Tracklist in the comment section:
TOP 50 Best Piano Classics For Kids

A wonderful selection of the most famous piano pieces written for children, by the great composers.

These charming and appealing pieces stimulate the imagination and brings you in the world of Fairy Tales (Grieg’s March of the Dwarfs, riding a wooden horse (Schumann’s Kinderszenen), playing in the snow (Debussy’Children’s Corner), and ending in a peaceful slumber of the Berceuse by Chopin.

Played by world renowned pianists Klára Würtz and Alexander Warenberg.

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Composer and Artists:
Composer: Franz Liszt
Artist: Vanessa Benelli-Mosell

About this Album:
This new Liszt disc is structured after the fashion of a recital such as the composer himself might have given; with shorter and lighter items sprinkled among unabashed showpieces, and in the centre, an exploration of the composer’s complex relationship with his homeland expressed through native melodies and dances transmuted into new forms through the fantasymedium of the Hungarian Rhaposody. To finish, the fireworks of the Grand galop chromatique, beloved of Cziffra, Bolet and others in whose pianistic footsteps Vanessa Benelli Mosell dances with abandon.

Tracklist:
00:00:00 Valse Impromptu, S. 213 (1842–c.1850)
00:06:36 Capriccio alla Turca S. 388 on themes from Beethoven’s Die Ruinen von Athen (1846)
00:15:48 La Leggierezza, etude de concert in F Minor, S. 144 No. 2 (c.1848)
00:20:43 Hungarian Rhapsodies, S. 244 (1847): No. 6 in D-Flat
00:27:13 Hungarian Rhapsodies, S. 244 (1847): No. 10 in E
00:32:51 Hungarian Rhapsodies, S. 244 (1847): No. 11 in A Minor
00:38:53 Hungarian Rhapsodies, S. 244 (1847): No. 12 in C-Sharp Minor
00:48:47 Liebestraum in A-Flat, S. 541 No. 3 (1847–1850)
00:53:33 Galop Russe, S. 478i after Bulhakov (1843)
00:56:42 La Danze, S. 424 No. 9 from Rossini’s Soirées musicales (1837)
01:01:06 Grand Galop Chromatique, S. 219 (1838)

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Liszt #Recital

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Composer & Artist:
Composers: Antonín Dvorák, Bedrich Smetana, Bohuslav Martinu, Leoš Janácek
Artists: Stamitz Quartet, Bohuslav Matoušek (first violin), Josef Kekula (second violin), Jan Peruška (viola), Vladimír Leixner (cello)

About this Album:
Those by Dvořák chart the evolution of his style, from his interest in Wagnerian music in the years prior to 1870 – String Quartet in D major – to the folk-infused works of his later life, such as the String Quartet in G major Op.106, and show the influence of his time in the United States, with the String Quartet in F Op.96 ‘American’. The quartets of Smetana have a distinctive neo-classical flavour while those of Janáček show strong links to his operatic works. Prolific composer Bohuslav Martinů composed six quartets, of which two were mislaid during the war. One of these, his fifth string quartet, is widely considered to be one of the most pivotal works in the composer’s oeuvre, written in 1938, a year of much upheaval in Martinů’s life. Many of the quartets in the collection hold an emotional dimension, all of which are exquisitely brought to life by the Stamitz Quartet.

Established in 1985, the Stamitz Quartet quickly became known as leading interpreters of Czech repertory. Winners of the 1986 National Broadcasting Union Competition in Salzburg, the Quartet’s rise to fame was meteoric; they have since participated in tours throughout Europe and America and undertaken a variety of recording projects, of which this collection is one.

Tracklist:
The tracklist can be found in the comments!

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#Czech #CzechMusic #Classical #BrilliantClassics #Music #Composer #ClassicalMusic

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Composer & Artist:
Composer: Girolamo Frescobaldi
Artists: La Stagione Armonica, Schola Gregoriana, Roberto Loreggian (organ), Sergio Balestracci (conductor)





About this Album:
Girolamo Frescobaldi was born in Ferrara in 1583, and worked for the influential and wealthy Este family. Ferrara at this time had become the centre for the modern arts and the musical avant-garde. Virtuoso singing and playing flourished, and it was into this heady atmosphere that the young Frescobaldi cut
his teeth.

In 1608 he took the position of organist at St Peter’s Basilica in Rome. In 1615 a new basilica was built with two fine organs upon which Frescobaldi performed his famous improvisatory toccatas during ceremonial occasions. In Rome at this time he mingled with other major figures in the artistic community including Bernini and Pietro da
Cortona.

Although Frescobaldi was one of the earliest composers to make keyboard compositions his speciality, he was also expected to provide vocal and choral works for his patron.

Tracklist:
00:00:00 Missa sopra l’aria della Monica: Introitus Gaudeamus
00:03:48 Missa sopra l’aria della Monica: Kyrie
00:07:00 Missa sopra l’aria della Monica: Gloria
00:11:24 Missa sopra l’aria della Monica: Credo
00:20:28 Missa sopra l’aria della Monica: Offertorium Ave Maria
00:23:06 Missa sopra l’aria della Monica: Sanctus
00:25:31 Missa sopra l’aria della Monica: Agnus Dei
00:28:16 Missa sopra l’aria della Monica: Antiphona Diffusa est
00:31:11 Missa sopra l’aria di Fiorenza: Antiphona ad introitum / De ventre matris meae
00:35:22 Missa sopra l’aria di Fiorenza: Kyrie
00:38:36 Missa sopra l’aria di Fiorenza: Gloria
00:42:36 Missa sopra l’aria di Fiorenza: Credo
00:53:17 Missa sopra l’aria di Fiorenza: Offertorium / Iustus ut palma
00:55:13 Missa sopra l’aria di Fiorenza: Sanctus
00:57:03 Missa sopra l’aria di Fiorenza: Agnus Dei
01:00:32 Missa sopra l’aria di Fiorenza: Antiphona / Tu puer, propheta


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Composer: Edward Elgar, Frank Bridge, Ralph Vaughan Williams
Artist: Quink Vocal Ensemble

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Quink is the Netherlands’ premier solo vocal ensemble, founded in 1978, which has won a string of awards for its albums of motets, partsongs villancicos and more ranging over 500 years of music. Turning to the rich repertoire of late-19th and early-20th-century English and Irish music, Quink has made a complement to its previous recording of music by Vaughan Williams and Finzi, which received critical praise for its ‘technical elegance and fine spirit’ (BBC Music Magazine).

The madrigal found a home in Elizabethan England after its creation in mid-17th-century Italy with the works of Gibbons and many others, and survived longer there than in the rest of Europe, where it fell out of fashion in the 18th century. Nonetheless, the Victorian age saw a revival in what had become a neglected genre of consort work, and many glee clubs were formed to sing earlier work, as well as stimulating the composition of new ones such as are found here.

The title track is the last of Sir Charles Parry’s Six Modern Lyrics, but the previous five are little known and seldom recorded (the poem by Robert Bridges was also set by Britten’s teacher, Frank Bridge, and included here alongside one of several settings of Shakespeare, The Bee). The other extensive collection here is of E.J. Moeran’s Songs of Springtime, as buoyant and cheerful as their title suggests, yet curiously neglected. The selections of Vaughan Williams such as his Three Elizabethan Partsongs and Silence and Music are deservedly famous, and sung here with the elegance and freedom that comes more naturally to vocal consorts rather than chamber choirs however well-drilled.
 
This new recording by Dutch vocal ensemble Quink contains a delectable selection of English part songs, works by Vaughan Williams, Elgar, Bridge, Stanford, Moeran and Parry.
The music has that indelible English atmosphere of autumnal serenity and melancholy, evoking pastoral scenes of poignant beauty, where “time stands still”.
The booklet contains liner notes, biography and the complete sung texts.

00:00:00 3 Part-Songs, Op. 18: I. O Happy Eyes
00:02:52 3 Part-Songs, Op. 18: II. Love
00:05:18 Music, When Soft Voices Die, H.31
00:07:56 The Bee, H.110
00:09:19 Three Elizabethan Partsongs: I. Sweet Day
00:11:21 Three Elizabethan Partsongs: II. The Willow Song
00:13:42 Three Elizabethan Partsongs: III. O Mistress Mine
00:14:48 6 Irish Folksongs, Op. 78: III. At The Mid-Hour Of Night
00:17:16 6 Irish Folksongs, Op. 78: V. It Is Not the Tear
00:19:35 O Weary Hearts, H.92
00:23:36 Under the Greenwood Tree
00:25:00 The River-God’s Song
00:26:40 Spring, the Sweet Spring
00:28:15 Love Is A Sickness
00:31:35 Sigh No More, Ladies
00:33:07 Good Wine
00:34:34 To Daffodils
00:37:05 In Autumn, H.62
00:40:27 Love Is a Sickness
00:41:33 Fain Would I Change That Note
00:43:51 6 Elizabethan Pastorals: III. Shall We Go Dance
00:45:04 6 Irish Folksongs, Op. 78: I. O Breathe Not His Name
00:48:22 Silence And Music
00:53:49 6 Modern Lyrics: I. How Sweet the Answer
00:55:27 6 Modern Lyrics: II. Since Thou, O Fondest
00:57:49 6 Modern Lyrics: III. If I Had But Two Little Wings
00:59:55 6 Modern Lyrics: IV. There Rolls the Deep
01:02:22 6 Modern Lyrics: V. What Voice of Gladness
01:05:05 6 Modern Lyrics: VI. Music, When Soft Voices Die

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Composer: Claude Debussy
Artist: Mariangela Vacatello (piano)

About this Album:
The Debussy-year 2012 brought a wealth of reissues on the market, but surprisingly few new recordings. Reason the more to welcome this new recording of a generous selection of Debussy piano works, centred around the substantial “12 Etudes”.These works, written in the later stage of Debussy’s creative life, form the apotheosis of his style. Far from any evocative “impressionistic” Tonmalerei or picturesque
atmosphere painting they are Debussy’s answer to the Etudes of Chopin, purely abstract creations of melody, harmony and rhythm. Fiercely uncompromising and difficult, they form the summit of Debussy’s piano oeuvre, and one of the highest challenges to any performing pianist.

The exciting young Italian pianist Mariangela Vacatello is a Liszt specialist, renowned for her passionate performances and technical ability. She has given concerts at prestigious venues across the USA and Europe, and she has won many awards. These include second prize at the Franz Liszt International Piano Competition in 1999, and the Internet Audience Award at the 2009 Van Cliburn International Piano Competition. ‘A very exciting player’ Musical Opinion, 2008.

Tracklist:
00:00:00 Etudes: I. Pour les cinq doigts (d’après Monsieur Czerny)
00:03:19 12 Etudes: II. Pour les tierces
00:07:15 12 Etudes: III. Pour les quartes
00:13:33 12 Etudes: IV. Pour les sixtes
00:18:11 12 Etudes: V. Pour les octaves
00:20:56 12 Etudes: VI. Pour les huit doigts
00:22:33 12 Etudes: VII. Pour les degrés chromatiques
00:24:48 12 Etudes: VIII. Pour les agréments
00:29:55 12 Etudes: IX. Pour les notes répétées
00:33:17 12 Etudes: X. Pour les sonorités opposées
00:38:50 12 Etudes: XI. Pour les arpèges composés
00:43:24 12 Etudes: XII. Pour les accords
00:47:50 Estampes: I. Pagodes
00:52:35 Estampes: II. La soirée dans Grenade
00:57:54 Estampes: III. Jardins sous la pluie
01:01:39 Deux Arabesques: No. 1 Andantino con moto
01:06:19 Deux Arabesques: No.2 Allegretto scherzando
01:09:46 L’Isle joyeuse

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Debussy

Tracklist below.

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While J.S. Bach, along with Buxtehude, has long been considered the father of Baroque organ music in northern Germany, organ music connoisseurs today have started to look beyond the established canon of this time to the great composer’s contemporaries. Particularly interesting are three German composers who were also active around the same time as Bach: Erich, Saxer and Druckenmüller, whose complete works (as discovered in manuscript form) feature on this release.
All three were unusual in that they came from provincial areas of Germany rather than being based in a thriving cultural centre like Hamburg or Lübeck. Druckenmüller – just two years younger than Bach – was highly unusual in publishing completely original Concertos for organ solo, in contrast to Bach’s settings of established chorale tunes that were the norm. The Concertos – all fast–slow–fast – are written in the style that was fast becoming the established one in Germany, the Italian Style. Slightly younger was Georg Saxer, whose style was starting to reflect the new galant Rococo. His Preludes, followed by a long Fugue, reflect new tensions with dominant seventh chords that seem to hang in the air, creating moments of suspense. Daniel Erich – more of Buxtehude’s time than Bach’s – wrote chorale preludes, of which only four survive. They reveal a composer full of expressivity and elegance in the way he embellishes the theme, whether in the soprano or the pedal. His original compositions show a remarkable originality as well as knowledge of the idiomatic writing of the time.
Italian organist Manuel Tomadin’s passion for these undiscovered composers comes across clearly in this release. He has specially chosen a Baroque organ by Arp Schnitger, the most important organ builder of the period, who worked closely with both Saxer and Druckenmüller during his life, making this a wonderfully authentic recording.
This new recording features the magnificent Schnitger organ of the St. Michael Church in Zwolle, the Netherlands. It was built in 1721 by Arp Schnitger and his sons, and after careful restoration over the last decades by Flentrop the organ is restored in its full glory, one of the finest examples of the Golden Age of organ building, the Baroque.
The works on this recording are derived from the Husumer Orgelbuch (Husum organ book), a collection of organ works by North German major and minor masters. Presented are substantial Preludes by Georg Wilhelm Saxer, Choralvorspiele by Daniel Erich and two Concertos by Wolfgang Druckenmüller, written in the Italian style, as original compositions and not as transcriptions of Italian Concerti grossi, as was the custom of that period.
Manuel Tomadin is one of the foremost Italian organists, a scholar, teacher and passionate musician. He won the Grand Prix of the Schnitger Organ Competition of Alkmaar in 2011, and recorded several CD’s for Brilliant Classics, among which the complete keyboard works by Alberti (BC95161). He wrote the excellent liner notes for the booklet, which also contains all information on the organ.
 
00:00:00 Christum wir sollen loben schon
00:02:48 Es ist das Heil uns kommen her
00:05:10 Allein zu dir, Herr Jesu Christ
00:10:00 Praeludium et Ciaccona in D Major: I. Praeludium
00:12:30 Praeludium et Ciaccona in D Major: II. Ciaccona
00:18:53 Concerto in A Major: I. Allegro
00:22:03 Concerto in A Major: II. Siciliana
00:23:23 Concerto in A Major: III. Vivace
00:26:35 Concerto in F Major: I. Allegro
00:28:36 Concerto in F Major: II. Adagio
00:30:10 Concerto in F Major: III. Vivace
00:32:41 Concerto in D Major: I. Allegro
00:35:54 Concerto in D Major: II. Largo
00:37:48 Concerto in D Major: III. Vivace
00:39:14 Concerto in G Major: I. Allegro
00:42:19 Concerto in G Major: II. Adagio
00:44:00 Concerto in G Major: III. Allegro
00:45:52 Praeludium in D Major
00:54:43 Praeludium in B-Flat Major
01:00:20 Praeludium in F Major
01:06:51 Praeludium in D Major
01:13:17 Praeludium in E Minor

Artist
Manuel Tomadin (organ)

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Artist: Klara Würtz
Franz Liszt:
00:00:00 Waldesrauschen
00:04:04 Gnomenreigen
00:06:49 Liebestraum No. 3 in A-Flat Major
00:11:09 Mephisto Waltz No. 1
00:22:27 Les jeux d’eaux à la Villa d’Este (From Années de Pèlerinage III)
Franz Schubert:
00:30:08 Impromptu in B-Flat Major, Op. 142: No. 3 “Rosamunde”
Robert Schumann:
00:41:21 Arabesque, Op. 18
Frédéric Chopin:
00:47:42 Ballade No. 1 in G Minor, Op. 23
00:56:11 Barcarolle in F-Sharp Major, Op. 60
Claude Debussy:
01:04:19 L’isle joyeuse
Serge Rachmaninoff: Piano Concerto No.2 in C minor Op. 18
01:10:03 Moderato
01:20:12 Adagio sostenuto
01:31:18 Allegro scherzando
Robert Schumann: Piano Concerto in A minor Op. 54
01:42:54 Allegro affetuoso
01:57:54 Intermezzo
02:03:11 Allegro vivace

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This unusual collection is dedicated to a very popular style: minimal music. Over the years this has evolved from austere, almost strict repetition with tiny ‘movements’ to a more varied and free approach to material and technique.

This set includes works for piano solo by most of the famous ‘minimal’ composers. Starting with initiator, if you will, Cage, and followed by the first generation entirely devoting itself to this style: Riley and Glass (Steve Reich did not write anything for solo piano). The next generation is represented by John Adams and Michael Nyman (his music for the film The Piano).

Dutch pianist Jeroen van Veen is fascinated by minimal music. He was one of the initiators and participants of the highly successful complete recordings on 11 CD’s of Simeon ten Holt’s, a Dutch ‘minimalist’, complete works for multiple piano’s. On this solo album van Veen demonstrates his affinity with minimalism with great flair.

The repertoire included here also comprises compositions by Satie, Friedrich Nietzsche and Arvo Pärt. There are two CD’s with music by the pianist himself and several recordings of minimal pieces by other present-day French, Belgian and Dutch composers.

00:00:00 China Gates
00:05:42 Für Alina
00:08:33 Variationen Zur Gesundung Von Arinuschka
00:13:06 In A Landscape
00:22:00 Solodevilsdance IV
00:56:58 Das ‘‘Fragment an Sich’’
01:06:44 Vexations
01:14:27 Avatâr
01:19:46 Comptine d’Un Autre Été; L’après-midi
01:22:08 Le Moulin
01:25:22 La Dispute
01:27:34 Sur Le Fil
01:32:01 La Valse D’amélie
01:34:44 Comptine d’Été No. 1
01:37:41 Comptine d’Été No. 2
01:40:23 Comptine d’Été No. 3

01:43:10 Le Vieux En Veut Encore
01:44:51 Toujours Là
01:46:05 La Pièce Vide
01:47:58 Big My Secret
01:51:51 Lost And Found
01:54:52 The Mood That Passes Through You
01:57:55 Deep Sleep Playing
02:00:03 Silver-Fingered Fling
02:03:41 The Attraction Of The Pedalling Ankle
02:10:27 The Heart Asks Pleasure First
02:13:40 Time Lapse
02:16:57 Fly Drive
02:18:02 If
02:22:25 Love
02:25:58 Digital Tragedy
02:28:57 Sheep ‘‘n Tides
02:31:37 Lost And Found
02:34:37 The Heart Asks Pleasure First

02:38:00 Minimal Préludes, Book I : Prélude Nr. 1 In C
02:43:41 Minimal Préludes, Book I : Prélude Nr. 2 In A Minor
02:47:42 Minimal Préludes, Book I : Prélude Nr. 3 In G
02:52:20 Minimal Préludes, Book I : Prélude Nr. 4 In E Minor
02:56:43 Minimal Préludes, Book I : Prélude Nr. 5 In D
03:00:08 Minimal Préludes, Book I : Prélude Nr. 6 In B Minor
03:03:56 Minimal Préludes, Book I : Prélude Nr. 7 In A
03:05:00 Minimal Préludes, Book I : Prélude Nr. 8 In F# Minor
03:07:41 Minimal Préludes, Book I : Prélude Nr. 9 In E
03:12:42 Minimal Préludes, Book I : Prélude Nr. 10 In C# Minor
03:20:01 Minimal Préludes, Book I : Prélude Nr. 11 In B
03:25:54 Minimal Préludes, Book I : Prélude Nr. 12 In G# Minor

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Composer: Ramanos Melikian
Artists: Mariam Sarkissian (mezzo-soprano), Artur Avanesov (piano)

Although Aram Khachaturian may be one of Armenia’s most famous composers, and certainly the best known of the 20th century, the vast wealth of compositional talent from that country by no means stops with him. This unusual and engrossing release showcases a selection of highly diverse songs by three of his compatriots. Beginning with Romanos Melikian’s Emerald Songs, with their Ravel-like harmonies and colourful modality, it also features the transgressive composer Tigran Mansurian, whose alternative style took inspiration from pop music of the 1960s as well as classical postmodern genres. Moving right through to the present day, the release concludes with works by Artur Avanesov, a young Armenian born in Russia. Keen to avoid stylistic unity, the Feux follets, a work still in progress, comprise a selection of songs with no thread to pull them together, the emphasis – according to the composer – being placed on a collective ‘creative past’.
The multi-talented Avanesov is the pianist as well as one of the featured composers on this release. Together with mezzo soprano Mariam Sarkissian, a highly acclaimed Russian singer based in France, the duo have carefully selected an enchanting and compelling assortment of songs, giving the listener a fascinating insight into Armenia’s rich cultural tapestry.
This year’s commemoration of the Armenian Genocide has drawn attention to the rich cultural heritage of this “hidden” country, with its unique language, script and folklore.
This new recording presents three Armenian composers of three generations.

The song cycle “Emerald Songs” by Romanos Melikyan is written on words by 8 contemporary Armenian poets, in a spicy Ravelian language inspired by Armenian folk music. Mansuryan is of the same generation and blood group of Schnittke, Gubaidulina, Pärt and Kancheli. Young Avanesov’s piano cycle “Feux follets” is in postmodern style, free and associative.

Sung with great intensity and feeling for the idiom by Armenian mezzo soprano Mariam Sarkissian, who recently received an “Orphée d’or” for her CD of vocal works by Tchaikovsky and Cui.

Composer : Ramanos Melikian
Artist : Mariam Sarkissian mezzo-soprano - Artur Avanesov piano

00:00:00 Emerald Songs: I. Black Partridge
00:01:41 Emerald Songs: II. The Night Tumbled Down
00:05:14 Emerald Songs: III. The Child and the Creek
00:06:33 Emerald Songs: IV. Don’t Cry
00:09:21 Emerald Songs: V. You Sparkle
00:11:01 Emerald Songs: VI. I Am a Nightingale
00:13:33 Emerald Songs: VII. Pure of the Purest Gold
00:14:41 Emerald Songs: VIII. Lullaby
00:17:48 Lullaby for a Prince
00:22:07 Four Hayrens: I. Prophet David
00:25:36 Four Hayrens: II. Soul of My Soul
00:28:15 Four Hayrens: III. I Was of Those Birds
00:30:59 Four Hayrens: IV. When I Came into This World
00:33:58 Three Romances: I. Little Madrigal
00:36:02 Three Romances: II. Echo
00:38:13 Three Romances: III. Barrio de Córdoba
00:41:01 Feux follets: I. If You Love Me
00:42:29 Feux follets: II. Des fleurs et des abîmes
00:45:48 Feux follets: III. Shivers of Autumn
00:48:25 Feux follets: IV. Kinderstück
00:49:54 Feux follets: V. Du bist die Ruh
00:53:47 Feux follets: VI. You Are More Beautiful Than the Cedars of Lebanon

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/MinimalPianoVolX
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Composers: Various Composers
Artist: Jeroen van Veen, Sandra van Veen, Marcel Bergmann, Elizabeth Bergmann, Tamara Rumiantsev (pianos)

The Minimal Piano Collection for one piano ended with “In C” by Terry Riley. Many of the composers on this new 11 Cd box have stated that this particular piece was a starting point for them to compose in a new way, exploring the ways that were created, the spaces between the notes, the emptiness, the freedom.

Elizabeth Bergmann & Marcel Bergmann, Tamara Rumiantsev and Sandra van Veen & Jeroen van Veen recorded 83 compositions. From two pianos up to six pianos, from Steve Reich ‘standard’ Pianophase to Six Pianos.

The composers on this new box are John Adams, Jurriaan Andriessen, Louis Andriessen, Marcel Bergmann, William Duckworth, Julius Eastman, Douwe Eisenga, Morton Feldman, Graham Fitkin, Joep Franssens, Kyle Gann, Philip Glass, Gabriel Jackson, Tom Johnson, Simeon ten Holt, David Lang, Colin McPhee, Chiel Meijering, Wim Mertens, John Metcalf, Carlos Michans, Meredith Monk, Arvo Pärt, Michael Parsons, Alexander Rabinovitch, Steve Reich, Frederic Rzewski, Tim Seddon, Jeroen van Veen, Jacob ter Veldhuis and Kevin Volans.

Get carried away by the new black box; 854 minutes of wonderful music, enjoy the Minimal Piano Collection, let the journey begin including a few recording premieres!

Simeon ten Holt - Canto Ostinato
00:00:00 Section 1
00:02:27 Section 5
00:05:11 Section 10
00:09:00 Section 15
00:14:12 Section 20
00:17:28 Section 25
00:18:57 Section 30
00:21:24 Section 35
00:24:17 Section 40
00:26:15 Section 45
00:28:00 Section 50
00:29:43 Section 55
00:31:55 Section 60
00:33:06 Section 69
00:35:50 Section 74: Theme I
00:41:56 Section 80
00:43:30 Section 83
00:45:05 Section 86
00:48:00 Section 88
01:01:48 Section 89
01:08:13 Section 92
01:09:36 Section 95: Theme II
01:13:07 Section 100
01:15:16 Section 105
01:17:13 Section 106

William Duckworth:
01:19:12 Forty Changes
01:30:24 Binary Images

Michael Parsons:
01:39:44 Rhythm Studies: Nr I
01:53:01 Rhythm Studies: Nr II

Douwe Eisenga
02:06:46 City Lines

Gabriel Jackson:
02:20:12 Rhapsody in red

Kyle Gann:
02:37:57 Long Night for Three Pianos

Philip Glass:
03:08:53 Metamorphosis II (Arranged for Two Pianos by Jeroen van Veen)
03:16:21 Metamorphosis III (Arranged for Three Pianos by Jeroen van Veen)
03:22:21 Metamorphosis IV (Arranged for Four Pianos by Jeroen van Veen)

Douwe Eisenga:
03:30:31 Les Chants Estivaux (Four Pianos)

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This unusual collection is dedicated to a very popular style: minimal music. Over the years this has evolved from austere, almost strict repetition with tiny ‘movements’ to a more varied and free approach to material and technique.

This set includes works for piano solo by most of the famous ‘minimal’ composers. Starting with initiator, if you will, Cage, and followed by the first generation entirely devoting itself to this style: Riley and Glass (Steve Reich did not write anything for solo piano). The next generation is represented by John Adams and Michael Nyman (his music for the film The Piano).

Dutch pianist Jeroen van Veen is fascinated by minimal music. He was one of the initiators and participants of the highly successful complete recordings on 11 CD’s of Simeon ten Holt’s, a Dutch ‘minimalist’, complete works for multiple piano’s. On this solo album van Veen demonstrates his affinity with minimalism with great flair.

The repertoire included here also comprises compositions by Satie, Friedrich Nietzsche and Arvo Pärt. There are two CD’s with music by the pianist himself and several recordings of minimal pieces by other present-day French, Belgian and Dutch composers.

This attractive set will appeal to a wide audience and sheds light on the present state of minimalism

00:00:00 Minimal Préludes, Book II : Prélude Nr. 13 In F Sharp
00:06:53 Minimal Préludes, Book II : Prélude Nr. 14 In E Flat Minor
00:12:11 Minimal Préludes, Book II : Prélude Nr. 15 In D Flat
00:14:47 Minimal Préludes, Book II : Prélude Nr. 16 In B Flat Minor
00:17:43 Minimal Préludes, Book II : Prélude Nr. 17 In A Flat
00:22:17 Minimal Préludes, Book II : Prélude Nr. 18 In F Minor
00:32:27 Minimal Préludes, Book II : Prélude Nr. 19 In E Flat
00:36:21 Minimal Préludes, Book II : Prélude Nr. 20 In C Minor
00:40:34 Minimal Préludes, Book II : Prélude Nr. 21 In B Flat
00:45:12 Minimal Préludes, Book II : Prélude Nr. 22 In G Minor
00:51:16 Minimal Préludes, Book II : Prélude Nr. 23 In F
00:57:24 Minimal Préludes, Book II : Prélude Nr. 24 In D Minor
01:07:18 Struggle for Pleasure
01:12:27An Hour for Piano
02:11:49 Postnuclear Winterscenario Nr. 1
02:21:24 Toccata Americana
02:28:26 Echo
02:31:32 Three Minimal Preludes
02:42:44 In C

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A unique collection of Spanish and Latin-American lullabies.
The Spanish lullaby is characterised by a special bitter-sweet flavour, in which the joy and pain of childhood are perfectly captured. The lullabies on this recording are original art-songs by famous composers: De Falla, Rodrigo, Halffter, Montsalvatge, Abril, Moreno-Torroba, Guastavino, Toldra and others.

Carmen Solis is one of the leading sopranos of her home country Spain. She has the right mixture of melancholy, innocence, serenity and that deep smouldering Spanish passion in her voice, which make this performance irresistible!

Artist: Carmen Solis (soprano) & Eduardo Moreno (piano)

00:00:00 Corderito blanco (Joaquin Rodrigo)
00:02:52 Cantarcillo (Eduard Toldrá)
00:06:12 Canción de cuna para dormir a un negrito (Xavier Montsalvatge)
00:09:00 7 Canciones populares Españolas: V. Nana (Manuel de Falla )
00:11:02 Oración de las madres que tienen a sus hijos en brazos (Manuel de Falla)
00:13:05 Niñerías, Series 1, Op. 21: IV. Berceuse (Joaquin Turina)
00:16:33 Encantamiento (Carlos Guastavino)
00:18:25 Nana del niño malo (Carlos Guastavino)
00:20:11 Meciendo (Carlos Guastavino)
00:22:22 Rocío (Carlos Guastavino)
00:24:39 Canción de cuna (from La mujer del héroe) (Carlos Guastavino) (Joaquin Turina)
00:28:42 Lullaby (Ernesto Halffter)
00:30:54 Nana de la cigüeña (Anton Garcia Abril)
00:33:00 Nana de la negra flor (Anton Garcia Abril)
00:35:17 Nana del niño malo (Anton Garcia Abril)
00:36:46 Arrorró (Alberto Ginastera)
00:38:45 Ea, la nana (Federico Morena Torroba)
00:42:36 Nana de primavera (Joaquin Rodrigo)
00:44:54 Nani, nani (Joaquin Rodrigo)
00:48:33 Nana del niño malo (Guilermo Alonso Iriarte)
00:51:13 Nana de la lejanía (Jorge Montero)
00:54:39 Canciones españolas antiguas: VIII. Nana de Sevilla (Federico Garcia Lorca)

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This set gathers outstanding sacred vocal music from the Renaissance, Baroque and Classical eras recounting perhaps the most dramatic and moving story in all of the Christian canon: the Passion, Death and Resurrection of Christ. In addition to these masterworks of the 16th, 17th and 18th centuries is the St John Passion of Arvo Pärt, the Estonian whose captivating, minimal, crystalline music has made him one of the most-performed living composers in the world.

The stunning performances from expert choirs and soloists cover iconic works like Handel’s Messiah, the St John and St Matthew Passions of J.S. Bach, Haydn’s Stabat Mater and Seven Last Words and three of the prolific Telemann’s more than 20 extant Passion settings and several Passion oratorios, along with hauntingly beautiful Renaissance polyphony and lesser-known gems of the Italian Baroque.

This unique box-set presents a musical journey through one of the most crucial episodes of Christianity: the suffering, death and resurrection of Jesus Christ. It tells of the deepest sorrow and anguish in the Lamentation and Stabat Mater, the moving story of the Passion, and the luminous joy of the Resurrection and the Ascension.

Included are works by Allegri, Byrd, Weelkes, Josquin, Palestrina, Gesualdo, Schütz, Pergolesi, Sturla, J.S. & C.P.E. Bach, Sturla, Telemann, Handel, Arvo Pärt, and many more. Performed by world class choirs and ensemble, like the King’s College Choir, the Clare College Choir, La Stravaganza Köln, Cappella Augustana, Rheinische Kantorei and others.
A superb collection of the most moving music ever composed, expressing both the suffering and the consolation of humanity.
Recordings date from 1978 to 2013.

Music composed by Gabriele & Gianluca Ducros.

Khanda Kandânthara

Khyâthi Nârchinchinâ Mahanîyulanu Kanna Mâthru Bhûmi Pâschâthya Vîrula Pâradrolinchiyu Swâthanthramunu Kanna Samara Bhûmi Sangîtha Sâhithya Shâsthrîya Vidyalandu Dhîshakthi Chupina Divya Bhûmi Chitra Kalala Thoda Chitra Kalala Thoda Chitramai Yunnatti Bharatha Bhûmi Nandu Jananamundi Bharatha Mâtha Dharma Bhâgyammun Kâpâda Bhâjvathanthayu Mîdê Bhakthulâra Bharatha Mâtha Dharma Bhâgyammu Kâpâda Bhâjvathanthayu Mîdê Bhakthulâra Bhâjvathanthayu Mîdê Bhakthulâra

This motherland (India) has begotten sons who have earned reputation in continents far and wide. This valorous land has produced warriors who earned freedom for the land by driving away the foreigners. This divine land had shown excellence in the fields of music and literature. O devotees! It is entirely your responsibility to uphold the righteousness of the land having been born in that land which is varied with its finesse of art and architecture.


Camera: Atilio Spinello.
Edited by sailove.org.

¡Sadhguru responde una pregunta sobre por qué la mente parece tener una mente propia!
Habla sobre cómo los términos como «no-mente» y «detener la mente» se han utilizado a lo largo de los años, y pregunta por qué uno querría detener la mente, siendo esta el producto de millones de años de evolución.
El problema, nos recuerda, no es la mente, sino que la mente «está contando su propia historia». Él describe cómo la poderosa kriya, Shambhavi Mahamudra, es un gran paso para modificar esto.

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Interlocutor: Sadhguru, quería saber que cuando estamos en silencio, todavía sentimos ese parloteo de la mente que siempre nos molesta y nuestro pensamiento siempre vuelve a imaginaciones sobre pasado y futuro que no genera ningún resultado. ¿Cómo deshacernos de eso?

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Aprende la meditación guiada gratuita de Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Meditación gratuita guiada por Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

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Perfil oficial de Twitter de Sadhguru
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Descarga la app de Sadhguru
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En este breve corto tomado de "Uno - La película" - un documental sobre el significado de la vida; Sadhguru habla acerca del miedo. ¿Por qué sentimos miedo y cuál es su fundamento? Sadhguru explica el motivo raíz del miedo, la fuente del miedo, y cómo liberárnos de él.

**************************************************

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Aprende la meditación guiada gratuita de Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

Más videos y blogs en la página
http://www.sadhguru.org

Meditación gratuita guiada por Sadhguru
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Página oficial de Facebook de Sadhguru
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Proceso de Namaskar: Las múltiples terminaciones nerviosas en tus palmas las hacen muy sensibles. Poniéndolas juntas en Namaskar, puedes cambiar tu química para fomentar el amor en tu interior.

**************************************************

Suscríbete a nuestro canal aquí: www.youtube.com/channel/UCJoOIj9Yu71wklP3EFzL8-A

Aprende la meditación guiada gratuita de Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

Más videos y blogs en la página
http://www.sadhguru.org

Meditación gratuita guiada por Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Página oficial de Facebook de Sadhguru
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Perfil oficial de Twitter de Sadhguru
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Descarga la app de Sadhguru
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Una invitación a la próxima SadhanaPada a partir de julio de 2019. Un viaje maravilloso para explorar y mejorar cada aspecto de ti mismo.

https://isha.sadhguru.org/in/e....n/volunteer/sadhanap

Sigue toda la actualidad del Vaticano, haz click aquí: http://smarturl.it/RomeReportsESP
El papa Francisco recorrió la plaza de San Pedro a bordo del papamóvil, antes de comenzar la Misa de Inicio de Pontificado. Saludó a los cientos de miles de peregrinos que se habían reunido en la plaza para asistir a la ceremonia.

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