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US Release Date: December 20, 2019
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Composer: Johannes Brahms
Artists: Sara Mingardo alt
Luca Sanzò viola
Maurizio Paciariello piano

About this Album:
Brahms had already declared to his long-suffering publisher Simrock that he was done with the business of composition before producing these, his final pieces of chamber music. He was inspired by the clarinettist Richard Mühlfeld, a player in the court orchestra of Meiningen, where Hans von Bülow conducted the composer’s music including all the symphonies. Mühlfeld’s breath control and superb melodic sensitivity evidently reawakened in the composer the long-breathed melodies which mark out his chamber music throughout his career, but Brahms soon declared that the sonatas could just as well be played on the viola, perhaps with one eye on his royalties from Simrock, but violists have been glad to seize on their ‘own’ Brahms ever since.
Melancholy is perhaps inevitably the major key of both sonatas – Brahms had been drawn to express autumnal loneliness even 40 years before – but they are not gloomy works, and are built with undimmed ingenuity as masterfully organic structures in which the usual contrast of first and second themes is forsaken for the kind of continuous variation which Arnold Schoenberg could justly and admiringly describe as ‘musical prose’.

Tracklist:
00:00:00 Violin Sonata No. 1 in F Minor, Op. 120: I. Allegro appassionato
00:08:32 Violin Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio
00:13:20 Violin Sonata No. 1 in F Minor, Op. 120: III. Alegretto grazioso
00:18:11 Violin Sonata No. 1 in F Minor, Op. 120: IV. Vivace
00:23:44 2 Gesänge, Op. 91: I. Gestillte Sehnsucht
00:29:53 2 Gesänge, Op. 91: II. Geistliches Wiegenlied
00:35:25 Violin Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile
00:44:14 Violin Sonata No. 2 in E-Flat Major, Op. 120: II. Allegro appassionato
00:50:13 Violin Sonata No. 2 in E-Flat Major, Op. 120: III. Andante con moto

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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Hank introduces us to the "simplest" of the animals, complexity-wise: beginning with sponges (whose very inclusion in the list as "animals" has been called into question because they are so simple) and finishing with the most complex molluscs, octopuses and squid. We differentiate them by the number of tissue layers they have, and by the complexity of those layers.

Crash Course Biology is now available on DVD! http://dft.ba/-8css

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Table of Contents:
1) Porifera 1:33
2) Cnidaria 2:36
a) Diploblasts 2:48
3) Platyhelminthes 3:33
a) Triploblasts 3:56
b) Coelom 4:36
4) Biolography 5:36
5) Nematoda 7:26
6) Rotifera 7:57
7) Molusca 8:33

References for this episode can be found in the Google document here: http://dft.ba/-2V_c

crash course, biology, anatomy, animal, simple, complex, tissue complexity, tissue, sponge, development, porifera, multicellular, eukaryotic, eukaryote, species, cnidaria, jellies, anemone, hydra, coral, germ layer, body cavity, endoderm, ecotoderm, dipoloblast, stinging cell, cnidocyst, platyhelminthes, fluke, triploblast, coelom, acoelomate, biolography, cambrian explosion, adaptation, fossil, evolution, diversity, nematoda, pseudocoelomate, hookworm, rotifera, mollusca, chitin, snail, bivalve, octopus, squid, visceral mass, foot, mantle, radula, gastropod, cephalopod Support CrashCourse on Subbable: http://subbable.com/crashcourse

Historians love to debate each other. So some of them pointed out that the first half of this revolution looks a lot different from the second. Let's chat about industry, cars, and Henry Ford.

***

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The Bananas have to find a new way to 'talk' to their friends when they lose their voices after yelling too loudly in an echoey cave.

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Fermilab recently hosted more than 300 middle school students from 13 schools for a special showing of Hidden Figures and a panel discussion with four Fermilab scientists, including Karl Warburton. This video was played as part of the panel introductions.

The goal of the program was to show fifth- to eighth-grade students that entering a STEM field was possible for them – no matter their background. You can read more about the event here:
http://news.fnal.gov/2018/02/f....ermilab-organizes-hi

Karl Warburton discusses how every physicist always adds something to the field since every individual approaches the study in a new way. A scientist on the Deep Underground Neutrino Experiment, Warburton draws new information from pictures of simulated events, and each piece, collaboratively sewn together, contributes to our understanding of the universe.

Researching the last bits of my "How To Create A Successful YouTube Channel" university course, I finally found a way to make YouTube and social media titles NOT based on opinion, but on facts. Check it out!

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[Asked which of my videos I like best - it's this one from 2012 - reissuing it in 2019 for those interested.] Most professions subscribe to a set of basic principles. I wanted one for filmmakers and video creators so I created The Code of a Filmmaker. http://bit.ly/SubscribeToBasicFilmmaker

#basicfilmmaker #filmmaking #code

I've been asked so many times which video I've created over the years is my favorite. So I went through the 300+ videos on the channel, and I have to say, It's this one from almost 7 years ago. I hope you enjoy watching it as much as I do.

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All music and graphics are created or licensed by me. The music "Rush Hour" and "Penance" are available from http://www.footagefirm.com.

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When approaching music as popular and as deservedly loved as Chopin’s waltzes, a musician must have something special to say for a new recording to make its mark. According to Fou T’Song – no mean Chopin pianist himself – Alessandro Deljavan is ‘one of the most interesting pianists I have heard in my life’. Excerpts on YouTube from his success at the 2013 Van Cliburn Competition in Fort Worth confirm the truth and promise of Fou T’Song’s acclamation.

Among recent and forthcoming recordings in his extensive discography are discs of diverse repertoire drawn from solo and chamber music including the piano quintet of Taneyev; Grieg’s violin Sonatas, Bach’s keyboard toccatas, cello sonatas by Martucci, and a Schumann recital. But the apparently simplicity of Chopin’s waltzes is no less a test of musical and technical mastery than many of these more recondite delights. The 17 waltzes are not gathered into one or two collections like the Etudes, but were composed throughout Chopin’s all-too-brief career. For many the best-known and yet also most sublime a distillation of the waltz-form is Op.64 No.1, known as the ‘Minute’ on account of its brevity. Op.69 No.1 breathes no less spirited an evocation of remembered youth, and yet with the shadow behind its harmonies of regret and melancholy which unforgettably tinge the Nocturnes. There is a waltz for every mood, and Deljavan’s interpretations will receive wide critical attention.
Chopin’s waltzes are written for the Parisian salon, for a sophisticated audience of artists and aristocracy. Though more “light hearted” than most of his other compositions they bear the unmistakable genius of Chopin: refined and exquisite pianism, brilliance and melancholy, sorrow and joy go hand in hand.
Italian Alessandro Deljavan is one of the most remarkable pianists of his generation. “His playing is full of intensive power and contagious artistry” (Dmitri Bashkirov), “he is one of the most interesting pianists I’ve heard in my life” (Fou Ts’Ong), “he is one of the most major talents of his age” (John Perry), “Jaw-dropping virtuosity and heart-stopping eloquence” (Dallas Morning News).

Composer:
Frédéric Chopin
Artist:
Alessandro Deljavan (piano)

00:00:00 “Grande valse brillante” in E-Flat Major, Op. 18
00:06:23 Waltzes, Op. 34: I. Vivace in E-Flat Major
00:12:18 Waltzes, Op. 34: II. Lento in A Minor
00:18:21 Waltzes, Op. 34: III. Vivace in F Major
00:20:54 Waltz in A-Flat Major, Op. 42
00:25:00 Waltzes, Op. 64: I. Minute Waltz in D-Flat Major
00:26:55 Waltzes in C-Sharp Minor Op.64 No.2
00:30:29 Waltz in A-Flat Major, Op. 64 No. 3
00:33:32 Waltz in A-Flat Major, Op. 69 No. 1
00:35:51 Waltz in B Minor, Op. 69 No. 2
00:38:09 Waltzes, Op. 70: I. Waltz in G-Flat Major
00:40:24 Waltzes, Op. 70: II. Waltz in F Minor
00:41:47 Waltzes, Op. 70: III. Waltz in D-Flat Major
00:44:44 Waltz in A-Flat Major, KKIVa No. 13
00:46:51 Waltz in E Major, KKIVa No. 12
00:49:57 Waltz in E Minor, KKIVa No. 15
00:52:11 Waltz in A Minor, KKIVa No. 11
00:54:26 Sostenuto “Waltz” in E-Flat Major, KKIVa No. 10
00:56:01 Waltz in E-Flat Major, KKIVa No. 14

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Artist: RIAS Kammerchor, Akademie fur Alte Musik Berlin, René Jacobs (conductor)

Johann Sebastian Bach’s Mass in B minor is regarded by many as one of the supreme achievements of Western classical music. Even before its first complete performance, the Swiss music historian and publisher Hans Georg Nägeli described it as the “greatest musical masterpiece of all times and nations”. Many scholars believe that, along with the Art of Fugue and the Musical Offering, the work presents a summation of Bach’s musicianship as well as the most glorious presentation of the composer’s deeply held religious beliefs. Much of the Mass gave new form to vocal music that Bach had composed throughout his career, some of which was not from sacred sources (a point of contention for Leipzig churchgoers). The Kyrie and Gloria (known as the “Missa”) had been written as an application for the post of court composer at Dresden. The remaining movements, the Sanctus, Benedictus and Agnus Dei, turn the “Missa” into a “Missa tota”: the full setting of the Ordinary of the Mass.

In the Kyrie, Bach explores three different forms of musical expression in an impassioned entreaty for God’s mercy. He brings in trumpets and drums to sing the praises of the Lord in the Gloria, Credo and Sanctus, and, as so often before, saves one of his most exquisite and poignant musical phrases to express the idea of peace in the ‘et in terra pax’. The dramatic contrast forged between the ‘Crucifixus’ and ‘Et resurrexit’ movements of the Credo serve as a dramatic representation of the Christian statement of belief, and the lamenting Agnus Dei aria gives way to a exultant chorus of ‘Dona nobis pacem’ (Grant us thy peace), bringing the vast score to its conclusion. René Jacobs directs the Akademie für Alte Musik Berlin in this reading, which was described as “Spacious and intimate … a compelling performance” by the BBC Music Magazine following its first release.

The Reissue of one of the finest recordings of Bach’s “Hohe Messe’!

This “compelling performance..spacious and intimate” (Gramophone) boasts of a line‐up of famous soloists: Christoph Prégardien, Matthias Goerne, Bernarda Fink and Hillevi Martinpelto, singers of world renown who have amply won their spurs in Early Music. René Jacobs and his Akademie für Alte Musik Berlin and the Rias Kammerchor count among the best (if not THE best..) of Baroque ensembles and choirs around the world.

00:00:00 Mass in B Minor BWV 232, Pt. 1: I. Chorus. Kyrie eleison (A 5)
00:10:10 Mass in B Minor BWV 232, Pt. 1: II. Duet. Christe eleison (Two Sopranos)
00:15:32 Mass in B Minor BWV 232, Pt. 1: III. Chorus. Kyrie eleison (A 4)
00:19:48 Mass in B Minor BWV 232, Pt. 1: IV. Chorus. Gloria in excelsis Deo (A 5)
00:21:37 Mass in B Minor BWV 232, Pt. 1: V. Chorus. Et in terra pax hominibus (A 5)
00:28:18 Mass in B Minor BWV 232, Pt. 1: VI. Aria. Laudamus te (Soprano II)
00:32:35 Mass in B Minor BWV 232, Pt. 1: VII. Chorus. Gratias agimus tibi (A 4)
00:35:08 Mass in B Minor BWV 232, Pt. 1: VIII. Duet Domine Deus (Soprano I, Tenor)
00:40:37 Mass in B Minor BWV 232, Pt. 1: IX. Chorus. Qui tollis peccata mundi (A 4, Soloists)
00:43:07 Mass in B Minor BWV 232, Pt. 1: X. Aria. Qui sedes ad dexteram Patris (Alto)
00:47:22 Mass in B Minor BWV 232, Pt. 1: XI. Aria. Quoniam tu solus Sanctus (Bass II)
00:51:59 Mass in B Minor BWV 232, Pt. 1: XII. Chorus. Cum Sancto Spiritu (A 5)
00:55:48 Mass in B Minor BWV 232, Pt. 2: I. Chorus. Credo in unum Deum (A 5)
00:58:30 Mass in B Minor BWV 232, Pt. 2: II. Chorus. Patrem omnipotentem (A 4)
01:00:32 Mass in B Minor BWV 232, Pt. 2: III. Duet. Et in unum Dominum (Soprano I, Alto)
01:05:31 Mass in B Minor BWV 232, Pt. 2: IV. Chorus & Soloists. Et incarnatus est (A 5)
01:08:08 Mass in B Minor BWV 232, Pt. 2: V. Chorus. Crucifixus etiam pro nobis (A 4)
01:11:25 Mass in B Minor BWV 232, Pt. 2: VI. Chorus & Soloists. Et resurrexit tertia die (A 5)
01:15:16 Mass in B Minor BWV 232, Pt. 2: VII. Aria. Et in Spiritum Sanctum (Bass)
01:20:13 Mass in B Minor BWV 232, Pt. 2: VIII. Chorus. Confiteor unum baptisma etiarn pro nobis (A 5)
01:25:18 Mass in B Minor BWV 232, Pt. 2: IX. Chorus. Et expecto resurrectionem (A 5)
01:27:24 Mass in B Minor BWV 232, Pt. 3: Chorus. Sanctus (A 6)
01:32:41 Mass in B Minor BWV 232, Pt. 4: I. Chorus. Osanna in excelsis (A 8)
01:35:15 Mass in B Minor BWV 232, Pt. 4: II. Aria. Benedictus (Tenor)
01:39:31 Mass in B Minor BWV 232, Pt. 4: III. Chorus. Osanna in excelsis (A 8)
01:42:05 Mass in B Minor BWV 232, Pt. 4: IV. Aria. Agnus Dei (Soprano II)
01:47:03 Mass in B Minor BWV 232, Pt. 4: V. Chorus. Dona nobis pacem (A 4)

Watch this cartoon movie and solve funny puzzles at the same time!
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Composer & Artist:
Composer: Luigi Gatti
Artists: Paolo Ghidoni (violin), Alfredo Zamarra (viola)



About this Album:
The sonatas presented in this recording, labelled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gatti’s stay in Salzburg. The autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 335–38, and W. A. Mozart, K 423–24. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a “good performer on the violin” according to Charles Burney. The archbishop was also said to “enjoy performing on the violin, which he played very well” and to be in the habit of “mingling with the court musicians and playing the violin with them” before dinner.

Tracklist:
00:00:00 Sonata in B-Flat Major, No. 1: Allegro aperto
00:07:59 Sonata in B-Flat Major, No. 1: Adagio
00:11:01 Sonata in B-Flat Major, No. 1: Rondo: Allegro con moto
00:16:49 Sonata in D Major, No. 2: Andante
00:23:08 Sonata in D Major, No. 2: Adagio cantabile
00:25:49 Sonata in D Major, No. 2: Tempo di minuetto
00:31:28 Sonata in A Major, No. 3: Allegro aperto
00:35:05 Sonata in A Major, No. 3: Adagio
00:38:13 Sonata in A Major, No. 3: Rondo: Allegretto
00:42:40 Sonata in F Major, No. 4: Cantabile - Allegro con spirito
00:48:50 Sonata in F Major, No. 4: Minuetto
00:57:45 Sonata in F Major, No. 4: Finale: Allegro assai
01:00:46 Sonata in E-Flat Major, No. 5: Moderato
01:04:01 Sonata in E-Flat Major, No. 5: Larghetto espressivo
01:07:13 Sonata in E-Flat Major, No. 5: Allegretto grazioso
01:11:01 Sonata in C Major, No. 6: Un allegro vivace
01:17:13 Sonata in C Major, No. 6: Adagio cantabile
01:22:46 Sonata in C Major, No. 6: Rondo: Allegretto

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14 de noviembre de 2015. La Orden de los Dominicos cumple 800 años de historia

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Fray José María Guerrero, de la República Dominicana, como cada año, nos visita nuevamente para ponernos al día sobre los avances en la comunidad pobre en la que sirve, en su barrio del Caliche Villa Duarte. Además nos cuenta acerca del crecimiento de su Fundación Hermanos Pobres de San Francisco, y sus dos proyectos más de fundación femeninas: Hermanas Pobres de San Francisco y Santa Clara, de orientación contemplativa y Hermanas Pobres de San Francisco del Santísimo Sacramento.

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Disfruta con los dibujos animados y caricaturas de Om Nom, el protagonista de la serie Cut The Rope, ¡que ya tiene su propia serie de dibujos! Suscríbete a Las Historias de Om Nom, y no te pierdas ningún capítulo de esta caricatura infantil tan adorable.


La ciudad necesita de los superheroes , como un pequeño gatito atrapado en lo alto de un árbol. No debería ser un gran dilema para Om Nom pero está subestimando al gato. Ciudadanos de OmNoville levanten sus cabezas que hay un drama en las alturas.



Las Historias de Om Nom - SuperNoms - Al límite - Episodio 78 - Cut the rope