Domingo 13/septiembre/2015
Envío para la gloria de Dios el concierto que nuestro amado hno. Roberto Orellana ofreció en el TBB Apopa.

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"Pájaros hacen caca. MUCHA caca..."

Visite la pagina http://kiskeya.life/guano para una lista de las fuentes de este episodio.

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Créditos:

Escrito, dirigido y producido por Alec Corday
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Productor Ejecutivo Lola Mendez
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Tema musical principal por SENNA
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"Sabias que los dinosaurios de Jurassic Park son Dominicanos?"

---------------------------------------------------

Visit http://kiskeya.life For more videos and articles about the Kiskeya island, also known as the Dominican Republic and Haiti!

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Credits:

'Jurassic Park' footage copyright, Universal Pictures, 1993. All right reserved, used under fair use.

Written, directed, edited and produced by Alec Corday
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Executive Producer Lola Mendez
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"Don't touch my rum!"

Visit http://kiskeya.life For more videos and articles about the Kiskeya island, also known as the Dominican Republic and Haiti!

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------------------------------------------------

Credits:

Music by:
Joakim Karud "Great Days"

Written, directed, edited and produced by Alec Corday
http://www.aleccorday.com

Executive Producer Lola Mendez
http://www.uhlola.com

Theme Music by SENNA
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All videos/pictures by
Alec Corday

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Alejandro Bermúdez - Preguntas y respuestas

Tekton es un canal de youtube católico nacido en Barcelona (España), puedes encontrar noticias relacionadas con la Iglesia Católica, y recursos de otro tipo como formación católica, oraciones, música católica, vídeos del Papa Francisco, curiosidades, vidas de Santos, el Evangelio del día, y otras muchas cosas más. No dudes en entrar y ver el contenido que sin duda te gustará

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Al respecto, la autoridad sanitaria anunció que interpondrá un recurso de protección.

Caravelli E Sua Orquestra ‎– Zingara
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There's a story in every grain of sand: tales of life and death, fire and water. If you scooped up a handful of sand from every beach, you'd have a history of the world sifting through your fingers.

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---+ How does sand form?

Sand can be anything that has been worn down until it’s reduced to some tiny, essential fragment of what it once was: a granite pebble from the mountains; coral from the sea; obsidian from a volcano; even skeletons of microscopic sea animals. It's also a technical term. Bigger than sand, that’s gravel, smaller? Silt.

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McGann recently took part in a comprehensive research project mapping sand’s journey into and throughout San Francisco Bay.

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From 2010-2012, Barnard and his team sampled beaches, outcrops, rivers and creeks to track sand’s journey around the bay. They even collected sand from the ocean floor. The researchers then carefully analyzed the samples to characterize the shapes, sizes, and chemical properties of the sand grains.

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And those species aren’t the only things finding their way into the sand. Manmade materials can show up there, too. McGann has found metal welding scraps and tiny glass spheres (commonly sprinkled on highways to make road stripes reflective) in sand samples from around the bay.

“All of these things can get washed into our rivers or our creeks, or washed off the road in storm drains,” explained McGann. “Eventually they end up in, for example, San Francisco Bay.”

By piecing together all of these clues – the information found in the minerals, biological material and man made objects that make up sand – the researchers ended up with a pretty clear picture of how sand travels around San Francisco Bay.

Some sands stay close to home. Rocky sand in the Marin Headlands comes from nearby bluffs, never straying far from its source.

Other sands travel hundreds of miles. Granite from the Sierra Nevada mountains careens down rivers and streams on a century-long sojourn to the coast.

In fact, much of the sand in the Bay Area comes from the Sacramento and San Joaquin rivers, with local watersheds also playing an important role in transporting sand to the beach.

Although this project focused on San Francisco Bay, the same techniques could be used to study other coastal systems, he added, revealing the incredible life stories of sand from around the world.

---+ More Deep Look episodes:

What Happens When You Zap Coral With The World's Most Powerful X-ray Laser?
https://youtu.be/aXmCU6IYnsA

These 'Resurrection Plants' Spring Back to Life in Seconds
https://youtu.be/eoFGKlZMo2g

--
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#deeplook

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

We're kicking off our exploration of muscles with a look at the complex and important relationship between actin and myosin. Your smooth, cardiac, and skeletal muscles create movement by contracting and releasing in a process called the sliding filament model. Your skeletal muscles are constructed like a rope made of bundles of protein fibers, and that the smallest strands are your actin and myosin myofilaments. Its their use of calcium and ATP that causes the binding and unbinding that makes sarcomeres contract and relax.

Table of Contents
Smooth, Cardiac, and Skeletal Muscles Create Movement 1:18
Sliding Filament Model 4:52
Skeletal Muscles Are Made of Bundles of Protein Fibers 2:40
Actin and Myosin Myofilaments 3:54
Calcium and ATP Cause the Binding and Unbinding 5:05

***

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O Antiphons / Grandes antiennes « Ô » de l'Avent / O-Antiphonen / O antifone

17 December
O Wisdom, who came from the mouth of the Most High, reaching from end to end and ordering all things mightily and sweetly: come, and teach us the way of prudence.
O Sagesse, sortie de la bouche du Très-Haut, qui enveloppez toutes choses d'un pôle à l'autre et les disposez avec force et douceur, venez nous enseigner le chemin de la prudence.
O Mudrosti, što Svevišnjem iz usta vječnih izvireš, i s kraja jednog do drugog po cijelom svijetu dopireš sve snažno, blago redeći: dođi među nas, uči nas, da pravi put nam pokažeš!

18 December
O Lord and Ruler the house of Israel, who appeared to Moses in the flame of the burning bush and gave him the law on Sinai: come, and redeem us with outstretched arms.
Ô Adonaï, guide du peuple d'Israël, qui êtes apparu à Moïse dans le feu du buisson ardent, et lui avez donné vos commandements sur le mont Sinaï, armez votre bras, et venez nous sauver.
O Adonaju, Gospode, što Izraelov vodiš dom, što Mojsiju ukaza se odjeven plamnom kupinom, i dade zakon Sinajski: pohiti da nas izbaviš božanskom svojom desnicom!

19 December
O Root of Jesse, that stands for an ensign of the people, before whom the kings keep silence and unto whom the Gentiles shall make supplication: come, to deliver us, and tarry not.
Ô Fils de la race de Jessé, signe dresse devant les peuples, vous devant qui les souverains resteront silencieux, vous que les peuples appelleront au secours, délivrez-nous, venez, ne tardez plus !
O slavni Jesin korijene, što naroda si barjak svih, pred kojim tih će postati i glas sa usta kraljevskih, kog molit svi će narodi: ne kasni, dođi izbavi iz nevolja nas premnogih.

20 December
O Key of David, and scepter of the house of Israel, who opens and no man shuts, who shuts and no man opens: come, and lead forth the captive who sits in the shadows from his prison.
Ô Clef de la cité de David, sceptre du royaume d'Israël, vous ouvrez, et personne alors ne peut fermer ; vous fermez, et personne ne peut ouvrir ; venez, faites sortir du cachot le prisonnier établi dans les ténèbres et la nuit de la mort.
O divni ključu Davidov i vladaoče roda svog, što otvaraš i zatvaraš i nema stvora nikakvog, što spriječit bi te mogao: dođi dobrostiv, sužnjeve iz mraka vodi tamničkog.

21 December
O dawn of the east, brightness of light eternal, and sun of justice: come, and enlighten those who sit in darkness and in the shadow of death.
Ô Orient, splendeur de la Lumière éternelle, Soleil de justice, venez, illuminez ceux qui sont assis dans les ténèbres et la nuit de la mort.
O Istoče, o sjaju svet u svjetlosti vjekovitoj, ti sunce pravde istinske: ograni bijedi čovječjoj, što tumara po tminama! Prosvijetli sve, što gube se u smrtnoj sjeni nemiloj.

22 December
O King of the gentiles and their desired One, the cornerstone that makes both one: come, and deliver man, whom you formed out of the dust of the earth.
Ô Roi des nations, objet de leur désir, pierre angulaire qui unissez les peuples opposés, venez sauver l'homme que vous avez façonné d'argile.
O Kralju sviju naroda, kog srdačni im žudi plam, od ugla silni kamene, što rajski dom i zemski hram u jedno spajaš: dođi već i čovjeka, svoj zemljan stvor, iz crnog jada spasi sam.

23 December
O Emmanuel, God with us, our King and lawgiver, the expected of the nations and their Savior: come to save us, O Lord our God.
Ô Emmanuel, notre roi et législateur, que tous les peuples attendent comme leur Sauveur, venez nous sauver, Seigneur notre Dieu !
O Emanuele, Spase blag, Zakonošo i Kralju naš, ti nado sviju naroda, što milostiv ih izbavljaš: o dođi sa neba, Gospodine i Bože naš, da spasenje nam vječno daš.

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El canal de Bebe milo es para publico infantil. Podrás encontrar canciones infantiles, música infantil para niños y niñas, chicos y chicas. También podrás ver jugar juegos como minecraft gratis, roleplay muy entretenido y en español latino.
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Oso Yogi - 09.- Oso Desconcertado

Jonás y la ballena! Nos encanta esta historia y la canción aún más!
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LETRA:

Dios le dijo a Jonás
ve y predica a Nínive
pues se salvarían, los rescataría
era el tiempo de hablar ha ha

//ha ha ha //

era el tiempo de hablar ha ha

//ha ha ha//

Jonás trató de huir
no quizo oír el mensaje
estando en el barco
vino un gran viento
una tormenta que no paró oh oh

//oh oh oh//

Tormenta que no paró oh oh

//oh oh oh//

Y Jonás estando en el mar
Dios envió un gran pez
y estuvo dentro de él
por tres días
hasta que él oro
Y Jonás estando en el mar
Dios envió un gran pez
y estuvo dentro de él
por tres dias

Hasta que él oró y clamó oh oh

//oh oh oh//

Hasta que él oró y clamó


----------------

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Composer: Ludwig van Beethoven
Artists: Kristóf Baráti (violin), Klára Würtz (piano)

Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/BeethovenComplet
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Sonatas for piano with violin, Beethoven thought of them, and the early set of three Op. 12 does seem to look back towards the early Classical, even late-Baroque emphasis on the multi-voiced part to which the violin adds emphasis or decoration as required. But the genre matured with Beethoven, and by the time of the ‘Kreutzer’ he was composing a fullyfledged, pre-Romantic virtuoso journey for the combination, vast in breadth of expression and length. These works have always attracted great artists, but every generation must come to them afresh, and here are two superb musicians from Hungary to add their own approach: on ‘traditional’ rather than ‘period’ instruments but interpretatively untrammelled by one or another performing dogma.

Kristóf Baráti is one of the most exciting violinists of the younger generation. After winning several important prizes (top-3 prize winner of the Elizabeth Competition when he was 18 years old, first prize at the prestigious Paganini Competition in Moscow) he is building an international career, playing with important orchestras and conductors (Ivan Fischer, Charles Dutoit, Marek Janovski, Kurt Masur).

Klára Würtz needs little introduction to Brilliant Classics fans: her many recordings (Mozart, Schubert, Schumann) show an exceptional artist, with a natural musical instinct, effortless virtuosity and heart-warming charisma.

00:00:00 Violin Sonata No. 1 in D, Op. 12 No. 1: I. Allegro con brio
00:08:01 Violin Sonata No. 1 in D, Op. 12 No. 1: II. Tema con variazioni
00:14:45 Violin Sonata No. 1 in D, Op. 12 No. 1: III. Rondo: Allegro
00:19:01 Violin Sonata No. 2 in A, Op. 12 No. 2: I. Allegro vivace
00:25:02 Violin Sonata No. 2 in A, Op. 12 No. 2: II. Andante, più tosto allegretto
00:30:02 Violin Sonata No. 2 in A, Op. 12 No. 2: III. Allegro piacevole
00:34:45 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: I. Allegro con spirito
00:42:49 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: II. Adagio con molt’espressione
00:48:15 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: III. Rondo: Allegro molto
00:52:12 Violin Sonata No. 4 in A Minor, Op. 23: I. Presto
00:59:08 Violin Sonata No. 4 in A Minor, Op. 23: II. Andante scherzoso, più allegretto
01:06:08 Violin Sonata No. 4 in A Minor, Op. 23: III. Allegro molto
01:10:57 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: I. Allegro
01:20:03 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: II. Adagio molto espressivo
01:25:35 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: III. Scherzo: Allegro molto
01:26:36 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: IV. Rondo: Allegro ma non troppo
01:32:46 Violin Sonata No. 6 in A, Op. 30 No. 1: I. Allegro
01:39:37 Violin Sonata No. 6 in A, Op. 30 No. 1: II. Adagio molto espressivo
01:46:31 Violin Sonata No. 6 in A, Op. 30 No. 1: III. Allegretto con variazioni
01:54:02 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio
02:01:09 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile
02:09:48 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo, allegro
02:13:01 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: IV. Finale: Allegro
02:17:39 Violin Sonata No. 8 in G, Op. 30 No. 3: I. Allegro assai
02:23:23 Violin Sonata No. 8 in G, Op. 30 No. 3: II. Tempo di menuetto
02:30:56 Violin Sonata No. 8 in G, Op. 30 No. 3: III. Allegro vivace
02:34:08 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: I. Adagio sostenuto – Presto
02:47:01 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: II. Andante con variazioni
03:01:23 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: III. Finale: Presto
03:09:42 Violin Sonata No. 10 in G, Op. 96: I. Allegro moderato
03:19:48 Violin Sonata No. 10 in G, Op. 96: II. Adagio espressivo
03:25:05 Violin Sonata No. 10 in G, Op. 96: III. Scherzo: Allegro
03:26:54 Violin Sonata No. 10 in G, Op. 96: IV. Poco allegretto