Top Vídeos
La canción favorita de mi Papá
Junto a mi hermana menor
"El amor nunca dejará de ser"
Tomado de la Gira San Pablo en España ésta es la primera presentación de esta canción.
La temática es la gran enseñanza del Amor en letra de San Pablo. El niño es ejemplo de Fe, pero no así de Amor. Por eso, al Madurar la fe en el Amor debe de hacerlo también junto con el concepto mismo del Amor. Todo esto basado en 1 Corintios 13, 11.
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With beautiful images ranging describing the lyrics of the song, accompanied by the angelic voice of Enya, just .... Beautiful!
Con imágenes preciosas que van describiendo la letra de la canción, acompañando la voz angelical de Enya, simplemente.... Hermoso!
El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.
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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419
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On My Knees (Video)
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Hoy traigo la segunda entrega de cocinando con los nuevos gatos del canal, esta serie tan esperada por todos.
Hago una tortilla de patatas bien rica con la ayuda de ZarpadoSucio, PeloSombra y Orejitas De Lince.
Espero que os guste y dejéis un buen like, gracias y saludos!!!
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El Obispo Auxiliar de Lima (Perú), Mons. Adriano Tomasi, explicó en entrevista a ACI Prensa las razones por las que el Papa Benedicto XVI ha convocado a un "Año de la Fe" entre octubre de 2012 y noviembre de 2013.
Mons. Tomasi dijo que este Año de la Fe va a traer "compromisos e iniciativas que nos lleven a revitalizar la fe. Sabemos que la fe está viva en muchos en nuestra Iglesia, pero hay otros que reciben el bautismo y se van descuidando, y su fe disminuye".
Más información: http://www.aciprensa.com/noticia.php?n=35360
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Hoy vengo con un hombre con las tetillas bien tiesas para que me enseñe a ser un experto en el trolleo, lo conseguirá.........XD
El cuidado y uso responsable de la Creación y el compromiso solidario con los pobres fueron los puntos centrales del discurso que el Papa Francisco pronunció este martes en la Pontificia Universidad Católica de Ecuador, con motivo del encuentro con el mundo de la escuela y de la universidad en el marco de su visita apostólica.
Punto de Vista es un podcast diario del director de ACI Prensa www.aciprensa.com, Alejandro Bermúdez.
Getting close to the end of my "Me Playing" of Kung Fu Panda...maybe. I might continue it in the future.
If you want me to, just PM me saying so. ^_^
Hank tells us the story of the complicated chemical dance that allows our skeletal muscles to contract and relax.
Crash Course Biology is now available on DVD! http://dft.ba/-8bCC
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Table of Contents
1) Cardiac, Smooth, & Skeletal Muscles 01:09
2) Muscle Anatomy 02:03
a) Muscle Fibers 03:07
b) Myofibrils 04:15:1
c) Sarcomeres 04:19:1
d) Myofilaments 04:37:2
3) Biolography 05:37:1
4) Sliding Filament Model 07:47
References for this episode can be found in the Google document here: http://dft.ba/-3syE
crash course, crashcourse, biology, muscular system, muscle, cellular respiration, energy, ATP, human body, chemistry, cardiac muscle, smooth muscle, skeletal muscle, contract, relax, tendon, anatomy, physiology, fascicle, fibers, protein, myofibril, sarcomere, myofilament, actin, myosin, sliding filament model, biolography, electron microscope, tropomyosin, troponin, sarcoplasmic reticulum, motor neuron Support CrashCourse on Subbable: http://subbable.com/crashcourse
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Spotify playlist: Brain Training – Classical Music
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Bartok’s assessment of Zoltán Kodály’s music as “the most perfect embodiment of the Hungarian spirit” will strike a chord with those familiar with the suite from his opera Háry János, the Dances of Galanta or indeed the works for cello which moved the instrument on from the Romantic idiom of Brahms, and at the same time looked backwards to the dancing elegance of Bach’s solo Suites.
He had taught himself to play the cello to a reasonable standard (also the violin and viola) and while, as he freely admitted, not a natural virtuoso, he had a feeling for the instrument which is obvious in his writing. The Adagio was his first published work, dating from 1905 and originally written for violin and piano: still broadly Romantic in idiom, and unaffected as yet by his work in collecting folk songs from the countries of south-eastern Europe which would decisively influence his mature idiom.
Composer: Zoltán Kodály
Artist: István Várdai (cello)
Klara Würtz (piano)
00:00:00 Sonata for Cello in B Minor, Op. 8: I. Allegro maestoso ma appassionato
00:09:16 Sonata for Cello in B Minor, Op. 8: II. Adagio con gran espressione
00:20:46 Sonata for Cello in B Minor, Op. 8: III. Allegro molto vivace
00:32:26 Sonatina for Cello and Piano
00:41:12 Capriccio for Cello Solo
00:46:07 Adagio for Cello and Piano
00:53:55 Sonata, Op. 4: I. Fantasia
01:01:31 Sonata, Op. 4: II. Allegro con spirit
