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Composer: Georg Philipp Telemann
Artists: Collegium Instrumentale Brugense, Patrick Peire (conductor)

Georg Philipp Telemann (1681–1767) was one of the most prolific composers of the 18th century; although the largest part of his compositional activities were devoted to vocal music, he wrote a substantial number of overtures, which this splendid 8-disc collection is dedicated to.

Although Telemann chose the title of ‘Overtures’, this was somewhat interchangeable with the genre of the Suite in his era. Each work opens with a three-part French overture, and this is followed by a series of varied, shorter pieces – encompassing everything from dances (drawn from the French tradition and beyond), fugues, chaconnes, passacailles, musical portraits, folk dances and evocations of scenes and characters.

In these eight discs, Collegium Instrumentale Brugense and Patrick Peire’s three separate volumes of Telemann Overtures have been collected together for the first time, creating a box set that is set apart by its breadth. Its overview of 33 Overtures illuminates Telemann’s hugely inventive approach to instrumentation, while revealing the wealth of subjects that he sought inspiration in. The ‘Alster Overtüre’, for example, named after the Alster river in Germany, features a ‘Concert of Frogs and Crows’, while another Overture is inspired by Cervantes’ Don Quixote.

A generous selection of 33 Overtures (or Orchestral Suites) by Georg Philipp Telemann, formerly issued separately, now collected in one 8-CD set. This collection contains the Last 2 out of 8 discs.

CD1: TWV55: D18, G10 ‘Burlesque de Quixotte’, c2 & D4
CD2: TWV55: F11 ‘Alster’, B5 ‘Volker’,d2 & B7
CD3: TWV55: a4, A4, D23 & G4 ‘Des Nations anciens et modernes’
CD4: TWV55: D22 ‘Ouverture jointes d’une Suite tragi-comique’, e7, h4, e3 & c4
CD5: TWV55: d3, F4, B11 ‘La Bourse’ & Es1
CD6: TWV55: C6, f1, B8 ‘Burlesque’ & g9
-CD7: TWV55: D17, A2, a2 & e8 ‘l’Omphale’
-CD8: TWV55: F16 ‘Pour S.A.S. Monseigheur Le Landgrave de Darmstadt’, g2 ‘La Changeante’, G7 & D13 ‘La Gaillarde’


Tracklist can be found in the comment section below!

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Federico Guglielmo and his ensemble L’Arte dell’Arco have already made a number of acclaimed recordings of Vivaldi’s music for Brilliant Classics. This boxset brings together CDs previously published along with never-before-heard recordings, spanning Vivaldi’s Concertos and Sonatas Opp. 1–12 plus a bonus CD of Cello Sonatas. The comprehensive collection showcases the perennial music of ‘Il prete rosso’, with Italian musicians playing on authentic instruments, giving the closest version possible to the sounds that would have resonated in Venice 300 years ago.
This release is proud to feature some of Guglielmo’s long-time collaborators, including Mario Folena on the flute, Pier Luigi Fabretti on the oboe and Francesco Galligioni on the cello, all experienced performers with a sound that blends perfectly with L’Arte dell’Arco. The ensemble itself also differs from piece to piece, with Guglielmo carefully selecting the number of performers and instrumentation for each individual work, thereby creating the most authentic performance possible.

Guglielmo and his players bring a fresh interpretation to these beloved concertos as well as providing the listener with an opportunity to delve into Vivaldi’s lesser-known earlier works. With just one player per part, L’Arte dell’Arco strip back the layers, bringing a revitalising transparency to Vivaldi’s complex writing. The release includes world premieres of performances based on new critical editions of Vivaldi’s music authorised by the Istituto Italiano Antonio Vivaldi, based at the Fondazione Giorgio Cini in Venice.

Composer:
Antonio Vivaldi

Artist:
L'Arte dell'Arco
Federico Guglielmo (conductor)
Francesco Galligioni (cello)
Pier Luigi Fabretti (oboe)
Mario Folena (flute)

Tracklist Below:
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Federico Guglielmo and his superb ensemble L’Arte dell’Arco return with more Vivaldi delights, this time treating us to La cetra, a collection of 12 concertos. Most are for violin solo but one includes a second solo violin. Additionally, there is the fascinating inclusion of two concertos ‘con violin scordato’ – literally, a violin wrongly tuned; not an uncommon practice at the time.

The collection, dedicated to Charles VI, Holy Roman Emperor, is called ‘la cetra’ after a cittern, or lyre. Not only does this indicate something of the sparkling string playing in the solo parts but it was also associated with the Hapsburg coat of arms, a nod to the dedicatee of the collection.

Composer:
Antonio Vivaldi

Artist:
L'Arte dell'Arco
Federico Guglielmo (violin & concertmaster)

00:00:00 Violin Concerto No. 1 in C Major, RV 181a: I. Allegro
00:03:20 Violin Concerto No. 1 in C Major, RV 181a: II. Largo
00:06:17 Violin Concerto No. 1 in C Major, RV 181a: III. Allegro
00:08:40 Violin Concerto No. 5 in A Minor, RV 358: I. Adagio – Presto
00:11:22 Violin Concerto No. 5 in A Minor, RV 358: II. Largo
00:13:19 Violin Concerto No. 5 in A Minor, RV 358: III. Allegro
00:16:11 Violin Concerto No. 4 in E Major, RV 263a: I. Allegro non molto
00:20:25 Violin Concerto No. 4 in E Major, RV 263a: II. Largo
00:23:05 Violin Concerto No. 4 in E Major, RV 263a: III. Allegro non molto
00:26:09 Violin Concerto No. 12 in B Minor, RV 391: I. Allegro non molto
00:31:00 Violin Concerto No. 12 in B Minor, RV 391: II. Largo
00:33:40 Violin Concerto No. 12 in B Minor, RV 391: III. Allegro
00:37:24 Violin Concerto No. 3 in G Minor, RV 334: I. Allegro non molto
00:40:37 Violin Concerto No. 3 in G Minor, RV 334: II. Largo
00:43:36 Violin Concerto No. 3 in G Minor, RV 334: III. Allegro non molto
00:46:38 Violin Concerto No. 7 in B-Flat Major, RV 359: I. Allegro
00:49:19 Violin Concerto No. 7 in B-Flat Major, RV 359: II. Largo
00:50:39 Violin Concerto No. 7 in B-Flat Major, RV 359: III. Allegro
00:53:24 Concerto for
00:56:43 Violins in B-Flat Major, RV 530: I. Allegro 2Concerto for 2 Violins in B-Flat Major, RV 530: II. Largo e spiccato
00:59:21 Concerto for 2 Violins in B-Flat Major, RV 530: III. Allegro
01:01:57 Violin Concerto No. 10 in G Major, RV 300: I. Allegro molto
01:05:11 Violin Concerto No. 10 in G Major, RV 300: II. Largo cantabile
01:06:40 Violin Concerto No. 10 in G Major, RV 300: III. Allegro
01:09:18 Violin Concerto No. 8 in D Minor, RV 238: I. Allegro
01:12:42 Violin Concerto No. 8 in D Minor, RV 238: II. Largo
01:15:31 Violin Concerto No. 8 in D Minor, RV 238: III. Allegro
01:18:17 Violin Concerto No. 2 in A Major, RV 345: I. Allegro
01:21:56 Violin Concerto No. 2 in A Major, RV 345: II. Largo
01:23:54 Violin Concerto No. 2 in A Major, RV 345: III. Allegro
01:26:24 Violin Concerto No. 11 in C Minor, RV 198a: I. Allegro
01:30:16 Violin Concerto No. 11 in C Minor, RV 198a: II. Adagio
01:32:23 Violin Concerto No. 11 in C Minor, RV 198a: III. Allegro
01:35:15 Violin Concerto No. 6 in A Major, RV 348: I. Allegro
01:39:09 Violin Concerto No. 6 in A Major, RV 348: II. Largo
01:41:36 Violin Concerto No. 6 in A Major, RV 348: III. Allegro non molto

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Composer: Georg Philipp Telemann
Artists: Wilbert Hazelzet transverse (flute), Rémy Baudet (violin), Jaaap ter Linden (cello), Musica Amphion, Pieter-Jan Belder (harpsichord and concert master)

About this Album: It isn’t often that one finds a complete recording of Telemann’s Tafelmusik, and what a performance this is! The best “early music” musicians of The Netherlands came together and had obviously a good time: Flautists Wilbert Hazelzet and Kate Clark, violinist Rémy Baudet (concertmaster Orchestra of the 18th Century, lead by Frans Brüggen), cellists Richte van der Meer and Jaap ter Linden, under the inspiring direction of harpsichordist Pieter-Jan Belder.

Tafelmusik consists of three “Productions” in various ensembles, from solo to orchestral. It was written for performance during ceremonious dinners, explaining the “diverting” character of the music, which is by no means shallow or lightweight, but full of catching melodies and brilliant instrumental virtuosity, a proof of Telemann’s genius. Enjoy your meal, with this appetizing piece of music!

Tracklist:
00:00:00 Musique de Table, Production I, I. Ouverture - Suite in E Minor for two flutes, strings & b.c.
00:29:16 Musique de Table, Production I, II. Quatuor in G Major for flute, oboe, violin & b.c.
00:43:27 Musique de Table, Production I, III. Concerto in A Major for flute, violin, violoncello, strings & b.c.
01:09:46 Musique de Table, Production I, IV. Trio in E-Flat Major for two violins & b.c.
01:23:19 Musique de Table, Production I, V. Solo in B Minor for flute & b.c.
01:34:27 Musique de Table, Production I, VI. Conclusion in E Minor for two flutes, strings & b.c.

01:39:26 Musique de Table, Production II, I. Ouverture-Suite in D Major for oboe, trumpet, strings & b.c.
02:18:08 Musique de Table, Production II, I. Quatuor in D Minor for recorder, two flutes & b.c.
02:35:32 Musique de Table, Production II, III. Trio in E Minor for flute, oboe & b.c.
02:50:22 Musique de Table, Production II, IV. Solo in A Major for violin & b.c.
03:03:20 Musique de Table, Production II, V. Conclusion in D Major for oboe, trumpet, strings & b.c.

03:09:55 Musique de Table, Production III, I. Ouverture-Suite in B-Flat Major for 2 oboes, bassoon, strings & b.c.
03:33:43 Musique de Table, Production III, II. Quatuor in E Minor for flute, violin, violoncello & b.c.
03:42:29 Musique de Table, Production III, III. Concerto in E-Flat Major for two horns, strings & b.c.
03:57:04 Musique de Table, Production III, III. Trio in D Major for 2 fluets & b.c.
04:05:50 Musique de Table, Production III, VI. Solo in G Minor for oboe & b.c.
04:16:57 Musique de Table, Production III, IX. Conclusions in B-Flat Major for two oboes, bassoon, strings & b.c.

FULL TRACKLIST IN THE COMMENT SECTION!
#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Telemann #Violin #ViolinMusic

Tracklist in the Comment Section:
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The 18th-century Italian Carlo Tessarini has only emerged relatively recently as the brilliant musician and composer that he was (thanks, in part, to an in-depth study published in 2012). He travelled widely, taking on diverse forms of work, and remaining musically active until a ripe old age – remembered by one of his contemporaries as a ‘lively 70-year-old who still regularly played the violin’.

We are treated here to an album consisting almost entirely of world premiere recordings. Within Tessarini’s exclusively instrumental oeuvre, he was in particular a prolific solo sonata writer. His works oscillated between virtuosity and accessibility – reflecting in part the commercial considerations attached to the publication of his work – though there is more than enough of the former here to excite the listener’s ear. Equally manifest are his subtle compositional innovations, such as the fluid approach to melodic counterpoint discernible in the Sonata in C major Op.2. The result is an album sure to convince listeners of the deeper attention that this skilful composer merits.

The sonatas are played by Valerio Losito, an esteemed violinist and viola d’amore player as well as a musicologist, whose first recording for Brilliant Classics was a Scarlatti album in 2011. The basso continuo is played by harpsichordist, professor and radio broadcaster Federico del Sordo.

Other information:
- Rarely recorded repertoire.
- Carlo Tessarini received his musical tuition in Venice, probably with Vivaldi and Corelli (whose musical heir he clearly is). He became a famous virtuoso on the violin, travelling Europe like a modern day pop star. He died in Amsterdam, leaving a substantial oeuvre mainly written for his own instrument.
- His violin sonatas are firmly rooted in the baroque tradition, but already pointing towards the “galante style” of the late 18th century, with an emphasis on belcanto melodies and cler and transparent structures.

Tracklist Below:

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Composer:
Pietro Antonio Locatelli

Artist:
Igor Ruhadze (baroque violin & concert master )
Ensemble Violini Capricciosi

Pietro Antonio Locatelli might not exactly be a household name, but in his day he was an international phenomenon – a prodigiously talented violinist who entertained royalty and who had studied with Corelli’s contemporaries from the age of 15. Renowned for exploring the very top register of his instrument, Locatelli is today considered the founding father of the modern virtuoso style. Spanning 5CDs, this compilation celebrates the genius of a man whose violin sonatas occupy an significant position in the history of the string repertoire.

00:00:00 Sonata in B-Flat, Op. 6 No. 1: I. Andante
00:05:16 Sonata in B-Flat, Op. 6 No. 1: II. Allegro
00:08:57 Sonata in B-Flat, Op. 6 No. 1: III. Aria: Cantabile
00:17:03 Sonata in F, Op. 6 No. 2: I. Andante
00:23:56 Sonata in F, Op. 6 No. 2: II. Allegro – Vivace
00:28:08 Sonata in F, Op. 6 No. 2: III. Aria: Vivace
00:35:18 Sonata in B, Op. 6 No. 3: I. Andante
00:38:39 Sonata in B, Op. 6 No. 3: II. Allegro
00:41:50 Sonata in B, Op. 6 No. 3: III. Aria: Menuetto
00:49:40 Sonata in E, Op. 6 No. 4: I. Andante
00:53:17 Sonata in E, Op. 6 No. 4: II. Allegro
00:56:36 Sonata in E, Op. 6 No. 4: III. Aria: Andante
01:03:46 Sonata in C Minor, Op. 6 No. 5: I. Andante
01:07:34 Sonata in C Minor, Op. 6 No. 5: II. Allegro
01:11:38 Sonata in C Minor, Op. 6 No. 5: III. Aria: Vivace
01:20:40 Sonata in D, Op. 6 No. 6: I. Largo
01:21:25 Sonata in D, Op. 6 No. 6: II. Andante
01:26:52 Sonata in D, Op. 6 No. 6: III. Allegro
01:31:42 Sonata in D, Op. 6 No. 6: IV. Aria: Menuetto
01:39:08 Sonata in F Minor, Op. 6 No. 7: I. Largo
01:39:48 Sonata in F Minor, Op. 6 No. 7: II. Grave
01:46:13 Sonata in F Minor, Op. 6 No. 7: III. Vivace
01:49:49 Sonata in F Minor, Op. 6 No. 7: IV. Aria: Cantabile
02:01:41 Sonata in C, Op. 6 No. 8: I. Adagio – Andante
02:07:08 Sonata in C, Op. 6 No. 8: III. Allegro
02:11:53 Sonata in C, Op. 6 No. 8: IV. Andante
02:18:12 Sonata in B Minor, Op. 6 No. 9: I. Largo
02:21:07 Sonata in B Minor, Op. 6 No. 9: II. Vivace
02:24:38 Sonata in B Minor, Op. 6 No. 9: III. Aria: Vivace
02:32:30 Sonata in G, Op. 6 No. 10: I. Andante
02:37:55 Sonata in G, Op. 6 No. 10: II. Allegro
02:41:33 Sonata in G, Op. 6 No. 10: III. Aria: Vivace
02:49:20 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
02:55:22 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
02:57:24 Sonata in E-Flat, Op. 6 No. 11: III. Aria: Cantabile
03:03:06 Sonata in D Minor, Op. 6 No. 12: I. Adagio
03:08:06 Sonata in D Minor, Op. 6 No. 12: II. Allegro
03:11:21 Sonata in D Minor, Op. 6 No. 12: III. Andante
03:14:16 Sonata in D Minor, Op. 6 No. 12: IV. Allegro
03:17:36 Sonata in D Minor, Op. 6 No. 12: V. Capriccio Prova dell’Intonazione
03:23:27 Sonata in G Minor: I. Adagio
03:23:55 Sonata in G Minor: II. Allegro
03:26:16 Sonata in G Minor: III. Largo
03:29:27 Sonata in G Minor: IV. Allegro
03:30:23 Sonata in F, Op. 8 No. 1: I. Largo
03:33:00 Sonata in F, Op. 8 No. 1: II. Allegro
03:37:19 Sonata in F, Op. 8 No. 1: III. Allegro
03:43:01 Sonata in D, Op. 8 No. 2: I. Adagio
03:45:56 Sonata in D, Op. 8 No. 2: II. Allegro
03:49:15 Sonata in D, Op. 8 No. 2: III. Presto – Lento
03:52:50 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
03:55:15 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
03:59:26 Sonata in E-Flat, Op. 6 No. 11: III. Vivace
04:04:26 Sonata in C, Op. 8 No. 4: I. Cantabile
04:07:56 Sonata in C, Op. 8 No. 4: II. Allegro
04:11:38 Sonata in C, Op. 8 No. 4: III. Vivace
04:15:52 Sonata in C, Op. 8 No. 4: IV. Allegro molto
04:18:36 Sonata in G, Op. 8 No. 5: I. Largo
04:25:09 Sonata in G, Op. 8 No. 5: II. Allegro
04:29:22 Sonata in G, Op. 8 No. 5: III. Andante
04:33:05 Sonata in G, Op. 8 No. 5: IV. Allegro
04:37:22 Sonata in E-Flat, Op. 8 No. 6: I. Adagio
04:42:22 Sonata in E-Flat, Op. 8 No. 6: II. Allegro
04:44:59 Sonata in E-Flat, Op. 8 No. 6: III. Aria di menuetto pietro Locatelli

Tracklist below.

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Composer: Giorgio Gentili
Artist: Soavi Affetti Baroque Music Ensemble
Patrizio Focardi (violin)
Paolo Cantamessa (violin)
Rebeca Ferri (cello)
Anna Clemente (cembalo & organ)
Giovanni Bellini theorbo
Here’s another name from the Italian Baroque to conjure with, rescued from dusty obscurity by stylish Italian musicians and Brilliant Classics, who have an unrivalled back-catalogue of such discoveries. Giorgio Gentili (1669-1737) was a Venetian musician who made his name as a violinist, playing in the ducal chapel of St Mark’s. Appointed at the age of 20, he remained
in post as a principal soloist in the ensemble for over 40 years, as well as taking on a music-director post at the Ospedale dei Mendicanti. Though now almost forgotten, he was clearly well-respected within the competitive musical scene of early 18th-century Venice, being among the highest-paid musicians in the city.


00:00:00 12 Sonatas, Op. 1, sonata VIII in G Major: I. Adagio - Presto – Grave
00:02:14 12 Sonatas, Op. 1, sonata VIII in G Major: II. Allegro
00:03:47 12 Sonatas, Op. 1, sonata VIII in G Major: III. Adagio
00:05:29 12 Sonatas, Op. 1, sonata VIII in G Major: IV. Allegro
00:06:38 12 Sonatas, Op. 1, sonata IV in E Minor: I. Grave
00:09:07 12 Sonatas, Op. 1, sonata IV in E Minor: II. Allegro
00:10:58 12 Sonatas, Op. 1, sonata IV in E Minor: III. Largo e staccato
00:12:25 12 Sonatas, Op. 1, sonata IV in E Minor: IV. Allegro
00:13:48 12 Sonatas, Op. 1, sonata I in A Major: I. Adagio
00:16:00 12 Sonatas, Op. 1, sonata I in A Major: II. Allegro
00:18:29 12 Sonatas, Op. 1, sonata I in A Major: III. Grave
00:19:54 12 Sonatas, Op. 1, sonata I in A Major: IV. Allegro
00:20:36 12 Sonatas, Op. 1, sonata I in A Major: V. Allegro
00:21:32 12 Sonatas, Op. 1, sonata IX in C Minor: I. Grave
00:24:12 12 Sonatas, Op. 1, sonata IX in C Minor: II. Allegro
00:25:38 12 Sonatas, Op. 1, sonata IX in C Minor: III. Largo
00:27:09 12 Sonatas, Op. 1, sonata IX in C Minor: IV. Allegro
00:28:26 12 Sonatas, Op. 1, sonata II in F Major: I. Grave
00:30:45 12 Sonatas, Op. 1, sonata II in F Major: II. Presto
00:32:30 12 Sonatas, Op. 1, sonata II in F Major: III. Largo
00:34:22 12 Sonatas, Op. 1, sonata II in F Major: IV. Allegro
00:35:44 12 Sonatas, Op. 1, sonata III in D Minor: I. Adagio
00:37:41 12 Sonatas, Op. 1, sonata III in D Minor: II. Allegro
00:39:29 12 Sonatas, Op. 1, sonata III in D Minor: III. Grave
00:41:26 12 Sonatas, Op. 1, sonata III in D Minor: IV. Presto
00:42:19 12 Sonatas, Op. 1, sonata XI in G Minor: I. Adagio
00:44:05 12 Sonatas, Op. 1, sonata XI in G Minor: II. Presto
00:45:33 12 Sonatas, Op. 1, sonata XI in G Minor: III. Grave
00:47:34 12 Sonatas, Op. 1, sonata XI in G Minor: IV. Presto
00:48:37 12 Sonatas, Op. 1, sonata VII in B-Flat Major: I. Grave
00:50:44 12 Sonatas, Op. 1, sonata VII in B-Flat Major: II. Allegro
00:52:39 12 Sonatas, Op. 1, sonata VII in B-Flat Major: III. Grave
00:54:21 12 Sonatas, Op. 1, sonata VII in B-Flat Major: IV. Presto
00:55:33 12 Sonatas, Op. 1, sonata X in B Minor: I. Grave
00:57:33 12 Sonatas, Op. 1, sonata X in B Minor: II. Allegro
00:59:38 12 Sonatas, Op. 1, sonata X in B Minor: III. Grave
01:01:14 12 Sonatas, Op. 1, sonata X in B Minor: IV. Allegro
01:02:44 12 Sonatas, Op. 1, sonata XII in D Major: I. Adagio - Presto – Adagio
01:04:55 12 Sonatas, Op. 1, sonata XII in D Major: II. Allegro
01:06:26 12 Sonatas, Op. 1, sonata XII in D Major: III. Grave
01:08:07 12 Sonatas, Op. 1, sonata XII in D Major: IV. Allegro
01:09:45 12 Sonatas, Op. 1, sonata V in A Minor: I. Grave
01:11:59 12 Sonatas, Op. 1, sonata V in A Minor: II. Allegro
01:13:59 12 Sonatas, Op. 1, sonata V in A Minor: III. Largo e piano
01:15:39 12 Sonatas, Op. 1, sonata V in A Minor: IV. Presto
01:16:54 12 Sonatas, Op. 1, sonata VI in C Major: I. Adagio - Allegro – Adagio
01:18:47 12 Sonatas, Op. 1, sonata VI in C Major: II. Allegro
01:20:40 12 Sonatas, Op. 1, sonata VI in C Major: III. Adagio – Vivace – Adagio
01:21:46 12 Sonatas, Op. 1, sonata VI in C Major: IV. Allegro

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Composer & Artist:
Composer: Michele Esposito
Artists: Carmelo Andriani (violin), Vincenzo Maltempo (piano)

About this Album:
It might be unusual to find classical music that manages to imbibe the spirit of Irish folk music; it must be even more unusual for that ‘Irish’ music to actually be by an Italian. But Michele Esposito was an unusual composer. Born in southern Italy, financial circumstances led him to settle abroad, and, after a brief spell in Paris, he arrived in Dublin in 1882, making Ireland his homeland for the next 46 years. His time there coincided with the Irish cultural revival that was taking place during the latter half of the 19th century, leading Esposito to find a place at the heart of several prominent cultural institutions.

One of these institutions was the Feis Ceoil, the Irish competitive music festival, at which Esposito won first prize for his Irish Rhapsody No.2 Op.54 in 1902. Folk music also inspired his Irish symphonies, for which he is well known, as well as the simple yet highly effective airs and melodies featured on this release. The three violin sonatas all stem from very different periods of the composer’s life; the first contains elements of Schumannesque piano writing in the third movement, as well as clear echoes of Saint-Saëns, whereas the second – more technically advanced – is more akin to the music of Brahms. Esposito’s last violin sonata, composed in 1913, is tonally much more experimental, and structured in a highly unconventional manner, with the Scherzo movement a slow and solemn minuet, concluding in an unusual sonata form.

Tracklist:
00:00:00 Violin Sonata No. 1 in G Major, Op. 32: I. Moderato
00:06:37 Violin Sonata No. 1 in G Major, Op .32: II. Lento
00:14:24 Violin Sonata No. 1 in G Major, Op. 32: III. Allegro vivace
00:19:42 Irish Rhapsody No. 1 for Violin and Piano, Op. 51
00:34:36 Five Irish Melodies for Violin and Piano, Op. 56: No. 3 “Silent, O Moyle”
00:38:46 Five Irish Melodies for Violin and Piano, Op. 56: No. 5 “When through life”
00:41:43 Two Irish Airs for Violin and Piano, Op. 57: No. 2 “The silver tip” (Irish reel)
00:43:20 Five Irish Melodies for Violin and Piano, Op. 56: No. 2 “The Coulin”
00:46:38 Violin Sonata No. 2 in E Minor, Op. 46: I. Allegro moderato
00:54:09 Violin Sonata No. 2 in E Minor, Op. 46: II. Andantino
00:58:55 Violin Sonata No. 2 in E Minor, Op. 46: III. Allegro con fuoco
01:04:50 Violin Sonata No. 3 in A Major, Op. 67: I. Affettuosamente
01:13:55 Violin Sonata No. 3 in A Major, Op. 67: II. Allegretto moderato
01:17:17 Violin Sonata No. 3 in A Major, Op. 67: III. Andante cantabile
01:21:55 Violin Sonata No. 3 in A Major, Op. 67: IV. Allegretto grazioso
01:27:08 Irish Rhapsody No. 2 for Violin and Piano, Op. 54

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Rutter: Gloria - Bernstein: Chichester Psalms - Poulenc: Quatre petites prières
Rutter & Bernstein & Poulenc: Choral Works

Here are dynamic modern performances of some of the most popular of all sacred vocal works written in the second half of the last century, expertly done by chamber choirs soaked in the tradition which the works themselves draw upon.

The Gloria is perhaps the best-known of the extended compositions by John Rutter, composer of such choral evergreens as A Gaelic Blessing and Shepherds’ Pipe Carol. Rutter’s setting fully captures the exuberance of the text, with sparkling orchestral colours and fullbodied choral parts.

Like the Gloria, Bernstein’s Chichester Psalms (socalled because of the nature of their original commission, made in 1964 by the Dean of Chichester Cathedral, Walter Hussey) may be musically sophisticated in technical terms, but never at the expense of creating an instant impression or of serving the texts. The poignant treble solo in the second movement is still, along with ‘Maria’, one of Bernstein’s most imperishable melodies.

Poulenc, too, had melodies pouring out of him, though his settings of ancient liturgical texts (and rustic peasant prayers) in Litanies à la Vierge Noire, Quatre Petites Prières de Saint François d’Assise, Exsultate Deo and Salve Regina are in the more austere tradition of French sacred works.

00:00:00 Gloria: Gloria in Excelsis deo (Allegro vivace)
00:05:16 Gloria: Domine deus, Rex Coelestis (Andante)
00:12:31 Gloria: Quoniam Tu Solus Sanctus (vivace e ritmico)Bernstein by Choir of Clare College Cambridge, Timothy Brown & The Wallace Collection:
00:17:59 Chichester Psalms: Psalm 108, v.2; Psalm 100 (Maestoso ma energico)
00:22:04 Chichester Psalms: Psalm 2, vv. 1-4; Psalm 23 vv. 1-6 (Andante Con moto, ma tranquillo)
00:27:05 Chichester Psalms: Psalm 131; Psalm 133, v.1 (Prelude - Peacefully flowingmFrancis Poulenc by Corydon Singers, Matthew Best & Richard Pearce:
00:35:28 Quatre Petites Prières de St François d'Assise: Salut, Dame Sainte
00:37:54 Quatre Petites Prières de St François d'Assise: Tout Puissant, Très Saint
00:39:21 Quatre Petites Prières de St François d'Assise: Seigneur, Je Vous En Prie
00:40:39 Quatre Petites Prières de St François d'Assise: O Mes Très Chers Frères
00:42:44 Litanies à La vierge Noire
00:51:58 Exultate deo
00:55:00 Salve Regina

PC Reddy, fundador de los Hospitales Apollo, le pregunta a Sadhguru qué es lo que se necesita para estar saludable. Sadhguru hace la diferencia entre las causas de las enfermedades infecciosas y las causas de las enfermedades crónicas. Las segundas, dice, son creadas desde dentro del cuerpo y pueden ser fácilmente curadas si tenemos acceso al “fabricante” interior de este organismo.

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Sadhguru responde la pregunta de un estudiante sobre cómo pasar los exámenes sin estudiar, y explica qué implica ser un «campeón de todo».

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Sadhguru habla sobre cómo la gente tiende a dividir Creador y creación pensando que el Creador es magnífico pero la creación es sucia. Él explica que, cualquier idea que tengamos sobre Dios en nuestra mente, es tan solo una definición formulada a partir de lo que vemos a nuestro alrededor. La fuente de la creación solo puede ser experimentada, no comprendida.

Pláticas de Sadhguru @ Programa de Ingeniería Interior, Chennai, Jun 2004

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In Caelum Fero, Zarabanda, Palladio, Cantus - 'Song of Aeolus', Adiemus

4 Nov 2013 - Großes Festspielhaus Salzburg
Dirigent: Norbert Brandauer

MITWIRKENDE:
Salzburger Landesjugendorchester
Oberösterreichisches Jugendsinfonieorchester
Chor des Musischen Gymnasiums Salzburg
Chor des PG Borromäum
Voices Unlimited
Chor der BAKIP Salzburg
Jugendkantorei am Dom
Landesjugendchor Südtirol
Kärntner Landesjugendchor
chorus juventus der Wiener Sängerknaben


I. The Armed Man | The Armed Man - A Mass for Peace
II. The Call To Prayers (Adhaan) - 06:56 | The Armed Man - A Mass for Peace
III. Kyrie - 09:04 | The Armed Man - A Mass for Peace
IV. Save Me From Bloody Men 17:48 | The Armed Man - A Mass for Peace
V. Sanctus - 19:52 | The Armed Man - A Mass for Peace
VI. Hymn Before Action - 26:48 | The Armed Man - A Mass for Peace
VII. Charge - 30:10 | The Armed Man - A Mass for Peace
VIII. Angry Flames - 36:41 | The Armed Man - A Mass for Peace
IX. Torches - 40:52 | The Armed Man - A Mass for Peace
X. Agnus Dei - 43:56 | The Armed Man - A Mass for Peace
XI. Now The Guns Have Stopped - 48:50 | The Armed Man - A Mass for Peace
XII. Benedictus - 52:20 | The Armed Man - A Mass for Peace
XIII. Better Is Peace - 59:37 | The Armed Man - A Mass for Peace

Adiemus by Karl Jenkins, performed by the London Philharmonic Orchestra & sung by Miriam Stockley, featuring video clips from Final Fantasy X and interpretive dancing by Russian prima ballerina Anastasia Volochkova. Her video was first posted by post8890 on April 13, 2008, I believe, but was made most popular by the postings done by TUXINO100 (over half a million hits, despite mislabeling the artist as Enya), poganka (an excerpt with over one million hits), but most impressively posted by CheatingNoob (over 300,000 hits.) Many other postings exist as well.

Also plaidnchainschik first thought to post Final Fantasy vid clips to Adiemus (over 650,000 hits) which is where I got my inspiration to match up Final Fantasy X with Volochkova. When I first saw one and then the other, I was amazed at the similarity between the choreographies of both the dance and the video game. Even the colors of yellow and blue in both mediums are of a strikingly similar hue.

Anyway, I cleaned up the soundtrack (I hope) and straightened out the synchronization between Volochkova and the song (which was off in some spots.) I also had to extend the song a bit in order synch up the dance with the video game clips. I hope you like it!

And finally, thanks so many MANY times to NCH Software for VideoPad Video Editor. It is free, and it is awesome! Try it, you'll like it!

The long version 07 : 36,11 with Miriam Stocley
1080p photo's of Africa

Buy this album: http://www.domomusicgroup.com/....kitaro/albums/lighto
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Artist: Kitaro
Song: The Field
Album: The Light Of The Spirit

Kitaro Official Website
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How the brain works, how we learn, and why we sometimes make stupid mistakes.
Submit ideas: http://ve42.co/GotIdeas
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Thanks to Patreon supporters:
Nathan Hansen, Donal Botkin, Tony Fadell, Zach Mueller, Ron Neal

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This video was inspired by the book Thinking Fast and Slow by Daniel Kahneman

Harpist: Lara Somogyi http://ve42.co/Lara
Animator: Jesse Agar http://ve42.co/ThisPlace
Filmed by Raquel Nuno

Music by Kevin MacLeod, http://incompetech.com "Sneaky Adventure" "Harlequin"

Silicone oil droplets provide a physical realization of pilot wave theories.
Check out Smarter Every Day: http://bit.ly/VeSmarter
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Huge thanks to:
Dr. Stephane Perrard, Dr Matthieu Labousse, Pr Emmanuel Fort, Pr Yves Couder and their group site http://dualwalkers.com/
Prof. John Bush: http://math.mit.edu/~bush/
Dr. Daniel Harris
Prof. Stephen Bartlett
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Workgroup Bohemian Mechanics: http://www.mathematik.uni-muenchen.de/~bohmmech/
Filmed by Raquel Nuno

Thanks to Patreon supporters:
Nathan Hansen, Bryan Baker, Donal Botkin, Tony Fadell, Saeed Alghamdi

Thanks to Google Making and Science for helping me pursue my #sciencegoals. If you want to try this experiment, instructions are here: link.springer.com/article/10.1007/s12650-016-0383-5

The standard theory of quantum mechanics leaves a bit to be desired. As Richard Feynman put it, "I think I can safely say that no one understands quantum mechanics." This is because observations of experiments have led us to a theory that contradicts common sense. The wave function contains all the information that is knowable about a particle, yet it can only be used to calculate probabilities of where a particle will likely turn up. It can't give us an actual account of where the particle went or where it will be at some later time.

Some have suggested that this theory is incomplete. Maybe something is going on beneath the radar of standard quantum theory and somehow producing the appearance of randomness and uncertainty without actually being random or uncertain. Theories of this sort are called hidden variable theories because they propose entities that aren't observable. One such theory is pilot wave theory, first proposed by de Broglie, but later developed by Bohm. The idea here is that a particle oscillates, creating a wave. It then interacts with the wave and this complex interaction determines its motion.

Experiments using silicone oil droplets on a vibrating bath provide a remarkable physical realization of pilot wave theories. They give us a physical picture of what the quantum world might look like if this is what's going on - and this theory is still deterministic. The particle is never in two places at once and there is no randomness.

Edited by Robert Dahlem

Sound design by A Shell in the Pit

Music video by Tears For Fears performing Woman In Chains. (C) 1989 Mercury Records Limited