Tracklist in the comment section:
TOP 50 Best Piano Classics For Kids

A wonderful selection of the most famous piano pieces written for children, by the great composers.

These charming and appealing pieces stimulate the imagination and brings you in the world of Fairy Tales (Grieg’s March of the Dwarfs, riding a wooden horse (Schumann’s Kinderszenen), playing in the snow (Debussy’Children’s Corner), and ending in a peaceful slumber of the Berceuse by Chopin.

Played by world renowned pianists Klára Würtz and Alexander Warenberg.

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Francesco Cilea may now be best remembered as a composer of durable, blood-and-thunder staples of the verismo operatic school such as Adriana Lecouvreur and L’Arlesiana, but he addressed himself to chamber and instrumental music at both the beginning and end of his long career. Conservative and unfailingly melodic as his chosen idiom was, it nonetheless evolved in the 66 years between student salon pieces such as the Tre piccoli pezzi of 1888 and the album-leaf of 1944.

There have been a few surveys of Cilea’s piano music on record, but none as complete as this new recording from Pier Paolo Vincenzi, who has already won critical praise on Brilliant Classics for recordings of piano rarities. A Diabelli Variations album (BC94836) gathered all the composers who had initially responded to the Viennese publisher’s request for variations on his little waltz together with the late masterpiece of variation form eventually devised by Beethoven. Vincenzi has also recorded the complete piano music of Richard Wagner (BC94450) which drew this notice from Fanfare magazine: ‘Vincenzi has the kind of sparkling, clear Italian touch one often associates with Benedetti, Michelangeli, or, more recently, Luisi. His playing alternates between seriousness and sensuality, drama and joy, and the listener is with him every step of the way… [His] performances are the recommended ones.

Composer Francesco Cilea
Artist

Pier Paolo Vincenzi piano
Marco Gaggini piano

00:00:00 Tre piccoli pezzi: I. Melodia
00:01:54 Tre piccoli pezzi: II. Serenata
00:04:13 Tre piccoli pezzi: III. Danza
00:06:28 Chanson du rouet, Op. 4
00:09:04 Canto del mattino, Op. 5
00:12:17 La petite coquette – Air de danse, Op. 9
00:15:01 C’est toi que j’aime – Impromptu à la mazurka, Op. 10
00:17:50 Aria campestre
00:19:19 Flatterie, Op. 11
00:21:38 Mazurka, Op. 14
00:24:17 Badinage, Op. 15
00:26:28 Berceuse, Op. 20
00:28:37 Notturno, Op. 22
00:32:12 Seconda danza, Op. 26
00:33:53 Trois petits morceaux, Op. 28: I. Loin dans la mer
00:36:32 Trois petits morceaux, Op. 28: II. Feuille d’album
00:38:51 Trois petits morceaux, Op. 28: III. Pensée espagnole
00:40:32 Tre pezzi, Op. 29: I. Romanza
00:43:40 Tre pezzi, Op. 29: II. Scherzino
00:46:11 Tre pezzi, Op. 29: III. Barzelletta
00:48:59 Gocce di rugiada, Op. 33
00:51:49 Au village, Op. 34
00:53:37 A la mazurka, Op. 35
00:55:02 Valzer, Op. 36
00:56:51 Foglio d’album, Op. 41
00:58:51 Suite, Op. 42: I. Allegro
01:00:54 Suite, Op. 42: II. Sarabanda
01:04:30 Suite, Op. 42: III. Capriccio
01:07:56 Foglio d’album, Op. 41
01:09:54 Fuga reale
01:12:10 Tre pezzi, Op. 43: I. Verrà?
01:15:09 Tre pezzi, Op. 43: II. Acque correnti
01:17:19 Tre pezzi, Op. 43: III. Valle fiorita
01:21:15 Due pezzi: I. Risonanze nostalgiche
01:29:24 Due pezzi: II. Festa silana
01:33:19 Scherzo
01:37:57 Scherzando
01:41:09 Danza calabrese
01:45:05 Impromptu
01:48:20 Mazurka
01:49:55 Preludio
01:51:32 Vespero
01:54:35 Foglio d’album
01:56:14 Invocazione
01:58:51 Serenata a dispetto
02:00:52 Danza
02:04:41 Four Hands Music: Untitled in A Major
02:08:12 Four Hands Music: Chansonnette, Op. 31
02:10:14 Four Hands Music: Sentiment poétique
02:12:33 Four Hands Music: Amour joyeux, Op. 37
02:15:27 Idillio
02:18:40 Alla gavotte

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Composer: Johann Sebastian Bach
Artists: Pieter-Jan Belder (harpsichord and organ)
Johannete Zomer (soprano)

An exciting recording by two fabulous Dutch musicians, harpsichordist Pieter-Jan Belder and soprano Johannette Zomer. These days soprano Zomer is making quite an impression on critics and audiences alike.

Bach’s small gem written for his second wife, Anna Magdalena contains pieces for solo keyboard and songs. Today they give the listener an insight into Bach’s domestic music making. This release presents not just the keyboard works. In eleven works the keyboard player is joined by a vocalist.

A delightful record with intimate and radiant performances.

00:00:00 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 113
00:01:28 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 114 (Arr. J.S. Bach)
00:02:54 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 115 (Arr. J.S. Bach)
00:04:24 Notebook for Anna Magdalena Bach: Rondeau, Les Bergeries, BWV Anh. 183 (Arr. J.S. Bach)
00:08:08 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 116
00:09:45 Notebook for Anna Magdalena Bach: Polonaise, BWV Anh. 117
00:11:38 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 118
00:12:53 Notebook for Anna Magdalena Bach: Polonaise, BWV Anh. 119
00:13:47 Notebook for Anna Magdalena Bach: Choral. Wer nur den lieben Gott lässt walten, BWV 691
00:15:17 Notebook for Anna Magdalena Bach: Gib dich zufrieden und sei stille, BWV 510
00:17:01 Notebook for Anna Magdalena Bach: Gib dich zufrieden und sei stille, BWV 511
00:18:25 Notebook for Anna Magdalena Bach: Gib dich zufrieden und sei stille, BWV 512
00:19:39 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 120
00:20:51 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 121
00:21:52 Notebook for Anna Magdalena Bach: Marche, BWV Anh. 122 (Arr. J.S. Bach)
00:22:52 Notebook for Anna Magdalena Bach: Polonaise, BWV Anh. 123 (Arr. J.S. Bach)
00:24:08 Notebook for Anna Magdalena Bach: Marche, BWV Anh. 124 (Arr. J.S. Bach)
00:25:31 Notebook for Anna Magdalena Bach: Polonaise, BWV Anh. 125 (Arr. J.S. Bach)
00:27:18 Notebook for Anna Magdalena Bach: Aria. So oft ich meine Tobackspfeife, BWV 515a
00:33:27 Notebook for Anna Magdalena Bach: Menuet, fait par Mons (Arr. J.S. Bach)
00:34:38 Notebook for Anna Magdalena Bach: Musette, BWV Anh. 126
00:35:41 Notebook for Anna Magdalena Bach: Marche, BWV Anh. 127
00:37:19 Notebook for Anna Magdalena Bach: Polonaise, BWV Anh. 128
00:38:47 Notebook for Anna Magdalena Bach: Bist du bei mir, BWV 508
00:41:27 Notebook for Anna Magdalena Bach: Aria, BWV 988 (Arr. J.S. Bach)
00:45:24 Notebook for Anna Magdalena Bach: Solo per il Cembalo, BWV Anh. 129 (Arr. J.S. Bach)
00:48:23 Notebook for Anna Magdalena Bach: Polonaise, BWV Anh. 130 (Arr. J.S. Bach)
00:50:16 Notebook for Anna Magdalena Bach: Präludium, BWV 846
00:52:57 Notebook for Anna Magdalena Bach: Without Title, BWV Anh. 131
00:53:44 Notebook for Anna Magdalena Bach: Aria. Warum betrübst du dich, BWV 516
00:55:33 Notebook for Anna Magdalena Bach: Recitative and Aria. Ich habe genug, BWV 82
01:03:58 Notebook for Anna Magdalena Bach: Schaff's mit mir, Gott, BWV 514
01:04:51 Notebook for Anna Magdalena Bach: Menuet, BWV Anh. 132
01:05:38 Notebook for Anna Magdalena Bach: Aria di Giovannini, BWV 518
01:08:08 Notebook for Anna Magdalena Bach: Choral. Dir, Dir, Jehova, will ich singen, BWV 299
01:09:26 Notebook for Anna Magdalena Bach: Wie wohl ist mir, o Freund der Seelen, BWV 517
01:10:38 Notebook for Anna Magdalena Bach: Aria. Gedenke doch, mein Geist, BWV 509
01:12:04 Notebook for Anna Magdalena Bach: O Ewigkeit, du Donnerwort, BWV 513

Tracklist below.
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The extraordinary Fitzwilliam Virginal Book is a fascinating document housed in the Fitzwilliam Library in Cambridge, UK. It was probably compiled by Francis Treggian in the early 17th century, while he sat in prison for refusing to renounce his Catholicism. Whatever its origins, the exceptional manuscript contains almost 300 pieces, including many by known Roman Catholic sympathisers. In this, the fourth volume of the series, Pieter-Jan Belder focuses on the works by Giles Farnaby and John Bull, with Farnaby being one of the few Protestants represented in the manuscript. It’s likely that the two composers knew each other, as there are a number of clear similarities between their two styles, and the keyboard figurations of the two composers are at times indistinguishable. For this reason, Pieter-Jan Belder decided to group the two composers together for this release. The harpsichord pieces vary from Pavans and Galliards to Fantasias and Maskes (short interludes), as well as transcriptions of and embellishments on traditional folk tunes. The release concludes with Bull’s Quadran Pavan and Galiard, probably the longest piece in the entire Fitzwilliam Virginal Book, with an extensive variation of the pavan followed by a galliard made up of three distinct and varied sections.

Pieter-Jan Belder is a prolific recording artist, with over 130 CD recordings to his name. This is the fourth volume in his acclaimed series of recordings from The Fitzwilliam Virginal Book, with the first praised by Fanfare, who said ‘this is one complete recording series that I want to see to completion’. Joined by his student Gerhard Boogaard for one track – who also built the Ruckers harpsichord featured on this disc – Belder tackles the diverse and complex world of Elizabethan harpsichord music with ease.

00:00:00 Farmers Pavan CCLXXXVII
00:05:41 Galliarda CCLXIX
00:07:18 Fantasia CCXXXVI
00:11:18 Mal sims CCLXXXI
00:12:52 Pavana XXXIX
00:17:19 Meridian Alman CCXCI
00:19:00 A Maske CXCVIII
00:21:31 Quodlings Delight CXIV
00:24:08 Fantasia CCXXXII
00:30:27 A Maske CCIX
00:32:07 Wooddy-Cock CXLI
00:38:23 Fantasia CCXXXVII
00:42:23 Giles Farnabys Dreame CXCIV
00:43:44 His Rest Galiard CXCV
00:44:35 Farnabyes Conceit CCLXXIII
00:45:28 His Humour CXCVI
00:46:58 Fantasia CCXXXI
00:50:10 Rosasolis CXLIII
00:52:40 Lachrimae Pavan CCXC
00:59:46 A Toye CCLXX
01:00:56 A Maske CXCIX
01:02:27 Tell mee Daphne CCLXXX
01:03:52 Loth to Depart CCXXX
01:07:16 For Two Virginals LV
01:08:25 Pavana of my L.[ord] Lumley XLI
01:12:39 Galliarda to my L.[ord] Lumley’s Pavan XI
01:15:00 Praeludium in A Minor, FWB CCX
01:15:43 Fantasia CVIII
01:20:12 Pavana CXXXVI
01:24:34 Galliarda CXXXVII
01:26:32 Pavana XXXIV
01:33:13 Galiard to the Pavan XXXV
01:35:04 Prelude CXCII
01:35:56 Ut re mi fa sol la LI
01:41:39 St Thomas Wake XXXVI
01:45:07 The Duke of Brunswicks Alman CXLII
01:46:39 Pipers Galiard CLXXXII
01:48:55 Variatio Ejusdem CLXXXIII
01:51:54 The Quadran Pavan XXXI
01:58:54 Variation of the Quadran Pavan XXXII
02:07:05 Galiard to the Quadran Pavan XXXIII

Composer: Richard Wagner
Artists: René Kollo (tenor), Ulrik Cold (bass), Theo Adam (bass),Gisela Schröter (contralto), Reid Bunger (baritone), Fred Teschler (bass), Rundfunkchor Leipzig, Rundfunkchor Berlin, Thomanerchor Leipzig, Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel (conductor)

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Wagner’s most elusive and enigmatic opera, Parsifal has given scholars much to think about it since its premiere in 1882. A cryptic mixture of Christian, pagan and oriental elements, as well as containing some nods to the 19th-century writings of Schopenhauer, the opera follows the medieval legend of the knights of the Holy Grail. With their leader Amfortas gravely injured, the Knights are in trouble, and turn to the unlikely hero Parsifal to steal back the holy spear Amfortas possessed when he was seduced and stabbed by Klingsor, an embittered ex-knight. On the way, Parsifal must battle the temptations of the flower maidens and the manipulative Kundry – this in addition to him discovering more about his own past. Wagner’s last opera, Parsifal deals centrally with the theme of Mitleid, or compassion, a redemptive quality that is underlined by Wagner’s gloriously sublime score.

Featuring a stellar cast, this production was originally released in 1978 and has certainly stood the test of time. René Kollo takes the main role in a release that was lauded by Gramophone for its ‘highly distinguished’ singing and conducting ‘unusual in its swiftness and dramatic candour’. With a first-class supporting cast that includes Gisela Schröter as the devious Kundry and Theo Adam as the despairing Amfortas, this Parsifal marks a wonderful tribute to Wagner’s work of intense humanity.

This reissue of the 1975 live recording of Wagner’s Parsifal features a stellar cast: the great René Kollo in the title role, further Theo Adam, Gisela Schröter and Ulrik Cold, and the splendid Rundfunk-Sinfonie-Orchester Leipzig, conducted by Herbert Kegel, a specialist in late romantic repertoire.
First issued on Berlin Classics this historic recording received high praise for its “unusual swiftness and dramatic candour” (Gramophone) and the “highly distinguished” title role of Rene Kollo.

The tracklist can be found in the comments section below!

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The first complete recording based on the new Curci edition of the famous 20 Studies of the Spanish composer Fernando Sor (1778 - 1839) selected by Andrés Segovia and edited by Angelo Gilardino. Completely revisited in the timbres and colors of high value music for six strings belonging to the classical repertoire and of great interest to students and professionals.
A complete and innovative reading, carried out thanks to 'urtext' version, the latter the result of a comparison of minunzioso sources. It follows a synoptic reading of the two versions from which emerge in a transparent way the nature of the work of Segovia and creative teaching of a classical author that he read and interpreted in the light of his aesthetics and his ideal.
Composer: Fernando Sor
Artist: Cristiano Porqueddu (guitar)

00:00:00 Studio Op.6 n.8 (I)
00:02:29 Esercizio Op.35 n.13 (II)
00:03:23 Studio Op.6 n.2 (III)
00:04:44 Studio Op.6 n.1 (IV)
00:06:08 Esercizio Op.35 n.22 (V)
00:09:03 Esercizio Op.35 n.17 (VI)
00:10:48 Lezione Op.31 n.21 (VII)
00:12:54 Lezione Op.31 n.16 (VIII)
00:15:12 Lezione Op.31 n.20 (IX)
00:16:17 Lezione Op.31 n.19 (X)
00:18:02 Studio Op.6 n.3 (XI)
00:19:40 Studio Op.6 n.6 (XII)
00:21:26 Studio Op.6 n.9 (XIII)
00:24:40 Studio Op.6 n.12 (XIV)
00:30:57 Esercizio Op.35 n.16 (XV)
00:32:42 Studio Op.29 n.3 (XVI)
00:35:07 Studio Op.6 n.11 (XVII)
00:38:51 Studio Op.29 n.22 (XVIII)
00:43:34 Studio Op.29 n.13 (XIX)
00:48:20 Studio Op.29 n.17 (XX)

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The Mass and songs by Guillaume de Machaut are probably the earliest consistent body of work attributable to a single composer in the Western canon. As such, they form a foundation stone to centuries of both melody-oriented song and contrapuntal polyphony that come thereafter. They have their own rich recording history, too, from the gentle and sometimes pedestrian efforts of pioneering groups like Pro Musica Antiqua and the New York Pro Musica, through to the dynamic and swinging recordings of the Orlando Consort.

Composer :Guillaume de Machaut
Artist: Ensemble Gilles Binchoit, Dominique Vellard (conductor)

00:00:00 Messe de Nostre Dame: Introitus. Gaudeamus omnes in domino
00:05:10 Messe de Nostre Dame: Kyrie eleison
00:12:15 Messe de Nostre Dame: Gloria in excelsis deo
00:17:15 Messe de Nostre Dame: Collectio. Veneranda nobis
00:18:21 Messe de Nostre Dame: Epistulum. Lectio libri sapientiae
00:20:25 Messe de Nostre Dame: Graduale. Propter veritatem
00:23:46 Messe de Nostre Dame: Alleluia, assumpta est Maria
00:25:51 Messe de Nostre Dame: Evangelium. In illo tempore intravit Jesus
00:27:48 Messe de Nostre Dame: Credo in unum Deum
00:35:06 Messe de Nostre Dame: Offertorium. Diffusa est gratia
00:36:34 Messe de Nostre Dame: Praefatio
00:39:22 Messe de Nostre Dame: Sanctus & Benedictus
00:44:02 Messe de Nostre Dame: Pater Noster
00:45:41 Messe de Nostre Dame: Agnus Dei
00:49:14 Messe de Nostre Dame: Communio. Regina mundi
00:53:57 Messe de Nostre Dame: Postcommunio. Mense celestis
00:55:03 Messe de Nostre Dame: Ite Missa est
00:56:42 Le vray remède d’amour: “Je, Guillaumes” from Le Jugement du Roi de Navarre
00:57:33 Le vray remède d’amour: Virelai “Dame, vostre doulz viaire”
01:03:36 Le vray remède d’amour: Motet “Amours qui ha le pouoir/Faus samblant”
01:06:08 Le vray remède d’amour: Virelai “Je vivroie liement”
01:09:14 Le vray remède d’amour: Rondeau “Ce qui soustient moy”
01:12:11 Le vray remède d’amour: “La, firent mains divers acors” from Le Remède de Fortune
01:13:20 Le vray remède d’amour: Ballade “Dame se vous m’estes lonteinne”
01:15:24 Le vray remède d’amour: Ballade “Je ne cuit pas”
01:21:27 Le vray remède d’amour: Rondeau “Doulz viaire gracieus”
01:23:15 Le vray remède d’amour: Motet “Christe, qui lux est/Veni creator spiritus”
01:27:45 Le vray remède d’amour: “Qui des couleurs” from La Loange des Dames
01:29:21 Le vray remède d’amour: Rondeau “Puisqu’en oubli”
01:30:57 Le vray remède d’amour: Ballade “Dame ne regardes pas”
01:34:30 Le vray remède d’amour: Ballade “Doulz amis”
01:40:57 Le vray remède d’amour: “Long sont mi jour” from Le Livre du Voir-Dit
01:41:36 Le vray remède d’amour: Complainte “Tels rit au main”
01:43:56 Le vray remède d’amour: Virelai “Liement me deport”
01:49:23 Le vray remède d’amour: “Des que on porroit” from Le Livre du Voir-Dit
01:50:49 Le vray remède d’amour: Ballade “De toutes flours”
01:57:26 Le vray remède d’amour: “Mon cuer, ma suer” from Le Livre du Voir-Dit
02:00:06 Le vray remède d’amour: Motet “Felix virgo” - “Inviolata genitrix”
02:04:39 Le Jugement du Roi de Navarre: Chanson roial ”Joie, plaisance et douce nourriture”
02:05:58 Le Jugement du Roi de Navarre: Ballade “Tres douce dame que j’aour”
02:09:52 Le Jugement du Roi de Navarre: “Un po apres le temps d’autonne...”
02:11:31 Le Jugement du Roi de Navarre: Motet “Plange regni/Tu qui gregem tuum ducis”
02:14:24 Le Jugement du Roi de Navarre: “Et tout einsi com je cuidoie...”
02:16:18 Le Jugement du Roi de Navarre: Motet “O livoris feritas/Fons totuis superbie”
02:19:01 Le Jugement du Roi de Navarre: “Et quant Nature vit ce fait...”
02:20:40 Le Jugement du Roi de Navarre: Virelai “Puis que ma dolour”
02:23:22 Le Jugement du Roi de Navarre: “Si que ces tempestes cesserent...”
02:26:39 Messe de Nostre Dame: Kyrie
02:33:12 Le Jugement du Roi de Navarre: “Si que tres bien me confessay...”
02:34:25 Le Jugement du Roi de Navarre: Virelai “J’aim sans penser”
02:36:42 Le Jugement du Roi de Navarre: Ballade “Esperance”
02:41:53 Le Jugement du Roi de Navarre: Double ballade “Quant Theseüs” - “Ne quier veoir”
02:47:11 Le Jugement du Roi de Navarre: “Damoiselle, la traïson de Theseüs...”
02:50:09 Le Jugement du Roi de Navarre: Ballade “Honte, paour, doubtance”
02:53:55 Le Jugement du Roi de Navarre: “Adont commensa Souffissance...”
02:57:28 Le Jugement du Roi de Navarre: Ballade “Nes que on porroit les estoilles nombrer”
03:03:00 Le Jugement du Roi de Navarre: “Quant leur consaus fu affinez...”
03:04:22 Le Jugement du Roi de Navarre: Ballade “Amours me fait desirer”

Tracklist below.

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Composer:
Johann Sebastian Bach

Artist:
Daniele Boccaccio organ

00:00:00 Prelude No. 1 in C Major, BWV 846
00:01:42 Fugue No. 1 in C Major, BWV 846
00:04:10 Prelude No. 2 in C Minor, BWV 847
00:05:43 Fugue No. 2 in C Minor, BWV 847
00:07:49 Prelude No. 3 in C-Sharp Major, BWV 848
00:09:17 Fugue No. 3 in C-Sharp Major, BWV 848
00:12:19 Prelude No. 4 in C-Sharp Minor, BWV 849
00:15:19 Fugue No. 4 in C-Sharp Minor, BWV 849
00:19:24 Prelude No. 5 in D Major, BWV 850
00:20:47 Fugue No. 5 in D Major, BWV 850
00:22:47 Prelude No. 6 in D Minor, BWV 851
00:24:32 Fugue. No. 6 in D Minor, BWV 851
00:26:44 Prelude No. 7 in E-Flat Major, BWV 852
00:30:41 Fugue No. 7 in E-Flat Major, BWV 852
00:32:45 Prelude No. 8 in E-Flat Minor, BWV 853
00:35:35 Fugue No. 8 in E-Flat Minor, BWV 853
00:42:01 Prelude No. 9 in E Major, BWV 854
00:43:40 Fugue No. 9 in E Major, BWV 854
00:45:14 Prelude No. 10 in E Minor, BWV 855
00:47:21 Fugue No.10 in E Minor, BWV 855
00:48:38 Prelude No. 11 in F Major, BWV 856
00:50:03 Fugue No. 11 in F Major, BWV 856
00:51:35 Prelude No. 12 in F Minor, BWV 857
00:53:24 Fugue No. 12 in F Minor, BWV 857
00:57:56 Prelude No. 13 in F-Sharp Major, BWV 858
00:59:21 Fugue No. 13 in F-Sharp Major, BWV 858
01:01:49 Prelude No. 14 in F-Sharp Minor, BWV 859
01:03:19 Fugue No. 14 in F-Sharp Minor, BWV 859
01:06:11 Prelude No. 15 in G Major, BWV 860
01:07:15 Fugue No. 15 in G Major, BWV 860
01:10:37 Prelude No. 16 in G Minor, BWV 861
01:11:59 Fugue No. 16 in G Minor, BWV 861
01:14:20 Prelude No. 17 in A-Flat Major, BWV 862
01:15:36 Fugue No. 17 in A-Flat Major, BWV 862
01:18:12 Prelude No. 18 in G-Sharp Minor, BWV 863
01:19:27 Fugue No. 18 in G-Sharp Minor, BWV 863
01:21:46 Prelude No. 19 in A Major, BWV 864
01:23:11 Fugue No. 19 in A Major, BWV 864
01:25:43 Prelude No. 20 in A Minor, BWV 865
01:27:02 Fuge No. 20 in A Minor, BWV 865
01:32:25 Prelude No. 21 in B-Flat Major, BWV 866
01:34:25 Fugue No. 21 in B-Flat Major, BWV 866
01:36:37 Prelude No. 22 in B-Flat Minor, BWV 867
01:38:27 Fugue No. 22 in B-Flat Minor, BWV 867
01:41:36 Prelude No. 23 in B Major, BWV 868
01:42:44 Fugue No. 23 in B Major, BWV 868
01:45:16 Prelude No. 24 in B Minor, BWV 869
01:49:23 Fugue No. 24 in B Minor, BWV 869
01:56:06 Prelude No. 1 in C Major, BWV 870
01:58:32 Fugue No. 1 in C Major, BWV 870
02:00:38 Prelude No. 2 in C Minor, BWV 871
02:03:17 Fugue No. 2 in C Minor, BWV 871
02:05:34 Prelude No. 3 in C-Sharp Major, BWV 872
02:07:09 Fugue No. 3 in C-Sharp Major, BWV 872
02:09:30 Prelude No. 4 in C-Sharp Minor, BWV 873
02:13:15 Fugue No. 4 in C-Sharp Minor, BWV 873
02:16:03 Prelude No. 5 in D Major, BWV 874
02:21:42 Fugue No. 5 in D Major, BWV 874
02:24:20 Prelude No. 6 in D Minor, BWV 875
02:26:07 Fugue No. 6 in D Minor, BWV 875
02:28:09 Prelude No. 7 in E-Flat Major, BWV 876
02:30:31 Fugue No. 7 in E-Flat Major, BWV 876
02:32:33 Prelude No. 8 in D-Sharp Minor, BWV 877
02:36:34 Fugue No. 8 in D-Sharp Minor, BWV 877
02:40:15 Prelude No. 9 in E Major, BWV 878
02:45:30 Fugue No. 9 in E Major, BWV 878
02:48:35 Prelude No. 10 in E Minor, BWV 879
02:52:27 Fugue No. 10 in E Minor, BWV 879
02:55:52 Prelude No. 11 in F Major, BWV 880
02:59:26 Fugue No. 11 in F Major, BWV 880
03:01:10 Prelude No. 12 in F Minor, BWV 881
03:05:32 Fugue No. 12 in F Minor, BWV 881
03:08:02 Prelude No. 13 in F-Sharp Major, BWV 882
03:11:42 Fugue No. 13 in F-Sharp Major, BWV 882
03:14:28 Prelude No. 14 in F-Sharp Minor, BWV 883
03:17:20 Fugue No. 14 in F-Sharp Minor, BWV 883
03:21:47 Prelude No. 15 in G Major, BWV 884
03:24:44 Fugue No. 15 in G Major, BWV 884
03:26:06 Prelude No. 16 in G Minor, BWV 885
03:28:10 Fugue No. 16 in G Minor, BWV 885
03:31:33 Prelude No. 17 in A-Flat Major, BWV 886
03:35:30 Fugue No. 17 in A-Flat Major, BWV 886
03:38:14 Prelude No. 18 in G-Sharp Minor, BWV 887
03:43:20 Fugue No. 18 in G-Sharp Minor, BWV 887
03:47:10 Prelude No. 19 in A Major, BWV 888
03:48:55 Fugue No. 19 in A Major, BWV 888
03:50:35 Prelude No. 20 in A Minor, BWV 889
03:54:38 Fugue No. 20 in A Minor, BWV 889
03:56:31 Prelude No. 21 in B-Flat Major, BWV 890
04:04:55 Fugue No. 21 in B-Flat Major, BWV 890
04:07:20 Prelude No. 22 in B-Flat Minor, BWV 891
04:10:09 Fugue No. 22 in B-Flat Minor, BWV 891
04:15:24 Prelude No. 23 in B Major, BWV 892
04:17:35 Fugue No. 23 in B Major, BWV 892
04:21:31 Prelude No. 24 in B Minor, BWV 893
04:23:39 Fugue No. 24 in B Minor, BWV 893

Physical purchase: https://www.brilliantclassics.....com/articles/k/kl%C3

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Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify

Artist: Klara Würtz
Franz Liszt:
00:00:00 Waldesrauschen
00:04:04 Gnomenreigen
00:06:49 Liebestraum No. 3 in A-Flat Major
00:11:09 Mephisto Waltz No. 1
00:22:27 Les jeux d’eaux à la Villa d’Este (From Années de Pèlerinage III)
Franz Schubert:
00:30:08 Impromptu in B-Flat Major, Op. 142: No. 3 “Rosamunde”
Robert Schumann:
00:41:21 Arabesque, Op. 18
Frédéric Chopin:
00:47:42 Ballade No. 1 in G Minor, Op. 23
00:56:11 Barcarolle in F-Sharp Major, Op. 60
Claude Debussy:
01:04:19 L’isle joyeuse
Serge Rachmaninoff: Piano Concerto No.2 in C minor Op. 18
01:10:03 Moderato
01:20:12 Adagio sostenuto
01:31:18 Allegro scherzando
Robert Schumann: Piano Concerto in A minor Op. 54
01:42:54 Allegro affetuoso
01:57:54 Intermezzo
02:03:11 Allegro vivace

Tracklist Below.

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Artist:
Raffaele La Ragione, Giacomo Enrico Ferrari

00:00:00 Serenata napoletana
00:06:01 Plenilunio
00:10:24 Serenatella
00:11:52 Suite for Mandolin and Piano: I. Cantabile
00:15:43 Suite for Mandolin and Piano: II. Intermezzo
00:17:35 Suite for Mandolin and Piano: III. Serenata
00:20:11 Serenata00:17:35
00:23:55 Serenata romantic
00:27:14 Nenia d’amore
00:32:10 Trois morceaux: I. Melodie
00:34:14 Trois morceaux: II. Barcarolle
00:37:26 Trois morceaux: III. Gavotte
00:40:20 Serenata napoletana
00:44:36 Mormorio d’amore
00:48:26 Serenata
00:51:53 Fantasia di concerto

Sadhguru responde una pregunta sobre trabajar duro y explica cómo, desafortunadamente, la sociedad piensa que el trabajo duro trae resultados. Él explica que lo importante es saber qué hacer en el momento indicado.

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Meditación gratuita guiada por Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

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Sadhguru explica que, en el proceso de volverse silencioso, cerrar la boca es solo mitad del trabajo. Los que están demasiado enamorados con su propio proceso de pensamiento solo estarán atrapados en un círculo de recuerdos reciclados.

**************************************************

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Aprende la meditación guiada gratuita de Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

Más videos y blogs en la página
http://www.sadhguru.org

Meditación gratuita guiada por Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Página oficial de Facebook de Sadhguru
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Perfil oficial de Twitter de Sadhguru
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Descarga la app de Sadhguru
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En la evolución, una columna vertical corresponde a un salto en la capacidad. Esta práctica sencilla mantiene a la columna sana y activa; y puede hacer maravillas.

********************************************************************

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Aprende la meditación guiada gratuita de Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

Más videos y blogs en la página
http://www.sadhguru.org

Meditación gratuita guiada por Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Página oficial de Facebook de Sadhguru
https://www.facebook.com/sadhguru

Perfil oficial de Twitter de Sadhguru
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Descarga la app de Sadhguru
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Das 3D Hintergrundvideo aus den 3D Shows.

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Le ha regalado un curioso libro con una dedicatoria original de Borges.

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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Así recibieron al Papa en esta parroquia de Roma. Iba a ser una visita privada pero corrió la voz y con la popularidad de Francisco fue imposible.
Sigue toda la actualidad del Vaticano, haz click aquí: http://smarturl.it/RomeReportsESP

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

ROME REPORTS informa directamente al público y cubre las necesidades de las emisoras mediante noticias diarias, programas informativos semanales y documentales especializados.

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La enfermedad de Juan Pablo II

Fue una obra de misericordia en homenaje a Madre Teresa, defensora de la vida.

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[DESCRIPCIÓN DE LA NOTICIA]

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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10 de octubre, 2016. Así ha cambiado el Colegio de cardenales desde que Francisco fue elegido Papa.

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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