Provided to YouTube by Universal Music Group

Zarabanda · Karl Jenkins · London Philharmonic Choir · Adiemus Symphony Orchestra Of Europe

Symphonic Adiemus

℗ A Decca Records recording; ℗ 2017 Karl Jenkins Music Ltd., under exclusive license to Universal Music Operations Limited.

Released on: 2017-09-29

Conductor, Producer: Karl Jenkins
Conductor: Peter Pejtsik
Choir: London Philharmonic Choir
Associated Performer, Chorus Director: Neville Creed
Orchestra: Adiemus Symphony Orchestra Of Europe
Associated Performer, Flute: Emma Halnan
Associated Performer, Percussion: Zands Duggan
Associated Performer, Percussion, Producer, Studio Personnel, Editor, Recording Engineer: Jody Jenkins
Associated Performer, Concertmaster: Balazs Buitor
Associated Performer, Concertmaster: Gergely Kuklis
Studio Personnel, Recording Engineer, Mix Engineer: Simon Changer
Studio Personnel, Asst. Recording Engineer: Chris Parker
Studio Personnel, Recording Engineer: Tamas Kurina
Studio Personnel, Asst. Recording Engineer: Peter Barabas
Producer, Associate Producer: Carol Barratt
Studio Personnel, Mastering Engineer: Andrew Walter
Associated Performer, Flute: Harry Witstanley
Associated Performer, Flute: Claire Wickes
Associated Performer, Piccolo: Gareth McLearnon
Associated Performer, Clarinet: Jon Carnac
Associated Performer, Clarinet: Duncan Ashby
Associated Performer, Bass Clarinet: David Fuest
Associated Performer, Oboe: Jenny Brittlebank
Associated Performer, Oboe: Janey Miller
Associated Performer, Cor Anglais: Ilid Jones
Associated Performer, Bassoon: Julie Andrews
Associated Performer, Bassoon: Richard Skinner
Associated Performer, Contra Bassoon: Ruth Rosales
Associated Performer, French Horn: John Thurgood
Associated Performer, French Horn: Joseph Walters
Associated Performer, French Horn: Pip Eastop
Associated Performer, French Horn: Dave Bentley
Associated Performer, Trumpet: Christopher Deacon
Associated Performer, Trumpet: Simon Munday
Associated Performer, Trumpet: David Geoghegan
Associated Performer, Trombone: Becky Smith
Associated Performer, Trombone: Peter Beachill
Associated Performer, Bass Trombone: Robert Collinson
Associated Performer, Tuba: Peter Smith
Associated Performer, Timpani: Scott Bywater
Composer Lyricist: Karl Jenkins

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Mons. Kevin Vann, Obispo de Orange, en el sur de California (Estados Unidos), visitó el Hospital de San José y dio su bendición a los pacientes que son atendidos, así como a todo el personal de salud.

Más información: https://www.aciprensa.com/noti....cias/obispo-visita-h

http://www.youtube.com/spacelab gives you an opportunity to design an experiment to be performed in space! If you're between the ages of 14-18, make a 2 minute youtube video proposing an experiment to be performed in zero g. Your video will be assessed by a panel of experts with the winner having their experiment performed in space and broadcast live to the world.

At the jumper's fastest point, the acceleration is by definition zero. That is because the jumper is going from speeding up to slowing down. At this instant then there is no change in the jumper's velocity. This is counter-intuitive for a lot of people because it's easy to confuse velocity with acceleration. Velocity is how fast something goes while acceleration is the rate at which velocity changes.

What happens when a slinky that has been extended under its own weight is released? How does it fall to the ground? Answer link: http://www.youtube.com/watch?v=eCMmmEEyOO0

If the sun were entirely made of protons, how many would there be in the sun? How can this be worked out using the Google search field?

2011 is the international year of Chemistry. But what do Australians know about it?

Electric cars are now ready to take over thanks to advances in battery technology and their inherent benefits: torque, handling, maintenance. This video was sponsored by BMW: https://www.bmwusa.com/

Full disclosure: I drive an #electric #car. I think electric cars are the future, not mainly because they're better for the environment (which they are if you drive the car for any reasonable length of time) but because they are just better cars. The have better torque and acceleration, better handling, they're more efficient, quieter, they don't smell, they're cheaper to run and best of all you never have to visit a gas station - this appeals to me. I never have to worry about being low on gas because every morning my car is charged and ready to go - just like my phone and laptop. And if you're worried about range, don't. Almost all trips can already be done in an electric car with modest battery pack. And fast chargers along the way make it possible to do longer road trips if necessary. You have to make rest stops anyway, just time them with the charging. And consider that battery tech is getting dramatically cheaper, smaller, lighter. All these reasons are why I see the #future of cars as electric.

Writing & Research
Derek Muller
Jonny Hyman
Matthew Shribman https://ve42.co/sciencebath

Editing, Animation, Audio, & Music:
Jonny Hyman

Camerawork:
Raquel Nuno
Jonny Hyman

1890s Music "National fantasie" by William Paris Chambers, archived in Library of Congress
#BMWUSA #NEXTGen #BMWPartner #ad

Newton's Three Laws of Motion are a landmark achievement in physics. They describe how all objects move. Unfortunately most people do not really understand Newton's Laws because they have pre-existing ideas about the way the world works. This film is about those pre-existing ideas. By recognizing what people are thinking, it becomes easier to describe the correct scientific concepts of Newton's Three Laws and how they differ from this 'intuitive physics'.

As a Canadian-Australian, I have always wondered why it is that Australia has so many venomous animals that can kill you while Canada has virtually none.
Subscribe to Veritasium - it's free! http://bit.ly/YSWpWm


But it's not just Australia - it seems like all beautiful, warm places are cursed with venomous native species. So I set out to find the truth: why have all these venomous species evolved in the world's best holiday destinations?

I asked chemists, visited the zoo, interviewed entomologists and snake experts. The answer I found was complicated:
1. The majority of venomous species are ectotherms, cold-blooded creatures whose internal temperatures are governed by their surroundings.
2. This means they have limited periods of activity - mainly while it's warm out, and can only exert short bursts of energy, so they are generally "sit and wait" predators. This may explain why they, more than mammals or birds, evolved venom.
3. It also explains why there are more of these species in warm climates. There are more of all species in warm climates, but this trend is especially pronounced for ectotherms.
4. So there are a greater number of venomous species in warm places, simply because there are more species in warm places. Cold climates still have venomous creatures, like the rattlesnakes of Canada and European vipers.
5. But history also has a role to play. In Australia, there were no snakes until 20 million years ago when a venomous sea snake from Asia encountered the land, sending venomous species to all corners of the continent. Later non-venomous arrivals have done well in the tropics but not as well in Australia's colder climates, so venomous types still dominate there. Hawaii has no venomous land snakes and nor does Jamaica.
6. The recent ice age also would have driven ectotherms from the northern parts of the Northern Hemisphere. This is why there are no snakes in Ireland, for example.

Special thanks to Prof. Rick Shine, Prof. Dieter Hochuli, Prof. Roger Lowe, Prof. Martyn Poliakoff and Taronga Zoo, especially Joe Haddock and Dean Purcell.

Cinematography by Charles Clement

Provided to YouTube by Universal Music Group

Tintinnabulum · Karl Jenkins · London Philharmonic Choir · Adiemus Symphony Orchestra Of Europe

Symphonic Adiemus

℗ A Decca Records recording; ℗ 2017 Karl Jenkins Music Ltd., under exclusive license to Universal Music Operations Limited.

Released on: 2017-09-29

Conductor, Producer: Karl Jenkins
Conductor: Peter Pejtsik
Orchestra: Adiemus Symphony Orchestra Of Europe
Associated Performer, Percussion: Zands Duggan
Associated Performer, Percussion, Producer, Studio Personnel, Editor, Recording Engineer: Jody Jenkins
Associated Performer, Concertmaster: Balazs Buitor
Associated Performer, Concertmaster: Gergely Kuklis
Studio Personnel, Recording Engineer, Mix Engineer: Simon Changer
Studio Personnel, Asst. Recording Engineer: Chris Parker
Studio Personnel, Recording Engineer: Tamas Kurina
Studio Personnel, Asst. Recording Engineer: Peter Barabas
Producer, Associate Producer: Carol Barratt
Studio Personnel, Mastering Engineer: Andrew Walter
Associated Performer, Flute: Harry Witstanley
Associated Performer, Flute: Claire Wickes
Associated Performer, Piccolo: Gareth McLearnon
Associated Performer, Clarinet: Jon Carnac
Associated Performer, Clarinet: Duncan Ashby
Associated Performer, Bass Clarinet: David Fuest
Associated Performer, Oboe: Jenny Brittlebank
Associated Performer, Oboe: Janey Miller
Associated Performer, Cor Anglais: Ilid Jones
Associated Performer, Bassoon: Julie Andrews
Associated Performer, Bassoon: Richard Skinner
Associated Performer, Contra Bassoon: Ruth Rosales
Associated Performer, French Horn: John Thurgood
Associated Performer, French Horn: Joseph Walters
Associated Performer, French Horn: Pip Eastop
Associated Performer, French Horn: Dave Bentley
Associated Performer, Trumpet: Christopher Deacon
Associated Performer, Trumpet: Simon Munday
Associated Performer, Trumpet: David Geoghegan
Associated Performer, Trombone: Becky Smith
Associated Performer, Trombone: Peter Beachill
Associated Performer, Bass Trombone: Robert Collinson
Associated Performer, Tuba: Peter Smith
Associated Performer, Timpani: Scott Bywater
Composer: Karl Jenkins

Auto-generated by YouTube.

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Participación en la Comunidad emigrante y campesina de la Misión Santa Ana.
Naranja, FL - 2009

Entra en nuestra web: hhttps://www.bbvaaprendemosjuntos.com/es
Suscríbete a nuestro canal de youtube: https://www.youtube.com/channe....l/UCI6QcXatdaEAaRTRj
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Escucha nuestros podcasts en Spotify: https://open.spotify.com/show/....07rXxtOlzNI0NuB8vpAg

En el siguiente vídeo, el físico y divulgador científico Ranga Yogeshwar sostiene la necesidad de una educación que vaya más allá de llegar a la meta, una educación que nos sirva como vehículo para convertirnos en la persona que queremos ser. “La educación es mucho más que aprender algo para tener un trabajo, nos proporciona una visión del mundo. Tenemos que aprender a vivir en un mundo cambiante, y eso significa que hemos de tener una educación más sútil, diferente a la educación que conocemos y hemos conocido en nuestras escuelas”.

El periodista ha recibido más de 60 premios, incluyendo un doctorado honorario de la Universidad de Wuppertal, la Cruz Federal de Mérito de la RFA, la Orden del Mérito del Estado de Renania del Norte-Westfalia y la Orden de Mérito du Grand-Duché de Luxemburgo.Ranga explora las grandes transformaciones científicas, tecnológicas y sociales de nuestro tiempo, cuestionándose hasta qué punto los algoritmos determinarán nuestras vidas o qué ocurrirá con la educación si cada vez se vuelve más comercial. En su libro ‘Próxima estación: futuro’, arroja una mirada optimista ante el abanico de posibilidades que tenemos por delante, y a su vez, nos alerta sobre la necesidad de establecer normas éticas frente a las nuevas tecnologías con las que convivimos sin ningún tipo de control. “Con la inteligencia artificial, podríamos acabar dándonos cuenta de cuál es nuestro verdadero valor como humanos”, afirma Yogeshwar.

#AprendemosJuntos

How To Make A Cyclone Paper Airplane

Playlists :

Hola amigos de YouTube el día de hoy dibujaremos al pato donald de forma fácil espero les guste y les sea de mucha utilidad. Suscríbete.

From the SciFri Archive: This toilet floats. It's an outhouse and sewage-treatment plant in one, processing human waste through a "constructed wetlands." Adam Katzman, the inventor and builder of the toilet-boat, says it's meant to be more inspirational than practical. "Poop and Paddle" demonstrates how sewage and rainwater can be converted to cattails and clean water.

King of Thieves - new multiplayer game from Zeptolab - is available today on iOS and Android. Download here:

Apple App Store: http://zep.tl/youtube/kt/ios
Google Play: http://zep.tl/tube/kt/android
Amazon: http://zep.tl/tube/kt/amazon

King of Thieves, a competitive multiplayer game, combines the high-quality art and animations ZeptoLab is known for with platforming and tower defense elements to create an all-new, challenging gameplay experience.

More info - http://www.kingofthieves.com

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This release contains a selection of Vivaldi music, to soothe your baby and to give him or her a gentle introduction into classical music.

Tracklist Below:

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/VivaldiForBabies
More Information: https://www.brilliantclassics.....com/articles/v/vival
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

Composer:
Vivaldi

00:00:00 Concerto in E Major, Op. 8 ‘Der Frühling‘: I. Allegro
00:03:26 Concerto in E Major, Op. 8 ‘Der Frühling‘: II. Allegro e pianissimo sempre
00:05:46 Concerto in E Major, Op. 8 ‘Der Frühling‘: III. Danza pastorale, Allegro
00:09:37 Concerto in G Minor, Op. 8 ‘Der Sommer’: I. Allegro non, molto
00:15:23 Concerto in G Minor, Op. 8 ‘Der Sommer’: II. Adagio-Presto
00:17:39 Concerto in G Minor, Op. 8 ‘Der Sommer’: III. Presto
00:20:30 Concerto in F Major, Op. 8 ‘Der Herbst’: I. Allegro
00:25:27 Concerto in F Major, Op. 8 ‘Der Herbst’: II. Adagio
00:28:30 Concerto in F Major, Op. 8 ‘Der Herbst’: III. Allegro
00:31:44 Concerto in F Minor, Op. 8 'Der Winter’: I. Allegro non molto
00:35:00 Concerto in F Minor, Op. 8 'Der Winter’: II. Largo
00:37:05 Concerto in F Minor, Op. 8 'Der Winter’: III. Allegro
00:40:12 Concerto in E-Flat Major, Op. 8 ‘La Tempesta di Mare’: I. Presto
00:43:01 Concerto in E-Flat Major, Op. 8 ‘La Tempesta di Mare’: II. Largo
00:45:48 Concerto in E-Flat Major, Op. 8 ‘La Tempesta di Mare’: III. Presto
00:49:24 Concerto in C Major, Op. 8 ‘Il Piacere’: I. Allegro
00:52:35 Concerto in C Major, Op. 8 ‘Il Piacere’: II. Largo e cantabile
00:55:49 Concerto in C Major, Op. 8 ‘Il Piacere’: III. Allegro