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Bingo y Rolly tienen una misión: ¡Ir a Hawái!
Bingo y Rolly, los cachorros más aventureros que puedas imaginar, llegan a Disney Junior para resolver un montón de misiones por todo el mundo. Desde las pirámides de Egipto, pasando por Italia o Francia, a estos cachorritos no hay aventura que se les resista. Bingo y Rolly, una nueva serie. Estreno el 22 de enero a las 20:00 en Disney Junior.
Suscríbete al canal de Disney Junior Youtube Oficial http://bit.ly/1lZqZIe.
¿Quieres que tu hij@ se divierta con sus personajes favoritos? ¡Hazte con la
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Jacques Fesch, nació en Francia en 1930. Es conocido por haber asesinado a un policía tras lo cual experimentó en la cárcel una conversión tan radical que llevó a que el Cardenal Jean Marie Lustiger abriera su proceso de beatificación en 1993.
¡La espectacular casa y oficina de Minnie de la serie con muchas habitaciones y más de 20 accesorios incluidos! Diviértete con Minnie y Daisy y descubre en su interior cada uno de los rincones subiendo y bajando por el ascensor mágico, la casa está llena de muebles y accesorios!. Luces y sonidos mágicamente se activaran con las figuras. ¡Pásatelo en grande! Incluye 1 hoja de pegatinas para decorar la casa.
Puedes conseguirla aquí: http://amzn.to/2AN8gLQ
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El canal de Bebe milo es para publico infantil. Podrás encontrar canciones infantiles, música infantil para niños y niñas, chicos y chicas. También podrás ver jugar juegos como minecraft gratis, roleplay muy entretenido y en español latino.
Lo importante es divertirse y tener lo mejor de minecraft para bebes en 2017 y 2018!
This week, we're starting our discussion of Mythical Creatures with the WORST creatures. Monsters. What makes a monster monstrous though? Mike Rugnetta will guide you through the fine line between a magical creature and a monster. Spoiler alert: like 60% of the time, the difference is that monsters eat people. We'll talk about sea monsters, Sphinxes, and take an elongated look directly into the Canadian face of horror, the Wendigo.
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Tracklist below.
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While J.S. Bach, along with Buxtehude, has long been considered the father of Baroque organ music in northern Germany, organ music connoisseurs today have started to look beyond the established canon of this time to the great composer’s contemporaries. Particularly interesting are three German composers who were also active around the same time as Bach: Erich, Saxer and Druckenmüller, whose complete works (as discovered in manuscript form) feature on this release.
All three were unusual in that they came from provincial areas of Germany rather than being based in a thriving cultural centre like Hamburg or Lübeck. Druckenmüller – just two years younger than Bach – was highly unusual in publishing completely original Concertos for organ solo, in contrast to Bach’s settings of established chorale tunes that were the norm. The Concertos – all fast–slow–fast – are written in the style that was fast becoming the established one in Germany, the Italian Style. Slightly younger was Georg Saxer, whose style was starting to reflect the new galant Rococo. His Preludes, followed by a long Fugue, reflect new tensions with dominant seventh chords that seem to hang in the air, creating moments of suspense. Daniel Erich – more of Buxtehude’s time than Bach’s – wrote chorale preludes, of which only four survive. They reveal a composer full of expressivity and elegance in the way he embellishes the theme, whether in the soprano or the pedal. His original compositions show a remarkable originality as well as knowledge of the idiomatic writing of the time.
Italian organist Manuel Tomadin’s passion for these undiscovered composers comes across clearly in this release. He has specially chosen a Baroque organ by Arp Schnitger, the most important organ builder of the period, who worked closely with both Saxer and Druckenmüller during his life, making this a wonderfully authentic recording.
This new recording features the magnificent Schnitger organ of the St. Michael Church in Zwolle, the Netherlands. It was built in 1721 by Arp Schnitger and his sons, and after careful restoration over the last decades by Flentrop the organ is restored in its full glory, one of the finest examples of the Golden Age of organ building, the Baroque.
The works on this recording are derived from the Husumer Orgelbuch (Husum organ book), a collection of organ works by North German major and minor masters. Presented are substantial Preludes by Georg Wilhelm Saxer, Choralvorspiele by Daniel Erich and two Concertos by Wolfgang Druckenmüller, written in the Italian style, as original compositions and not as transcriptions of Italian Concerti grossi, as was the custom of that period.
Manuel Tomadin is one of the foremost Italian organists, a scholar, teacher and passionate musician. He won the Grand Prix of the Schnitger Organ Competition of Alkmaar in 2011, and recorded several CD’s for Brilliant Classics, among which the complete keyboard works by Alberti (BC95161). He wrote the excellent liner notes for the booklet, which also contains all information on the organ.
00:00:00 Christum wir sollen loben schon
00:02:48 Es ist das Heil uns kommen her
00:05:10 Allein zu dir, Herr Jesu Christ
00:10:00 Praeludium et Ciaccona in D Major: I. Praeludium
00:12:30 Praeludium et Ciaccona in D Major: II. Ciaccona
00:18:53 Concerto in A Major: I. Allegro
00:22:03 Concerto in A Major: II. Siciliana
00:23:23 Concerto in A Major: III. Vivace
00:26:35 Concerto in F Major: I. Allegro
00:28:36 Concerto in F Major: II. Adagio
00:30:10 Concerto in F Major: III. Vivace
00:32:41 Concerto in D Major: I. Allegro
00:35:54 Concerto in D Major: II. Largo
00:37:48 Concerto in D Major: III. Vivace
00:39:14 Concerto in G Major: I. Allegro
00:42:19 Concerto in G Major: II. Adagio
00:44:00 Concerto in G Major: III. Allegro
00:45:52 Praeludium in D Major
00:54:43 Praeludium in B-Flat Major
01:00:20 Praeludium in F Major
01:06:51 Praeludium in D Major
01:13:17 Praeludium in E Minor
Artist
Manuel Tomadin (organ)
All the magic that we know is in the transfer of electrons. Reduction (gaining electrons) and oxidation (the loss of electrons) combine to form Redox chemistry, which contains the majority of chemical reactions. As electrons jump from atom to atom, they carry energy with them, and that transfer of energy is what makes all life on earth possible.
**Special Thanks to Matt Young at the University of Montana (Geosciences Department, Environmental Biogeochemistry Lab) who helped with the chemical demonstrations.**
Oxidation 1:42
Reduction 1:03
Oxidation Numbers 3:29
Redox Reactions 5:59
Oxidation Reactions 6:28
Balancing Oxidation Reactions 7:18
Also thank you to the following chemistry teachers for assistance:
James Sarbinoff
Rachel Wentz
Edi González
Lucas Moore
Chris Conley
Addie Clark
Julia Rosinski
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Composer: Claude Debussy
Artist: Mariangela Vacatello (piano)
About this Album:
The Debussy-year 2012 brought a wealth of reissues on the market, but surprisingly few new recordings. Reason the more to welcome this new recording of a generous selection of Debussy piano works, centred around the substantial “12 Etudes”.These works, written in the later stage of Debussy’s creative life, form the apotheosis of his style. Far from any evocative “impressionistic” Tonmalerei or picturesque
atmosphere painting they are Debussy’s answer to the Etudes of Chopin, purely abstract creations of melody, harmony and rhythm. Fiercely uncompromising and difficult, they form the summit of Debussy’s piano oeuvre, and one of the highest challenges to any performing pianist.
The exciting young Italian pianist Mariangela Vacatello is a Liszt specialist, renowned for her passionate performances and technical ability. She has given concerts at prestigious venues across the USA and Europe, and she has won many awards. These include second prize at the Franz Liszt International Piano Competition in 1999, and the Internet Audience Award at the 2009 Van Cliburn International Piano Competition. ‘A very exciting player’ Musical Opinion, 2008.
Tracklist:
00:00:00 Etudes: I. Pour les cinq doigts (d’après Monsieur Czerny)
00:03:19 12 Etudes: II. Pour les tierces
00:07:15 12 Etudes: III. Pour les quartes
00:13:33 12 Etudes: IV. Pour les sixtes
00:18:11 12 Etudes: V. Pour les octaves
00:20:56 12 Etudes: VI. Pour les huit doigts
00:22:33 12 Etudes: VII. Pour les degrés chromatiques
00:24:48 12 Etudes: VIII. Pour les agréments
00:29:55 12 Etudes: IX. Pour les notes répétées
00:33:17 12 Etudes: X. Pour les sonorités opposées
00:38:50 12 Etudes: XI. Pour les arpèges composés
00:43:24 12 Etudes: XII. Pour les accords
00:47:50 Estampes: I. Pagodes
00:52:35 Estampes: II. La soirée dans Grenade
00:57:54 Estampes: III. Jardins sous la pluie
01:01:39 Deux Arabesques: No. 1 Andantino con moto
01:06:19 Deux Arabesques: No.2 Allegretto scherzando
01:09:46 L’Isle joyeuse
#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Debussy
La Fiesta de Pentecostés, la venida del espíritu Santo sobre los apóstoles y María Santísima, se celebra a los 50 días de la Resurreción del Señor Jesús concluyendo el tiempo pascual.
EL Espíritu Santo es la "Tercera Persona de la Santísima Trinidad", es decir, habiendo un sólo Dios, existen en Él tres personas distinas: Padre, Hijo y Espíritu Santo. Esta verdad ha sido revelada por Jesús en su Evangelio.
El Espíritu desciende, cumpliendo las promesas del Señor Jesús, sobre la comunidad naciente y temerosa, infundiendo sus siete dones y dándoles el valor necesario para anunciar la Buena Nueva de la salvación.
Con su venida, los apóstoles recuperan las fuerzas perdidas, renuevan la ilusión y el entusiasmo, aumentan el valor y el coraje para dar testimonio ante todo el mundo de su fe en Cristo Jesús.
El Espíritu Santo con su gracia es el "primero" que nos despierta en la fe y nos inicia en la vida nueva.
El Espíritu Santo nos otorga el Don de Ciencia, consejo, Fortaleza, Inteligencia, Piedad, Sabiduría y el don de Temor. También nos da los frutis de la Caridad, Gozo, Paz, Paciencia, Longanimidad, Bondad, benignidad, Mansedumbre, Fe, Modestia, Continencia y Castidad.
Es el mismo Espíritu Santo que, desde hace dos mil años hasta ahora, sigue descendiendo sobre quienes creen que Cristo vino, murió y resucitó por cada uno de los hombres.
"Al llegar el día de Pentecostés, estaban todos reunidos en un mismo lugar. De repente vino del cielo un ruido como el de una ráfaga de viento impetuoso, que llenó toda la casa en la que se encontraban. Se les aparecieron unas lenguas como de fuego que se repartieron y se posaron sobre cada uno de ellos; quedaron todos llenos del Espíritu
Santo y se pusieron a hablar en otras lenguas, según el Espíritu les concedía expresarse. Había en Jerusalén hombres piadosos, que allí residían, venidos de todas las naciones que hay bajo el cielo".
Hechos de los Apóstoles 2, 1-5
¿Te gusta cantar y bailar? ¡Entonces te va a encantar el Monito Mandón! ¡No te lo pierdas! ¡Además, Somos Dinosaurios, Bebé Tiburón, El baile del Dinosaurio con Bebé T-Rex, Quiero ser grande, Itsy Bitsy Surfista y muchas otras canciones divertidas! #littleangel #littleangelespañol
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¡Ve a tu canción favorita eligiendo en el título debajo!
00:04 Monito Mandón
02:18 Somos Dinosaurios
04:04 El Baile de Bebé Tiburón
05:37 ¿Estás durmiendo, hermano Juan?
07:22 Familia Dedo
08:39 Manzanas contra Bananas
10:47 El Niño y el Dinosaurio
12:38 Cinco Perritos Juguetones
14:10 Tiburones contra Dinosaurios
15:53 La Araña Itsy Bitsy
18:01 Humpty Dumpty
19:43 Señor Sol
22:18 María tiene un corderito
23:52 Quiero ser Bailarina
25:27 Cinco Patitos
27:17 El baile del Dinosaurio con Bebé T-Rex
28:47 Policía Tiburón
30:18 La Princesa tiene una varita
31:45 Bebé Tiburón ¿Dónde está mi aleta?
33:53 Quiero ser grande
35:42 Itsy Bitsy Surfista
37:34 Cinco perritos Peekaboo
38:58 Un elefante se balanceaba
40:50 ¿Qué hay debajo de mi cama?
43:06 ¿Dónde está mi nariz?
Nuestras canciones para niños enseñan habilidades básicas y mejoran su habilidad para comprender y seguir instrucciones. Las canciones infantiles aceleran las capacidades fonéticas y mejoran la comprensión oral, de lectura y escritura.
No olvides darnos un LIKE (?) si disfrutaste este video.
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Nursery rhymes and kids songs, músicas para crianças, música infantil, canciones para niños, अंग्रेजी में बच्चों के गाने, детские песни для детей, comptines en espagnol, bata kanta sa ingles, lagu kanak-kanak Inggeris, lagu anak-anak dalam bahasa inggris, أغاني الأطفال باللغة الإنجليزية, 兒童歌曲英文.
Animations by: Valnet Inc.
Copyright 2018 Valnet
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El canal de Bebe milo es para publico infantil. Podrás encontrar canciones infantiles, música infantil para niños y niñas, chicos y chicas. También podrás ver jugar juegos como minecraft gratis, roleplay muy entretenido y en español latino.
Lo importante es divertirse y tener lo mejor de minecraft para bebes en 2017 y 2018!
From the album Making Mirrors
Official Gotye Store: https://store.gotye.com/
http://www.gotye.com/
Video credits:
Directed, produced and edited by Natasha Pincus
Body art by Emma Hack
Cinematographer and colourist: Warwick Field
Scenic artist: Howard Clark
Key grip: Rob Hansford
Assistants: Rose Cidoni, Claire Leighton, Rob Murray
Original artwork by Frank De Backer
Music credits:
Produced by Wally De Backer
Mixed by Francois Tetaz, assisted by Wally at Moose Mastering, Richmond, VIC
Bass recorded by Wally in Lucas Taranto's loungeroom, Melbourne, VIC
All other sounds put together by Wally in The Barn, Merricks, VIC
Bass guitar: Lucas Taranto
Lead and backing vocals: Kimbra
Guitar, flutes, percussion and synth samples, lead and backing vocals: Wally
Contains a sample of the recording Seville as performed by Luiz Bonfa. Courtesy of Geffen Records, under license from Universal Music Enterprises. Used by permission. All rights reserved. Written by Luiz Bonfa and published by Sasqua Music. Used by permission.
**********************************************
Somebody That I Used To Know - lyrics
Now and then I think of when we were together
Like when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember
You can get addicted to a certain kind of sadness
Like resignation to the end
Always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad that it was over
But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know
Now and then I think of all the times you screwed me over
But had me believing it was always something that I'd done
And I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know...
But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know
I used to know
That I used to know
Somebody...
*************
La hermana Cecilia María del Monasterio de las Carmelitas Descalzas en Santa Fe, Argentina, hizo prometer a sus hermanas de comunidad que siempre dirían la verdad sobre ella. Ante el revuelo por una de las fotografías que le tomaron en los días previos a su muerte, las religiosas piden divulgar la hermosa verdad sobre su vida.
Más información: https://www.aciprensa.com/noti....cias/video-esta-es-l
El Papa Francisco presidió, desde el altar de la Cátedra de la Basílica de San Pedro del Vaticano, la Misa por la Solemnidad de Pentecostés este domingo 31 de mayo. En su homilía, el Santo Padre reflexionó sobre la enseñanza contenida en los Evangelios y en la predicación de San Pablo en la que se explica que “el Espíritu Santo es la unidad que reúne a la diversidad; y que la Iglesia nació así: nosotros, diversos, unidos por el Espíritu Santo.
Más información: https://www.aciprensa.com/noti....cias/homilia-del-pap
The talented musician Erik Bosgraaf recorded the Complete Suites and Concertos for Recorder of Georg Phillip Telemann. This video contains the full album.
Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannComplete
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Telemann’s concertos offer a unique combination of virtuosity, wit and sense of the theatrical. Having taught himself to play the instrument as a child, the German master had a special understanding of and fondness for the recorder, and for it he created a new hybrid form, the Suite auf Concertenart, which combines soloistic display with baroque dances.
These suites and concertos may be less overtly virtuosic than works in the same genre which were beginning to appear around the same time over the other side of the Alps, but Telemann yields nothing to his Italian counterparts in terms of melodic freshness and fertility. The suites are styled in the French manner, as a series of courtly dances, though the A minor Suite features a grand and tragic ‘Air in the Italian style’ and concludes with a snappy Polonaise – one of Telemann’s favourite dance rhythms – reeling away like an inspired tavern fiddler.
Erik Bosgraaf’s discography on Brilliant Classics ranges from Vivaldi (BC94637 – now also available on LP) to Boulez (BC94842), not to mention two previous sets of Telemann – the solo fantasias (BC93757) and sonatas with basso continuo (BC95247) – as well as more rarely encountered delights by Jakob van Eyck (BC93391). These discs and others have garnered both popular attention and critical praise. Of Bosgraaf’s own, composer-approved transcription of the Dialogue de l’ombre double by Boulez, Gramophone commented that ‘balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of any other recorded option.’
Closer to the recorder’s natural home in music several centuries earlier, Julie Anne Sadie wrote in the same magazine about Bosgraaf’s ‘magical version of the ubiquitous Four Seasons. ‘A carefully researched and arrestingly translucent chamber interpretation… the rapport between solo and ripieno forces is simply fabulous.’
00:00:00 Ouverture Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
00:07:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
00:11:04 Ouverture Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
00:12:49 Ouverture Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
00:16:08 Ouverture Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
00:17:57 Ouverture Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
00:18:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
00:20:54 Ouverture Suite in A Minor, TWV 55:a2: I. Ouverture
00:29:35 Ouverture Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:32:22 Ouverture Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:38:30 Ouverture Suite in A Minor, TWV 55:a2: IV. Menuet I & II
00:41:12 Ouverture Suite in A Minor, TWV 55:a2: V. Réjouissance
00:43:12 Ouverture Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
00:44:58 Ouverture Suite in A Minor, TWV 55:a2: VII. Polonoise
00:48:28 Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
00:51:14 Recorder Concerto in F Major, TWV 51:F1: II. Allegro
00:54:48 Recorder Concerto in F Major, TWV 51:F1: III. Adagio
00:57:14 Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
01:00:28 Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
01:03:34 Recorder Concerto in C Major, TWV 51:C1: II. Allegro
01:07:22 Recorder Concerto in C Major, TWV 51:C1: III. Andante
01:11:13 Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet
Artist:
Erik Bosgraaf (recorder)
Ensemble Cordevento
Este domingo 27 de enero, al término de la Misa de Clausura de la Jornada Mundial de la Juventud, Kevin Joseph Farrell, Prefecto del Dicasterio para los Laicos, La Familia y la Vida anunció que la sede del evento internacional del 2022 será la ciudad de Lisboa (Portugal), provocando el grito jubiloso de los peregrinos de este país.
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Tracklist below.
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Composers: Aram Ilyich Khachaturian
Artists: Bolshoi Theatre Orchestra, Evgeny Svetlanov (conductor)
Along with Shostakovich and Prokofiev, Khachaturian was one of the most famous and celebrated composers of the Soviet Union. Born in Tbilisi, Georgia, his earliest musical influences were the folk music of Georgia and of his ancestral homeland, Armenia. His ballet Gayaneh, composed in 1942, tapped into this passion for his Armenian heritage; set on a collective farm, its story is concerned with the triumph of love and loyalty to the Motherland over treason – themes that would keep Stalin happy. Khachaturian’s later ballet Spartacus, written in 1956, took the famous story of the Greek slave turned gladiator and his defeat of the Roman general Crassus as its basis. Composed in the dying years of Stalin’s rule, Khachaturian and his audiences were drawn to the story’s theme of resistance against tyranny.
Several movements from these ballets have taken on a life outside the original ballet suites – for example, the Sabre Dance from Gayaneh and the famous Adagio from Spartacus – ensuring that these wonderful and colourfully scored ballet suites have become firm favourites in the concert hall.
‘The Bolshoi orchestra are obviously completely at home in this repertoire, and Svetlanov’s ear for orchestral detail is as sure as ever. How beautifully he handles the tapering down at the end of the ‘Dance of the Nymphs’ (from Spartacas), while the opening of the ‘Dance of the Young Girls of Gadès’ brings a slow, subtle crescendo… The famous ‘Adagio of Spartacus and Phrygia’ has never sounded more touchingly refined on record and the climax does not disappoint. In Gayaneh there is a beguilingly sinuous sophistication in ‘Ayesha’s dance’, and the ‘Lullaby’ and ‘Gayeneh’s Adagio’ are beautifully played, creating much delicacy of texture.’ Gramophone.
00:00:00 Gayaneh, Ballet Suite: Dance of the Rose Maidens
00:02:41 Gayaneh, Ballet Suite: Aysha’s Dance
00:07:04 Gayaneh, Ballet Suite: Dance of the Highlanders
00:09:01 Gayaneh, Ballet Suite: Lullaby
00:14:54 Gayaneh, Ballet Suite: Noune’s Dance
00:16:39 Gayaneh, Ballet Suite: Armen’s Var
00:18:37 Gayaneh, Ballet Suite: Gayaneh’s Adagio
00:22:37 Gayaneh, Ballet Suite: Lezghinka
00:25:35 Gayaneh, Ballet Suite: Dance with Tambourines
00:28:35 Gayaneh, Ballet Suite: Sabre Dance
00:30:58 Spartacus, Ballet Suite: Introduction – Dance of the Nymphs
00:37:02 Spartacus, Ballet Suite: Aegina’s Dance
00:41:02 Spartacus, Ballet Suite: Scene and Dance with Crotalums
00:44:55 Spartacus, Ballet Suite: Adagio of Spartacus and Phrygia
00:54:38 Spartacus, Ballet Suite: Dance of the Gaditan Maidens – Victory of Spartacus