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El canal de Bebe milo es para publico infantil. Podrás encontrar canciones infantiles, música infantil para niños y niñas, chicos y chicas. También podrás ver jugar juegos como minecraft gratis, roleplay muy entretenido y en español latino, roblox y mucho mas.
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El Papa Francisco participa la Vigilia de Oración con los jóvenes en el Campo San Juan Pablo II – Metro Park JMJ Panamá 2019

Durante la reciente edición del programa de televisión “Padre Nostro”, el Papa Francisco hizo una nueva advertencia sobre Satanás, quien “no es una cosa difusa”, sino “una persona” con quien no se debe dialogar.
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"How Will I Know" from the album "Whitney Houston" 1985

El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

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Every now and again a piece of music comes along that captures the public’s attention and imagination – a composition, movement or excerpt which, on account of the enjoyment or interest we continue to derive from it upon repeated listening, is catapulted into the classical canon where it assumes the status of a permanent fixture.

Such is the case regarding the pieces brought together on this CD album: ‘chart-topping’ tunes which are among classical music’s most loved and celebrated works. From Handel’s rousing chorus Zadok the Priest – a coronation anthem that survived its ineffective first performance to become of the composer’s most popular works – to the magical beauty of Faure’s wistful, six-minute Pavane and Khachaturian’s rhythm-driven Gayaneh excerpt ‘Sabre Dance’, the set traces over 200 years of Western musical composition to present a programme that is diverse both in style and mood and which never fails to entertain. At hand to perform these iconic works (and revealing their versatility of repertoire) is the Royal Philharmonic Orchestra, with acclaimed singers such as Deborah Norman and Wynne Evans putting the finishing touches to this all-British effectuation.

- A good, old fashioned, success-proven compilation of Classical Hits, Orchestral Favourites, or whatever you would like to call these ever popular works, which still have a chance to find a new audience, because there are still hoards of people who have never heard Verdi’s Triumphal Aida March, Handel’s Hallelujah, Khatchaturian’s Sabre Dance, Strauss’ Blue Danube, Orff’s O Fortuna, or Puccini’s Nessun Dorma.
- Excellent performances by one of the world’s best orchestras, the Royal Philharmonic Orchestra.
- Total time nearly 140 minutes.


00:00:00 Coronation Anthem "Zadok the Priest", HWV 258
00:05:17 The Valkyrie, WWV 86B, Pt. 3: The Ride of the Valkyries
00:10:27 Aida, Pt. 2: Grand March
00:18:05 Variations on an Original Theme “Enigma”, Op. 36
00:21:50 Les pêcheurs de perles, WD 13, Pt. 1:Duet. Au fond de temple saint (Nadir, Zurga)
00:26:46 Orphée aux enfers, Pt. 2: Can-Can
00:28:58 Slavonic Dances, Op. 46: VIII. Slavonic Dance in G Minor. Furiant (Presto)
00:33:28 Turandot, Pt. 3: Aria. Nessun dorma
00:36:28 Danse macabre in G Minor, Op.40
00:43:48 Madama Butterfly, Pt. 2: Aria. Un bel dì vedremo (Butterfly)
00:49:29 Adagio for Strings in B-Flat Minor
00:57:11 Boléro in C Major, M. 81
01:11:56 Finlandia, Op. 26
01:19:55 Carmina Burana: O fortuna
01:22:29 Pavane in F-Sharp Minor, Op. 50
01:28:57 And Did Those Feet in Ancient Time “Jerusalem”
01:31:47 The Liberty Bell March
01:34:14 The Barber of Seville: Aria. Largo al factotum
01:39:05 An der schönen blauen Donau, Op. 314
01:48:58 Messiah, HWV 56: Hallelujah
01:53:09 Pomp and Circumstance, Op. 39: March No.1 in D Major
01:58:43 O sole mio
02:01:01 Gayaneh, Ballet Suite: Sabre Dance
02:03:27 1812 Overture, Op. 49

Composers:
Edward Elgar, Georg Frideric Handel, Richard Wagner

Artist:
Royal Philharmonic Orchestra

El Papa Francisco preside la Misa de consagración del altar de la Catedral Basílica de Santa María la Antigua en Panamá.

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These are not modern arrangements of two classic violin sonatas but classic examples of the art of transcriptions, made by two superb French cellists in the last half of the 19th century. They cater less for the demand of amateur musicians for repertoire for domestic music-making – even in their originals, the sonatas lie somewhere beyond the technical level of all but the most accomplished performers – but for the growing number of professional cellists who sought more than showpieces for their recitals yet were understandably frustrated by the lack of substantial contributions to the cello repertoire by composers of their time.

The greatest Parisian cellist of his day, August Franchomme, arranged the ‘Kreutzer’ Sonata in 1867. It is among Beethoven’s most ambitious pieces of chamber music, symphonic in scale. Reportedly, the first transcription for the cello was made by Carl Czerny, at the request of Beethoven himself. However, Czerny considerably simplified the most important virtuoso passages that had made this sonata a piece for seasoned musicians. Franchomme also made certain adaptations, inevitable when transcribing a piece of this complexity for a lower instrument, but he retained its sense of thrill and danger.

Composer :César Auguste Franck, Ludwig van Beethoven
Artist: Roberto Trainini (cello)
Christiano Burato (piano)

00:00:00 Violin Sonata No. 9 in A Major, Op. 47: I. Adagio sostenuto. Presto
00:14:13 Violin Sonata No. 9 in A Major, Op. 47: II. Andante con variazioni
00:30:13 Violin Sonata No. 9 in A Major, Op. 47: III. Finale. Presto
00:39:44 Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato
00:46:04 Violin Sonata in A Major, FWV 8: II. Allegro
00:54:32 Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato
01:02:02 Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso

Tracklist below.

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Composer:
Johann Sebastian Bach

Artist:
Daniele Boccaccio organ

00:00:00 Prelude No. 1 in C Major, BWV 846
00:01:42 Fugue No. 1 in C Major, BWV 846
00:04:10 Prelude No. 2 in C Minor, BWV 847
00:05:43 Fugue No. 2 in C Minor, BWV 847
00:07:49 Prelude No. 3 in C-Sharp Major, BWV 848
00:09:17 Fugue No. 3 in C-Sharp Major, BWV 848
00:12:19 Prelude No. 4 in C-Sharp Minor, BWV 849
00:15:19 Fugue No. 4 in C-Sharp Minor, BWV 849
00:19:24 Prelude No. 5 in D Major, BWV 850
00:20:47 Fugue No. 5 in D Major, BWV 850
00:22:47 Prelude No. 6 in D Minor, BWV 851
00:24:32 Fugue. No. 6 in D Minor, BWV 851
00:26:44 Prelude No. 7 in E-Flat Major, BWV 852
00:30:41 Fugue No. 7 in E-Flat Major, BWV 852
00:32:45 Prelude No. 8 in E-Flat Minor, BWV 853
00:35:35 Fugue No. 8 in E-Flat Minor, BWV 853
00:42:01 Prelude No. 9 in E Major, BWV 854
00:43:40 Fugue No. 9 in E Major, BWV 854
00:45:14 Prelude No. 10 in E Minor, BWV 855
00:47:21 Fugue No.10 in E Minor, BWV 855
00:48:38 Prelude No. 11 in F Major, BWV 856
00:50:03 Fugue No. 11 in F Major, BWV 856
00:51:35 Prelude No. 12 in F Minor, BWV 857
00:53:24 Fugue No. 12 in F Minor, BWV 857
00:57:56 Prelude No. 13 in F-Sharp Major, BWV 858
00:59:21 Fugue No. 13 in F-Sharp Major, BWV 858
01:01:49 Prelude No. 14 in F-Sharp Minor, BWV 859
01:03:19 Fugue No. 14 in F-Sharp Minor, BWV 859
01:06:11 Prelude No. 15 in G Major, BWV 860
01:07:15 Fugue No. 15 in G Major, BWV 860
01:10:37 Prelude No. 16 in G Minor, BWV 861
01:11:59 Fugue No. 16 in G Minor, BWV 861
01:14:20 Prelude No. 17 in A-Flat Major, BWV 862
01:15:36 Fugue No. 17 in A-Flat Major, BWV 862
01:18:12 Prelude No. 18 in G-Sharp Minor, BWV 863
01:19:27 Fugue No. 18 in G-Sharp Minor, BWV 863
01:21:46 Prelude No. 19 in A Major, BWV 864
01:23:11 Fugue No. 19 in A Major, BWV 864
01:25:43 Prelude No. 20 in A Minor, BWV 865
01:27:02 Fuge No. 20 in A Minor, BWV 865
01:32:25 Prelude No. 21 in B-Flat Major, BWV 866
01:34:25 Fugue No. 21 in B-Flat Major, BWV 866
01:36:37 Prelude No. 22 in B-Flat Minor, BWV 867
01:38:27 Fugue No. 22 in B-Flat Minor, BWV 867
01:41:36 Prelude No. 23 in B Major, BWV 868
01:42:44 Fugue No. 23 in B Major, BWV 868
01:45:16 Prelude No. 24 in B Minor, BWV 869
01:49:23 Fugue No. 24 in B Minor, BWV 869
01:56:06 Prelude No. 1 in C Major, BWV 870
01:58:32 Fugue No. 1 in C Major, BWV 870
02:00:38 Prelude No. 2 in C Minor, BWV 871
02:03:17 Fugue No. 2 in C Minor, BWV 871
02:05:34 Prelude No. 3 in C-Sharp Major, BWV 872
02:07:09 Fugue No. 3 in C-Sharp Major, BWV 872
02:09:30 Prelude No. 4 in C-Sharp Minor, BWV 873
02:13:15 Fugue No. 4 in C-Sharp Minor, BWV 873
02:16:03 Prelude No. 5 in D Major, BWV 874
02:21:42 Fugue No. 5 in D Major, BWV 874
02:24:20 Prelude No. 6 in D Minor, BWV 875
02:26:07 Fugue No. 6 in D Minor, BWV 875
02:28:09 Prelude No. 7 in E-Flat Major, BWV 876
02:30:31 Fugue No. 7 in E-Flat Major, BWV 876
02:32:33 Prelude No. 8 in D-Sharp Minor, BWV 877
02:36:34 Fugue No. 8 in D-Sharp Minor, BWV 877
02:40:15 Prelude No. 9 in E Major, BWV 878
02:45:30 Fugue No. 9 in E Major, BWV 878
02:48:35 Prelude No. 10 in E Minor, BWV 879
02:52:27 Fugue No. 10 in E Minor, BWV 879
02:55:52 Prelude No. 11 in F Major, BWV 880
02:59:26 Fugue No. 11 in F Major, BWV 880
03:01:10 Prelude No. 12 in F Minor, BWV 881
03:05:32 Fugue No. 12 in F Minor, BWV 881
03:08:02 Prelude No. 13 in F-Sharp Major, BWV 882
03:11:42 Fugue No. 13 in F-Sharp Major, BWV 882
03:14:28 Prelude No. 14 in F-Sharp Minor, BWV 883
03:17:20 Fugue No. 14 in F-Sharp Minor, BWV 883
03:21:47 Prelude No. 15 in G Major, BWV 884
03:24:44 Fugue No. 15 in G Major, BWV 884
03:26:06 Prelude No. 16 in G Minor, BWV 885
03:28:10 Fugue No. 16 in G Minor, BWV 885
03:31:33 Prelude No. 17 in A-Flat Major, BWV 886
03:35:30 Fugue No. 17 in A-Flat Major, BWV 886
03:38:14 Prelude No. 18 in G-Sharp Minor, BWV 887
03:43:20 Fugue No. 18 in G-Sharp Minor, BWV 887
03:47:10 Prelude No. 19 in A Major, BWV 888
03:48:55 Fugue No. 19 in A Major, BWV 888
03:50:35 Prelude No. 20 in A Minor, BWV 889
03:54:38 Fugue No. 20 in A Minor, BWV 889
03:56:31 Prelude No. 21 in B-Flat Major, BWV 890
04:04:55 Fugue No. 21 in B-Flat Major, BWV 890
04:07:20 Prelude No. 22 in B-Flat Minor, BWV 891
04:10:09 Fugue No. 22 in B-Flat Minor, BWV 891
04:15:24 Prelude No. 23 in B Major, BWV 892
04:17:35 Fugue No. 23 in B Major, BWV 892
04:21:31 Prelude No. 24 in B Minor, BWV 893
04:23:39 Fugue No. 24 in B Minor, BWV 893

Composer: Edward Elgar, Frank Bridge, Ralph Vaughan Williams
Artist: Quink Vocal Ensemble

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Quink is the Netherlands’ premier solo vocal ensemble, founded in 1978, which has won a string of awards for its albums of motets, partsongs villancicos and more ranging over 500 years of music. Turning to the rich repertoire of late-19th and early-20th-century English and Irish music, Quink has made a complement to its previous recording of music by Vaughan Williams and Finzi, which received critical praise for its ‘technical elegance and fine spirit’ (BBC Music Magazine).

The madrigal found a home in Elizabethan England after its creation in mid-17th-century Italy with the works of Gibbons and many others, and survived longer there than in the rest of Europe, where it fell out of fashion in the 18th century. Nonetheless, the Victorian age saw a revival in what had become a neglected genre of consort work, and many glee clubs were formed to sing earlier work, as well as stimulating the composition of new ones such as are found here.

The title track is the last of Sir Charles Parry’s Six Modern Lyrics, but the previous five are little known and seldom recorded (the poem by Robert Bridges was also set by Britten’s teacher, Frank Bridge, and included here alongside one of several settings of Shakespeare, The Bee). The other extensive collection here is of E.J. Moeran’s Songs of Springtime, as buoyant and cheerful as their title suggests, yet curiously neglected. The selections of Vaughan Williams such as his Three Elizabethan Partsongs and Silence and Music are deservedly famous, and sung here with the elegance and freedom that comes more naturally to vocal consorts rather than chamber choirs however well-drilled.
 
This new recording by Dutch vocal ensemble Quink contains a delectable selection of English part songs, works by Vaughan Williams, Elgar, Bridge, Stanford, Moeran and Parry.
The music has that indelible English atmosphere of autumnal serenity and melancholy, evoking pastoral scenes of poignant beauty, where “time stands still”.
The booklet contains liner notes, biography and the complete sung texts.

00:00:00 3 Part-Songs, Op. 18: I. O Happy Eyes
00:02:52 3 Part-Songs, Op. 18: II. Love
00:05:18 Music, When Soft Voices Die, H.31
00:07:56 The Bee, H.110
00:09:19 Three Elizabethan Partsongs: I. Sweet Day
00:11:21 Three Elizabethan Partsongs: II. The Willow Song
00:13:42 Three Elizabethan Partsongs: III. O Mistress Mine
00:14:48 6 Irish Folksongs, Op. 78: III. At The Mid-Hour Of Night
00:17:16 6 Irish Folksongs, Op. 78: V. It Is Not the Tear
00:19:35 O Weary Hearts, H.92
00:23:36 Under the Greenwood Tree
00:25:00 The River-God’s Song
00:26:40 Spring, the Sweet Spring
00:28:15 Love Is A Sickness
00:31:35 Sigh No More, Ladies
00:33:07 Good Wine
00:34:34 To Daffodils
00:37:05 In Autumn, H.62
00:40:27 Love Is a Sickness
00:41:33 Fain Would I Change That Note
00:43:51 6 Elizabethan Pastorals: III. Shall We Go Dance
00:45:04 6 Irish Folksongs, Op. 78: I. O Breathe Not His Name
00:48:22 Silence And Music
00:53:49 6 Modern Lyrics: I. How Sweet the Answer
00:55:27 6 Modern Lyrics: II. Since Thou, O Fondest
00:57:49 6 Modern Lyrics: III. If I Had But Two Little Wings
00:59:55 6 Modern Lyrics: IV. There Rolls the Deep
01:02:22 6 Modern Lyrics: V. What Voice of Gladness
01:05:05 6 Modern Lyrics: VI. Music, When Soft Voices Die

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When You Believe · Whitney Houston · Mariah Carey

My Love Is Your Love

℗ 1998 SKG Music L.L.C.

Released on: 1998-11-17

Associated Performer: Whitney Houston Duet With Mariah Carey
Arranger, Producer, Programmer: Kenneth "Babyface" Edmonds
Recording Engineer: Paul Boutin
Recording Engineer: Tim Boyle
Recording Engineer: Don Murray
Recording Engineer: Dana Chappelle
Mixing Engineer: Jon Gass
Piano: Greg Phillinganes
Guitar: Michael Thompson
Bass: Nathan East
Drums: Ricky Lawson
Percussion: Sheila E.
Whistles: Eric Rigler
Associated Performer: Orchestra
Conductor: Gavin Greenaway
Composer, Lyricist: Stephen Schwartz
Conductor, Orchestrator: Bill Ross
Vocal: Kevon Edmonds
Vocal: Nathan Walton
Vocal: Mark Kibble
Vocal: Melvin Edmonds
Vocal: Daryl Hawes
Vocal: J. Valentine
Vocal: Vearline Beard
Vocal: Joy Enriquez
Vocal: Dion Allen
Vocal: Peach
Vocal: Lynn Davis
Vocal: Syretha Smith
Vocal: Sharlotte Gibson
Vocal: Shanice Wilson
Vocal: Krystal Wilson
Vocal: Tavia Ivey
Vocal: Kenya Ivey
Vocal: Lisa Ivey
Vocal: Nathan Ivey
Orchestrator: Hans Zimmer
Conductor: Damon Thomas
Mastering Engineer: Tony Dawsey

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Composer: Carl Philipp Emanuel Bach
Artists: Andrea Chezzi harpsichord
Alberto Colzani (2000), after Goermans-Taskin

About this Album:
A curious and unsatisfying reduction of huge music for tiny forces? By no means. These are not, after all, symphonies in the way that Beethoven, let alone Mahler, understood the term, but breezy three-movement affairs which had lately sprung out of an operatic context and were enjoying a new and independent life through the always-unpredictable idiom of C.P.E., who wrote eight such works between 1741 and 1762. Most of them began as symphonies for strings, with wind parts added later when Bach’s orchestra was enlarged. These early symphonies mixed an Italian style of pleasant and simple writing with the composer’s own evolving voice influenced by the Empfindsamer Stil, drawn together by the impeccable technique which C.P.E. had learnt at the feet of his father, the great Johann Sebastian.

The composer did not make these transcriptions of his ‘Berlin’ symphonies, but they were done during his lifetime to cater to the extensive public of amateur keyboard players. The Symphony in G major Wq122 No.1 (arr. Wq173) is perfectly suited to the harpsichord, with the freshness of an Italian opera overture, especially in the first movement. Elsewhere, Andrea Chezzi has made a few additions to the arrangement when it is excessively thin, limited to some doubling or addition of the inner part, following the practice of the time, while also playing with the ornamentation appropriate to a keyboard performance.

Andrea Chezzi is a solo harpsichordist and organist based in Parma, where he is titular organist for the Church of Santa Maria Annunziata in Mezzano Rondani in the Comune di Colorno, Parma, artistic director of the comune’s cultural association La Compagnia del Lorno, and a founding member of the Giuseppe Serassi cultural association for the appreciation of organs and early instruments.

Tracklist:
00:00:00 Symphony in G Major, Wq. 122 No. 1: II. Andante
00:02:51 Symphony in G Major, Wq. 122 No. 1: III. Allegretto
00:05:13 Symphony in F Major, Wq. 122 No. 2: I. Allegro assai
00:07:46 Symphony in F Major, Wq. 122 No. 2: II. Andante
00:14:53 Symphony in F Major, Wq. 122 No. 2: III. Tempo di minuetto
00:18:33 Symphony in D Major: I. Allegro (Arr. Wq. 176)
00:28:06 Symphony in D Major: II. Andante (Arr. Wq. 176)
00:31:13 Symphony in D Major: III. Presto (Arr. Wq. 176)
00:34:04 Symphony in E Minor, Wq. 122 No. 3: I. Allegro assai
00:38:15 Symphony in E Minor, Wq. 122 No. 3: II. Andante
00:44:01 Symphony in E Minor, Wq. 122 No. 3: III. Allegro



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It's Not Right But It's Okay · Whitney Houston

My Love Is Your Love

℗ 1998 Arista Records LLC

Released on: 1998-11-17

Associated Performer, Producer: Rodney Jerkins
Mixing Engineer, Recording Engineer: Brad Gilderman
Editor: Harvey Mason, Jr.
Mastering Engineer: Tony Dawsey
Background Vocal: Toni Estes
Composer, Lyricist: R. Jerkins
Composer, Lyricist: F. Jerkins III
Composer, Lyricist: L. Daniels
Composer, Lyricist: I. Phillips
Composer, Lyricist: T. Estes
Background Vocal: Sharlotte Gibson

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Kung Fu Panda: Showdown of Legendary Legends - Po [Xbox One Gameplay]

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Kung Fu Panda: Showdown of Legendary Legends - Po
https://youtu.be/EjA9kOzGJT8

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The8BitArcade (Super Family Friendly Gameplay)
https://www.youtube.com/user/The8BitArcade1981

FMT TV Toy Reviews (Toys, Toys and More Toys)
https://www.youtube.com/channe....l/UCDxIN9cVaHRno5FFY

The Asian Guy Gamer Facebook
https://www.facebook.com/TheAsianGuyGamerShow

Instagram:
theasianguygamershow
liltwistedone

http://www.aciprensa.com/puntodevista
El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

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✅ Canales de los #AMIWITOS
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? MIS LISTAS DE REPRODUCCIÓN
✅ LO MEJOR de BEBE MILO y sus AMIGOS: https://goo.gl/9MgnWZ
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El canal de Bebe milo es para publico infantil. Podrás encontrar canciones infantiles, música infantil para niños y niñas, chicos y chicas. También podrás ver jugar juegos como minecraft gratis, roleplay muy entretenido y en español latino, roblox y mucho mas.
Lo importante es divertirse y tener lo mejor de minecraft para bebes en 2018!

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Topa desafía a Natalio a una Prueba Express. Si Natalio quiere llegar a la Cania de Control, deberá atravesar el laberinto de elasticos, sin romper inguno.
¡Anímate a desafiar a tus amigos a una Prueba Express!
Sigue viendo más de Junior Express en Disney Junior.

Sitio Oficial: http://www.disneylatino.com/disneyjunior/

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¡Haz click en el botón SUSCRIBIR y entérate de los nuevos videos de Disney Junior en Youtube!