The Bananas and the Teddies join the search for a bunny, but have no luck as they look all over Cuddlestown - until they search a place very close to home.

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Welcome to the Official Bananas in Pyjamas Channel.
On this channel you will find classic and animated full episodes! Your favourite clips and compilations and much more! Tune in every week and see the antics of B1, B2 and there many friends!

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Composer & Artist:
Composer: Ernest Bloch
Artists: Maristella Patuzzi, Mario Patuzzi

About this Album:
20th-century composer Ernest Bloch forged a unique path, firmly establishing his Jewish identity through his music and thereby creating many works of great spiritual expression. Born in Geneva in 1880, he studied in Belgium and Germany before moving to America. Although he returned to Europe, he eventually became a US citizen, abandoning Switzerland forever due to the encroaching threat of Nazism. It was in the States that his music was truly appreciated for the first time; in New York, he conducted renowned orchestral concerts of his own works and became known as the “Jewish Composer”, winning the Coolidge Prize for his Viola Suite. It was around this time that he began to compose for the violin.

Tracklist:
00:00:00 Violin Sonata No. 1 in A Minor (1920): I. Agitato
00:11:27 Violin Sonata No. 1 in A Minor (1920): II. Molto quieto
00:20:46 Violin Sonata No. 1 in A Minor (1920): III. Moderato
00:29:20 Abodah in C Minor (1929): Molto moderato
00:35:33 Melody in D Major (1929): Moderato
00:38:03 Suite No. 1 in G minor (1958) for solo violin (1958): Prélude – Andante tranquillo – Allegro – Andante – Allegro energico – Tempo del primo movimento – Allegro
00:46:48 Baal Shem Three Pictures of Chassidic Life (1923): I. Vidui (Contrition). Un poco lento
00:50:11 Baal Shem Three Pictures of Chassidic Life (1923): II. Nigun (Improvisation). Adagio non troppo
00:56:58 Baal Shem Three Pictures of Chassidic Life (1923): III. Simchas Torah (Rejoicing). Allegro giocoso


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FC Barcelona history and the ACTUAL true history of Real Madrid CF & it's so called success |

~ Real Madrid vs Barcelona , Barcelona vs Real Madrid : The roots of the rivalry between Real Madrid and FC Barcelona is actually a fascinating study into the Spanish history of the early-to-mid 20th century. Real reason of the rivalry between the two clubs is because of the traditional standing of the two provinces politically. Madrid, as the capital of Spain and the seat of the royal family, was seen as the region promoting conservatism. Barcelona, as the capital of Catalonia, was the district which was at the forefront of ushering in the modern era in everything - fashion, republicanism etc. Hence a regional rivalry always existed between these two regions. Franco regime was centred, politically and economically, around Madrid. For this reason, Real Madrid, as the most successful team in the city, and the most prestigious team of entirely Castilian identity, was always likely to be the preferred team of the dictator. It was for this reason that the Generalísimo paid regular visits to watch the side in the 1950s and ’60s, especially during their most successful period when, inspired by the majestic Di Stefano, they won five consecutive European Cups between 1956 and 1960.

~ The First Ever Encounter : El Clasico , the first ever encounter between the two clubs occurred on May 13, 1902. Barcelona won thatencounter 3-1,owing to the "6 foreigners that they lined up", according to the official Real Madrid website. Classic case of sour grapes, thus kicking off the biggest rivalry in all of world football.

~ The Spanish Civil War : The war raged from 1936 to 1939, and was the major factor in shaping the rivalry as we see it today. General Francisco Franco successfully staged a coup and captured Madrid in 1939 to end the war. Since Barcelona bitterly fought Franco's policies, he held a particular anger against that region, often resorting to murder or torture to get his point across - that a different culture and society under his rule would not be tolerated. Now, football was growing as an outlet of the people's views and sentiments. Hence, the people of Catalonia started supporting FC Barcelona in hordes, just to show that they are united in their hatred of General Franco, and to celebrate their unique culture and languages. In fact, FC Barcelona became “mes que un club,” more than a club, to Catalans as well as to progressives and left-leaning Spaniards across the country.

~ The Di Stefano Signing : As if the war wasn't enough, the battle between Barcelona and Real Madrid for the signature of Alfredo Di Stéfano took the rivalry to new heights. In 1953, Di Stefano had been plying his trade in Colombia for Millionarios when he was spotted by both Spanish clubs. He actually belonged to the Argentine club River Plate, but was on loan to the Colombians due to a player’s strike in Argentina. Both clubs sent emissaries to sign him, and after long and protracted negotiations, FIFA ruled that FC Barcelona would sign Di Stefano. Here is where the government in the form of the Spanish Football Federation stepped in - they banned the signing of any foreign player in Spain, allowing Real to swoop in and agree a deal with Di Stefano. This led to an impasse, which was resolved when the Spanish Federation ruled that Di Stefano would be allowed to play four years in Spain, two for Barcelona and two for Real. Barcelona though, backed out of this deal (supposedly on the orders of their Franco-backed president), which allowed Real Madrid to become the sole owner of Di Stefano. The rest,as they say, is history, as he led Real Madrid to 8 league titles, but more importantly, 5 consecutive European crowns, leaving Barcelona in their wake. This left more than a bitter taste in FC Barcelona's fans' mouth.

~ The Death of Gamper : Joan Gamper the founder of FC Barcelona was banned from the club which led to his suicide.

~ Real Madrid 11-1 Barcelona : On Barcelona’s part, there is a story, also steeped in myth, which sums up the way they were perceived and treated by the regime. The story goes that, in 1943, after winning the first leg of a cup semi-final against Real Madrid 3-0, Barcelona’s players were paid a visit by one of Franco’s cronies, who reminded them that they were only allowed to play at all due to “the generosity of the regime”, and suggested in no uncertain terms that they ease off in the second leg. Real Madrid went on to win that game 11-1, by far the biggest win in Clásico history.

MES QUE UN CLUB ! MORE THAN A CLUB ! VISCA EL BARCA !

Best Goal Ever ,
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Messi Solo Goal vs Athletic Club ,
Messi Solo Goal vs Athletic Bilbao ,

Best Goal in Football ,
Best Goal Ever ,

Messi Wonder Goal vs Athletic ,
Messi Goal vs Athletic in 2015 Copa Del Rey Final ,

Messi , Lionel Messi vs Football 2018 ||

Lionel Messi Moments Nobody Would Believe If They Were Not Recorded LIVE on TV ||

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Composer & Artist:
Composer: César Auguste Franck
Artists: Adriano Falcioni (organ)


About this Album:
The grand swell and floating poetry of César Franck’s works for organ have long given rise to descriptions such as musical incense, which focus on their numinous spiritual address, perhaps at the expense of their ingenious construction, which may owe much to a Wagnerian, leitmotivically inspired process of continuous development but also to older models of the French organ school – and which in turn became influential for the next two generations of French organ composers such as Dupré and Duruflé.

The Three Chorals and the Pièce héroïque are relatively well known now, at least in recital (their technical difficulties place them beyond the reach of many church organists, and a few church organs, come to that), but beyond those late and deeply intimate explorations are some spectacular transformations of Bachian counterpoint into 19th-century showpieces such as the Final in B flat.

Tracklist:
00:00:00 Six Pièces: Fantasy in C, Op. 16
00:12:17 Six Pièces: Grande pièce symphonique, Op. 17
00:34:58 Six Pièces: Prélude, fugue et variation, Op. 18
00:45:20 Six Pièces: Pastorale, Op. 19
00:54:29 Six Pièces: Prière, Op. 20
01:08:07 Six Pièces: Final, Op. 21
01:19:11 Trois Pièces: Fantasy in A
01:32:28 Trois Pièces: Cantabile
01:38:22 Trois Pièces: Pièce héroïque
01:46:45 Trois Chorals: No. 1 in E
02:01:34 Trois Chorals: No. 2 in B Minor
02:15:00 Trois Chorals: No. 3 in A Minor

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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Johann Nepomuk Hummel (1778–1837) was a pupil of Mozart, a protégé of Haydn, a friendly rival of Beethoven, and renowned throughout Europe as one of the greatest pianists of his day, a sought-after teacher who instructed some of the most distinguished 19th-century virtuosi, the author of an influential treatise on the art of pianism, and himself the composer of over three hundred works covering all musical genres (apart from the symphony).

This 20CD Edition provides a cross-section of Hummel’s excellent, prolific and unjustly neglected output, with a large section of solo piano music including the complete sonatas and etudes and a rich selection of chamber music featuring violin, viola, cello, flute, and guitar with piano, as well as larger ensembles from piano trios to septets.

This Edition contains a generous selection of his works: the complete piano sonatas and other piano works, several piano concertos, violin concerto, bassoon concerto, trumpet concerto, mandolin concerto, violin/piano concerto, chamber music, masses, an oratorio and the opera Mathilde.

Played by leading musicians of our time: fortepianists Costantino Mastroprimiano and Alessandro Commellato, Solamente Naturali conducted by Hummel-specialist Didier Talpain, and many others.

Composer: Johann Nepomuk Hummel

Artist: Various artists

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Bartok’s assessment of Zoltán Kodály’s music as “the most perfect embodiment of the Hungarian spirit” will strike a chord with those familiar with the suite from his opera Háry János, the Dances of Galanta or indeed the works for cello which moved the instrument on from the Romantic idiom of Brahms, and at the same time looked backwards to the dancing elegance of Bach’s solo Suites.

He had taught himself to play the cello to a reasonable standard (also the violin and viola) and while, as he freely admitted, not a natural virtuoso, he had a feeling for the instrument which is obvious in his writing. The Adagio was his first published work, dating from 1905 and originally written for violin and piano: still broadly Romantic in idiom, and unaffected as yet by his work in collecting folk songs from the countries of south-eastern Europe which would decisively influence his mature idiom.

Composer: Zoltán Kodály
Artist: István Várdai (cello)
Klara Würtz (piano)

00:00:00 Sonata for Cello in B Minor, Op. 8: I. Allegro maestoso ma appassionato
00:09:16 Sonata for Cello in B Minor, Op. 8: II. Adagio con gran espressione
00:20:46 Sonata for Cello in B Minor, Op. 8: III. Allegro molto vivace
00:32:26 Sonatina for Cello and Piano
00:41:12 Capriccio for Cello Solo
00:46:07 Adagio for Cello and Piano
00:53:55 Sonata, Op. 4: I. Fantasia
01:01:31 Sonata, Op. 4: II. Allegro con spirit

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Wolfram Schmitt-Leonardy has gradually built a distinguished catalogue of recordings over the years on Brilliant Classics, and each new release from this German pianist tends to be welcomed in effusive terms by the international press. His accounts of Chopin have met with particular praise. A 2CD set of the Ballades, Impromptus and Preludes (BC95210) was celebrated by Classics Today as achieving ‘a fusion of impassioned ardour and classical textual rigour… the best of Schmitt‐Leonardy’s Chopin adds up to a stimulating and compelling listening journey well worth travelling, even if you’ve heard these works hundreds of times.’

Individual discs of Mendelssohn (BC93975), Schumann (BC93136) and Brahms (BC92512) have likewise attracted admiring comments. According to Gramophone, ‘Wolfram Schmitt-Leonardy’s superb technical and musical command holds unflagging interest throughout the [Brahms] variation sets, which easily hold their own among the top versions available.’

With these new recordings, made in 2011 and 2015, Schmitt-Leonardy returns to Chopin, and to ‘his wildest children’ according to Schumann: a comment which has been much parsed for its implications of structural incoherence as well as indomitable passion. In truth, Chopin’s struggle with the larger, multi-movement form has by no means failed, but rather resulted in a more accurate and elaborated mosaic of interrelations, coherencies and references, which cannot be discerned by casual listening or glancing at the scores. Chopin’s ability to balance these elements comes from neatly hidden formal concessions and the use of several compositional tools found in the music of Bach; combined, these aspects award Chopin’s sonatas continuity.

Even if the First Sonata is the work of a student, it nonetheless demonstrates some of those Bachian connections and a lyric poise which would come to full bloom in the Second. This work is centred around the grave Funeral March which has become perhaps Chopin’s best-known individual piece. Bachian principles of counterpoint and polyphony are even more richly satisfied by the final sonata of the trilogy, at least until the grand and sweeping passion of its concluding Rondo.

00:00:00 Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso
00:09:52 Piano Sonata No. 1 in C Minor, Op. 4: II. Menuetto
00:14:35 Piano Sonata No. 1 in C Minor, Op. 4: III. Larghetto
00:18:23 Piano Sonata No. 1 in C Minor, Op. 4: IV. Finale. Presto
00:25:04 Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento
00:33:22 Piano Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo
00:40:39 Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento
00:50:03 Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale. Presto
00:51:40 Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso
01:01:05 Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace
01:03:59 Piano Sonata No. 3 in B Minor, Op. 58: III. Largo
01:13:25 Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto

Tracklist below.

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Composer: Piotr Ilyich Tchaikovsky
Artists: István Várdai (cello), Tibor Bogányi (conductor), Pannon Philharmonic

An ardent admirer of Mozart, Tchaikovsky’s splendid Variations on a Rococo Theme are full of subtle homages to the Classical composer. The theme itself, however, is an original invention by Tchaikovsky himself rather than an excerpt from the past. Composed for German cellist Wilhelm Fitzenhagen, the piece was not performed in its original form for many years after its initial composition, as Fitzenhagen had insisted on making changes to the structure and virtuosic cadenzas for its first performance, against Tchaikovsky’s wishes. Both versions are included on this release, allowing the listener to fully appreciate the struggle between Tchaikovsky’s Classical vision and Fitzenhagen’s desire for the cello to shine. The composer’s love for Mozart also comes to the fore in the Nocturne Op.19 No.4, one of six pieces initially composed for piano that showcases the lyrical melodies and clear structure Tchaikovsky strived to create. The folksonglike Andante cantabile was one of the composer’s most popular movements during his lifetime, and, as was common, was often performed separately from the rest of the quartet. Along with Tchaikovsky’s last piece for cello, the sprightly Pezzo capriccioso, this album exemplifies the composer’s innate understanding of the instrument and illustrates perfectly how he brings this understanding to life.

00:00:00 Variations on a Rococo Theme, TH 57: Op. 33 in A Major
00:18:37 Nocturnes No. 4 in C Minor, Op. 19: Andante sentimentale
00:23:16 Pezzo capriccioso, TH 62, Op. 62 in B Minor: Andante con moto
00:30:06 String Quartet, TH 111, Op. 11 in D Major: II. Andante cantabile
00:36:58 Variations on a Rococo Theme, CW 59 : Op. 33 in A Majore

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Composer: Franz Joseph Haydn
Artists: Federico Guglielmo (violin), Massimo Piva (viola)

About this Album:
Joseph Haydn was a national treasure in his native Austria. Excelling in all areas of composition, he was the ‘Father of the Symphony’, the author of such renowned vocal works such as The Creation, and a pioneer of the string quartet. He was also a vital mentor to the young Mozart.

These unique works – the only ones for violin and viola in Haydn’s oeuvre – are thought to have been written in the late 1760s or early 1770s, the period during which the composer was employed at the Esterházy court. Little is known about the circumstances of their composition, but most of Haydn’s works for violin at this time were intended for the leader of the court chapel, Luigi Tomasini. The pieces certainly tend towards being solo compositions for the violin, which is accorded the bulk of the melodic interest, with an obbligato viola part providing the harmonic support.

Accalimed violinist Federico Guglielmo studied at the Conservatorio Benedetto Marcello in Venice, later specialising in Baroque and Classical violin repertoire, and has won prizes in numerous international competitions. In this recording he plays alongside Massimo Piva, a past principal violist of Europa Galante and the Orchestra di Padova e del Veneto.

Tracklist:
00:00:00 Sonata I in F Major, Hob VI:1: Allegro moderato
00:04:48 Sonata I in F Major, Hob VI:1: Adagio e sostenuto
00:08:51 Sonata I in F Major, Hob VI:1: Tempo di menuet, variazione
00:12:12 Sonata II in A Major, Hob VI:2: Allegro moderato
00:16:27 Sonata II in A Major, Hob VI:2: Adagio
00:20:33 Sonata II in A Major, Hob VI:2: Finale (Tempo di menuet)
00:24:21 Sonata III in B Major, Hob VI:3: Andante
00:29:02 Sonata III in B Major, Hob VI:3: Adagio
00:32:08 Sonata III in B Major, Hob VI:3: Menuet
00:34:15 Sonata IV in D Major, Hob VI:4: Moderato
00:39:01 Sonata IV in D Major, Hob VI:4: Adagio
00:42:02 Sonata IV in D Major, Hob VI:4: Tempo di menuet
00:44:52 Sonata in E-Flat Major, Hob VI:5: Moderato
00:49:10 Sonata in E-Flat Major, Hob VI:5: Adagio
00:52:57 Sonata in E-Flat Major, Hob VI:5: Tempo di menuet, variazione
00:56:04 Sonata VI in C Major, Hob VI:6: Allegro
01:01:13 Sonata VI in C Major, Hob VI:6: Adagio
01:05:37 Sonata VI in C Major, Hob VI:6: Tempo di Menuet, Variazione

Tracklist below.

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Artist:
François Dumont (piano)
Laurent Le Flécher (violin)
Virginie Constant (cello)
Trio Élégiaque

00:00:00 Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace
00:12:05 Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione
00:21:57 Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro
00:25:40 Piano Trio in G Major, Op. 1 No. 2: IV. Finale. Presto
00:33:30 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: I. Allegro vivace
00:43:58 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: II. Largo assai ed espressivo
00:55:02 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: III. Presto
01:03:28 Piano Trio in E-Flat Major, WoO 38: I. Allegro moderato
01:07:36 Piano Trio in E-Flat Major, WoO 38: II. Scherzo. Allegro ma non troppo
01:12:01 Piano Trio in E-Flat Major, WoO 38: III. Rondo. Allegretto
01:17:05 Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio
01:26:22 Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni
01:33:26 Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio
01:36:54 Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo
01:44:43 Piano Trio in E-Flat Major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo
01:55:04 Piano Trio in E-Flat Major, Op. 70 No. 2: II. Allegretto
02:00:01 Piano Trio in E-Flat Major, Op. 70 No. 2: III. Allegretto ma non troppo
02:04:47 Piano Trio in E-Flat Major, Op. 70 No. 2: IV. Finale. Allegro
02:12:39 Piano Trio in E-Flat Major, Op. 44: 14 Variations on an Original Theme: Tema. Andante con variazioni
02:25:22 Piano Trio in E-Flat Major, Op. 1 No. 1: I. Allegro
02:35:00 Piano Trio in E-Flat Major, Op. 1 No. 1: II. Adagio cantabile
02:42:02 Piano Trio in E-Flat Major, Op. 1 No. 1: III. Scherzo. Allegro assai
02:46:56 Piano Trio in E-Flat Major, Op. 1 No. 1: IV. Finale. Presto
02:54:23 Piano Trio in D Major, After Symphony No. 2, Op. 36: I. Adagio – Allegro con brio
03:06:37 Piano Trio in D Major, After Symphony No. 2, Op. 36: II. Larghetto quasi andante
03:17:33 Piano Trio in D Major, After Symphony No. 2, Op. 36: III. Scherzo
03:21:14 Piano Trio in D Major, After Symphony No. 2, Op. 36: IV. Allegro molto
03:27:54 Triosatz in E-Flat Major, Op. Posth. (Allegretto)
03:31:18 Piano Trio in B-Flat Major, Op. 97 “Archduke”: I. Allegro moderato03:44:09 Piano Trio in B-Flat Major, Op. 97 “Archduke”: II. Scherzo. Allegro
03:50:29 Piano Trio in B-Flat Major, Op. 97 “Archduke”: III. Andante cantabile, ma però con moto – Poco più adagio
04:02:27 Piano Trio in B-Flat Major, Op. 97 “Archduke”: IV. Allegro moderato
04:09:26 Piano Trio in B-Flat Major WoO39 (Allegretto)
04:15:39 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: I. Allegro con brio
04:23:43 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: II. Andante
03:30:23 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: III. Menuetto – Trio
04:36:36 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: IV. Finale. Presto
04:42:32 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: I. Allegro con brio
04:51:23 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: II. Adagio
04:56:30 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: III. Tema. Pria ch'io l'impegno allegretto con variazioni
05:03:15 Piano Trio in G Major, Op. 121a “Ich bin der Schneider Kakadu” (Introduzione. Adagio assai – Tema. Allegretto con variazioni)
05:19:19 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: I. Adagio – Allegro con brio
05:26:38 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: II. Adagio cantabile
05:34:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: III. Tempo di menuetto
05:37:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: IV. Andante con variazioni
05:44:44 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: V. Scherzo. Allegro molto e vivace
05:48:01 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: VI. Andante con moto alla marcia – Presto

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Composer & Artist:
Composer: Frédéric François Chopin
Artists: Various artists

About this Album:
3 CD's containing the best music composed by Frédéric François Chopin.

Tracklist:
00:00:00 Ballade No. 1 in G Minor, Op. 23
00:08:28 Prelude in C sharp Minor, Op. 45
00:12:53 Rondo a la Mazur in F, Op. 5
00:22:37 Polonaise in A, Op. 40 No. 1 “Military”
00:28:13 Etude in A-Flat, Op. 25 NO. 1 “Aeolian Harp”
00:30:51 Waltz in E-Flat, Op. 18
00:35:58 Nocturne in C-Sharp Minor, Op. 27 No. 1
00:41:03 Mazurka Op.24 No. 1 in G Minor
00:44:03 Mazurka Op. 24 No. 2 in C
00:46:25 Mazurka Op. 24 No. 3 in A-Flat
00:48:55 Mazurka Op. 24 No. 4 in B-Flat Mino
00:53:04 Fantasie in F Minor, Op. 49
01:06:14 Andante Spianato et Grande Polonaise Brilliante in E-Flat, Op. 22
01:20:31 Nocturne in D-Flat, Op. 27 No. 2
01:26:57 Krakoviak for piano & orchestra, Op. 14
01:42:49 Nocturne in C-Sharp Minor, Op. Posth.
01:46:54 Mazurka Op. 59 No. 1 in A Minor
01:50:32 Mazurka Op. 59 No. 2 in A-Flat
01:53:16 Mazurka Op. 59 No. 3 in F-Sharp Minor
01:56:45 Impromptu in A-Flat, Op. 29
02:00:32 Waltz in A Minor, Op. 34 No. 1
02:05:56 Ballade No. 4 in F Minor, Op. 52
02:17:21 Berceuse in D-Flat, Op. 57
02:22:30 Polonaise in A-Flat, Op. 53 “Heroic”
02:29:32 Nocturne in E-Flat, Op. 9 No. 2
02:33:42 Waltz in D-Flat, Op. 64 No. 1 “Minute Waltz”
02:35:28 Waltz in C-Sharp Minor, Op. 64 No. 2
02:39:09 Ballade No. 3 in A-Flat, Op. 47
02:46:31 Souvenir de Paganini
02:50:49 Fantasie-Impromptu No. 4 in C-Sharp Minor, Op. 66
02:55:59 Etude in E, Op. 10 No. 3 “Tristesse”
03:00:02 Scherzo No. 2 in B-Flat Minor, Op. 31
03:09:52 Prelude in D-Flat, Op. 28 No. 15 “Raindrop”
03:15:08 Etude in C Minor, Op. 10 No. 12 “Revolutionary”
03:17:54 Nocturne in B-Flat Minor, Op. 9 No. 1
03:23:07 Barcarolle in F-Sharp, Op. 60

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