Athair Ar Neamh combined with beautiful pictures by Kagaya

Our exploration of ethical theories continues with another theistic answer to the grounding problem: natural law theory. Thomas Aquinas’s version of this theory says that we all seek out what’s known as the basic goods and argued that instinct and reason come together to point us to the natural law. There are, of course, objections to this theory – in particular, the is-ought problem advanced by David Hume.


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La Niña de Tus Ojos / Tú Eres mi Puerta

Unción Tropical (Felo y Edwin) desde la iglesia "The Rock Church" en Orlando, Florida - Estados Unidos. Con la participación de Daniel Calveti, René González, Ricardo Rodriguez y Julissa.


Mucho cariño desde Lima, Perú.

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This release presents works of Chopin written in his Vienna period, and here they are played on exactly such an instrument, as is still preserved in the Italian Palazzo Contucci in Montepulciano.
The young Chopin, a child prodigy if ever there was one, soon found his surroundings in his native Warsaw too narrow, and visited the cultural capital Vienna during the years 1829-1831. Here he met the local piano manufacturer Conrad Graf and was seduced by his instruments, with their light action and delicate, pliant sound.

His triumphal concerts in Vienna were played on Graf’s pianos, and the young Fryderick was presented one as a gift by Graf himself.

Other information:
- The extensive booklet supplies historical background, pictures, illustrations and photos.
- Costantino Mastroprimiano has already recorded extensively for Brilliant Classics: the complete keyboard music of Clementi highly praised by international critics.

Picture : Sunset Vienna

Composer:
Frédéric Chopin

Artist:
Constantino Mastroprimiano fortepiano

00:00:00 Polonaise in A flat Major (dedicated to Zywny) (1821)
00:04:05 Rondo in C Minor op. 1 (1825)
00:13:22 Mazurka in G Major, (1825-26)
00:14:29 Mazurka in B flat Major, (1825-26)
00:16:00 Polonaise in B flat Minor (1826)
00:22:22 Rondo à la Mazur in F Major op. 5 (1826)
00:32:51 3 Polonaises op. 71 (1827-29) in d Minor
00:39:19 3 Polonaises op. 71 (1827-29) in F Minor
00:49:26 3 Polonaises op. 71 (1827-29) in B flat Major
00:56:26 Polonaise in G flat Major (1829)
01:04:44 Variations in A Major “Souvenir de Paganini” (1829)
01:08:38 “Casta DIVa” from V. Bellini’s “Norma” (transcription for P. viardot)

Nina está muy apurada, ya no puede aguantar. ¿Quién la podrá ayudar?
Una serie para acompañar a los chicos en su crecimiento.
¡Nina tiene que ir! En Disney Junior.

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Artist: Kitaro
Song: Solar System Trapeze
Album: Cirque Ingenieux

Kitaro Official Artist Page
http://www.domomusicgroup.com/kitaro/

iTunes
http://itunes.apple.com/us/alb....um/solar-system-trap

MP3
http://www.payloadz.com/go?id=1122345

CD
http://www.domocart.com/domo-store/index.php?main_page=product_info&cPath=2_10&products_id=6

Song List

01. Cirque Ingenieux
02. Sarah's World
03. Solar System Trapeze
04. The Tailor
05. Costume Shop
06. Wall of Masks
07. Contortionists
08. Winter Waltz
09. The Wizard
10. Galina
11. Underworld
a. Parade Of Riches
b. Court Performers
c. Palace Dance
12. Strength
13. The Escape
14. The Bottom Of The Sky
15. Double Lira/Finale

I'm sure you've all heard about Isaac Newton and that apple that fell on his head and how that was a huge deal to our understanding of gravity. Well... let's talk about that. In this episode of Crash Course Physics, Shini sits down to talk about the realities of the apple story and how Newtonian Gravity is more than a little important.


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Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
Volume 1 (21 hours) : https://VA.lnk.to/Romanticvol1
Volume 2 (21 hours) : https://VA.lnk.to/Romanticvol2
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The perfect starting point for exploring Romantic piano music. It features historic recordings of a truly excellent standard, including Blumental with the Vienna Symphony Orchestra under Helmuth Froschauer, the Orchestra of Radio Luxembourg with Pierre Cao accompanying French pianist Dosse, Boehm with the Westphalian Symphony Orchestra under Siegfried Landau, and Antal Doráti conducting the Royal Philharmonic Orchestra with Ilse von Alpenheim.

This 40 CD set contains a wealth of 19th century piano concertos written by composers who for some reason or other have been neglected by history, so called “minor masters” who may have lost the battle against the giants but nevertheless wrote very attractive, impressive and brilliant concertos for the piano (which in many cases was “their” instrument).

To name just a few: Hummel, Field, Czerny, Cramer, Ries, Clementi, Thalberg, Moscheles, Litolff, Kalkbrenner, Lyapunov, Balakirev, Medtner, Glazunov, Henselt, Moszkowski, Scharwenka and many more, over 60 composers!
Most of the recordings come from the rich and unique VOX catalogue, featuring such excellent pianists as Michael Ponti, Felicja Blumenthal, Hans Kann, Martin Galling, Jerome Rose, Roland Keller and many more.

John Baptist Cramer:
00:00:00 Piano Concerto No. 5 in C Minor, Op. 48: I. Allegro maestoso
00:14:25 Piano Concerto No. 5 in C Minor, Op. 48: II. Larghetto
00:21:11 Piano Concerto No. 5 in C Minor, Op. 48: III. Rondo à l’hongroise

Carl Czerny:
00:29:59 Divertissement de concert, Op. 204

Ferdinand Ries:
00:44:43 Piano Concerto No. 3 in C-Sharp Minor, Op. 55: I. Allegro maestoso ( Ries)
00:59:34 Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto
01:04:37 Piano Concerto No. 3 in C-Sharp Minor, Op. 55: III. Rondo. Allegretto

Muzio Clementi
01:15:14 Piano Concerto in C Major: I. Allegro con spirit
01:24:58 Piano Concerto in C Major: II. Adagio e cantabile, con grande espressione
01:31:42 Piano Concerto in C Major: III. Presto

John Field:
01:38:13 Piano Concerto No. 2 in A-Flat Major, H.31: I. Allegro moderato
01:55:04 Piano Concerto No. 2 in A-Flat Major, H.31: II. Poco adagio
01:58:35 Piano Concerto No. 2 in A-Flat Major, H.31: III. Allegro moderato innocente

Johann Nepomuk Hummel:
02:08:01 Piano Concertino in G Major, Op. 73: I. Allegro moderato
02:16:52 Piano Concertino in G Major, Op. 73: II. Andante grazioso
02:21:05 Piano Concertino in G Major, Op. 73: III. Rondo

Ignaz Moscheles:
02:25:45 Piano Concerto in G Minor, Op. 58: I. Allegro moderato
02:37:40 Piano Concerto in G Minor, Op. 58: II. Adagio
02:42:18 Piano Concerto in G Minor, Op. 58: III. Allegro agitato

Ferdinand Hiller:
02:51:18 Piano Concerto No. 2 in F-Sharp Minor, Op. 69: I. Moderato, ma con energia e con fuoco
02:58:08 Piano Concerto No. 2 in F-Sharp Minor, Op. 69: II. Andante espressivo
03:04:01 Piano Concerto No. 2 in F-Sharp Minor, Op. 69: III. Finale. Allegro con fuoco

Henry Litolff:
03:09:05 Concerto symfonique No. 3 in E-Flat Major, Op. 45: I. Allegro
03:19:22 Concerto symfonique No. 3 in E-Flat Major, Op. 45: II. Scherzo
03:24:04 Concerto symfonique No. 3 in E-Flat Major, Op. 45: III. Andante
03:30:19 Concerto symfonique No. 3 in E-Flat Major, Op. 45: IV. Furioso

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannTafelmus
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Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
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Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer: Georg Philipp Telemann
Artists: Wilbert Hazelzet transverse (flute), Rémy Baudet (violin), Jaaap ter Linden (cello), Musica Amphion, Pieter-Jan Belder (harpsichord and concert master)

About this Album: It isn’t often that one finds a complete recording of Telemann’s Tafelmusik, and what a performance this is! The best “early music” musicians of The Netherlands came together and had obviously a good time: Flautists Wilbert Hazelzet and Kate Clark, violinist Rémy Baudet (concertmaster Orchestra of the 18th Century, lead by Frans Brüggen), cellists Richte van der Meer and Jaap ter Linden, under the inspiring direction of harpsichordist Pieter-Jan Belder.

Tafelmusik consists of three “Productions” in various ensembles, from solo to orchestral. It was written for performance during ceremonious dinners, explaining the “diverting” character of the music, which is by no means shallow or lightweight, but full of catching melodies and brilliant instrumental virtuosity, a proof of Telemann’s genius. Enjoy your meal, with this appetizing piece of music!

Tracklist:
00:00:00 Musique de Table, Production I, I. Ouverture - Suite in E Minor for two flutes, strings & b.c.
00:29:16 Musique de Table, Production I, II. Quatuor in G Major for flute, oboe, violin & b.c.
00:43:27 Musique de Table, Production I, III. Concerto in A Major for flute, violin, violoncello, strings & b.c.
01:09:46 Musique de Table, Production I, IV. Trio in E-Flat Major for two violins & b.c.
01:23:19 Musique de Table, Production I, V. Solo in B Minor for flute & b.c.
01:34:27 Musique de Table, Production I, VI. Conclusion in E Minor for two flutes, strings & b.c.

01:39:26 Musique de Table, Production II, I. Ouverture-Suite in D Major for oboe, trumpet, strings & b.c.
02:18:08 Musique de Table, Production II, I. Quatuor in D Minor for recorder, two flutes & b.c.
02:35:32 Musique de Table, Production II, III. Trio in E Minor for flute, oboe & b.c.
02:50:22 Musique de Table, Production II, IV. Solo in A Major for violin & b.c.
03:03:20 Musique de Table, Production II, V. Conclusion in D Major for oboe, trumpet, strings & b.c.

03:09:55 Musique de Table, Production III, I. Ouverture-Suite in B-Flat Major for 2 oboes, bassoon, strings & b.c.
03:33:43 Musique de Table, Production III, II. Quatuor in E Minor for flute, violin, violoncello & b.c.
03:42:29 Musique de Table, Production III, III. Concerto in E-Flat Major for two horns, strings & b.c.
03:57:04 Musique de Table, Production III, III. Trio in D Major for 2 fluets & b.c.
04:05:50 Musique de Table, Production III, VI. Solo in G Minor for oboe & b.c.
04:16:57 Musique de Table, Production III, IX. Conclusions in B-Flat Major for two oboes, bassoon, strings & b.c.

FULL TRACKLIST IN THE COMMENT SECTION!
#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Telemann #Violin #ViolinMusic

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Download & Streams:
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Spotify playlist: Brain Training – Classical Music
https://brilliant-classics.lnk.....to/BrainTrainingCla

Composer : Giovanni Battista Costanzi, Nicola Porpora
Artist: Adriano Fazio (cello)
Katarzyna Solecka (violin)
Anna Camporini (cello)
Pedro Alcacer (theorbo)
Lorenzo Profita (harpsichord)

00:00:00 Cello Sonata No. 1 in C Major: I. Amoroso
00:02:35 Cello Sonata No. 1 in C Major: II. Allegro
00:04:22 Cello Sonata No. 1 in C Major: III. Tempo giusto
00:06:12 Cello Sonata No. 1 in C Major: IV. Allegro
00:09:12 Cello Sonata No. 2 in G Minor: I. Affettuoso
00:11:10 Cello Sonata No. 2 in G Minor: II. Allegro
00:13:44 Cello Sonata No. 2 in G Minor: III. Adagio
00:15:29 Cello Sonata No. 2 in G Minor: IV. Allegro
00:18:18 Cello Sonata No. 3 in G Major: I. Adagio
00:20:51 Cello Sonata No. 3 in G Major: II. Allegro
00:23:23 Cello Sonata No. 3 in G Major: III. Adagio staccato
00:25:12 Cello Sonata No. 3 in G Major: IV. Allegro
00:27:26 Cello Sonata No. 4 in B Major: I. Adagio e staccato
00:29:54 Cello Sonata No. 4 in B Major: II. Allegro
00:32:31 Cello Sonata No. 4 in B Major: III. Adagio
00:33:50 Cello Sonata No. 4 in B Major: IV. Allegro staccato
00:36:21 Cello Sonata No. 5 in C Minor: I. Adagio
00:38:58 Cello Sonata No. 5 in C Minor: II. Allegro
00:41:34 Cello Sonata No. 5 in C Minor: III. Adagio
00:43:10 Cello Sonata No. 5 in C Minor: IV. Allegro
00:46:33 Cello Sonata No. 6 in G Major: I. Adagio
00:49:24 Cello Sonata No. 6 in G Major: II. Allegro
00:51:56 Cello Sonata No. 6 in G Major: III. Largo
00:54:08 Cello Sonata No. 6 in G Major: IV. Allegro staccato

El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

So now that we’ve built and programmed our very own CPU, we’re going to take a step back and look at how CPU speeds have rapidly increased from just a few cycles per second to gigahertz! Some of that improvement, of course, has come from faster and more efficient transistors, but a number hardware designs have been implemented to boost performance. And you’ve probably heard or read about a lot of these - they’re the buzz words attached to just about every new CPU release - terms like instruction pipelining, cache, FLOPS, superscalar, branch prediction, multi-core processors, and even super computers! These designs are pretty complicated, but the fundamental concepts behind them are not. So bear with us as we introduce a lot of new terminology including what might just be the best computer science term of all time: the dirty bit. Let us explain.

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El Vaticano publicó este miércoles 12 de febrero la Exhortación Apostólica Postsinodal del Papa Francisco “Querida Amazonia”, fruto del Sínodo sobre la Amazonia que tuvo lugar en Roma del 6 al 27 de octubre de 2019.
Más información en: https://www.aciprensa.com/noti....cias/texto-completo-

En la noche del 26 de septiembre de 2015 el Papa Francisco improvisó un extenso discurso en el Festival de las Familias, en Filadelfia (Estados Unidos), donde contó una anécdota que le sucedió años atrás y que lo puso en un verdadero aprieto: La curiosidad de un chico por saber “¿qué hacía Dios antes de crear el mundo?”.

Death is what fungi are all about. By feasting on the deceased remains of almost all organisms on the planet, converting the organic matter back into soil from which new life will spring, they perform perhaps the most vital function in the global food web. Fungi, which thrive on death, make all life possible.

Crash Course Biology is now available on DVD! http://dft.ba/-8bCC

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Table of Contents
1) Biolography 02:07
2) Structure 04:53
3) The Decomposers 06:10
4) The Mutualists 06:38
5) The Predators 07:23
6) The Parasites 07:35
7) Reproduction 08:24

References for this episode can be found in the Google document here: http://dft.ba/-2i0c

crashcourse, biology, hank green, fungi, fungus, detritivore, species, taxonomy, yeast, disease, death, organic matter, louis pasteur, biolography, beer, anaerobic respiration, fermentation, pasteurization, decompose, decomposition, soil, nutrient, recycle, mushroom, heterotroph, hyphae, chitin, mycelium, decomposer, mutualist, predator, parasite, enzyme, lignin, haustoria, mycorrhizae, sex, reproduction, spore, propagation, plasmogamy, asci, disperse, ascocarps, molds Support CrashCourse on Subbable: http://subbable.com/crashcourse

Today we are investigating our moral obligations to our parents and our families. Do we owe our parents anything as adults? Would it be a good idea to license parents? We’ll explore these questions as well as the ethics of care, and some potential problems that type of approach to morality carries with it.

Want more Crash Course in person? We'll be at NerdCon: Nerdfighteria in Boston on February 25th and 26th! For more information, go to http://www.nerdconnerdfighteria.com/

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www.hnaglenda.org

Tracklist Below:
Spotify:https://open.spotify.com/album..../6wWT1ly3WDO6RXC9B5n
Physical Sale: http://brilliantclassics.com/a....rticles/t/ten-holt-c
iTunes: https://itunes.apple.com/album..../ten-holt-canto-osti

Following on from Canto Ostinato XL earlier this year, Brilliant Classics is proud to present Canto Ostinato XXL, a recording that brings a new perspective to Simeon ten Holt’s minimalist composition by adding a Romantic organ to the work’s original scoring for four pianos – a combination never before attempted. The result is the most beautiful and harmonious of sounds, one that captures Canto Ostinato’s emotional variety and depth through building on the sweetness and simplicity that inhabit this acclaimed composition, first performed in 1979.
Canto Ostinato is all to do with time: ‘taking your time, passing time, making time,’ as Jeroen van Veen, and one of the performers on the four-disc set, explains; and this is partly effected through the artists’ decision to repeat certain of the composition’s sections (106 in total) ad lib, thus inducing a sort of alienation of the part of the listener (because of the repetition’s posterior relationship to the harmony) and creating a hypnotic effect, a regular feature of minimalist music. Recorded over the course of just one day, this four-hour arrangement slows the tempo down a little, in order to accommodate the magnificent acoustics of the Muziekgebouw Eindhoven. Joining organist Aaart Bergwerff and Brilliant Classics regulars Sandra and Jeroen van Veen, all of whom feature on XL, are the acclaimed piano duo Elizabeth and Marcel Bergmann, both experts in the minimalist genre and who also enjoy separate international careers. Jeroen van Veen chairs the Simeon ten Holt Foundation, dedicated to keeping the wonderful music of this late Dutch composer alive.

Other information:
- Recorded 19 May 2014.

00:00:00 Canto Ostinato: Section 1
00:05:00 Canto Ostinato: Section 5
00:12:10 Canto Ostinato: Section 10
00:32:10 Canto Ostinato: Section 17
00:38:42 Canto Ostinato: Section 20
00:46:46 Canto Ostinato: Section 23
00:58:28 Canto Ostinato: Section 34
01:02:11 Canto Ostinato: Section 37
01:03:23 Canto Ostinato: Section 37
01:08:05 Canto Ostinato: Section 41
01:18:51 Canto Ostinato: Section 56
01:22:35 Canto Ostinato: Section 60
01:31:04 Canto Ostinato: Section 69
01:39:33 Canto Ostinato: Section 74. Cumulation No. 1
01:53:02 Canto Ostinato: Section 83
02:03:33 Canto Ostinato: Section 88
02:07:14 Canto Ostinato: Section 88 A
02:10:54 Canto Ostinato: Section 88 B
02:13:35 Canto Ostinato: Section 88 C
02:33:02 Canto Ostinato: Section 88 A
02:42:15 Canto Ostinato: Section 88 F
02:56:05 Canto Ostinato: Section 88 H
03:02:04 Canto Ostinato: Section 89
03:05:50 Canto Ostinato: Section 91 A
03:07:49 Canto Ostinato: Section 91 A
03:16:25 Canto Ostinato: Section 91 C
03:22:38 Canto Ostinato: Section 91 E
03:38:30 Canto Ostinato: Section 91 I
03:46:18 Canto Ostinato: Section 92
03:51:12 Canto Ostinato: Theme No. 2. Cumulation No. 2
04:02:20 Canto Ostinato: Section 105
04:04:21 Canto Ostinato: Section 106

Artist:
Jeroen van Veen (piano)
Sandra van Veen (piano)
Marcel Bergmann (piano)
Elizabeth Bergmann (piano)
Aart Bergwerff (organ)

Do we take the Earth for granted? It gives us life and sustains us in the manner we're accustomed to, but we don't know the first thing about it: like where did it come from? And how did it form? Most people recognize that the Earth has a big explosion in its history, which they refer to descriptively as the 'Big Bang.' But there are two very good reasons why the Big Bang is not directly responsible for forming the Earth: 1) It happened 13.7 billion years ago. That's more than 9 billion years before the Earth formed (what happened during that time?), and 2) After the Big Bang the universe consisted of only Hydrogen and Helium - not great raw material for building the Earth. The truth is the big bang formed stars, which exploded and then (perhaps) formed more stars, which exploded and then formed our solar system, including the Earth. The early stars performed the vital role of making the heavier elements of which Earth is composed and we are made.