Top Vídeos

user40
3 vistas · 5 años hace

Η Παιδική & Νεανική χορωδία της "Πολυφωνικής Χορωδίας Πάτρας" υπό τη Διεύθυνση της Ελένης Παπαδοπούλου - Αραβαντινού, ερμηνεύουν το "Adiemus" του Karl Jenkins σε στίχους του Peter Starfinger στο Συνεδριακό και Πολιτιστικό Κέντρο του Πανεπιστημίου Πατρών στη μεγάλη συναυλία που πραγματοποιήθηκε για τα 30 χρόνια "Πολυφωνικής" στις 11 Μαΐου 2013. Πιάνο παίζει η Μαρίνα Μυλωνά, στα κρουστά είναι ο Κώστας Κονδύλης και ο Παναγιώτης Παπαγιαννόπουλος, στα ντραμς ο Γιώργος Λαμπράκος και στο ηλεκτρικό μπάσο ο Βαγγέλης Βανδώρος.

Polyphonic Choir of Patras celebrated its 30th birthday with a great concert witch was held in the Conference and Cultural Hall of the University of Patras at May 11th 2013 in Greece. Chilrdren and Youth Choirs, sing "Adiemus" by Karl Jenkins (lyrics by Peter Starfinger). Conductor: Eleni Papadopoulou- Aravantinou, Piano: Marina Mylona, Percussion Instruments: Kostas Kondylis - Panagiotis Papagiannopoulos, Drums: George Labrakos, Electric Bass: Vangelis Vandoros

user40
3 vistas · 5 años hace

Morris Choral Society
MidAtlantic Opera Company
Jason C. Tramm, Conductor
Alicia Bozza, Soprano
Byung Kook Kwak, Violin Soloist

May 20, 2017

user40
3 vistas · 5 años hace

Proyecto educativo de Ópera de Cámara de Navarra en colaboración con el Dpto. de Educación del Gobierno de Navarra.
Participan 12 centros escolares de la comunidad.

Conservatorio superior. solistas
Conservatorio Profesional: Orquesta
Coro Griseras de Tudela. Coro 1
Coro juvenil Julian Gayarre: Coro 2
Escolapios de Pamplona: Coro 3
Danza. ATENA
Diseño escenografía escuela arte de Pamplona
Diseño vestuario Carmelitas Vedruna
Construcción y diseño atrezzo Centro especial HISTERIA fundación Caja Navarra.
Maquillaje y peluquería. C.I Burlada Profesional
Diseño Iluminación Salesianos grado electricidad
Diseño Cartelería Salesianos, grado diseño gráfico.
Construcción escenografía Raul Arraiza
Técnico Iluminación Fermin Blanco
Dirección musical. Pablo Urbina
Director Artístico. Pablo Ramos
Coordinación Proyecto Izaskun Úcar
Producción. Txema Lacunza. Ópera de Cámara de Navarra

user40
3 vistas · 5 años hace

01.12.2015

St.Petersburg State Symphony Orchestra
St.Petersburg State Univercity Choir
St.Petersburg TV and Radio Children Choir
Conductor - Eduard Krotman

Карл Дженкинс - Миротворцы - 8. Вечерняя молитва

СПб ГАСО
Хор Санкт-Петербургского Государственного Университета
Детский хор телевидения и радио СПб
Дирижер - Эдуард Кротман

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vKontakte: http://vk.com/spb_orchestra
Facebook: https://www.facebook.com/spborchestra
Website: http://spb-orchestra.ru/

user40
3 vistas · 5 años hace

Performed by musicians from Wells Cathedral School in Wells Cathedral.
Be warned of the random screaming towards the end!!!

user40
3 vistas · 5 años hace

Music Is What Feelings Sound Like ...
follow me in Facebook : https://www.facebook.com/profi....le.php?id=1000234081

user40
3 vistas · 5 años hace

From Karl Jenkins 6th album 'This Land of Ours' (2007)

user40
3 vistas · 5 años hace

Provided to YouTube by Universal Music Group

Jenkins: Gloria - III. The Psalm: Tehillim - Psalm 150 · Karl Jenkins · National Youth Choir Of Great Britain · London Symphony Orchestra · Mike Brewer · Jody K. Jenkins

Gloria - Te Deum

℗ A Decca Records Recording; ℗ 2010 Karl Jenkins Music Ltd, under exclusive licence to Universal Music Operations Ltd.

Released on: 2019-01-01

Choir: National Youth Choir Of Great Britain
Orchestra: London Symphony Orchestra
Conductor, Producer: Karl Jenkins
Musical Director: Mike Brewer
Associated Performer, Percussion: Jody K. Jenkins
Composer Lyricist: Karl Jenkins

Auto-generated by YouTube.

user40
3 vistas · 5 años hace

Filmed at the Welsh Millennium Centre, Cardiff, on the 10th February 2014. Julian Lloyd Webber plays Karl Jenkins' "Benedictus" from "The Armed Man - A Mass for Peace" at Karl Jenkins' 70th Birthday Gala Concert, conducted by the composer.

user40
3 vistas · 5 años hace

adiemus lyrics :)

user40
3 vistas · 5 años hace

Karl Jenkins - Diamond Music - Palladio Vivace

user40
3 vistas · 5 años hace

Del trabajo bajo el nombre de Adiemus. La particularidad de la letra es que es un invento, tanto sílabas como palabras del compositor, Karl Jenkis, que los coros cantan acompañando, con sus bellas voces, cuidadamente elegidas, la bella música que propone.

user40
3 vistas · 5 años hace

Gloria, part 1, The Proclamation: Gloria in excelsis Deo.composer: Karl Jenkins, june 2010. Performed by the London Symphony Orchestra and the National Youth Choir of Great Britain. If you want te hear more of the composer Karl Jenkins then go to https://buijtenp.home.xs4all.nl/jenkins
Pictures are taken at the coast of Essaouira in Marocco.

user40
3 vistas · 5 años hace

01.12.2015

St.Petersburg State Symphony Orchestra
St.Petersburg State Univercity Choir
St.Petersburg TV and Radio Children Choir
Conductor - Eduard Krotman

Карл Дженкинс - Миротворцы - 3. Мир, мир!

СПб ГАСО
Хор Санкт-Петербургского Государственного Университета
Детский хор телевидения и радио СПб
Дирижер - Эдуард Кротман

---------------------------------------------------------------
vKontakte: http://vk.com/spb_orchestra
Facebook: https://www.facebook.com/spborchestra
Website: http://spb-orchestra.ru/

user40
3 vistas · 5 años hace

The second movement of Karl Jenkins' Songs of the Earth, commissioned for BBC Radio 3 and first performed by the BBC National Orchestra of Wales, BBC National Chorus of Wales and the amassed Youth Choirs of Wales.

user40
3 vistas · 5 años hace

Ave Verum de Karl Jenkins, interpretado por el Orfeón Logroñés en el Auditorium del Ayuntamiento de Logroño (Concierto de Primavera, 20 de mayo de 2017). Director: Diego Martínez de la Concepción. Pianista: Laura Cabezón. Violinista: Marife Herrero.

user40
3 vistas · 5 años hace

The Maidstone Singers perform Karl Jenkins' Sancta Mater from his 'Stabat Mater' together with the Przemyski Chor Kameralny in Poland 2011.

user40
3 vistas · 5 años hace

Roma - Basilica di San Paolo Fuori le Mura - Chrystal Symphony Orchestra diretta da Rino Andolfi - Cori: Gruppo Vocale Cristallo Roma (Dr. Piero Melfa e Ida Piccolantonio), Liberi Cantores Aprilia (LT) (Dr. Rita Nuti) - Ensemble Notevolmente Roma (Dr. Marco Schunnach) - Corale Centonote Roma (Rino Andolfi) - Corale "G. Savani" Carpi (MO) (Dr. Giampaolo Violi), Coro di Voci Bianche "Cantintondo" Aprilia (LT) (Dr. Rita Nuti), Coro di Voci Bianche ArCoroBaleno Piranesi Roma (Dr. Rino Andolfi) - Soprano: Maria Ausilia D'Antona - Soprano Monica Di Maria - Mezzosoprano: Chiara Chialli - Direzione artistica: Giovanni Galotta - Regia Arianna Pieragostini.

La musica pubblicata in questo canale ha esclusivamente scopi di divulgazione e non commerciali.
Chi dovesse sostenere che un qualsiasi video pubblicato in questo canale viola il diritto d'autore, prima di inviare una richiesta di Youtube, lo invito vivamente ad informarmi ... provvederò personalmente a rimuoverlo.

user40
3 vistas · 5 años hace

Pie Jesu Domine,---Lord, all pitying, Jesu blest.
Dona eis requiem, sempiternam.---Grant them Thine eternal rest.

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Karl Jenkins:
Karl Jenkins knew from an early age that he wanted to make his life in music. As the son of the chapel choir master and organist in the village of Penclawdd, Wales, Jenkins learned piano and music theory from his father and was strongly influenced by the singing tradition of the Welsh church. At school he excelled at oboe, performing with the National Youth Symphony of Wales. Continuing his musical studies at Cardiff University and the Royal Academy of Music, he found himself drawn to jazz, preferring it to the atonal, dissonant style of music being taught in his composition classes. Describing himself as “one of the few jazz oboists in captivity,” he spent the following decades touring as a jazz performer, composer, and band leader.

Jenkins’ musical career entered a new chapter when he settled in London and began composing music for movies and advertising. His distinctive fusion of European and world music attracted an enthusiastic audience, most notably with his Adiemus recordings used in Delta Air Lines commercials in the 1990s. Composing next for the concert hall, he turned to the great liturgical works of the Christian church, revisiting the historic texts to interpret them anew using influences and ideas from other cultures. Over the course of his career to date Jenkins’ music has earned him 17 gold and platinum recordings and a host of accolades, including being named a Fellow of the Royal Academy of Music. In 2015, Jenkins was awarded a Knighthood for “services to composing and crossing musical genres.”

In a documentary on his career, Jenkins commented “I feel quite strongly that composing should communicate with people...I don’t think there’s any point in writing music if one doesn’t have an audience.” Of that the eminent composer should have no fear: his life in music has made him the most performed living composer in the world today.

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Requiem – Karl Jenkins:
The Japanese understanding of death has no corresponding concept of judgment, punishment, and reward. Instead, death is a natural process in which a soul returns inevitably to nature, just as snow must melt and cherry blossoms must fall. The spirits of the departed roam the world for months or even years before they are finally ready to merge with the cosmos. Just prior to death, many Japanese follow an ancient tradition of composing a jisei, which is a farewell poem to life, in the form of a haiku.
Karl Jenkins beautifully combines these two cultural understandings of death in his Requiem, enriching the Latin text codified by the church in the 16th century with Japanese death haiku from the 17th and 18th centuries. His musical settings reflect the origins of the texts: Latin prayers sung with Western orchestration and choral harmonies, Japanese haiku sung with Japanese flute and melodic styles. Jenkins vividly paints the texts within these styles, as the relentless rhythms of the Dies Irae give way to the melting solo flute of The Snow of Yesterday.

Jenkins also found points of commonality between the two philosophies, with haiku that echo the Benedictus and the Agnus Dei of the Requiem Mass. He combined the texts in these movements, with the women singing the Japanese poems above the men intoning the Latin prayers in monastic style. He concludes his Requiem with an ethereal setting of In Paradisum, in which a joyful and playful harp welcomes the souls of the departed into paradise.

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Performed by the Exultate Festival Choir and Orchestra on Sunday, March 18, 2018, at Augustana Lutheran Church in West St. Paul, MN, USA.

Thomas D. Rossin, Artistic Director
Exultate.org




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