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Composer: Egidio Romualdo Duni
Artist: Accademia d'Arcadia, Roberto Balconi director, Agnieszka Budzińska-Bennet soprano, Maciej Straburzyński baritone, Łukasz Wilda tenor

Les deux chasseurs et la laitière (The two hunters and the milkmaid) is an opéra-comique first performed at the Théâtre Italien in July 1763, and repeated many times there as well as attracting stagings across Europe for the following half-century, when the fashion for such light entertainment was supplanted by younger and better-known contemporaries from Mozart to Rossini.

The composer in this case is Egidio Romualdo Duni (1708-1775), originally educated within the Neapolitan school of composers. As a court composer in Parma he produced several Italian operas such as Olimpiade and La buona figliola, still awaiting modern revival. His move to Paris in 1757 proved decisive, and four years later he became music director of the Théâtre Italien, where he produced many light operas such as this example, which is as unfailingly charming and humorous as it is now little known.

Tracklist:
00:00:00 Les deux chasseurs et la latière: Introduction. Allegro assai
00:03:16 Les deux chasseurs et la latière, Scène I: Ariette – Colas. Je suis percé jusq’aux os
00:06:10 Les deux chasseurs et la latière, Scène II: Ariette – Guillot. Tant qu’il me reste
00:07:55 Les deux chasseurs et la latière, Scène II: Duo - Guillot & Colas. Eh! Bien, Colas? ... Eh! Bien, guillot?
00:09:55 Les deux chasseurs et la latière, Scène III: Ariette – Guillot. Le briquet frappe la pierre
00:12:22 Les deux chasseurs et la latière, Scène IV: Ariette – Perrette. Voilà la petite Laitière
00:15:32 Les deux chasseurs et la latière, Scène IV: Ariette – Guillot. Si vous trouvez dans la plaine
00:17:23 Les deux chasseurs et la latière, Scène IV: Duo - Guillot & Perrette. Quand je trouve à l’écart... Telle qu’une perdrix
00:20:07 Les deux chasseurs et la latière, Scène IV: Ariette – Perrette. Voici tout mon projet
00:22:04 Les deux chasseurs et la latière, Scène V: Ariette – Guillot. Jeune fille à cet âge
00:24:09 Les deux chasseurs et la latière, Scène VIII: Ariette – Perrette. Hélas! J’ai repandu mon lait
00:26:53 Les deux chasseurs et la latière, Scène IX: Trio - Colas, Guillot & Perrette. Je tombe ... La masure… Quelle aventure!
00:28:15 Les deux chasseurs et la latière, Scène IX: Ariette – Perrette. Tu promets de me rendre heureuse
00:30:00 Vaudeville: Vaudeville – Colas, Guillot & Perrette. J’étois gisant à cette place
00:34:34 Vaudeville: Choeur – Colas, guillot & perrette. Ain si le sort, un tems, nous berce
00:35:49 Michal Orlowski Second Half of the 18th Century Sinfonia in F Major: I. Allegro
00:44:27 Michal Orlowski Second Half of the 18th Century Sinfonia in F Major: II. Andante, rondo
00:48:57 Michal Orlowski Second Half of the 18th Century Sinfonia in F Major: III. Allegro, rondo

Composer: J.S Bach

Artist:
Pieter-Jan Belder harpsichord
Christine Schornsheim harpsichord
Musica Amphion
Neues Bachisches Collegium Musicum
Netherlands Bach Ensemble

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00:00:00 Concerto for 2 Harpsichords in C Major, BWV 1061: I. —
00:06:58 Concerto for 2 Harpsichords in C Major, BWV 1061: II. Adagio ovvero largo
00:12:08 Concerto for 2 Harpsichords in C Major, BWV 1061: III. Fugue
00:17:49 Concerto for 2 Harpsichords in C Minor, BWV 1062: I. —
00:21:29 Concerto for 2 Harpsichords in C Minor, BWV 1062: II. Andante
00:27:12 Concerto for 2 Harpsichords in C Minor, BWV 1062: III. Allegro assai
00:31:44 Concerto for 3 Harpsichords in D Minor, BWV 1063: I. —
00:36:30 Concerto for 3 Harpsichords in D Minor, BWV 1063: II. Alla siciliana
00:40:17 Concerto for 3 Harpsichords in D Minor, BWV 1063: III. Allegro
00:45:09 Concerto for 3 Harpsichords in C Major, BWV 1064: I. —
00:51:14 Concerto for 3 Harpsichords in C Major, BWV 1064: II. Adagio
00:56:32 Concerto for 3 Harpsichords in C Major, BWV 1064: III. Allegro
01:01:03 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: I. Allegro
01:09:58 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: II. Adagio
01:15:59 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: III. Alla breve
01:23:37 Oboe Concerto in A Major, BWV 1055: I. Allegro
01:28:41 Oboe Concerto in A Major, BWV 1055: II. Larghetto
01:34:29 Oboe Concerto in A Major, BWV 1055: III. Allegro ma non tanto
01:38:14 Concerto for 3 Violins in D Major, BWV 1064: I. Allegro
01:44:07 Concerto for 3 Violins in D Major, BWV 1064: II. Adagio
01:49:18 Concerto for 3 Violins in D Major, BWV 1064: III. Allegro
01:53:33 Oboe Concerto in F Major, BWV 1053: I. Allegro
02:00:48 Oboe Concerto in F Major, BWV 1053: II. Siciliano
02:05:42 Oboe Concerto in F Major, BWV 1053: III. Allegro
02:11:36 Oboe d’amore Concerto in A Major, BWV 1055R: I. Allegro
02:15:49 Oboe d’amore Concerto in A Major, BWV 1055R: II. Larghetto
02:19:51 Oboe d’amore Concerto in A Major, BWV 1055R: III. Allegro ma non tanto
02:24:26 Oboe Concerto in G Minor, BWV 1056R: I. Allegro
02:27:41 Oboe Concerto in G Minor, BWV 1056R: II. Largo
02:30:03 Oboe Concerto in G Minor, BWV 1056R: III. Presto
02:33:29 Concerto for Oboe d’amore in G Major: I. [Bass aria] (from BWV 100)
02:36:53 Concerto for Oboe d’amore in G Major: II. [Alto aria] (from BWV 170)
02:43:09 Concerto for Oboe d’amore in G Major: III. [Bass aria] (from BWV 30)
02:47:26 Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro
02:51:49 Concerto for Oboe and Violin in C Minor, BWV 1060R: II. Adagio
02:56:03 Concerto for Oboe and Violin in C Minor, BWV 1060R: III. Allegro
02:59:14 Harpichord Concerto in D Minor, BWV 1052: I. Allegro
03:06:54 Harpichord Concerto in D Minor, BWV 1052: II. Adagio
03:14:21 Harpichord Concerto in D Minor, BWV 1052: III. Allegro
03:22:23 Harpsichord Concerto in D Minor, BWV 1059: I. —
03:28:31 Harpsichord Concerto in D Minor, BWV 1059: II.
03:33:44 Harpsichord Concerto in D Minor, BWV 1059: III. Presto
03:37:12 Concerto for viola da braccio in G Major, BWV 1055: I. Allegro
03:41:34 Concerto for viola da braccio in G Major, BWV 1055: II. Larghetto
03:46:59 Concerto for viola da braccio in G Major, BWV 1055: III. Allegro ma non tanto
03:51:31 Concerto for Three Violins in D Major, BWV 1064R: I. Allegro
03:58:02 Concerto for Three Violins in D Major, BWV 1064R: II. Adagio
04:03:41 Concerto for Three Violins in D Major, BWV 1064R: III. Allegro

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Haydn had been his great example: Mozart himself wrote 41 symphonies. On this release are the two final symphonies. They are K550 and 551 “Jupiter”. Performances by the Mozart Akademie Amsterdam.

Composer:
Mozart

Artist:
Mozart Akademie Amsterdam
Jaap ter Linden (conductor)

00:00:00 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Molto allegro
00:07:28 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Andante
00:17:22 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Menuetto
00:21:12 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Allegro assai
00:28:15 Symphony No. 41 in C Major, KV.551, “Jupiter”: Allegro vivace
00:39:57 Symphony No. 41 in C Major, KV.551, “Jupiter”: Andante cantabile
00:50:12 Symphony No. 41 in C Major, KV.551, “Jupiter”: Menuetto
00:54:36 Symphony No. 41 in C Major, KV.551, “Jupiter”: Molto allegro

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It would not be an overstatement to declare that Ludwig van Beethoven stands as one of the most significant figures in Western civilisation: a composer who shaped the course of music history through his mastery of rhythm, melody and harmonic exploration, pushing the boundaries of form and effectively bridging the gap between Classicism and Romanticism – and yet all the while continuously professing how difficult he found composition. Detailing Brilliant Classics favourites, We present the top 50 best Beethoven.

00:00:00 Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio – Allegro molto e vivace
00:06:18 Symphony No. 3 in E-Flat Major, Op. 55: II. Marcia funebre. Adagio assai
00:23:06 Symphony No. 2 in D Major, Op. 36: II. Larghetto
00:35:40 Symphony No. 4 in B-Flat, Op. 60: I. Adagio – Allegro vivace
00:47:49 Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
00:55:55 Symphony No. 6 in F Major, Op. 68: I. Allegro ma non troppo
01:05:26 Symphony No. 7 in A Major, Op. 92: II. Allegretto
01:15:24 Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
01:20:11 Piano Concerto No. 1 in C Major, Op. 15: II. Largo
01:32:04 Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo
01:38:20 Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo
01:47:28 Piano Concerto No. 5 in E-Flat Major, Op. 73: I. Allegro moderato
02:07:38 Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
02:12:31 Violin Concerto in D Major, Op. 61: II. Larghetto
02:23:20 Romance for Violin Orchestra No. 2 in F Major, Op. 50
02:30:54 Coriolan Overture in C Minor, Op. 62
02:39:22 Septet in E-Flat Major, Op. 20: III. Tempo di minuetto
02:42:55 Trio in B-Flat Major, Op. 1: III. Allegretto. Variations on "Pria ch'io l'impegno"
02:49:25 Piano Trio in B-Flat, Op. 97: III. Andante cantabile, ma però con moto - Poco più adagio
02:56:12 12 Variations on "See the Conqu'ring Hero Comes", WoO 45: I. Thema. Allegretto
02:56:55 Violin Sonata No. 3 in E-Flat, Op. 12: II. Adagio con molt'espressione
03:02:20 Violin Sonata No. 3 in E-Flat, Op. 12: III. Rondo. Allegro molto
03:06:17 Violin Sonata No. 5 in F Major, Op. 24: II. Adagio molto espressivo
03:11:49 Violin Sonata No. 8 in G Major, Op. 30: III. Allegro vivace
03:15:01 Violin Sonata No. 9 in A Major, Op. 47: I. Adagio sostenuto – Presto
03:27:54 String Quartet No. 7 in F Major, Op. 59 No. 1: IV. Allegro
03:34:52 String Quartet No. 11 in F Minor, Op. 95: I. Allegro con brio
03:39:17 String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina. Adagio molto espressivo
03:46:39 String Quartet No. 14 in C-Sharp Minor, Op. 131: II. Allegro molto vivace
03:49:43 Piano Sonata No. 28 in A Major, Op. 101: I. Allegretto ma non troppo
03:53:01 Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo. Adagio espressivo
03:56:21 Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile, molto espressivo
04:01:53 Piano Sonata No. 23 in F Minor, Op. 57: I. Allegro assai
04:11:35 Piano Sonata No. 18 in E-Flat Major, Op. 31: III. Menuetto. Moderato e grazioso
04:15:11 Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2: I. Adagio sostenuto
04:21:13 Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo. Allegro – Trio
04:24:33 Piano Sonata No. 8 in C Minor, Op. 13: II. Adagio cantabile
04:30:17 Piano Sonata No. 12 in A-Flat Major, Op. 26: I. Andante con variazioni
04:38:10 6 Bagatelles, Op. 126: I. Andante in G Major
04:41:12 6 Bagatelles, Op. 126: III. Andante in E-Flat Major
04:44:00 6 Bagatelles, Op. 126: IV. Presto in B Minor
04:47:56 Andante favori in F major, WoO 57
04:56:54 Für Elise in A Minor, WoO 59
04:59:42 Egmont, Op. 84: I. Ouvertüre
05:08:45 Musik zu einem Ritterballett in D Major, WoO 1: I. Marsch
05:10:34 Die Ruinen von Athen, Op. 113: V. Marcia alla turca
05:12:08 Opferlied in E Major, WoO 126
05:14:53 Missa solemnis in D Major, Op. 123: I. Kyrie
05:22:55 Adelaide in B-Flat Major, Op. 46
05:29:30 8 Lieder, Op. 52: IV. Mailied

A worthy tribute to Beethoven, the genius, the human, whose motto was:
“Vom Herzen, möge es wieder zu Herzen gehn!”(From the heart, may it go into the hearts again!).

The first 27 tracks of the Beethoven Edition! For the complete 104 tracks (13 hours of Music!), check the following links:

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Composer: Ludwig van Beethoven
Artist: Staatskapelle Dresden & Herbert Blomstedt

00:00:00 Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
00:09:03 Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
00:17:36 Symphony No. 1 in C Major, Op. 21: III. Menuetto & Trio. Allegro molto e vivace
00:21:02 Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace
00:27:21 Symphony No. 3 in E-Flat Major, Op. 55: I. Allegro con brio
00:42:24 Symphony No. 3 in E-Flat Major, Op. 55: II. Marcia funebre. Adagio assai
00:59:12 Symphony No. 3 in E-Flat Major, Op. 55: III. Scherzo & Trio. Allegro vivace
01:05:01 Symphony No. 3 in E-Flat Major, Op. 55: IV. Allegro molto - Poco andante – Presto
01:16:50 Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
01:24:56 Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
01:36:18 Symphony No. 5 in C Minor, Op. 67: III. Allegro
01:45:11 Symphony No. 5 in C Minor, Op. 67: IV. Allegro – Presto
01:54:14 Symphony No. 6 in F Major, Op. 68: I. Allegro ma non troppo
02:03:45 Symphony No. 6 in F Major, Op. 68: II. Andante molto mosso
02:16:26 Symphony No. 6 in F Major, Op. 68: III. Allegro - Sempre più stretto - In tempo d'allegro - Tempo I – Presto
02:03:45 Symphony No. 6 in F Major, Op. 68: IV. Allegro
02:22:10 Symphony No. 6 in F Major, Op. 68: V. Allegretto
02:25:23 Symphony No. 9 in D Minor, Op. 125: I. Allegro ma non troppo, un poco maestoso
02:35:44 Symphony No. 9 in D Minor, Op. 125: II. Molto vivace – Presto
02:52:39 Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo
03:06:27 Symphony No. 9 in D Minor, Op. 125: IV. Presto - Allegro assai - Presto - Recitativo - Allegro assai

Artist:
Brendel Alfred

03:48:01 Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
04:03:06 Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
04:13:18 Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo
04:22:33 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro moderato
04:42:32 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
04:51:05 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro

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Composer & Artist:
Composer: Johann Wilhelm Hässler
Artists: Michele Benuzzi (harpsichord)



About this Album:
Johann Wilhelm Hässler’s keyboard works occupy a fascinating position in the history of music. Although the composer was a harpsichord virtuoso in the late 18th century, just as his instrument was beginning to fall out of favour with composers and performers as the piano increased in popularity, Hässler’s music was not hopelessly old-fashioned. He was a successful pianist and organist, and a great admirer of C.P.E. Bach who he had met several times. He undertook many concert tours throughout Europe, and was able to publish a large quantity of music during his lifetime. The works heard in this collection can, in fact, be understood as a bridge between the Baroque composers who preceded him and the Classical and early-Romantic era that followed, drawing on a range of contrasting styles to create music of great drama, complexity and even theatricality.

The music heard on this new recording is particularly rare; it is found only in anonymous manuscripts and has previously been misattributed to W.F. Bach. As such, Michele Benuzzi’s thoroughly researched performances are an excellent opportunity to hear repertoire that will be unfamiliar to many listeners.

Tracklist:
00:00:00 Fantasia in C Minor (Leipzig, 1776)
00:05:23 Sonata in D (Leipzig, 1776): I. Allegro di Molto
00:10:30 Sonata in D (Leipzig, 1776): II. Andante
00:16:16 Sonata in D (Leipzig, 1776): III. Con Brio
00:18:38 Fantasia in A (Leipzig, 1779)
00:25:19 Sonata in A (Leipzig, 1779): I. [Moderato]
00:29:48 Sonata in A (Leipzig, 1779): II. Adagio
00:31:46 Sonata in A (Leipzig, 1779): III. Scherzo-Allegro
00:35:50 Fantasia in D (Leipzig, 1786)
00:40:40 Sonata in D Minor (Leipzig, 1779): I. [Allegro]
00:41:49 Sonata in D Minor (Leipzig, 1779): II. Arioso
00:43:33 Sonata in D Minor (Leipzig, 1779): III. Presto
00:49:05 Fantasia in C (Erfurt, 1782)
00:50:58 Rondeau in C (Leipzig, 1779)
00:53:05 Ariette mit einigen Veräderungen (Leipzig, 1786): ‘Der Demoisel Scherniß in Erfurth zugeeignet’
00:55:40 Fantasia in E Minor (Moscow, 1803)
00:57:15 Sonata in A Minor (Leipzig, 1776): I. Poco allegro
00:59:36 Sonata in A Minor (Leipzig, 1776): II. Largo
01:01:22 Sonata in A Minor (Leipzig, 1776): III. Presto


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Composer: Arcangelo Corelli
Artists: Rémy Baudet violin
Jaap ter Linden cello
Mike Fentross theorbo & guitar
Pieter-Jan Belder harpsichord


Tracklist:
00:00:00 Violin Sonata No. 1 in D Major, Op. 5: I. Grave – Allegro
00:03:08 Violin Sonata No. 1 in D Major, Op. 5: II. Allegro
00:05:31 Violin Sonata No. 1 in D Major, Op. 5: III. Allegro
00:06:36 Violin Sonata No. 1 in D Major, Op. 5: IV. Adagio
00:09:10 Violin Sonata No. 1 in D Major, Op. 5: V. Allegro
00:10:49 Violin Sonata No. 2 in B-Flat Major, Op. 5: I. Grave
00:13:32 Violin Sonata No. 2 in B-Flat Major, Op. 5: II. Allegro
00:15:49 Violin Sonata No. 2 in B-Flat Major, Op. 5: III. Vivace
00:17:04 Violin Sonata No. 2 in B-Flat Major, Op. 5: IV. Adagio
00:19:43 Violin Sonata No. 2 in B-Flat Major, Op. 5: V. Vivace
00:21:04 Violin Sonata No. 3 in C Major, Op. 5: I. Adagio
00:23:39 Violin Sonata No. 3 in C Major, Op. 5: II. Allegro
00:25:48 Violin Sonata No. 3 in C Major, Op. 5: III. Adagio
00:28:43 Violin Sonata No. 3 in C Major, Op. 5: IV. Allegro
00:29:46 Violin Sonata No. 3 in C Major, Op. 5: V. Allegro
00:32:19 Violin Sonata No. 4 in F Major, Op. 5: I. Adagio
00:34:18 Violin Sonata No. 4 in F Major, Op. 5: II. Allegro
00:36:46 Violin Sonata No. 4 in F Major, Op. 5: III. Vivace
00:38:00 Violin Sonata No. 4 in F Major, Op. 5: IV. Adagio
00:40:09 Violin Sonata No. 4 in F Major, Op. 5: V. Allegro
00:42:40 Violin Sonata No. 5 in G Minor, Op. 5: I. Adagio
00:45:23 Violin Sonata No. 5 in G Minor, Op. 5: II. Vivace
00:47:29 Violin Sonata No. 5 in G Minor, Op. 5: III. Adagio
00:49:36 Violin Sonata No. 5 in G Minor, Op. 5: IV. Vivace
00:51:15 Violin Sonata No. 5 in G Minor, Op. 5: V. Giga. Allegro
00:53:07 Violin Sonata No. 6 in A Major, Op. 5: I. Grave
00:55:41 Violin Sonata No. 6 in A Major, Op. 5: II. Allegro
00:58:03 Violin Sonata No. 6 in A Major, Op. 5: III. Allegro
00:59:10 Violin Sonata No. 6 in A Major, Op. 5: IV. Adagio
01:01:16 Violin Sonata No. 6 in A Major, Op. 5: V. Allegro
01:03:34 Violin Sonata No. 7 in D Minor, Op. 5: I. Preludio. Vivace
01:05:30 Violin Sonata No. 7 in D Minor, Op. 5: II. Corrente. Allegro
01:08:13 Violin Sonata No. 7 in D Minor, Op. 5: III. Sarabande. Largo
01:10:01 Violin Sonata No. 7 in D Minor, Op. 5: IV. Giga. Allegro
01:12:07 Violin Sonata No. 8 in E Minor, Op. 5: I. Preludio. Largo
01:15:47 Violin Sonata No. 8 in E Minor, Op. 5: II. Allemanda. Allegro
01:17:47 Violin Sonata No. 8 in E Minor, Op. 5: III. Sarabanda. Largo
01:20:22 Violin Sonata No. 8 in E Minor, Op. 5: IV. Giga. Allegro
01:22:24 Violin Sonata No. 9 in A Major, Op. 5: I. Preludio. Largo
01:26:10 Violin Sonata No. 9 in A Major, Op. 5: II. Giga. Allegro
01:29:10 Violin Sonata No. 9 in A Major, Op. 5: III. Adagio
01:29:41 Violin Sonata No. 9 in A Major, Op. 5: IV. Tempo di gavotte. Allegro
01:32:04 Violin Sonata No. 10 in F Major, Op. 5: I. Preludio. Adagio
01:33:48 Violin Sonata No. 10 in F Major, Op. 5: II. Allemanda. Allegro
01:36:01 Violin Sonata No. 10 in F Major, Op. 5: III. Sarabanda. Largo
01:38:02 Violin Sonata No. 10 in F Major, Op. 5: IV. Gavotta. Allegro
01:38:48 Violin Sonata No. 10 in F Major, Op. 5: V. Giga. Allegro
01:41:00 Violin Sonata No. 11 in E Major, Op. 5: I. Preludio. Adagio
01:42:51 Violin Sonata No. 11 in E Major, Op. 5: II. Allegro
01:45:37 Violin Sonata No. 11 in E Major, Op. 5: III. Adagio
01:46:16 Violin Sonata No. 11 in E Major, Op. 5: IV. Vivace
01:48:12 Violin Sonata No. 11 in E Major, Op. 5: V. Gavotta. Allegro
01:48:54 Violin Sonata No. 12 in D Minor, Op. 5 la folia


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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.

Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences

Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.

Tracklist can be found below!

This is part 3 of the first and only Complete Locatelli Edition ever!
Locatelli, like many of his contemporaries, moved abroad and settled in Amsterdam/The Netherlands, concertising as a violinist (and a “devil” he was as a performer!), and founding a flourishing publishing house.

Locatelli composed in the tradition of the Italian Baroque, in the well known forms of the Concerto Grosso, Solo Concerto and Trio Sonata. His style is inventive, flamboyant, and extremely virtuoso. His violin sonatas and concertos still present a daunting challenge even to today’s violinists.

Pietro Antonio Locatelli was one of the most important composers of the Baroque period, being a particularly celebrated composer of violin repertoire. His collection L’arte del violino contains 12 violin concertos with 24 caprices in the first and last movement of each, allowing for astonishing displays of virtuosity.

Composer: Pietro Antonio Locatelli
Artist: Various artists

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The tracklist can be found in the comments!

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‘Not just another Hammerklavier recording’: this was Gramophone’s enthusiastic verdict on a recording made more than 15 years ago by Giovanni Bellucci, who now returns to Beethoven with a complete series, newly recorded, of the piano sonatas.

In 2000 the reviewer noted that Bellucci was barely known to the wider concert-going public; no longer is that an issue, since his reputation precedes him thanks to this and other recordings. ‘The abundant vitality of feeling’ and ‘untrammelled freshness of feeling’ contributed towards an appreciation of Bellucci’s remarkable achievement, at a relatively tender age, in assimilating the mighty work so thoroughly, ‘yet to be able to play it in a way that is unburdened by a consciousness of that knowledge.’

Later Beethoven recordings were praised elsewhere along similar lines for their ‘exemplary control’, ‘beguiling lightness of touch’ and ‘masterful command of sonority’ (Musical Opinion): ‘Refreshing, occasionally idiosyncratic and unpredictable playing that further bolsters Bellucci's reputation as a pianist both deeply musical and fearlessly virtuosic.’


Composer: Ludwig van Beethoven
Artist: Giovanni Bellucci piano


00:00:00 Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro
00:03:59 Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio
00:10:18 Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. Allegretto
00:15:29 Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo
00:22:25 Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace
00:29:53 Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato
00:40:32 Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo. Allegretto
00:43:52 Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso
00:50:43 Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio
01:02:03 Piano Sonata No. 3 in C Major, Op. 2 No. 3: II. Adagio
01:11:17 Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo. Allegro
01:14:57 Piano Sonata No. 3 in C Major, Op. 2 No. 3: IV. Allegro assai
01:20:01 Piano Sonata No. 4 in E-Flat Major, Op. 7: I. Allegro molto e con brio
01:30:05 Piano Sonata No. 4 in E-Flat Major, Op. 7: II. Largo e con gran espressione
01:39:00 Piano Sonata No. 4 in E-Flat Major, Op. 7: III. Allegro
01:44:54 Piano Sonata No. 4 in E-Flat Major, Op. 7: IV. Rondo. Poco allegretto e grazioso
01:52:03 Piano Sonata No. 19 in G Minor, Op. 49 No. 1: I. Andante
01:57:10 Piano Sonata No. 19 in G Minor, Op. 49 No. 1: II. Rondo. Allegro
02:01:04 Piano Sonata No. 20 in G Major, Op. 49 No. 2: I. Allegro, ma non troppo
02:06:21 Piano Sonata No. 20 in G Major, Op. 49 No. 2: II. Tempo di menuetto
02:09:50 Piano Sonata No. 9 in E Major, Op. 14 No. 1: I. Allegro
02:17:40 Piano Sonata No. 9 in E Major, Op. 14 No. 1: II. Allegretto
02:22:07 Piano Sonata No. 9 in E Major, Op. 14 No. 1: III. Rondo. Allegro comodo
02:25:30 Piano Sonata No. 10 in G Major, Op. 14 No. 2: I. Allegro
02:31:53 Piano Sonata No. 10 in G Major, Op. 14 No. 2: II. Andante
02:36:22 Piano Sonata No. 10 in G Major, Op. 14 No. 2: III. Scherzo. Allegro assai
02:39:42 Piano Sonata No. 5 in C Minor, Op. 10 No. 1: I. Allegro molto e con brio
02:46:05 Piano Sonata No. 5 in C Minor, Op. 10 No. 1: II. Adagio molto
02:55:38 Piano Sonata No. 5 in C Minor, Op. 10 No. 1: III. Finale. Prestissimo
03:00:23 Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro
03:06:33 Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto
03:11:08 Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto
03:14:58 Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto
03:21:34 Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto
03:31:59 Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto. Allegro
03:34:57 Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo. Allegro
03:39:08 Piano Sonata No. 8 in C Minor, Op. 13: I. Grave - Allegro di molto e con brio
03:48:56 Piano Sonata No. 8 in C Minor, Op. 13: II. Adagio cantabile
03:54:37 Piano Sonata No. 8 in C Minor, Op. 13: III. Rondo. Allegro

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Composer: Mily Balakirev
Artist: Alexander Paley (piano)

Mily Balakirev (1837-1910) was the founder of the group of Russian composers called ‘The Mighty Handful’. Together with Borodin, Rimsky Korsakov, Cui and Mussorgsky he helped create a distinctive Russian school of music that was not reliant on the influence of the Austro German school.
Studying at the St Petersburg Conservatoire, he won the praise of Glinka, and had an influence on the young Tchaikovsky. He wrote two symphonies, two piano concertos, several symphonic poems and many piano works.
On these 6CDs his entire output for piano can be found. A superb pianist, he produced one of the most taxing works ever written for the instrument, his Oriental Fantasy Islamey. His piano sonata is no less impressive, and the Seven Mazurkas are wonderfully melodic works. There is much to discover on these discs.

Sadly, Balakirev suffered a complete nervous breakdown in 1871, and he withdrew from life, eventually emerging to take up a minor management role on the railways. In 1876 he began to compose again, and in 1883 was appointed as director of the Imperial Chapel. He retired in 1895, and continued composing, but by now considered old fashioned and was forgotten even by his old friends. However, one young composer, Igor Stravinsky had a soft spot for him, and pitied him as he suffered from bouts of depression.

00:00:00 Islamey, Oriental Fantasy
00:08:53 Fantasia, On Themes from Glinka’s A Life For The Tsar
00:22:39 Fantasiestück
00:26:51 Nocturne No. 1 in B-Flat Minor
00:33:39 Nocturne No. 2 in B Minor
00:43:33 Nocturne No. 3 in D Minor
00:50:32 Capriccio
01:01:02 Piano Sonata in B-Flat Minor, Op. 5: Andante
01:13:10 Piano Sonata in B-Flat Minor, Op. 5: Mazurka
01:17:45 Piano Sonata in B-Flat Minor, Op. 5: Andante
01:25:30 Sonatina (Esquisses): Allegro moderato
01:27:38 Sonatina (Esquisses): L’Istesso tempo
01:29:40 Sonatina (Esquisses): Coda-poco a poco piu agitato
01:31:06 Piano Sonata in B-Flat Minor: Andantino
01:39:52 Piano Sonata in B-Flat Minor: Mazurka-moderato
01:46:40 Piano Sonata in B-Flat Minor: Intermezzo-larghetto
01:51:17 Piano Sonata in B-Flat Minor: Finale-allegro non troppo ma con fuoco
02:00:44 Transcription: Glinka: Kamarinskaya
02:10:14 Transcription: Glinka: Ne govori
02:15:47 Transcription: Chopin: Romance from Piano Concerto No. 1 in E Minor, Op. 11
02:26:41 Transcription: Beethoven: Cavatina from String Quartet No. 13 in B-flat Major, Op. 130
02:32:00 Transcription: Beethoven: Allegretto from String Quartet No.8 in E Minor,Op.59 No.2
02:41:33 Transcription: Zapolsky: Réverie
02:47:53 Transcription: Balakirev: Pustinya
02:50:53 Transcription: Berlioz: Introduction to La Fuite en Egypte
02:57:42 Transcription: Balakirev: Impromptu on the themes of Two Preludes by Chopin
03:03:12 Transcription: Glinka: Jota Aragonesca
03:13:51 Valse di bravura (No. 1) in G Major
03:22:10 Valse mélancholique (No. 2) in F Minor
03:27:22 Valse-Impromptu (No. 3) in D Major
03:32:29 Waltz No. 4 in B-Flat Major (Valse de Concert)
03:39:32 Waltz No. 5 in D-flat Major Waltz No. 6 in F-Sharp Minor
03:46:50 Waltz No. 7 in G-Sharp Minor
03:53:01 Polka
04:00:27 Tarantella
04:03:46 Valse-Caprice No. 1 in A-Flat Major (after A.S. Taneyev)
04:09:31 Valse-Caprice No. 2 in D-Flat Major (after A.S. Taneyev)
04:15:36 Mazurka No. 1 in A-Flat Major (2nd version)
04:22:06 Mazurka No. 2 in C-Sharp Minor (2nd version)
04:26:32 Mazurka No. 3 in B Minor
04:29:32 Mazurka No. 4 in G-Flat Major
04:35:02 Mazurka No. 5 in D Major
04:47:35 Mazurka No. 6 in A-Flat Major
04:53:43 Mazurka No. 7 in E-Flat Minor
05:01:55 Scherzo No. 1 in B Minor
05:09:47 Scherzo No. 2 in B-Flat Minor
05:17:48 Scherzo No. 3 in F-Sharp Major
05:23:58 Miscellaneous: Dumka
05:28:30 Miscellaneous: Au jardin
05:32:54 Miscellaneous: Gondollied
05:40:37 Miscellaneous: Berceuse
05:46:55 Miscellaneous: The Lark
05:52:34 Miscellaneous: Spanish Melody
05:56:44 Miscellaneous: Spanish Serenade
06:02:44 Miscellaneous: La fileuse
06:05:53 Miscellaneous: Tyrolienne
06:11:30 Miscellaneous: Chant du pêcheur
06:15:31 Miscellaneous: Humoresque
06:20:00 Miscellaneous: Réverie
06:25:24Miscellaneous: Novelette
06:31:18 Miscellaneous: Toccata

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Composer and Artists:
Composer: Benjamin Britten
Artists: Rundfunkchor Leipzig, Dresdner Philharmonie , Herbert Kegel (conductor), Kari Lövaas (soprano), Anthony Roden (tenor), Theo Adam (bass-baritone)

About this Album:
The common theme of the three works presented on these 2 CD is Death, the transience of earthly existence. Britten’s famous and substantial War Requiem was written in commemoration of the 2nd World War victims, dedicated to the people of the destroyed city of Coventry, Penderecki’s Threnody is dedicated to the victims of Hiroshima, and Alban Berg’s moving Violin Concerto is written “to the memory of an angel”, the death of the 19 year old daughter of Alma Mahler.
Performances conducted by the great East-German conductor Herbert Kegel, a specialist in 20th century masterworks. He conducts the Dresdner Philharmonie and the Leipzig Radio-Sinfonieorchester, soloists include the great Kari Lövaas and Theo Adam.
A reissue from the rich archives of Berlin Classics, treasures from the DDR.

Tracklist:
00:00:00 War Requiem, Op. 66: I. Requiem aeternam. Requiem aeternam (chorus/boys’ choir)
00:07:46 War Requiem, Op. 66: I. Requiem aeternam. What passing-bells (tenor)
00:10:54 War Requiem, Op. 66: I. Requiem aeternam. Kyrie eleison (chorus)
00:12:40 War Requiem, Op. 66: II. Dies irae. Dies irae, dies illa (chorus)
00:16:51 War Requiem, Op. 66: II. Dies irae. Bugles Sang (baritone)
00:20:03 War Requiem, Op. 66: II. Dies irae. Liber scriptus proferetur (soprano/chorus)
00:23:10 War Requiem, Op. 66: II. Dies irae. Out There, We walked Quite Friendly up To Death (tenor/baritone)
00:25:09 War Requiem, Op. 66: II. Dies irae. Recordare, Jesu pie (chorus
00:30:45 War Requiem, Op. 66: II. Dies irae. Be Slowly Lifted up (baritone)
00:32:29 War Requiem, Op. 66: II. Dies irae. Dies irae, dies illa (chorus/soprano)
00:33:50 War Requiem, Op. 66: II. Dies irae. Lacrimosa (chorus) – Move Him into the Sun (tenor)
00:40:42 War Requiem, Op. 66: II. Dies irae. Pie Jesu domine (chorus)
00:42:38 War Requiem, Op. 66: III. Offertorium. Domine Jesu Christe (boys’ choir)
00:44:23 War Requiem, Op. 66: III. Offertorium. Sed signifer sanctus Michael (chorus)
00:46:43 War Requiem, Op. 66: III. Offertorium So Abram rose (baritone/tenor)
00:51:28 War Requiem, Op. 66: III. Offertorium Quam olim Abrahae (chorus)
00:53:07 War Requiem, Op. 66: IV. Sanctus. Sanctus (soprano/chorus)
00:55:50 War Requiem, Op. 66: IV. Sanctus. Hosanna – Benedictus – Hosanna (chorus/soprano)
01:00:03 War Requiem, Op. 66: IV. Sanctus. After the Blast (baritone)
01:03:31 War Requiem, Op. 66: V. Agnus dei. One Ever Hangs (tenor/chorus)
01:08:06 War Requiem, Op. 66: VI. Libera me. Libera me (chorus/soprano)
01:15:32 War Requiem, Op. 66: VI. Libera me. It Seemed (tenor/baritone)
01:24:01 War Requiem, Op. 66: VI. Libera me. Let Us Sleep Now (tenor/baritone/soprano/boys’ choir/chorus)
01:30:01 Threnody “To the Victims of Hiroshima”
01:38:40 Violin Concerto: I. Andante – Allegretto
01:49:41 Violin Concerto: II. Allegro, ma sempre rubato, frei wie eine Kadenz – Adagio

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Composer & Artist:
Composer: Béla Bartók, Nino Rota, Paul Hindemith
Artists: Il Solisti Aquilani, Flavio Emilio Scogna (conductor)


About this Album:
A rare collection of recordings featuring some of the finest examples of the neo-Classical school, this release brings together a collective of high-calibre string players and some exciting young soloists under the guidance of globally renowned conductor Flavio Emilio Scogna. Together they interpret some of the most emotionally complex and technically demanding works written for string orchestra in the 20th century.

The two Italians represented here are equally sophisticated in their treatment of the ensemble: the mysterious, macabre Allegro moderato e spiritoso gives way to the spritely, dynamic interplay of soloist and ensemble of the Rondo: Vivace con brio in Ghedini’s Concerto for violin and strings. Rota, whilst better known for his film scores, displays all the provocative simplicity and stylistic versatility of his orchestral and chamber works in his Concerto for strings; the Scherzo and Finale teem with references to European folk music. The three movements from Bartók’s Divertimento similarly contain clear allusions to Romanian folk music, but come from his more tonally grounded period, the utterly danceable Allegro non troppo and Allegro assai contrasting with the dark and moody Molto adagio. Like Bartók, Hindemith wrote his Trauermusik under the looming threat of global conflict and the composer’s music from this period demonstrates appropriately melancholic attributes. Written in only six hours after the death of King George V, the beautiful solemnity and understatement of this work is a fitting tribute both to the King and Hindemith’s style of the time.

Tracklist:
00:00:00 Divertimento, Sz. 113: I. Allegro non troppo
00:10:13 Divertimento, Sz. 113: II. Molto adagio
00:20:42 Divertimento, Sz. 113: III. Allegro assai
00:28:26 Concerto for Violin and Strings, “Il belprato”: I. Allegro moderato e spiritoso
00:33:27 Concerto for Violin and Strings, “Il belprato”: II. Andante fiorito
00:38:34 Concerto for Violin and Strings, “Il belprato”: III. Rondò. Vivace con brio
00:40:58 Concerto for Violin and Strings, “Il belprato”: IV. Molto adagio
00:44:50 Concerto for Violin and Strings, “Il belprato”: V. Quasi presto
00:47:27 Concerto for Strings: I. Preludio. Allegro ben moderato e cantabile
00:51:53 Concerto for Strings: II. Scherzo. Allegretto comodo
00:56:25 Concerto for Strings: III. Aria. Andante quasi adagio
01:01:35 Concerto for Strings: IV. Finale. Allegrissimo
01:04:39 Trauermusik: I. Langsam
01:09:33 Trauermusik: II. Ruhig bewegt
01:10:25 Trauermusik: III. Lebhaft
01:11:59 Trauermusik: IV. Choral. “Vor deinen Thron tret ich hiermit”


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Sathya Sai Baba Songs

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Sadhguru discute las causas y consecuencias de estar identificados con cosas que no somos. Él revela que, cuando estamos identificados con aquello que no somos; ya sean nuestras posesiones materiales, nuestra familia, nuestra educación, etc., tener una mente silenciosa se vuelve imposible.

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Un buscador espiritual le pregunta a Sadhguru si es la suerte, nuestra fe, o Dios quien decide nuestro éxito. Él explica que no importa qué papel jueguen o no jueguen estos factores en nuestra vida; lo importante es concentrarnos en hacer un esfuerzo incisivo.

Sadhguru habla en Darshan, Isha Yoga Center, Coimbatore, Junio 2011.

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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https://www.ishafoundation.org..../es/Isha-Kriya/home.

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https://www.facebook.com/sadhguru

Perfil oficial de Twitter de Sadhguru
https://twitter.com/SadhguruJV

Descarga la app de Sadhguru
http://onelink.to/sadhguru__app

Sadhguru indaga sobre cómo, desafortunadamente, la mayoría de las personas no presta suficiente atención a aquello que se encuentra en el interior.
Él explica cómo el sistema humano es la máquina más sensible y sofisticada en el planeta. Cuando tenemos un artefacto tan maravilloso en nuestras manos, no podemos permitirnos actuar como un «herrero».

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Aprende la Meditación Guiada Gratuita de Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

Más Videos y Blogs en la Página
http://www.sadhguru.org

Página Oficial de Facebook de Sadhguru
https://www.facebook.com/sadhguru

Perfil Oficial de Twitter de Sadhguru
https://twitter.com/SadhguruJV

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Desde que se retiró apenas se le ha visto en público.
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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

ROME REPORTS informa directamente al público y cubre las necesidades de las emisoras mediante noticias diarias, programas informativos semanales y documentales especializados.

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Biper y sus Amigos - Somos Soldaditos

Amiguitos les presentamos nuestro videoclip, recordemos que todos somos soldados de Jesús.

Escuchanos en las plataformas digitales
Spotify:
https://open.spotify.com/album..../7D5iViMUxXlPr6rVVml
TIDAL:
https://tidal.com/browse/artist/4068995
iTunes:
https://itunes.apple.com/mx/ar....tist/biper-y-sus-ami

Escucha Nuestra Playlist en Spotify creada especialmente para ti:
https://open.spotify.com/user/....0xjqbzh0admmhmcljq1f

Suscribete, comparte y comenta en nuestros vídeos:
https://www.youtube.com/user/Biperysusamigos

Letra:

Soldado biper
Presente mi capitán
¿Usted anda en caballo?
No, mi capitán

¿Anda en avión?
No mi capitán
¿Esta en la infantería?
No mi capitán

¿Entonces de que soldado me habla biper?
Soy un soldado de jesus
Muy bien entonces.

Somos soldaditos, siervo del señor
Vamos en defensa de nuestro evangelio.

Aunque no soy de la infantería
Caballeria, artilleria
Aunque en avión, no ande volando...
Pero soldado soy...

Soldado soy de jesus
(x2)

Soldado biper
¡Si mi capitan!
¿Cómo hace la artillería?.
Tatatatatata...

Somos soldaditos, siervo del señor
Vamos en defensa de nuestro evangelio.

¿Cómo hace la aviación?
aaaaahhhmmmm....
Muy bien soldado biper.

Aunque no soy de la infantería
Caballeria, artilleria
Aunque en avión, no ande volando...
Pero soldado soy...

Soldado soy de jesus
(x2)

Aunque no soy de la infantería
(¿Como hace la caballería?)
*Sonido cabalgando*
Caballeria, artilleria
Aunque en avión, no ande volando...
Pero soldado soy...

Siempre con cristo


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