31 Oboe Concerto in C Major, RV 448: III. Allegro
01:37:15 Oboe Concerto in A Minor, RV 461: I. Allegro non molto
01:40:45 Oboe Concerto in A Minor, RV 461: II. Larghetto
01:43:42 Oboe Concerto in A Minor, RV 461: III. Allegro
01:46:13 Oboe Concerto in C Major, RV 451: I. Allegro molto
01:48:58 Oboe Concerto in C Major, RV 451: II. Largo
01:52:15 Oboe Concerto in C Major, RV 451: III. Allegro
01:55:07 Oboe Concerto in C Major, RV 184: I. Allegro - Adagio
02:00:22 Oboe Concerto in C Major, RV 184: II. Andante
02:02:55 Oboe Concerto in C Major, RV 184: III. Allegro
02:06:21 Oboe Concerto in A Minor, RV 462: I. Allegro
02:08:13 Oboe Concerto in A Minor, RV 462: II. Largo
02:10:41 Oboe Concerto in A Minor, RV 462: III. Allegro
02:12:44 Oboe Concerto in C Major, RV 447: I. Allegro non molto
02:17:27 Oboe Concerto in C Major, RV 447: II. Larghetto
02:21:00 Oboe Concerto in C Major, RV 447: III. Minuetto
02:27:23 Oboe Concerto in F Major, RV 455: I. −
02:30:52 Oboe Concerto in F Major, RV 455: II. Grave
02:33:07 Oboe Concerto in F Major, RV 455: III. Allegro
02:35:49 Oboe Concerto in C Major, RV 452: I. Allegro
02:37:58 Oboe Concerto in C Major, RV 452: II. Adagio
02:39:54 Oboe Concerto in C Major, RV 452: III. Allegro
02:42:07 Oboe Concerto in F Major, RV 458: I. Allegro
02:44:12 Oboe Concerto in F Major, RV 458: II. Adagio e staccato
02:48:08 Oboe Concerto in F Major, RV 458: III. Allegro presto
02:47:56 Oboe Concerto in C Major, RV 446: I. −
02:51:10 Oboe Concerto in C Major, RV 446: II. Adagio
02:54:06 Oboe Concerto in C Major, RV 446: III. Allegro
02:56:06 Oboe Concerto in G Minor, RV 459: I. Allegro
02:58:10 Oboe Concerto in G Minor, RV 459: II. Adagio
02:59:08 Oboe Concerto in G Minor, RV 459: III. Allegro da capo

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
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Physical purchase:
http://www.brilliantclassics.c....om/articles/j/jan%C3

The year 2004 commemorates the 150th anniversary of the birth of Leos Janacek, one of Czech’s most famous and original composers.

Janacek’s music is highly personal, his language immediately recognizable: short, almost aphoristic motives form the basis of a highly dramatic discourse.

His piano works include the famous Piano Sonata (written after the death of a man during a worker’s demonstration), the highly attractive cycle “On an overgrown path” (short pieces of sometimes violent, sometimes painfully intimate emotions), the cycle “In the mist”, and series on Czech and Moravian folk melodies.

Norwegian pianist Hakon Austbö already recorded extensively for Brilliant Classics (Satie, Brahms Klavierstücke, Grieg Lyrische Stücke), and proves himself again a true master in the short form, completely identifying himself with the composer and his inner thoughts.

00:00:00 Sonata I.X.: I. Foreboding
00:05:59 Sonata I.X.: II. Death
00:12:51 On an Overgrown Path, Pt. 1: I. Our Evenings
00:16:08 On an Overgrown Path, Pt. 1: II. A Blown Away Leaf
00:19:36 On an Overgrown Path, Pt. 1: III. Come with Us!
00:20:15 On an Overgrown Path, Pt. 1: IV. The Madonna of Frýdek
00:24:17 On an Overgrown Path, Pt. 1: V. They Chattered Like Swallows
00:26:28 On an Overgrown Path, Pt. 1: VI. Words Fail!
00:28:32 On an Overgrown Path, Pt. 1: VII. Good Night!
00:31:01 On an Overgrown Path, Pt. 1: VIII. Unutterable Anguish
00:34:10 On an Overgrown Path, Pt. 1: IX. In Tears
00:37:08 On an Overgrown Path, Pt. 1: X. The Barn Owl Has Not Flown Away!
00:41:04 On an Overgrown Path, Pt. 2: I. Andante - Un poco piú mosso
00:44:22 On an Overgrown Path, Pt. 2: II. Allegretto - Poco mosso
00:47:21 On an Overgrown Path, Pt. 2: III. Vivo - Presto (Completed by H. Austbø)
00:49:07 In the Mist: I. Andante - Poco mosso
00:52:30 In the Mist: II. Molto adagio - Presto
00:56:56 In the Mist: III. Andantino - Poco mosso
01:00:11 In the Mist: IV. Presto - Meno mosso - Andante
01:04:32 Tema con variazioni
01:14:48 In Remembrance
01:16:26 Ej, danaj!
01:18:21 Music for Gymnastics
01:23:21 To My Olga
01:23:57 On an Overgrown Path, Two Rejected Pieces: I. Più mosso
01:26:28 On an Overgrown Path, Two Rejected Pieces: II. Allegro
01:31:26 Moravian Dances: Dymák - Starodávný - Valaška - Požehnaný - Pilky - Kalamajka - Trojky - Sekerecka - Kolo - Celadenský
01:39:40 6 Miniatures: I. Lord Jesus Christ Is Born
01:40:21 6 Miniatures: II. Moderato
01:41:29 6 Miniatures: III. Without Title
01:42:04 6 Miniatures: IV. Cradle Song
01:42:57 6 Miniatures: V. Melodie
01:43:27 6 Miniatures: VI. Palace of Malostranský
01:44:32 Moravian Folksongs
01:52:29 A Recollection
01:54:26 Intimate Sketches: I. Merely blind fate?
01:55:27 Intimate Sketches: II. So That One Could Never Return
01:56:37 Intimate Sketches: III. The Golden Ring
01:56:50 Intimate Sketches: IV. I Am Waiting for You!