Enya - Athair Ar Neamh

A song about Gravity set to the tune of John Mayer's Gravity.

Gravity is working with me
And Gravity, keeps me on the ground

All mass attracts all other mass
a force proportional to mass one and two
and inversely to the distance between them squared

Oh, gravity is working with me
and gravity, makes apples fall to ground

Oh twice the mass has twice the pull
but the force on each is still equal
It keeps the moon and the satellites
going round

Oh twice the mass has twice the pull
but the force on each is still equal
It keeps the moon and the satellites
going round

Oh gravity, the force that makes weight on me
Woah, gravity, now general relativity (how can that be?)

The force between us all is
The force between us all is
The force between us all is
Gravity between us all is
Gravity between us all is
Gravity between gravity between us all is

Perfume a tus pies-Marcela Gandara

Marcela Gandara - Tu Palabra

Album - Mas Que Un Anhelo

1. Supe Que Me Amabas
2. Más Que Un Anhelo
3. Girando Hacia Ti
4. Es Una Aventura
5. Dame Tus Ojos
6. Un Viaje Largo
7. Antes de Ti
8. En Tu Hogar
9. Tu Palabra
10. Me Haces Crecer
11. Quiero Ver

Horas de Musica - Cristiana Roberto Orellana, Oscar Medina, Rabito Sus Mejores Canciones
https://youtu.be/oqxmwE1NdSQ

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Composer: Ludwig van Beethoven
Artist: Staatskapelle Dresden, Herbert Blomstedt (conductor)

Beethoven’s nine symphonies – composed between 1800 and 1824 – are true cornerstones of the classical canon. Marking an irrefutable turning point in the history of music, they transformed audiences’ expectations of the symphony and influenced the genre’s future development through their experimental, dramatic and expressive weight. Conductors have long been drawn to the profundity of these works: a complete cycle of Beethoven symphonies is viewed as one of the ultimate challenges in the repertoire, and the performances in this set are undoubtedly among the greatest to have been recorded, illuminating the skill of the Staatskapelle Dresden and Herbert Blomstedt, one of the most distinguished conductors of the 20th and 21st centuries.

00:00:00 Symphony No. 1 in C, Op. 21: I. Adagio molto – Allegro con brio
00:09:03 Symphony No. 1 in C, Op. 21: II. Andante cantabile con moto
00:17:36 Symphony No. 1 in C, Op. 21: III. Menuetto & Trio: Allegro molto e vivace
00:21:02 Symphony No. 1 in C, Op. 21: IV. Finale: Adagio – Allegro molto e vivace
00:27:21 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: I. Allegro con brio
00:42:24 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: II. Marcia funebre: Adagio assai
00:59:11 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: III. Scherzo & Trio: Allegro vivace
01:05:01 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: IV. Allegro molto – Poco andante – Presto
01:16:50 Symphony No. 2 in D, Op. 36: I. Adagio molto – Allegro con brio
01:29:56 Symphony No. 2 in D, Op. 36: II. Larghetto
01:42:30 Symphony No. 2 in D, Op. 36: III. Scherzo & Trio: Allegro
01:46:37 Symphony No. 2 in D, Op. 36: IV. Allegro molto
01:53:30 Symphony No. 4 in B-Flat, Op. 60: I. Adagio – Allegro vivace
02:05:40 Symphony No. 4 in B-Flat, Op. 60: II. Adagio
02:16:12 Symphony No. 4 in B-Flat, Op. 60: III. Menuetto: Allegro vivace – Trio: Un poco meno allegro
02:22:03 Symphony No. 4 in B-Flat, Op. 60: IV. Allegro ma non troppo
02:29:14 Symphony No.5 in C Minor, Op. 67: I. Allegro con brio
02:37:19 Symphony No.5 in C Minor, Op. 67: II. Andante con moto
02:48:41 Symphony No.5 in C Minor, Op. 67: III. Allegro
02:57:34 Symphony No.5 in C Minor, Op. 67: IV. Allegro – Presto
03:06:37 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: I. Allegro ma non troppo (Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande)
03:16:08 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: II. Andante molto mosso (Szene am Bach)
03:28:49 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: III. Allegro – sempre più stretto – In tempo d’allegro – Tempo I – Presto (Lustiges Zusammensein der Landleute)
03:34:33 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: IV. Allegro (Gewitter, Sturm)
03:38:16 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: V. Allegretto (Hirtengesang, frohe und dankbare Gefühle nach dem Sturm)
03:48:07 Symphony No. 7 in A, Op. 92: I. Poco sostenuto – Vivace
04:01:38 Symphony No. 7 in A, Op. 92: II. Allegretto
04:11:36 Symphony No. 7 in A, Op. 92: III. Presto – Assai meno presto
04:21:21 Symphony No. 7 in A, Op. 92: IV. Allegro con brio
04:30:34 Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio
04:40:37 Symphony No. 8 in F, Op. 93: II. Allegretto scherzando
04:44:33 Symphony No. 8 in F, Op. 93: III. Tempo di Menuetto
04:49:20 Symphony No. 8 in F, Op. 93: IV. Allegro vivace
04:57:11 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: I. Allegro ma non troppo, un poco maestoso
05:14:06 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: II. Molto vivace – Presto
05:27:54 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
05:44:19 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: IV. Presto – Allegro assai – Presto – Recitativo – Allegro assai – Allegro assai vivace (alla marcia) – Andante maestoso – Adagio ma non troppo ma divoto – Allegro energico e sempre ben marcato – Allegro ma non tanto Presto – Maestoso – Prestissimo

Composer: Ludwig van Beethoven
Artists: Kristóf Baráti (violin), Klára Würtz (piano)

Tracklist below.

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Sonatas for piano with violin, Beethoven thought of them, and the early set of three Op. 12 does seem to look back towards the early Classical, even late-Baroque emphasis on the multi-voiced part to which the violin adds emphasis or decoration as required. But the genre matured with Beethoven, and by the time of the ‘Kreutzer’ he was composing a fullyfledged, pre-Romantic virtuoso journey for the combination, vast in breadth of expression and length. These works have always attracted great artists, but every generation must come to them afresh, and here are two superb musicians from Hungary to add their own approach: on ‘traditional’ rather than ‘period’ instruments but interpretatively untrammelled by one or another performing dogma.

Kristóf Baráti is one of the most exciting violinists of the younger generation. After winning several important prizes (top-3 prize winner of the Elizabeth Competition when he was 18 years old, first prize at the prestigious Paganini Competition in Moscow) he is building an international career, playing with important orchestras and conductors (Ivan Fischer, Charles Dutoit, Marek Janovski, Kurt Masur).

Klára Würtz needs little introduction to Brilliant Classics fans: her many recordings (Mozart, Schubert, Schumann) show an exceptional artist, with a natural musical instinct, effortless virtuosity and heart-warming charisma.

00:00:00 Violin Sonata No. 1 in D, Op. 12 No. 1: I. Allegro con brio
00:08:01 Violin Sonata No. 1 in D, Op. 12 No. 1: II. Tema con variazioni
00:14:45 Violin Sonata No. 1 in D, Op. 12 No. 1: III. Rondo: Allegro
00:19:01 Violin Sonata No. 2 in A, Op. 12 No. 2: I. Allegro vivace
00:25:02 Violin Sonata No. 2 in A, Op. 12 No. 2: II. Andante, più tosto allegretto
00:30:02 Violin Sonata No. 2 in A, Op. 12 No. 2: III. Allegro piacevole
00:34:45 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: I. Allegro con spirito
00:42:49 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: II. Adagio con molt’espressione
00:48:15 Violin Sonata No. 3 in E-Flat, Op. 12 No. 3: III. Rondo: Allegro molto
00:52:12 Violin Sonata No. 4 in A Minor, Op. 23: I. Presto
00:59:08 Violin Sonata No. 4 in A Minor, Op. 23: II. Andante scherzoso, più allegretto
01:06:08 Violin Sonata No. 4 in A Minor, Op. 23: III. Allegro molto
01:10:57 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: I. Allegro
01:20:03 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: II. Adagio molto espressivo
01:25:35 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: III. Scherzo: Allegro molto
01:26:36 Violin Sonata No. 5 in F, Op. 24 ‘Spring’: IV. Rondo: Allegro ma non troppo
01:32:46 Violin Sonata No. 6 in A, Op. 30 No. 1: I. Allegro
01:39:37 Violin Sonata No. 6 in A, Op. 30 No. 1: II. Adagio molto espressivo
01:46:31 Violin Sonata No. 6 in A, Op. 30 No. 1: III. Allegretto con variazioni
01:54:02 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio
02:01:09 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: II. Adagio cantabile
02:09:48 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo, allegro
02:13:01 Violin Sonata No. 7 in C Minor, Op. 30 No. 2: IV. Finale: Allegro
02:17:39 Violin Sonata No. 8 in G, Op. 30 No. 3: I. Allegro assai
02:23:23 Violin Sonata No. 8 in G, Op. 30 No. 3: II. Tempo di menuetto
02:30:56 Violin Sonata No. 8 in G, Op. 30 No. 3: III. Allegro vivace
02:34:08 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: I. Adagio sostenuto – Presto
02:47:01 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: II. Andante con variazioni
03:01:23 Violin Sonata No. 9 in A, Op. 47 ‘Kreutzer’: III. Finale: Presto
03:09:42 Violin Sonata No. 10 in G, Op. 96: I. Allegro moderato
03:19:48 Violin Sonata No. 10 in G, Op. 96: II. Adagio espressivo
03:25:05 Violin Sonata No. 10 in G, Op. 96: III. Scherzo: Allegro
03:26:54 Violin Sonata No. 10 in G, Op. 96: IV. Poco allegretto

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00:00:00 Concerto in C for recorder, oboe, two violins & continuo, RV 87: I. Adagio – Allegro
00:03:13 Concerto in C for recorder, oboe, two violins & continuo, RV 87: II. Adagio
00:04:57 Concerto in C for recorder, oboe, two violins & continuo, RV 87: III. Allegro
00:07:29 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 107: I. Allegro
00:09:53 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 107: II. Largo
00:12:48 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 107: III. Allegro
00:15:30 Concerto in D ‘La pastorella’ for recorder, oboe, violin, bassoon & continuo, RV 95: I. Allegro
00:19:05 Concerto in D ‘La pastorella’ for recorder, oboe, violin, bassoon & continuo, RV 95: II. Largo
00:21:15 Concerto in D ‘La pastorella’ for recorder, oboe, violin, bassoon & continuo, RV 95: III. Allegro
00:24:09 Concerto in D for recorder, oboe, violin, bassoon & continuo, RV 94: I. Allegro
00:27:31 Concerto in D for recorder, oboe, violin, bassoon & continuo, RV 94: II. Largo
00:29:44 Concerto in D for recorder, oboe, violin, bassoon & continuo, RV 94: III. Allegro
00:33:18 Concerto in F for recorder, oboe, violin, bassoon & continuo, RV 99: I. Allegro
00:37:14 Concerto in F for recorder, oboe, violin, bassoon & continuo, RV 99: II. Largo
00:39:02 Concerto in F for recorder, oboe, violin, bassoon & continuo, RV 99: III. Allegro
00:41:28 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 105: I. Allegro
00:44:25 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 105: II. Largo
00:46:14 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 105: III. Allegro
00:49:48 Concerto in F for recorder, violin, bassoon & continuo, RV 100: I. Allegro
00:52:20 Concerto in F for recorder, violin, bassoon & continuo, RV 100: II. Largo
00:54:34 Concerto in F for recorder, violin, bassoon & continuo, RV 100: III. Allegro
00:57:14 Sonata in A Minor for recorder, bassoon & continuo, RV 86: I. Largo
01:00:06 Sonata in A Minor for recorder, bassoon & continuo, RV 86: II. Allegro
01:02:38 Sonata in A Minor for recorder, bassoon & continuo, RV 86: III. Largo cantabile
01:04:41 Sonata in A Minor for recorder, bassoon & continuo, RV 86: IV. Allegro molto
01:06:48 Concerto in G Minor for recorder, violin, bassoon & continuo, RV 106: I. Allegro
01:09:58 Concerto in G Minor for recorder, violin, bassoon & continuo, RV 106: II. Largo
01:12:19 Concerto in G Minor for recorder, violin, bassoon & continuo, RV 106: III. Allegro
01:14:40 Concerto in C for oboe, violin, cello & continuo, RV 801: I. Largo
01:16:42 Concerto in C for oboe, violin, cello & continuo, RV 801: II. Allegro
01:19:05 Concerto in C for oboe, violin, cello & continuo, RV 801: III. Largo
01:20:36 Concerto in C for oboe, violin, cello & continuo, RV 801: IV. Allegro
01:23:06 Concerto in D Minor for recorder, violin, bassoon & continuo, RV 96: I. Allegro
01:25:25 Concerto in D Minor for recorder, violin, bassoon & continuo, RV 96: II. Largo
01:27:50 Concerto in D Minor for recorder, violin, bassoon & continuo, RV 96: III. Allegro
01:30:14 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 103: I. Allegro ma cantabile
01:34:43 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 103: II. Largo
01:37:23 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 103: III. Allegro non molto
01:39:20 Concerto in A Minor for recorder, two violins & continuo, RV 108: I. Allegro
01:42:10 Concerto in A Minor for recorder, two violins & continuo, RV 108: II. Adagio
01:43:52 Concerto in A Minor for recorder, two violins & continuo, RV 108: III. Allegro
01:46:25 Concerto in D for recorder, violin & continuo, RV 84: I. Allegro
01:49:17 Concerto in D for recorder, violin & continuo, RV 84: II. Andante cantabile
01:51:02 Concerto in D for recorder, violin & continuo, RV 84: III. Allegro
01:53:32 Concerto in D for recorder, violin, cello & continuo, RV 91: I. Allegro
01:56:11 Concerto in D for recorder, violin, cello & continuo, RV 91: II. Largo
02:58:07 Concerto in D for recorder, violin, cello & continuo, RV 91: III. Allegro non molto
02:00:31 Sonata in C Minor for violin, cello & continuo, RV 83: I. Allegro
02:02:52 Sonata in C Minor for violin, cello & continuo, RV 83: II. Adagio
02:05:28 Sonata in C Minor for violin, cello & continuo, RV 83: III. Allegro
02:07:53 Concerto in D for recorder, violin, cello & continuo, RV 92: I. Allegro
02:11:38 Concerto in D for recorder, violin, cello & continuo, RV 92: II. Adagio
02:14:33 Concerto in D for recorder, violin, cello & continuo, RV 92: III. Allegro

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
Volume 1 (21 hours) : https://VA.lnk.to/Romanticvol1
Volume 2 (21 hours) : https://VA.lnk.to/Romanticvol2
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The perfect starting point for exploring Romantic piano music. It features historic recordings of a truly excellent standard, including Blumental with the Vienna Symphony Orchestra under Helmuth Froschauer, the Orchestra of Radio Luxembourg with Pierre Cao accompanying French pianist Dosse, Boehm with the Westphalian Symphony Orchestra under Siegfried Landau, and Antal Doráti conducting the Royal Philharmonic Orchestra with Ilse von Alpenheim.

This 40 CD set contains a wealth of 19th century piano concertos written by composers who for some reason or other have been neglected by history, so called “minor masters” who may have lost the battle against the giants but nevertheless wrote very attractive, impressive and brilliant concertos for the piano (which in many cases was “their” instrument).

To name just a few: Hummel, Field, Czerny, Cramer, Ries, Clementi, Thalberg, Moscheles, Litolff, Kalkbrenner, Lyapunov, Balakirev, Medtner, Glazunov, Henselt, Moszkowski, Scharwenka and many more, over 60 composers!
Most of the recordings come from the rich and unique VOX catalogue, featuring such excellent pianists as Michael Ponti, Felicja Blumenthal, Hans Kann, Martin Galling, Jerome Rose, Roland Keller and many more.

John Baptist Cramer:
00:00:00 Piano Concerto No. 5 in C Minor, Op. 48: I. Allegro maestoso
00:14:25 Piano Concerto No. 5 in C Minor, Op. 48: II. Larghetto
00:21:11 Piano Concerto No. 5 in C Minor, Op. 48: III. Rondo à l’hongroise

Carl Czerny:
00:29:59 Divertissement de concert, Op. 204

Ferdinand Ries:
00:44:43 Piano Concerto No. 3 in C-Sharp Minor, Op. 55: I. Allegro maestoso ( Ries)
00:59:34 Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto
01:04:37 Piano Concerto No. 3 in C-Sharp Minor, Op. 55: III. Rondo. Allegretto

Muzio Clementi
01:15:14 Piano Concerto in C Major: I. Allegro con spirit
01:24:58 Piano Concerto in C Major: II. Adagio e cantabile, con grande espressione
01:31:42 Piano Concerto in C Major: III. Presto

John Field:
01:38:13 Piano Concerto No. 2 in A-Flat Major, H.31: I. Allegro moderato
01:55:04 Piano Concerto No. 2 in A-Flat Major, H.31: II. Poco adagio
01:58:35 Piano Concerto No. 2 in A-Flat Major, H.31: III. Allegro moderato innocente

Johann Nepomuk Hummel:
02:08:01 Piano Concertino in G Major, Op. 73: I. Allegro moderato
02:16:52 Piano Concertino in G Major, Op. 73: II. Andante grazioso
02:21:05 Piano Concertino in G Major, Op. 73: III. Rondo

Ignaz Moscheles:
02:25:45 Piano Concerto in G Minor, Op. 58: I. Allegro moderato
02:37:40 Piano Concerto in G Minor, Op. 58: II. Adagio
02:42:18 Piano Concerto in G Minor, Op. 58: III. Allegro agitato

Ferdinand Hiller:
02:51:18 Piano Concerto No. 2 in F-Sharp Minor, Op. 69: I. Moderato, ma con energia e con fuoco
02:58:08 Piano Concerto No. 2 in F-Sharp Minor, Op. 69: II. Andante espressivo
03:04:01 Piano Concerto No. 2 in F-Sharp Minor, Op. 69: III. Finale. Allegro con fuoco

Henry Litolff:
03:09:05 Concerto symfonique No. 3 in E-Flat Major, Op. 45: I. Allegro
03:19:22 Concerto symfonique No. 3 in E-Flat Major, Op. 45: II. Scherzo
03:24:04 Concerto symfonique No. 3 in E-Flat Major, Op. 45: III. Andante
03:30:19 Concerto symfonique No. 3 in E-Flat Major, Op. 45: IV. Furioso

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Composer: François Devienne, Gaetano Donizetti, Ludwig van Beethoven
Artist: Massimo Data bassoon, Mario Carbotti flute, Piero Barbareschi piano

A delightful programme featuring the bassoon in duo and trio formation chamber music, centred around the substantial and neglected Bassoon Trio WoO37 by Beethoven.
This new recording presents a brilliant duo for bassoon and flute by Devienne, a trio for flute, bassoon and piano by opera composer Donizetti, a virtuoso Fantasia on Verdi themes by Morlacchi/Torriani and Beethoven’s masterpiece.

Tracklist:
00:00:00 Sonata in C Major for Flute and Bassoon: I. Allegro moderato
00:09:19 Sonata in C Major for Flute and Bassoon: II. Rondeau
00:13:33 Trio in F Major for Flute, Bassoon and Piano: I. Larghetto
00:18:05 Trio in F Major for Flute, Bassoon and Piano: II. Allegro
00:26:32 Trio for Piano, Flute and Bassoon in G Major, WoO 37: I. Allegro
00:38:00 Trio for Piano, Flute and Bassoon in G Major, WoO 37: II. Adagio
00:42:56 Trio for Piano, Flute and Bassoon in G Major, WoO 37: III. Thema andante con variazioni
00:52:34 Duetto concertato

Playing now: Concerto da camera No. 1 in A Minor, Op. 10: I. Allegro moderato by Orchestra di Padova el del Veneto


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Reclusive and eccentric, the French pianist–composer Charles-Valentin Alkan was also undoubtedly one of the greatest pianists who ever lived, and a composer who, like his friend and fellow-virtuoso Liszt, pushed the boundaries of what his instrument, and human pianism, could achieve. Again like Liszt, he composed music that was not merely flashy and difficult to play – it tapped a deep comprehension of music history and theory, a flair for the lyrical and the dramatic and of course a vast imagination.

Tackling these formidable pieces are eight pianists and one organist, along with the Trio Alkan piano trio and the Orchestra di Padova e del Veneto under Roberto Foreìs-Veses, on recordings dating from 1989–2017. Alkan’s great cycles for the piano — the Études in all the minor keys (Vincenzo Maltempo), in all the major keys (Mark Viner), the Préludes in every key (Laurent Martin) – feature along side other large-scale works like the Grandes Études for hands separate and together (Alessandro Deljavan) and the Nocturnes (Alan Weiss, Costantino Mastroprimiano), as well as characterful miniatures like the Chants and Les Mois (Stanley Hoogland). Organist
Kevin Bowyer demonstrates that Alkan was as much an organ prodigy as anything else, with performances of
the Prières and Little Plainchant Préludes, as well as music for Alkan’s beloved pedal-piano transcribed for the organ.

A welcome and much-needed tribute to the most neglected Genius of the 19th century: Charles-Valentin Alkan.
Charles-Valentin Alkan was one of the most important pianists and piano-composers of the 19th century, although he lived the largest part of his life in obscurity and seclusion. He was a close friend of Chopin (they were neighbours in Paris) and he was the only pianist in whose presence the great Franz Liszt was nervous to play.
Alkan’s works reveal a strikingly original genius, they range from the smallest miniatures to the most colossal creations, from the bizarre to the grandiose, from the intimate to the heroic.
This Edition includes the major piano works: both cycles Studies in all the minor and major keys (Op. 39 and 35), the Grande Sonata, the Concerti da Camera, organ works and chamber music.
Played (among others) by today’s best Alkan interpreters: Giovanni Bellucci, Mark Viner and above all Vincenzo Maltempo, who received several glowing 5-star reviews for his performances: “exhilarating, a revelation!“ (Guardian, selected among the 10 best CD’s of 2012), “his playing flashes with summer lightning” (Gramophone), “Maltempo puts his phenomenal technique at the service of his poetic vision”(Piano News), “with this passionate performance Maltempo confirms his place in the restricted circle of Alkan’s best performers” (5 star, Diapason) and many more.

Tracklist Below:

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Composer:
Pietro Antonio Locatelli

Artist:
Igor Ruhadze (baroque violin & concert master )
Ensemble Violini Capricciosi

Pietro Antonio Locatelli might not exactly be a household name, but in his day he was an international phenomenon – a prodigiously talented violinist who entertained royalty and who had studied with Corelli’s contemporaries from the age of 15. Renowned for exploring the very top register of his instrument, Locatelli is today considered the founding father of the modern virtuoso style. Spanning 5CDs, this compilation celebrates the genius of a man whose violin sonatas occupy an significant position in the history of the string repertoire.

00:00:00 Sonata in B-Flat, Op. 6 No. 1: I. Andante
00:05:16 Sonata in B-Flat, Op. 6 No. 1: II. Allegro
00:08:57 Sonata in B-Flat, Op. 6 No. 1: III. Aria: Cantabile
00:17:03 Sonata in F, Op. 6 No. 2: I. Andante
00:23:56 Sonata in F, Op. 6 No. 2: II. Allegro – Vivace
00:28:08 Sonata in F, Op. 6 No. 2: III. Aria: Vivace
00:35:18 Sonata in B, Op. 6 No. 3: I. Andante
00:38:39 Sonata in B, Op. 6 No. 3: II. Allegro
00:41:50 Sonata in B, Op. 6 No. 3: III. Aria: Menuetto
00:49:40 Sonata in E, Op. 6 No. 4: I. Andante
00:53:17 Sonata in E, Op. 6 No. 4: II. Allegro
00:56:36 Sonata in E, Op. 6 No. 4: III. Aria: Andante
01:03:46 Sonata in C Minor, Op. 6 No. 5: I. Andante
01:07:34 Sonata in C Minor, Op. 6 No. 5: II. Allegro
01:11:38 Sonata in C Minor, Op. 6 No. 5: III. Aria: Vivace
01:20:40 Sonata in D, Op. 6 No. 6: I. Largo
01:21:25 Sonata in D, Op. 6 No. 6: II. Andante
01:26:52 Sonata in D, Op. 6 No. 6: III. Allegro
01:31:42 Sonata in D, Op. 6 No. 6: IV. Aria: Menuetto
01:39:08 Sonata in F Minor, Op. 6 No. 7: I. Largo
01:39:48 Sonata in F Minor, Op. 6 No. 7: II. Grave
01:46:13 Sonata in F Minor, Op. 6 No. 7: III. Vivace
01:49:49 Sonata in F Minor, Op. 6 No. 7: IV. Aria: Cantabile
02:01:41 Sonata in C, Op. 6 No. 8: I. Adagio – Andante
02:07:08 Sonata in C, Op. 6 No. 8: III. Allegro
02:11:53 Sonata in C, Op. 6 No. 8: IV. Andante
02:18:12 Sonata in B Minor, Op. 6 No. 9: I. Largo
02:21:07 Sonata in B Minor, Op. 6 No. 9: II. Vivace
02:24:38 Sonata in B Minor, Op. 6 No. 9: III. Aria: Vivace
02:32:30 Sonata in G, Op. 6 No. 10: I. Andante
02:37:55 Sonata in G, Op. 6 No. 10: II. Allegro
02:41:33 Sonata in G, Op. 6 No. 10: III. Aria: Vivace
02:49:20 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
02:55:22 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
02:57:24 Sonata in E-Flat, Op. 6 No. 11: III. Aria: Cantabile
03:03:06 Sonata in D Minor, Op. 6 No. 12: I. Adagio
03:08:06 Sonata in D Minor, Op. 6 No. 12: II. Allegro
03:11:21 Sonata in D Minor, Op. 6 No. 12: III. Andante
03:14:16 Sonata in D Minor, Op. 6 No. 12: IV. Allegro
03:17:36 Sonata in D Minor, Op. 6 No. 12: V. Capriccio Prova dell’Intonazione
03:23:27 Sonata in G Minor: I. Adagio
03:23:55 Sonata in G Minor: II. Allegro
03:26:16 Sonata in G Minor: III. Largo
03:29:27 Sonata in G Minor: IV. Allegro
03:30:23 Sonata in F, Op. 8 No. 1: I. Largo
03:33:00 Sonata in F, Op. 8 No. 1: II. Allegro
03:37:19 Sonata in F, Op. 8 No. 1: III. Allegro
03:43:01 Sonata in D, Op. 8 No. 2: I. Adagio
03:45:56 Sonata in D, Op. 8 No. 2: II. Allegro
03:49:15 Sonata in D, Op. 8 No. 2: III. Presto – Lento
03:52:50 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
03:55:15 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
03:59:26 Sonata in E-Flat, Op. 6 No. 11: III. Vivace
04:04:26 Sonata in C, Op. 8 No. 4: I. Cantabile
04:07:56 Sonata in C, Op. 8 No. 4: II. Allegro
04:11:38 Sonata in C, Op. 8 No. 4: III. Vivace
04:15:52 Sonata in C, Op. 8 No. 4: IV. Allegro molto
04:18:36 Sonata in G, Op. 8 No. 5: I. Largo
04:25:09 Sonata in G, Op. 8 No. 5: II. Allegro
04:29:22 Sonata in G, Op. 8 No. 5: III. Andante
04:33:05 Sonata in G, Op. 8 No. 5: IV. Allegro
04:37:22 Sonata in E-Flat, Op. 8 No. 6: I. Adagio
04:42:22 Sonata in E-Flat, Op. 8 No. 6: II. Allegro
04:44:59 Sonata in E-Flat, Op. 8 No. 6: III. Aria di menuetto pietro Locatelli

Baba sings verses - Anthuleka

Adhunika Vidya Perigenu Anthuleka
Athma Vidya Kshinininche Avadhileka
Sathya Dharmammulanniyu Samasi Poye
Prema Shanti Ahimsalu Pedabadiye
Prema Shanti Ahimsalu Pedabadiye

Modern learning has grown beyond bounds and the learning of the soul
has declined without a bottom.
Truth and righteousness have got effaced and Love,
Peace and Non-violence have declined.

Баба поёт стихи - "Воплощение любви", диск 1
6. Антулека

Адхуника видья перигену антулека
Атма видья кшинининче авадхилека
Сатья дхармаммуланнию самаси пойе
Према шанти ахимсалу педабадийе
Према шанти ахимсалу педабадийе

Современное образование выросло беспредельно, а изучение души пришло в полный упадок.
Истина и праведность преданы забвению, а любовь, мир и ненасилие угасли.

Tracklist below.

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Tracklist:
The Choir of King’s College, Cambridge, is one of the world’s best-known choral groups. Founded in the 15th century, it ranks among the oldest of its kind, and, while originally created for singing the daily services in the college chapel, now enjoys an international tour schedule that has seen it perform all over Europe and beyond. Every Christmas Eve, millions of people tune in to watch the choir’s A Festival of Nine Lessons and Carols from King’s – a service which has been continuously broadcast since 1928.

Recorded in 1994, this reissue joins the group’s already extensive discography of Christmas music – recordings that have enhanced its worldwide fame and reputation. The compilation mixes some of the best-loved traditionals, including Once in royal David’s city and O Come all ye faithful, with more recent repertoire – such as Rutter’s rousing What Sweeter Music and Judith Weir’s striking Illuminare, Jerusalem (specially commissioned by the choir for its 1985 annual service). Also featured are traditional German, French, Dutch and Polish carols (including two settings of Dulce Jubilo) – works which, together with Pärt’s enchanting Bogoróditse Dyévo, contribute to a wonderfully eclectic disc that provides over an hour of festive cheer.
00:00:00 Once in royal David’s city
00:04:41 Rejoice and be merry
00:06:11 Ding dong, merrily on high
00:08:19 What Sweeter Music
00:12:37 O little town of Bethlehem
00:16:17 A Spotless Rose
00:19:25 Heer Jezus heeft een hofken (organ variations)
00:26:44 King Jesus hath a garden
00:30:10 The Lamb
00:33:39 Bogoróditse Dyévo
00:34:55 Infant holy, infant lowly
00:36:43 Illuminare, Jerusalem
00:39:12 While shepherds watched
00:41:54 Quittez, pasteurs
00:45:05 In dulci jubilo (organ prelude)
00:48:06 In dulci jubilo
00:50:46 The First Nowell
00:56:09 Coventry Carol
00:59:17 Personent hodie
01:01:49 O come all ye faithful

Artist: The Choir of King's College, Cambridge
Stephen Cleobury (conductor)

#Christmas #Classical #CarolsfromKings

The Polonaise was a peasant dance from Poland that gained popularity in the early 18th century among composers and high society. Bach and Handel both wrote movements marked ‘Polonaise’, and in the early 19th century examples can be found in the finales of Beethoven’s Triple Concerto, and Field’s Third Piano Concerto. Chopin grew up with polonaise and other forms of traditional Polish music. His teacher, Elsner was a Polonaise composer, and the business of writing and publishing sets of polonaises was a lucrative one.

There was another reason why such a traditional was so popular in Poland at this time; the country had once again been robbed of its independence, and the nationalistic pulling power of such music helped keep the national identity and spirit alive. Chopin’s genius took the simple tunes of the Polonaise and allowed him to create large-scale complex and dramatic works with myriad emotions. In many ways they captured the Polish spirit which remained defiantly unbroken.

Folke Nauta was born in 1973 and has won many prizes in key competitions around Europe.

Composer: Frédéric Chopin
Artist: Folke Nauta (piano)

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00:00:00 Polonaises: Andante spianato et Grande Polonaise brillante Op.22 in E flat
00:14:15 Polonaises: Polonaise Op.26 No.1 in C sharp Minor
00:22:45 Polonaises: Polonaise Op.26 No.2 in E flat Minor
00:31:57 Polonaises: Polonaise Op.40 No.1 in A ‘Military’
00:37:31 Polonaises: Polonaise Op.40 No.2 in C Minor
00:46:01 Polonaises: Polonaise Op.44 in F sharp Minor
00:56:55 Polonaises: Polonaise Op.53 in A flat ‘Heroic’
01:03:55 Polonaises: Polonaise-Fantaisie Op.61 in A flat

#chopin #classicalmusic #Classical #chopinpolonaises

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Composer & Artist:
Composer: Christoph Nichelmann
Artist: Michele Benuzzi

About this Album:
When calling to mind harpsichord music of the Baroque period, the 24 Preludes and Fugues of J.S. Bach or the Pièces de clavecin by Couperin are perhaps the most immediately obvious choices. However, the music of Christoph Nichelmann (who is said to have studied with Bach) is equally inspired, and this release is the first step towards a more substantial recording of his oeuvre – indeed, it is the first recording solely dedicated to his output. One of a large number of composers whose music faded into obscurity after their death, Nichelmann is at last attracting the scholarly attention he deserves, largely thanks to today's vogue for discovering and promoting lesser-known repertoire.

This recording brings together the two sets of six sonatas from the middle of Nichelmann’s life, printed in 1745, and which represent the only two surviving collections of his music. The style of his compositions is intriguing and eclectic: on the one hand we can still hear the heritage of Baroque music, and on the other the development of a more sensitive and expressive language – although not quite the bridge to the Classicism which we hear in the music of Bach’s son, Carl Philipp Emanuel.

Tracklist:
00:00:00 Sonata in G Minor, Op. 1 No. 1: I. Moderato
00:04:31 Sonata in G Minor, Op. 1 No. 1: II. Largo
00:08:12 Sonata in G Minor, Op. 1 No. 1: III. Allegro
00:11:22 Sonata in D Major, Op. 1 No. 2: I. Allegretto
00:15:33 Sonata in D Major, Op. 1 No. 2: II. Mesto
00:17:45 Sonata in D Major, Op. 1 No. 2: III. Allegro
00:22:39 Sonata in B Minor, Op. 1 No. 3: I. Un poco allegro
00:28:28 Sonata in B Minor, Op. 1 No. 3: II. Andantino
00:30:40 Sonata in B Minor, Op. 1 No. 3: III. Presto
00:33:54 Sonata in G Major, Op. 1 No. 4: I. Allegretto
00:38:24 Sonata in G Major, Op. 1 No. 4: II. Largo
00:40:29 Sonata in G Major, Op. 1 No. 4: III. Vivace
00:45:58 Sonata in C Minor, Op. 1 No. 5: I. Un poco allegro
00:53:01 Sonata in C Minor, Op. 1 No. 5: II. Andante
00:55:42 Sonata in C Minor, Op. 1 No. 5: III. Presto
00:59:17 Sonata in F Major, Op. 1 No. 6: I. Allegro
01:05:11 Sonata in F Major, Op. 1 No. 6: II. Adagio
01:08:22 Sonata in F Major, Op. 1 No. 6: III. Presto
01:12:39 Sonata in B-Flat Major, Op. 2 No. 1: I. Allegretto
01:16:23 Sonata in B-Flat Major, Op. 2 No. 1: II. Largo
01:19:09 Sonata in B-Flat Major, Op. 2 No. 1: III. Presto
01:22:10 Sonata in F Minor, Op. 2 No. 2: I. Un poco allegro
01:26:08 Sonata in F Minor, Op. 2 No. 2: II. Andante
01:27:56 Sonata in F Minor, Op. 2 No. 2: III. Vivace
01:30:57 Sonata in A Major, Op. 2 No. 3: I. Allegro
01:35:05 Sonata in A Major, Op. 2 No. 3: II. Largo
01:37:49 Sonata in A Major, Op. 2 No. 3: III. Allegretto
01:41:57 Sonata in D Minor, Op. 2 No. 4: I. Allegro
01:45:06 Sonata in D Minor, Op. 2 No. 4: II. Adagio
01:48:02 Sonata in D Minor, Op. 2 No. 4: III. Allegro
01:51:21 Sonata in E-Flat Major. Op. 2 No. 5: I. Allegro
01:54:33 Sonata in E-Flat Major. Op. 2 No. 5: II. Andante
01:56:06 Sonata in E-Flat Major. Op. 2 No. 5: III. Allegro
02:00:02 Sonata in A Minor, Op. 1 No. 6: I. Allegro
02:06:27 Sonata in A Minor, Op. 1 No. 6: II. Andante
02:08:10 Sonata in A Minor, Op. 1 No. 6: III. Presto

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Nichelmann #Harpsichord

"Gayatri is the embodiment of all Gods and all Mantras....... There is no need to chant any other Mantra if you chant the Gayatri Mantra" Sathya Sai Baba, march 2000.

More beautiful images from South India at www.omimages.net

En este discurso, Sadhguru explica que la depresión es la consecuencia de estar constantemente «empujando los límites de la cordura» y que, de la misma manera, el 70% de las enfermedades que nos aquejan son auto-generadas.

Pláticas de Sadhguru @ Darshan, Isha Yoga Center, Coimbatore, Sep 2010.

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Train of Thought (Remix) · a-ha

Headlines and Deadlines - The Hits of a-ha

℗ 1985 Warner Records Inc.

Producer, Remix: Alan Tarney
Masterer: Bobby Hata
Remix: John Hudson
Remix: John Ratcliff
Producer: Tony Mansfield
Remix: a-ha
Writer: Pal Waaktaar

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