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The killer punch of the mantis shrimp is the fastest strike in the animal kingdom, a skill that goes hand in hand with its extraordinary eyesight. They can see an invisible level of reality using polarized light, which could lead to a breakthrough in detecting cancer.
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Aggressive, reef-dwelling mantis shrimp take more than one first-place ribbon in the animal kingdom. Outwardly resembling their lobster cousins, their colorful shells contain an impressive set of superpowers.
There are two types of mantis shrimp, named for their attack mode while hunting prey: smashers and spearers. With their spring-loaded, weaponized legs, these predators can crack a snail shell or harpoon a passing fish in a single punch.
The speed of these attacks has earned the mantis shrimp one of their world records: fastest strike in the animal kingdom.
Scientists are finding that another of their special abilities -- incredible eyesight -- has potential life-saving implications for people with cancer.
Mantis shrimp can perceive the most elusive attribute of light from the human standpoint: polarization. Polarization refers to the angle that light travels through space. Though it’s invisible to the human eye, many animals see this quality of light, especially underwater.
But mantis shrimp can see a special kind of polarization, called circular polarization. Scientists have found that some mantis shrimp species use circular polarization to communicate with each other on a kind of secret visual channel for mating and territorial purposes.
Inspired by the mantis shrimp’s superlative eyesight, a group of researchers is collaborating to build polarization cameras that would constitute a giant leap for early cancer detection. These cameras see otherwise invisible cancerous tissues by detecting their polarization signature, which is different between diseased and healthy tissues.
--- How fast is the mantis shrimp punch?
Their strike is about as fast as a .22 caliber rifle bullet. It’s been measured at 50mph.
--- What do mantis shrimp eat?
The “smasher” mantis shrimp eat hard-shelled creatures like snails and crabs. The “spearers” grab fish, worms, seahorses, and other soft-bodied prey by impaling them.
--- Where do mantis shrimp live?
In reefs, from the east coast of Africa to the west coast of Australia, and throughout Indonesia. A few species are scattered around the globe, including two in California.
---+ Read the entire article on KQED Science:
https://ww2.kqed.org/science/2....016/11/15/the-snail-
---+ For more information:
Caldwell Lab at U.C. Berkeley: http://ib.berkeley.edu/labs/caldwell/
---+ More Great Deep Look episodes:
Nature's Scuba Divers: How Beetles Breathe Underwater
https://www.youtube.com/watch?v=T-RtG5Z-9jQ
Sea Urchins Pull Themselves Inside Out to be Reborn
https://www.youtube.com/watch?v=ak2xqH5h0YY
---+ See some great videos and documentaries from the PBS Digital Studios!
Physics Girl: The Ultraviolet Catastrophe
https://www.youtube.com/watch?v=FXfrncRey-4
Gross Science: What Sound Does An Ant Make?
https://www.youtube.com/watch?v=yif0c0bRA48
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Funding for Deep Look is provided in part by PBS Digital Studios and the John S. and James L. Knight Foundation. Deep Look is a project of KQED Science, which is also supported by HopeLab, the S. D. Bechtel, Jr. Foundation, the Dirk and Charlene Kabcenell Foundation, the Vadasz Family Foundation, the Gordon and Betty Moore Foundation, the Smart Family Foundation and the members of KQED.
#deeplook
Male side-blotched lizards have more than one way to get the girl. Orange males are bullies. Yellows are sneaks. Blues team up with a buddy to protect their territories. Who wins? It depends - on a genetic game of roshambo.
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Every spring, keen-eyed biologists carrying fishing poles search the rolling hills near Los Banos, about two hours south of San Francisco. But they’re not looking for fish. They’re catching rock-paper-scissors lizards.
The research team collects Western side-blotched lizards, which come in different shades of blue, orange and yellow.
Barry Sinervo, a professor of ecology and evolutionary biology at UC Santa Cruz, leads the team. Their intricate mating strategies reminded the the researchers of the rock-paper-scissors game where rock beats scissors, scissors beats paper and paper beats rock.
It’s all about territories. Orange males tend to be the biggest and most aggressive. They hold large territories with several females each and are able to oust the somewhat smaller and less aggressive blues. Blue males typically hold smaller territories and more monogamous, each focusing his interest on a single female. Yellow males tend not to even form exclusive territories Instead they use stealth to find unaccompanied females with whom to mate.
The yellow males are particularly successful with females that live in territories held by their more aggressive orange competitors. Because the orange males spread their attention among several females, they aren’t able to guard each individual female against intruding yellow males. But the more monogamous blues males are more vigilant and chase sneaky yellow males away.
Their different strategies keep each other in check making the system stable. Sinervo believes this game has likely been in play for at least 15 million years.
--- How do side-blotched lizards choose a mate?
The males compete with each other, sometimes violently, for access to females. The females generally prefer males of their own color but also give preference to whichever color male is more rare that mating season.
--- Why do lizards do push up and down?
Male lizards do little pushups as a territorial display meant to tell competitors to back off. It’s best to use a warning instead of fighting right away because there’s always a danger of getting hurt in a fight. Some lizards like side-blotched lizards also use slow push ups to warn their neighbors of an incoming threat.
--- Why do side-blotched lizards fight?
Sometimes aggressive territorial displays are not enough to dissuade invaders so side-blotched lizards will resort to fighting. They have small sharp teeth and will lunge at each other inflicting bites and headbutts.
---+ Read the entire article on KQED Science: https://ww2.kqed.org/science/2....016/05/17/these-liza
---+ For more information:
The Lab of Dr. Barry Sinervo, LizardLand, University of California, Santa Cruz http://bio.research.ucsc.edu/~....barrylab/lizardland/
---+ More Great Deep Look episodes:
Meet the Dust Mites, Tiny Roommates That Feast On Your Skin
https://www.youtube.com/watch?v=ACrLMtPyRM0
Stinging Scorpion vs. Pain-Defying Mouse
https://www.youtube.com/watch?v=w-K_YtWqMro
These Crazy Cute Baby Turtles Want Their Lake Back
https://www.youtube.com/watch?v=YTYFdpNpkMY
---+ See some great videos and documentaries from the PBS Digital Studios!
It's Okay to Be Smart: The Cosmic Afterglow
https://www.youtube.com/watch?v=ZvrHL7-c1Ys
It's Okay to Be Smart: The Most Important Moment in the History of Life
https://www.youtube.com/watch?v=Jf06MlX8yik
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Funding for Deep Look is provided in part by PBS Digital Studios and the John S. and James L. Knight Foundation. Deep Look is a project of KQED Science, which is also supported by HopeLab, the David B. Gold Foundation, the S. D. Bechtel, Jr. Foundation, the Dirk and Charlene Kabcenell Foundation, the Vadasz Family Foundation, the Gordon and Betty Moore Foundation, the Smart Family Foundation and the members of KQED.
#deeplook #lizards #rockpaperscissorslizardspock
Kidnapper ants raid other ant species' colonies, abduct their young and take them back to their nest. When the enslaved babies grow up, the kidnappers trick them into serving their captors – hunting, cleaning the nest, even chewing up their food for them.
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A miniature drama is playing out on the forest floor in California’s preeminent mountain range, the Sierra Nevada, at this time of year. As the sun sets, look closely and you might see a stream of red ants frantically climbing over leaves and rocks.
They aren’t looking for food. They’re looking for other ants. They’re kidnappers.
“It’s hard to know who you're rooting for in this situation,” says Kelsey Scheckel, a graduate student at UC Berkeley who studies kidnapper ants. “You're just excited to be a bystander.”
On this late summer afternoon, Scheckel stares intently over the landscape at the Sagehen Creek Field Station, part of the University of California’s Natural Reserve System, near Truckee, California.“The first thing we do is try to find a colony with two very different-looking species cohabitating,” Scheckel says.
“That type of coexistence is pretty rare. As soon as we find that, we can get excited.”
--- How do ants communicate?
Ants mostly use their sense of smell to learn about the world around themselves and to recognize nestmates from intruders. They don’t have noses. Instead, they use their antennae to sense chemicals on surfaces and in the air. Ants’ antennae are porous like a kitchen sponge allowing chemicals to enter and activate receptors inside. You will often see ants tap each other with their antennae. That behavior, called antennation, helps them recognize nestmates who will share the same chemical nest signature.
---Can ants bite or sting?
Many ants will use their mandibles, or jaws, to defend themselves but that typically just feels like a pinch. Some ants have a stinger at the end of their abdomen that can deliver a venomous sting. While the type of venom can vary across species, many ants’ sting contains formic acid which causes a burning sensation. Some have special glands containing acid that can spray at attackers causing burning and alarming odors.
---+ Read the entire article on KQED Science:
https://www.kqed.org/science/1....947369/kidnapper-ant
---+ For more information:
Neil Tsutsui Lab of Evolution, Ecology and Behavior of Social Insects at the University of California, Berkeley
https://nature.berkeley.edu/tsutsuilab/
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Aprende de manera fácil y divertida la tabla de multiplicar del 4.
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#Cantiplicando
Letra:
Uy pero que es esto
Son culebritas
Tantas que horror, que asco!
Guacatelas
Tienen muchas culebritas
Moviendo la colita moviendo la colita
Muchas, muchas culebritas,
Moviendo la colita moviendo la colita
Cuatro por una son cuatro culebritas
Cuatro por dos ocho culebritas
Cuatro por tres doce culebritas
Moviendo la colita moviendo la colita
Cuatro por cuatro dieciséis culebritas
Cuatro por cinco veinte culebritas
Y singuen llegando culebritas moviendo la colita
Moviendo la colita
Muchas, muchas culebrita moviendo la colita
Moviendo la colita
Cuatro por seis veinticuatro culebritas
Cuatro por siete veintiocho culebritas
Cuatro por ocho treinta y dos culebritas
Moviendo la colita moviendo las patitas
Cuatro por nueve treinta y seis culebritas
Cuatro por diez cuarenta culebritas
Las culebras no tienen patas
Yo vi una que si tenía!
Barcelona 6-2 Real Madrid ,
FC Barcelona 6 vs Real Madrid 2 ,
Barcelona vs Real Madrid 6-2 ,
Real Madrid vs Barcelona 2-6 ,
Barcelona vs Real Madrid ,
Real Madrid vs Barcelona ,
Clasico RMA vs FCB ,
El Clasico FCB vs RMA ,
Barcelona 6-2 Real Madrid 2009 ,
Real Madrid 2-6 Barcelona 2-5-2009 ,
Barcelona vs Real Madrid All Goals & Highlights ,
FEED HD 1080p Full HD & Sky Sports English Commentary ,
Disfruta del musical "Ronda De Las Vocales".
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#Musicreando
Autora: Marlore Anwandter
Letra:
Salió la a, salió la a
no sé a dónde va (bis)
a comprarle un regalo a mi mamá
a comprarle un regalo a su mamá
Salió la e, salió la e
no sé a dónde fue (bis)
fui con mi tía Marta a tomar té
fue con su tía Marta a tomar té
Salió la i, salió la i
y yo no la sentí (bis)
fui a pintar un punto para ti
fue a pintar un puntico para mí
Salió la o, salió la o
y casi no volvió (bis)
fui a comer tamales y me engordé
fue a comer tamales y se engordó
Salió la u, salió la u
y que me dices tú (bis)
salí en mi bicicleta y llegué a Perú
salió en su bicicleta y llegó a Perú
A, e, i ,o, u
u, o, i, e, a
a, e, i, o, u
u, o, i, e, a
a, e, i ,o, u
u, o, i, e, a
a, e, i, o, u
u, o, i, e, a
a, e, i, o, u
u, o, i, e, a
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Sabemos que te encantan los Villancicos, por eso ahora podrás aprender a dibujar y colorear al "Niño Jesús" mientras disfrutas de "Anton".
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Letra:
Anton tiruliruliru
Anton tirulirurá
Anton tiruliruliru
Anton tirurilurá
Jesús al pesebre vamos a adorar (bis).
Duérmete niño chiquito
Que la noche viene ya
Cierra pronto tus ojitos
Que el viento te arrullará
Anton tiruliruliru
Anton tirulirurá
Anton tiruliruliru
Anton tirulirulá
Jesús al pesebre vamos a adorar (bis).
Duérmete niño chiquito
Que tu madre velará
Cierra pronto tus ojitos
Porque la entristecerás
Anton tiruliruliru
Anton tirulirurá
Anton tiruliruliru
Anton tirulirulá
Jesús al pesebre vamos a adorar (bis).
Ya dormido en el regazo
De María el Salvador
Va soñando dulcemente, música
Y cantos de amor
Anton tiruliruliru
Anton tirulirurá
Anton tiruliruliru
Anton tirulirulá
Jesús al pesebre vamos a adorar (bis).
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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419
#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #mozart
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Composer & Artist:
Composer: Christoph Nichelmann
Artist: Michele Benuzzi
About this Album:
When calling to mind harpsichord music of the Baroque period, the 24 Preludes and Fugues of J.S. Bach or the Pièces de clavecin by Couperin are perhaps the most immediately obvious choices. However, the music of Christoph Nichelmann (who is said to have studied with Bach) is equally inspired, and this release is the first step towards a more substantial recording of his oeuvre – indeed, it is the first recording solely dedicated to his output. One of a large number of composers whose music faded into obscurity after their death, Nichelmann is at last attracting the scholarly attention he deserves, largely thanks to today's vogue for discovering and promoting lesser-known repertoire.
This recording brings together the two sets of six sonatas from the middle of Nichelmann’s life, printed in 1745, and which represent the only two surviving collections of his music. The style of his compositions is intriguing and eclectic: on the one hand we can still hear the heritage of Baroque music, and on the other the development of a more sensitive and expressive language – although not quite the bridge to the Classicism which we hear in the music of Bach’s son, Carl Philipp Emanuel.
Tracklist:
00:00:00 Sonata in G Minor, Op. 1 No. 1: I. Moderato
00:04:31 Sonata in G Minor, Op. 1 No. 1: II. Largo
00:08:12 Sonata in G Minor, Op. 1 No. 1: III. Allegro
00:11:22 Sonata in D Major, Op. 1 No. 2: I. Allegretto
00:15:33 Sonata in D Major, Op. 1 No. 2: II. Mesto
00:17:45 Sonata in D Major, Op. 1 No. 2: III. Allegro
00:22:39 Sonata in B Minor, Op. 1 No. 3: I. Un poco allegro
00:28:28 Sonata in B Minor, Op. 1 No. 3: II. Andantino
00:30:40 Sonata in B Minor, Op. 1 No. 3: III. Presto
00:33:54 Sonata in G Major, Op. 1 No. 4: I. Allegretto
00:38:24 Sonata in G Major, Op. 1 No. 4: II. Largo
00:40:29 Sonata in G Major, Op. 1 No. 4: III. Vivace
00:45:58 Sonata in C Minor, Op. 1 No. 5: I. Un poco allegro
00:53:01 Sonata in C Minor, Op. 1 No. 5: II. Andante
00:55:42 Sonata in C Minor, Op. 1 No. 5: III. Presto
00:59:17 Sonata in F Major, Op. 1 No. 6: I. Allegro
01:05:11 Sonata in F Major, Op. 1 No. 6: II. Adagio
01:08:22 Sonata in F Major, Op. 1 No. 6: III. Presto
01:12:39 Sonata in B-Flat Major, Op. 2 No. 1: I. Allegretto
01:16:23 Sonata in B-Flat Major, Op. 2 No. 1: II. Largo
01:19:09 Sonata in B-Flat Major, Op. 2 No. 1: III. Presto
01:22:10 Sonata in F Minor, Op. 2 No. 2: I. Un poco allegro
01:26:08 Sonata in F Minor, Op. 2 No. 2: II. Andante
01:27:56 Sonata in F Minor, Op. 2 No. 2: III. Vivace
01:30:57 Sonata in A Major, Op. 2 No. 3: I. Allegro
01:35:05 Sonata in A Major, Op. 2 No. 3: II. Largo
01:37:49 Sonata in A Major, Op. 2 No. 3: III. Allegretto
01:41:57 Sonata in D Minor, Op. 2 No. 4: I. Allegro
01:45:06 Sonata in D Minor, Op. 2 No. 4: II. Adagio
01:48:02 Sonata in D Minor, Op. 2 No. 4: III. Allegro
01:51:21 Sonata in E-Flat Major. Op. 2 No. 5: I. Allegro
01:54:33 Sonata in E-Flat Major. Op. 2 No. 5: II. Andante
01:56:06 Sonata in E-Flat Major. Op. 2 No. 5: III. Allegro
02:00:02 Sonata in A Minor, Op. 1 No. 6: I. Allegro
02:06:27 Sonata in A Minor, Op. 1 No. 6: II. Andante
02:08:10 Sonata in A Minor, Op. 1 No. 6: III. Presto
#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Nichelmann #Harpsichord
Composer: Antonio Vivaldi
Artists: Erik Bosgraaf (recorder & director), Ensemle Cordevento, Zefira Valova & Ivan Iliev (violin), Zdenka Prochazkova (viola), Linda Mantcheva (cello), Tomoki Sumiya (double bass), Alessandro Pianu (harpsichord & organ), Yavor Genov (chitarrone & baroque guitar)
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/fourseasons
More Information: https://www.brilliantclassics.....com/articles/v/vival
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
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Vivaldi’s Four Seasons is one of the world’s most popular and widely recorded collections of music, a set that instantly became an international hit after it was first published at part of the composer’s Op.8 in 1725. No doubt it was its imitative directness – extra musical occurrences/phenomena evoked in an extremely suggestive manner and even written into the score, such as ‘the barking dog’ or ‘the drunkards’ sleep’ etc. – that caused such as sensation in its time, effortlessly bridging the gap between the salons of the highborn and the alehouses of the lowly. Today nothing has changed: the concertos are performed both by great violin virtuosos and famous hard rockers; they are works that are constantly being presented in new guises through the re-imagining and re-working of the musical score.
Such is the standpoint adopted on this recording by Erik Bosgraaf, who has chosen here to adapt the violin part for recorder, explaining how ‘the violin part can be played on the recorder with surprising ease, without many changes. In some ways it works even better than concertos Vivaldi wrote specifically for the recorder!’ Years ago Bosgraaf performed The Four Seasons with a symphony orchestra; for the present album, however, he wanted to approach his ideal as closely as possible using Cordevento, a small baroque ensemble he founded himself, knowing all the musicians through and through. Bosgraaf’s aim is to make the four legendary concertos sound as if they had been written for the recorder in the first place – and the results are laudable, with the contrasts between the wind instrument and the accompanying strings revealing previously unheard stratifications and details. As the soloist himself puts it, ‘Listen to Vivaldi with fresh ears and enjoy!’
Erik Bosgraaf is considered one of the most innovative and versatile recorder players of his generation. His concerts are happenings, and offer fascinating combinations of classical and experimental music. His importance for the emancipation of the recorder (still often considered a stuffy and even childish instrument) is enormous. Bosgraaf’s version of Vivaldi’s Four Seasons (of course originally for violin and orchestra) is not a mere transcription for another instrument, but a recreation of a work of startling originality and power: listen to the furioso rendering of the Summer Storm!
Tracklist:
00:00:00 Concerto No. 1 in E Major, RV. 269 “La primavera”: I. Allegro
00:03:14 Concerto No. 1 in E Major, RV. 269 “La primavera”: II. Largo
00:05:54 Concerto No. 1 in E Major, RV. 269 “La primavera”: III. Allegro. Danza pastorale
00:10:02 Concerto No. 2 in G Minor, RV. 315 “L’estate”: I. Allegro non molto
00:15:04 Concerto No. 2 in G Minor, RV. 315 “L’estate”: II. Adagio
00:17:24 Concerto No. 2 in G Minor, RV. 315 “L’estate”: III. Presto. Tempo impetuoso d’estate
00:20:20 Concerto No. 3 in F Major, RV. 293 “L’autunno”: I. Allegro
00:25:43 Concerto No. 3 in F Major, RV. 293 “L’autunno”: II. Adagio
00:28:14 Concerto No. 3 in F Major, RV. 293 “L’autunno”: III. Allegro. La caccia
00:31:23 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: I. Allegro non molto
00:34:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: II. Largo
00:36:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: III. Allegro
"La isla no es mas grande... los países son mas pequeños!"
Visita http://thetruesize.com para comparar los tamaños reales!
Mike Bostock Transiciones de mapas: http://bl.ocks.org/mbostock/3711652
Compare varios diseños de mapas con http://metrocosm.com/compare-map-projections.html
O aquí https://map-projections.net/imglist.php
Visite http://kiskeya.life para mas vídeos y artículos en Ingles y Español sobre Quisqueya!
¡Duda, investiga y aprende!
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#mercator #proyecciónmercator #kiskeyalife
------------------------------------------------
Créditos:
Escrito, dirigido y producido por Alec Corday
http://www.aleccorday.com
Productor Ejecutivo Lola Mendez
http://instagram.com/uh.lola
http://instagram.com/lolamendezphotography
http://www.uhlola.com
http://www.lolamendezphotography.com
Tema musical principal por SENNA
https://sennamusic.bandcamp.com/
"It just appeared overnight: poof!"
Playa Alicia is one of Sosua's most popular beaches. Yet few realize it's unusual and very young history....
Visit ➞ http://kiskeya.life for more videos and articles about the Kiskeya island, also known as the Dominican Republic and Haiti!
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➞ Facebook: http://facebook.com/kiskeyalife
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See here the camera and equipment we used:
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For Business Inquiries contact:
➞ http://kiskeya.life/contact/
------------------------------------------------
Credits:
Written, directed, edited and produced by Alec Corday
➞ http://www.aleccorday.com
Executive Producer Lola Mendez
➞ http://www.uhlola.com
Theme Song by SENNA
➞ http://sennamusic.tumblr.com/
Satellite imagery curtest:
➞ Google Inc.
Wind and Currents Map:
➞ https://earth.nullschool.net
1941 Sosua video footage:
➞ "Sosua: Haven In The Caribbean"
➞ Steven Spielberg Film and Video Archive
1940s Sosua fotos:
➞ http://www.sosuamuseum.org/
2003 El Basurero image:
➞ Jose Perdomo III http://www.boogietek.com/
Waterfront image:
➞ http://www.dr-restaurants.com/
Calle sin Salida images:
➞ http://www.tony007.com/dr/sosua.html
Soundtrack:
Diviners feat. Contacreast - Tropic Love [NCS Release]
➞ https://www.youtube.com/watch?v=u6RJv7f__Mg
Diviners
➞ SoundCloud https://soundcloud.com/divinersmusic
➞ Facebook https://www.facebook.com/divinersmusic
➞ Twitter https://twitter.com/divinersmusic
➞ Instagram https://instagram.com/divinersmusic
Contacreast (vocalist)
➞ SoundCloud https://soundcloud.com/djcontacreast
Here is a quick video I took of the gorgeous sunset over Jamaca de Dios, Jarabacoa, Dominican Republic, taken from the balcony of The Amber Ranch (www.theamberranch.com).
Music by Two Steps From Hell
No olvides suscribirte haciendo clic aquí! http://bit.ly/ph-suscribete
Elías fue un gran profeta de Dios que hizo muchos milagros, mira la historia para niños de una de sus grandes aventuras!
¡Comparte con Pequeños Héroes y aprende!
Más videos de Pequeños Héroes:
Historias de la Biblia para niños: http://bit.ly/2IjLSwk
Pequeños Héroes – La Serie: http://bit.ly/ph-laserie
Canciones infantiles: http://bit.ly/ph-canciones
Conoce más de Pequeños Héroes en:
Sitio WEB: http://pequenosheroes.com
Blog: http://pequenosheroes.com/blog/
Curriculum en: http://bit.ly/ph-curriculum-es
Recibe Info en: http://bit.ly/ph-infonews1
Sigue a Pequeños Héroes en:
Facebook: http://bit.ly/ph-facebook-f
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#PequeñosHéroes #HistoriasDeLaBibliaParaNiños #BibliaParaNiños
Disfruta este nuevo episodio centrado en nuestro personaje favorito: Jesús!
Suscríbete y mira todos los episodios! http://bit.ly/ph-suscribete
Esperamos puedas aprender a través de esta primera parte del nuevo episodio de Pequeños Héroes La Serie, no olvides suscribirte!
No olvides suscribirte haciendo clic aquí! http://bit.ly/ph-suscribete
En esta historia de la Biblia podrás saber mucho más acerca de Ester, ¡La nueva Reina que conquistó el corazón del Rey!
¡Comparte con Pequeños Héroes y aprende!
Más videos de Pequeños Héroes:
Historias de la Biblia para niños: http://bit.ly/2IjLSwk
Pequeños Héroes – La Serie: http://bit.ly/ph-laserie
Canciones infantiles: http://bit.ly/ph-canciones
Conoce más de Pequeños Héroes en:
Sitio WEB: http://pequenosheroes.com
Blog: http://pequenosheroes.com/blog/
Curriculum en: http://bit.ly/ph-curriculum-es
Recibe Info en: http://bit.ly/ph-infonews1
Sigue a Pequeños Héroes en:
Facebook: http://bit.ly/ph-facebook-f
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#PequeñosHéroes #HistoriasDeLaBibliaParaNiños #BibliaParaNiños
Baba sings verses - Anthuleka
Adhunika Vidya Perigenu Anthuleka
Athma Vidya Kshinininche Avadhileka
Sathya Dharmammulanniyu Samasi Poye
Prema Shanti Ahimsalu Pedabadiye
Prema Shanti Ahimsalu Pedabadiye
Modern learning has grown beyond bounds and the learning of the soul
has declined without a bottom.
Truth and righteousness have got effaced and Love,
Peace and Non-violence have declined.
Баба поёт стихи - "Воплощение любви", диск 1
6. Антулека
Адхуника видья перигену антулека
Атма видья кшинининче авадхилека
Сатья дхармаммуланнию самаси пойе
Према шанти ахимсалу педабадийе
Према шанти ахимсалу педабадийе
Современное образование выросло беспредельно, а изучение души пришло в полный упадок.
Истина и праведность преданы забвению, а любовь, мир и ненасилие угасли.
Murali Gana Lola Nanda Gopa Bala
Ravo Ravo Radha Lola Radha Lola
Threta Yugamuna Sitha Ramudai
Dvapari Yugamuna Radha Loludayi
Githanu Drapina Taraka Namudayi
Yuga Yuga Manduna Tagu Rupa Dhariyai
======
Meaning
======
Player of the flute, giver of joy
Nanda's son, the cowherd boy (Krishna)
Come, come, Radha's joy
In the Threta Yuga You incarnated as Rama, Sita's Lord.
In Dwapara Yuga, You incarnated as Krishna, Radha's Lord.
You are the Savior who taught the Gita.
In every age You assume the appropriate form.
Son of Nanda the shepherd, enchanting flute player,
come oh come Lord of Radha.
In the Age of Treta, You incarnated as Rama, Lord of Sita.
In the Age of Dwapara, You incarnated
as Krishna, Lord of Radha.
You are the Saviour who taught us the Bhagavad Gita.
From age to age You embody the perfect form.
