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Beethoven’s complete string quintets by the Zurich String Quintet. This might be a surprise: Did Beethoven write that many string quintets? Yes and no.

In addition to the well-known quintet Op. 29, this set also includes the earlier Op. 4, which the composer later recomposed for octet (Op. 103). Beethoven also arranged his piano trio Op. 1 No. 3 for string quintet, it is his Op. 104. With the Fugue for string quintet, Op. 137, this release offers all there is by Beethoven for 5 string instruments.

00:00:00 String Quintet in C Major, Op. 29: Allegro moderato
00:10:32 String Quintet in C Major, Op. 29: Adagio molto espressivo
00:19:56 String Quintet in C Major, Op. 29: Scherzo, allegro
00:24:44 String Quintet in C Major, Op. 29: Presto
00:34:25 String Quintet in C Minor, Op. 104 (arrangement of Piano Trio, Op. 1 No. 3): Allegro con brio
00:44:41 String Quintet in C Minor, Op. 104 (arrangement of Piano Trio, Op. 1 No. 3): Andante cantabile con variazioni
00:52:46 String Quintet in C Minor, Op. 104 (arrangement of Piano Trio, Op. 1 No. 3): Menuetto, quasi allegro
00:56:43 String Quintet in C Minor, Op. 104 (arrangement of Piano Trio, Op. 1 No. 3): Finale, prestissimo
01:05:50 String Quintet in E-Flat Major, Op. 4: Allegro con brio
01:17:36 String Quintet in E-Flat Major, Op. 4: Andante
01:25:41 String Quintet in E-Flat Major, Op. 4: Menuetto
01:32:16 String Quintet in E-Flat Major, Op. 4: Finale, presto
01:38:45 Fugue, for String Quintet in D Major, Op. 137
01:40:31 Duet for Viola and Cello in E-Flat Major, WoO 32: Movement 1
01:50:35 Duet for Viola and Cello in E-Flat Major, WoO 32: Minuetto
01:45:50 Sechs Ländlerische Tänze for 2 violins, cello and double-bass, WoO 15

Composer: Ludwig van Beethoven
Artists: The Zurich String Quintet:
Boris Livschitz (violin)
Mátyás Bartha (violin)
Zvi Livschitz (viola)
Dominik Ostertag (viola)
Mikayel Hakhnazaryan (cello)
Viorel Alexandru (double-bass)

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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419

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This young guitarist’s debut album is the perfect introduction to his artistry, showcasing as it does four leading 20th-century composers of guitar music – Antonio José Palacios, Alberto Ginastera, Antonio Lauro and Julio Gentil Montaña – composers who in turn represent four different countries and four styles of music that differ widely both aesthetically and in terms of the traditions from which they spring.

Composer: Alberto Ginastera, Julio Gentil Montana
Artist: Deion Cho guitar

Among the most promising Spanish composers of his generation, Antonio José was acclaimed by Ravel and counted Lorca and Dali among his associates, but like Lorca, he was executed by a Falangist firing squad during the Spanish Civil War. Only 34 years of age, he had accumulated a catalogue of music impressive not only for its depth but its sophistication, exemplified by the substantial Guitar Sonata which is his best-known work. The Sonata by the Argentine Alberto Ginastera is no less imposing in structure, and harmonically much more adventurous than José’s bluesy neo-classicism. The four Venezuelan waltzes by Antonio Lauro are brief and charming early works, the first three dedicated to his daughter and two nieces, the last named Yacambú after an orchid-rich national park in the northern Andes. The first movement of the fourth Colombian Suite by Julio Gentil Montaña (1942-2011) is likewise named after that country’s capital, Bogotà, and it is followed by three interpretations of national dances, concluding with a snappy Porro.

The 23-year-old Deion Cho is of South Korean origin, currently studying and working in Spain. He has given the album his signature with an arrangement of a popular Korean folksong, ‘About 500 Years’, clearly inflected by his years of work in Hispanic and Iberian music.

00:00:00 Romancillo infantile
00:04:08 Sonata para guitarra: I. Allegro moderato
00:11:37 Sonata para guitarra: II. Minuetto
00:16:19 Sonata para guitarra: III. Pavana triste
00:22:17 Sonata para guitarra: IV. Final
00:27:20 Cuatro valses venezolanos: I. Tatiana
00:28:29 Cuatro valses venezolanos: II. Andreina
00:29:35 Cuatro valses venezolanos: III. Natalia
00:31:13 Cuatro valses venezolanos: IV. Yacambú
00:34:26 Suite colombiana No. 4: I. Pasillo (nostalgia bogotana)
00:38:56 Suite colombiana No. 4: II. Danza (Giessel Daniela)
00:45:21 Suite colombiana No. 4: III. Bambuco
00:50:02 Suite colombiana No. 4: IV. Porro
00:54:45 Sonata for Guitar, Op. 47: I. Esordio
00:58:33 Sonata for Guitar, Op. 47: II. Scherzo
01:01:19 Sonata for Guitar, Op. 47: III. Canto
01:04:41 Sonata for Guitar, Op. 47: IV. Finale
01:06:49 Canción popular coreana, Traditional Korean Folk Song: “Unos 500 años” (Arr. Deion Cho)

"Gayatri is the embodiment of all Gods and all Mantras....... There is no need to chant any other Mantra if you chant the Gayatri Mantra" Sathya Sai Baba, march 2000.

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En este discurso, Sadhguru explica que la depresión es la consecuencia de estar constantemente «empujando los límites de la cordura» y que, de la misma manera, el 70% de las enfermedades que nos aquejan son auto-generadas.

Pláticas de Sadhguru @ Darshan, Isha Yoga Center, Coimbatore, Sep 2010.

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A new creation hope you like it

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David interpreta "Entre Tus Brazos" de Sarayma en las últimas audiciones a ciegas de la tercera edición de La Voz Kids.

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Check out the 10 most memorable animal encounters on the PGA TOUR, featuring Sammy the Squirrel, an iguana in Puerto Rico and the seagull at THE PLAYERS.

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Sir David Attenborough and the Planet Earth team discover the weird world of the Cordyceps; killer fungi that invades the body of an insect to grow and diminish the insect population. Fascinating animal and wildlife video from the BBC epic natural world masterpiece 'Planet Earth'. Subscribe: http://bit.ly/BBCEarthSub

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Draco lizards have the amazing ability to be able to fly from tree to tree in search of food, a mate and to avoid predators.
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Stunning footage of herbivore mammals out-maneouvering their carnivore predators. Includes incredible shots of zebras, gazelles and buffalo being pursued by cheetahs, lions and even baboons; making death-defying escapes. Subscribe: http://bit.ly/BBCEarthSub

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Male side-blotched lizards have more than one way to get the girl. Orange males are bullies. Yellows are sneaks. Blues team up with a buddy to protect their territories. Who wins? It depends - on a genetic game of roshambo.

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Every spring, keen-eyed biologists carrying fishing poles search the rolling hills near Los Banos, about two hours south of San Francisco. But they’re not looking for fish. They’re catching rock-paper-scissors lizards.

The research team collects Western side-blotched lizards, which come in different shades of blue, orange and yellow.

Barry Sinervo, a professor of ecology and evolutionary biology at UC Santa Cruz, leads the team. Their intricate mating strategies reminded the the researchers of the rock-paper-scissors game where rock beats scissors, scissors beats paper and paper beats rock.

It’s all about territories. Orange males tend to be the biggest and most aggressive. They hold large territories with several females each and are able to oust the somewhat smaller and less aggressive blues. Blue males typically hold smaller territories and more monogamous, each focusing his interest on a single female. Yellow males tend not to even form exclusive territories Instead they use stealth to find unaccompanied females with whom to mate.

The yellow males are particularly successful with females that live in territories held by their more aggressive orange competitors. Because the orange males spread their attention among several females, they aren’t able to guard each individual female against intruding yellow males. But the more monogamous blues males are more vigilant and chase sneaky yellow males away.

Their different strategies keep each other in check making the system stable. Sinervo believes this game has likely been in play for at least 15 million years.

--- How do side-blotched lizards choose a mate?

The males compete with each other, sometimes violently, for access to females. The females generally prefer males of their own color but also give preference to whichever color male is more rare that mating season.

--- Why do lizards do push up and down?
Male lizards do little pushups as a territorial display meant to tell competitors to back off. It’s best to use a warning instead of fighting right away because there’s always a danger of getting hurt in a fight. Some lizards like side-blotched lizards also use slow push ups to warn their neighbors of an incoming threat.

--- Why do side-blotched lizards fight?
Sometimes aggressive territorial displays are not enough to dissuade invaders so side-blotched lizards will resort to fighting. They have small sharp teeth and will lunge at each other inflicting bites and headbutts.

---+ Read the entire article on KQED Science: https://ww2.kqed.org/science/2....016/05/17/these-liza

---+ For more information:

The Lab of Dr. Barry Sinervo, LizardLand, University of California, Santa Cruz http://bio.research.ucsc.edu/~....barrylab/lizardland/

---+ More Great Deep Look episodes:

Meet the Dust Mites, Tiny Roommates That Feast On Your Skin
https://www.youtube.com/watch?v=ACrLMtPyRM0

Stinging Scorpion vs. Pain-Defying Mouse
https://www.youtube.com/watch?v=w-K_YtWqMro

These Crazy Cute Baby Turtles Want Their Lake Back
https://www.youtube.com/watch?v=YTYFdpNpkMY

---+ See some great videos and documentaries from the PBS Digital Studios!

It's Okay to Be Smart: The Cosmic Afterglow
https://www.youtube.com/watch?v=ZvrHL7-c1Ys

It's Okay to Be Smart: The Most Important Moment in the History of Life
https://www.youtube.com/watch?v=Jf06MlX8yik

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