The Polonaise was a peasant dance from Poland that gained popularity in the early 18th century among composers and high society. Bach and Handel both wrote movements marked ‘Polonaise’, and in the early 19th century examples can be found in the finales of Beethoven’s Triple Concerto, and Field’s Third Piano Concerto. Chopin grew up with polonaise and other forms of traditional Polish music. His teacher, Elsner was a Polonaise composer, and the business of writing and publishing sets of polonaises was a lucrative one.

There was another reason why such a traditional was so popular in Poland at this time; the country had once again been robbed of its independence, and the nationalistic pulling power of such music helped keep the national identity and spirit alive. Chopin’s genius took the simple tunes of the Polonaise and allowed him to create large-scale complex and dramatic works with myriad emotions. In many ways they captured the Polish spirit which remained defiantly unbroken.

Folke Nauta was born in 1973 and has won many prizes in key competitions around Europe.

Composer: Frédéric Chopin
Artist: Folke Nauta (piano)

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/ChopinPolonaises
More Information: https://www.brilliantclassics.....com/articles/c/chopi
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

00:00:00 Polonaises: Andante spianato et Grande Polonaise brillante Op.22 in E flat
00:14:15 Polonaises: Polonaise Op.26 No.1 in C sharp Minor
00:22:45 Polonaises: Polonaise Op.26 No.2 in E flat Minor
00:31:57 Polonaises: Polonaise Op.40 No.1 in A ‘Military’
00:37:31 Polonaises: Polonaise Op.40 No.2 in C Minor
00:46:01 Polonaises: Polonaise Op.44 in F sharp Minor
00:56:55 Polonaises: Polonaise Op.53 in A flat ‘Heroic’
01:03:55 Polonaises: Polonaise-Fantaisie Op.61 in A flat

#chopin #classicalmusic #Classical #chopinpolonaises

Tracklist below.
Download on iTunes: https://itunes.apple.com/album..../monteverdi-madrigal
For physical sales: http://brilliantclassics.com/a....rticles/m/monteverdi
Listen via Spotify: https://open.spotify.com/album..../1IhsqHJvQjPpHWLCDuh

Le Nuove Musiche, a vibrant young ensemble from the Netherlands, specialises in music from the first half of the 17thcentury. While seeking to maintain authentic performance standards, the ensemble brings the music very much into the present, arguing that artistic questions of the past still permeate the musical landscape today. Featuring a captivating group of solo singers, who between them have performed with the Amsterdam Baroque Choir and The Bach Choir & Orchestra of The Netherlands, the ensemble is headed by Krijn Koetsveld, leader and harpsichordist, who has previously collaborated with the Groot Omroepkoor and the prestigious Netherlands Chamber Choir.

This is the second of a planned release of Claudio Monteverdi’s complete madrigals.The fifth and sixth book – already released on Brilliant Classics as 93799 – were the first to break with tradition and herald ‘la seconda pratica’, the era of the basso continuo. From then on, the publication of Monteverdi’s innovative settings were eagerly awaited, as they set the stage for more instrumental ritornellos, a newly important basso continuo and the addition of ornamentation around the bass and vocal parts. The book finishes with a ballo, Tirsi e Clori, a love duet with a five‐part accompaniment, highly elaborate, with a chatty Tirsi contrasting with a sweet and melodic Clori. When the two singers come together with the rest of the ensemble, the listener is treated to the pinnacle of the madrigal era. 00:00:00 Sinfonia – Tempro la cetra, SV 117
00:08:11 A quest’olmo, a quest’ombre, SV 119
00:14:02 Non è di gentil core, SV 118
00:17:49 O come sei gentile, SV 120
00:21:49 Io son pur vezzosetta pastorella, SV 121
00:25:05 O viva fiamma, o miei sospiri ardenti, SV 122
00:28:13 Vorrei baciarti, SV 123
00:32:33 Dice la mia bellissima Licori, SV 124
00:35:02 Non vedrò mai le stelle, SV 126
00:38:58 Ah, che non si conviene, SV 125
00:42:12 Ecco vicine, o bella tigre, l’ore, SV 127
00:46:15 Perché fuggi tra’ salci, SV 128
00:49:31 Tornate, o cari baci, SV 129
00:52:11 Soave libertate, SV 130
00:55:38 Se ’l vostro cor, Madonna, SV 131
00:58:41 Interrotte speranze, eterna fede, SV 132
01:01:14 Augellin, che la voce al canto spieghi, SV 133
01:04:42 Vaga su spina ascosa, SV 134
01:07:34 Eccomi pronta ai baci, SV 135
01:10:07 Parlo, miser, o taccio?, SV 136
01:14:36 Tu dormi, ah crudo core!, SV 137
01:17:47 Al lume de le stelle, SV 138
01:21:50 Con che soavità, labbra adorate, SV 139
01:26:21 Ohimé, dove il mio ben, SV 140
01:31:02 Se i languidi miei sguardi, SV 141
01:38:49 Se pur destina e vole, SV 142
01:47:42 Chiome d’oro, SV 143
01:50:49 Amor, che deggio far?, SV 144
01:55:33 Ballo. Tirsi e Clori, SV 145

Artist:
Le Nuove Musiche
Krijn Koetsveld (artistic leader)

No more than a handful of pieces represent the entire musical heritage for baroque lute by Johann Sebastian Bach – not a lot when we consider the enormity of the composer’s total output. Although it is not known whether Bach himself played the instrument, the seven works which are ascribable to it continue to enjoy extraordinary attention on the part of musicians due to their exceptional quality, and indeed the majority originate from the areas of Germany that were home to the lute’s greatest exponents – musicians who we can be almost certain the composer came into contact with.

This recording thus presents four compositions in suite form and three pieces of a different nature, all belonging to the florid repertoire of the courtly Salonmusik that was in vogue among the German upper classes at the time. Performing them is acclaimed Italian lutenist Mario D’Agosto, whose changes in tonality aim to better serve the capacities of the instrument (BWV 996 and 997, for instance, were written for the ‘Lautenwerk’, a sort of lute-harpsichord favoured by Bach) and whose embellishments are testament to the high level of ornamentation which played such an intrinsic role in baroque performance practice.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/BachCompleteLute
More Information: https://www.brilliantclassics.....com/articles/j/js-ba
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics
Brilliant Classics’ Spotify:
https://brilliant-classics.lnk.to/Spotify
Spotify playlist:Most Popular Piano Music
https://brilliant-classics.lnk.to/MostPopularPiano

Composer: Johann Sebastian Bach
Artist: Mario D'Agosto (lute)

00:00:00 Suite in E Minor, BWV 996: I. Prelude
00:03:11 Suite in E Minor, BWV 996: II. Allemande
00:06:25 Suite in E Minor, BWV 996: III. Courante
00:09:03 Suite in E Minor, BWV 996: IV. Sarabande
00:13:02 Suite in E Minor, BWV 996: V. Bourrée
00:14:43 Suite in E Minor, BWV 996: VI. Gigue
00:18:09 Prelude, fugue and allegro in E-Flat Major, BWV 998: I. Prelude
00:21:13 Prelude, fugue and allegro in E-Flat Major, BWV 998: II. Fugue
00:28:00 Prelude, fugue and allegro in E-Flat Major, BWV 998: III. Allegro
00:32:18 Suite in G Minor, BWV 995: I. Prelude
00:38:15 Suite in G Minor, BWV 995: II. Allemande
00:43:20 Suite in G Minor, BWV 995: III. Courante
00:45:48 Suite in G Minor, BWV 995: IV. Sarabande
00:49:18 Suite in G Minor, BWV 995: V. Gavottes I & II ‘en Rondeau’
00:54:05 Suite in G Minor, BWV 995: VI. Gigue
00:56:37 Partita in C Minor, BWV 997: I. Prelude
01:00:28 Partita in C Minor, BWV 997: II. Fugue
01:08:08 Partita in C Minor, BWV 997: III. Sarabande
01:12:31 Partita in C Minor, BWV 997: IV. Gigue - Double
01:16:01 Partita in E Major, BWV 1006a: I. Prelude
01:20:47 Partita in E Major, BWV 1006a: II. Loure
01:23:55 Partita in E Major, BWV 1006a: III. Gavotte ‘en Rondeau’
01:27:31 Partita in E Major, BWV 1006a: IV. Menuets I & II
01:32:54 Partita in E Major, BWV 1006a: V. Bourrée
01:35:19 Partita in E Major, BWV 1006a: VI. Gigue
01:38:09 Prelude in C Minor, BWV 999
01:39:47 Fugue in G Minor, BWV 1000

Physical purchase: http://www.brilliantclassics.c....om/articles/s/schube
Facebook page: https://www.facebook.com/brilliantclassics/

Composers: Franz Schubert
Artists: Martijn van den Hoek (piano), Folke Nauta (piano), Pieter van Winkel (piano)

This release contains a selection of solo piano works by Schubert. An Impromptu is such a piece, typical of the romantic era. Franz Schubert wrote eight of them. The second series of four was only published after his death. They are all available on this release. Martijn van den Hoek is the pianist. Also featured are the Moments Musicaux, performed by Folka Nauta, and 3 Klavierstücke (Impromptus aus dem Nachlass) played by Pieter van Winkel.

00:00:00 Impromptus: Impromptu in C Minor, Op. 90 No. 1: Allegro molto moderato
00:09:26 Impromptus: Impromptu in E-Flat Major, Op. 90 No. 2 : Allegro
00:13:44 Impromptus: Impromptu in G-Flat Major, Op. 90 No. 3: Andante
00:19:22 Impromptus: Impromptu in A-Flat Major, Op. 90 No. 4: Allegretto
00:27:20 Impromptus: Impromptu in F Minor, Op. 142 No. 1: Allegro moderato
00:40:08 Impromptus: Impromptu in A-Flat Major, Op. 142 No. 2: Allegretto
00:48:02 Impromptus: Impromptu in B-Flat Major, Op. 142 No. 3: Andante mit Variationen (Rosamunde)
00:59:39 Impromptus: Impromptu in F Minor, Op. 142 No. 4: Allegro vivace
01:06:21 Moments musicaux, D. 780: Moderato, in C Major
01:11:56 Moments musicaux, D. 780: Andantino, in A-Flat Major
01:18:09 Moments musicaux, D. 780: Allegretto moderato, in F Minor
01:20:17 Moments musicaux, D. 780: Moderato, in C-Sharp Minor
01:25:45 Moments musicaux, D. 780: Allegro vivace, in F Minor
01:28:02 Moments musicaux, D. 780: Allegretto, in A-Flat Major
01:36:32 3 Klavierstücke (Impromptus aus dem Nachlass), D. 946: Allegro molto, in E-Flat Minor
01:49:42 3 Klavierstücke (Impromptus aus dem Nachlass), D. 946: Allegretto, in E-Flat Major
02:00:38 3 Klavierstücke (Impromptus aus dem Nachlass), D. 946: Allegro, in C Major

Streaming & Downloads: https://VA.lnk.to/Top30FavouriteClassicalChillout
Physical purchase: https://www.brilliantclassics.....com/articles/t/top-3
Brillant Classics Spotify: https://brilliant-classics.lnk.to/Spotify

A classical TOP 30 with the intention of relaxation and chillin'. Sit back, relax, and enjoy these Chillout Tunes.

00:00:00 Piano Concerto No. 21 in C Major, K. 467: II. Andante 'Elvira Madigan'
00:06:07 Carnival of the Animals: XIII. The Swan
00:09:12 Liebestraum, S. 541: No. 3, Oh Lieb, so lang du lieben kannst in A-Flat Major
00:13:16 Serenade No. 13 in G Major, K. 525 ‘Eine kleine Nachtmusik’: II. Romanze
00:18:19 Pictures at an Exhibition: Promenade No. 2 - No. 2, The Old Castle
00:23:35 Nocturnes, Op. 9: No. 2, Nocturne in E-Flat Major
00:27:56 Orfeo ed Euridice, Act 2: Dance of the Blessed Spirits
00:35:01 Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo
00:37:05 Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
00:43:05 Thaïs, Act 2: Méditation
00:47:47 Preludes, Op. 28: No. 15, Prelude in D-Flat Major 'Raindrop'
00:52:37 Violin Concerto in D Major, Op. 77: II. Adagio
01:02:24 Piano Sonata No. 8 in C Minor, Op. 13 ‘Pathétique’: II. Adagio cantabile
01:07:11 Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 ‘Moonlight’: I. Adagio sostenuto
01:12:54 Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto
01:19:47 Bagatelle No. 25 in A Minor WoO 59 ‘Für Elise’
01:22:41 Symphony No. 5: IV. Adagietto
01:31:04 Piano Concerto No. 1 in E Minor, Op. 11: II. Romanze. Larghetto
01:41:52 Suite Bergamasque, L. 75: III. Clair de Lune
01:46:50 3 Gymnopédies: No. 1, Lent et douloureux in D Major
01:50:32 Mass in A Major, Op. 12: No. 5, Panis angelicus
01:54:04 Jesu, meine Freude, BWV 227
01:57:06 Vesperae solennes de confessore in C Major, K. 339: No. 5, Laudate Dominum
02:02:15 Sicilienne for Flute and Orchestra, Op. 78
02:05:39 Piano Concerto No. 23 in A Major, K. 488: II. Adagio
02:11:59 Ave verum corpus in D Major, K. 618
02:15:36 Berceuse, Op. 16
02:19:06 Élégie for Cello and Orchestra, Op. 24
02:25:35 Piano Trio No. 1 in D Minor, Op. 49: II. Andante con molto tranquillo
02:32:00 Dido and Aeneas, Act 3, Z. 626: When I Am Laid in Earth

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.to/VivaldiOpera
Physical Purchase: https://www.brilliantclassics.....com/articles/v/vival

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer: Antonio Vivaldi
Artists: Modo Antiquo, Federico Sardelli (conductor)

About this Album:
Recorded in 2002, this release contains a unique program of the complete overtures of all Vivaldi’s operas. As an opera composer, Vivaldi has long been neglected, but these works showcase his great dramatic genius.

Performances on period instruments by Modo Antiquo, conducted by Federico Maria Sardelli, one of the foremost specialists in this field, who has also recorded for full price labels such as Naïve and Deutsche Grammophon.

Tracklist:
00:00:00 La Fida Ninfa (Tempesta di mare): Allegro molto-presto
00:01:11 Arsilda: Allegro
00:03:00 Arsilda: Andante-allegro
00:06:18 Il Giustino: [allegro]
00:08:51 Il Giustino: [andante]-allegro
00:12:22 Bajazet: Allegro
00:14:42 Bajazet: Andante molto-allegro
00:18:41 L’Olimpiade: Allegro
00:20:53 L’Olimpiade: Andante-allegro
00:24:25 La Sena festeggiante: Sinfonia. Allegro
00:26:47 La Sena festeggiante: Sinfonia. Andante molto-allegro molto
00:30:57 La Sena festeggiante: Ouverture. Adagio - Presto- Adagio
00:33:38 La Sena festeggiante: Ouverture. Allegro molto
00:34:37 La Griselda: Allegro
00:36:35 La Griselda: Andante-allegro
00:40:36 Il Teuzzone: Allegro
00:42:28 Il Teuzzone: Andante-allegro
00:46:01 L’Ottone in villa: Allegro
00:48:47 L’Ottone in villa: Larghetto-[allegro]
00:50:38 Il Farnace: [allegro]
00:52:31 Il Farnace: Andante-[presto]
00:55:39 L’incoronazione di Dario: Allegro
00:58:00 L’incoronazione di Dario: [andante]-presto
01:00:44 Armida: Allegro
01:02:27 Armida: [andante]-allegro
01:05:32 La Dorilla: Allegro (3-rd movement)

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#Classical #Vivaldi #BrilliantClassics #Music #Composer #ClassicalMusic #Vivaldi #Opera #OperaOvertures

Composer: Antonio Vivaldi
Artists: Pier Luigi Fabretti (oboe), Federico Guglielmo (concert master), L'Arte dell'Arco

Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/VivaldiOp7
More Information: https://www.brilliantclassics.....com/articles/v/vival
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

After the enormous success of Vivaldi’s earlier collections La Stravaganza and L’Estro Armonico, his publisher Estienne Roger was eager to capitalise on the composer’s soaring popularity. With that in mind, Op.7 was published in 1720 containing 12 new concertos, ten for solo violin and two for solo oboe. However, it seems unlikely Vivaldi either authorised or approved of this publication, and recent research has even discovered that the authenticity of the concertos is doubtful, with at least the two oboe concertos certainly not by Vivaldi. The concertos may not bear the traditional Vivaldian hallmarks, with movements simplified or moved around, but they are still a worthy tribute to the composer, whether penned by the ‘Prete Rosso’ himself or not.

Federico Guglielmo leads his experienced and lively ensemble L’Arte dell’Arco from the front. A highly acclaimed soloist, Guglielmo has been an active performer on the early music circle for many years, having played alongside such groups as the Academy of Ancient Music and the Handel & Haydn Society of Boston. This time he is joined by oboist Pier Luigi Fabretti, who has previously performed with Concerto Köln and I Barocchisti, among others.

his new instalment of the complete recording of Vivaldi’s Op. 112 contains the 12 Violin Concertos Op. 7, published in Amsterdam in 1720. Prompted by the popular success of the previously published La Stravaganza and L’Estro Armonico Vivaldi wrote these concertos in the same vein: brilliant, dramatic, full of the vitality of Mediterranean life and colours.
Played by the Italian Early Music group “L’Arte dell’Arco, led by violinist (and soloist) Federico Guglielmo. French magazine Diapason wrote about them: ”they understand the secret language of Vivaldi…rich and generous instrumental textures envelop the expressive lines of the solo violin…”

00:00:00 Violin Concerto in D Major, RV 208a: I. Allegro
00:04:27 Violin Concerto in D Major, RV 208a: II. Grave
00:05:47 Violin Concerto in D Major, RV 208a: III. Allegro
00:09:19 Violin Concerto in F Major, RV 294a: I. Allegro
00:12:22 Violin Concerto in F Major, RV 294a: II. Grave
00:13:54 Violin Concerto in F Major, RV 294a: III. Allegro
00:17:01 Violin Concerto in A Minor, RV 354: I. Allegro
00:19:55 Violin Concerto in A Minor, RV 354: II. Adagio
00:22:42 Violin Concerto in A Minor, RV 354: III. Allegro
00:25:45 Violin Concerto in C Major, RV 188: I. Allegro
00:28:58 Violin Concerto in C Major, RV 188: II. Largo
00:31:04 Violin Concerto in C Major, RV 188: III. Allegro
00:33:13 Violin Concerto in G Minor, RV 326: I. Allegro
00:36:01 Violin Concerto in G Minor, RV 326: II. Grave
00:38:02 Violin Concerto in G Minor, RV 326: III. Presto
00:39:45 Violin Concerto in B-Fflat Major, RV 374: I. Allegro
00:42:31 Violin Concerto in B-Fflat Major, RV 374: II. Largo
00:44:31 Violin Concerto in B-Fflat Major, RV 374: III. Allegro
00:47:06 Violin Concerto in D Major, RV 214: I. Allegro
00:49:39 Violin Concerto in D Major, RV 214: II. Grave assai
00:51:43 Violin Concerto in D Major, RV 214: III. Allegro
00:54:01 Violin Concerto in G Major, RV 299: I. Allegro
00:56:03 Violin Concerto in G Major, RV 299: II. Largo cantabile
00:57:28 Violin Concerto in G Major, RV 299: III. Allegro
00:59:25 Violin Concerto in B-Flat Major, RV 373: I. Allegro
01:02:51 Violin Concerto in B-Flat Major, RV 373: II. Grave spiccato
01:05:26 Violin Concerto in B-Flat Major, RV 373: III. Alla breve
01:09:04 Violin Concerto in F Major, RV 285a: I. Allegro
01:12:21 Violin Concerto in F Major, RV 285a: II. Grave
01:15:09 Violin Concerto in F Major, RV 285a: III. Allegro
01:17:55 Oboe Concerto in B-Flat Major, RV 465: I. Allegro
01:20:12 Oboe Concerto in B-Flat Major, RV 465: II. Adagio
01:21:55 Oboe Concerto in B-Flat Major, RV 465: III. Allegro
01:23:44 Oboe Concerto in B-Flat Major, RV 464: I. Allegro
01:26:25 Oboe Concerto in B-Flat Major, RV 464: II. Largo
01:28:07 Oboe Concerto in B-Flat Major, RV 464: III. Allegro

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.....to/VivaldiRecorderC

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer and artist:
Composer: Antonio Vivaldi
Artists: Erik Bosgraaf

About this Album:
Stravinsky famously quipped that Vivaldi didn’t write 400 concertos, rather he wrote one concerto 400 times. Rather unfair, though witty. For many people though, Vivaldi is the composer of The Four Seasons (the first four of the twelve concertos Op.8), and maybe the famous Gloria. He is a composer who repays closer attention. There are some superb concertos in his large output, and some of them were sufficiently striking enough to attract the attention of J.S. Bach and Johann Quantz. His concertos are remarkable not only for the wealth of invention and the outstanding quality of the music, but also for the amazing range of instruments he wrote for.

This release is devoted to concertos for sopranino and alto recorders. Two of his greatest concertos ‘Tempesta di mare’ (Storm at Sea) and ‘La notte’ (Night) feature on the programme.
Tracklist:
00:00:00 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: I. Allegro non molto
00:04:08 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: II. Largo
00:06:25 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: III. Allegro molto
00:09:32 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: I. Largo
00:12:12 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: II. Presto – Largo – Andante – Presto (Fantasmi)
00:14:59 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: III. Largo (Il sonno)
00:17:09 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: IV. Allegro
00:19:59 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: I. [Allegro]
00:22:07 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: II. Largo
00:24:15 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: III. Presto
00:26:15 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: I. Allegro
00:29:20 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: II. Largo
00:31:46 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: III. [Allegro molto]
00:35:21 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): I. Allegro non molto
00:38:42 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): II. Largo cantabile
00:41:46 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): III. Allegro
00:43:34 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: I. Allegro non molto
00:48:34 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: II. Largo
00:51:17 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: III. [Allegro]
00:54:44 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: I. [Allegro]
00:58:33 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: II. Largo
01:02:17 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: III. Allegro molto

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Vivaldi #Violin

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/overtures1
Physical purchase: http://www.brilliantclassics.c....om/articles/t/telema
Facebook page: https://www.facebook.com/brilliantclassics/

Composer: Georg Philipp Telemann
Artists: Collegium Instrumentale Brugense, Patrick Peire (conductor)

Georg Philipp Telemann (1681–1767) was one of the most prolific composers of the 18th century; although the largest part of his compositional activities were devoted to vocal music, he wrote a substantial number of overtures, which this splendid 8-disc collection is dedicated to.

Although Telemann chose the title of ‘Overtures’, this was somewhat interchangeable with the genre of the Suite in his era. Each work opens with a three-part French overture, and this is followed by a series of varied, shorter pieces – encompassing everything from dances (drawn from the French tradition and beyond), fugues, chaconnes, passacailles, musical portraits, folk dances and evocations of scenes and characters.

In these eight discs, Collegium Instrumentale Brugense and Patrick Peire’s three separate volumes of Telemann Overtures have been collected together for the first time, creating a box set that is set apart by its breadth. Its overview of 33 Overtures illuminates Telemann’s hugely inventive approach to instrumentation, while revealing the wealth of subjects that he sought inspiration in. The ‘Alster Overtüre’, for example, named after the Alster river in Germany, features a ‘Concert of Frogs and Crows’, while another Overture is inspired by Cervantes’ Don Quixote.

A generous selection of 33 Overtures (or Orchestral Suites) by Georg Philipp Telemann, formerly issued separately, now collected in one 8-CD set. This collection contains CD 5 and 6 out of 8 discs.

CD1: TWV55: D18, G10 ‘Burlesque de Quixotte’, c2 & D4
CD2: TWV55: F11 ‘Alster’, B5 ‘Volker’,d2 & B7
CD3: TWV55: a4, A4, D23 & G4 ‘Des Nations anciens et modernes’
CD4: TWV55: D22 ‘Ouverture jointes d’une Suite tragi-comique’, e7, h4, e3 & c4
-CD5: TWV55: d3, F4, B11 ‘La Bourse’ & Es1
-CD6: TWV55: C6, f1, B8 ‘Burlesque’ & g9
CD7: TWV55: D17, A2, a2 & e8 ‘l’Omphale’
CD8: TWV55: F16 ‘Pour S.A.S. Monseigheur Le Landgrave de Darmstadt’, g2 ‘La Changeante’, G7 & D13 ‘La Gaillarde’


Tracklist can be found in the comment section below!

Streaming & Download: https://brilliant-classics.lnk.....to/ChopinCompletePi
Physical sale: https://www.brilliantclassics.....com/articles/c/chopi
Brilliant classics Spotify: https://brilliant-classics.lnk.to/Spotify
Brilliant classics Facebook: https://www.facebook.com/brilliantclassics

Wolfram Schmitt-Leonardy has gradually built a distinguished catalogue of recordings over the years on Brilliant Classics, and each new release from this German pianist tends to be welcomed in effusive terms by the international press. His accounts of Chopin have met with particular praise. A 2CD set of the Ballades, Impromptus and Preludes (BC95210) was celebrated by Classics Today as achieving ‘a fusion of impassioned ardour and classical textual rigour… the best of Schmitt‐Leonardy’s Chopin adds up to a stimulating and compelling listening journey well worth travelling, even if you’ve heard these works hundreds of times.’

Individual discs of Mendelssohn (BC93975), Schumann (BC93136) and Brahms (BC92512) have likewise attracted admiring comments. According to Gramophone, ‘Wolfram Schmitt-Leonardy’s superb technical and musical command holds unflagging interest throughout the [Brahms] variation sets, which easily hold their own among the top versions available.’

With these new recordings, made in 2011 and 2015, Schmitt-Leonardy returns to Chopin, and to ‘his wildest children’ according to Schumann: a comment which has been much parsed for its implications of structural incoherence as well as indomitable passion. In truth, Chopin’s struggle with the larger, multi-movement form has by no means failed, but rather resulted in a more accurate and elaborated mosaic of interrelations, coherencies and references, which cannot be discerned by casual listening or glancing at the scores. Chopin’s ability to balance these elements comes from neatly hidden formal concessions and the use of several compositional tools found in the music of Bach; combined, these aspects award Chopin’s sonatas continuity.

Even if the First Sonata is the work of a student, it nonetheless demonstrates some of those Bachian connections and a lyric poise which would come to full bloom in the Second. This work is centred around the grave Funeral March which has become perhaps Chopin’s best-known individual piece. Bachian principles of counterpoint and polyphony are even more richly satisfied by the final sonata of the trilogy, at least until the grand and sweeping passion of its concluding Rondo.

00:00:00 Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso
00:09:52 Piano Sonata No. 1 in C Minor, Op. 4: II. Menuetto
00:14:35 Piano Sonata No. 1 in C Minor, Op. 4: III. Larghetto
00:18:23 Piano Sonata No. 1 in C Minor, Op. 4: IV. Finale. Presto
00:25:04 Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento
00:33:22 Piano Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo
00:40:39 Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre. Lento
00:50:03 Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale. Presto
00:51:40 Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso
01:01:05 Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace
01:03:59 Piano Sonata No. 3 in B Minor, Op. 58: III. Largo
01:13:25 Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto

This release contains a selection of Vivaldi music, to soothe your baby and to give him or her a gentle introduction into classical music.

Tracklist Below:

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/VivaldiForBabies
More Information: https://www.brilliantclassics.....com/articles/v/vival
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

Composer:
Vivaldi

00:00:00 Concerto in E Major, Op. 8 ‘Der Frühling‘: I. Allegro
00:03:26 Concerto in E Major, Op. 8 ‘Der Frühling‘: II. Allegro e pianissimo sempre
00:05:46 Concerto in E Major, Op. 8 ‘Der Frühling‘: III. Danza pastorale, Allegro
00:09:37 Concerto in G Minor, Op. 8 ‘Der Sommer’: I. Allegro non, molto
00:15:23 Concerto in G Minor, Op. 8 ‘Der Sommer’: II. Adagio-Presto
00:17:39 Concerto in G Minor, Op. 8 ‘Der Sommer’: III. Presto
00:20:30 Concerto in F Major, Op. 8 ‘Der Herbst’: I. Allegro
00:25:27 Concerto in F Major, Op. 8 ‘Der Herbst’: II. Adagio
00:28:30 Concerto in F Major, Op. 8 ‘Der Herbst’: III. Allegro
00:31:44 Concerto in F Minor, Op. 8 'Der Winter’: I. Allegro non molto
00:35:00 Concerto in F Minor, Op. 8 'Der Winter’: II. Largo
00:37:05 Concerto in F Minor, Op. 8 'Der Winter’: III. Allegro
00:40:12 Concerto in E-Flat Major, Op. 8 ‘La Tempesta di Mare’: I. Presto
00:43:01 Concerto in E-Flat Major, Op. 8 ‘La Tempesta di Mare’: II. Largo
00:45:48 Concerto in E-Flat Major, Op. 8 ‘La Tempesta di Mare’: III. Presto
00:49:24 Concerto in C Major, Op. 8 ‘Il Piacere’: I. Allegro
00:52:35 Concerto in C Major, Op. 8 ‘Il Piacere’: II. Largo e cantabile
00:55:49 Concerto in C Major, Op. 8 ‘Il Piacere’: III. Allegro

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.....to/DvorakViolinCell

Physical Purchase:
https://www.brilliantclassics.....com/articles/d/dvor%

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer & Artist:
Composer: Antonín Dvorák
Artists: Zara Nelsova, Ruggiero Ricci




About this Album:
A combination of the only two concertos for string instruments by Dvorák on one CD. Ruggiero Ricci (violin) and Zara Nelsova (cello) are the soloists.

Tracklist:
00:00:00 Violin Concerto in A Minor, Op. 53: I. Allegro ma non troppo - Adagio ma non troppo
00:19:04 Violin Concerto in A Minor, Op. 53: II. Finale. Allegro giocoso
00:29:18 Cello Concerto in B Minor, Op. 104: I. Allegro
00:43:31 Cello Concerto in B Minor, Op. 104: II. Adagio ma non troppo
00:54:07 Cello Concerto in B Minor, Op. 104: III. Finale. Allegro moderato
 
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#AntonínDvorák #ZaraNelsova #Ruggiero Ricci #Violin #Cello #SaintLouisSymphonyOrchestra #WalterSusskind #Classical # #BrilliantClassics #Music #Composer #ClassicalMusic

Download en streams:
https://brilliant-classics.lnk.....to/ChopinCompleteEd

Physical Purchase:
https://www.brilliantclassics.....com/articles/c/chopi

Brilliant Classics Spotify:
https://brilliant-classics.lnk.to/Spotify

The master of the piano must surely be Frédéric Chopin. Every one of his compositions includes the piano in some form, yet within his oeuvre there is still an exciting variety of music to be found. Chopin made the solo piano form into an art, extensively developing various styles – including the piano sonata, waltz, polonaise and impromptu – and heavily popularising others for the first time, such as the Polish mazurka, the form he often chose to express his nationalism. Chopin straddled the divide between the Classical and Romantic worlds, and the changes that took place in his writing is clear to see on an authoritative edition such as this one. His masterful études remain less virtuosic than those of his contemporaries, such as Liszt; the emphasis is still on the technical aspect, and they reveal Chopin’s supreme talent for the piano, as a performer as well as a composer. His waltzes were the first to move away from pieces composed for dancing; rather, they were designed to be performed in salons, and therefore gave the potential for a faster tempo and freer sense of rhythm. Never fading from popularity, Chopin has long been regarded as a symbol of Romanticism, appreciated both in his own lifetime and in the years since his death.

Composer : Frédéric Chopin

00:00:00 Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso
00:19:49 Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto
00:29:19 Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace
00:39:54 Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso
00:54:05 Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto
01:03:34 Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace
01:12:07 Variations on “Là ci darem la mano” in B-Flat Major, Op. 2
01:27:34 Grande fantaisie sur des airs polonais in A Major, Op. 13
01:41:05 Krakowiak in F Major, Op. 14
01:55:28 Andante spianato and grande polonaise in E-Flat Major, Op. 22
02:08:56 Cello sonata in G Minor, Op. 65: I. Allegro moderato
02:23:14 Cello sonata in G Minor, Op. 65: II. Scherzo. Allegro con brio
02:28:01 Cello sonata in G Minor, Op. 65: III. Largo
02:31:21 Cello sonata in G Minor, Op. 65: IV. Finale. Allegro
02:37:34 Grand duo concertant sur des thèmes de Robert Le Diable in E Major, B. 70
02:50:25 Introduction and polonaise brillante in C Major, Op. 3
02:59:36 Piano Trio in G Minor, Op. 8: I. Allegro con fuoco
03:10:31 Piano Trio in G Minor, Op. 8: II. Scherzo. Con moto, ma non troppo
03:17:18 Piano Trio in G Minor, Op. 8: III. Adagio sostenuto
03:23:24 Piano Trio in G Minor, Op. 8: IV. Finale. Allegretto
03:29:12 Polish Songs Op. 74: I. Zyczenie (The Wish)
03:30:55 Polish Songs Op. 74: II. Wiosna (Spring)
03:33:37 Polish Songs Op. 74: III. Smutna rzeka (The Sad Stream)
03:37:18 Polish Songs Op. 74: IV.Hulanka (Merrymaking)
03:39:57 Polish Songs Op. 74: V. Gdzie lubi (There where she loves)
03:41:10 Polish Songs Op. 74: VI. Precz z moich oczu! (Out of my sight!)
03:44:48 Polish Songs Op. 74: VII. Poseł (The Envoy)
03:47:37 Polish Songs Op. 74: VIII. S´liczny chłopiec (Handsome Lad)
03:50:11 Polish Songs Op. 74: IX. Melodya (Elegy)
03:53:24 Polish Songs Op. 74: X. Wojak (The Warrior)
03:55:28 Polish Songs Op. 74: XI. Dwojaki koniec (The Double End)
03:57:29 Polish Songs Op. 74: XII. Moja pieszczotka (My Darling)
03:59:26 Polish Songs Op. 74: XIII. Nie ma czego trzeba (There is no need)
04:06:46 Polish Songs Op. 74: XIV. Piers´cien´ (The Ring)
04:08:24 Polish Songs Op. 74: XV. Narzeczony (The Bridegroom)
04:10:49 Polish Songs Op. 74: XVI. Piosnka litewska (Lithuanian Song)
04:12:50 Polish Songs Op. 74: XVII. S´piew grobowy (Hymn from the tomb)
04:18:25 Polish Songs Op. 74: XVIII. Czary (Charms)
04:20:56 Polish Songs Op. 74: XIX. Dumka (Reverie)

Baba sings verses - Anthuleka

Adhunika Vidya Perigenu Anthuleka
Athma Vidya Kshinininche Avadhileka
Sathya Dharmammulanniyu Samasi Poye
Prema Shanti Ahimsalu Pedabadiye
Prema Shanti Ahimsalu Pedabadiye

Modern learning has grown beyond bounds and the learning of the soul
has declined without a bottom.
Truth and righteousness have got effaced and Love,
Peace and Non-violence have declined.

Баба поёт стихи - "Воплощение любви", диск 1
6. Антулека

Адхуника видья перигену антулека
Атма видья кшинининче авадхилека
Сатья дхармаммуланнию самаси пойе
Према шанти ахимсалу педабадийе
Према шанти ахимсалу педабадийе

Современное образование выросло беспредельно, а изучение души пришло в полный упадок.
Истина и праведность преданы забвению, а любовь, мир и ненасилие угасли.

Baba sings verses - Viswasanthini

Viswasanthini Chekurchu Vidhamu Nerchi
Sankuchita Bhavamulanella Samayajesi
Ai Kamathyamu Sahajivanadi Kanu
Peraga Nerputaye Kade Brahma Vidya

Having learnt the method of obtaining world peace destroving the narrow
minded attitudes, cultivating unity and fraternity this verity is
the knowledge of the Brahman the Supreme.

Баба поёт стихи - "Воплощение любви", диск 1 
8. Вишвашантини

Вишвашантини чекурчу видхаму нерчи 
Санкучита бхавамуланелла самаяджеси 
Аи каматхьяму сахадживанади кану 
Перага нерпутайе каде брахма видья

Постижение метода обретения всеобщего мира,
ничтожение ограниченного и узколобного отношения,
развитие единства и братства -
это и есть познание Брахмана, или Всевышнего.

"Gayatri is the embodiment of all Gods and all Mantras....... There is no need to chant any other Mantra if you chant the Gayatri Mantra" Sathya Sai Baba, march 2000.

More beautiful images from South India at www.omimages.net

Om bhur bhuvah svah
tat savitur varenyam
bhargo devasya dhimahi

Romereports.com

Best Goal Ever ,
Best Goal Ever Scored in a Final Match ,

Messi Solo Goal vs Athletic Club ,
Messi Solo Goal vs Athletic Bilbao ,

Best Goal in Football ,
Best Goal Ever ,

Messi Wonder Goal vs Athletic ,
Messi Goal vs Athletic in 2015 Copa Del Rey Final ,

FC Barcelona history and the ACTUAL true history of Real Madrid CF & it's so called success |

~ Real Madrid vs Barcelona , Barcelona vs Real Madrid : The roots of the rivalry between Real Madrid and FC Barcelona is actually a fascinating study into the Spanish history of the early-to-mid 20th century. Real reason of the rivalry between the two clubs is because of the traditional standing of the two provinces politically. Madrid, as the capital of Spain and the seat of the royal family, was seen as the region promoting conservatism. Barcelona, as the capital of Catalonia, was the district which was at the forefront of ushering in the modern era in everything - fashion, republicanism etc. Hence a regional rivalry always existed between these two regions. Franco regime was centred, politically and economically, around Madrid. For this reason, Real Madrid, as the most successful team in the city, and the most prestigious team of entirely Castilian identity, was always likely to be the preferred team of the dictator. It was for this reason that the Generalísimo paid regular visits to watch the side in the 1950s and ’60s, especially during their most successful period when, inspired by the majestic Di Stefano, they won five consecutive European Cups between 1956 and 1960.

~ The First Ever Encounter : El Clasico , the first ever encounter between the two clubs occurred on May 13, 1902. Barcelona won thatencounter 3-1,owing to the "6 foreigners that they lined up", according to the official Real Madrid website. Classic case of sour grapes, thus kicking off the biggest rivalry in all of world football.

~ The Spanish Civil War : The war raged from 1936 to 1939, and was the major factor in shaping the rivalry as we see it today. General Francisco Franco successfully staged a coup and captured Madrid in 1939 to end the war. Since Barcelona bitterly fought Franco's policies, he held a particular anger against that region, often resorting to murder or torture to get his point across - that a different culture and society under his rule would not be tolerated. Now, football was growing as an outlet of the people's views and sentiments. Hence, the people of Catalonia started supporting FC Barcelona in hordes, just to show that they are united in their hatred of General Franco, and to celebrate their unique culture and languages. In fact, FC Barcelona became “mes que un club,” more than a club, to Catalans as well as to progressives and left-leaning Spaniards across the country.

~ The Di Stefano Signing : As if the war wasn't enough, the battle between Barcelona and Real Madrid for the signature of Alfredo Di Stéfano took the rivalry to new heights. In 1953, Di Stefano had been plying his trade in Colombia for Millionarios when he was spotted by both Spanish clubs. He actually belonged to the Argentine club River Plate, but was on loan to the Colombians due to a player’s strike in Argentina. Both clubs sent emissaries to sign him, and after long and protracted negotiations, FIFA ruled that FC Barcelona would sign Di Stefano. Here is where the government in the form of the Spanish Football Federation stepped in - they banned the signing of any foreign player in Spain, allowing Real to swoop in and agree a deal with Di Stefano. This led to an impasse, which was resolved when the Spanish Federation ruled that Di Stefano would be allowed to play four years in Spain, two for Barcelona and two for Real. Barcelona though, backed out of this deal (supposedly on the orders of their Franco-backed president), which allowed Real Madrid to become the sole owner of Di Stefano. The rest,as they say, is history, as he led Real Madrid to 8 league titles, but more importantly, 5 consecutive European crowns, leaving Barcelona in their wake. This left more than a bitter taste in FC Barcelona's fans' mouth.

~ The Death of Gamper : Joan Gamper the founder of FC Barcelona was banned from the club which led to his suicide.

~ Real Madrid 11-1 Barcelona : On Barcelona’s part, there is a story, also steeped in myth, which sums up the way they were perceived and treated by the regime. The story goes that, in 1943, after winning the first leg of a cup semi-final against Real Madrid 3-0, Barcelona’s players were paid a visit by one of Franco’s cronies, who reminded them that they were only allowed to play at all due to “the generosity of the regime”, and suggested in no uncertain terms that they ease off in the second leg. Real Madrid went on to win that game 11-1, by far the biggest win in Clásico history.

MES QUE UN CLUB ! MORE THAN A CLUB ! VISCA EL BARCA !