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Composer & Artist:
Composer: Giuseppe Verdi
Artist: Daniela Nedialkova (soprano), Ivanka Ninova (mezzo soprano), Roumen Doikov (tenor), Emil Ponorski (bass), Choir and Orchestra of the Sofia Opera, Ivan Marinov (conductor)

About this Album:
In 1868 Rossini died, and the leading composers of the day grouped together to contribute to a jointly composed Requiem for the great man who had dominated Italian opera for half a century. Much to Verdi’s frustration, the work was never performed. In 1871, the director of the Milan Conservatoire asked him if he’d ever thought of composing a Requiem of his own – after all, he’d written the Libera me, the final part of the multicomposer work. Verdi dismissed the idea, saying that there were enough Requiems already.

In 1873, Verdi’s friend, and favourite author Alessandro Manzoni died aged 88. Verdi had first read his novels when he was 16 years old. He was devastated at the news of Manzoni’s death, so much so he was unable to attend his funeral. This provided the catalyst for what is the grandest of all Requiems. Premiered in 1874 with the composer conducting, it was an immediate success, and Verdi toured the work to Paris, London, Cologne and Vienna – in fact he conducted it more often than any of his operas. Overtly operatic in nature, it has been called ‘Verdi’s greatest opera’, but it is a deeply spiritual work, adhering to the traditional Mass for the dead. It ranks among the very greatest of religious works alongside Bach’s Mass in B minor, Mozart’s Requiem and Beethoven’s Missa solemnis.

Tracklist:
00:00:00 I. Requiem aeternam – Kyrie
00:08:52 II. Dies irae: Dies irae
00:10:53 II. Dies irae: Tuba mirum
00:13:42 II. Dies irae: Liber scriptus
00:18:24 II. Dies irae: Quid sum miser
00:21:59 II. Dies irae: Rex tremendae
00:25:15 II. Dies irae: Recordare
00:29:19 II. Dies irae: Ingemisco
00:32:26 II. Dies irae: Confutatis
00:37:24 II. Dies irae: Lacrymosa
00:43:09 III. Offertorium: Domine Jesu Christe
00:52:38 IV. Sanctus
00:55:10 V. Agnus Dei
01:00:19 VI. Lux aeterna
01:06:14 VII. Libera me

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The complete sonatas for Viola da Gamba of Johann Sebastian Bach.

In this new recording of the magnificent (and still undervalued) sonatas for viola da gamba by Bach. The keyboard is an organ, a german school Rückpositiv. The use of the organ instead of the harpsichord has changed the interpretation of the musician to a large extent: the sustained sound of the organ tones (contrary to the quickly decaying sound of the harpsichord) heightens the tension of the harmonics, especially the dissonances. The length of the notes is therefore often shortened, taking into account the reverberant acoustics of the church, which also affected the tempo choices. In short, this interpretation is completely different from the harpsichord version, shedding a new light on these masterpieces by Bach, who himself was never averse to using different instruments for his works.

00:00:00 Sonata No. 1 in G Major, BWV 1027: I. Adagio
00:04:23 Sonata No. 1 in G Major, BWV 1027: II. Allegro ma non tanto
00:08:23 Sonata No. 1 in G Major, BWV 1027: III. Andante
00:10:47 Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato
00:14:13 Sonata No. 2 in D Major, BWV 1028: I. Adagio
00:16:27 Sonata No. 2 in D Major, BWV 1028: II. Allegro
00:20:21 Sonata No. 2 in D Major, BWV 1028: III. Andante
00:25:24 Sonata No. 2 in D Major, BWV 1028: IV. Allegro
00:29:54 Sonata No. 3 in G Minor, BWV 1029: I. Vivace
00:35:48 Sonata No. 3 in G Minor, BWV 1029: II. Adagio
00:42:15 Sonata No. 3 in G Minor, BWV 1029: III. Allegro

Composer: J.S Bach

Artist:
Pieter-Jan Belder harpsichord
Christine Schornsheim harpsichord
Musica Amphion
Neues Bachisches Collegium Musicum
Netherlands Bach Ensemble

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00:00:00 Concerto for 2 Harpsichords in C Major, BWV 1061: I. —
00:06:58 Concerto for 2 Harpsichords in C Major, BWV 1061: II. Adagio ovvero largo
00:12:08 Concerto for 2 Harpsichords in C Major, BWV 1061: III. Fugue
00:17:49 Concerto for 2 Harpsichords in C Minor, BWV 1062: I. —
00:21:29 Concerto for 2 Harpsichords in C Minor, BWV 1062: II. Andante
00:27:12 Concerto for 2 Harpsichords in C Minor, BWV 1062: III. Allegro assai
00:31:44 Concerto for 3 Harpsichords in D Minor, BWV 1063: I. —
00:36:30 Concerto for 3 Harpsichords in D Minor, BWV 1063: II. Alla siciliana
00:40:17 Concerto for 3 Harpsichords in D Minor, BWV 1063: III. Allegro
00:45:09 Concerto for 3 Harpsichords in C Major, BWV 1064: I. —
00:51:14 Concerto for 3 Harpsichords in C Major, BWV 1064: II. Adagio
00:56:32 Concerto for 3 Harpsichords in C Major, BWV 1064: III. Allegro
01:01:03 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: I. Allegro
01:09:58 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: II. Adagio
01:15:59 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: III. Alla breve
01:23:37 Oboe Concerto in A Major, BWV 1055: I. Allegro
01:28:41 Oboe Concerto in A Major, BWV 1055: II. Larghetto
01:34:29 Oboe Concerto in A Major, BWV 1055: III. Allegro ma non tanto
01:38:14 Concerto for 3 Violins in D Major, BWV 1064: I. Allegro
01:44:07 Concerto for 3 Violins in D Major, BWV 1064: II. Adagio
01:49:18 Concerto for 3 Violins in D Major, BWV 1064: III. Allegro
01:53:33 Oboe Concerto in F Major, BWV 1053: I. Allegro
02:00:48 Oboe Concerto in F Major, BWV 1053: II. Siciliano
02:05:42 Oboe Concerto in F Major, BWV 1053: III. Allegro
02:11:36 Oboe d’amore Concerto in A Major, BWV 1055R: I. Allegro
02:15:49 Oboe d’amore Concerto in A Major, BWV 1055R: II. Larghetto
02:19:51 Oboe d’amore Concerto in A Major, BWV 1055R: III. Allegro ma non tanto
02:24:26 Oboe Concerto in G Minor, BWV 1056R: I. Allegro
02:27:41 Oboe Concerto in G Minor, BWV 1056R: II. Largo
02:30:03 Oboe Concerto in G Minor, BWV 1056R: III. Presto
02:33:29 Concerto for Oboe d’amore in G Major: I. [Bass aria] (from BWV 100)
02:36:53 Concerto for Oboe d’amore in G Major: II. [Alto aria] (from BWV 170)
02:43:09 Concerto for Oboe d’amore in G Major: III. [Bass aria] (from BWV 30)
02:47:26 Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro
02:51:49 Concerto for Oboe and Violin in C Minor, BWV 1060R: II. Adagio
02:56:03 Concerto for Oboe and Violin in C Minor, BWV 1060R: III. Allegro
02:59:14 Harpichord Concerto in D Minor, BWV 1052: I. Allegro
03:06:54 Harpichord Concerto in D Minor, BWV 1052: II. Adagio
03:14:21 Harpichord Concerto in D Minor, BWV 1052: III. Allegro
03:22:23 Harpsichord Concerto in D Minor, BWV 1059: I. —
03:28:31 Harpsichord Concerto in D Minor, BWV 1059: II.
03:33:44 Harpsichord Concerto in D Minor, BWV 1059: III. Presto
03:37:12 Concerto for viola da braccio in G Major, BWV 1055: I. Allegro
03:41:34 Concerto for viola da braccio in G Major, BWV 1055: II. Larghetto
03:46:59 Concerto for viola da braccio in G Major, BWV 1055: III. Allegro ma non tanto
03:51:31 Concerto for Three Violins in D Major, BWV 1064R: I. Allegro
03:58:02 Concerto for Three Violins in D Major, BWV 1064R: II. Adagio
04:03:41 Concerto for Three Violins in D Major, BWV 1064R: III. Allegro

Tracklist Below:
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Haydn had been his great example: Mozart himself wrote 41 symphonies. On this release are the two final symphonies. They are K550 and 551 “Jupiter”. Performances by the Mozart Akademie Amsterdam.

Composer:
Mozart

Artist:
Mozart Akademie Amsterdam
Jaap ter Linden (conductor)

00:00:00 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Molto allegro
00:07:28 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Andante
00:17:22 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Menuetto
00:21:12 Symphony No. 40 in G Minor, KV.550 (Second version with clarinets): Allegro assai
00:28:15 Symphony No. 41 in C Major, KV.551, “Jupiter”: Allegro vivace
00:39:57 Symphony No. 41 in C Major, KV.551, “Jupiter”: Andante cantabile
00:50:12 Symphony No. 41 in C Major, KV.551, “Jupiter”: Menuetto
00:54:36 Symphony No. 41 in C Major, KV.551, “Jupiter”: Molto allegro

A worthy tribute to Beethoven, the genius, the human, whose motto was:
“Vom Herzen, möge es wieder zu Herzen gehn!”(From the heart, may it go into the hearts again!).

The first 27 tracks of the Beethoven Edition! For the complete 104 tracks (13 hours of Music!), check the following links:

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Composer: Ludwig van Beethoven
Artist: Staatskapelle Dresden & Herbert Blomstedt

00:00:00 Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
00:09:03 Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
00:17:36 Symphony No. 1 in C Major, Op. 21: III. Menuetto & Trio. Allegro molto e vivace
00:21:02 Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace
00:27:21 Symphony No. 3 in E-Flat Major, Op. 55: I. Allegro con brio
00:42:24 Symphony No. 3 in E-Flat Major, Op. 55: II. Marcia funebre. Adagio assai
00:59:12 Symphony No. 3 in E-Flat Major, Op. 55: III. Scherzo & Trio. Allegro vivace
01:05:01 Symphony No. 3 in E-Flat Major, Op. 55: IV. Allegro molto - Poco andante – Presto
01:16:50 Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
01:24:56 Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
01:36:18 Symphony No. 5 in C Minor, Op. 67: III. Allegro
01:45:11 Symphony No. 5 in C Minor, Op. 67: IV. Allegro – Presto
01:54:14 Symphony No. 6 in F Major, Op. 68: I. Allegro ma non troppo
02:03:45 Symphony No. 6 in F Major, Op. 68: II. Andante molto mosso
02:16:26 Symphony No. 6 in F Major, Op. 68: III. Allegro - Sempre più stretto - In tempo d'allegro - Tempo I – Presto
02:03:45 Symphony No. 6 in F Major, Op. 68: IV. Allegro
02:22:10 Symphony No. 6 in F Major, Op. 68: V. Allegretto
02:25:23 Symphony No. 9 in D Minor, Op. 125: I. Allegro ma non troppo, un poco maestoso
02:35:44 Symphony No. 9 in D Minor, Op. 125: II. Molto vivace – Presto
02:52:39 Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo
03:06:27 Symphony No. 9 in D Minor, Op. 125: IV. Presto - Allegro assai - Presto - Recitativo - Allegro assai

Artist:
Brendel Alfred

03:48:01 Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
04:03:06 Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
04:13:18 Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo
04:22:33 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro moderato
04:42:32 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
04:51:05 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro

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Composer: Arcangelo Corelli
Artists: Rémy Baudet violin
Jaap ter Linden cello
Mike Fentross theorbo & guitar
Pieter-Jan Belder harpsichord


Tracklist:
00:00:00 Violin Sonata No. 1 in D Major, Op. 5: I. Grave – Allegro
00:03:08 Violin Sonata No. 1 in D Major, Op. 5: II. Allegro
00:05:31 Violin Sonata No. 1 in D Major, Op. 5: III. Allegro
00:06:36 Violin Sonata No. 1 in D Major, Op. 5: IV. Adagio
00:09:10 Violin Sonata No. 1 in D Major, Op. 5: V. Allegro
00:10:49 Violin Sonata No. 2 in B-Flat Major, Op. 5: I. Grave
00:13:32 Violin Sonata No. 2 in B-Flat Major, Op. 5: II. Allegro
00:15:49 Violin Sonata No. 2 in B-Flat Major, Op. 5: III. Vivace
00:17:04 Violin Sonata No. 2 in B-Flat Major, Op. 5: IV. Adagio
00:19:43 Violin Sonata No. 2 in B-Flat Major, Op. 5: V. Vivace
00:21:04 Violin Sonata No. 3 in C Major, Op. 5: I. Adagio
00:23:39 Violin Sonata No. 3 in C Major, Op. 5: II. Allegro
00:25:48 Violin Sonata No. 3 in C Major, Op. 5: III. Adagio
00:28:43 Violin Sonata No. 3 in C Major, Op. 5: IV. Allegro
00:29:46 Violin Sonata No. 3 in C Major, Op. 5: V. Allegro
00:32:19 Violin Sonata No. 4 in F Major, Op. 5: I. Adagio
00:34:18 Violin Sonata No. 4 in F Major, Op. 5: II. Allegro
00:36:46 Violin Sonata No. 4 in F Major, Op. 5: III. Vivace
00:38:00 Violin Sonata No. 4 in F Major, Op. 5: IV. Adagio
00:40:09 Violin Sonata No. 4 in F Major, Op. 5: V. Allegro
00:42:40 Violin Sonata No. 5 in G Minor, Op. 5: I. Adagio
00:45:23 Violin Sonata No. 5 in G Minor, Op. 5: II. Vivace
00:47:29 Violin Sonata No. 5 in G Minor, Op. 5: III. Adagio
00:49:36 Violin Sonata No. 5 in G Minor, Op. 5: IV. Vivace
00:51:15 Violin Sonata No. 5 in G Minor, Op. 5: V. Giga. Allegro
00:53:07 Violin Sonata No. 6 in A Major, Op. 5: I. Grave
00:55:41 Violin Sonata No. 6 in A Major, Op. 5: II. Allegro
00:58:03 Violin Sonata No. 6 in A Major, Op. 5: III. Allegro
00:59:10 Violin Sonata No. 6 in A Major, Op. 5: IV. Adagio
01:01:16 Violin Sonata No. 6 in A Major, Op. 5: V. Allegro
01:03:34 Violin Sonata No. 7 in D Minor, Op. 5: I. Preludio. Vivace
01:05:30 Violin Sonata No. 7 in D Minor, Op. 5: II. Corrente. Allegro
01:08:13 Violin Sonata No. 7 in D Minor, Op. 5: III. Sarabande. Largo
01:10:01 Violin Sonata No. 7 in D Minor, Op. 5: IV. Giga. Allegro
01:12:07 Violin Sonata No. 8 in E Minor, Op. 5: I. Preludio. Largo
01:15:47 Violin Sonata No. 8 in E Minor, Op. 5: II. Allemanda. Allegro
01:17:47 Violin Sonata No. 8 in E Minor, Op. 5: III. Sarabanda. Largo
01:20:22 Violin Sonata No. 8 in E Minor, Op. 5: IV. Giga. Allegro
01:22:24 Violin Sonata No. 9 in A Major, Op. 5: I. Preludio. Largo
01:26:10 Violin Sonata No. 9 in A Major, Op. 5: II. Giga. Allegro
01:29:10 Violin Sonata No. 9 in A Major, Op. 5: III. Adagio
01:29:41 Violin Sonata No. 9 in A Major, Op. 5: IV. Tempo di gavotte. Allegro
01:32:04 Violin Sonata No. 10 in F Major, Op. 5: I. Preludio. Adagio
01:33:48 Violin Sonata No. 10 in F Major, Op. 5: II. Allemanda. Allegro
01:36:01 Violin Sonata No. 10 in F Major, Op. 5: III. Sarabanda. Largo
01:38:02 Violin Sonata No. 10 in F Major, Op. 5: IV. Gavotta. Allegro
01:38:48 Violin Sonata No. 10 in F Major, Op. 5: V. Giga. Allegro
01:41:00 Violin Sonata No. 11 in E Major, Op. 5: I. Preludio. Adagio
01:42:51 Violin Sonata No. 11 in E Major, Op. 5: II. Allegro
01:45:37 Violin Sonata No. 11 in E Major, Op. 5: III. Adagio
01:46:16 Violin Sonata No. 11 in E Major, Op. 5: IV. Vivace
01:48:12 Violin Sonata No. 11 in E Major, Op. 5: V. Gavotta. Allegro
01:48:54 Violin Sonata No. 12 in D Minor, Op. 5 la folia


#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #corelli

Tracklist below.

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The piano is a beautiful instrument, and this special release brings together some of the most moving and romantic classics in the piano repertoire. With over two hours of this enchanting music to enjoy, sit back, relax and lose yourself in the timeless melodies of masters including Beethoven, Brahms, Chopin, Debussy, Liszt, Mendelssohn, Scarlatti, Schubert and Schumann. Savour the tender lyricism of Liszt’s famous ‘Liebestraum’, Debussy’s elegant Arabesques and evocative ‘Clair de lune’, the emotional drama of some of Beethoven’s best‐loved Adagios for the piano, and the beguiling melodies of Schubert’s Impromptus and Chopin’s ‘Raindrop’ Prelude – to name but a few of the many wonderful moments in this collection. These captivating piano works are performed by Misha Goldstein, who has made many acclaimed recordings for Brilliant Classics.
A fine selection of romantic piano pieces, for relaxing, chilling, dreaming. Enjoy!
The most famous and popular piano pieces ever written: Liebestraum (Liszt), Für Elise (Beethoven), Mondschein Adagio (Beethoven), Träumerei (Schumann), Consolation (Liszt), Lied ohne Worte (Mendelssohn), Rosamunde Impromptu (Schubert) and many more. Over two hours of classical favourites, played with a fine feeling for atmosphere and intimacy by the acclaimed pianist Misha Goldstein.

Artist: Misha Goldstein

Franz Liszt
00:00:00 Liebestraum, S. 541 No. 3
00:48:12 Consolation in E Major, S. 172
01:54:09 Consolation in D-Flat Major, S. 172

Felix Mendelssohn
00:04:36 Song without Words Op. 19b: No. 1, Andante con moto in E Major
00:34:55 Song without Words Op. 19b: No. 6, Venetian Gondola Song
00:57:14 Frühlingslied, Op. 62 No. 6

Frédéric Chopin
00:08:29 Nocturne in B-Flat Minor Op. 9 No. 1
02:05:25 Preludes, Op. 28: No. 15, Prelude in D-Flat Major "Raindrop"
02:10:13 Nocturne in E-Flat Major, Op. 9 No. 2

Franz Schubert
00:13:54 Impromptu in B-Flat Major Op. 142 No. 3 “Rosamunde”
00:28:22 Impromptu in A-Flat Major Op. 142 No. 2
01:03:43 Moment Musical in F Minor, Op. 90 No. 4
01:12:59 Klavierstück in E-Flat Major D. 946 No. 2
01:37:00 Impromptu in G-Flat Major Op. 90 No. 3

Johannes Brahms
00:25:49 Intermezzo in B-Flat Major Op. 76 No. 4
00:37:59 Intermezzo in E-Flat Major Op. 117 No. 1
00:43:20 Intermezzo in B-Flat Minor Op. 117 No. 2
01:24:07 Intermezzo in A Major Op. 118 No. 2

Ludwig van Beethoven
00:51:33 Piano Sonata in C-Sharp Major, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
01:05:23 Sonate Pathetique, Op. 13: II. Adagio
01:10:07 Bagatelle in A Minor, WoO 59 "Für Elise"

Claude debussy
00:59:33 Arabesque No. 1, L. 66
01:30:30 Arabesque No. 2, L. 66
01:42:15 Rêverie, L. 68
01:57:15 Suite Bergamasque, L. 75: III. Clair de Lune

Robert Schumann
01:33:35 Fantasiestücke Op. 12: No. 1, Des Abends
01:45:49 Romanze in F-Sharp Major Op. 28 No. 2
02:02:14 Kinderszenen, Op. 15: No. 7, Träumerei in F Major

Domenico Scarlatti
01:49:21 Sonate in B Minor, Kk. 27

Valentina Levko was another in the glorious line of Russian 20th-century contraltos who in some ways defined the sound of Russian opera for ears, both Eastern and Western, which were often discovering the rich tradition of Russian opera for the first time through recordings. Levko's name, however, unlike compatriots such as Elena Obratzova, never travelled as far or as well. Committed to her contract at the Bolshoi, she spurned several opportunities to make a name for herself in the West, with the lucrative recording contracts that would surely have followed. And yet hers was, as this important set reveals, a voice and dramatic presence firmly in the mould of greats of the past such as Zara Dolukhanova.

This video contains the 7th volume of the complete Valentina Levko: Star of the Bolshoi box-set. To download and stream the complete album click here: https://brilliant-classics.lnk.to/StaroftheBolshoi

00:00:00 Alexei Verstovsky - The Little Bell (F. Glinka)
00:03:11 Mili Balakirev - Embrace me, kiss me (Koltsov)
00:05:47 Alexander Varlamov - I feel sorry for you
00:08:57 Alexander Varlamov - Oh, do not kiss me
00:10:30 Alexander Gurilyov - Girl’s Sorrow (Koltsov)
00:15:01 Pyotr Bulakhov - And this world has no eyes
00:17:15 Pyotr Bulakhov - Do not stir up memories (Davidov)
00:21:39 Alexander Diubiuk - Do not scold me (Razorenov)
00:25:34 Alexei Verstovsky - The Old Husband (Gipsy song after Pushkin)
00:27:56 Pyotr Bulakhov - Russian Carriage-and-Three (Viazemsky)
00:30:32 Alexander Varlamov - Red Sarafan (Tsyganov)
00:34:04 Song of Ilinichna (Music for a Tragedy by Nestor Kukolnik ‘Count Kholmski’)
00:35:57 Oh, if I had known (Gypsy Song – Dmitriev)
00:40:55 I loved him (Koltsov)
00:43:52 Reminder
00:49:48 I loved you (Pushkin)

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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.

Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences

Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.

Tracklist can be found below!

This is part 3 of the first and only Complete Locatelli Edition ever!
Locatelli, like many of his contemporaries, moved abroad and settled in Amsterdam/The Netherlands, concertising as a violinist (and a “devil” he was as a performer!), and founding a flourishing publishing house.

Locatelli composed in the tradition of the Italian Baroque, in the well known forms of the Concerto Grosso, Solo Concerto and Trio Sonata. His style is inventive, flamboyant, and extremely virtuoso. His violin sonatas and concertos still present a daunting challenge even to today’s violinists.

Pietro Antonio Locatelli was one of the most important composers of the Baroque period, being a particularly celebrated composer of violin repertoire. His collection L’arte del violino contains 12 violin concertos with 24 caprices in the first and last movement of each, allowing for astonishing displays of virtuosity.

Composer: Pietro Antonio Locatelli
Artist: Various artists

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The tracklist can be found in the comments!

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These are not modern arrangements of two classic violin sonatas but classic examples of the art of transcriptions, made by two superb French cellists in the last half of the 19th century. They cater less for the demand of amateur musicians for repertoire for domestic music-making – even in their originals, the sonatas lie somewhere beyond the technical level of all but the most accomplished performers – but for the growing number of professional cellists who sought more than showpieces for their recitals yet were understandably frustrated by the lack of substantial contributions to the cello repertoire by composers of their time.

The greatest Parisian cellist of his day, August Franchomme, arranged the ‘Kreutzer’ Sonata in 1867. It is among Beethoven’s most ambitious pieces of chamber music, symphonic in scale. Reportedly, the first transcription for the cello was made by Carl Czerny, at the request of Beethoven himself. However, Czerny considerably simplified the most important virtuoso passages that had made this sonata a piece for seasoned musicians. Franchomme also made certain adaptations, inevitable when transcribing a piece of this complexity for a lower instrument, but he retained its sense of thrill and danger.

Composer :César Auguste Franck, Ludwig van Beethoven
Artist: Roberto Trainini (cello)
Christiano Burato (piano)

00:00:00 Violin Sonata No. 9 in A Major, Op. 47: I. Adagio sostenuto. Presto
00:14:13 Violin Sonata No. 9 in A Major, Op. 47: II. Andante con variazioni
00:30:13 Violin Sonata No. 9 in A Major, Op. 47: III. Finale. Presto
00:39:44 Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato
00:46:04 Violin Sonata in A Major, FWV 8: II. Allegro
00:54:32 Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato
01:02:02 Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso

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This exciting German pianist continues his well-received traversal of the epitome of German Romantic music with a generously filled recital of some of Schumann’s most testing and poetic works. The Symphonic Studies fulfil their title in exploring advanced composition, bravura piano technique, unspecified scene painting and ‘character’ depiction, making a thrilling journey from ‘pathétique’ to ‘symphonic’ towards the unstoppable momentum of the extended finale.

Composer: Robert Schumann
Artist: Wolfram Schmitt-Leonardy piano

00:00:00 Carnaval, Op. 9: I. Préambule: Quasi maestoso
00:02:26 Carnaval, Op. 9: II. Pierrot: Moderato
00:04:25 Carnaval, Op. 9: III. Arlequin: Vivo
00:05:27 Carnaval, Op. 9: IV. Valse noble: Un poco maestoso
00:07:34 Carnaval, Op. 9: V. Eusebius: Adagio
00:09:18 Carnaval, Op. 9: VI. Florestan: Passionato
00:10:14 Carnaval, Op. 9: VII. Coquette: Vivo
00:11:49 Carnaval, Op. 9: VIII. Réplique: L’istesso tempo
00:12:47 Carnaval, Op. 9: IX. Sphinxes
00:13:50 Carnaval, Op. 9: X. Papillons: Prestissimo
00:14:36 Carnaval, Op. 9: XI. A.S.C.H.–S.C.H.A., Lettres dansantes: Presto
00:15:32 Carnaval, Op. 9: XII. Chiarina: Passionato
00:16:59 Carnaval, Op. 9: XIII. Chopin: Agitato
00:18:17 Carnaval, Op. 9: XIV. Estrella: Con affetto
00:18:47 Carnaval, Op. 9: XV. Reconnaissance: Animato
00:20:25 Carnaval, Op. 9: XVI. Pantalon et Colombine: Presto
00:21:21 Carnaval, Op. 9: XVII. Valse allemande: Molto vivace
00:22:19 Carnaval, Op. 9: XVIII. Paganini, Presto

00:24:06 Carnaval, Op. 9: XIX. Aveu, Passionato
00:25:08 Carnaval, Op. 9: XX. Promenade: Commodo
00:27:33 Carnaval, Op. 9: XXI. Pause: Precipitandosi
00:27:51 Carnaval, Op. 9: XXII. Marche des ‘Davidsbündler’ contre les Philistins: Non allegro
00:31:45 Nachtstücke, Op. 23: I. Mehr langsam, oft zurückhaltend (Trauerzug)
00:36:29 Nachtstücke, Op. 23: II. Markiert und lebhaft (Kuriose Gesellschaft)
00:41:27 Nachtstücke, Op. 23: III. Mit großer Lebhaftigkeit (Nächtliches Gelage)
00:45:15 Nachtstücke, Op. 23: IV. Ad libitum – Einfach (Rundgesang mit Solostimmen)
00:48:32 Toccata, Op. 7
00:55:40 Vier Klavierstücke, Op. 32: I. Scherzo: Sehr markiert
00:59:37 Vier Klavierstücke, Op. 32: II. Gigue: Sehr schnell
01:00:53 Vier Klavierstücke, Op. 32: III. Romanze: Sehr rasch und mit Bravour
01:04:12 Vier Klavierstücke, Op. 32: IV. Fughette: Leise
01:06:41 Presto passionato (original finale of Sonata No. 2)
01:13:09 ABEGG Variations, Op. 1: Thema
01:14:11 ABEGG Variations, Op. 1: Variation 1
01:15:36 ABEGG Variations, Op. 1: Variation 2
01:16:41 ABEGG Variations, Op. 1: Variation 3
01:17:38 ABEGG Variations, Op. 1: Cantabile
01:18:50 ABEGG Variations, Op. 1: Finale alla Fantasia
01:21:23 Intermezzi, Op. 4: I. Allegro quasi maestoso
01:24:38 Intermezzi, Op. 4: II. Presto a capriccioso
01:28:46 Intermezzi, Op. 4: III. Allegro
01:32:34 Intermezzi, Op. 4: IV. Allegretto semplice
01:34:31 Intermezzi, Op. 4: V. Allegro moderato
01:38:41 Intermezzi, Op. 4: VI. Allegro
01:41:40 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Thema: Andante
01:43:03 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde I: Un poco più vivo
01:44:13 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Anhang Variation
01:46:07 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde II: Espressivo
01:49:08 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde III: Vivace
01:50:27 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde IV
01:51:23 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde V: Scherzando
01:52:43 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Anhang Variation 4
01:56:10 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde VI: Agitato
01:57:05 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde VII: Allegro molto
01:58:19 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Anhang Variation 2
02:00:39 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Anhang Variation 5
02:04:09 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde VIII: Sempre marcatissimo
02:06:43 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde IX: Presto possibile
02:07:24 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Anhang Variation 3
02:08:49Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde X: Con energia sempre
02:10:09 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde XI: Con espressione
02:13:28 Symphonische Etüden, Op. 13 (including 5 posthumous variations): Etüde XII: Finale, allegro brillante

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Composer & Artist:
Composer: Alfred Schnittke
Artists: Bolshoi Theatre (Orchestra), Andrei Chistjakov (conductor)

About this Album:
In 1978 Alfred Schnittke (1934-98) wrote the incidental music for a production of The Inspector’s Tale, an adaptation for stage of Gogol’s Dead Souls. It was to have been directed by Yuri Lyubimov, but the Soviet government banned the production. A suite was assembled from the score by Gennadi Rozhdenstvensky, and two leading colleagues of Schnittke – Gubaidulina and Denisov contributed a jointly composed march, which opens this CD. In 1985 the music was choreographed, the ballet, called Esquisses was performed at the Bolshoi. Schnittke composed a number of new pieces for this production. The characters in the action are all from Gogol, but in addition to The Dead Souls, we meet Tchitchikov, Major Kovalyov’s Nose, and Ferdinand VIII from Notes of a Madman. A passage from the book is recited in his piece, and is read by the conductor on this CD.

Tracklist:
00:00:00 March: The Swan, the Pike and the Crayfish
00:01:54 Overture
00:03:15 The Childhood of Chichikov
00:05:37 The Portrait
00:12:01 Major Kovalyov
00:12:44 Morning. The Disappearance of the Nose
00:14:15 In Search of the Nose
00:15:46 Despair
00:17:39 The Nose is Found
00:19:59 The Overcoat
00:22:15 Ferdinand VIII
00:23:24 The Civil Servants
00:25:54 The Barrel-Organ
00:28:04 The Unknown Woman
00:29:26 Pas de deux
00:32:59 The Debauch
00:34:28 The Sabbath
00:36:29 The Barrel-Organ
00:37:38 Spanish Royal March
00:39:18 The Ball
00:45:18 The Testament
00:50:35 March: The Swan, the Pike and the Crayfish


Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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Composer & Artist:
Composer: Béla Bartók, Nino Rota, Paul Hindemith
Artists: Il Solisti Aquilani, Flavio Emilio Scogna (conductor)


About this Album:
A rare collection of recordings featuring some of the finest examples of the neo-Classical school, this release brings together a collective of high-calibre string players and some exciting young soloists under the guidance of globally renowned conductor Flavio Emilio Scogna. Together they interpret some of the most emotionally complex and technically demanding works written for string orchestra in the 20th century.

The two Italians represented here are equally sophisticated in their treatment of the ensemble: the mysterious, macabre Allegro moderato e spiritoso gives way to the spritely, dynamic interplay of soloist and ensemble of the Rondo: Vivace con brio in Ghedini’s Concerto for violin and strings. Rota, whilst better known for his film scores, displays all the provocative simplicity and stylistic versatility of his orchestral and chamber works in his Concerto for strings; the Scherzo and Finale teem with references to European folk music. The three movements from Bartók’s Divertimento similarly contain clear allusions to Romanian folk music, but come from his more tonally grounded period, the utterly danceable Allegro non troppo and Allegro assai contrasting with the dark and moody Molto adagio. Like Bartók, Hindemith wrote his Trauermusik under the looming threat of global conflict and the composer’s music from this period demonstrates appropriately melancholic attributes. Written in only six hours after the death of King George V, the beautiful solemnity and understatement of this work is a fitting tribute both to the King and Hindemith’s style of the time.

Tracklist:
00:00:00 Divertimento, Sz. 113: I. Allegro non troppo
00:10:13 Divertimento, Sz. 113: II. Molto adagio
00:20:42 Divertimento, Sz. 113: III. Allegro assai
00:28:26 Concerto for Violin and Strings, “Il belprato”: I. Allegro moderato e spiritoso
00:33:27 Concerto for Violin and Strings, “Il belprato”: II. Andante fiorito
00:38:34 Concerto for Violin and Strings, “Il belprato”: III. Rondò. Vivace con brio
00:40:58 Concerto for Violin and Strings, “Il belprato”: IV. Molto adagio
00:44:50 Concerto for Violin and Strings, “Il belprato”: V. Quasi presto
00:47:27 Concerto for Strings: I. Preludio. Allegro ben moderato e cantabile
00:51:53 Concerto for Strings: II. Scherzo. Allegretto comodo
00:56:25 Concerto for Strings: III. Aria. Andante quasi adagio
01:01:35 Concerto for Strings: IV. Finale. Allegrissimo
01:04:39 Trauermusik: I. Langsam
01:09:33 Trauermusik: II. Ruhig bewegt
01:10:25 Trauermusik: III. Lebhaft
01:11:59 Trauermusik: IV. Choral. “Vor deinen Thron tret ich hiermit”


Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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Many people prefer steady, pulsing music for their workouts. Even for classical music lovers, classical isn't often the go-to genre for exercise music, but classical music is full of dynamic shifts that can be used for workout, running and other exercises. We have come up with a selection of twenty pieces of classical music that can motivate and energize you as you try to improve your health and fitness. Try it out!

00:00:00 Wagner: The Valkyrie, WWV 86B, Pt. 3: The Ride of the Valkyries by Royal Philharmonic Orchestra
00:05:09 Verdi: Triumphal March, Aida, Pt. 2: Grand March by Royal Philharmonic Orchestra, Owain Arwel Hughes
00:12:47 Offenbach: Orphée aux enfers, Pt. 2: Can-Can by Royal Philharmonic Orchestra, Philip Ellis
00:15:00 Dvorak: Slavonic Dances, Op. 46: VIII. Slavonic Dance in G Minor. Furiant by Royal Philharmonic Orchestra, Nick Davies
00:19:30 Orff: Carmina Burana: O fortuna Royal Philharmonic Orchestra, Owain Arwel
00:22:03 Elgar: Pomp and Circumstance, Op. 39: March No. 1 in D Major by Royal Philharmonic Orchestra, Philip Ellis
00:27:37 Khatchaturian: Gayaneh, Ballet Suite: Sabre Dance by Royal Philharmonic Orchestra, Philip Ellis
00:30:03 Suppé: Light Cavalry by Royal Philharmonic Orchestra, Charles Dutoit
00:36:46 Chopin: Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" by Martijn van den Hoek
00:38:29 Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio by Staatskapelle Dresden & Herbert Blomstedt
00:47:42 Schubert: Symphony No. 9 in C Major, Op. posth., D. 944 'The Great': IV. Finale. Allegro vivace by Staatskapelle Dresden & Herbert Blomstedt
00:59:55 Vivaldi: The Four Seasons, Concerto No. 2 in G Minor, RV 315, Op. 8, "Summer": III. Presto by La Magnifica Comunitá
01:02:46 Vivaldi: The Four Seasons No. 4 in F Minor, RV 297, Op. 8, "Winter": I. Allegro non molto by La Magnifica Comunitá
01:06:03 Dvorak: Symphony No. 9 in E Minor, Op. 95, B. 178: IV. Allegro con fuoco by Staatskapelle Berlin & Otmar Suitner
01:16:52 Dvorak: Czech Suite, Op. 39, B. 93: V. Finále. Presto by Janáček Philharmonic Orchestra & Theodore Kuchar
01:22:17 Mozart: Symphony No. 25 in G Major, Minor, K. 186: IV. Allegro by Mozart Akademie Amsterdam & Jaap ter Linden
01:29:35 Bach: Concerto No. 3 in G Major, BWV 1048: I. – by Musica Amphion & Pieter-Jan Belder
01:34:55 Mozart: Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai by Klára Würtz
01:41:37 Tchaikovsky: The Nutcracker, Op. 71, Pt. 2: XVII. Trepak by Royal Philharmonic Orchestra & David Maninov
01:42:46 Schumann: Toccata, Op. 7 by Wolfram Schmitt-Leonardy

La palabra yoga literalmente significa «unión» o «fusionarse». Más que un conjunto de posturas físicas o ejercicios, Sadhguru define yoga como una ciencia para determinar la naturaleza de quién eres y qué quieres ser. Hoy en día, estudios científicos han demostrado que los fundamentos mismos de la actividad cerebral, la química interna y las predisposiciones genéticas, pueden ser modificadas practicando ciertos sistemas de yoga. Yoga es, esencialmente, una tecnología para cambiar la forma de quién eres tú.

******************************************

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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La palabra yoga literalmente significa «unión» o «fusionarse». Más que un conjunto de posturas físicas o ejercicios, Sadhguru define yoga como una ciencia para determinar la naturaleza de quién eres y qué quieres ser. Hoy en día, estudios científicos han demostrado que los fundamentos mismos de la actividad cerebral, la química interna y las predisposiciones genéticas, pueden ser modificadas practicando ciertos sistemas de yoga. Yoga es, esencialmente, una tecnología para cambiar la forma de quién eres tú.

********************************************************************

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Aprende la meditación guiada gratuita de Sadhguru
https://www.ishafoundation.org..../es/Isha-Kriya/home.

Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

Más videos y blogs en la página
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Sadhguru responde una pregunta sobre el propósito de la vida y explica por qué tener un propósito «dado por Dios» solo restringirá la vida.

**************************************************

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Un buscador espiritual le pregunta a Sadhguru si es la suerte, nuestra fe, o Dios quien decide nuestro éxito. Él explica que no importa qué papel jueguen o no jueguen estos factores en nuestra vida; lo importante es concentrarnos en hacer un esfuerzo incisivo.

Sadhguru habla en Darshan, Isha Yoga Center, Coimbatore, Junio 2011.

**************************************************

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

Más videos y blogs en la página
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Sadhguru indaga sobre por qué la gente sufre tanto estrés en el mundo actual. Si tú le preguntas a las personas por qué están estresadas, la respuesta de muchos sería que es a causa su trabajo. Pero, incluso si te ocuparas de su proceso de superviviencia y dejasen de trabajar, ellos no encontrarían contento en la vida.

Con la historia de un obispo de la Iglesia Ortodoxa que busca a un Yogui de la India, Sadhguru explica que la vida es, esencialmente, nuestra creación. Si hacemos las cosas correctas, la dicha será nuestra manera natural de estar. Pero si manejamos las cosas de forma inconsciente, nuestra situación interna podría volverse una absoluta confusión.

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Meditación gratuita guiada por Sadhguru
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