Top Vídeos
Caravelli E Sua Orquestra – Zingara
Genre:
Latin, Pop, Folk, World, & Country, Stage & Screen
Style:
Easy Listening, Chanson
Year:
1969
Tracklist
A1 Yesterday 2:13
A2 Africa (L’été indien) 4:00
A3 Michelle 2:28
A4 La Bohême 3:36
A5 Quand un bateau passe 3:20
A6 J’aime 2:26
B1 Aline 2:25
B2 Le Sud 3:22
B3 Manuela 3:18
B4 Le Ciel, le Soleil et la Mer 2:20
B5 Capri, c’est fini 3:40
B6 Mon Cœur d’attache 2:38
Great version of the beautiful song by Julio Iglesias Hey by the French French orchestra leader, composer and arranger of orchestral music Caravelli.
a little about him.
Caravelli, real name Claude Vasori (12 September 1930, Paris) is a French orchestra leader, composer and arranger of orchestral music.
The son of an Italian father and a French mother, Vasori was initially instructed in music by his mother in piano and voicing/harmony at seven years old, and later, when he was thirteen he began to attend the Paris Conservatoire.
At twenty he was professionally touring, accompanying singers on piano, and at 26 years old he started as orchestra conductor.
Vasori took his stage name in 1956 from the newly introduced twin-jet Caravelle from Caravelle Aerospatiale. This plane was the first jet created for the short-haul market. The first Caravelle entered service for Air France on May 9, 1959. He made it more Italianate in honor of his father's origins, changing the last letter: "CARAVELLI et son Violons Magiques/& his Magnificent Strings".
In 1959 with the help of the French jazz musician Ray Ventura, he obtained a contract to form his own orchestra oriented to popular music. He signed a contract with the French record label Versailles. His first album Dance Party was recorded. Under licenses these early recordings were released internationally (20th Century Records in USA, Ariel in Argentina, Fermata in Brasil and Discophon in Spain).
In 1962 he composed Et Satan conduit le bal original soundtrack under his real name, French film starred by young Catherine Deneuve. In 1963 he composed Accroche-toi Caroline! which was used by the BBC as the theme to the Vision On television series.
The Versailles label was acquired by Columbia Records in 1964. The wider distribution of their product led to gold records in France, Japan, Israel and South America. In Brazil his first released CBS album was titled Voyage Musical, in Argentina Merci Cherie. With his orchestra he also made recordings with Maurice Chevalier and Charles Trenet (La mer/Beyond the sea) among other singers. In 1970 he composed the music for the film L'Homme Qui Vient De La Nuit, starred by Ivan Rebroff, and in the same period recorded an album in USA. His first Japan Live Concert is recorded in 1972 by CBS.
In 1973 one of his own compositions was included in the Frank Sinatra album Old Blue Eyes is back: "Laisse moi le temps" / "Let me try again", original French lyrics by Michel Jourdan, English lyrics by Paul Anka. This song was previously presented in competition at the "Festival Internacional de la Canción de Viña del Mar", Chile, by singer Romuald representing France and obtaining the 2nd prize (a Chile song was the winner), although it was considered the best song by critics and people. Making a delayed justice, a few years ago, it was proclaimed the Best Song in the history of this Festival, in its 41st Anniversary, something unusual for a non 1st prize in any song contest. This song was also covered by Raymond Lefevre.
In 1978 he composed and recorded the title song of "Goldorak et les 2 Mazingers", for the Japan anime/cartoon. In 1981 he toured the Soviet Union with his orchestra performing in Riga and Moscow with great success (all concerts were sold out). The summer of following year, he returned to the country, this time to make a record for the Melodiya label with Russians musicians and female singers (in his style without lyrics). This record Caravelli in Moscow includes 12 songs, the majority written by young pop Russian composers, with a couple of traditional tunes. Two of the pieces were recorded in Paris with his own orchestra. In 1983 Caravelli plays Seiko Matsuda was recorded in Japan.
In the middle 1980s in order to update his sound he used rhythm arrangements by his son Patrick Vasori (born c.1950) using musicians like Gilles Gambus and Serge Planchon, who also played keyboards with the orchestra. In November and December 2002 he recorded an album titled A new day has come" with his Grand Orchestre in Brussels, Belgium, for Readers's Digest.
Japan being a country in which he has a following, Caravelli is one of the few Western artists who have been invited to conduct of the Japanese TV Network's NHK Orchestra,[1] In November 2001 he was touring Japan with an orchestra composed of 32 musicians (tour N° 7 ), invited by the Sony Foundation (the previous tour was in 1996). At this time, Sony Music Japan assembled a 2CD set Caravelli plays Michel Polnareff and ABBA, being the first (Polnareff) a selection from '60 & '70 albums (including his cover of "Love me, please love me") and the second (ABBA) a selection from 70' recordings. In December 2003 he toured Japan again; the 6 concerts were sold out.
Los investigadores trabajan a contrarreloj en busca de la vacuna contra el coronavirus
Algunos laboratorios ya están experimentando con prototipos en animales, pero una vacuna definitiva podría demorarse dos o más años.
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Crash Test Dummies – Mmm Mmm Mmm Mmm (Official Video)
Listen on Spotify - http://smarturl.it/CrashTestDummies_SP
Listen on Apple Music - http://smarturl.it/CrashTestDummiesAM
Amazon - http://smarturl.it/CrashTestDummies_AMZ
Follow Crash Test Dummies
Website - http://www.crashtestdummies.com/
Facebook - https://www.facebook.com/ctdummies
Twitter - http://twitter.com/ctdbrad
Lyrics:
Once there was this kid who
Got into an accident and couldn't come to school
But when he finally came back
His hair had turned from black into bright white
He said that it was from when
The cars had smashed so hard
Mmm Mmm Mmm Mmm
Mmm Mmm Mmm Mmm
Once there was this girl who
Wouldn't go and change with the girls in the change room
But when they finally made her
They saw birthmarks all over her body
She couldn't quite explain it
They'd always just been there
Mmm Mmm Mmm Mmm
Mmm Mmm Mmm Mmm
Mmm Mmm Mmm Mmm
Mmm Mmm Mmm Mmm
But both girl and boy were glad
Cause one kid had it worse than that
Cause then there was this boy whose
Parents made him come directly home right after school
And when they went to their church
They shook and lurched all over the church floor
He couldn't quite explain it
They'd always just gone there
Reelin’ In The Years Productions has available for licensing over 20,000 hours of music footage spanning 90 years. Additionally, we have more than 7,000 of hours of in-depth interviews with the 20th century’s icons of Film and Television, Politics, Comedy, Literature, Art, Science, Fashion and Sports.
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Song by "Hanson" reworked to Minor key.
PLEASE SUPPORT THE PROJECT: https://www.patreon.com/major_minor.
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MajorVsMinor: converting your favorite tunes from major to minor and backwards. More about the project on our pages:
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Bandcamp - https://majorvsminor.bandcamp.com
Kitaro - Silver Moon
LA CANCIÓN DE LA ALEGRÍA.
A finales de los años sesenta, Miguel Ríos recala en Hispavox, donde iniciaría una lenta escalada con éxitos pop como "El Río". En Diciembre de 1969 comenzarían las sesiones de grabación del Lp "Despierta", en cuya Cara B se escondía este "Himno a la alegría", el mayor éxito en la carrera del cantante granadino, un hit que durante el año 1970 alcanzaría los primeros puestos en listas de medio mundo.
Se trata de una adaptación del cuarto movimiento de la Novena Sinfonía de Beethoven, que en su momento despertó tantos furores como fervores, vendiendo millones de copias tanto en España como en EE.UU y Japón. Los arreglos se los debemos a Rafael Trabuchelli, el gran productor español de los sesenta y setenta, y a Waldo de los Ríos, el malogrado músico argentino afincado en nuestro país.
Miguel iniciaría una importante gira mundial para promocionar esta canción, y volvería obnubilado por la cultura californiana y por la música que allí se hacía (Texto de JOSE RAMON PARDO).
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Emitido originalmente en el especial Nochevieja de TVE, el 31-12-1969, aunque de madrugada, así que ya estábamos con un pie en 1970.
Cosmic Voices from Bulgaria - conductor Gancho Gavazov
"Zaspalo e Chelebiiche" (Sleepy is Chelebiiche) - adaptation by Hristo Todorov / orchestration by Rumen Bojadjiev - son
Космически гласове от България - диригент Ганчо Гавацов
"Заспало е Челебийче" - обработка Христо Тодоров / оркестрация Румен Бояджиев - син
"Bulgaria" Concert Hall - Sofia, Bulgaria - 28.03.2015
http://www.cosmicvoices.net/en/
https://www.facebook.com/cosmi....cvoices.frombulgaria
Polieley/Mode2/
Cosmic Voices From Bulgaria Orthodox Chant
I fell in love with the female Bulgarian choir when I heard it for the first time in the video about the upcoming game called Alone in the Dark (2008). I thought it's African female choir, because it's high vocals sounded very exotic.
I was able to play the game after few years and then then I realised what kind of choir it was. And it was AMAZING! I love it since then! I also realised what is that airy vocal on the background in Freedom Fighters...
Few years after Thomas released Starvation that stunned me with it's amazing dark and exotic tone. It took me few (or even more) years to find the actual lyrics. I knew they have nothing to do with the starvation theme (Thomas used two songs performed by Le Mystere Des Voix Bulgares), but now I realised they are also so edited they don't make sense at all. Well, it's still my favorite track by TSFH.
It's 2018 now and TSFH released even more music with Bulgarian choirs (Le Mystere Des Voix Bulgares and Cosmic Voices) and soloists (Vladislava Vasileva and Elitsa Todorova), so I decided to create a compilation. Enjoy!
Tracklist:
00:00:00 - Freedom Fighters
00:02:28 - Starvation
00:06:55 - Rada
00:11:16 - Femme Fatale
00:15:28 - Soulseeker
00:18:42 - Starfall
00:22:00 - Heart
00:24:59 - He's the Giant
00:27:58 - Welcome to Amaria
00:31:17 - Sun
00:35:20 - New Life
00:40:07 - Colors of Love
00:46:34 - Fearless
00:50:28 - Impossible
00:59:21 - Wild Heart
01:02:54 - Run Free
01:05:28 - Never Give Up On Your Dreams
01:10:42 - Shore
01:14:06 - He's the Giant (Drone)
01:15:20 - Freedom Fighters (Invincible)
"Подножие" / "In the Foot of the Mountain"
музика Теодосий Спасов
соло глас и кавал Теодосий Спасов
Хор "Космически гласове" с диригент Ваня Монева
Theodosii Spassov- music, kaval, vocal
Cosmic Voices choir
Vanya Moneva- conductor
Yulian Yanoushev- sax & clarinet
Angel Zaberski Jr.- piano
Angel Dimitrov- guitar & tambura
Peyo Peev- rebek
Krassimir Kondov- bulgarian bagpipe
Vesselin Eko Vesselinov- bas
Stoyan Yankulov- drums & tupane
Hristo Yotsov- percusions
https://www.facebook.com/theodosii.spassov
https://www.facebook.com/Cosmi....c-voices-49327710069
https://www.facebook.com/moneva.vanya
https://www.facebook.com/peyo.peev.9
https://www.facebook.com/vesselineko.vesselinov
https://www.facebook.com/stoyan.yankulov.5
https://www.facebook.com/angel.v.dimitrov
https://www.facebook.com/HristoYotsov/
https://www.facebook.com/angelzaberskiband/
https://www.facebook.com/profi....le.php?id=1000010027
https://www.facebook.com/theodosii/
https://www.facebook.com/theodosii.spassov.7
Teodosii Spasov https://www.facebook.com/profi....le.php?id=1000112784
http://www.theodosiispassov.com/
"Пладнина прейода" в изпълнение на хор "Космически гласове" с диригент Ваня Монева
"Иде нашенската музика", БНТ, 17.10.2015г.
Cosmic Voices choir conducted by Vanya Moneva perform "Pladnina Preyoda" @ "Ide Nashenskata Muzika", Bulgarian National Television, October 17, 2015
Bulgarian folklor- Kaval sviri - TRADITIONAL BULGARIAN MUSIC REACTION
Original Video --- https://www.youtube.com/watch?v=hVqrW-fPOQ0
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Under Section 107 of the Copyright Act 1976, allowance is made for «fair use» for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of «fair use». The recent amendments to the Copyright Act of 1976 pertain to music. «Fair use» remains in force for film and video.
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