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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.

Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences

Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.

Tracklist can be found below!

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Composer and artist:
Composer: Antonio Vivaldi
Artists: Erik Bosgraaf

About this Album:
Stravinsky famously quipped that Vivaldi didn’t write 400 concertos, rather he wrote one concerto 400 times. Rather unfair, though witty. For many people though, Vivaldi is the composer of The Four Seasons (the first four of the twelve concertos Op.8), and maybe the famous Gloria. He is a composer who repays closer attention. There are some superb concertos in his large output, and some of them were sufficiently striking enough to attract the attention of J.S. Bach and Johann Quantz. His concertos are remarkable not only for the wealth of invention and the outstanding quality of the music, but also for the amazing range of instruments he wrote for.

This release is devoted to concertos for sopranino and alto recorders. Two of his greatest concertos ‘Tempesta di mare’ (Storm at Sea) and ‘La notte’ (Night) feature on the programme.
Tracklist:
00:00:00 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: I. Allegro non molto
00:04:08 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: II. Largo
00:06:25 Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: III. Allegro molto
00:09:32 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: I. Largo
00:12:12 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: II. Presto – Largo – Andante – Presto (Fantasmi)
00:14:59 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: III. Largo (Il sonno)
00:17:09 Concerto in G Minor, RV 439 (La notte), for Alto Recorder, Two Violins, Bassoon, Basso Continuo: IV. Allegro
00:19:59 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: I. [Allegro]
00:22:07 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: II. Largo
00:24:15 Concerto in F Major, RV 98 (Tempesta di mare), for Alto Recorder, Oboe, Bassoon, Violin, Viola, Basso Continuo: III. Presto
00:26:15 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: I. Allegro
00:29:20 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: II. Largo
00:31:46 Concerto in G Minor, RV 105, for Alto Recorder, Oboe, Violin, Bassoon, Basso Continuo: III. [Allegro molto]
00:35:21 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): I. Allegro non molto
00:38:42 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): II. Largo cantabile
00:41:46 Concerto in F Major, RV 442, for Alto Recorder, Two Violins, Viola, Basso Continuo (‘Tutti gli strumenti Sordini’): III. Allegro
00:43:34 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: I. Allegro non molto
00:48:34 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: II. Largo
00:51:17 Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: III. [Allegro]
00:54:44 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: I. [Allegro]
00:58:33 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: II. Largo
01:02:17 Concerto in C major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: III. Allegro molto

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Vivaldi #Violin

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Composer : Giovanni Battista Costanzi, Nicola Porpora
Artist: Adriano Fazio (cello)
Katarzyna Solecka (violin)
Anna Camporini (cello)
Pedro Alcacer (theorbo)
Lorenzo Profita (harpsichord)

00:00:00 Cello Sonata No. 1 in C Major: I. Amoroso
00:02:35 Cello Sonata No. 1 in C Major: II. Allegro
00:04:22 Cello Sonata No. 1 in C Major: III. Tempo giusto
00:06:12 Cello Sonata No. 1 in C Major: IV. Allegro
00:09:12 Cello Sonata No. 2 in G Minor: I. Affettuoso
00:11:10 Cello Sonata No. 2 in G Minor: II. Allegro
00:13:44 Cello Sonata No. 2 in G Minor: III. Adagio
00:15:29 Cello Sonata No. 2 in G Minor: IV. Allegro
00:18:18 Cello Sonata No. 3 in G Major: I. Adagio
00:20:51 Cello Sonata No. 3 in G Major: II. Allegro
00:23:23 Cello Sonata No. 3 in G Major: III. Adagio staccato
00:25:12 Cello Sonata No. 3 in G Major: IV. Allegro
00:27:26 Cello Sonata No. 4 in B Major: I. Adagio e staccato
00:29:54 Cello Sonata No. 4 in B Major: II. Allegro
00:32:31 Cello Sonata No. 4 in B Major: III. Adagio
00:33:50 Cello Sonata No. 4 in B Major: IV. Allegro staccato
00:36:21 Cello Sonata No. 5 in C Minor: I. Adagio
00:38:58 Cello Sonata No. 5 in C Minor: II. Allegro
00:41:34 Cello Sonata No. 5 in C Minor: III. Adagio
00:43:10 Cello Sonata No. 5 in C Minor: IV. Allegro
00:46:33 Cello Sonata No. 6 in G Major: I. Adagio
00:49:24 Cello Sonata No. 6 in G Major: II. Allegro
00:51:56 Cello Sonata No. 6 in G Major: III. Largo
00:54:08 Cello Sonata No. 6 in G Major: IV. Allegro staccato

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For a collection of small nations at the northern fringe of Europe, Scandinavia produced in a relatively short space of time a remarkable quantity of great musicians – including from the late classical and early periods Berwald, Pacius and Crusell, to Gade, Svendsen ,Sinding and Grieg in the mid 19th, and of course Sibelius, Nielsen, Laangaard and Stenhammer at the end of the 19th who became major international composers in the first three decades of the 20th century.

Edvard Grieg (1843 - 1907) of course will always be remembered as the composer of the highly effective A minor piano concerto, and his incidental music to Ibsen’s play Peer Gynt. However, it is as a miniaturist that Greig’s true genius lies. Grieg was a very capable pianist, and had in fact made his early career as a concert pianist, and his songs and solo piano music form the heart of his output. The early piano sonata although interesting shows clearly why the less restricting forms of the miniatures for solo piano suited his genius. The Lyric Pieces and Peasant Dances display his keen ear for traditional folk music, matched probably only by Bartok and Kodaly.

The 66 works that comprise the 10 books of Lyric Pieces date from 1867 to 1901, and are extraordinary, exquisitely crafted works that can stand comparison to any of the great sonatas of his contemporaries. This set includes the complete Lyric Pieces, the Sonata, The Holberg Suite and the lesser-known piano works of this great composer who captured the very essence of his native Norway in music.

Composer: Edvard Hagerup Grieg
Artist : Håkon Austbö piano

Tracklist below.

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Variously described as “contemporary classical”, “minimalist”, and even “New Age”, Yiruma’s gorgeously peaceful piano music is impossible to classify – it is simply there to be enjoyed, to relax or even to study with. Minimal music is very popular, Yiruma is one of the most popular Minimal music pianists, regularly performing to sell‐out audiences around the globe. Despite his popularity, or maybe even a celebrity status, his music remains resolutely simple and unpretentious; more in the style of short pop music songs than regular solo piano pieces, the very best of it can be enjoyed on this exciting album.

Jeroen van Veen, himself a prolific composer as well as renowned pianist, fell in love with Yiruma’s music on first hearing. As he explains in his liner notes, the music’s enduring popularity is down to its simplicity for player and listener alike. Not many classical composers can boast of having millions of fans, and millions of YouTube views to boot; Yiruma, however, effortlessly bridges the gap between popular and classical, and, most of all, allows the listener to relax and unwind.


00:00:00 Chaconne
00:04:02 Mika’s Song
00:07:03 27. May
00:10:48 Spring Waltz
00:13:20 The View From My Window
00:16:08 Sky
00:19:42 The Day After
00:23:17 Fairy Tale
00:26:04 Do You?
00:30:33 Love Me
00:34:26 I
00:38:45 Wait There
00:43:49 Passing By
00:48:40 The Things I Really
00:52:02 Indigo
00:54:36 Poem
00:57:33 Infinia
01:01:12 Reminiscent
01:04:15 Tears On Love
01:08:04 Yellow Room
01:11:57 River Flows In You
01:15:28 One Day I Will
01:19:44 Loanna
01:23:47 Beloved
01:28:47 Kiss The Rain
01:32:44 Our Same World
01:34:31 May Be
01:38:30 Fotografia
01:41:38 Destiny Of Love
01:45:42 Sometimes … Someone
01:49:46 It’s Your Day
01:53:21 I’m Just A
01:58:00 When The Love Falls
02:01:34 The Moment
02:05:09 …
02:08:14 The Scenery Begins
02:12:10 Falling
02:16:52 With The Wind
02:20:15 All Myself To You
02:23:52 Time Forgets
02:27:51 Tears
02:29:42 Dream
02:34:14 Picture Me

Artist:
Jeroen van Veen (piano)

Composer: Antonio Vivaldi
Artists: Erik Bosgraaf (recorder & director), Ensemle Cordevento, Zefira Valova & Ivan Iliev (violin), Zdenka Prochazkova (viola), Linda Mantcheva (cello), Tomoki Sumiya (double bass), Alessandro Pianu (harpsichord & organ), Yavor Genov (chitarrone & baroque guitar)

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Vivaldi’s Four Seasons is one of the world’s most popular and widely recorded collections of music, a set that instantly became an international hit after it was first published at part of the composer’s Op.8 in 1725. No doubt it was its imitative directness – extra musical occurrences/phenomena evoked in an extremely suggestive manner and even written into the score, such as ‘the barking dog’ or ‘the drunkards’ sleep’ etc. – that caused such as sensation in its time, effortlessly bridging the gap between the salons of the highborn and the alehouses of the lowly. Today nothing has changed: the concertos are performed both by great violin virtuosos and famous hard rockers; they are works that are constantly being presented in new guises through the re-imagining and re-working of the musical score.

Such is the standpoint adopted on this recording by Erik Bosgraaf, who has chosen here to adapt the violin part for recorder, explaining how ‘the violin part can be played on the recorder with surprising ease, without many changes. In some ways it works even better than concertos Vivaldi wrote specifically for the recorder!’ Years ago Bosgraaf performed The Four Seasons with a symphony orchestra; for the present album, however, he wanted to approach his ideal as closely as possible using Cordevento, a small baroque ensemble he founded himself, knowing all the musicians through and through. Bosgraaf’s aim is to make the four legendary concertos sound as if they had been written for the recorder in the first place – and the results are laudable, with the contrasts between the wind instrument and the accompanying strings revealing previously unheard stratifications and details. As the soloist himself puts it, ‘Listen to Vivaldi with fresh ears and enjoy!’

Erik Bosgraaf is considered one of the most innovative and versatile recorder players of his generation. His concerts are happenings, and offer fascinating combinations of classical and experimental music. His importance for the emancipation of the recorder (still often considered a stuffy and even childish instrument) is enormous. Bosgraaf’s version of Vivaldi’s Four Seasons (of course originally for violin and orchestra) is not a mere transcription for another instrument, but a recreation of a work of startling originality and power: listen to the furioso rendering of the Summer Storm!

Tracklist:
00:00:00 Concerto No. 1 in E Major, RV. 269 “La primavera”: I. Allegro
00:03:14 Concerto No. 1 in E Major, RV. 269 “La primavera”: II. Largo
00:05:54 Concerto No. 1 in E Major, RV. 269 “La primavera”: III. Allegro. Danza pastorale
00:10:02 Concerto No. 2 in G Minor, RV. 315 “L’estate”: I. Allegro non molto
00:15:04 Concerto No. 2 in G Minor, RV. 315 “L’estate”: II. Adagio
00:17:24 Concerto No. 2 in G Minor, RV. 315 “L’estate”: III. Presto. Tempo impetuoso d’estate
00:20:20 Concerto No. 3 in F Major, RV. 293 “L’autunno”: I. Allegro
00:25:43 Concerto No. 3 in F Major, RV. 293 “L’autunno”: II. Adagio
00:28:14 Concerto No. 3 in F Major, RV. 293 “L’autunno”: III. Allegro. La caccia
00:31:23 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: I. Allegro non molto
00:34:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: II. Largo
00:36:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: III. Allegro

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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #mozart

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Composer & Artist:
Composer: Christoph Nichelmann
Artist: Michele Benuzzi

About this Album:
When calling to mind harpsichord music of the Baroque period, the 24 Preludes and Fugues of J.S. Bach or the Pièces de clavecin by Couperin are perhaps the most immediately obvious choices. However, the music of Christoph Nichelmann (who is said to have studied with Bach) is equally inspired, and this release is the first step towards a more substantial recording of his oeuvre – indeed, it is the first recording solely dedicated to his output. One of a large number of composers whose music faded into obscurity after their death, Nichelmann is at last attracting the scholarly attention he deserves, largely thanks to today's vogue for discovering and promoting lesser-known repertoire.

This recording brings together the two sets of six sonatas from the middle of Nichelmann’s life, printed in 1745, and which represent the only two surviving collections of his music. The style of his compositions is intriguing and eclectic: on the one hand we can still hear the heritage of Baroque music, and on the other the development of a more sensitive and expressive language – although not quite the bridge to the Classicism which we hear in the music of Bach’s son, Carl Philipp Emanuel.

Tracklist:
00:00:00 Sonata in G Minor, Op. 1 No. 1: I. Moderato
00:04:31 Sonata in G Minor, Op. 1 No. 1: II. Largo
00:08:12 Sonata in G Minor, Op. 1 No. 1: III. Allegro
00:11:22 Sonata in D Major, Op. 1 No. 2: I. Allegretto
00:15:33 Sonata in D Major, Op. 1 No. 2: II. Mesto
00:17:45 Sonata in D Major, Op. 1 No. 2: III. Allegro
00:22:39 Sonata in B Minor, Op. 1 No. 3: I. Un poco allegro
00:28:28 Sonata in B Minor, Op. 1 No. 3: II. Andantino
00:30:40 Sonata in B Minor, Op. 1 No. 3: III. Presto
00:33:54 Sonata in G Major, Op. 1 No. 4: I. Allegretto
00:38:24 Sonata in G Major, Op. 1 No. 4: II. Largo
00:40:29 Sonata in G Major, Op. 1 No. 4: III. Vivace
00:45:58 Sonata in C Minor, Op. 1 No. 5: I. Un poco allegro
00:53:01 Sonata in C Minor, Op. 1 No. 5: II. Andante
00:55:42 Sonata in C Minor, Op. 1 No. 5: III. Presto
00:59:17 Sonata in F Major, Op. 1 No. 6: I. Allegro
01:05:11 Sonata in F Major, Op. 1 No. 6: II. Adagio
01:08:22 Sonata in F Major, Op. 1 No. 6: III. Presto
01:12:39 Sonata in B-Flat Major, Op. 2 No. 1: I. Allegretto
01:16:23 Sonata in B-Flat Major, Op. 2 No. 1: II. Largo
01:19:09 Sonata in B-Flat Major, Op. 2 No. 1: III. Presto
01:22:10 Sonata in F Minor, Op. 2 No. 2: I. Un poco allegro
01:26:08 Sonata in F Minor, Op. 2 No. 2: II. Andante
01:27:56 Sonata in F Minor, Op. 2 No. 2: III. Vivace
01:30:57 Sonata in A Major, Op. 2 No. 3: I. Allegro
01:35:05 Sonata in A Major, Op. 2 No. 3: II. Largo
01:37:49 Sonata in A Major, Op. 2 No. 3: III. Allegretto
01:41:57 Sonata in D Minor, Op. 2 No. 4: I. Allegro
01:45:06 Sonata in D Minor, Op. 2 No. 4: II. Adagio
01:48:02 Sonata in D Minor, Op. 2 No. 4: III. Allegro
01:51:21 Sonata in E-Flat Major. Op. 2 No. 5: I. Allegro
01:54:33 Sonata in E-Flat Major. Op. 2 No. 5: II. Andante
01:56:06 Sonata in E-Flat Major. Op. 2 No. 5: III. Allegro
02:00:02 Sonata in A Minor, Op. 1 No. 6: I. Allegro
02:06:27 Sonata in A Minor, Op. 1 No. 6: II. Andante
02:08:10 Sonata in A Minor, Op. 1 No. 6: III. Presto

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Nichelmann #Harpsichord

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
Volume 1 (21 hours) : https://VA.lnk.to/Romanticvol1
Volume 2 (21 hours) : https://VA.lnk.to/Romanticvol2
Physical purchase: http://www.brilliantclassics.c....om/articles/r/romant
Facebook page: https://www.facebook.com/brilliantclassics/

The perfect starting point for exploring Romantic piano music. It features historic recordings of a truly excellent standard, including Blumental with the Vienna Symphony Orchestra under Helmuth Froschauer, the Orchestra of Radio Luxembourg with Pierre Cao accompanying French pianist Dosse, Boehm with the Westphalian Symphony Orchestra under Siegfried Landau, and Antal Doráti conducting the Royal Philharmonic Orchestra with Ilse von Alpenheim.

This 40 CD set contains a wealth of 19th century piano concertos written by composers who for some reason or other have been neglected by history, so called “minor masters” who may have lost the battle against the giants but nevertheless wrote very attractive, impressive and brilliant concertos for the piano (which in many cases was “their” instrument).

To name just a few: Hummel, Field, Czerny, Cramer, Ries, Clementi, Thalberg, Moscheles, Litolff, Kalkbrenner, Lyapunov, Balakirev, Medtner, Glazunov, Henselt, Moszkowski, Scharwenka and many more, over 60 composers!
Most of the recordings come from the rich and unique VOX catalogue, featuring such excellent pianists as Michael Ponti, Felicja Blumenthal, Hans Kann, Martin Galling, Jerome Rose, Roland Keller and many more.

Franz Liszt:
00:00:00 Malédiction in E Minor, S. 121

Eugen D'Albert:
00:14:11 Piano Concerto No. 2 in E Major, Op. 12

Hans Von Bronsart:
00:29:45 Piano Concerto in F-Sharp Minor, Op. 10: I. Allegro maestoso
00:42:38 Piano Concerto in F-Sharp Minor, Op. 10: II. Adagio ma non troppo
00:50:06 Piano Concerto in F-Sharp Minor, Op. 10: III. Allegro con fuoco

Franz Berwald:
00:57:00 Piano Concerto in D Major: I. Allegro con brio, II. Andantino, III. Allegro molto

Charles Henri Valentin Alkan:
01:15:05 Concerto da camera No. 2 in C-Sharp Minor

Robert Schumann:
01:21:49 Konzertstück in G Major, Op. 92

Joachim Raff:
01:35:46 Ode au printemps in G Major, Op. 76

Franz Liszt:
01:48:46 Totentanz, S. 126

Simon Mayr:
02:03:58 Piano Concerto No. 1 in C Major: I. Allegro moderato
02:12:21 Piano Concerto No. 1 in C Major: II. Andante grazioso
02:18:05 Piano Concerto No. 1 in C Major: III. Rondo

Albert Roussel:
02:21:30 Piano Concerto in G Major, Op. 36: I. Allegro molto
02:25:23 Piano Concerto in G Major, Op. 36: II. Adagio
02:33:54 Piano Concerto in G Major, Op. 36: III. Allegro con spirit

Gabriel Pierné:
02:38:35 Piano Concerto in C Minor, Op. 12: I. Allegro
02:46:51 Piano Concerto in C Minor, Op. 12: II. Scherzando
02:51:42 Piano Concerto in C Minor, Op. 12: III. Final. Allegro un poco agitato

Murali Gana Lola Nanda Gopa Bala
Ravo Ravo Radha Lola Radha Lola
Threta Yugamuna Sitha Ramudai
Dvapari Yugamuna Radha Loludayi
Githanu Drapina Taraka Namudayi
Yuga Yuga Manduna Tagu Rupa Dhariyai


======
Meaning
======

Player of the flute, giver of joy
Nanda's son, the cowherd boy (Krishna)
Come, come, Radha's joy
In the Threta Yuga You incarnated as Rama, Sita's Lord.
In Dwapara Yuga, You incarnated as Krishna, Radha's Lord.
You are the Savior who taught the Gita.
In every age You assume the appropriate form.

Son of Nanda the shepherd, enchanting flute player,
come oh come Lord of Radha.
In the Age of Treta, You incarnated as Rama, Lord of Sita.
In the Age of Dwapara, You incarnated
as Krishna, Lord of Radha.
You are the Saviour who taught us the Bhagavad Gita.
From age to age You embody the perfect form.

Baba sings verses - Anthuleka

Adhunika Vidya Perigenu Anthuleka
Athma Vidya Kshinininche Avadhileka
Sathya Dharmammulanniyu Samasi Poye
Prema Shanti Ahimsalu Pedabadiye
Prema Shanti Ahimsalu Pedabadiye

Modern learning has grown beyond bounds and the learning of the soul
has declined without a bottom.
Truth and righteousness have got effaced and Love,
Peace and Non-violence have declined.

Баба поёт стихи - "Воплощение любви", диск 1
6. Антулека

Адхуника видья перигену антулека
Атма видья кшинининче авадхилека
Сатья дхармаммуланнию самаси пойе
Према шанти ахимсалу педабадийе
Према шанти ахимсалу педабадийе

Современное образование выросло беспредельно, а изучение души пришло в полный упадок.
Истина и праведность преданы забвению, а любовь, мир и ненасилие угасли.

Buy this album: http://www.domomusicgroup.com/....kitaro/albums/peaceo
Buy at iTunes: http://itunes.apple.com/us/alb....um/peace-on-earth/id

Artist: Kitaro
Album: Peace On Earth

Song List

01. Jesus Joy of Man's Desiring
02. Silent Night
03. Angels We Have Heard On High
04. Joy To The World/The First Noel
05. Little Drummer Boy
06. Jingle Bells
07. Rosa Mystica
08. It Come Upon A Midnight Clear
09. God Rest Ye Merry Gentlemen
10. A La Nanita Nana
11. O Holy Night
12. The Great Spirit

Official Artist Page
http://www.domomusicgroup.com/kitaro/

喜多郎オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php

Kitaro - The Field - Live in Izumo Taisha (Izumo Grand Shrine) on 8/10/1990

http://itunes.apple.com/us/art....ist/kitaro/id2382005

http://www.domocart.com/domo-store/index.php


Song: The Field

Theme From Silk Road
Caravansary
Cosmic Love
The Field
Hajimari
Sozo
Koi
Orochi
Nageki
Matsuri
Reimei
Nageki


Drums: Casey Scheuerell
Percussion: Ken Park
Keyboards: Brian Becvar
Violin: Charlie Bisharat
Keyboards: Kit Walker
Guitar: Barry Coates
Bass: Steve Bailey

Official Website
http://domomusicgroup.com/kitaro/

日本語オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php

Many technologies have promised to revolutionize education, but so far none has. With that in mind, what could revolutionize education?
These ideas have been percolating since I wrote my PhD in physics education: http://www.physics.usyd.edu.au..../super/theses/PhD(Mu
I have also discussed this topic with CGP Grey, whose view of the future of education differs significantly from mine: https://www.youtube.com/watch?v=7vsCAM17O-M

I think it is instructive that each new technology has appeared to be so transformative. You can imagine, for example, that motion pictures must have seemed like a revolutionary learning technology. After all they did revolutionize entertainment, yet failed to make significant inroads into the classroom. TV and video seem like a cheaper, scaled back film, but they too failed to live up to expectations. Now there is a glut of information and video on the internet so should we expect it to revolutionize education?

My view is that it won't, for two reasons: 1. Technology is not inherently superior, animations over static graphics, videoed presentations over live lectures etc. and 2. Learning is inherently a social activity, motivated and encouraged by interactions with others.

Filmed and edited by Pierce Cook

Supported by Screen Australia's Skip Ahead program.

Music By Kevin MacLeod, www.incompetech.com "The Builder" and by Amarante Music: http://www.amarantemusic.com

Can we see things travelling faster than light?
Check out Audible: http://bit.ly/AudibleVe
Music by Amarante "One Last Thing" http://bit.ly/VeAmarante
Awesome animations by http://youtube.com/minutephysics
Thanks to Prof. Geraint Lewis for input on earlier drafts of this video.

The expanding universe is a complicated place. During inflation the universe expanded faster than light, but that's something that actually happens all the time, it's happening right now. This doesn't violate Einstein's theory of relativity since nothing is moving through space faster than light, it's just that space itself is expanding such that far away objects are receding rapidly from each other. Common sense would dictate that objects moving away from us faster than light should be invisible, but they aren't. This is because light can travel from regions of space which are superluminal relative to us into regions that are subluminal. So our observable universe is bigger than our Hubble sphere - it's limited by the particle horizon, the distance light could travel to us since the beginning of time as we know it.

Higher: http://bit.ly/blockhigher
Same height: http://bit.ly/SameHeight
Lower: http://bit.ly/BlockLower

Special Thanks to:
Henry (MinutePhysics): http://www.youtube.com/minutephysics
Destin (Smarter Every Day): http://www.youtube.com/smartereveryday
Greg and Mitch (ASAP Science): http://youtube.com/asapscience
Elise Andrew (I F***ing Love Science): http://youtube.com/iflscience

Thanks to everyone at RIT and Dickinson College who helped with the making of this video:
Rochester Institute of Technology
Robert Teese, Katelyn Wilkerson, Andrew Gillie, Andrew Stidwill

Dickinson College
This experiment was the brainchild of David Jackson based on a demo at Princeton.
Priscilla Laws, Catrina Hamilton-Drager, Maxine Willis

High-speed camera support:
Charles Zwemer and Bria Antoine

I learned this song from attending Novenas with my lovely Hispanic community. Novenas are beautiful traditional gatherings during the first days of December in which the rosary is prayed, and in the Latino tradition, a lot of delicious food is shared. :) I find this song very calming and moving, and I hope you enjoy it as much as I do.

Lyrics // Letras

Madre óyeme, mi plegaria es un grito en la noche
Madre guíame en la noche de mi juventud
Madre sálvame, mil peligros acechan mi vida
Madre lléname, de esperanza, de amor y de fe.
Madre guíame, en las sombras no encuentro el camino
Madre llévame, que a tu lado feliz estaré

La la la la la la la la…

Madre una flor, una flor con espinas que es bella
Madre un amor, un amor que ha empezado a nacer
Madre sonreír, sonreír aunque llore en el alma
Madre construir, caminar aunque vuelva a caer.
Madre solo soy el anhelo y la carne que lucha
Madre tuyo soy, en tus manos me vengo a poner

Direct from America's space program to YouTube, watch NASA TV live streaming here to get the latest from our exploration of the universe and learn how we discover our home planet.

NASA TV airs a variety of regularly scheduled, pre-recorded educational and public relations programming 24 hours a day on its various channels. The network also provides an array of live programming, such as 24-hour coverage of missions, events (spacewalks, media interviews, educational broadcasts), press conferences and rocket launches.

In the United States, NASA Television's Public and Media channels are MPEG-2 digital C-band signals carried by QPSK/DVB-S modulation on satellite AMC-3, transponder 15C, at 87 degrees west longitude. Downlink frequency is 4000 MHz, horizontal polarization, with a data rate of 38.86 Mhz, symbol rate of 28.1115 Ms/s, and ¾ FEC. A Digital Video Broadcast (DVB) compliant Integrated Receiver Decoder (IRD) is needed for reception.

Con este tutorial explico como tocar la canción Tu estas Aqui - Jesas Adirán Romero. Aprende conceptos básicos como la intro y los acordes de cada estrofa. Espero sea de bendición para todo pianista. Apoyame con este ministerio y suscribeté a mi canal. Para mayor información buscame por whatsapp 3136319540. Bendiciones.

INFORMACION ADICIONAL
(preferiblemente personas en Colombia)

INFORMACION GRATUITA PARA DESCARGAR

Ritmos: http://adf.ly/1gGl2Z
Escalas Mayores: http://adf.ly/1gGl5u
Lecciones: http://adf.ly/1gGlA2


Bendiciones...

Perfume a tus pies-Marcela Gandara