We weren't going to do a gameplay of Kung Fu Panda but we decided to check it out because Fu Panda is my favorite animated movie from DreamWorks Animation.

Kung Fu Panda - Part 1 Walkthrough (Xbox 360)
http://youtu.be/a_3z_PFclrM

Kung Fu Panda - Part 2 Walkthrough (Xbox 360)
http://youtu.be/y9nHl4df4XY

Kung Fu Panda - Team Survival & Versus Mode (Xbox 360)
http://youtu.be/b6MO8ISkcLo

Kung Fu Panda - Part 3 Walkthrough (Xbox 360)
http://youtu.be/6pbcSS2QPOM

Kung Fu Panda - Part 4 Walkthrough (Xbox 360)
http://youtu.be/n1hyhqt5Rs0

Kung Fu Panda - Part 5 Walkthrough (Xbox 360)
http://youtu.be/pZg67eD6ehE

TAGG Gets Beat Up - Kung Fu Panda - Versus Mode (Xbox 360)
http://youtu.be/kh8BwS0HmJ4

Kung Fu Panda - Part 6 Walkthrough (Xbox 360)
http://youtu.be/Jky5SlFZvck

Kung Fu Panda - Part 7 Walkthrough (Xbox360) http://youtu.be/ssQ7Jzg1XSk

Kung Fu Panda - Part 8 Walkthrough (Xbox 360)
http://youtu.be/TWzDQn6IAAQ

Kung Fu Panda - Part 9 Walkthrough (Xbox 360)
http://youtu.be/sARqHYtsTHE

Kung Fu Panda - Part 10 Walkthrough (Xbox 360)
http://youtu.be/8rrKNOISv-o

Kung Fu Panda - Part 11 Walkthrough (Xbox 360)
http://youtu.be/vsjIWJuWhj4

Kung Fu Panda: THE FINAL BATTLE (Xbox 360)
http://youtu.be/EZvTysAJm8A
______________________________________________________

Check out my channel for more gameplays and commentary's.
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Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/VivaldiCompleteC
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Composer: Antonio Vivaldi
Artist: L'Arte dell'Arco

00:00:00 Cello Concerto in D Minor, RV 405: I. —
00:02:40 Cello Concerto in D Minor, RV 405: II. Adagio
00:06:27 Cello Concerto in D Minor, RV 405: III. Allegro
00:08:45 Cello Concerto in G Minor, RV 417: I. Allegro
00:11:28 Cello Concerto in G Minor, RV 417: II. Andante
00:15:22 Cello Concerto in G Minor, RV 417: III. Allegro
00:18:22 Cello Concerto in D Major, RV 403: I. Allegro
00:21:10 Cello Concerto in D Major, RV 403: II. —
00:22:52 Cello Concerto in D Major, RV 403: III. Allegro
00:25:29 Cello Concerto in F Major, RV 410: I. Allegro
00:28:49 Cello Concerto in F Major, RV 410: II. Adagio, solo a piacimento
00:32:39 Cello Concerto in F Major, RV 410: III. —
00:36:05 Cello Concerto in A Minor, RV 420: I. Andante
00:39:49 Cello Concerto in A Minor, RV 420: II. Adagio
00:43:13 Cello Concerto in A Minor, RV 420: III. Allegro
00:46:39 Cello Concerto in G Major, RV 414: I. Allegro molto
00:50:07 Cello Concerto in G Major, RV 414: II. Andante
00:52:54 Cello Concerto in G Major, RV 414: III. Presto
00:56:07 Cello Concerto in G Minor, RV 416: I. Allegro
00:59:39 Cello Concerto in G Minor, RV 416: II. Adagio (Largo)
01:02:50 Cello Concerto in G Minor, RV 416: III. Allegro
01:05:37 Cello Concerto in A Minor, RV 418: I. Allegro
01:09:32 Cello Concerto in A Minor, RV 418: II. —
01:12:52 Cello Concerto in A Minor, RV 418: III. Allegro
01:15:49 Cello Concerto in C Minor, RV 401: I. Allegro non molto
01:19:53 Cello Concerto in C Minor, RV 401: II. Adagio
01:22:12 Cello Concerto in C Minor, RV 401: III. Allegro ma non molto
01:25:03 Cello Concerto in G Major, RV 413: I. Allegro
01:28:02 Cello Concerto in G Major, RV 413: II. Largo
01:31:52 Cello Concerto in G Major, RV 413: III. Allegro
01:34:45 Cello Concerto in G Major, RV 415: I. Allegro
01:37:20 Cello Concerto in G Major, RV 415: II. Siciliana
01:40:26 Cello Concerto in G Major, RV 415: III. Alla breve
01:43:29 Cello Concerto in A Minor, RV 419: I. Allegro
01:47:00 Cello Concerto in A Minor, RV 419: II. Andante
01:50:01 Cello Concerto in A Minor, RV 419: III. Allegro
01:51:34 Cello Concerto in B Minor, RV 424: I. Allegro non molto
01:55:14 Cello Concerto in B Minor, RV 424: II. Largo
01:57:39 Cello Concerto in B Minor, RV 424: III. Allegro
02:01:03 Cello Concerto in D Minor, RV 406: I. Allegro non molto
02:03:52 Cello Concerto in D Minor, RV 406: II. Andante
02:06:12 Cello Concerto in D Minor, RV 406: III. Minuet
02:10:57 Cello Concerto in A Minor, RV 421: I. Allegro non troppo
02:13:57 Cello Concerto in A Minor, RV 421: II. —
02:15:57 Cello Concerto in A Minor, RV 421: III. Allegro
02:18:19 Cello Concerto in C Major, RV 399: I. Allegro
02:20:26 Cello Concerto in C Major, RV 399: II. Largo
02:22:26 Cello Concerto in C Major, RV 399: III. —
02:24:39 Cello Concerto in F Major, RV 411: I. Allegro
02:27:28 Cello Concerto in F Major, RV 411: II. Largo
02:28:49 Cello Concerto in F Major, RV 411: III. Allegro molto
02:30:45 Cello Concerto in D Major, RV 404: I. —
02:33:31 Cello Concerto in D Major, RV 404: II. Affettuoso
02:35:21 Cello Concerto in D Major, RV 404: III. Allegro
02:38:24 Cello Concerto in C Major, RV 398: I. Allegro
02:41:03 Cello Concerto in C Major, RV 398: II. Largo
02:42:57 Cello Concerto in C Major, RV 398: III. —
02:45:07 Cello Concerto in C Minor, RV 402: I. Allegro
02:48:29 Cello Concerto in C Minor, RV 402: II. Adagio
02:51:36 Cello Concerto in C Minor, RV 402: III. Allegro
02:53:57 Cello Concerto in F Major, RV 412: I. —
02:56:37 Cello Concerto in F Major, RV 412: II. Larghetto
02:58:38 Cello Concerto in F Major, RV 412: III. Allegro
03:00:56 Cello Concerto in D Minor, RV 407: I. Allegro
03:04:05 Cello Concerto in D Minor, RV 407: II. Largo
03:07:18 Cello Concerto in D Minor, RV 407: III. Allegro
03:10:22 Cello Concerto in C Major, RV 400: I. Allegro
03:13:15 Cello Concerto in C Major, RV 400: II. Largo
03:16:00 Cello Concerto in C Major, RV 400: III. Allegro non molto
03:18:28 Cello Concerto in E Minor, RV 409: I. Adagio – Allegro molto}
03:23:05 Cello Concerto in E Minor, RV 409: II. Allegro – Adagio
03:24:19 Cello Concerto in E Minor, RV 409: III. Allegro
03:26:45 Cello Concerto in B-Flat Major, RV 423: I. Allegro
03:20:09 Cello Concerto in B-Flat Major, RV 423: II. Largo
03:32:41 Cello Concerto in B-Flat Major, RV 423: III. Allegro
03:36:11 Cello Concerto in E-Flat Major, RV 408: I. Allegro non molto
03:39:41 Cello Concerto in E-Flat Major, RV 408: II. Largo
03:43:08 Cello Concerto in E-Flat Major, RV 408: III. Allegro
03:45:15 Cello Concerto in A Minor, RV 422: I. Allegro
03:48:21 Cello Concerto in A Minor, RV 422: II. Largo cantabile
03:51:16 Cello Concerto in A Minor, RV 422: III. Allegro

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
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Composer and artist:
Composer: Antonio Vivaldi
Artists: Erik Bosgraaf

About this Album:
Stravinsky famously quipped that Vivaldi didn’t write 400 concertos, rather he wrote one concerto 400 times. Rather unfair, though witty. For many people though, Vivaldi is the composer of The Four Seasons (the first four of the twelve concertos Op.8), and maybe the famous Gloria. He is a composer who repays closer attention. There are some superb concertos in his large output, and some of them were sufficiently striking enough to attract the attention of J.S. Bach and Johann Quantz. His concertos are remarkable not only for the wealth of invention and the outstanding quality of the music, but also for the amazing range of instruments he wrote for.

This release is devoted to concertos for sopranino and alto recorders. Two of his greatest concertos ‘Tempesta di mare’ (Storm at Sea) and ‘La notte’ (Night) feature on the programme.
Tracklist:
00:00:00 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: I. Allegro non molto
00:04:08 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: II. Largo
00:06:25 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: III. Allegro molto
00:09:32 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: I. Largo
00:12:12 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: II. Presto – Largo – Andante – Presto (Fantasmi)
00:14:59 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: III. Largo (Il sonno)
00:17:09 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: IV. Allegro
00:19:59 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: I. [Allegro]
00:22:07 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: II. Largo
00:24:15 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: III. Presto
00:26:15 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: I. Allegro
00:29:20 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: II. Largo
00:31:46 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: III. [Allegro molto]
00:35:21 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): I. Allegro non molto
00:38:42 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): II. Largo cantabile
00:41:46 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): III. Allegro
00:43:34 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: I. Allegro non molto
00:48:34 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: II. Largo
00:51:17 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: III. [Allegro]
00:54:44 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: I. [Allegro]
00:58:33 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: II. Largo
01:02:17 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: III. Allegro molto

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Vivaldi #Violin

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For a collection of small nations at the northern fringe of Europe, Scandinavia produced in a relatively short space of time a remarkable quantity of great musicians – including from the late classical and early periods Berwald, Pacius and Crusell, to Gade, Svendsen ,Sinding and Grieg in the mid 19th, and of course Sibelius, Nielsen, Laangaard and Stenhammer at the end of the 19th who became major international composers in the first three decades of the 20th century.

Edvard Grieg (1843 - 1907) of course will always be remembered as the composer of the highly effective A minor piano concerto, and his incidental music to Ibsen’s play Peer Gynt. However, it is as a miniaturist that Greig’s true genius lies. Grieg was a very capable pianist, and had in fact made his early career as a concert pianist, and his songs and solo piano music form the heart of his output. The early piano sonata although interesting shows clearly why the less restricting forms of the miniatures for solo piano suited his genius. The Lyric Pieces and Peasant Dances display his keen ear for traditional folk music, matched probably only by Bartok and Kodaly.

The 66 works that comprise the 10 books of Lyric Pieces date from 1867 to 1901, and are extraordinary, exquisitely crafted works that can stand comparison to any of the great sonatas of his contemporaries. This set includes the complete Lyric Pieces, the Sonata, The Holberg Suite and the lesser-known piano works of this great composer who captured the very essence of his native Norway in music.

Composer: Edvard Hagerup Grieg
Artist : Håkon Austbö piano

Composer: Antonio Vivaldi
Artists: Erik Bosgraaf (recorder & director), Ensemle Cordevento, Zefira Valova & Ivan Iliev (violin), Zdenka Prochazkova (viola), Linda Mantcheva (cello), Tomoki Sumiya (double bass), Alessandro Pianu (harpsichord & organ), Yavor Genov (chitarrone & baroque guitar)

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Vivaldi’s Four Seasons is one of the world’s most popular and widely recorded collections of music, a set that instantly became an international hit after it was first published at part of the composer’s Op.8 in 1725. No doubt it was its imitative directness – extra musical occurrences/phenomena evoked in an extremely suggestive manner and even written into the score, such as ‘the barking dog’ or ‘the drunkards’ sleep’ etc. – that caused such as sensation in its time, effortlessly bridging the gap between the salons of the highborn and the alehouses of the lowly. Today nothing has changed: the concertos are performed both by great violin virtuosos and famous hard rockers; they are works that are constantly being presented in new guises through the re-imagining and re-working of the musical score.

Such is the standpoint adopted on this recording by Erik Bosgraaf, who has chosen here to adapt the violin part for recorder, explaining how ‘the violin part can be played on the recorder with surprising ease, without many changes. In some ways it works even better than concertos Vivaldi wrote specifically for the recorder!’ Years ago Bosgraaf performed The Four Seasons with a symphony orchestra; for the present album, however, he wanted to approach his ideal as closely as possible using Cordevento, a small baroque ensemble he founded himself, knowing all the musicians through and through. Bosgraaf’s aim is to make the four legendary concertos sound as if they had been written for the recorder in the first place – and the results are laudable, with the contrasts between the wind instrument and the accompanying strings revealing previously unheard stratifications and details. As the soloist himself puts it, ‘Listen to Vivaldi with fresh ears and enjoy!’

Erik Bosgraaf is considered one of the most innovative and versatile recorder players of his generation. His concerts are happenings, and offer fascinating combinations of classical and experimental music. His importance for the emancipation of the recorder (still often considered a stuffy and even childish instrument) is enormous. Bosgraaf’s version of Vivaldi’s Four Seasons (of course originally for violin and orchestra) is not a mere transcription for another instrument, but a recreation of a work of startling originality and power: listen to the furioso rendering of the Summer Storm!

Tracklist:
00:00:00 Concerto No. 1 in E Major, RV. 269 “La primavera”: I. Allegro
00:03:14 Concerto No. 1 in E Major, RV. 269 “La primavera”: II. Largo
00:05:54 Concerto No. 1 in E Major, RV. 269 “La primavera”: III. Allegro. Danza pastorale
00:10:02 Concerto No. 2 in G Minor, RV. 315 “L’estate”: I. Allegro non molto
00:15:04 Concerto No. 2 in G Minor, RV. 315 “L’estate”: II. Adagio
00:17:24 Concerto No. 2 in G Minor, RV. 315 “L’estate”: III. Presto. Tempo impetuoso d’estate
00:20:20 Concerto No. 3 in F Major, RV. 293 “L’autunno”: I. Allegro
00:25:43 Concerto No. 3 in F Major, RV. 293 “L’autunno”: II. Adagio
00:28:14 Concerto No. 3 in F Major, RV. 293 “L’autunno”: III. Allegro. La caccia
00:31:23 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: I. Allegro non molto
00:34:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: II. Largo
00:36:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: III. Allegro

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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #mozart

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Composer & Artist:
Composer: Christoph Nichelmann
Artist: Michele Benuzzi

About this Album:
When calling to mind harpsichord music of the Baroque period, the 24 Preludes and Fugues of J.S. Bach or the Pièces de clavecin by Couperin are perhaps the most immediately obvious choices. However, the music of Christoph Nichelmann (who is said to have studied with Bach) is equally inspired, and this release is the first step towards a more substantial recording of his oeuvre – indeed, it is the first recording solely dedicated to his output. One of a large number of composers whose music faded into obscurity after their death, Nichelmann is at last attracting the scholarly attention he deserves, largely thanks to today's vogue for discovering and promoting lesser-known repertoire.

This recording brings together the two sets of six sonatas from the middle of Nichelmann’s life, printed in 1745, and which represent the only two surviving collections of his music. The style of his compositions is intriguing and eclectic: on the one hand we can still hear the heritage of Baroque music, and on the other the development of a more sensitive and expressive language – although not quite the bridge to the Classicism which we hear in the music of Bach’s son, Carl Philipp Emanuel.

Tracklist:
00:00:00 Sonata in G Minor, Op. 1 No. 1: I. Moderato
00:04:31 Sonata in G Minor, Op. 1 No. 1: II. Largo
00:08:12 Sonata in G Minor, Op. 1 No. 1: III. Allegro
00:11:22 Sonata in D Major, Op. 1 No. 2: I. Allegretto
00:15:33 Sonata in D Major, Op. 1 No. 2: II. Mesto
00:17:45 Sonata in D Major, Op. 1 No. 2: III. Allegro
00:22:39 Sonata in B Minor, Op. 1 No. 3: I. Un poco allegro
00:28:28 Sonata in B Minor, Op. 1 No. 3: II. Andantino
00:30:40 Sonata in B Minor, Op. 1 No. 3: III. Presto
00:33:54 Sonata in G Major, Op. 1 No. 4: I. Allegretto
00:38:24 Sonata in G Major, Op. 1 No. 4: II. Largo
00:40:29 Sonata in G Major, Op. 1 No. 4: III. Vivace
00:45:58 Sonata in C Minor, Op. 1 No. 5: I. Un poco allegro
00:53:01 Sonata in C Minor, Op. 1 No. 5: II. Andante
00:55:42 Sonata in C Minor, Op. 1 No. 5: III. Presto
00:59:17 Sonata in F Major, Op. 1 No. 6: I. Allegro
01:05:11 Sonata in F Major, Op. 1 No. 6: II. Adagio
01:08:22 Sonata in F Major, Op. 1 No. 6: III. Presto
01:12:39 Sonata in B-Flat Major, Op. 2 No. 1: I. Allegretto
01:16:23 Sonata in B-Flat Major, Op. 2 No. 1: II. Largo
01:19:09 Sonata in B-Flat Major, Op. 2 No. 1: III. Presto
01:22:10 Sonata in F Minor, Op. 2 No. 2: I. Un poco allegro
01:26:08 Sonata in F Minor, Op. 2 No. 2: II. Andante
01:27:56 Sonata in F Minor, Op. 2 No. 2: III. Vivace
01:30:57 Sonata in A Major, Op. 2 No. 3: I. Allegro
01:35:05 Sonata in A Major, Op. 2 No. 3: II. Largo
01:37:49 Sonata in A Major, Op. 2 No. 3: III. Allegretto
01:41:57 Sonata in D Minor, Op. 2 No. 4: I. Allegro
01:45:06 Sonata in D Minor, Op. 2 No. 4: II. Adagio
01:48:02 Sonata in D Minor, Op. 2 No. 4: III. Allegro
01:51:21 Sonata in E-Flat Major. Op. 2 No. 5: I. Allegro
01:54:33 Sonata in E-Flat Major. Op. 2 No. 5: II. Andante
01:56:06 Sonata in E-Flat Major. Op. 2 No. 5: III. Allegro
02:00:02 Sonata in A Minor, Op. 1 No. 6: I. Allegro
02:06:27 Sonata in A Minor, Op. 1 No. 6: II. Andante
02:08:10 Sonata in A Minor, Op. 1 No. 6: III. Presto

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Nichelmann #Harpsichord

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The perfect starting point for exploring Romantic piano music. It features historic recordings of a truly excellent standard, including Blumental with the Vienna Symphony Orchestra under Helmuth Froschauer, the Orchestra of Radio Luxembourg with Pierre Cao accompanying French pianist Dosse, Boehm with the Westphalian Symphony Orchestra under Siegfried Landau, and Antal Doráti conducting the Royal Philharmonic Orchestra with Ilse von Alpenheim.

This 40 CD set contains a wealth of 19th century piano concertos written by composers who for some reason or other have been neglected by history, so called “minor masters” who may have lost the battle against the giants but nevertheless wrote very attractive, impressive and brilliant concertos for the piano (which in many cases was “their” instrument).

To name just a few: Hummel, Field, Czerny, Cramer, Ries, Clementi, Thalberg, Moscheles, Litolff, Kalkbrenner, Lyapunov, Balakirev, Medtner, Glazunov, Henselt, Moszkowski, Scharwenka and many more, over 60 composers!
Most of the recordings come from the rich and unique VOX catalogue, featuring such excellent pianists as Michael Ponti, Felicja Blumenthal, Hans Kann, Martin Galling, Jerome Rose, Roland Keller and many more.

Franz Liszt:
00:00:00 Malédiction in E Minor, S. 121

Eugen D'Albert:
00:14:11 Piano Concerto No. 2 in E Major, Op. 12

Hans Von Bronsart:
00:29:45 Piano Concerto in F-Sharp Minor, Op. 10: I. Allegro maestoso
00:42:38 Piano Concerto in F-Sharp Minor, Op. 10: II. Adagio ma non troppo
00:50:06 Piano Concerto in F-Sharp Minor, Op. 10: III. Allegro con fuoco

Franz Berwald:
00:57:00 Piano Concerto in D Major: I. Allegro con brio, II. Andantino, III. Allegro molto

Charles Henri Valentin Alkan:
01:15:05 Concerto da camera No. 2 in C-Sharp Minor

Robert Schumann:
01:21:49 Konzertstück in G Major, Op. 92

Joachim Raff:
01:35:46 Ode au printemps in G Major, Op. 76

Franz Liszt:
01:48:46 Totentanz, S. 126

Simon Mayr:
02:03:58 Piano Concerto No. 1 in C Major: I. Allegro moderato
02:12:21 Piano Concerto No. 1 in C Major: II. Andante grazioso
02:18:05 Piano Concerto No. 1 in C Major: III. Rondo

Albert Roussel:
02:21:30 Piano Concerto in G Major, Op. 36: I. Allegro molto
02:25:23 Piano Concerto in G Major, Op. 36: II. Adagio
02:33:54 Piano Concerto in G Major, Op. 36: III. Allegro con spirit

Gabriel Pierné:
02:38:35 Piano Concerto in C Minor, Op. 12: I. Allegro
02:46:51 Piano Concerto in C Minor, Op. 12: II. Scherzando
02:51:42 Piano Concerto in C Minor, Op. 12: III. Final. Allegro un poco agitato

Murali Gana Lola Nanda Gopa Bala
Ravo Ravo Radha Lola Radha Lola
Threta Yugamuna Sitha Ramudai
Dvapari Yugamuna Radha Loludayi
Githanu Drapina Taraka Namudayi
Yuga Yuga Manduna Tagu Rupa Dhariyai


======
Meaning
======

Player of the flute, giver of joy
Nanda's son, the cowherd boy (Krishna)
Come, come, Radha's joy
In the Threta Yuga You incarnated as Rama, Sita's Lord.
In Dwapara Yuga, You incarnated as Krishna, Radha's Lord.
You are the Savior who taught the Gita.
In every age You assume the appropriate form.

Son of Nanda the shepherd, enchanting flute player,
come oh come Lord of Radha.
In the Age of Treta, You incarnated as Rama, Lord of Sita.
In the Age of Dwapara, You incarnated
as Krishna, Lord of Radha.
You are the Saviour who taught us the Bhagavad Gita.
From age to age You embody the perfect form.

Baba sings verses - Anthuleka

Adhunika Vidya Perigenu Anthuleka
Athma Vidya Kshinininche Avadhileka
Sathya Dharmammulanniyu Samasi Poye
Prema Shanti Ahimsalu Pedabadiye
Prema Shanti Ahimsalu Pedabadiye

Modern learning has grown beyond bounds and the learning of the soul
has declined without a bottom.
Truth and righteousness have got effaced and Love,
Peace and Non-violence have declined.

Баба поёт стихи - "Воплощение любви", диск 1
6. Антулека

Адхуника видья перигену антулека
Атма видья кшинининче авадхилека
Сатья дхармаммуланнию самаси пойе
Према шанти ахимсалу педабадийе
Према шанти ахимсалу педабадийе

Современное образование выросло беспредельно, а изучение души пришло в полный упадок.
Истина и праведность преданы забвению, а любовь, мир и ненасилие угасли.

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Composer: Tomaso Giovanni Albinoni
Artist: Stefan Schilli (oboe), Giovanni Deangeli (oboe), Stuttgart Kammerorchester, Nicol Matt conductor
00:00:00 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro non presto
00:03:49 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Adagio
00:07:56 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro
00:10:48 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
00:12:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Adagio
00:13:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
00:15:40 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allego
00:18:21 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Adagio
00:20:00 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allegro
00:22:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Allegro
00:26:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Adagio
00:28:45 Concerto à 5 in C Major for two Oboes and Strings: Allegro, Op. 9 No. 9
00:32:14 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: No Tempo Indication
00:34:32 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Largo
00:36:30 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Allegro
00:38:16 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
00:41:36 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Adagio
00:43:32 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
00:46:42 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
00:49:29 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Adagio
00:51:31 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
00:53:45 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro
00:58:15 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Adagio
01:00:29 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro

Tracklist below.

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Tracklist:
The Choir of King’s College, Cambridge, is one of the world’s best-known choral groups. Founded in the 15th century, it ranks among the oldest of its kind, and, while originally created for singing the daily services in the college chapel, now enjoys an international tour schedule that has seen it perform all over Europe and beyond. Every Christmas Eve, millions of people tune in to watch the choir’s A Festival of Nine Lessons and Carols from King’s – a service which has been continuously broadcast since 1928.

Recorded in 1994, this reissue joins the group’s already extensive discography of Christmas music – recordings that have enhanced its worldwide fame and reputation. The compilation mixes some of the best-loved traditionals, including Once in royal David’s city and O Come all ye faithful, with more recent repertoire – such as Rutter’s rousing What Sweeter Music and Judith Weir’s striking Illuminare, Jerusalem (specially commissioned by the choir for its 1985 annual service). Also featured are traditional German, French, Dutch and Polish carols (including two settings of Dulce Jubilo) – works which, together with Pärt’s enchanting Bogoróditse Dyévo, contribute to a wonderfully eclectic disc that provides over an hour of festive cheer.
00:00:00 Once in royal David’s city
00:04:41 Rejoice and be merry
00:06:11 Ding dong, merrily on high
00:08:19 What Sweeter Music
00:12:37 O little town of Bethlehem
00:16:17 A Spotless Rose
00:19:25 Heer Jezus heeft een hofken (organ variations)
00:26:44 King Jesus hath a garden
00:30:10 The Lamb
00:33:39 Bogoróditse Dyévo
00:34:55 Infant holy, infant lowly
00:36:43 Illuminare, Jerusalem
00:39:12 While shepherds watched
00:41:54 Quittez, pasteurs
00:45:05 In dulci jubilo (organ prelude)
00:48:06 In dulci jubilo
00:50:46 The First Nowell
00:56:09 Coventry Carol
00:59:17 Personent hodie
01:01:49 O come all ye faithful

Artist: The Choir of King's College, Cambridge
Stephen Cleobury (conductor)

#Christmas #Classical #CarolsfromKings

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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.

Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences

Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.

Tracklist can be found below!

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Composer : Giovanni Battista Costanzi, Nicola Porpora
Artist: Adriano Fazio (cello)
Katarzyna Solecka (violin)
Anna Camporini (cello)
Pedro Alcacer (theorbo)
Lorenzo Profita (harpsichord)

00:00:00 Cello Sonata No. 1 in C Major: I. Amoroso
00:02:35 Cello Sonata No. 1 in C Major: II. Allegro
00:04:22 Cello Sonata No. 1 in C Major: III. Tempo giusto
00:06:12 Cello Sonata No. 1 in C Major: IV. Allegro
00:09:12 Cello Sonata No. 2 in G Minor: I. Affettuoso
00:11:10 Cello Sonata No. 2 in G Minor: II. Allegro
00:13:44 Cello Sonata No. 2 in G Minor: III. Adagio
00:15:29 Cello Sonata No. 2 in G Minor: IV. Allegro
00:18:18 Cello Sonata No. 3 in G Major: I. Adagio
00:20:51 Cello Sonata No. 3 in G Major: II. Allegro
00:23:23 Cello Sonata No. 3 in G Major: III. Adagio staccato
00:25:12 Cello Sonata No. 3 in G Major: IV. Allegro
00:27:26 Cello Sonata No. 4 in B Major: I. Adagio e staccato
00:29:54 Cello Sonata No. 4 in B Major: II. Allegro
00:32:31 Cello Sonata No. 4 in B Major: III. Adagio
00:33:50 Cello Sonata No. 4 in B Major: IV. Allegro staccato
00:36:21 Cello Sonata No. 5 in C Minor: I. Adagio
00:38:58 Cello Sonata No. 5 in C Minor: II. Allegro
00:41:34 Cello Sonata No. 5 in C Minor: III. Adagio
00:43:10 Cello Sonata No. 5 in C Minor: IV. Allegro
00:46:33 Cello Sonata No. 6 in G Major: I. Adagio
00:49:24 Cello Sonata No. 6 in G Major: II. Allegro
00:51:56 Cello Sonata No. 6 in G Major: III. Largo
00:54:08 Cello Sonata No. 6 in G Major: IV. Allegro staccato

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This young guitarist’s debut album is the perfect introduction to his artistry, showcasing as it does four leading 20th-century composers of guitar music – Antonio José Palacios, Alberto Ginastera, Antonio Lauro and Julio Gentil Montaña – composers who in turn represent four different countries and four styles of music that differ widely both aesthetically and in terms of the traditions from which they spring.

Composer: Alberto Ginastera, Julio Gentil Montana
Artist: Deion Cho guitar

Among the most promising Spanish composers of his generation, Antonio José was acclaimed by Ravel and counted Lorca and Dali among his associates, but like Lorca, he was executed by a Falangist firing squad during the Spanish Civil War. Only 34 years of age, he had accumulated a catalogue of music impressive not only for its depth but its sophistication, exemplified by the substantial Guitar Sonata which is his best-known work. The Sonata by the Argentine Alberto Ginastera is no less imposing in structure, and harmonically much more adventurous than José’s bluesy neo-classicism. The four Venezuelan waltzes by Antonio Lauro are brief and charming early works, the first three dedicated to his daughter and two nieces, the last named Yacambú after an orchid-rich national park in the northern Andes. The first movement of the fourth Colombian Suite by Julio Gentil Montaña (1942-2011) is likewise named after that country’s capital, Bogotà, and it is followed by three interpretations of national dances, concluding with a snappy Porro.

The 23-year-old Deion Cho is of South Korean origin, currently studying and working in Spain. He has given the album his signature with an arrangement of a popular Korean folksong, ‘About 500 Years’, clearly inflected by his years of work in Hispanic and Iberian music.

00:00:00 Romancillo infantile
00:04:08 Sonata para guitarra: I. Allegro moderato
00:11:37 Sonata para guitarra: II. Minuetto
00:16:19 Sonata para guitarra: III. Pavana triste
00:22:17 Sonata para guitarra: IV. Final
00:27:20 Cuatro valses venezolanos: I. Tatiana
00:28:29 Cuatro valses venezolanos: II. Andreina
00:29:35 Cuatro valses venezolanos: III. Natalia
00:31:13 Cuatro valses venezolanos: IV. Yacambú
00:34:26 Suite colombiana No. 4: I. Pasillo (nostalgia bogotana)
00:38:56 Suite colombiana No. 4: II. Danza (Giessel Daniela)
00:45:21 Suite colombiana No. 4: III. Bambuco
00:50:02 Suite colombiana No. 4: IV. Porro
00:54:45 Sonata for Guitar, Op. 47: I. Esordio
00:58:33 Sonata for Guitar, Op. 47: II. Scherzo
01:01:19 Sonata for Guitar, Op. 47: III. Canto
01:04:41 Sonata for Guitar, Op. 47: IV. Finale
01:06:49 Canción popular coreana, Traditional Korean Folk Song: “Unos 500 años” (Arr. Deion Cho)

"Gayatri is the embodiment of all Gods and all Mantras....... There is no need to chant any other Mantra if you chant the Gayatri Mantra" Sathya Sai Baba, march 2000.

More beautiful images from South India at www.omimages.net

En este discurso, Sadhguru explica que la depresión es la consecuencia de estar constantemente «empujando los límites de la cordura» y que, de la misma manera, el 70% de las enfermedades que nos aquejan son auto-generadas.

Pláticas de Sadhguru @ Darshan, Isha Yoga Center, Coimbatore, Sep 2010.

********************************************************************

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Well, it wouldn't be too long after we started developing Ecology that we would try to control the environment. In some ways this was helpful and likely prevented a lot of people from starving. But, there have been a few downsides.


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