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Oso Yogi - 09.- Oso Desconcertado
Here are our top five mating fights! From ibexes to elephant seals, watch as these species do battle to find a mate.
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There's a story in every grain of sand: tales of life and death, fire and water. If you scooped up a handful of sand from every beach, you'd have a history of the world sifting through your fingers.
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---+ How does sand form?
Sand can be anything that has been worn down until it’s reduced to some tiny, essential fragment of what it once was: a granite pebble from the mountains; coral from the sea; obsidian from a volcano; even skeletons of microscopic sea animals. It's also a technical term. Bigger than sand, that’s gravel, smaller? Silt.
By studying the composition and texture of sand, geologists can reconstruct its incredible life history. “There’s just a ton of information out there, and all of it is in the sand,” said Mary McGann, a geologist at the United States Geological Survey in Menlo Park, CA.
McGann recently took part in a comprehensive research project mapping sand’s journey into and throughout San Francisco Bay.
Patrick Barnard, another USGS geologist who helped oversee the project, said that it will help scientists understand how local beaches are changing over time. In particular, Barnard wants to understand why beaches just south of San Francisco Bay are among the most rapidly eroding beaches in the state.
From 2010-2012, Barnard and his team sampled beaches, outcrops, rivers and creeks to track sand’s journey around the bay. They even collected sand from the ocean floor. The researchers then carefully analyzed the samples to characterize the shapes, sizes, and chemical properties of the sand grains.
Barnard said the information provides a kind of fingerprint, or signature, for each sample that can then be matched to a potential source. For example, certain minerals may only come from the Sierra Mountains or the Marin Headlands.
“If we’ve covered all of the potential sources, and we know the unique signature of the sand from these different sources, and we find it on a beach somewhere, then we basically know where it came from,” explained Barnard.
And those species aren’t the only things finding their way into the sand. Manmade materials can show up there, too. McGann has found metal welding scraps and tiny glass spheres (commonly sprinkled on highways to make road stripes reflective) in sand samples from around the bay.
“All of these things can get washed into our rivers or our creeks, or washed off the road in storm drains,” explained McGann. “Eventually they end up in, for example, San Francisco Bay.”
By piecing together all of these clues – the information found in the minerals, biological material and man made objects that make up sand – the researchers ended up with a pretty clear picture of how sand travels around San Francisco Bay.
Some sands stay close to home. Rocky sand in the Marin Headlands comes from nearby bluffs, never straying far from its source.
Other sands travel hundreds of miles. Granite from the Sierra Nevada mountains careens down rivers and streams on a century-long sojourn to the coast.
In fact, much of the sand in the Bay Area comes from the Sacramento and San Joaquin rivers, with local watersheds also playing an important role in transporting sand to the beach.
Although this project focused on San Francisco Bay, the same techniques could be used to study other coastal systems, he added, revealing the incredible life stories of sand from around the world.
---+ More Deep Look episodes:
What Happens When You Zap Coral With The World's Most Powerful X-ray Laser?
https://youtu.be/aXmCU6IYnsA
These 'Resurrection Plants' Spring Back to Life in Seconds
https://youtu.be/eoFGKlZMo2g
--
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---+ About KQED
KQED, an NPR and PBS affiliate in San Francisco, CA, serves Northern California and beyond with a public-supported alternative to commercial TV, Radio and web media.
Funding for Deep Look is provided in part by PBS Digital Studios and the John S. and James L. Knight Foundation. Deep Look is a project of KQED Science, which is also supported by HopeLab, the David B. Gold Foundation, the S. D. Bechtel, Jr. Foundation, the Dirk and Charlene Kabcenell Foundation, the Vadasz Family Foundation, the Gordon and Betty Moore Foundation, the Smart Family Foundation and the members of KQED.
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Composer: Ludwig van Beethoven
Artists: Kristóf Baráti (violin), Klára Würtz (piano)
Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/BeethovenComplet
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Sonatas for piano with violin, Beethoven thought of them, and the early set of three Op. 12 does seem to look back towards the early Classical, even late-Baroque emphasis on the multi-voiced part to which the violin adds emphasis or decoration as required. But the genre matured with Beethoven, and by the time of the ‘Kreutzer’ he was composing a fullyfledged, pre-Romantic virtuoso journey for the combination, vast in breadth of expression and length. These works have always attracted great artists, but every generation must come to them afresh, and here are two superb musicians from Hungary to add their own approach: on ‘traditional’ rather than ‘period’ instruments but interpretatively untrammelled by one or another performing dogma.
Kristóf Baráti is one of the most exciting violinists of the younger generation. After winning several important prizes (top-3 prize winner of the Elizabeth Competition when he was 18 years old, first prize at the prestigious Paganini Competition in Moscow) he is building an international career, playing with important orchestras and conductors (Ivan Fischer, Charles Dutoit, Marek Janovski, Kurt Masur).
Klára Würtz needs little introduction to Brilliant Classics fans: her many recordings (Mozart, Schubert, Schumann) show an exceptional artist, with a natural musical instinct, effortless virtuosity and heart-warming charisma.
00:00:00 Violin Sonata No. 1 in D, Op. 12 No. 1: I. Allegro con brio
00:08:01 Violin Sonata No. 1 in D, Op. 12 No. 1: II. Tema con variazioni
00:14:45 Violin Sonata No. 1 in D, Op. 12 No. 1: III. Rondo: Allegro
00:19:01 Violin Sonata No. 2 in A, Op. 12 No. 2: I. Allegro vivace
00:25:02 Violin Sonata No. 2 in A, Op. 12 No. 2: II. Andante, più tosto allegretto
00:30:02 Violin Sonata No. 2 in A, Op. 12 No. 2: III. Allegro piacevole
00:34:45 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: I. Allegro con spirito
00:42:49 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: II. Adagio con molt’espressione
00:48:15 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: III. Rondo: Allegro molto
00:52:12 Violin Sonata No. 4 in A Minor, Op. 23: I. Presto
00:59:08 Violin Sonata No. 4 in A Minor, Op. 23: II. Andante scherzoso, più allegretto
01:06:08 Violin Sonata No. 4 in A Minor, Op. 23: III. Allegro molto
01:10:57 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: I. Allegro
01:20:03 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: II. Adagio molto espressivo
01:25:35 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: III. Scherzo: Allegro molto
01:26:36 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: IV. Rondo: Allegro ma non troppo
01:32:46 Violin Sonata No. 6 in A, Op. 30 No. 1: I. Allegro
01:39:37 Violin Sonata No. 6 in A, Op. 30 No. 1: II. Adagio molto espressivo
01:46:31 Violin Sonata No. 6 in A, Op. 30 No. 1: III. Allegretto con variazioni
01:54:02 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio
02:01:09 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile
02:09:48 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo, allegro
02:13:01 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: IV. Finale: Allegro
02:17:39 Violin Sonata No. 8 in G, Op. 30 No. 3: I. Allegro assai
02:23:23 Violin Sonata No. 8 in G, Op. 30 No. 3: II. Tempo di menuetto
02:30:56 Violin Sonata No. 8 in G, Op. 30 No. 3: III. Allegro vivace
02:34:08 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: I. Adagio sostenuto – Presto
02:47:01 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: II. Andante con variazioni
03:01:23 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: III. Finale: Presto
03:09:42 Violin Sonata No. 10 in G, Op. 96: I. Allegro moderato
03:19:48 Violin Sonata No. 10 in G, Op. 96: II. Adagio espressivo
03:25:05 Violin Sonata No. 10 in G, Op. 96: III. Scherzo: Allegro
03:26:54 Violin Sonata No. 10 in G, Op. 96: IV. Poco allegretto
Tracklist Below:
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Composer:
Pietro Antonio Locatelli
Artist:
Igor Ruhadze (baroque violin & concert master )
Ensemble Violini Capricciosi
Pietro Antonio Locatelli might not exactly be a household name, but in his day he was an international phenomenon – a prodigiously talented violinist who entertained royalty and who had studied with Corelli’s contemporaries from the age of 15. Renowned for exploring the very top register of his instrument, Locatelli is today considered the founding father of the modern virtuoso style. Spanning 5CDs, this compilation celebrates the genius of a man whose violin sonatas occupy an significant position in the history of the string repertoire.
00:00:00 Sonata in B-Flat, Op. 6 No. 1: I. Andante
00:05:16 Sonata in B-Flat, Op. 6 No. 1: II. Allegro
00:08:57 Sonata in B-Flat, Op. 6 No. 1: III. Aria: Cantabile
00:17:03 Sonata in F, Op. 6 No. 2: I. Andante
00:23:56 Sonata in F, Op. 6 No. 2: II. Allegro – Vivace
00:28:08 Sonata in F, Op. 6 No. 2: III. Aria: Vivace
00:35:18 Sonata in B, Op. 6 No. 3: I. Andante
00:38:39 Sonata in B, Op. 6 No. 3: II. Allegro
00:41:50 Sonata in B, Op. 6 No. 3: III. Aria: Menuetto
00:49:40 Sonata in E, Op. 6 No. 4: I. Andante
00:53:17 Sonata in E, Op. 6 No. 4: II. Allegro
00:56:36 Sonata in E, Op. 6 No. 4: III. Aria: Andante
01:03:46 Sonata in C Minor, Op. 6 No. 5: I. Andante
01:07:34 Sonata in C Minor, Op. 6 No. 5: II. Allegro
01:11:38 Sonata in C Minor, Op. 6 No. 5: III. Aria: Vivace
01:20:40 Sonata in D, Op. 6 No. 6: I. Largo
01:21:25 Sonata in D, Op. 6 No. 6: II. Andante
01:26:52 Sonata in D, Op. 6 No. 6: III. Allegro
01:31:42 Sonata in D, Op. 6 No. 6: IV. Aria: Menuetto
01:39:08 Sonata in F Minor, Op. 6 No. 7: I. Largo
01:39:48 Sonata in F Minor, Op. 6 No. 7: II. Grave
01:46:13 Sonata in F Minor, Op. 6 No. 7: III. Vivace
01:49:49 Sonata in F Minor, Op. 6 No. 7: IV. Aria: Cantabile
02:01:41 Sonata in C, Op. 6 No. 8: I. Adagio – Andante
02:07:08 Sonata in C, Op. 6 No. 8: III. Allegro
02:11:53 Sonata in C, Op. 6 No. 8: IV. Andante
02:18:12 Sonata in B Minor, Op. 6 No. 9: I. Largo
02:21:07 Sonata in B Minor, Op. 6 No. 9: II. Vivace
02:24:38 Sonata in B Minor, Op. 6 No. 9: III. Aria: Vivace
02:32:30 Sonata in G, Op. 6 No. 10: I. Andante
02:37:55 Sonata in G, Op. 6 No. 10: II. Allegro
02:41:33 Sonata in G, Op. 6 No. 10: III. Aria: Vivace
02:49:20 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
02:55:22 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
02:57:24 Sonata in E-Flat, Op. 6 No. 11: III. Aria: Cantabile
03:03:06 Sonata in D Minor, Op. 6 No. 12: I. Adagio
03:08:06 Sonata in D Minor, Op. 6 No. 12: II. Allegro
03:11:21 Sonata in D Minor, Op. 6 No. 12: III. Andante
03:14:16 Sonata in D Minor, Op. 6 No. 12: IV. Allegro
03:17:36 Sonata in D Minor, Op. 6 No. 12: V. Capriccio Prova dell’Intonazione
03:23:27 Sonata in G Minor: I. Adagio
03:23:55 Sonata in G Minor: II. Allegro
03:26:16 Sonata in G Minor: III. Largo
03:29:27 Sonata in G Minor: IV. Allegro
03:30:23 Sonata in F, Op. 8 No. 1: I. Largo
03:33:00 Sonata in F, Op. 8 No. 1: II. Allegro
03:37:19 Sonata in F, Op. 8 No. 1: III. Allegro
03:43:01 Sonata in D, Op. 8 No. 2: I. Adagio
03:45:56 Sonata in D, Op. 8 No. 2: II. Allegro
03:49:15 Sonata in D, Op. 8 No. 2: III. Presto – Lento
03:52:50 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
03:55:15 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
03:59:26 Sonata in E-Flat, Op. 6 No. 11: III. Vivace
04:04:26 Sonata in C, Op. 8 No. 4: I. Cantabile
04:07:56 Sonata in C, Op. 8 No. 4: II. Allegro
04:11:38 Sonata in C, Op. 8 No. 4: III. Vivace
04:15:52 Sonata in C, Op. 8 No. 4: IV. Allegro molto
04:18:36 Sonata in G, Op. 8 No. 5: I. Largo
04:25:09 Sonata in G, Op. 8 No. 5: II. Allegro
04:29:22 Sonata in G, Op. 8 No. 5: III. Andante
04:33:05 Sonata in G, Op. 8 No. 5: IV. Allegro
04:37:22 Sonata in E-Flat, Op. 8 No. 6: I. Adagio
04:42:22 Sonata in E-Flat, Op. 8 No. 6: II. Allegro
04:44:59 Sonata in E-Flat, Op. 8 No. 6: III. Aria di menuetto pietro Locatelli
Prepárate para vivir pequeñas historias de estos grandes héroes de Disney Junior. Catboy, Ululette y Gecko resolverán problemas de su ciudad para que todos los vecinos puedan dormir toda la noche. Con sus coloridos trajes viajarán en increíbles vehículos y no descansarán para que todo esté en orden.
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"Sabias que los dinosaurios de Jurassic Park son Dominicanos?"
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Credits:
'Jurassic Park' footage copyright, Universal Pictures, 1993. All right reserved, used under fair use.
Written, directed, edited and produced by Alec Corday
http://www.aleccorday.com
Executive Producer Lola Mendez
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Theme Music by SENNA
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"Don't touch my rum!"
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Credits:
Music by:
Joakim Karud "Great Days"
Written, directed, edited and produced by Alec Corday
http://www.aleccorday.com
Executive Producer Lola Mendez
http://www.uhlola.com
Theme Music by SENNA
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All videos/pictures by
Alec Corday
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No te pierdas este divertido vídeo llamado La Vaca Sonriente. Disfrútalo!
Encuentra más vídeos de mis pequeñines aquí: https://goo.gl/SdgBVe
#MisPequeñines
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Letra:
Yo soy una vaca, la vaca sonriente
Siempre estoy feliz mostrando mis dientes
Me alimento bien, como mucho pasto
Cuando quieren leche, siempre doy abasto
Yo soy una vaca, la vaca sonriente
Siempre estoy feliz mostrando mis dientes
Cuando me acarician siento alegría
Y produzco abono con mucha energía
Yo soy una vaca, la vaca sonriente
Siempre estoy feliz mostrando mis dientes
Me encanta los niños me hacen mugir
Y cuando sonrió los hago reír
Yo soy una vaca, la vaca sonriente
Siempre estoy feliz mostrando mis dientes
Bebo agua fresca y como melaza
Me siento contenta cuando tú me abrazas
Yo soy una vaca, la vaca sonriente
Siempre estoy feliz mostrando mis dientes
Son muchas las diferencias que en vez de separar al hombre y la mujer, los pueden unir si se conocen bien, ya que los hace complementarios, creados a imagen y semejanza de Dios.
Put a little song in your child’s heart with Canticos’ bilingual classic nursery rhymes! Watch this free online music video to learn the popular children’s song, ‘Little Chickies’ (Los Pollitos), in both English and Spanish. ‘Little Chickies’ features cartoon characters Nicky, Ricky, and Kiki. Learn the words by following along with the lyrics on screen or by looking at the lyrics below. Soon your kids will be singing this cancion de cuna all by themselves in both English and Spanish. To find more music videos, full episodes, games, and a collection of kids’ songs from your child’s favorite animated TV shows, visit the FREE Nick Jr. App or go to NickJr.com.
LYRICS (English)
Little Chickies
Little chickies squeal
pio, pio, pio,
when they get so cold
and when they want a meal.
Mama goes and gets them
corn from the field,
serves them each their food
and warms them head to heel.
Chickies sleep so yummy
snuggled up with mommy
and that’s just where they’ll stay
until another day.
LYRICS (Español)
Los Pollitos
Los pollitos dicen
pio, pio, pio
cuando tienen hambre,
cuando tienen frío.
La gallina busca
el maíz y el trigo,
les da la comida
y les presta abrigo.
Bajo sus dos alas,
acurrucaditos,
duermen los pollitos
hasta el otro día.
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Watch over 10 minutes of Canticos educational videos with your preschooler and learn the words to classic children’s lullabies—in two languages! Each classic children’s lullaby included in this music loop plays in English and then again in Spanish. Lyrics are included on screen making it easy for parents to teach kids the words to ‘Twinkle Twinkle Little Star’ (‘Estrellita’), ‘Pin Pon’, ‘Little Dolly’ (‘La Muñequita’), ‘The Birthday Song’ (‘Las Mañanitas’), and ‘Sleep Little Baby’ (‘Duérmete Pollito’). Cute cartoon characters lead kids in learning simple vocabulary words and numbers in a second language. Encourage kids to put the new words they’ve learned in a different language into practice during their everyday activities. To find more bi-lingual music videos from Canticos, and full episodes, games, and a collection of kids’ songs from your child’s favorite animated TV shows, visit the FREE Nick Jr. App.
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Preschoolers can watch full episodes online, play games, and discover silly surprises in the free Nick Jr. App and at NickJr.com.
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PRIMERA VISTA DE ALFAREROS A EL SALVADOR
#AlContemplarteEnLaCruz - Karaoke
Escucha el tema original acá:
https://youtu.be/Edo-aLuOL5o
Abajo están los acordes!
Suscribite a nuestro canal: https://goo.gl/2S2LQW
Escucha el álbum completo en:
iTunes/Apple Music: https://goo.gl/VFZ2tR
Spotify: https://goo.gl/ZZQCAf
Deezer: https://goo.gl/aZJDEy
Google Play: https://goo.gl/Q1dJHY
Amazon: https://goo.gl/5FiuCq
CD Baby: https://goo.gl/oQti57
Seguinos en:
Facebook: https://goo.gl/ujjG5u
Instagram: https://goo.gl/Kis9je
Twitter: https://goo.gl/ZyVubm
"Él se humilló hasta aceptar por obediencia la muerte
y muerte de cruz. Por eso, Dios lo exaltó y le dio el Nombre que está sobre todo nombre, para que al nombre de Jesús, se doble toda rodilla en el cielo, en la tierra y en los abismos, y toda lengua proclame para gloria de Dios Padre: «Jesucristo es el Señor»." (Fil 2, 8-11)
LETRA Y ACORDES
INTRO 1
| Dm | Bb | F | C |
VERSO 1
F
Siendo Dios
C/E
Fuiste tan humilde
Gm7
Hombre tu te hiciste
C
Traicionado y rechazado
Siendo Dios
Tomaste mi lugar
Cargaste en tus hombros
mis heridas y pecados
PRE CORO 1
Gm7 Dm
Fue por mi, Te entregaste
Bb Gm
Para darme vida nueva
C
Y rescatarme
CORO 1
F
Al contemplarte en la Cruz
C
Al contemplar tanto amor
Gm
No puedo más que Adorarte
Am Bb
Y mi vida entregarte
Bb C F
Al contemplarte en la Cruz
C
Al contemplar tanto amor
Gm
No puedo más que Adorarte
Am Bb C
Y mi vida entregarte, Jesús
INTRO 2
| Dm | Bb | F | C |
VERSO 2
Siendo Dios
Tomaste mi lugar
Cargaste en tus hombros
mis heridas y pecados
PRE CORO 2
Fue por mi
Te entregaste
Para darme vida nueva
Y rescatarme
CORO 2
Bb/D C/E F
Al contemplarte en la Cruz
C
Al contemplar tanto amor
Gm
No puedo más que Adorarte
Am Bb (Bb C)
Y mi vida entregarte
Al contemplarte en la Cruz
Al contemplar tanto amor
No puedo más que Adorarte
Y mi vida entregarte
INTRO 3
| Dm | Bb | F | C |
CORO 3 (suave / forte)
Bb/D C/E F
Al contemplarte en la Cruz
C
Al contemplar tanto amor
Gm
No puedo más que Adorarte
Am Bb
Y mi vida entregarte
Al contemplarte en la Cruz
Al contemplar tanto amor
No puedo más que Adorarte
Y mi vida entregarte, Jesús
OUTRO
F | Bb | F | C | F ||
Te contamos nuestra versión de la historia del feminismo desde su comienzo en el siglo XVIII, hasta la actualidad. Y lo hacemos como siempre, de forma gráfica, sencilla y entretenida.
Autor: Gorka Perez
Documentación: Ainhoa Durá y Jose Mari Pérez
Voz en off: Salva Vallejo
Agradecimientos: Maggy Barrère, Nerea Durá, Aloña Muñoz y Yeyettes
Os recomendamos que leáis y busquéis en youtube a Nuria Varela, experta en feminismo.
Subtítulos em PORTUGUÊS: Thais Ferraz
¡Ayúdanos a traducir y subtitular este vídeo! Hazlo a través de este link: http://www.youtube.com/timedtext_cs_panel?tab=2&c=UCa2yQjbhV7-zMdygwZRFxYQ
Mapas:
-https://d-maps.com/carte.php?num_car=2224&lang=es
-https://d-maps.com/carte.php?num_car=2812&lang=es
-https://d-maps.com/carte.php?num_car=2554&lang=es
-https://d-maps.com/carte.php?num_car=3266&lang=es
-https://d-maps.com/carte.php?num_car=1660&lang=es
Cosmic Voices from Bulgaria - conductor Gancho Gavazov
"Zaspalo e Chelebiiche" (Sleepy is Chelebiiche) - adaptation by Hristo Todorov / orchestration by Rumen Bojadjiev - son
Космически гласове от България - диригент Ганчо Гавацов
"Заспало е Челебийче" - обработка Христо Тодоров / оркестрация Румен Бояджиев - син
"Bulgaria" Concert Hall - Sofia, Bulgaria - 28.03.2015
http://www.cosmicvoices.net/en/
https://www.facebook.com/cosmi....cvoices.frombulgaria
DESCARGAR KUNG FU PANDA PARA XBX 360 RGH
DOWNLOAD KUNG FU PANDA FOR XBOX 360 RGH
DOWNLOAD PANDA KUNG FU PARA XBOX 360 RGH
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