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Composer: Edward Elgar, Frank Bridge, Ralph Vaughan Williams
Artist: Quink Vocal Ensemble
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Quink is the Netherlands’ premier solo vocal ensemble, founded in 1978, which has won a string of awards for its albums of motets, partsongs villancicos and more ranging over 500 years of music. Turning to the rich repertoire of late-19th and early-20th-century English and Irish music, Quink has made a complement to its previous recording of music by Vaughan Williams and Finzi, which received critical praise for its ‘technical elegance and fine spirit’ (BBC Music Magazine).
The madrigal found a home in Elizabethan England after its creation in mid-17th-century Italy with the works of Gibbons and many others, and survived longer there than in the rest of Europe, where it fell out of fashion in the 18th century. Nonetheless, the Victorian age saw a revival in what had become a neglected genre of consort work, and many glee clubs were formed to sing earlier work, as well as stimulating the composition of new ones such as are found here.
The title track is the last of Sir Charles Parry’s Six Modern Lyrics, but the previous five are little known and seldom recorded (the poem by Robert Bridges was also set by Britten’s teacher, Frank Bridge, and included here alongside one of several settings of Shakespeare, The Bee). The other extensive collection here is of E.J. Moeran’s Songs of Springtime, as buoyant and cheerful as their title suggests, yet curiously neglected. The selections of Vaughan Williams such as his Three Elizabethan Partsongs and Silence and Music are deservedly famous, and sung here with the elegance and freedom that comes more naturally to vocal consorts rather than chamber choirs however well-drilled.
This new recording by Dutch vocal ensemble Quink contains a delectable selection of English part songs, works by Vaughan Williams, Elgar, Bridge, Stanford, Moeran and Parry.
The music has that indelible English atmosphere of autumnal serenity and melancholy, evoking pastoral scenes of poignant beauty, where “time stands still”.
The booklet contains liner notes, biography and the complete sung texts.
00:00:00 3 Part-Songs, Op. 18: I. O Happy Eyes
00:02:52 3 Part-Songs, Op. 18: II. Love
00:05:18 Music, When Soft Voices Die, H.31
00:07:56 The Bee, H.110
00:09:19 Three Elizabethan Partsongs: I. Sweet Day
00:11:21 Three Elizabethan Partsongs: II. The Willow Song
00:13:42 Three Elizabethan Partsongs: III. O Mistress Mine
00:14:48 6 Irish Folksongs, Op. 78: III. At The Mid-Hour Of Night
00:17:16 6 Irish Folksongs, Op. 78: V. It Is Not the Tear
00:19:35 O Weary Hearts, H.92
00:23:36 Under the Greenwood Tree
00:25:00 The River-God’s Song
00:26:40 Spring, the Sweet Spring
00:28:15 Love Is A Sickness
00:31:35 Sigh No More, Ladies
00:33:07 Good Wine
00:34:34 To Daffodils
00:37:05 In Autumn, H.62
00:40:27 Love Is a Sickness
00:41:33 Fain Would I Change That Note
00:43:51 6 Elizabethan Pastorals: III. Shall We Go Dance
00:45:04 6 Irish Folksongs, Op. 78: I. O Breathe Not His Name
00:48:22 Silence And Music
00:53:49 6 Modern Lyrics: I. How Sweet the Answer
00:55:27 6 Modern Lyrics: II. Since Thou, O Fondest
00:57:49 6 Modern Lyrics: III. If I Had But Two Little Wings
00:59:55 6 Modern Lyrics: IV. There Rolls the Deep
01:02:22 6 Modern Lyrics: V. What Voice of Gladness
01:05:05 6 Modern Lyrics: VI. Music, When Soft Voices Die
Composer: Engelbert Humperdinck
Artists: Ingeborg Springer (mezzo-soprano), Renate Hoff (soprano), Theo Adam (bass), Gisela Schröter (contralto), Peter Schreier (tenor), Renate Krahmer (soprano), Staatskapelle (Dresden), Otmar Suitner (conductor), Members of the Dresdner Kreuzchor
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When Engelbert Humperdinck’s sister Adelheid turned the Grimm brothers’ fairytale of Hänsel und Gretel into a short libretto for her children, she asked her composer-brother to set the words to music. The resulting performance in their family home delighted Humperdinck’s two young nieces and this domestic success soon became a fully-fledged opera destined for the international stage. The imaginative score expertly encapsulates the life of children, from exuberant dances and witty exchanges to the sweet solemnity of the Evening Prayer. Their journey into the forest is wonderfully captured in the music; as they move further into the ever-threatening woods, the music becomes increasingly opaque, mirroring the darkening of the trees. When the sandman appears, the sinister theme that had heralded his arrival is interrupted, as his harmlessness is revealed, and he leads the children into a peaceful sleep. The menacing theme returns with the arrival of the wicked gingerbread witch; only when the children succeed in stuffing her into her own oven do the exuberant dance-like patterns re-emerge, as Hänsel and Gretel joyfully celebrate their triumph along with the children brought back to life by the broken spell.
Despite its apparent simplicity, Humperdinck’s opera contains a wealth of themes, with a score remarkable for its range of colours and textures, clearly inspired by Wagner.
00:00:00 Hänsel und Gretel: Prelude to Act I
00:07:42 Hänsel und Gretel, Act I, Scene 1: Suse, liebe Suse (Gretel/Hänsel)
00:11:07 Hänsel und Gretel, Act I, Scene 1: So recht! (Gretel/Hänsel)
00:12:57 Hänsel und Gretel, Act I, Scene 1: Brüderchen, komm, tanz mit mir (Gretel/Hänsel)
00:16:11 Hänsel und Gretel, Act I, Scene 2: Holla! Himmel! Die Mutter! (Gertrud/Gretel/Hänsel)
00:17:43 Hänsel und Gretel, Act I, Scene 2: Marsch! Fort in den Wald! (Gertrud)
00:19:22 Hänsel und Gretel, Act I, Scene 3: Ral-la-la-la, ral-la-la-la (Peter/Gertrud)
00:24:05 Hänsel und Gretel, Act I, Scene 3: Drüben hinter’m Herrnwald (Peter/Gertrud)
00:25:17 Hänsel und Gretel, Act I, Scene 3: Doch halt, wo bleiben die Kinder? (Peter/Gertrud)
00:26:53 Hänsel und Gretel, Act I, Scene 3: Wenn sie sich verirrten (Peter/Gertrud)
00:28:15 Hänsel und Gretel, Act I, Scene 3: Eine Hex’, steinalt (Peter/Gertrud)
00:30:36 Hänsel und Gretel: Prelude to Act II: Witch’s Ride
00:35:05 Hänsel und Gretel, Act II, Scene 1: Ein Männlein steht im Walde (Gretel)
00:36:33 Hänsel und Gretel, Act II, Scene 1: Juchhe! Mein Erbelkörbchen ist voll bis oben! (Hänsel/Gretel)
00:37:44 Hänsel und Gretel, Act II, Scene 1: Kuckuck, Kuckuck, Eierschluck! (Hänsel/Gretel)
00:40:43 Hänsel und Gretel, Act II, Scene 1: Gretel, ich weiß den Weg nicht mehr! (Hänsel/Gretel/Voices)
00:44:13 Hänsel und Gretel, Act II, Scene 2: Der kleine Sandmann bin ich, st! (Sandmännchen/Hänsel/Gretel)
00:46:30 Hänsel und Gretel, Act II, Scene 2: Abends will ich schlafen gehn (Hänsel/Gretel)
00:49:01 Hänsel und Gretel, Act II, Scene 3: Dream Pantomime
00:54:22 Hänsel und Gretel: Prelude to Act III
00:56:24 Hänsel und Gretel, Act III, Scene 1: Der kleine Taumann heiß’ ich (Taumännchen)
00:58:07 Hänsel und Gretel, Act III, Scene 1: Wo bin ich? Wach’ ich? (Gretel/Hänsel)
01:03:54 Hänsel und Gretel, Act III, Scene 2: Bleib stehn! Bleib stehn! (Gretel/Hänsel)
01:04:32 Hänsel und Gretel, Act III, Scene 2: Wie duftet’s von dorten (Gretel/Hänsel)
01:06:22 Hänsel und Gretel, Act III, Scene 2: Alles bleibt still (Hänsel/Gretel)
01:08:05 Hänsel und Gretel, Act III, Scene 2: Knusper, knusper Knäuschen (Die Knusperhexe/Gretel/Hänsel)
01:11:06 Hänsel und Gretel, Act III, Scene 3: Ich bin Rosina Leckermaul (Die Knusperhexe/Hänsel/Gretel)
01:14:44 Hänsel und Gretel, Act III, Scene 3: Halt! Hokuspokus, Hexenschuß! (Die Knusperhexe)
01:16:07 Hänsel und Gretel, Act III, Scene 3: Nun, Gretel, sei vernünftig und nett (Die Knusperhexe/Gretel/Hänsel)
01:20:54 Hänsel und Gretel, Act III, Scene 3: Hurr hopp hopp hopp (Die Knusperhexe)
01:22:41 Hänsel und Gretel, Act III, Scene 3: Auf! Wach auf, mein Jüngelchen (Die Knusperhexe/Gretel/Hänsel)
01:26:18 Hänsel und Gretel, Act III, Scene 3: Juchhei! Nun ist die Hexe tot (Hänsel/Gretel)
01:28:53 Hänsel und Gretel, Act III, Scene 4: Erlöst, befreit, für alle Zeit! (Gingerbread children/Gretel/Hänsel)
01:32:57 Hänsel und Gretel, Act III, Scene 4: Ei, da sind sie ja! Vater! Mutter! (Peter/Hänsel/Gretel/Gertrud)
Tracklist below.
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Artist: Gewandhausorchester Leizig, Igor Markevitch (conductor), Alexander Warenberg (piano)
The drunken sot who glares out at us from Ilya Repin’s celebrated portrait looks more like a tramp than a composer, and Mussorgsky’s music has a similarly uncompromising expressive power, music that seems to work despite rather than
because of itself. Pianists have wrestled with the unpianistic corners of his most famous work since he composed it in 1874 in memory of his friend, the painter Viktor Hartmann, who had died the previous year.
Mussorgsky portrayed some of Hartmann's pictures in music when they were displayed at an exhibition in Saint Petersburg. The cycle of ten individual paintings is linked by the famous ‘promenade’, symbolizing the viewer of the pictures wandering through the exhibition. Hartmann’s bold and puzzling vignettes find their perfect analogue in Mussorgsky’s pianistic reimagining, but fellow composers could hardly leave the orchestral potential of this
often‐awkward music alone. Ravel wasn’t the first to mix his orchestral palette with Mussorgsky’s colours, but his version has justly stood the test of time, and stands alone for its sensitivity to the pungent, folkloristic flavour of the original.
Mussorgsky’s “Pictures at an Exhibition” is one of the most famous and most frequently performed romantic piano cycles of the entire repertoire. It contains colourful, highly original and gripping musical depictions of a series of painting by Mussorgsky’s friend Hartmann. This release offers both the original piano version and the Ravel orchestration, filled up with the orchestral “A Night on Bare Mountain” and the more modest, but no less impressive piano cycle by Tchaikovsky: The Seasons.
00:00:00 Pictures at an Exhibition: Promenade 1
00:01:29 Pictures at an Exhibition: No. 1, Gnomus
00:04:04 Pictures at an Exhibition: Promenade 2
00:05:02 Pictures at an Exhibition: No. 2, Il vecchio castello
00:08:38 Pictures at an Exhibition: Promenade 3
00:09:06 Pictures at an Exhibition: No. 3, Tuileries
00:10:21 Pictures at an Exhibition: No. 4, Bydlo
00:13:21 Pictures at an Exhibition: Promenade 4
00:14:06 Pictures at an Exhibition: No. 5, Ballet of the Unhatched Chicks
00:15:24 Pictures at an Exhibition: No. 6, Samuel Goldenberg and Schmuyle
00:18:06 Pictures at an Exhibition: No. 7, Limoges. The Market
00:19:29 Pictures at an Exhibition: No. 8, Catacombae. Sepulcrum romanum – Con mortuis in lingua mortua
00:23:22 Pictures at an Exhibition: No. 9, The Hut on Fowl’s Legs
00:27:08 Pictures at an Exhibition: No. 10, The Great Gate of Kiev
00:32:37 Night on Bare Mountain
00:43:01 Pictures at an Exhibition: Promenade 1 - No. 1, Gnomus
00:46:58 Pictures at an Exhibition: Promenade 2 - No. 2, Il vecchio castello
00:52:07 Pictures at an Exhibition: Promenade 3 - No. 3, Tuileries
00:53:38 Pictures at an Exhibition: No. 4, Bydlo
00:56:49 Pictures at an Exhibition: Promenade 4 - No. 5, Ballet of the Unhatched Chicks
00:58:45 Pictures at an Exhibition: No. 6, Samuel Goldenberg and Schmuyle
01:00:38 Pictures at an Exhibition: Promenade 5 - No. 7, Limoges. The Market
01:03:38 Pictures at an Exhibition: No. 8, Catacombae. Sepulcrum romanum - Con mortuis in lingua mortua
01:07:17 Pictures at an Exhibition: No. 9, The Hut on Fowl’s Legs
01:10:22 Pictures at an Exhibition: No. 10, The Great Gate of Kiev
01:15:57 The Seasons, Op. 37a: No. 1, January. By the Fireside
01:20:47 The Seasons, Op. 37a: No. 2, February. Shrovetide Festival
01:23:41 The Seasons, Op. 37a: No. 3, March. Song of the Lark
01:25:21 The Seasons, Op. 37a: No. 4, April. Snowdrop
01:27:30 The Seasons, Op. 37a: No. 5, May. White Nights
01:31:44 The Seasons, Op. 37a: No. 6, June. Barcarolle
01:35:27 The Seasons, Op. 37a: No. 7, July. Song of the Reaper
01:37:10 The Seasons, Op. 37a: No. 8, August. Harvest
01:40:18 The Seasons, Op. 37a: No. 9, September. The Hunt
01:43:14 The Seasons, Op. 37a: No. 10, October. Autumn Song
01:46:38 The Seasons, Op. 37a: No. 11, November. Troika
01:49:16 The Seasons, Op. 37a: No. 12, December. Yuletide
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Composer & Artist:
Composer: Terry Riley
Artist: Jeroen van Veen
About this Album:
From ‘the man who records faster than his shadow’ a multitracked version of Terry Riley’s toolkit of minimalism, recorded over just two days by Jeroen van Veen on piano and a variety of electronic keyboards. The layers were then edited and superimposed to create the particular, hypnotic quality of the piece’s development.
Jeroen van Veen has won acclaim for his many Brilliant Classics recordings of minimalism, including his own music, but also the piano oeuvres of Philip Glass, Arvo Pärt and Ludovico Einaudi: a testament both to the variety of styles to be found under the minimalist umbrella but also to van Veen’s ready mastery of those styles. There are many recordings of In C, but almost none at budget price: this release is sure to receive wide critical and popular attention.
Terry Riley is one of the founders of the Minimalist Movement. His most famous and ground breaking work, “In C”, is based on structured interlocking repetitive patterns, creating a hypnotic, multi-layered aural sensation, which inspired many compoers and musicians after him.
On this recording Jeroen van Veen used two grand pianos, 3 electronic keyboards, clavichord, 4 synthesizers, and several other instruments, recording the layers one by one.
Another fascinating issue by Jeroen van Veen, Dutch champion of Minimal Music. His earlier issue (Pärt, Glass, Einaudi, Satie, Minimalists) are worldwide bestsellers!
The liner notes are written by Jeroen van Veen.
Tracklist:
00:00:00 In C: I. Part 1
00:06:11 In C: II. Part 2
00:10:03 In C: III. Part 3
00:17:52 In C: IV. Part 4
00:24:29 In C: V. Part 5
00:33:2 In C: VI. Part 6
00:43:52 In C: VII. Part 7
00:47:13 In C: VIII. Part 8
00:53:49 In C: IX. Part 9
01:01:30 In C: X. Part 10
01:05:03 In C: XI. Part 11
01:13:52 In C: XII. Part 12
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¡Ayuda a ofrecer yoga a todo el mundo y vuélvete un Yoga Veera! En este video, Sadhguru le pide a 1 millón de personas que enseñen una práctica de yoga de 3 minutos por lo menos a una persona más. Al hacer esto, puedes experimentar la dicha de compartir una herramienta que puede transformar la vida de alguien. Aprende la práctica de Yoga Namaskar con este video y luego compártelo con otros.
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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.
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El 13 de marzo Francisco cumple 5 años como Papa.
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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.
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El Papa, el rabino Abraham Skorka y el líder musulmán Omar Abboud se fundieron en este abrazo frente al Muro de las Lamentaciones. Mientras se abrazaban comentaron: '¡Lo logramos!'
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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.
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San Filippo Neri, el “apóstol de Roma”, comenzó esta tradición para reavivar la fe en los jóvenes.
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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.
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Mantendrá un encuentro con 40.000 ancianos el 28 de septiembre en San Pedro. Desde el principio de su pontificado, Francisco reivindica que los ancianos y abuelos cuenten más en la sociedad. Para el Papa, muchos son víctimas de una cultura del descarte que no valora ni su memoria ni su experiencia.
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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.
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romereports.com Tras el anuncio de que Osama Bin Laden fue asesinado por las fuerzas de EE UU, el Vaticano dice que aunque Bin Laden
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Ha participado en encuentro de oración por los cristianos perseguidos.
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You're being watched. That sounded more sinister than I intended, but online, it's true. Facebook, Instagram, Amazon, Netflix... the list goes on and on. They're watching what you do, what you shop for, what you watch... all of it. And have you actually read the Terms of Service? In this episode of Crash Course Media Literacy, Jay talks about how Online Advertising works and why companies want to know everything you're looking at.
***
Resources:
Reading the Privacy Policies You Encounter in a Year Would Take 76 Work Days https://www.theatlantic.com/te....chnology/archive/201
Children’s commercial media literacy: new evidence relevant to UK policy decisions regarding the GDPR http://blogs.lse.ac.uk/mediapo....licyproject/2017/01/
Stanford researchers find students have trouble judging the credibility of information online https://ed.stanford.edu/news/s....tanford-researchers-
Let Consumers See What’s Happening https://www.nytimes.com/roomfo....rdebate/2010/12/02/a
We Were a Nielsen Family — Here’s What It Was Like http://www.vulture.com/2015/12..../nielsen-family-what
***
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We're going to Broadway, everybody, and it's not going to be that fun. In fact, it's going to be a very serious experience with lots of powerful social commentary and indictments of life in America in the 1950s. So be prepared to look at the works of Tennessee Williams, Arthur Miller, and Lorraine Hansberry, and to look into the face of chronic illness, racism, and the crushing malaise of American middle class life. Woof.
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Hank gives the run down on the top five ways humans are negatively impacting the environment and having detrimental effects on the valuable ecosystem services which a healthy biosphere provides.
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Table of Contents
Ecosystem Services 00:51
The Importance of Biodiversity 04:07
Deforestation 06:42
Desertification 06:49
Global Warming 07:59
Invasive Species 08:51
Overharvesting 09:20
Crash Course/SciShow videos referenced in this episode:
Hydrologic and Carbon Cycles: http://www.youtube.com/watch?v=2D7hZpIYlCA
Nitrogen and Phosphorus Cycles: http://www.youtube.com/watch?v=leHy-Y_8nRs
Ecological Succession: http://www.youtube.com/watch?v=jZKIHe2LDP8
Climate Change: http://www.youtube.com/watch?v=M2Jxs7lR8ZI
Invasive Species: http://www.youtube.com/watch?v=eDOwTXobJ3k
Food Shortage: http://www.youtube.com/watch?v=bPLJP84xL9A
References and image licenses for this episode can be found in the Google document here: http://dft.ba/-3n5P Support CrashCourse on Subbable: http://subbable.com/crashcourse
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Somos una comunidad especializada en rescatar material del recuerdo.
Puedes disfrutar nuestros contenidos en:
Nuestra Web: http://www.generacionretro.net
Nuestro Twitter: https://twitter.com/gretrocool
Nuestro Facebook: http://www.facebook.com/generacionretro.latino/
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
