Oso Yogi - 12.- El Oso Zumbador

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Autora: Marlore Anwandter

Letra:

Salió la a, salió la a
no sé a dónde va (bis)
a comprarle un regalo a mi mamá
a comprarle un regalo a su mamá

Salió la e, salió la e
no sé a dónde fue (bis)
fui con mi tía Marta a tomar té
fue con su tía Marta a tomar té

Salió la i, salió la i
y yo no la sentí (bis)
fui a pintar un punto para ti
fue a pintar un puntico para mí

Salió la o, salió la o
y casi no volvió (bis)
fui a comer tamales y me engordé
fue a comer tamales y se engordó

Salió la u, salió la u
y que me dices tú (bis)
salí en mi bicicleta y llegué a Perú
salió en su bicicleta y llegó a Perú

A, e, i ,o, u
u, o, i, e, a
a, e, i, o, u
u, o, i, e, a
a, e, i ,o, u
u, o, i, e, a
a, e, i, o, u
u, o, i, e, a
a, e, i, o, u
u, o, i, e, a

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Tracklist below.
Download on iTunes: https://itunes.apple.com/album..../monteverdi-madrigal
For physical sales: http://brilliantclassics.com/a....rticles/m/monteverdi
Listen via Spotify: https://open.spotify.com/album..../1IhsqHJvQjPpHWLCDuh

Le Nuove Musiche, a vibrant young ensemble from the Netherlands, specialises in music from the first half of the 17thcentury. While seeking to maintain authentic performance standards, the ensemble brings the music very much into the present, arguing that artistic questions of the past still permeate the musical landscape today. Featuring a captivating group of solo singers, who between them have performed with the Amsterdam Baroque Choir and The Bach Choir & Orchestra of The Netherlands, the ensemble is headed by Krijn Koetsveld, leader and harpsichordist, who has previously collaborated with the Groot Omroepkoor and the prestigious Netherlands Chamber Choir.

This is the second of a planned release of Claudio Monteverdi’s complete madrigals.The fifth and sixth book – already released on Brilliant Classics as 93799 – were the first to break with tradition and herald ‘la seconda pratica’, the era of the basso continuo. From then on, the publication of Monteverdi’s innovative settings were eagerly awaited, as they set the stage for more instrumental ritornellos, a newly important basso continuo and the addition of ornamentation around the bass and vocal parts. The book finishes with a ballo, Tirsi e Clori, a love duet with a five‐part accompaniment, highly elaborate, with a chatty Tirsi contrasting with a sweet and melodic Clori. When the two singers come together with the rest of the ensemble, the listener is treated to the pinnacle of the madrigal era. 00:00:00 Sinfonia – Tempro la cetra, SV 117
00:08:11 A quest’olmo, a quest’ombre, SV 119
00:14:02 Non è di gentil core, SV 118
00:17:49 O come sei gentile, SV 120
00:21:49 Io son pur vezzosetta pastorella, SV 121
00:25:05 O viva fiamma, o miei sospiri ardenti, SV 122
00:28:13 Vorrei baciarti, SV 123
00:32:33 Dice la mia bellissima Licori, SV 124
00:35:02 Non vedrò mai le stelle, SV 126
00:38:58 Ah, che non si conviene, SV 125
00:42:12 Ecco vicine, o bella tigre, l’ore, SV 127
00:46:15 Perché fuggi tra’ salci, SV 128
00:49:31 Tornate, o cari baci, SV 129
00:52:11 Soave libertate, SV 130
00:55:38 Se ’l vostro cor, Madonna, SV 131
00:58:41 Interrotte speranze, eterna fede, SV 132
01:01:14 Augellin, che la voce al canto spieghi, SV 133
01:04:42 Vaga su spina ascosa, SV 134
01:07:34 Eccomi pronta ai baci, SV 135
01:10:07 Parlo, miser, o taccio?, SV 136
01:14:36 Tu dormi, ah crudo core!, SV 137
01:17:47 Al lume de le stelle, SV 138
01:21:50 Con che soavità, labbra adorate, SV 139
01:26:21 Ohimé, dove il mio ben, SV 140
01:31:02 Se i languidi miei sguardi, SV 141
01:38:49 Se pur destina e vole, SV 142
01:47:42 Chiome d’oro, SV 143
01:50:49 Amor, che deggio far?, SV 144
01:55:33 Ballo. Tirsi e Clori, SV 145

Artist:
Le Nuove Musiche
Krijn Koetsveld (artistic leader)

Barcelona 6-2 Real Madrid ,
FC Barcelona 6 vs Real Madrid 2 ,

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Barcelona 6-2 Real Madrid 2009 ,
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Tracklist Below:
Download via iTunes: https://itunes.apple.com/album..../telemann-music-for-
Buy CD: http://brilliantclassics.com/a....rticles/t/telemann-m
Spotify: https://open.spotify.com/album..../1Mp0q1MDZVAS5LSl7xO

Telemann wrote so much and so well for the flute with the understanding of one who knew the instrument from the inside. ‘How my heart beats,’ he wrote, ‘when I see the walls and corners of the room covered with musical instruments… Excellent instrumentalists have made me want to improve my performance on my instruments. I would have done so if an inner fire had spurred me beyond the keyboard, the violin and the flute, to learn the oboe, the chalumeau, the viola da gamba, or indeed the double bass and the bass trombone.’
In line with their earlier work on Vivaldi for Brilliant Classics (BC95078), Hanspeter Oggier and the Ensemble Fratres have now chosen to address the delectable feast of Telemann’s wonderfully joyous music. Meticulous in his work, alert and inventive, Telemann was a great colourist whose coherence and open mindedness enabled him to address the widest audience. The particular appeal of this collection is that the flute parts are taken by the pan-flute, which lend a rustic, sometimes insouciant colour to pairs of suites and concertos. In Telemann the prevalence of curiosity over perfectionism suggests the desire to produce works that were straightforward and accessible to all. There is no hint of superficiality in this approach, however: he sensitively assimilated both Italian and French musical languages as well as certain traditional Polish stylistic elements. These and other ingredients he accepted as simple, pliable mother tongues, without trying to adapt them to his native German idiom.

In the Baroque it was by no means uncommon for composers to freely transcribe and arrange their own works or works by others for a different instruments. Therefore, any present day attempt of alternative instrumentation should be viewed with respect and curiosity: the result counts. And what result we encounter on this new recording of Flute Concertos by Telemann transcribed for the Pan Flute! By turns dramatic and furious, sweet and beguiling: the pan flute has infinite colouristic qualities to do full justice to these master works. The pan flute in its present form originates from 17th century Rumania, mostly used as a folk music instrument. However the use of the pan flute in “classical” Baroque music is by no means an abomination. The improvisatory character, the organic way of tone production which is regulated by the intensity of the breath of the player suit the Baroque music particularly well! Exhilarating performances by Master Pan flutist Hanspeter Oggier and his Ensemble Fratres. They already recorded successfully flute concertos by Vivaldi for Brilliant Classics (BC95078). Extensive liner notes on the music and the instrument included.

00:00:00 Ouverture-Suite in A Minor, TWV 55:a2: I. Ouverture
00:10:37 Ouverture-Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:14:09 Ouverture-Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:21:03 Ouverture-Suite in A Minor, TWV 55:a2: IV. Menuett I-II
00:24:55 Ouverture-Suite in A Minor, TWV 55:a2: V. Rejouissance
00:27:24 Ouverture-Suite in A Minor, TWV 55:a2: VI. Passepied I-II
00:28:59 Ouverture-Suite in A Minor, TWV 55:a2: VII. Polonoise
00:32:59 Flute Concerto in D Major, TWV 51:D2: I. Moderato
00:35:33 Flute Concerto in D Major, TWV 51:D2: II. Allegro
00:39:47 Flute Concerto in D Major, TWV 51:D2: III. Largo
00:43:22 Flute Concerto in D Major, TWV 51:D2: IV. Vivace
00:46:26 Ouverture-Suite in G Major, TWV 55:G2: I. Ouverture
00:51:34 Ouverture-Suite in G Major, TWV 55:G2: II. Courante
00:53:46 Ouverture-Suite in G Major, TWV 55:G2: III. Gavotte en rondeau
00:54:52 Ouverture-Suite in G Major, TWV 55:G2: IV. Branle
00:55:49 Ouverture-Suite in G Major, TWV 55:G2: V. Sarabande
00:57:37 Ouverture-Suite in G Major, TWV 55:G2: VI. Fantaisie
00:58:48 Ouverture-Suite in G Major, TWV 55:G2: VII. Menuet I-II
01:02:28 Ouverture-Suite in G Major, TWV 55:G2: VIII. Rossignol
01:04:25 Flute Concerto in G Major, TWV 51:G2: I. Andante
01:07:08 Flute Concerto in G Major, TWV 51:G2: II. Vivace
01:09:43 Flute Concerto in G Major, TWV 51:G2: III. Adagio
01:11:50 Flute Concerto in G Major, TWV 51:G2: IV. Allegro

Artist:
Hanspeter Oggier pan flute
Ensemble Fratres

From Episode ? -

B1, B2 and their adorable friends the Teddies and the ever mischievous Rat in a Hat romp their way through the magical world of Cuddletown. There are new friends to meet too; Topsy the kangaroo, Charlie the inventive monkey and Bernard the wise old dog.

Tracklist below

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/LisztAngelusSacr
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Best selling recording artist and prolific recitalist Irene Russo showcases a rare selection of recordings displaying the deeply spiritual, sacred dimension to Liszt’s music. Featuring Liszt’s masterful transcriptions of his own orchestral and choral works plus original works for piano, Russo brings her formidable interpretative skills to these powerful and varied works. Beautiful sacred piano music.

Track list
00:00:00 O Roma nobilis, S. 546a
00:02:11 2 Transcriptionen über Themen aus Mozarts Requiem, S. 550: I. Confutatis maledictis
00:05:23 2 Transcriptionen über Themen aus Mozarts Requiem, S. 550: II. Lacrymosa
00:09:13 Via crucis, S. 504a
00:56:10 Totentanz: Paraphrase on Dies Irae, S. 525
01:12:33 Angelus! Prière aux anges gardiens, S. 163
01:22:51 Miserere, d’après Palestrina, S. 173
01:27:55 Ave Maria, die Glocken von Rom in E Major, S. 182
01:34:49 Ave Maria II, aus den neun Kirchenchorgesängen, S. 504
01:41:35 Bénédiction de dieu dans la solitude, S. 173
02:02:47 2 Légendes, S. 175: I. St François d’Assise. La prédication aux oiseaux
02:14:19 2 Légendes, S. 175: II. St François de Paule marchant sur les flots
02:23:43 Pater noster, d’après la psalmodie de l’église in C Major, S. 173

Artist:
Irene Russo (piano)

Spotify: https://open.spotify.com/album..../5jSxuMJ1rvGrlOSGRAt
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Having traversed the spectacular and princely court-music of Barock Salzburg, the trumpeter Otto Sauter turns to Vienna with another two-disc survey of rare trumpet concertos and festive serenatas. Fux and Schmelzer will be familiar names to lovers of the music of Bach’s forebears, but who has heard the bright and charming compositions of Georg Reutter (father and son), or of Franz Querfurth? These composers tended to look more towards Italy for inspiration than the Bohemian influence to be heard in Salzburg-based composers of the time, and their works are accordingly no less virtuosic and perhaps even more extrovert.

Whilst playing and teaching the trumpet the world over, Otto Sauter is also a horse-breeder of distinction: his form in this musical genre can lead listeners to expect performances of rare pedigree.

Other information:
- Recorded in 2007

Artist:
Otto Sauter (trumpet)
Franz Wagnermeyer (trumpet)
Cappella Istropolitana
Nicol Matt (conductor)

Johann Joseph Fux
00:00:00 Overture to Pulcheria for trumpet, 2 oboes, strings & basso continuo
00:06:56 Parthia in C Major for 2 trumpets, 2 oboes, bassoon, 2 violins, viola, cello, violone & timpani: I. Entrée
00:09:44 Parthia in C Major for 2 trumpets, 2 oboes, bassoon, 2 violins, viola, cello, violone & timpani: II. Rondeaux
00:11:56 Parthia in C Major for 2 trumpets, 2 oboes, bassoon, 2 violins, viola, cello, violone & timpani: III. Menuette
00:15:53 Parthia in C Major for 2 trumpets, 2 oboes, bassoon, 2 violins, viola, cello, violone & timpani: IV. Aria
00:17:44 Parthia in C Major for 2 trumpets, 2 oboes, bassoon, 2 violins, viola, cello, violone & timpani: V. Marche
00:19:06 Serenada: I. Marche
00:20:59 Serenada: II. Guique
00:22:15 Serenada: III. Menuet
00:23:45 Serenada: IV. Aria
00:25:56 Serenada: V. Intrada
00:28:33 Serenada: VI. Rigadon
00:29:31 Serenada: VII. Ciacona
00:32:05 Serenada: VIII. Guique
00:33:18 Serenada: IX. Menuet
00:34:55 Serenada: X. Final

Franz Querfurth
00:35:39 Concerto in E-Flat Major for trumpet & strings: I. Allegro
00:40:50 Concerto in E-Flat Major for trumpet & strings: II. Adagio
00:44:16 Concerto in E-Flat Major for trumpet & strings: III. Presto
Johann Georg Albrechtsberger
00:47:04 Concertino in E-Flat Major for trumpet & strings: I. Moderato
00:50:36 Concertino in E-Flat Major for trumpet & strings: II. Menuett
00:53:14 Concertino in E-Flat Major for trumpet & strings: III. Larghetto
00:57:30 Concertino in E-Flat Major for trumpet & strings: IV. Vivace00:59:43 Concerto No.1 in C Major for trumpet & strings: I. Allegro

Georg Reuter
01:01:51 Concerto No.1 in C Major for trumpet & strings: II. Andante un poco
01:03:16 Concerto No.1 in C Major for trumpet & strings: III. Allegro
01:05:30 Concerto No.2 in D Major for trumpet & strings: I. Allegro comodo
01:09:36 Concerto No.2 in D Major for trumpet & strings: II. Andante
01:11:55 Concerto No.2 in D Major for trumpet & strings: III. Allegro
01:16:12 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: I. Ouverture
01:19:47 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: II. Menuet
01:21:11 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: III. Aria
01:22:46 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: IV. Dialogue
01:24:55 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: V. Bourée
01:25:48 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: VI. Entrée
01:27:50 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: VII. Rondeau
01:29:02 Overture a 6 in C Major for 2 trumpets, 2 oboes, 2 violins, 2 violas & violone: VIII. Gigue
01:31:21 Servizio da Tavola No. 2 in C Major for 2 solo trumpets, 4 tutti trumpets, timpani, 2 oboes, bassoon, strings & b.c.: I. Allegro molto
01:35:03 Servizio da Tavola No. 2 in C Major for 2 solo trumpets, 4 tutti trumpets, timpani, 2 oboes, bassoon, strings & b.c.: II. Menuet
01:39:12 Servizio da Tavola No. 2 in C Major for 2 solo trumpets, 4 tutti trumpets, timpani, 2 oboes, bassoon, strings & b.c.: III. Finale: Allegro

Johann Heinrich Schmelzer
01:43:10 Sonata a 5 for clarino, bassoon, 2 violins, viola da gambe & b.c.

Frantisek Ignac Antonin Tuma
01:50:27 Sonata for 4 trumpets, timpani, 2 violins & b.c.: I. Allegro
01:52:39 Sonata for 4 trumpets, timpani, 2 violins & b.c.: II. Adagio
01:54:19 Sonata for 4 trumpets, timpani, 2 violins & b.c.: III. Allegro

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Composer: Claudio Monteverdi
Artist: Le Nuove Musiche
Krijn Koetsveld (artistic leader)

Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/MonteverdiMadrig
More Information: https://www.brilliantclassics.....com/articles/m/monte
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Le Nuove Musiche, led by acclaimed director Krijn Koetsveld, continue with their exceptional series of Claudio Monteverdi’s complete madrigals. Following on from Books V & VI (BC93799), and Book VII (BC94980), released in December 2015, they turn their attention to Books III & IV. At this stage of Monteverdi’s career, he was at a turning point, something that comes across quite clearly in his compositions. In the more traditional works, he gives a clear nod to his teacher Marc’Antonio Ingegneri, as he demonstrates his ability to write in the declamatory Renaissance style. Where Monteverdi sets himself apart, however, is when he demonstrates his ability to match the tender lyrics to sound. O come è gran martire, ‘O what suffering it is’, is a perfect illustration of this, as the mournfully drawn-out ‘O’ immediately captures the listener’s attention, forcing us to appreciate the lover’s lament. He repeats this device in Vattene pur crudel, when Armida’s distressed cry of loneliness soars above the other lines: her rage at having been abandoned by her lover consumes the piece. Monteverdi straddles the Renaissance and the Baroque, and this comes to the fore especially in these two exciting books of madrigals.

Le Nuove Musiche’s approach to Monteverdi is an innovative one: to bring the past into the present, keeping alive the questions of the Renaissance that still permeate our musical landscape today, while seeking to maintain the highest standards of performance authenticity. Their release of Books V & VI garnered excellent reviews, including five stars in the French magazine Diapason.

00:00:00 Madrigals, Book 3, SV 60-74: La giovinetta pianta, SV 60
00:03:18 Madrigals, Book 3, SV 60-74: O come è gran martire, SV 61
00:06:14 Madrigals, Book 3, SV 60-74: Sovra tenere erbette e bianchi fiori, SV 62
00:09:21 Madrigals, Book 3, SV 60-74: O dolce anima mia, dunque è pur vero, SV 63
00:12:43 Madrigals, Book 3, SV 60-74: Stracciami pur il core,SV 64
00:16:06 Madrigals, Book 3, SV 60-74: O rossignuol che in queste verdi fronde, SV 65
00:20:04 Madrigals, Book 3, SV 60-74: Se per estremo ardore, SV 66
00:23:08 Madrigals, Book 3, SV 60-74: Vattene pur, crudel, con quella pace, SV 67
00:25:11Madrigals, Book 3, SV 60-74: Là tra ’l sangue e le morti egro giacente, SV 67
00:27:37 Madrigals, Book 3, SV 60-74: Poi ch’ella in sé tornò, deserto e muto, SV 65
00:30:38 Madrigals, Book 3, SV 60-74: O primavera, gioventú de l’anno, SV 68
00:33:21 Madrigals, Book 3, SV 60-74: Perfidissimo volto, SV 69
00:36:44 Madrigals, Book 3, SV 60-74: Ch’io non t’ami, cor mio, SV 70
00:40:26 Madrigals, Book 3, SV 60-74: Occhi, un tempo mia vita, SV 71
00:43:17 Madrigals, Book 3, SV 60-74: Vivrò fra i miei tormenti e le mie cure, SV 72
00:44:57 Madrigals, Book 3, SV 60-74: Ma dove, o lasso me, dove restaro, SV 72
00:47:36 Madrigals, Book 3, SV 60-74: Io pur verrò là dove sete, e voi, SV 72
00:49:54 Madrigals, Book 3, SV 60-74: Lumi, miei cari lumi, SV 73
00:52:20 Madrigals, Book 3, SV 60-74: Rimanti in pace, SV 74
00:55:50 Madrigals, Book 3, SV 60-74: Ond’ei di morte la sua faccia impressa, SV 74
00:59:22 Madrigals, Book 4, SV 75-93: Ah dolente partita, SV 75
01:02:52 Madrigals, Book 4, SV 75-93: Cor mio, mentre vi miro, SV 76
01:04:45 Madrigals, Book 4, SV 75-93: Cor mio, non mori? E mori, SV 77
01:07:19 Madrigals, Book 4, SV 75-93: Sfogava con le stelle, SV 78
01:10:00 Madrigals, Book 4, SV 75-93: Volgea l’anima mia soavemente, SV 79
01:13:07 Madrigals, Book 4, SV 75-93: Anima mia, perdona, SV 80a
01:15:37 Madrigals, Book 4, SV 75-93: Che se tu se’ il cor mio, SV 80b
01:17:59 Madrigals, Book 4, SV 75-93: Luci serene e chiare, SV 81
01:21:05 Madrigals, Book 4, SV 75-93: La piaga c’ho nel core, SV 82
01:23:03 Madrigals, Book 4, SV 75-93: Voi pur da me partite, anima dura, SV 83
01:26:10 Madrigals, Book 4, SV 75-93: A un giro sol de bell’occhi lucent, SV 84
01:28:33 Madrigals, Book 4, SV 75-93: Ohimé, se tanto amate, SV 85
01:30:53 Madrigals, Book 4, SV 75-93: Io mi son giovinetta, SV 86
01:33:33 Madrigals, Book 4, SV 75-93: Quell’augellin che canta, SV 87
01:35:52 Madrigals, Book 4, SV 75-93: Non piú guerra, pietate, SV 88
01:38:23 Madrigals, Book 4, SV 75-93: Sí ch’io vorrei morire, SV 89
01:41:20 Madrigals, Book 4, SV 75-93: Anima dolorosa che vivendo, SV 90
01:43:49 Madrigals, Book 4, SV 75-93: Anima del cor mio, SV 91
01:45:53 Madrigals, Book 4, SV 75-93: Longe da te, cor mio, SV 92
01:48:01 Madrigals, Book 4, SV 75-93: Piagne e sospira, SV 93

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There is a fruit salad snitcher on the loose! Will the Bananas be able to solve this mystery?

Stay Tuned! https://www.youtube.com/channe....l/UCug61OHMkz5GgJkey

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Welcome to the Official Bananas in Pyjamas Channel.
On this channel you will find classic and animated full episodes! Your favourite clips and compilations and much more! Tune in every week and see the antics of B1, B2 and there many friends!

Tracklist below.

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This ingeniously programmed conceptalbum contains no original music by Paisiello but rather presents a selection of works which take as their inspiration his best‐known aria. ‘Nel cor più non mi sento’ is a duet from his 1788 opera L'amor contrastato, ossia La molinara – generally referred to as La molinara and, in an intriguing twist of history, translated in to German as Die schöne Müllerin. But in fact Schubert is one of the few noted variationcomposers absent here. Paganini’s later set of variations is a staple of the virtuoso‐violin repertoire, but this enterprising trio of musicians have looked to lesser‐known treatments of the duet, which attained great popularity on account of its simple but winning melody, so suitable for elaboration. Bortolazzi was well-known in his day as a superb mandolin player, and composed prodigiously for his instrument just as Mauro Giuliani did for the guitar, with an intimate understanding of its technical and expressive possibilities. Wanhal’s variations were originally composed for a melody instrument such as violin or flute, but it has been arranged specially for the trio here. Beethoven’s piano‐only variation set is relatively well‐known and has been recorded many times, but the smaller works for mandolin and fortepiano are no less engaging and have received little attention: this period-instrument performance almost has the field to itself. Michael Salka plays an original 1820 Böhm fortepiano, Alon Sariel an 1850 mandolin and Izhar Elias a Guadagnini guitar from 1812, less than two decades after the works recorded here were composed. This fascinating release is completed by Hummel’s ‘Grande Sonata’ for mandolin and piano and an extensive Potpourri for guitar and piano.
Composer: Johann Nepomuk Hummel, Ludwig van Beethoven
Artist: Izhar Elias (guitar)
Alon Sariel (mandolin)
Michael Tsalka (fortepiano)
00:00:00 Variations in G Major on Paisiello’s “nel cor più non mi sento”, Op. 8
00:06:45 Grand Sonata in C Major, Op. 37a: I. Allegro con spirit
00:12:47 Grand Sonata in C Major, Op. 37a: II. Andante moderato siziliano
00:16:06 Grand Sonata in C Major, Op. 37a: III. Rondo. Allegretto più tosto allegro
00:20:31 Introduction and Variations in A Major on Paisiello’s “nel cor più non mi sento”, Op.113
00:30:31 Polonaise Allegro in A Major, Op. 113
00:39:26 Andante with Variations in D Major, WoO 44b
00:48:11 Sonatina in C Minor, WoO 43a
00:52:03 Sonatina in C Major, WoO 44a
00:54:46 6 Variations in G Major on Paisiello’s “nel cor più non mi sento”, WoO 70
01:01:34 Pot-pourri for Guitar and Piano, Op. 53
01:12:47 6 Variations in G Major on Paisiello’s “nel cor più non mi sento”, Op. 42

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Time lapse of Fermilab's NOvA neutrino experiment installing the first of 28 detector blocks in Ash River, MN. Each block is 51 x 51 x 7 feet and when installed will weigh 500 metric tons. More information at: http://www-nova.fnal.gov/

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Composer & Artist:
Composer: Antonín Dvorák
Artists: Zara Nelsova, Ruggiero Ricci




About this Album:
A combination of the only two concertos for string instruments by Dvorák on one CD. Ruggiero Ricci (violin) and Zara Nelsova (cello) are the soloists.

Tracklist:
00:00:00 Violin Concerto in A Minor, Op. 53: I. Allegro ma non troppo - Adagio ma non troppo
00:19:04 Violin Concerto in A Minor, Op. 53: II. Finale. Allegro giocoso
00:29:18 Cello Concerto in B Minor, Op. 104: I. Allegro
00:43:31 Cello Concerto in B Minor, Op. 104: II. Adagio ma non troppo
00:54:07 Cello Concerto in B Minor, Op. 104: III. Finale. Allegro moderato
 
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