There's a time to be picky about all the details, and a time to just get on with it. I explain ISO, exposure, give a bit of history, and reveal a tip for the "fiddly" people. Show thanks to Motion Array here: http://bit.ly/2AaoUVU

Get 100's of FREE Video Templates, Music, Footage and More at Motion Array: http://bit.ly/2AaoUVU

"Just Shoot the $%#@ing Thing!" Mugs and Tees:
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WHAT I USE::
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Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Camera Cage:
https://amzn.to/2R8LDZ0

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv

Tripod (replaced head):
https://amzn.to/2yr8ZSU
https://bhpho.to/2PpdG9E

Replaced Head With:
https://amzn.to/2RaAMOy
https://bhpho.to/2JhjUmd

Alternative Tripod:
https://amzn.to/2qdpttt

Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb

Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

85mm f/1.8:
https://amzn.to/2MWElWB
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24-70mm f2.8:
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Rode NTG-3:
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Zoom H6 Recorder:
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Headphones:
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Aputure L/S 1/2:
https://amzn.to/2Sb8oNn
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Pulsar Spotlight:
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Light Stands:
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Wall Mounting Brackets:
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C-Stand:
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Fake Brick Tapestry:
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Backdrop Mounting Unit:
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Portable Green/Blue/White/Gray Screen:
https://amzn.to/2Opnb5m

Adobe Premiere Pro:
http://bit.ly/AdobeCCFull

Color Checker:
http://bit.ly/X-RiteAmazon
http://bit.ly/X-RiteBandH

Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Clicker for Lights:
https://amzn.to/2R5tNpU

Worktable:
https://amzn.to/2RfBEl5

Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker

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Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

----------------------------------------------
Credits
----------------------------------------------
Bumper Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic

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Connect with me here:
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Copyright (c) 2018 Basic Filmmaker
All rights reserved.
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Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

Someone I know was shooting the screen of their iPad and iPhone with a camera for tutorials, so I showed him this trick to record the screens, even while shooting video. http://bit.ly/SubscribeToBasicFilmmaker

I find this a great way to show iPhone and iPad apps, usage, tutorials, support, helping the technologically challenged, and recording a recording of your recording. :)

What I shoot/edit episodes with:
-----------------------------------------------------------------------
Amazon:

Canon 5D: https://amzn.to/2HA1zQC
Canon 50mm: https://amzn.to/2vgPcq4
Rode NTG-3: https://amzn.to/2GY9cPO
Zoom H6 Recorder: https://amzn.to/2MjiOdL
Aputure Tri-8 Kit: https://amzn.to/2HyvE2U
Adobe Pemiere Pro: http://bit.ly/AdobeCCFull

B&H:

Canon 5D: https://bhpho.to/2GXbUoz
Canon 50mm: https://bhpho.to/2HzkoDE
Rode NTG-3: https://bhpho.to/2HxxL75
Zoom H6 Recorder: https://bhpho.to/2AWDfsB
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Adobe Premiere Pro: http://bit.ly/AdobeCCFull

More gear at https://www.kit.com/basicfilmmaker

Filmmaker Training:
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https://www.basicfilmmakeruniversity.com

Credits
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Outro by Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic

Connect with me here:
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Copyright (c) 2018 Basic Filmmaker
All rights reserved.
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Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

I wanted to make a point, which is, using an iPhone, you can shoot your YouTube videos and they can look good. So the iPhone is a little soft? Yeah! Compared to a $3000 camera!!! No excuses - Go make something! Links in the description. ▼

GEAR:
▶ https://kit.com/BasicFilmmaker

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▶ http://bit.ly/BFUniversityEnrollment

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[Asked which of my videos I like best - it's this one from 2012 - reissuing it in 2019 for those interested.] Most professions subscribe to a set of basic principles. I wanted one for filmmakers and video creators so I created The Code of a Filmmaker. http://bit.ly/SubscribeToBasicFilmmaker

#basicfilmmaker #filmmaking #code

I've been asked so many times which video I've created over the years is my favorite. So I went through the 300+ videos on the channel, and I have to say, It's this one from almost 7 years ago. I hope you enjoy watching it as much as I do.

THE CODE OF A FILMMAKER
-----------------------------------------------
1. I PROMISE TO CREATE THE BEST WORKS I CAN, USING THE TIME, KNOWLEDGE AND TOOLS I HAVE AVAILABLE AND COMPLETE THOSE WORKS TO THE BEST OF MY ABILITY.

2. I PROMISE TO NOT EXPLAIN OR MAKE EXCUSES FOR MY WORK BUT TO IMPROVE MY COMPETENCE BY LEARNING AND PRACTICING MY CRAFT.

3. I PROMISE TO HELP OTHERS WHEN I CAN WITH THOSE THINGS I KNOW AND TO NOT PRETEND I KNOW SOMETHING WHEN I DON'T.

4. I PROMISE TO NOT MAKE LESS OF MY OWN OR ANOTHER'S WORK AND TO NOT DAMAGE ANOTHER FILMMAKER'S REPUTATION OR STATUS.

5. I PROMISE TO GIVE ADVICE TO THOSE WHO ASK FOR IT AND TO KEEP MY ADVICE CONSTRUCTIVE AND HELPFUL.

6. I PROMISE TO IGNORE AND NOT ENGAGE THOSE WHO ARE SUPER-CRITICAL AND IRRATIONAL.

7. I PROMISE TO NOT CONDONE THE THEFT OF ANOTHER'S WORK, AND WILL LEGALLY OBTAIN, LICENSE AND CREDIT ANOTHER'S WORK AS REQUIRED.

8. I PROMISE TO GET THE PROPER RELEASES AND PERMISSIONS I NEED FOR MY WORK AS REQUIRED.

9. I PROMISE TO TREAT THOSE AROUND ME WITH RESPECT, COURTESY, AND UNDERSTANDING, AND TO HELP THEM UNDERSTAND THE FILM MAKING PROCESS AND ITS TERMINOLOGY.

10. I PROMISE TO NOT PERMIT UNAUTHORIZED PHOTOS, SHOTS, SOUND RECORDINGS, OR INFORMATION GIVEN TO ME IN CONFIDENCE, TO BE PASSED ON TO ANYONE FOR ANY REASON.

11. I PROMISE TO NOT CONDONE ANY TYPE OF DISCRIMINATION OF ANY FILMMAKER BECAUSE OF RACE, COLOR, RELIGION, CREED, AGE, SEX, OR NATIONAL ORIGIN.

12. I PROMISE TO RECOGNIZE AND SUPPORT FILMMAKERS, KNOWING THEIR TRUE INTENTIONS ARE TO HAVE THEIR IDEAS BROUGHT INTO BEING, SHARED AND ENJOYED BY OTHERS.

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LINKS TO GEAR AND TOOLS
I USE AND RECOMMEND:
---------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Tripod:
https://amzn.to/2ISCeFJ

Quick Release Plates:
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Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
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85mm f/1.8:
https://amzn.to/2MWElWB
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24-105mm f/4.0:
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C-Stand:
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Fake Brick Tapestry:
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Backdrop Mounting Unit:
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Blackout Window Shades:
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Clicker for Lights:
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Gaffer Tape:
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Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker

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Free and Paid Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

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Credits
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MUSIC AND GRAPHICS
All music and graphics are created or licensed by me. The music "Rush Hour" and "Penance" are available from http://www.footagefirm.com.

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Connect with me here:
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Copyright (c) 2012, 2019 Basic Filmmaker. All rights reserved.
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Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs!

Online Purchase/Streaming (Spotify, Itunes store, Google Play, Deezer, Apple Play, Tidal, Amazon): https://brilliant-classics.lnk.to/Spiegelimspiegel


These days Estonian composer Arvo Pärt is mainly associated with his later works. Born in 1935 he wrote ‘avant-garde’ works at first. In the nineteen seventies he increasingly found his inspiration in medieval religious music, both western and eastern European. This first transpired in his Für Alina for piano. It already has the telling low tempo and (two) layers. Pärt further extended his so-called tintinnabuli (i.e. bells) style in small-scale pieces like the different versions of Spiegel im Spiegel and Variationen zur Gesundung von Arinuschka. Although this last piece has ‘classical’ features as well.

00:00:00 Spiegel im Spiegel, for violin & piano
00:10:22 Variationen zur Gesundung von Arinuschka, for piano solo
00:15:58 Für Alina, for piano solo
00:19:29 Spiegel im Spiegel, for viola & piano
00:29:34 Mozart-Adagio, for violin, cello & piano
00:37:20 Spiegel im Spiegel, for cello & piano

Artist:
Benjamin Hudson (viola)
Sebastian Klinger (cello)
Jürgen Kruse (piano)

Arvo Pärt: Variationen zur Gesundung von Arinuschka.

Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.....to/BachSuitesForCel

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

About this album:
In May 2014 the Hungarian cellist István Várdai performed three Bach Suites at an unusual venue in New York: not the storied glamour of Carnegie Hall or the hip 92st St Y, but the Board of Officers Room in the recently renovated Armory on Park Avenue, a room no less redolent of distinguished history: to which he made his own distinguished contribution according to the New York Times, with a recital which concluded with a ‘superb’ performance of the Sixth Suite.
Bach’s iconic solo suites form the pinnacle of the entire cello repertoire, the ultimate challenge and a Mount Everest every young and aspiring cellist has to climb, no matter how often that has already been done.
Young Hungarian cellist István Várdai is winner of the Geneva Competition, 3rd prize Tchaikovsky Competition 2007 and first prize winner of the prestigious ARD competition in 2014. He embarked on a successful international career, having played with Mikhael Pletnev, Adám Fischer, Zoltán Kocsis, and chamber music partner of Gidon Kremer, Mischa Maisky, Elisabeth Leonskaja, Andras Schiff, Klára Würtz and many others.


Tracklist:
00:00:00 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
00:02:52 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
00:07:08 Cello Suite No. 1 in G Major, BWV 1007: III. Courante
00:10:01 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
00:12:39 Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I & II
00:15:56 Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue 1
00:17:32 Cello Suite No. 3 in C Major, BWV 1009: I. Prelude
00:21:25 Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
00:25:07 Cello Suite No. 3 in C Major, BWV 1009: III. Courante
00:28:29 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
00:32:30 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I & II
00:36:13 Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue
00:39:31 Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude
00:46:20 Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande
00:51:10 Cello Suite No. 5 in C Minor, BWV 1011: III. Courante
00:53:20 Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
00:57:12 Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I & II
01:02:08 Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue
01:04:17 Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude
01:08:20 Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
01:11:27 Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
01:13:29 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
01:17:48 Cello Suite No. 2 in D Minor, BWV 1008: V. Menuet I & II
01:20:38 Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue
01:23:12 Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prelude
01:27;45 Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
01:32:06 Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
01:35:47 Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
01:40:09 Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée I & II
01:45:04 Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
01:47:48 Cello Suite No. 6 in D Major, BWV 1012: I. Prelude
01:52:54 Cello Suite No. 6 in D Major, BWV 1012: II. Allemande
02:01:12 Cello Suite No. 6 in D Major, BWV 1012: III. Courante
02:05:10 Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande
02:10:45 Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte I & II
02:14:38 Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue

Artist:
István Várdai (cello)

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.....to/SchubertPianoTri
Facebook page: https://www.facebook.com/brilliantclassics/

Schubert’s two piano trios were composed late in his short life (his only trio prior to these is the short B flat trio movement D28 of 1812), probably in late 1827 and the summer of 1828, the year of his death. They are vast works, worthy of Schumann’s comment on Schubert’s Ninth Symphony of being of ‘heavenly length’.

Although structured along similar lines to Beethoven’s piano trios, Schubert’s trios inhabit a different world to the older composer’s ‘Ghost’ or ‘Archduke’ works. Beethoven revelled in drama and complex and ingenious textures. Schubert concentrates instead on beautiful tunes, and eloquent dialogues between the three players. The music of the Austrian countryside permeates these works, and although they date from Schubert’s last months, they contain little of the world weariness and desolation of Winterreisse, the late sonatas or the proto-Mahlerian slow movement of the Tenth Symphony D936a.
00:00:00 Piano Trio No.1 in B flat D898: I. Allegro moderato
00:14:29 Piano Trio No.1 in B flat D898: II. Andante, un poco mosso
00:23:05 Piano Trio No.1 in B flat D898: III. Scherzo – Trio – Allegro
00:29:47 Piano Trio No.1 in B flat D898: IV Rondo – Allegro vivace – Presto
00:38:37 Piano Trio No.1 in B flat D898: Notturno in E flat D897
00:48:50 Piano Trio No.2 in E flat D929: I. Allegro
01:00:23 Piano Trio No.2 in E flat D929: II. Andante con moto
01:09:31 Piano Trio No.2 in E flat D929: III. Scherzando: Allegro moderato
01:16:39 Piano Trio No.2 in E flat D929: IV. Allegro moderato

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.....to/LlobetCompleteGu

Physical Purchase:
https://www.brilliantclassics.....com/articles/l/llobe

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Composer & Artist:
Composer: Miguel Llobet
Artist: Giulio Tampalini (guitar)

About this Album:
This new recording presents the complete guitar works of Llobet, who himself was a virtuoso on his instrument, as shown in the complex and innovative writing. Barcelona-born Miguel Llobet once played for the Spanish royal family in the early 20th century. Credited with beginning the notion of a touring classical guitarist, Llobet travelled throughout Europe and beyond, briefly settling in both Paris and Buenos Aires. He later returned to Barcelona, unable to distance himself from his birthplace despite the grip of the civil war in which the city found itself.

This collection brings together Llobet’s complete works for guitar, beginning with Leonesa and his popular arrangements of 13 Catalan folk songs. These arrangements, each of a varying character, wring a different emotion from the guitar, from the sprightly L’Hereu Riera and lilting El Noi de la Mare to the flourishes of Cançó de Lladre and the mournful El Testament d’Amelia. The Variations on a Theme of Sor, based on Fernando Sor’s B minor study, contrast a haunting melody with complex articulation. Also featured on the disc are Llobet’s 5 Preludes, the Argentinian Folk Songs, Etudes, the witty and bright Scherzo-Waltz, and the composer’s debut composition Romance, among others.

Tracklist:
00:00:00 Leonesa
00:01:54 Popular Catalan Songs: Cançó de Lladre
00:09:14 Popular Catalan Songs: El Testament d’Amelia
00:10:51 Popular Catalan Songs: Lo Fill del Rei
00:12:04 Popular Catalan Songs: La Pastoreta
00:18:27 Popular Catalan Songs: La Nit de Nadal
00:36:42 Variations on a Theme of Sor: Variation IV
00:37:19 Variations on a Theme of Sor: Variation V
00:37:48 Variations on a Theme of Sor: Variation VI
00:38:19 Variations on a Theme of Sor: Intermezzo
00:39:15 Variations on a Theme of Sor: Variation VII
00:46:31 Prelude in A
00:48:21 Prelude in D (à Maria Luisa Anido)
00:48:35 Original prelude
00:55:48 Etude-Caprice
00:57:32 Etude in E
00:59:18 Respuesta

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Llobet #Guitar #ClassicalGuitar

Streaming & Downloads : https://brilliant-classics.lnk.to/SuitesforGuitar
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Composer: Johann Sebastian Bach
Artist: Luigi Attademo (guitar)

J.S. Bach composed no original works for guitar, and although several compositions for lute have been attributed to him, his interest in this expressive instrument appears to have been rather limited, possibly because his mastery and knowledge of it was less extensive than of other instruments, such as the violin and keyboard.

However, the 20th century still witnessed an increasing interest in the possibility of performing Bach’s music on the guitar. It was in the late 1920s that Andrés Segovia recorded the Courante of the 3rd Cello Suite, and he followed this with the Chaconne from the Partita No.2 for solo violin, later recording the entire work. Julian Bream and Narciso Yepes also made recordings on the guitar of Bach’s music, but it was John Williams who eventually recorded the complete works for lute.

These discs focus particularly on Bach’s Suites for lute – including BWV996, now attributed to his pupil J.L. Krebs. Also included is the complete Partita No.2 for solo violin.

To ensure that questions of interpretation were considered thoroughly, these recordings were made following extensive study of 18th century performance practice, as well as secondary sources that discuss how Bach’s music was originally played.

00:00:00 Suite, BWV 996 in E Minor: I. Preludio: Passaggio – Presto
00:02:57 Suite, BWV 996 in E Minor: II. Allemande
00:06:47 Suite, BWV 996 in E Minor: III. Courante
00:09:19 Suite, BWV 996 in E Minor: IV. Sarabande
00:13:31 Suite, BWV 996 in E Minor: V. Bourée
00:14:42 Suite, BWV 996 in E Minor: VI. Giga
00:17:32 Suite, BWV 1006 in E: I. Präludium
00:21:40 Suite, BWV 1006 in E: II. Loure
00:25:10 Suite, BWV 1006 in E: III. Gavotte en Rondeaux
00:28:12 Suite, BWV 1006 in E: IV. Menuett I
00:29:28 Suite, BWV 1006 in E: V. Menuett II
00:31:38 Suite, BWV 1006 in E: VI. Bourée
00:33:12 Suite, BWV 1006 in E: VII. Gigue
00:35:07 Partita, BWV 1004 in D Minor: I. Allemanda
00:42:10 Partita, BWV 1004 in D Minor: II. Corrente
00:44:58 Partita, BWV 1004 in D Minor: III. Sarabanda
00:49:14 Partita, BWV 1004 in D Minor: IV. Giga
00:53:46 Partita, BWV 1004 in D Minor: V. Ciaccona
01:08:07 Suite, BWV 995 in A Minor: I. Prelude
01:13:26 Suite, BWV 995 in A Minor: II. Allemande
01:20:10 Suite, BWV 995 in A Minor: III. Courante
01:22:43 Suite, BWV 995 in A Minor: IV. Sarabande
01:26:46 Suite, BWV 995 in A Minor: V. Gavotte I
01:28:54 Suite, BWV 995 in A Minor: VI. Gavotte II en Rondeaux
01:31:14 Suite, BWV 995 in A Minor: VII. Gigue
01:33:22 Suite, BWV 997 in A Minor: I. Prelude
01:36:46 Suite, BWV 997 in A Minor: II. Fuga
01:44:51 Suite, BWV 997 in A Minor: III. Sarabande
01:50:04 Suite, BWV 997 in A Minor: IV. Giga
01:52:57 Suite, BWV 997 in A Minor: V. Double
01:55:48 Suite, BWV 998 in D: I. Prelude
01:58:34 Suite, BWV 998 in D: II. Fuga
02:03:50 Suite, BWV 998 in D: III. Allegro
02:07:23 Prelude for lute, BWV 999 in D Minor
02:09:05 Fugue, BWV 1000 in A Minor

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Jeroen van Veen’s recordings of Minimalist piano music have received critical acclaim while also reaching a wide and receptive audience. Previous albums of Satie (BC94768), Einaudi (BC9452), Glass (BC9519), Riley (BC95217) and much more are now joined by the music of Michael Nyman, who may not have invented the genre as Satie did, but was the first to bring Glass, Reich and their contemporaries to wider attention and coin the term Minimalism to describe the way that they rebelled against European modernism and returned to a stripped-back tonality in ways that meshed with popular music of the time.

Michael Nyman (born 1944) is one of the most famous and successful film music composers of our time. His music, although inextricably connected with the visual action of a film, has the quality to stand on its own, to evoke and express the visual emotions in sounds only.

Nyman’s most famous film score is of the film “The Piano” , becoming an instant hit. Its openness and its deceptively simple musical lines appealed to a mass audience.
The music featured on this recording is either originally written for piano or arranged by the composer himself.
Minimal Music champion Jeroen van Veen has been fascinated by Nyman’s music his whole life, and the recording of it was a logical step. He is the ideal interpreter of this seductive, mind opening music.

00:00:00 The Heart Asks Pleasure First I
00:04:16 Lost And Found
00:07:32 All Imperfect Things
00:11:14 The Promise
00:14:22 Big My Secret
00:18:24 The Mood That Passes Through You
00:21:43 Deep Sleep Playing
00:23:54 The Embrace
00:26:16 Silver-fingered Fling
00:30:39 Here to There
00:32:18 The Attraction of The Pedalling Ankle
00:38:22 The Heart Asks Pleasure First II
00:41:28 Jack
00:44:00 Franklyn
00:46:28 Nadia
00:49:52 Debbie
00:54:49 Bill
00:57:05 Odessa Beach
01:00:56 Diary of Love
01:04:23 Digital Tragedy
01:07:16 Fly Drive
01:08:14 The Morrow
01:12:41 The Departure
01:16:29 The Exchange
01:19:59 Why?
01:23:09 The Schoolroom
01:25:13 If
01:29:40 Goodbye Moortie
01:32:35 Chatterbox Waltz
01:35:03 Candlefire
01:38:33 Chasing Sheep Is Best Left to Shepherds
01:42:44 Sheep ‘N’ Tides
01:45:14 Time Lapse

Artist:
Jeroen van Veen (piano)

Tracklist below.

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00:00:00 Concerto Estienne Roger: allegro
00:01:45 Concerto Estienne Roger: adagio
00:03:39 Concerto Estienne Roger: presto
00:05:05 Sonata, G. 1: andante
00:06:42 Sonata, G. 1: allegro
00:08:10 Sonata, G. 1: Grave
00:09:52 Sonata, G. 1: allegro
00:11:22 Sinfonia, G. 2: allegro
00:12:22 Sinfonia, G. 2: Grave
00:14:10 Sinfonia, G. 2: allegro
00:15:40 Sinfonia, G. 3: adagio
00:17:04 Sinfonia, G. 3: Grave/allegro
00:18:51 Sinfonia, G. 3: allegro
00:19:53 Sinfonia, G. 4: presto
00:20:53 Sinfonia, G. 4: adagio e spiccato/presto
00:21:49 Sinfonia, G. 4: allegro
00:22:49 Sonata, G. 5: adagio
00:23:26 Sonata, G. 5: allegro e staccato
00:24:44 Sonata, G. 5: adagio
00:25:14 Sonata, G. 5: allegro
00:26:10 Sonata, G. 6: Vivace
00:27:22 Sonata, G. 6: adagio/largo
00:28:10 Sonata, G. 6: allegro come stà
00:29:56 Sonata, G. 7: Grave/allegro
00:31:04 Sonata, G. 7: Grave
00:31:21 Sonata, G. 7: allegro
00:33:28 Sonata, G. 7: Grave
00:33:54 Sonata, G. 7: allegro
00:35:14 Sinfonia, G. 8: allegro
00:36:59 Sinfonia, G. 8: adagio
00:37:31 Sinfonia, G. 8: allegro
00:38:12 Sinfonia, G. 8: allegro
00:39:51 Sinfonia in D Major, G. 9: allegro
00:41:54 Sinfonia in D Major, G. 9: prestissimo/adagio
00:42:30 Sinfonia in D Major, G. 9: allegro
00:43:46 Sinfonia in D, G. 10: allegro
00:44:54 Sinfonia in D, G. 10: presto/adagio
00:45:45 Sinfonia in D, G. 10: allegro
00:46:36 Sinfonia in D, G. 10: adagio/allegro
00:48:18 Sinfonia con Tromba, G. 11: allegro
00:49:55 Sinfonia con Tromba, G. 11: presto/adagio
00:50:25 Sinfonia con Tromba, G. 11: allegro
00:52:00 Sonata in D, G. 13: allegro
00:53:34 Sonata in D, G. 13: largo/allegro/largo
00:55:12 Sonata in D, G. 13: allegro
00:56:23 sinfonia avanti l’ opera, G. 14: allegro
00:57:37 sinfonia avanti l’ opera, G. 14: largo e spicco
00:58:07 sinfonia avanti l’ opera, G. 14: allegro
00:59:06 Sonata a cinque, G. 15: presto
00:59:42 Sonata a cinque, G. 15: adagio/presto
01:00:51 Sonata a cinque, G. 15: allegro
01:01:38 sinfonia con Trombeé Violini, G. 16: allegro
01:03:30 sinfonia con Trombeé Violini, G. 16: Grave/allegro
01:04:52 sinfonia con Trombeé Violini, G. 16: allegro
01:06:41 Concerto con Trombe, G. 18: largo assai
01:07:42 Concerto con Trombe, G. 18: allegro
01:09:45 Concerto con Trombe, G. 18: adagio e staccato
01:11:39 Concerto con Trombe, G. 18: allegro
01:13:23 Sinfonia con Trombe, G. 20: allegro
01:15:06 Sinfonia con Trombe, G. 20: adagio/largo e staccato
01:16:11 Sinfonia con Trombe, G. 20: allegro
01:17:25 Sinfonia con Trombe, G. 20: allegro
01:18:37 Sinfonia con due Trombe, G. 21: presto
01:19:54 Sinfonia con due Trombe, G. 21: adagio e staccato/allegro staccato e piano
01:20:55 Sinfonia con due Trombe, G. 21: allegro
01:22:39 Sinfonia con due Trombe é instrumenti, G. 22: Vivace e staccato
01:23:30 Sinfonia con due Trombe é instrumenti, G. 22: largo e staccato/Vivace/Grave
01:24:38 Sinfonia con due Trombe é instrumenti, G. 22: allegro
01:26:49 Sinfonia in D Major, G. 23: allegro
01:29:09 Sinfonia in D Major, G. 23: largo/allegro
01:30:58 Sinfonia in D Major, G. 23: Vivace
01:33:12 Concerto in D Major for two trumpets and b.c., G. 24: allegro
01:35:36 Concerto in D Major for two trumpets and b.c., G. 24: largo e staccato/presto
01:37:24 Concerto in D Major for two trumpets and b.c., G. 24: allegro

Artist:
Thomas Hammes (trumpet)
European Chamber Soloists
Nicol Matt (conductor)

Tracklist below.

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Some of Boccherini’s cello concertos are popular. But a complete set of all 12 is hard to find.This release has them all with cellist Enrico Bronzi as the soloist. He plays together with the Italian ensemble Accademia i Filarmonici di Verona which he conducts as well.
Some of the musicians in this ensemble also work as principals of the main Italian orchestras like the one of La Scala, others are chamber musicians or teachers.
Boccherini had a great affinity with the cello. Each of the 12 concertos is a musical gem, well-suited for the instrument, delightfully light-hearted. The Italian performers provide a sunny listening experience.
Other information:
- The first complete set of Boccherini’s cello concertos released in a long time.

Composer:
Luigi Boccherini

Artist:
Enrico Bronzi cello
Accademia I Filarmonici Di Verona

00:00:00 Concerto for Cello and Strings in D No. 2, G. 479: Allegro
00:06:57 Concerto for Cello and Strings in D No. 2, G. 479: Adagio
00:11:38 Concerto for Cello and Strings in D No. 2, G. 479: Allegro assai
00:16:13 Concerto for Cello and Strings in G No. 3, G. 480: Allegro
00:22:59 Concerto for Cello and Strings in G No. 3, G. 480: Adagio
00:27:02 Concerto for Cello and Strings in G No. 3, G. 480: Allegro
00:32:12 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Allegro
00:37:22 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Largo
00:41:01 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Allegro
00:45:37 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Allegro moderato
00:53:28 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Andantino grazioso
00:59:28 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Rondò Allegro
01:04:47 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: I – Maestoso
01:10:46 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: II – Largo
01:15:35 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: III – Allegro
01:19:41 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: I - Allegro con spirito
01:26:18 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: II – Larghetto
01:33:31 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: III Rondò-Rondò II-Comodo assai
01:42:51 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: I – AllegroV
01:47:06 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: II – Adagio
01:51:09 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: III - Rondò – Allegro
01:55:10 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: I - Allegro moderato
02:02:44 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: II - Andante Lentarello
02:08:23 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: III - Allegro e con moto
02:15:05 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: I – Allegro
02:15:05 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: II – Largo
02:22:53 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: III - Allegro (Rondò)
02:29:18 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: I – Maestoso
02:39:14 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: II - Largo cantabile
02:43:33 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: III - Allegro comodo
02:49:03 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: I – Allegro
02:55:57 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: II - Largo
03:01:11 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: III – Allegro
03:05:15 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: I - Allegro moderato
03:12:11 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: II – Adagio
03:17:37 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: III - Allegretto

Some of the finest Classical Music to enjoy your Evening with.

Enjoy!

Wolfgang Amadeus Mozart
00:00:00 Piano Concerto No.21 in C K467 ‘Elvira Madigan’ II

Camille Saint-Saëns
00:06:48 3 The Swan (Carnival of the Animals)
Wladislav Warenberg cello · Sara Crombach piano

Franz Liszt
00:09:45 Liebestraum S541 No.3 in A flat 4’17
Alexander Goldenweiser piano

Wolfgang Amadeus Mozart
00:14:22 Serenade No.13 in G K525 ‘Eine kleine Nachtmusik’
6 II. Romanze

Mussorgsky
00:19:37 The Old Castle (Pictures at an Exhibition)
Alexander Warenberg piano

Frédéric Chopin
00:24:42 8 Nocturne in E flat major Op.9 No.2

Christoph Willibald von Gluck
00:28:55 9 Dance of the Blessed Spirits (Orfeo ed Euridice)

Jules Massenet
00:35:59 Méditation (Thaïs)

Frédéric Chopin
00:40:41 Prelude in D-Flat, Op. 28 No. 15 “Raindrop”

00:45:56 Violin Concerto in D Major, Op. 77: II. Adagio

Beethoven
00:55:39 Liebestraum, Romantic Piano Music
Sonate Pathetique, Op. 13: II. Adagio

Maurice Ravel
01:00:24 Pavane Pour Une infante defunte

Beethoven
01:06:48 moonlight
01:12:28 Bagatelle in A Minor, WoO 59 "Für Elise"

Edvard Hagerup Grieg
01:15:20 Peer Gynt Suite No. 1, Op. 46: I. Morning Mood

Gabriel Fauré
01:19:32 Pavane in F-Sharp Minor, Op. 50
Paganini
01:26:00 Violin Concerto No. 1 in D Major, Op. 6: II. Adagio

Bedrich Smetana
01:30:58 Má Vlast (My Country/Mein Vaterland): Vltava (The Moldau)

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Composer:
Einaudi

Artist:
Jeroen van Veen (piano)

Tracklist
00:00:00 Divenire: No. 1, Uno
00:03:34 Divenire: No. 2, Divenire
00:10:37 Divenire: No. 3, Monday
00:17:47 Divenire: No. 4, Andare
00:24:53 Divenire: No. 5, Rose
00:29:37 Divenire: No. 6, Primavera
00:37:01 Divenire: No. 7, Oltremare
00:50:20 Divenire: No. 8, L'Origine nascosta
00:53:55 Divenire: No. 9, Fly
00:58:46 Divenire: No. 10, Ascolta
01:03:38 Divenire: No. 11, Ritornare
01:14:23 Nightbook: No. 1, In Principio
01:17:38 Nightbook: No. 2, Lady Labyrinth
01:23:26 Nightbook: No. 3, Nightbook
01:29:20 Nightbook: No. 4, Indaco
01:35:20 Nightbook: No. 5, The Snow Prelude No. 15
01:41:08 Nightbook: No. 6, Reverie
01:46:22 Nightbook: No. 7, The Crane Dance
01:49:41 Nightbook: No. 8, The Snow Prelude No. 2
01:54:11 Nightbook: No. 9, The Tower
01:58:48 Nightbook: No. 10, Bye Bye mon amour
02:07:51 Nightbook: No. 11, The Planets
02:15:39 Nightbook: No. 12, Tu sei
02:22:15 Nightbook: No. 13, Berlin Song
02:27:13 In a Time Lapse: No. 1, Corale
02:29:16 In a Time Lapse: No. 2, Time Lapse
02:34:55 In a Time Lapse: No. 3, Life
02:39:40 In a Time Lapse: No. 4, Walk
02:42:26 In a Time Lapse: No. 5, Discovery at Night
02:47:38 In a Time Lapse: No. 6, Run
02:53:43 In a Time Lapse: No. 7, Brothers
02:58:50 In a Time Lapse: No. 8, Orbits
03:01:57 In a Time Lapse: No. 9, Two Trees
03:09:20 In a Time Lapse: No. 10, Newton's Cradle
03:17:13 In a Time Lapse: No. 11, Waterways
03:21:43 In a Time Lapse: No. 12, Experience
03:27:05 In a Time Lapse: No. 13, Underwood
03:21:26 In a Time Lapse: No. 14, Burning
03:36:40 In a Time Lapse: No. 15, Luce

Tracklist below.

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Described by the composer himself as ‘the king of instruments’, the organ and its music form a small but not insignificant part of Mozart’s vast œuvre. This new release, performed by acclaimed Italian organist Ivan Ronda, comprises all of his major works for the instrument, including the extended Adagio and Rondo in C minor and the small-scale works from the London Sketchbook. Also included is the charming Adagio in C for the glass harmonica: just 28 bars in length, the work was originally conceived for this curious instrument, which consists of glass bowls that rotate in water, but is equally effective on the organ. Mozart’s output of Church Sonatas – notable for their single movement form – are represented here by the Sonata in C K336, the only one to have a proper solo part for the organ, and was specially transcribed by André Isoir for this recording.

The disc is rounded off with the imposing Fantasia in F minor. Described in Mozart’s own catalogue of work as ‘an organ piece for a clock’, it was commissioned by Count Joseph Deym for a musical automaton that contained a small pipe organ. When transferred to an organ on the scale of that at the Church of Maria Vergine Immacolata in Gallo Cavour, Italy, where this recording was made, it takes on a certain grandeur, and exploits the various echo and dialogue effects of the instrument.

00:00:00 Suite in C Major, K. 399: I. Overture
00:05:00 Andante in F Major, K. 616
00:12:41 Adagio and Allegro in F Minor, K. 594
00:25:10 Adagio in C Major, K. 356
00:29:23 Church Sonata in C Major, K. 336
00:34:28 Piece in F Major, K. 33b
00:35:57 The London Sketchbook: Rondo in F Major, K. 15hh
00:37:23 The London Sketchbook: Allegro in F Major, K. 15a
00:38:39 The London Sketchbook: Rondo in D Major, K. 15d
00:40:16 Adagio and Rondo in C Minor, K. 617
00:53:10 Fantasia in F Minor, K. 608

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Composers: Ludwig van Beethoven
Artists: Shoko Sugitani (piano), Berliner Symphoniker, Gerard Oskamp (conductor)

This release presents both of Ludwig van Beethoven’s most often performed piano concertos. Enjoyable performances by Shoko Sugitani with the Berliner Symphoniker.


00:00:00 Piano Concerto No. 3 in C Minor, Op. 37: Allegro con brio
00:17:05 Piano Concerto No. 3 in C Minor, Op. 37: Largo
00:27:38 Piano Concerto No. 3 in C Minor, Op. 37: Rondo, allegro
00:36:44 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Allegro
00:56:51 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Adagio un poco mosso
01:05:33 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Rondo, allegro ma non troppo

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This comprehensive release is a celebration of the astonishing presence of the guitar in Russia at the beginning of the 19th century. Just the sheer number of composers featured on this 7CD album exemplifies how popular the instrument was. Though many of these composers have now fallen into obscurity, their works live on – discovered by renowned guitarist Oleg Timofeyev, an expert on the music of this time. Mr Timofeyev is known for reviving the seven-string Russian guitar, and it is on this instrument that he performs these works, many of which have never been recorded before.

Artists: Oleg Timofeyev (Russian seven-string guitar), John Schneiderman (Russian seven-string guitar ), Dan Caraway (Russian seven-string guitar ), Anne Harley (soprano ), Etienne Abelin (classical violin), Kenneth Slowik (fortepiano)

00:00:00 (Andrey Sychra) The Poor Branch
00:05:04 (Andrey Sychra) In the Valley
00:12:35 (Andrey Sychra) Troïka
00:17:22 (Andrey Sychra) In the Garden
00:21:30 (Andrey Sychra) Four Études: Étude No. 1
00:30:10 (Andrey Sychra) Four Études: Étude No. 2
00:35:08 (Andrey Sychra) Four Études: Étude No. 3
00:41:10 (Andrey Sychra) Four Études: Étude No. 4
00:48:02 (Andrey Sychra) Variations on Weber’s Last Thought
00:56:13 (Andrey Sychra) Rondo à la Savoyard
01:00:57 (Semion Aksionov) Kamarinskaia
01:05:48 (Semion Aksionov) In the Valley
01:11:06 (Semion Aksionov) Exercise in A Minor
01:12:27 (Semion Aksionov) Feel Bad
01:16:25 (Semion Aksionov) Pour biendans ma chaumière
01:20:07 (Semion Aksionov) How Did I Upset You?
01:24:16 (Semion Aksionov) Akh vy seni
01:28:38 (Semion Aksionov) Mozart Variations
01:33:29 (Mikhail Vysotsky) March
01:37:45 (Mikhail Vysotsky) Stop Singing, oh Nature’s Friend
01:41:00 (Mikhail Vysotsky) Love Pear
01:45:39 (Alexander Vetrov) You Won’t Believe
01:53:08 (Alexander Vetrov) Étude in D Major
01:56:26 (Alexander Vetrov) Étude in G Major
01:59:24 (Alexander Vetrov) Étude in A Minor
02:02:31 (Alexander Vetrov) Rondoletto
02:05:42 (Ignaz von Held)Rondo
02:07:29 (Ignaz von Held)Polonaise de Mars
02:11:48 (Joseph Kamensky) Sonata for Violin and Seven-string Guitar: I. Allegro moderato
02:19:13 (Joseph Kamensky) Sonata for Violin and Seven-string Guitar: II. Polish Song with Variations
02:24:51 (Ludwig Sychra) Fantasia
02:31:03 (Vladimir Lvov) Sonata: I. Allegro moderato
02:39:17 (Vladimir Lvov) Sonata: II. Rondo. Allegretto
02:44:18 (Anon.) D’un mensonge
02:45:52(Anon.) On dit que sans espérance
02:47:37 (Anon.) À ma Clémence
02:49:47 (Andrey Sychra) Polonaise
02:52:15 (Ferdinando Antonolini) Perduta l’arbitra
02:55:24 (Domenico Cimarosa) Se m’abandoni
02:58:32 (A. Svientitsky) Variations
03:02:47 (A. Svientitsky) Kozak – Air russe
03:05:09 (Mikhail Vysotsky) Fantasia
03:07:31 (Mikhail Vysotsky) Not a Peacock
03:12:42 (Mikhail Vysotsky) Troïka
03:16:43 (Mikhail Vysotsky) I Loved Rose
03:20:38 (Mikhail Vysotsky) Don’t Be Surprised
03:23:00 (Mikhail Vysotsky) Fantasia on the Themes from Cramer’s Études
03:26:24 (Mikhail Vysotsky) Remember, My Friend
03:31:31 (Mikhail Vysotsky) Bach’s Fugue
03:35:36 (Mikhail Vysotsky) Cossack
03:41:03 (Mikhail Vysotsky) Rondo
03:44:18 (Mikhail Vysotsky) Go Home, Dear Cow
03:51:15 (Mikhail Vysotsky) Ukrainian Song
03:53:18 (Mikhail Vysotsky) Ogiński’s Polonaise
03:57:31 (Mikhail Vysotsky) Ah, Mother, I Have a Headache
04:01:53 (Mikhail Vysotsky) Vanyusha
04:04:15 (Andrey Sychra) Polonaise
04:12:07 (Mikhail Ivanovich Glinka) Polonaise
04:16:11 (Mikhail Ivanovich Glinka) Kamarinskaia
04:23:21 (Mikhail Ivanovich Glinka) Potpourri from Life for the Tsar
04:33:50 (Michał Kleofas Ogiński) Polonaise in A Major
04:37:09 (Michał Kleofas Ogiński) Polonaise in F Minor
04:43:18 (Andrey Sychra) Variations on Two Songs
04:59:15 (Pierre Rode) Polonaise
05:05:03 (Nikolai Alexandrov) My Heart
05:07:12 (Nikolai Alexandrov) Graziella
05:09:32 (Nikolai Alexandrov) It is Hard for Me
05:11:19 (Nikolai Alexandrov) Gallop
05:14:25 (Nikolai Alexandrov) Scherzo
05:18:40 (Nikolai Alexandrov) L’Illusion perdue
05:20:08 (Nikolai Alexandrov) An Orphan’s Song
05:21:33 (Nikolai Alexandrov) Ballad
05:23:31 (Nikolai Alexandrov) Prayer
05:26:01 (Nikolai Alexandrov) Melody
05:27:53 (Fiodor Zimmerman) Capriccio in B Minor
05:30:28 (Fiodor Zimmerman) Capriccio in G Major
05:33:01 (Fiodor Zimmerman) Tyrolian Waltz
05:34:18 (Fiodor Zimmerman) Waltz
05:35:30 (Fiodor Zimmerman) Two Marches: No. 1
05:37:07 (Fiodor Zimmerman) Two Marches: No. 2

(Full tracklist can be found in the comment section!)

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Composer: Baldassare Galuppi
Artist: Ensemble StilModerno

No score survives for the seven ‘Concerti a quattro’ recorded here: they are preserved only in a set of manuscript parts in Modena’s BibliotecaEstense. They may not have belonged together as a set, given their diversity of style, but together they present a most attractive compilation of a personal voice at a turning point in musical history around the beginning of the 18th century.

Galuppi took the best of both worlds: the solid counterpoint of his teachers (Lotti and Marcello) and the vivid innovations of the younger generation such as Vincenzo Manfredini, presently made famous by Cecilia Bartoli’s Barock adventures into hitherto unknown vocal repertoire, but also long famous as one of the founding fathers of the string quartet. Nonetheless, we can be sure that Galuppi did not intend to write for string quartet: the basso part is still a continuo part, because a few numbers are still present in figured bass; here and there are also written notes such as ‘violoncello solo’.

In some of them the style is simple, with the typical structure of the opera symphony (a French-style overture followed by a dance movement). Elsewhere, Galuppi conceives larger forms: both the C minor and G minor works open with highly affecting, chromatically inflected slow introductions full of aching suspensions. In this recording, the continuo part is provided by a chamber organ.

Founded in 2005 and this year celebrating its tenth anniversary, Ensemble StilModerno’s discography includes the Sinfonie Op.5 by Giovanni Battista Bassani (BC94259), a disc of which MusicWeb International’s reviewer remarked: "Ensemble StilModerno is thoroughly at home in the idiom. The instrumental interplay is perfectly judged though their performance is clearly thoroughly informed by a knowledge of baroque practice. They choose to play on modern instruments. Only those who care more about authenticity than about music will be troubled by their choice. Anyone who loves the instrumental music of this period is urged to hear this."

00:00:00 Concerto primo in G Major: I. Andante – Allegro
00:02:08 Concerto primo in G Major: II. Andante
00:04:19 Concerto primo in G Major: III. Allegro assai
00:05:30 Concerto quinto in B-Flat Major: I. Grave sostenuto
00:11:04 Concerto quinto in B-Flat Major: II. Allegro e spiritoso
00:13:56 Concerto quinto in B-Flat Major: III. Allegro
00:16:13 Concerto che serve d’introdutione in G Minor: I. Grave, e adagio
00:19:12 Concerto che serve d’introdutione in G Minor: II. Spiritoso
00:22:18 Concerto che serve d’introdutione in G Minor: III. Allegro
00:25:26 Concerto secondo in D Major: I. Maestoso
00:28:30 Concerto secondo in D Major: II. Allegro
00:30:43 Concerto secondo in D Major: III. Andantino
00:32:19 Concerto sesto in A Major: I. Largo
00:36:54 Concerto sesto in A Major: II. Allegro
00:40:07 Concerto sesto in A Major: III. Andante
00:42:17 Concerto terzo in C Minor: I. Grave
00:45:59 Concerto terzo in C Minor: II. Allegro
00:49:59 Concerto terzo in C Minor: III. Andante
00:52:31 Concerto quarto in E-Flat Major: I.Largo
00:55:45 Concerto quarto in E-Flat Major: II. Allegro
00:57:51 Concerto quarto in E-Flat Major: III. A tempo

The Nocturne is a romantic piano piece in which a nocturnal, romantic atmosphere is expressed, where perfumed melodies float serenely over a calmly murmuring accompaniment.-Credit where credit is due: the inventor of the genre is the Irish composer John Field, who made fame as a pianist of his own works. It needed the genius of Chopin to perfect the genre to the highest artistic level: Chopin's Nocturnes are the archetypes of romantic piano music, and count among his best loved works.

Among the contemporaries we hear beautiful specimens of Kalkbrenner, Pleyel, Alkan and others.-Played on fortepianos from the time of composition like Broadwood, Pleyel and Érard pianos by expert Bart van Oort, who draws unexpected colours from these wonderful instruments, thus bringing us back to the salons of the 19th century

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Tracklist can be found in the comment section!