Top Vídeos
Responsory from evening prayer in Taizé.
Il n'est pas de plus grand amour
Que de donner sa vie pour ceux qu'on aime.
"Oui, comme je vous ai aimés, vous aussi,
aimez-vous les uns les autres."
"A ceci tous vous reconnaîtront pour mes disciples :
à cet amour que vous aurez les uns pour les autres."
Tu palabra, Señor, no muere, nunca muere, porque es la vida misma, y la vida, Señor, no solo vive, no solo vive, la vida vivifica.
Ta Parole, Seigneur, ne meurt pas ; jamais elle ne meurt, car elle est la vie même. Et la vie, Seigneur, elle ne vit pas seulement : elle vivifie.
Your Word, Lord, does not die. It never dies because it is life itself. And life, Lord, does not only live, it gives life.
Dein Wort, Herr, stirbt nicht, es stirbt nie, weil es das Leben selbst ist, und das Leben Herr, lebt nicht nur, es schent auch Leben.
La tua parola, Signore, non muore; non muore mai perché e la vita stessa. E la vita, Signore, non vive soltanto, ma vivifica.
Twoje słovo, Panie, nie umiera; ono nie umiera, gdyż jest samym życiem. A życie, Panie, nie tylko żyje, ale daje życie.
Text: Miguel de Unamuno
Music: Taizé
I've been asked a LOT, "Where should I start when learning to make videos? Better camera? Lens? Sound? Lights?" The answer is to start training those eyeballs of yours to see things! http://bit.ly/SubscribeToBasicFilmmaker
What I shoot/edit episodes with:
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Amazon:
Canon 5D: https://amzn.to/2HA1zQC
Canon 50mm: https://amzn.to/2vgPcq4
Rode NTG-3: https://amzn.to/2GY9cPO
Zoom H6 Recorder: https://amzn.to/2MjiOdL
Aputure Tri-8 Kit: https://amzn.to/2HyvE2U
Adobe Pemiere Pro: http://bit.ly/AdobeCCFull
B&H:
Canon 5D: https://bhpho.to/2GXbUoz
Canon 50mm: https://bhpho.to/2HzkoDE
Rode NTG-3: https://bhpho.to/2HxxL75
Zoom H6 Recorder: https://bhpho.to/2AWDfsB
Aputure Tri-8 Kit: https://bhpho.to/2H0IHJk
Adobe Premiere Pro: http://bit.ly/AdobeCCFull
More gear at https://www.kit.com/basicfilmmaker
Filmmaker Training:
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https://www.basicfilmmakeruniversity.com
Credits
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Outro by Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic
Connect with me here:
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http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY
Copyright (c) 2018 Basic Filmmaker
All rights reserved.
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Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos
This video might help if you want to brand your channel easily across YouTube and other social media outlets.
LINKS MENTIONED:
http://knowem.com/
SOCIAL MEDIA MANAGEMENT TOOL I AM CHECKING OUT
http://bit.ly/1SZdczq
LAST 2 EPISODES:
Captions and Subtitles: https://youtu.be/GvraDzdOOpo
Dialogue Tips: https://youtu.be/CaKeCEIP6lg
SOCIAL:
Email: thebasicfilmmaker@gmail.com
Website: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
Instagram: http://www.instagram.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker
ETHICS: I am not paid for product reviews.
GEAR: Using Canon, Rode, and Adobe products.
LEGAL: All music, footage and graphics are created or licensed. Basic Filmmaker University: www.basicfilmmakeruniversity.com #basicfilmmaker #filmmaking #videos
Every once in a while I like to go off book and impress something important on others. This is one of those videos. By the way, if you are going to dislike the video, maybe you should watch the very end to see how it's done.
Answering a question I've had quite frequently. "How can I see all comments I've ever made on all videos on YouTube?" Here's how you do that. http://bit.ly/SubscribeToBasicFilmmaker
Here's the direct link yo your history:
https://www.youtube.com/feed/h....istory/comment_histo
WHAT I SHOOT/EDIT WITH & RECOMMEND::
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CAMERAS:
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz
LENSES:
Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE
28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ
50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1
85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY
24-70mm f2.8:
https://amzn.to/2MlJw6l
https://bhpho.to/2nLOJ8W
24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU
70-200mm f/2.8:
https://amzn.to/2PlNKJ1
https://bhpho.to/2MGJ7Ln
AUDIO:
Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75
Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf
Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB
SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY
LIGHTING:
Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk
EDITING:
Adobe Pemiere Pro:
http://bit.ly/AdobeCCFull
OTHER:
Mavic 2 Pro:
https://amzn.to/2yDkeqM
https://bhpho.to/2QNoGdS
Smooth 4:
https://amzn.to/2xZfw9M
https://bhpho.to/2HBLcDc
Backdrop:
https://amzn.to/2Opnb5m
Color Checker:
http://bit.ly/X-RiteAmazon
http://bit.ly/X-RiteBandH
Teleprompter:
https://amzn.to/2pR4HzB
https://bhpho.to/2QMhvmj
Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv
Wall Mount Brackets:
https://amzn.to/2CJu0w4
Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake
See gear at https://www.kit.com/basicfilmmaker
Training:
-----------------------------------------------------------------------
https://www.basicfilmmakeruniversity.com
Credits
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Outro by Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic
Connect with me here:
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http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY
Copyright (c) 2018 Basic Filmmaker
All rights reserved.
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Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos
Short video on how you can use your PayPal account and create a button on your YouTube channel and accept donations in 10 easy steps. More in the description. ▼
BASICS OF MONEY:
▶ http://bit.ly/BasicsOfMoneyCourse
▶ http://bit.ly/BasicsOfMoneyPaperbackAmazon
▶ http://bit.ly/BasicsOfMoneyEBookAmazon
▶ http://bit.ly/BasicsOfMoneyAudioBookAmazon
▶ http://bit.ly/BasicsOfMoneyAudioBookAudble
▶ http://bit.ly/BasicsOfMoneyAudioBookiTunes
ASSISTANCE:
▶ http://bit.ly/DonationsWelcome
MUSIC:
▶ Licensed from http://bit.ly/PremiumBeatMusic
GEAR PAGE:
▶ https://kit.com/BasicFilmmaker
ONLINE TRAINING:
▶ http://bit.ly/BFUniversityEnrollment
SUBSCRIBE (AND SHARE) AND BE AWESOME:
▶ http://bit.ly/SubscribeToBasicFilmmaker
SOCIAL MEDIA:
▶ http://bit.ly/BasicFilmmakerFacebook
▶ http://bit.ly/BasicFilmmakerTwitter
▶ http://bit.ly/BasicFilmmakerYouTube
▶ http://bit.ly/BasicFilmmakerWebsite #basicfilmmaker #filmmaking #videos
BY VIEWER REQUEST, here's the LONG version with some comments on setting lights and white balance for your DSLR or Camcorder and getting it balanced. Short Version? Use your eyes! http://bit.ly/SubscribeToBasicFilmmaker
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LINKS MENTIONED:
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Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk
White Balance Handheld Filter Disc:
https://amzn.to/2SgkJzo
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THE CAMERA SIDE:
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Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz
Cheap Camera Remote:
https://amzn.to/2SeO0Lf
Camera Cage:
https://amzn.to/2R8LDZ0
Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E
Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv
Tripod (replaced head):
https://amzn.to/2yr8ZSU
https://bhpho.to/2PpdG9E
Replaced Head With:
https://amzn.to/2RaAMOy
https://bhpho.to/2JhjUmd
Alternative Tripod:
https://amzn.to/2qdpttt
Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb
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LENSES:
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Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE
28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ
50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1
85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY
24-70mm f2.8:
https://amzn.to/2MlJw6l
https://bhpho.to/2nLOJ8W
24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU
70-200mm f/2.8:
https://amzn.to/2PlNKJ1
https://bhpho.to/2MGJ7Ln
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AUDIO:
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Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75
Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf
Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB
SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY
SD Card:
https://amzn.to/2CZVv4n
https://bhpho.to/2Pk7q30
Lapel Mic:
https://amzn.to/2R8KGzU
https://bhpho.to/2JkDXAA
Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr
Sound Blankets:
https://amzn.to/2R9Y7Qa
Colored Acoustic Foam:
https://amzn.to/2R89CrC
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LIGHTING:
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Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk
Aputure L/S 1/2:
https://amzn.to/2Sb8oNn
https://bhpho.to/2JfrNZp
Pulsar Spotlight:
https://amzn.to/2q85wEr
Light Stands:
https://amzn.to/2yuk9GH
Cheap Can Light:
https://amzn.to/2R9XF4q
Wall Mounting Brackets:
https://amzn.to/2CYpzxz
C-Stand:
https://amzn.to/2D0WWzv
Sandbags:
https://amzn.to/2Sdpiew
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BACKGROUND:
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Fake Brick Tapestry:
https://amzn.to/2RcrzoZ
Backdrop Mounting Unit:
https://amzn.to/2CYFQlS
Portable Green/Blue/White/Gray Screen:
https://amzn.to/2Opnb5m
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EDITING:
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Adobe Premiere Pro:
http://bit.ly/AdobeCCFull
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OTHER:
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Mavic 2 Pro:
https://amzn.to/2yDkeqM
https://bhpho.to/2QNoGdS
Smooth 4:
https://amzn.to/2xZfw9M
https://bhpho.to/2HBLcDc
Color Checker:
http://bit.ly/X-RiteAmazon
http://bit.ly/X-RiteBandH
Teleprompter:
https://amzn.to/2pR4HzB
https://bhpho.to/2QMhvmj
Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake
Blackout Window Shades:
https://amzn.to/2PV8w2h
Clicker for Lights:
https://amzn.to/2R5tNpU
Gaffer Tape:
https://amzn.to/2JbMQMJ
Up and Down Desk:
https://amzn.to/2q7aYap
Worktable:
https://amzn.to/2RfBEl5
Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker
See gear at https://www.kit.com/basicfilmmaker
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Training:
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https://www.basicfilmmakeruniversity.com
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Credits
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Bumper Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic
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Connect with me here:
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http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY
----------------------------------------------
Copyright (c) 2018 Basic Filmmaker
All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos
Video uploaded a YEAR ago and not published. Tests using mic, foam, and blimp. Thing learned (see very end of the video and description) is a cable electrical short can be REALLY subtle.
How do I "forget" to publish a video? I didn't want someone thinking they would use the configuration I am showing for doing audio, as between the Rode NTG-3, the blimp and the Zoom H6 you're looking at over $1000, and you wouldn't really use a blimp like this.
Regardless, I thought this might assist someone with mysterious audio problems. I had very subtle audio changes in my setup. I thought when a cable went bad it would, well, go bad. Not so. This XLR cable went bad and simply cut the input signal by about 3-6dB.
After playing around with a lot of other things trying to isolate what was happening, I stumbled upon the cable shorting out, as you'll see at the very end of the video.
LINKS:
http://bit.ly/RodeNTG-3Amazon
http://bit.ly/RodeNTG-3BandH
http://bit.ly/RodeBlimpAmazon
http://bit.ly/RodeNTG-3FullPkgAmazon
http://bit.ly/XLRCablesAmazon
http://bit.ly/BasicFilmmakerUniversity
MUSIC:
Licensed here: http://bit.ly/PremiumBeatMusic
SOCIAL:
Email: thebasicfilmmaker@gmail.com
http://bit.ly/BasicFilmmakerFacebook
http://bit.ly/BasicFilmmakerTwitter
http://bit.ly/BasicFilmmakerPinterest
http://bit.ly/BasicFilmmakerYouTube
http://bit.ly/BasicFilmmakerWebsite
ETHICS: I am not paid for product reviews unless noted. Links do pay me a small amount and costs you nothing. #basicfilmmaker #filmmaking #videos
Had Konova sliders for years. I wanted motion control for my b-roll table, and the addition of this new $179 control unit can be used on my 3-foot and 5-foot sliders - a total solution for my motion control and timelapse needs. http://bit.ly/SubscribeToBasicFilmmaker NOTE this video is quite long as I wanted to show how this unit works, how to mount it, and show a few tricks and tips for those using heavier payloads.
#basicfilmmaker #filmmaking #motion
This kit includes: Controller, Motor Module, Mount Mount Adapter, 2x Belt Blocks, Belt 160cm (63"), Lan Cable, USB Mico Power Cable, 2x Hey Keys, 2x Bolts for Motor Mount, Shutter Release Cable for Canon 5D (contact company if you use a different camera).
Here's a short video I made 7 years ago showing some random shots around my office with the Konova slider: https://youtu.be/3ALf1ph7U8c
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LINKS:
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Seeing as the slider itself is $350 (https://bhpho.to/2J3rAw4) this is a GREAT deal on Amazon for $285 which includes the slider AND the S2 motion control unit:
https://amzn.to/2XPSGdu
This is the Konova S2 Motion Control Unit Only ($179):
https://amzn.to/2XQ9Pne
This Electronic Turntable has a reversible rotation, is motorized, and a speed control which works for me: https://amzn.to/2CeX7Fk
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THE CAMERA SIDE:
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Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz
Cheap Camera Remote:
https://amzn.to/2SeO0Lf
Camera Cage:
https://amzn.to/2R8LDZ0
Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E
Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv
Tripod:
https://amzn.to/2Vxwz9U
Tripod Head:
https://amzn.to/2RaAMOy
https://bhpho.to/2JhjUmd
Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb
----------------------------------------------
LENSES:
----------------------------------------------
50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1
28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ
85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY
24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU
----------------------------------------------
AUDIO:
----------------------------------------------
Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75
Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf
Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB
SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY
Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr
Sound Blankets:
https://amzn.to/2R9Y7Qa
----------------------------------------------
LIGHTING:
----------------------------------------------
Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk
Aputure L/S 1/2:
https://amzn.to/2Sb8oNn
https://bhpho.to/2JfrNZp
Pulsar Spotlight:
https://amzn.to/2q85wEr
Light Stands:
https://amzn.to/2yuk9GH
Wall Mounting Brackets:
https://amzn.to/2CYpzxz
C-Stand:
https://amzn.to/2D0WWzv
----------------------------------------------
BACKGROUND:
----------------------------------------------
Fake Brick Tapestry:
https://amzn.to/2RcrzoZ
Backdrop Mounting Unit:
https://amzn.to/2CYFQlS
----------------------------------------------
EDITING:
----------------------------------------------
Adobe Premiere Pro:
http://bit.ly/AdobeCCFull
----------------------------------------------
OTHER:
----------------------------------------------
Blackout Window Shades:
https://amzn.to/2PV8w2h
Clicker for Lights:
https://amzn.to/2R5tNpU
Up and Down B Roll Desk:
https://amzn.to/2q7aYap
Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake
Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker
See gear at https://www.kit.com/basicfilmmaker
----------------------------------------------
Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com
----------------------------------------------
Credits
----------------------------------------------
Music by Premium Beat: http://bit.ly/PremiumBeatMusic
----------------------------------------------
Connect with me here:
----------------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY
----------------------------------------------
Copyright (c) 2019 Basic Filmmaker
All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs!
Online Purchase/Streaming (Spotify, iTunes, Deezer, Google Play):
https://brilliant-classics.lnk.to/SatieGymnopedies
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo
Artist:
Håkon Austbö (piano)
About this album:
The unconventional French composer Erik Satie almost wrote anti-music. In slow motion (and without bars) his well-known Gymnopédies glide past. In other pieces one can hear more than faint echoes form the vaudeville theatre. Played by Håkon Austbø.
Tracklist:
00:00:00 3 Sarabandes (1887): No. 1
00:05:33 3 Sarabandes (1887): No. 2
00:10:33 3 Sarabandes (1887): No. 3
00:14:47 3 Gymnopédies (1889): No. 1: Lent et douloureux
00:18:27 3 Gymnopédies (1889): No. 2: Lent et triste
00:21:45 3 Gymnopédies (1889): No. 3: Lent et grave
00:24:38 Gnossiennes 1-3 (1890): No. 1
00:28:45 Gnossiennes 1-3 (1890): No. 2
00:30:45 Gnossiennes 1-3 (1890): No. 3
00:34:11 Gnossiennes 4-6 (1889-1897): No. 4
00:37:02 Gnossiennes 4-6 (1889-1897): No. 5
00:39:53 Gnossiennes 4-6 (1889-1897): No. 6
00:41:27 2 Préludes du nazaréen (1892): No. 1, assez lent
00:46:09 2 Préludes du nazaréen (1892): No. 2, assez lent
00:49:15 2 Prélude de la porte Héroique du ciel (1894)
00:53:00 2 Pièces froides (1897), No. 1: Airs a faire fuir: D’une manière très particulaire
00:55:59 2 Pièces froides (1897), No. 1: Airs a faire fuir: Modestemente
00:57:42 2 Pièces froides (1897), No. 1: Airs a faire fuir: S’inviter
01:00:45 No 2: Danses de travers: En y regardent à deux fois
01:01:39 No 2: Danses de travers: Passer
01:02:25 No 2: Danses de travers: Encore
01:03:47 Petite ouverture à danser (1900)
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):https://brilliant-classics.lnk.....to/BachViolinConcer
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo
Composer: Johann Sebastian Bach
Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists)
About this album:
Available as a separate release: all concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul.
Tracklist:
00:00:00 Violin Concerto in A Minor, BWV 1041: Allegro
00:03:52 Violin Concerto in A Minor, BWV 1041: Adagio
00:10:23 Violin Concerto in A Minor, BWV 1041: Allegro
00:14:22 Violin Concerto in E Major, BWV 1042: Allegro
00:22:05 Violin Concerto in E Major, BWV 1042: Adagio
00:28:47 Violin Concerto in E Major, BWV 1042: Allegro assai
00:31:42 Violin Concerto in D Minor, BWV 1052: Allegro
00:39:20 Violin Concerto in D Minor, BWV 1052: Largo
00:46:22 Violin Concerto in D Minor, BWV 1052: Presto
00:54:14 Violin Concerto in G Minor, BWV 1056: Allegro
00:57:37 Violin Concerto in G Minor, BWV 1056: Andante
01:00:52 Violin Concerto in G Minor, BWV 1056: Allegro assai
01:04:30 Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: Allegro
01:10:23 Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: Adagio
01:15:35 Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: Allegro
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Artist: Bolshoi Theatre Orchestra, Evgeny Svetlanov (conductor)
The apparently innate Russian genius for composing soulful melodies, combined with the influence of 200 years of Russian ballet, has resulted in a repertoire of dramatic and opulent scores. Opera, symphonies, concertos, songs and chamber works from Russian composers are all infused with the spirit of Mother Russia – her suffering, her dramatic and eventful history, her people and their way of life.
This collection of heartfelt adagios includes famous excerpts from Tchaikovsky’s The Nutcracker and The Sleeping Beauty, and Glazunov’s Raymonda, Prokoviev’s Cinderella and the famous adagio from Spartacus by Khachaturian.
There are some rarer pieces as well – Rimsky-Korsakov’s Nocturne ‘Moonlight’ from his opera Pan Voyevoda and Khrennikov’s Hussar Ballad, as well as the wistful slow movement from Miaskovsky’s last symphony (No.27), written after he had been denounced by Stalin’s henchmen as being guilty of ‘Western Formalism’ (a charge levelled by Khrennikov). Miaskovsky composed this work as he was ill with the cancer that would eventually kill him, and through it he harks back to the Russia of Tchaikovsky’s music – a nostalgic and dignified farewell in the face of Stalin’s tyrannical ignorance.
00:00:00 Pas de deux: Adagio (The Nutcracker)
00:06:04 Pas d’action: Adagio (The Sleeping Beauty)
00:13:57 Nocturne: ‘Moonlight’ (Pan Voyevoda)
00:18:54 Raymonda: Act I: Intermezzo
00:24:34 Raymonda: Act III: Intermezzo
00:30:30 Adagio (Spartacus)
00:42:32 Adagio of Cinderella and the Prince (Cinderella)
00:47:59 Adagio (The Hussar Ballad)
00:55:30 Symphony, No. 27 Op.85 – II. Adagio
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When approaching music as popular and as deservedly loved as Chopin’s waltzes, a musician must have something special to say for a new recording to make its mark. According to Fou T’Song – no mean Chopin pianist himself – Alessandro Deljavan is ‘one of the most interesting pianists I have heard in my life’. Excerpts on YouTube from his success at the 2013 Van Cliburn Competition in Fort Worth confirm the truth and promise of Fou T’Song’s acclamation.
Among recent and forthcoming recordings in his extensive discography are discs of diverse repertoire drawn from solo and chamber music including the piano quintet of Taneyev; Grieg’s violin Sonatas, Bach’s keyboard toccatas, cello sonatas by Martucci, and a Schumann recital. But the apparently simplicity of Chopin’s waltzes is no less a test of musical and technical mastery than many of these more recondite delights. The 17 waltzes are not gathered into one or two collections like the Etudes, but were composed throughout Chopin’s all-too-brief career. For many the best-known and yet also most sublime a distillation of the waltz-form is Op.64 No.1, known as the ‘Minute’ on account of its brevity. Op.69 No.1 breathes no less spirited an evocation of remembered youth, and yet with the shadow behind its harmonies of regret and melancholy which unforgettably tinge the Nocturnes. There is a waltz for every mood, and Deljavan’s interpretations will receive wide critical attention.
Chopin’s waltzes are written for the Parisian salon, for a sophisticated audience of artists and aristocracy. Though more “light hearted” than most of his other compositions they bear the unmistakable genius of Chopin: refined and exquisite pianism, brilliance and melancholy, sorrow and joy go hand in hand.
Italian Alessandro Deljavan is one of the most remarkable pianists of his generation. “His playing is full of intensive power and contagious artistry” (Dmitri Bashkirov), “he is one of the most interesting pianists I’ve heard in my life” (Fou Ts’Ong), “he is one of the most major talents of his age” (John Perry), “Jaw-dropping virtuosity and heart-stopping eloquence” (Dallas Morning News).
Composer:
Frédéric Chopin
Artist:
Alessandro Deljavan (piano)
00:00:00 “Grande valse brillante” in E-Flat Major, Op. 18
00:06:23 Waltzes, Op. 34: I. Vivace in E-Flat Major
00:12:18 Waltzes, Op. 34: II. Lento in A Minor
00:18:21 Waltzes, Op. 34: III. Vivace in F Major
00:20:54 Waltz in A-Flat Major, Op. 42
00:25:00 Waltzes, Op. 64: I. Minute Waltz in D-Flat Major
00:26:55 Waltzes in C-Sharp Minor Op.64 No.2
00:30:29 Waltz in A-Flat Major, Op. 64 No. 3
00:33:32 Waltz in A-Flat Major, Op. 69 No. 1
00:35:51 Waltz in B Minor, Op. 69 No. 2
00:38:09 Waltzes, Op. 70: I. Waltz in G-Flat Major
00:40:24 Waltzes, Op. 70: II. Waltz in F Minor
00:41:47 Waltzes, Op. 70: III. Waltz in D-Flat Major
00:44:44 Waltz in A-Flat Major, KKIVa No. 13
00:46:51 Waltz in E Major, KKIVa No. 12
00:49:57 Waltz in E Minor, KKIVa No. 15
00:52:11 Waltz in A Minor, KKIVa No. 11
00:54:26 Sostenuto “Waltz” in E-Flat Major, KKIVa No. 10
00:56:01 Waltz in E-Flat Major, KKIVa No. 14
Tracklist below.
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Composer: Claude Debussy
Artists: Trio Stradivari, Federico Guglielmo (violin), Luigi Puxeddu (cello), Jolanda Violante (piano)
These original works and arrangements for violin, cello and piano by Claude Debussy span the composer’s protean career, from the early Piano Trio of 1880 to the Cello Sonata of 1915 and the Violin Sonata, completed in 1917 as part of an abortive six-sonata project which ended halfway when he died the following year. Especially since the performances are given with the experience harvested by three musicians who are better known as early-music specialists, soaked in the philosophy of historically informed performance practice, they offer an intriguing survey, unique on record, of the composer’s development. As Harold Schonberg, music critic of The New York Times, wrote, it would be amusing to invite classical music ‘experts’ to listen to the Piano Trio, with its expressive reminiscences of Schumann, and then guess who the composer is: few of them would say Debussy. And yet the two late sonatas masterfully shuffle the cards of Impressionism, pre-Classical sonata structures and Stravinskian distance and eccentricity: the Cello Sonata originally bore a heavily symbolic title (Pierrot faché avec la lune) relating to the paintings of Watteau with their elusive mixture of melancholy and irony. It uses the timbre of early music and citations from the great French harpsichordists to conjure up Pierrot’s moody, troubled world, which was that of the slyly smiling masks of the commedia dell’arte.
The arrangements are the work of several hands, among them Debussy himself, of better-known and justifiably popular works that revel in the sophisticated evocation of mood through lyrical melody and evanescent textures, including ‘The Girl with the Flaxen Hair’ and ‘Minstrels’
00:00:00 Piano Trio in G Major, L. 3: I. Andantino con moto allegro
00:09:04 Piano Trio in G Major, L. 3: II. Scherzo-Intermezzo. Moderato con allegro
00:12:35 Piano Trio in G Major, L. 3: III. Andante espressivo
00:16:30 Piano Trio in G Major, L. 3: IV. Finale. Appassionato
00:21:57 Violin Sonata in G Minor, L. 140: I. Allegro vivo
00:27:25 Violin Sonata in G Minor, L. 140: II. Intermède. Fantasque et legér
00:31:39 Violin Sonata in G Minor, L. 140: III. Finale. Très animé
00:36:11 Cello Sonata in D Minor, L. 135: I. Prologue. Lent, sostenuto e molto risoluto
00:40:54 Cello Sonata in D Minor, L. 135: II. Sérénade. Modérément animé
00:44:26 Cello Sonata in D Minor, L. 135: III. Final. Animé, léger et nerveux
00:48:05 Intermezzo, L. 27
00:53:34 Scherzo, L. 26
00:59:00 Préludes, L. 117: No. 12, Minstrels
01:01:22 Préludes, L. 117: No. 8, La fille aux cheveux de lin
01:04:00 Deux Arabesques, L. 66: Première Arabesque
01:08:57 Romances, L. 79: Romance No. 1
01:11:07 Rêverie, L. 68
Tracklist below.
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Although it was the Irish pianist‐composer John Field who created the form ‘nocturne’, it was Chopin who realised its fullest possibilities as a medium for expressing some
of his most sensitive and poetic thoughts. “They have,” wrote James Huneker of Chopin’s nocturnes, “the exotic savour of the heated conservatory, not the fresh scent of the flowers grown in the open by the less poetic John Field … Chopin loved the night and its starry mysteries; his nocturnes are truly night pieces, some wearing an agitated, remorseful countenance; others seen in profile only; while many are like whisperings at dusk – Verlaine moods.”
In this recording the late Earl Wild abandons the usual chronological ordering in favour of mood, key and effect. Described as “one of the greatest pianists of the 20th century” (The Guardian), it was the American virtuoso’s wish through recording the Nocturnes to provide listeners with what he described as a “link to the romantic spirit and tradition of the past”, all the while emulating the abundance of technique and unfettered imagination that characterises the playing of who he considered to be history’s greatest interpreters of the set (Rachmaninoff and Paderewski, among others).
Renowned for his “deeply considered interpretive approach and ironclad technique” (The New York Times), Wild achieves this and more – for many, his interpretations are the ones against which all others are to be judged: “It’s the finest collection of complete Nocturnes ever recorded. The instrument cannot be played more perfectly” (Harold C. Schonberg, FI).
Painting is named a girl with a watering can by Pierre-Auguste Renoir.
Composer:
Frédéric Chopin
Artist:
Earl Wild (piano)
00:00:00 No.13 in C minor Op.48 No.1
00:05:42 No.20 in C sharp minor Op. posth.
00:09:35 No.5 in F sharp Op.15 No.2
00:13:11 No.9 in B Op.32 No.1
00:18:07 No.19 in E minor Op.72 No.1
00:21:47 No.18 in E Op.62 No.2
00:27:06 No.3 in B minor Op.9 No.3
00:32:43 No.12 in G Op.37 No.2
00:38:09 No.10 in A flat Op.32 No.2
00:43:44 No.8 in D flat Op.27 No.2
00:49:05 No.1 in B flat minor Op.9 No.1
00:54:29 No.6 in G minor Op.15 No.3
00:59:02 No.14 in F sharp minor Op.48 No.2
01:06:12 No.17 in B Op.62 No.1
01:12:30 No.2 in E flat Op.9 No.2
01:16:43 No.15 in F minor Op.55 No.1
01:21:25 No.16 in E flat Op.55 No.2
01:25:41 No.7 in C sharp minor Op.27 No.1
01:30:16 No.4 in F Op.15 No.1
01:34:38 No.11 in G minor Op. No.1
01:42:22 No.21 in C minor Op. posth.
Tracklist below.
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Erik Bosgraaf has won international acclaim for his Brilliant Classics recordings of music from Jakob van Eyck (Der Fluyten Lust Hof, BC93391) to Pierre Boulez (Dialogues, BC94842). His discography includes no fewer than three previous albums dedicated to Georg Philipp Telemann, the composer who more than any other in the German Baroque elevated the recorder and its relatives to the status of a high-art instrument, capable of hitherto undreamt expressive range and technical refinement.
This recording contains the double concertos with recorder: for two recorders or in combination with traverso, bassoon or viola da gamba. Telemann himself was a professional recorder player. These concertos contain some of his most personal music, his usual brilliance, wit and virtuosity alternate with passages of deep emotion and melancholy.
Erik Bosgraaf is one of the most remarkable recorder players of today. Equally at home in early as well as contemporary music he extends the limits of his instrument, achieving an extreme range of expression and unheard-of effects.
Liner notes in English and German.
Excellent reviews for the previous Telemann recordings: “5 stars! Temperamentvoll und inspiriert” (Klassik.com), “Mitreissender Enthusiasmus! CD Tipp SWR Radio”.
00:00:00 Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo
00:03:52 Concerto for Recorder and Flute in E Minor, TWV 52:e1: II. Allegro
00:08:07 Concerto for Recorder and Flute in E Minor, TWV 52:e1: III. Largo
00:11:47 Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto
00:14:32 Concerto for 2 Recorders in A Minor, TWV 52:a2: I. Gravement
00:16:45 Concerto for 2 Recorders in A Minor, TWV 52:a2: II. Vistement
00:18:19 Concerto for 2 Recorders in A Minor, TWV 52:a2: III. Largement
00:20:16 Concerto in for 2 Recorders in A Minor, TWV 52:a2: IV. Vivement
00:22:24 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo
00:26:50 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: II. Vivace
00:32:11 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. —
00:36:27 Concerto for Recorder and Bassoon in F Major, TWV 52:F1: IV. Allegro
00:39:58 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: I. Grave
00:43:48 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: II. Allegro
00:47:54 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: III. Dolce
00:51:25 Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: IV. Allegro
00:55:37 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: I. Grave
00:57:44 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: II. Vivace
00:59:17 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: III. Tendrement
01:01:05 Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: IV. Gayment
Artist:
Erik Bosgraaf (recorder & direction)
Anna Besson (traverso)
Yi-Chang (Liangrecorder)
Robert Smith (viola da gamba)
Marije van der Ende (bassoon)
Ensemble Cordevento
Tracklist below.
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Composer: Frédéric Chopin
Artist: Wolfram Schmitt-Leonardy (piano)
Tracklist:
00:00:00 Ballade No. 1 in G Minor, Op. 23
00:09:04 Ballade No. 2 in F Major, Op. 38
00:16:28 Ballade No. 3 in A- Flat Major, Op. 47
00:23:35 Ballade No. 4 in F Minor, Op. 52
00:34:23 Impromptu No. 1 in A-Flat Major, Op. 29
00:38:23 Impromptu No. 2 in F-Sharp Major, Op. 36
00:44:11 Impromptu No. 3 in G-Flat Major, Op. 51
00:49:20 Fantaisie-impromptu in C-Sharp Minor, Op. 66
00:54:20 Preludes, Op. 28: I. Prelude in C Major. Agitato
00:55:09 Preludes, Op. 28: II. Prelude in A Minor. Lento
00:57:20 Preludes, Op. 28: III. Prelude in G Major. Vivace
00:58:21 Preludes, Op. 28: IV. Prelude in E Minor. Largo
01:00:28 Preludes, Op. 28: V. Prelude in D Major. Allegro molto
01:01:07 Preludes, Op. 28: VI. Prelude in B Minor. Lento assai
01:03:18 Preludes, Op. 28: VII. Prelude in A Major. Andantino
01:04:05 Preludes, Op. 28: VIII. Prelude in F-Sharp Minor. Molto agitato
01:05:57 Preludes, Op. 28: IX. Prelude in E Major. Largo
01:07:19 Preludes, Op. 28: X. Prelude in C-Sharp Minor. Allegro molto
01:07:53 Preludes, Op. 28: XI. Prelude in B Major. Vivace
01:08:32 Preludes, Op. 28: XII. Prelude in G-Sharp Minor. Presto
01:09:45 Preludes, Op. 28: XIII. Prelude in F-Sharp Major. Lento
01:13:17 Preludes, Op. 28: XIV. Prelude in E-Flat Minor. Allegro
01:13:50 Preludes, Op. 28: XV. Prelude in D-Flat Major “Raindrop”. Sostenuto
01:19:34 Preludes, Op. 28: XVI. Prelude in B-Flat Minor. Presto con fuoco
01:20:42 Preludes, Op. 28: XVII. Prelude in A-Flat Major. Allegretto
01:24:35 Preludes, Op. 28: XVIII. Prelude in F Minor. Allegro molto
01:25:33 Preludes, Op. 28: XIX. Prelude in E-Flat Major. Vivace
01:27:03 Preludes, Op. 28: XX. Prelude in C Minor. Largo
01:28:49 Preludes, Op. 28: XXI. Prelude in B-Flat Major. Cantabile
01:31:21 Preludes, Op. 28: XXII. Prelude in G Minor. Molto agitato
01:32:09 Preludes, Op. 28: XXIII. Prelude in F Major. Moderato
01:33:05 Preludes, Op. 28: XXIV. Prelude in D Minor. Allegro appassionato
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A Album containing the best music composed by Frédéric François Chopin!
Painting is from Pierre-Auguste Renoir and is named two sisters (at the terrace).
Composer:
Frédéric Chopin
00:00:00 Ballade No. 1 in G Minor, Op. 23 – Klára Würtz
00:08:28 Prelude in C sharp Minor, Op. 45 – Paolo Giacometti
00:12:53 Rondo a la Mazur in F, Op. 5 – Frank van de Laar
00:22:37 Polonaise in A, Op. 40 No. 1 “Military” – Folke Nauta
00:28:13 Etude in A-Flat, Op. 25 NO. 1 “Aeolian Harp” – Martijn van den Hoek
00:30:51 Waltz in E-Flat, Op. 18 – Martijn van den Hoek
00:35:58 Nocturne in C-Sharp Minor, Op. 27 No. 1 – Yoram Ish-Hurwitz
00:41:03 Mazurka Op.24 No. 1 in G Minor – Cor de Groot
00:44:03 Mazurka Op. 24 No. 2 in C – Cor de Groot
00:46:25 Mazurka Op. 24 No. 3 in A-Flat – Cor de Groot
00:48:55 Mazurka Op. 24 No. 4 in B-Flat Minor – Cor de Groot
00:53:04 Fantasie in F Minor, Op. 49 – Alwin Bar
01:06:14 Andante Spianato et Grande Polonaise Brilliante in E-Flat, Op. 22 – Folke Nauta
01:20:31 Nocturne in D-Flat, Op. 27 No. 2 – Yoram Ish-Hurwitz
01:26:57 Krakoviak for piano & orchestra, Op. 14 – Arthur Moreira-Lima
01:42:49 Nocturne in C-Sharp Minor, Op. Posth. – Yoram Ish-Hurwitz
01:46:54 Mazurka Op. 59 No. 1 in A Minor – Cor de Groot
01:50:32 Mazurka Op. 59 No. 2 in A-Flat – Cor de Groot
01:53:16 Mazurka Op. 59 No. 3 in F-Sharp Minor – Cor de Groot
01:56:45 Impromptu in A-Flat, Op. 29 – Pieter van Winkel
02:00:32 Waltz in A Minor, Op. 34 No. 1 - Pieter van Winkel
02:05:56 Ballade No. 4 in F Minor, Op. 52 - Pieter van Winkel
02:17:21 Berceuse in D-Flat, Op. 57 – Alwin Bar
02:22:30 Polonaise in A-Flat, Op. 53 “Heroic” – Folke Nauta
02:29:32 Nocturne in E-Flat, Op. 9 No. 2 – Pieter van Winkel
02:33:42 Waltz in D-Flat, Op. 64 No. 1 “Minute Waltz” - Martijn van den Hoek
02:35:28 Waltz in C-Sharp Minor, Op. 64 No. 2 – Martijn van den Hoek
02:39:09 Ballade No. 3 in A-Flat, Op. 47 - – Pieter van Winkel
02:46:31 Souvenir de Paganini – Frank van de Laar
02:50:49 Fantasie-Impromptu No. 4 in C-Sharp Minor, Op. 66 – Pieter van Winkel
02:55:59 Etude in E, Op. 10 No. 3 “Tristesse” - Martijn van den Hoek
03:00:02 Scherzo No. 2 in B-Flat Minor, Op. 31 – Alwin Bar
03:09:52 Prelude in D-Flat, Op. 28 No. 15 “Raindrop” – Paolo giacometti
03:15:08 Etude in C Minor, Op. 10 No. 12 “Revolutionary” – Martijn van den Hoek
03:17:54 Nocturne in B-Flat Minor, Op. 9 No. 1 – Pieter van Winkel
03:23:07 Barcarolle in F-Sharp, Op. 60 – Alwin Bar
Composers: Antonio Vivaldi
Artist: Mario Folena (flute), Federico Guglielmo (concert master), L'Arte dell'Arco
Tracklist below.
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Vivaldi was one of the first composers to focus on the transverse flute as a viable solo instrument, and he may have even been the first to dedicate a whole publication to the flute family. His Opus 10 was published by Michel-Charles Le Cène in around 1728, though in reality many of the works in the collection were revised versions of earlier compositions, with Vivaldi capitalising on the popularity of the flute and rewriting material previously used for other instruments. Adding descriptive elements to the movement names, often connected to natural phenomena – such as ‘La tempesta del mare’ – was another way of boosting sales, something the composer had already discovered with his publication of The Four Seasons some years earlier. Vivaldi wrote over 500 concertos during his lifetime, and his expertise in this field is particularly evident in the exchanges between the ritornello and the orchestral tutti: while the ensemble comes together perfectly in the tutti, the soloist is really given a chance to fly in the soaring ritornelli, showcasing the instrument to its fullest.
Performing these works is Italian flautist Mario Folena, principal flautist of the Orchestra di Padova e del Veneto since 1982. He has previously collaborated with many prominent ensembles, including I Solisti Veneti and I Filarmonici di Verona, and is a respected teacher of the Baroque flute, having given summer courses at the Fondazione Cini in Venice and the conservatoires of Padova and Parma. He is joined by L’Arte dell’Arco, led from the front by violinist Federico Guglielmo, whose exuberant and thoroughly researched Vivaldi performances have previously garnered high praise.
Vivaldi’s six Concertos for flute Op.10 nearly attain the same popularity as the Four Seasons. Published in Amsterdam in 1728 they contain some of Vivaldi’s most famous concertos: Il Gardellino, La Notte and the Tempesta di Mare. Music of wonderful invention, drama, tone painting and instrumental virtuosity.
Played on original instruments by soloist Mario Folena, a pupil of Jean-Pierre Rampal and Rene Clemencic, principal flutist of the famous Orchestra di Padova e del Veneto, and veteran of the Historically Informed Performance Practice. Federico Guglielmo leads his ensemble l’Arte del’Arco, lifelong champions of the Red Priest from Venice.
Performance is based on the new Critical Edition of Vivaldi’s works, revealing many new details and insights.
00:00:00 Flute Concerto in F Major, RV 433: I. Allegro
00:02:37 Flute Concerto in F Major, RV 433: II. Largo
00:04:34 Flute Concerto in F Major, RV 433: III. Presto
00:06:45 Flute Concerto in G Minor RV 439: I. Largo
00:09:24 Flute Concerto in G Minor RV 439: II. Presto – Largo
00:10:44 Flute Concerto in G Minor RV 439: III. Presto
00:11:48 Flute Concerto in G Minor RV 439: IV. Largo
00:13:42 Flute Concerto in G Minor RV 439: V. Allegro
00:15:58 Flute Concerto in D Major, RV 428: I. Allegro
00:19:50 Flute Concerto in D Major, RV 428: II. Cantabile
00:23:05 Flute Concerto in D Major, RV 428: III. Allegro
00:26:05 Flute Concerto in G Major, RV 435: I. Allegro
00:28:44 Flute Concerto in G Major, RV 435: II. Largo
00:31:38 Flute Concerto in G Major, RV 435: III. Allegro
00:33:53 Flute Concerto in F Major, RV 434: I. Allegro ma non tanto
00:37:20 Flute Concerto in F Major, RV 434: II. Largo cantabile
00:40:03 Flute Concerto in F Major, RV 434: III. Allegro
00:41:54 Flute Concerto in G Major, RV 437: I. Allegro
00:45:53 Flute Concerto in G Major, RV 437: II. Largo
00:47:39 Flute Concerto in G Major, RV 437: III. Allegro
