A very large group of people gathered to watch the muon g-2 ring on its last leg of the big move from Brookhaven National Laboratory in Long Island, NY to Fermilab in Batavia, IL.

On Jan. 23, 2012, Fermilab broke ground for a one-of-its-kind research facility to develop and operate particle detectors that use liquid-argon technology to explore the mysteries of energy, matter, space and time. The new generation of liquid-argon detectors will allow scientists to observe neutrino interactions with greater precision and resolution than ever before. The MicroBooNE experiment (URL: http://www.fnal.gov/pub/today/....archive_2011/today11 ), which comprises a 170-ton neutrino detector, will be the first to move into the new facility. Reposted 12/30.

Physicist Federico Izraelevitch normally works on projects at the Fermi National Accelerator Laboratory, but for the next year he will be on a different mission: leading hardware and instrumentation workshops throughout Latin America. The Escaramujo Project will take kits to build cosmic ray detectors to various institutions to encourage physicists to learn more about the components used in massive physics projects and join international collaborations seeking the secrets of the universe. The project is made possible by many partners. Learn more at www.escaramujoproject.org. Spanish subtitles are enabled for this video.

The 35-ton prototype will test technology potentially slated for the Deep Underground Neutrino Experiment.

Fermilab is upgrading its accelerator complex under the upcoming Proton Improvement Plan II, or PIP-II. The heart of the project is a superconducting linear accelerator, which will help generate intense proton beams for the lab's experiments. Follow the PIP-II beam as it accelerates to higher energies.

More info on PIP-II here: http://news.fnal.gov/2018/07/f....ermilab-gets-ready-t

Cindy Joe, Accelerator operator at Fermilab, makes her presentation on a day in her life at the 2015 Fermilab Physics Slam

Five contestants, 10 minutes each. Tell a general public audience about your research. Better make it interesting because the audience votes on the winner! This year five students from the Illinois Math and Science Academy, coached by five scientists from Fermilab, present their topics of interest.

With 11 February marking the International Day of Women and Girls in Science, female physicists, engineers and computer scientists from CERN and from Fermilab share their experiences of building a career in science.

Jeny Teheran is a security analyst and cybersecurity researcher at Fermi National Accelerator Laboratory. That means keeping up with and taking care of hardware and software vulnerabilities so that the experiments can carry out their science in a secure manner. It's a fast-paced job where you have to come with the best solution you can put in place, right in the moment.

"I would recommend this job because it challenges you. It pushes you to be on top of your game. You have to improve your analytical skills; you have to react fast; you have to communicate better." - Jeny says.

Jeny came to Fermilab from the Caribbean coast of Colombia. She grew up in a house with few toys but lots of books, and says she has always felt close to science. With a degree in systems and computing engineering, she arrived at Fermilab four years ago as an intern to work on the offline production team for neutrino experiments. A year later, she was hired as a security analyst. "And I'm loving it," she says.


Credits:
Video production - Fermilab Creative Services
Music Copyright: Universal Production Music Astral Light Chevalier

Idea originally conceived by Tanya Levshina, Fermilab and Maria Dimou, CERN.

#WomenInScience #WomenScienceDay #WomenInSTEM

Focus - In Part Two, we cover Auto Focus. How come it doesn't work on your camera like it should?

THIS MAKES THE WORLD A BETTER PLACE:
Please like, comment and subscribe: http://tinyurl.com/78tf9qk

THE FOCUS SERIES:
Part One: http://youtu.be/uOSL2mUoXjk
Part Two: http://youtu.be/ldkV19XPruw
Part Three: http://youtu.be/Z-3Ygp7cGmI
Part Four: http://youtu.be/xBwUDIGk268

REACH THE BASIC FILMMAKER:
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
Email: thebasicfilmmaker@gmail.com
Home: http://www.thebasicfilmmaker.com
Blog 2: http://www.thebasicfilmmaker.wordpress.com
Vimeo: http://www.vimeo.com/thebasicfilmmaker

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answering any question you ask about filming.

GEAR USED.
Canon DSLR and 28mm lens. Rode lapel mic and Zoom H1 recorder. Edited in Premier Pro CS 6.

MUSIC, FOOTAGE AND GRAPHICS.
All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

THANKS.
To My YouTube Favs...
Video Copilot, Andrew Kramer, FreddieW, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing, and, to YouTube and Vimeo for giving filmmakers a home.

Here's some gear you can check out. It's linked to my Amazon account, throws a few pennies my way, and costs you nothing. :)

CAMERAS:
Canon 550D (T2i): http://tinyurl.com/breu6bj
Canon 600D (T3i): http://tinyurl.com/c4uzyoh
Canon 650D (T4i): http://tinyurl.com/7x469u6
Canon 5D Mark II: http://tinyurl.com/8kvmxny
Canon 5D Mark III: http://tinyurl.com/9qxeajr
Canon Canon XF300 Camcorder: http://tinyurl.com/92zardq

Tripod: http://tinyurl.com/95wm3zg

STORAGE:
SanDisk Extreme 45MB/s 16GB SDHC Card: http://tinyurl.com/7wd2p5a
3 TB USB Drive: http://tinyurl.com/9xl4gk3

LENSES:
50mm Lens ("the nifty fifty"): http://tinyurl.com/7c7wsaa
28mm Lens ("the great 28"): http://tinyurl.com/6mdcfj7
40mm Lens ("pancake"): http://tinyurl.com/9k6grha
Zoom Lens: (28mm - 135mm): http://tinyurl.com/7gjt4lu
28MM/T2.1 Compact Prime CP.2 Cine Lens: http://tinyurl.com/9w2lbm8

FLUID HEADS:
Manfrotto 701HDV Pro Fluid Video Mini Head: http://tinyurl.com/95uf5bu
Manfrotto 501HDV Video Head: http://tinyurl.com/8osn6vh
Manfrotto 504HD Video Head: http://tinyurl.com/8veyxle

QUICK CONNECT CONNECTOR:
Manfrotto 577 Rapid Connect Adapter: http://tinyurl.com/8jrc26v

SHOULDER RIG:
Cinema ready Shoulder Stabilizer: http://tinyurl.com/92v6obm

SOUND:
Zoom H1: http://tinyurl.com/7mu5tb2
Zoom H4n: http://tinyurl.com/8wnefkp
Audio Technica ATR-3350 Lapel Mic (Cheap!): http://tinyurl.com/8wrtg3z
Rode Lapel Mic (Not Cheap!): http://tinyurl.com/8zt9xu7
Rode MiCon-2 Connector (3.5mm Stereo): http://tinyurl.com/ctk8q9d
Rode Micon Extension Cable: http://tinyurl.com/9cs77pt
Shure SM-58: http://tinyurl.com/86neg7k
JuicedLink (minijack - cheaper): http://tinyurl.com/7u679s7
Hosa Line Match Transformer: http://tinyurl.com/8zdc24g

HDMI MONITOR
Lilliput 7-inch: http://tinyurl.com/8eh57j3

SLIDER:
Konova Slider: http://tinyurl.com/976lgpl

GREEN/BLUE SCREENS:
Portable: http://tinyurl.com/9c9lbud
Full Studio Set With Lights: http://tinyurl.com/9bftnqo

LIGHTS:
Camera Top Mounted LED: http://tinyurl.com/9kcx9e9

CLAMPS:
Pedro Clamps: http://tinyurl.com/8wsjwf3
Mini Spring Clamps: http://tinyurl.com/9mkk6df

WHITE BALANCE:
White Balance Filter: http://tinyurl.com/7e4k3rr #basicfilmmaker #filmmaking #videos

Let's say you wanted Vincent Laforet to come to your house and personally train you on filmmaking. That would be the coolest thing ever, right? Well, here's the next best thing. Check out the Directing Motion Tour Videos - priceless.

UPDATE 04 SEP 2014: To answer the many questions, the $279 video package includes 5.5 hours and the evening workshop video is 1.5 hours long. The Full Directing Motion bundle includes both Daytime and Evening for $349.

Vincent Laforet Links:
Directing Motion Tour: http://directingmotion.mzed.com/
Directing Motion Tour Dates: http://directingmotion.mzed.com/dates-cities-and-register
Directing Motion Videos: http://directingmotion.mzed.com/streaming
Vincent Laforet Blog: http://blog.vincentlaforet.com/
Vincent Laforet Web Site: http://www.laforetvisuals.com/
Vincent Laforet on Vimeo: https://vimeo.com/laforet/

REACH THE BASIC FILMMAKER:
Email: thebasicfilmmaker@gmail.com
Blog: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answer any question you ask about filming.

ETHICS STATEMENT (these seem to be all the rage, so here's mine):
Any product I review is because I want to, because I like it, because I think it would be useful to someone, and is something I would use and buy. I am not paid by anyone for doing product reviews. In other words, no one owns me, and I cannot be bought.

GEAR USED.
Canon DSLRs and lenses. Rode mics and Zoom recorders. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
Some music licensed from Footage Firm. All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

BUY STUFF HERE: If you use these links it throws a few pennies my way, and costs you absolutely nothing. I know you're a filmmaker, so you buy stuff. We all do! :)

AMAZON YOURSELF HERE:
http://tinyurl.com/ntxn4y8

ADORAMA GEAR HERE:
http://adorama.evyy.net/c/72663/37879/1036

TRAINING HERE:
7 DAYS UNLIMITED FREE ACCESS:
Lynda.com training: http://tinyurl.com/l32tfwz

RENT GEAR HERE:
Borrow Lenses: http://www.borrowlenses.com/?blpid=bfmborrowlenses

GET FOOTAGE AND SOUND HERE:
http://videoblocks.evyy.net/c/69880/72779/1928

GET 50% OFF VIMEO
Vimeo: http://www.jdoqocy.com/click-7168208-11319345

GET GRAPHICS HERE:
http://GraphicStock.evyy.net/c/69880/91712/2238

THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing.

#vincent #laforet #filmmaking #directing #motion #basicfilmmaker #filmmaking #videos

Really freaking long!!! BUT - I got tired of everyone making green screen work so complicated and wanted all this info in one place! I even show how I shoot a green screen episode from start to finish, then edit and render it in under 3 minutes!

HERE'S ALL THE PRODUCTS USED, MENTIONED, OR HINTED AT:

Remote Control Outlets: http://bit.ly/WirelessOutletsAmazon
Green Screen Kit: http://bit.ly/ePhotoGreenScreenKitAmazon
Green/Blue Screen: http://bit.ly/FotoDiox5x7GreenBlueScreenAmazon
Adobe CC: http://bit.ly/AdobeCCAmazon
Green Screener: http://bit.ly/GreenScreenerAppAppleStore
Expensive Bank Lights: http://bit.ly/FilmGear4-LightBank
Backgrounds (VideoBlocks): http://bit.ly/VideoBlocksSubscription
Portable Steamer: http://bit.ly/PortableSteamerAmazon
Green Screen Clamps: http://bit.ly/GreenScreenClampsAmazon
Large Binderclips: http://bit.ly/BinderclipsAmazon
Gaffer Tape (for floor marks): http://bit.ly/GaffersTapePremiumAmazon
Magenta Gel: http://bit.ly/GelMinusGreenAmazon

EPISODES MENTIONED:
DIY Bank Lights: http://bit.ly/BFM114DIYBankLights
YouTube Render Settings: http://bit.ly/BFM104YouTubeRenderSettings

GREEN SCREEN EXAMPLES IN HOLLYWOOD:
Stargate Studios Virtual Backlot Reel 2012: http://youtu.be/WhN1STep_zk
Stargate Studios Virtual Backlot Reel 2009: http://youtu.be/clnozSXyF4k
Stargate Studios Las Vegas Virtual Backlot: http://youtu.be/2FOcsHZQdHE

IF YOU'RE IMPATIENT (YOU WILL MISS ALL MY EXCELLENT BLAH-BLAH) HERE'S THE TIME LINKS TO EACH SEGMENT IN THE VIDEO INCLUDING TIPS AND TRICKS:

Intro: 0:10
First Failure: 2:53
Shutter Speed Trick: 4:54
Green Screener: 5:24
Second failure: 6:12
Bank Lights Setup: 6:50
Adjusting Lights: 7:11
One CLick Test: 7:43
Shadows and Bumps: 9:09
Backlight: 10:42
Magenta Gel: 10:58
Lighting blast: 11:14
Green in Shot: 12:02
Blue Screen: 12:31
Pulling any color: 12:40
Aperture: 12:56
Motion blur: 13:08
Noise and ISO: 13:37
Framing: 14:03
Fixing Goofs Editing Example: 14:29
Lighting/Backgrounds: 14:53
Front Spill: 15:28
Adding in shadows: 16:08
Backgrounds: 16:27
Use a Pro: 16:36
Basics: 17:05
Start to Finish Episode Shoot: 17:53
Start to finish editing: 19:38
Ending: 22:40
Outtakes: 23:03

SOCIAL:
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
Instagram: http://instagram.com/thebasicfilmmaker
Blog: http://www.thebasicfilmmaker.com
Email: thebasicfilmmaker@gmail.com
Famebit Sponsorships: https://famebit.com/u/BasicFilmmaker

BUY STUFF: Throws me few pennies and costs you nothing.

AMAZON: http://bit.ly/AmazonYourself
B&H: http://bit.ly/BandHPhotoMain
ADORAMA: http://bit.ly/AdoramaGear
TRAINING: http://bit.ly/LyndaDotComTraining
RENTING: http://bit.ly/BorrowLensesRentals
FOOTAGE: http://bit.ly/VideoBlocksSubscription
VIMEO: http://bit.ly/VimeoPlusSubscrption
GRAPHICS: http://bit.ly/GraphicStockSubscription

ETHICS: I am not paid for product reviews.
CREATED: Using Canon, Rode, and Adobe products.
LEGAL: All music, footage and graphics are created or licensed. #basicfilmmaker #filmmaking #videos

This is it! We're going out with a singing, dancing look at the Broadway Book Musical. Oklahoma! On the Town! Annie Get Your Gun! Also, just Annie! Today you'll learn about the development of the Broadway Book Musical in the late 19th and early 20th centuries, and get a sense of how the form developed through the Golden Age of Broadway.

Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse

Thanks to the following patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

Eric Prestemon, Sam Buck, Mark Brouwer, Bob Doye, Jennifer Killen, Naman Goel, Patrick Wiener II, Nathan Catchings, Efrain R. Pedroza, Brandon Westmoreland, dorsey, Indika Siriwardena, James Hughes, Kenneth F Penttinen, Trevin Beattie, Satya Ridhima Parvathaneni, Erika & Alexa Saur, Glenn Elliott, Justin Zingsheim, Jessica Wode, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Brian Thomas Gossett, Khaled El Shalakany, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, D.A. Noe, Shawn Arnold, Malcolm Callis, Advait Shinde, William McGraw, Andrei Krishkevich, Rachel Bright, Jirat, Ian Dundore
--

Want to find Crash Course elsewhere on the internet?
Facebook - http://www.facebook.com/YouTubeCrashCourse
Twitter - http://www.twitter.com/TheCrashCourse
Tumblr - http://thecrashcourse.tumblr.com
Support Crash Course on Patreon: http://patreon.com/crashcourse

CC Kids: http://www.youtube.com/crashcoursekids

Today we’re looking at how society becomes stratified along gender lines. We’ll discuss Raewyn Connell’s concept of hegemonic masculinities and emphasized femininities. We’ll explore gender socialization in the home, media, and schools. Finally, we’ll explain how gender stratification results in different outcomes by gender in education, occupations, earnings, and criminal activity.

Crash Course is made with Adobe Creative Cloud. Get a free trial here: https://www.adobe.com/creative....cloud/catalog/deskto

***

References:
Sociology by John J. Macionis, 15th edition (2014)

American Time Use Survey 2011- 2015 https://www.bls.gov/tus/tables/a6_1115.pdf

Hill J, Ottem R, DeRoche J, Owens C., U.S. Department of Education. 'Trends in Public and Private School Principal Demographics and Qualifications' (2016) https://nces.ed.gov/pubs2016/2016189.pdf

Glass, Thomas E., School Superintendents Association, 'Where Are All the Women Superintendents?' http://aasa.org/SchoolAdminist....ratorArticle.aspx?id

Pew Research Center tabulations of Current Population Survey data http://www.pewresearch.org/fac....t-tank/2016/07/01/ra

***

Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse

Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

Mark Brouwer, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, Robert Kunz, SR Foxley, Sam Ferguson, Yasenia Cruz, Daniel Baulig, Eric Koslow, Caleb Weeks, Tim Curwick, Jessica Wode, Cami Wilson, Eric Prestemon, Evren Türkmenoğlu, Alexander Tamas, Justin Zingsheim, D.A. Noe, Shawn Arnold, Tom Trval, mark austin, Ruth Perez, Malcolm Callis, Kathrin Janßen, Ken Penttinen, Advait Shinde, Cody Carpenter, Annamaria Herrera, Nathan Taylor, William McGraw, Bader AlGhamdi, Vaso, Melissa Briski, Joey Quek, Andrei Krishkevich, Rachel Bright, Alex S, Mayumi Maeda, Kathy & Tim Philip, Montather, Jirat, Eric Kitchen, Moritz Schmidt, Ian Dundore, Chris Peters, Sandra Aft, Jason A Saslow, Steve Marshall
--

Want to find Crash Course elsewhere on the internet?
Facebook - http://www.facebook.com/YouTubeCrashCourse
Twitter - http://www.twitter.com/TheCrashCourse
Tumblr - http://thecrashcourse.tumblr.com
Support Crash Course on Patreon: http://patreon.com/crashcourse

CC Kids: http://www.youtube.com/crashcoursekids

A last round of laughs from the set of Crash Course Games!

Want more Crash Course in person? We'll be at NerdCon: Nerdfighteria in Boston on February 25th and 26th! For more information, go to http://www.nerdconnerdfighteria.com/

Want some Crash Course Games merch? Check out our History of Consoles poster and Snake-inspired mug!
https://store.dftba.com/collections/crashcourse

Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse

Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

Mark, Les Aker, Robert Kunz, William McGraw, Jeffrey Thompson, Jason A Saslow, Rizwan Kassim, Eric Prestemon, Steve Marshall, Advait Shinde, Rachel Bright, Kyle Anderson, Ian Dundore, Tim Curwick, Ken D. Sweeney, Caleb Weeks, Cody Carpenter, Nathan Taylor, Yana Leonor, Andrei Krishkevich, Brian Thomas Gossett, Meshal Alshammari, Chris Peters, Sheikh Kori Rahman, Kathy & Tim Philip, Mayumi Maeda, Eric Kitchen, SR Foxley, Justin Zingsheim, Andrea Bareis, Annamaria Herrera, Moritz Schmidt, Bader AlGhamdi, Eiryn Hegland, Jessica Wode, Daniel Baulig, and Jirat


Want to find Crash Course elsewhere on the internet?
Facebook - http://www.facebook.com/YouTubeCrashCourse
Twitter - http://www.twitter.com/TheCrashCourse
Tumblr - http://thecrashcourse.tumblr.com
Support Crash Course on Patreon: http://patreon.com/crashcourse

CC Kids: http://www.youtube.com/crashcoursekids

Somos una comunidad especializada en rescatar material del recuerdo.

Puedes disfrutar nuestros contenidos en:
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Somos una comunidad especializada en rescatar material del recuerdo.

Puedes disfrutar nuestros contenidos en:
Nuestra Web: http://www.generacionretro.net
Nuestro Twitter: https://twitter.com/gretrocool
Nuestro Facebook: http://www.facebook.com/generacionretro.latino/

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Somos una comunidad especializada en rescatar material del recuerdo.

Puedes disfrutar nuestros contenidos en:
Nuestra Web: http://www.generacionretro.net
Nuestro Twitter: https://twitter.com/gretrocool
Nuestro Facebook: http://www.facebook.com/generacionretro.latino/

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Somos una comunidad especializada en rescatar material del recuerdo.

Puedes disfrutar nuestros contenidos en:
Nuestra Web: http://www.generacionretro.net
Nuestro Twitter: https://twitter.com/gretrocool
Nuestro Facebook: http://www.facebook.com/generacionretro.latino/

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Somos una comunidad especializada en rescatar material del recuerdo.

Puedes disfrutar nuestros contenidos en:
Nuestra Web: http://www.generacionretro.net
Nuestro Twitter: https://twitter.com/gretrocool
Nuestro Facebook: http://www.facebook.com/generacionretro.latino/

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Somos una comunidad especializada en rescatar material del recuerdo.

Puedes disfrutar nuestros contenidos en:
Nuestra Web: http://www.generacionretro.net
Nuestro Twitter: https://twitter.com/gretrocool
Nuestro Facebook: http://www.facebook.com/generacionretro.latino/

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use