Gloria, part 1, The Proclamation: Gloria in excelsis Deo.composer: Karl Jenkins, june 2010. Performed by the London Symphony Orchestra and the National Youth Choir of Great Britain. If you want te hear more of the composer Karl Jenkins then go to https://buijtenp.home.xs4all.nl/jenkins
Pictures are taken at the coast of Essaouira in Marocco.

01.12.2015

St.Petersburg State Symphony Orchestra
St.Petersburg State Univercity Choir
St.Petersburg TV and Radio Children Choir
Conductor - Eduard Krotman

Карл Дженкинс - Миротворцы - 3. Мир, мир!

СПб ГАСО
Хор Санкт-Петербургского Государственного Университета
Детский хор телевидения и радио СПб
Дирижер - Эдуард Кротман

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Better is peace
Último número de la misa.
Estreno en Colombia de la obra compuesta por Karl Jenkins para celebrar el cambio del milenio.
Interpretado por la orquesta sinfónica de Caldas y los coros de la universidad de Caldas​ y la universidad tecnológica de Pereira.

Teatro los fundadores Manizales 7 de Abril de 2017

One of the best experiences of my life, getting a chance to perform at Northeastern Spring Choir Concert, April 2014. Boston, MA, USA

Cambiar La Musica
Žilinský miešaný zbor
Dievčenský zbor Žilinského konzervatória
Symfonický orchester Žilinského konzervatória
Dirigent: Adam Sedlický

Žilina (Dom umenia Fatra) - Voce Magna (6.10.2016)

Ave Verum de Karl Jenkins, interpretado por el Orfeón Logroñés en el Auditorium del Ayuntamiento de Logroño (Concierto de Primavera, 20 de mayo de 2017). Director: Diego Martínez de la Concepción. Pianista: Laura Cabezón. Violinista: Marife Herrero.

To purchase or for more info go to goo.gl/7cp8zE
Boosey & Hawkes Orchestra - Grade 3-4
Karl Jenkins’ dramatic work (originally for chorus and orchestra) is bursting with rhythmic energy and adapts ideally for strings and percussion. Here’s an opportunity for your string orchestra to perform contemporary symphonic music from one of today’s most engaging composers.
HL48030024
HL48030025

Original title "Lacus Serenitatis".
However I think that original title is a wrong title from album manufacture

CANTORIA DE LA MERCED
Dir. Santiago Ruiz

Abril de 2015

Filmado en Basílica Nuestra Señora de la Merced
Ciudad de Córdoba
ARGENTINA

Video: Vito García Castellanos

Benedictus by Karl Jenkins, Bob Erzin, Tom Snider and 2CELLOS
Made by Tineke Nederpel from the Netherlands
brunogroningfriends at gmail.com
The photo in this film is from https://nl.pinterest.com/ The source of this photo can be found as follows: save the photo (print screen) as a JPEG-file. Then upload this file on www.images.google.com (click on the camera).

POLYPHONY
Stephen Layton

The Maidstone Singers perform Karl Jenkins' Sancta Mater from his 'Stabat Mater' together with the Przemyski Chor Kameralny in Poland 2011.

A clip form the Armed Man film, available to project behind performances of the Armed Man a Mass for Peace by Karl Jenkins

Pie Jesu Domine,---Lord, all pitying, Jesu blest.
Dona eis requiem, sempiternam.---Grant them Thine eternal rest.

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Karl Jenkins:
Karl Jenkins knew from an early age that he wanted to make his life in music. As the son of the chapel choir master and organist in the village of Penclawdd, Wales, Jenkins learned piano and music theory from his father and was strongly influenced by the singing tradition of the Welsh church. At school he excelled at oboe, performing with the National Youth Symphony of Wales. Continuing his musical studies at Cardiff University and the Royal Academy of Music, he found himself drawn to jazz, preferring it to the atonal, dissonant style of music being taught in his composition classes. Describing himself as “one of the few jazz oboists in captivity,” he spent the following decades touring as a jazz performer, composer, and band leader.

Jenkins’ musical career entered a new chapter when he settled in London and began composing music for movies and advertising. His distinctive fusion of European and world music attracted an enthusiastic audience, most notably with his Adiemus recordings used in Delta Air Lines commercials in the 1990s. Composing next for the concert hall, he turned to the great liturgical works of the Christian church, revisiting the historic texts to interpret them anew using influences and ideas from other cultures. Over the course of his career to date Jenkins’ music has earned him 17 gold and platinum recordings and a host of accolades, including being named a Fellow of the Royal Academy of Music. In 2015, Jenkins was awarded a Knighthood for “services to composing and crossing musical genres.”

In a documentary on his career, Jenkins commented “I feel quite strongly that composing should communicate with people...I don’t think there’s any point in writing music if one doesn’t have an audience.” Of that the eminent composer should have no fear: his life in music has made him the most performed living composer in the world today.

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Requiem – Karl Jenkins:
The Japanese understanding of death has no corresponding concept of judgment, punishment, and reward. Instead, death is a natural process in which a soul returns inevitably to nature, just as snow must melt and cherry blossoms must fall. The spirits of the departed roam the world for months or even years before they are finally ready to merge with the cosmos. Just prior to death, many Japanese follow an ancient tradition of composing a jisei, which is a farewell poem to life, in the form of a haiku.
Karl Jenkins beautifully combines these two cultural understandings of death in his Requiem, enriching the Latin text codified by the church in the 16th century with Japanese death haiku from the 17th and 18th centuries. His musical settings reflect the origins of the texts: Latin prayers sung with Western orchestration and choral harmonies, Japanese haiku sung with Japanese flute and melodic styles. Jenkins vividly paints the texts within these styles, as the relentless rhythms of the Dies Irae give way to the melting solo flute of The Snow of Yesterday.

Jenkins also found points of commonality between the two philosophies, with haiku that echo the Benedictus and the Agnus Dei of the Requiem Mass. He combined the texts in these movements, with the women singing the Japanese poems above the men intoning the Latin prayers in monastic style. He concludes his Requiem with an ethereal setting of In Paradisum, in which a joyful and playful harp welcomes the souls of the departed into paradise.

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Performed by the Exultate Festival Choir and Orchestra on Sunday, March 18, 2018, at Augustana Lutheran Church in West St. Paul, MN, USA.

Thomas D. Rossin, Artistic Director
Exultate.org

Around the World with Kokoro, June 9th and 10th, 2012 - Adiemus (Karl Jenkins, Arr. Nicholas Hare)

CORO MOZART - Songs of Sanctuary (Kayama/Adiemus)[Karl Jenkins][2014] [Maestro: Dionísio Vila Maior]

The third movement of Karl Jenkins' Songs of the Earth, commissioned for BBC Radio 3 and first performed by the BBC National Orchestra of Wales, BBC National Chorus of Wales and the amassed Youth Choirs of Wales.

Polyphony
Stephen Layton

"Adiemus" de Karl Jenkins au CONCERT le 28 mars 2015 à l'Eglise Américaine à Paris avec le Choeur d'Enfants Sotto Voce, dirigé par Scott Alan Prouty avec Fanny Le Nestour au piano. Le Choeur d'Enfants Sotto Voce est en résidence au Théâtre du Châtelet. (Extrait: C&C GIRON)

Adieus by Karl Jenkins from our last concert at the American Church in Paris.

Uitvoerders : Vocaal Ensemble Cantando, Gemengd Jeugdkoor Cantilene en het Symfonisch Ensemble Ekeren o.l.v. Luc Anthonis.
Benefietconcert op 20 april 2008 in de Carolus Borromeuskerk te Antwerpen (België).