#BuenSamaritano
por un momento, dejemos de lado las ocupaciones de nuestro día a día y agudicemos nuestros sentidos, para estar más atentos a la necesidad del otro.

No es fácil, pero esta temporada es el momento perfecto para comenzar y ser de bendición con las personas que se crucen en nuestro camino.

#NuevoVideo #Amistad #MarcelaGandara #CercaEstasMG #Unidad #Empatia

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Creditos:
Producción y edición de video: Dauny Chilin
Coordinación: Betza Burruel

Whitney Houston - You Give Good Love (432Hz | Live Audio) · Whitney Houston · 1985
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Provided to YouTube by Calvin Jream ·

℗ 2020 PT JreamFrequency WAA1., Unreleased Tracks will only be sent through email with no exceptions. Request any song in the frequency you want down in the comments.

#WhitneyHouston #YouGiveGoodLove #432Hz
#WhitneyHouston #PranaTuneZ

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➥ Convert Music To 432Hz/528Hz Tutorial ?
https://www.youtube.com/watch?v=DBQgStqFmkA

---

Fair Use: https://www.copyright.gov/fair-use/more-info.html

*Copyright Disclaimer: As the producer of this video, I do not claim any credit for the audio playing in this video; and I DO NOT own any rights to the music playing in this video. If the original artist of the audio in this video does not wish for his/her music to be in this video, please contact jreamcalvin@gmail.com and I will take the video down quick.

If you can realize that you are listening to a lot of intervals, you can still hear the music in the silence, the beauty in the silence. The power of the interval can reprogram the subconscious mind in a positive way. Listening to 432Hz music can unlock the right brain hemisphere. You can now unlock the creative part of your brain which is what you need to become limitless.

Pure Love & Elevation to You & Your Soul Tribe.

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Álvaro Bilbao trata en este vídeo un tema universal que afecta a todos los padres y madres: “Es la hora de acostarse y los niños no quieren irse a dormir”. En clave divulgativa este Doctor en psicología y neuropsicólogo nos habla de la importancia de la creación de buenos hábitos de sueño para los niños.

Doctor en Psicología de la Salud y neuropsicólogo formado en el Hospital Johns Hopkins (Baltimore) y el Royal Hospital for Neurodisability (Londres). Álvaro Bilbao es también colaborador de la Organización Mundial de la Salud y profesor invitado en distintas universidades.Un reconocido experto clínico y divulgador que imparte conferencias en todo el mundo sobre temas que explican la relación entre el cerebro y la educación. Es autor del bestseller internacional “El cerebro del niño explicado a los padres”.

#AprendemosJuntos

Buenas, antes que todo doy gracias a Dios por la vida de esta cantante, es una canción hermosa y me tome la libertad de editarla. No tiene publicidad mía, ni de otras iglesias y mucho menos de paginas de Internet.
Disfrútenlo.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.....to/BachSuitesForCel

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
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About this album:
In May 2014 the Hungarian cellist István Várdai performed three Bach Suites at an unusual venue in New York: not the storied glamour of Carnegie Hall or the hip 92st St Y, but the Board of Officers Room in the recently renovated Armory on Park Avenue, a room no less redolent of distinguished history: to which he made his own distinguished contribution according to the New York Times, with a recital which concluded with a ‘superb’ performance of the Sixth Suite.
Bach’s iconic solo suites form the pinnacle of the entire cello repertoire, the ultimate challenge and a Mount Everest every young and aspiring cellist has to climb, no matter how often that has already been done.
Young Hungarian cellist István Várdai is winner of the Geneva Competition, 3rd prize Tchaikovsky Competition 2007 and first prize winner of the prestigious ARD competition in 2014. He embarked on a successful international career, having played with Mikhael Pletnev, Adám Fischer, Zoltán Kocsis, and chamber music partner of Gidon Kremer, Mischa Maisky, Elisabeth Leonskaja, Andras Schiff, Klára Würtz and many others.


Tracklist:
00:00:00 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
00:02:52 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
00:07:08 Cello Suite No. 1 in G Major, BWV 1007: III. Courante
00:10:01 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
00:12:39 Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I & II
00:15:56 Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue 1
00:17:32 Cello Suite No. 3 in C Major, BWV 1009: I. Prelude
00:21:25 Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
00:25:07 Cello Suite No. 3 in C Major, BWV 1009: III. Courante
00:28:29 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
00:32:30 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I & II
00:36:13 Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue
00:39:31 Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude
00:46:20 Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande
00:51:10 Cello Suite No. 5 in C Minor, BWV 1011: III. Courante
00:53:20 Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
00:57:12 Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I & II
01:02:08 Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue
01:04:17 Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude
01:08:20 Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
01:11:27 Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
01:13:29 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
01:17:48 Cello Suite No. 2 in D Minor, BWV 1008: V. Menuet I & II
01:20:38 Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue
01:23:12 Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prelude
01:27;45 Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
01:32:06 Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
01:35:47 Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
01:40:09 Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée I & II
01:45:04 Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
01:47:48 Cello Suite No. 6 in D Major, BWV 1012: I. Prelude
01:52:54 Cello Suite No. 6 in D Major, BWV 1012: II. Allemande
02:01:12 Cello Suite No. 6 in D Major, BWV 1012: III. Courante
02:05:10 Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande
02:10:45 Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte I & II
02:14:38 Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue

Artist:
István Várdai (cello)

Nuestra Señora de la Caridad de Cobre

Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/KhachaturianBall
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Composers: Aram Ilyich Khachaturian
Artists: Bolshoi Theatre Orchestra, Evgeny Svetlanov (conductor)

Along with Shostakovich and Prokofiev, Khachaturian was one of the most famous and celebrated composers of the Soviet Union. Born in Tbilisi, Georgia, his earliest musical influences were the folk music of Georgia and of his ancestral homeland, Armenia. His ballet Gayaneh, composed in 1942, tapped into this passion for his Armenian heritage; set on a collective farm, its story is concerned with the triumph of love and loyalty to the Motherland over treason – themes that would keep Stalin happy. Khachaturian’s later ballet Spartacus, written in 1956, took the famous story of the Greek slave turned gladiator and his defeat of the Roman general Crassus as its basis. Composed in the dying years of Stalin’s rule, Khachaturian and his audiences were drawn to the story’s theme of resistance against tyranny.

Several movements from these ballets have taken on a life outside the original ballet suites – for example, the Sabre Dance from Gayaneh and the famous Adagio from Spartacus – ensuring that these wonderful and colourfully scored ballet suites have become firm favourites in the concert hall.

‘The Bolshoi orchestra are obviously completely at home in this repertoire, and Svetlanov’s ear for orchestral detail is as sure as ever. How beautifully he handles the tapering down at the end of the ‘Dance of the Nymphs’ (from Spartacas), while the opening of the ‘Dance of the Young Girls of Gadès’ brings a slow, subtle crescendo… The famous ‘Adagio of Spartacus and Phrygia’ has never sounded more touchingly refined on record and the climax does not disappoint. In Gayaneh there is a beguilingly sinuous sophistication in ‘Ayesha’s dance’, and the ‘Lullaby’ and ‘Gayeneh’s Adagio’ are beautifully played, creating much delicacy of texture.’ Gramophone.

00:00:00 Gayaneh, Ballet Suite: Dance of the Rose Maidens
00:02:41 Gayaneh, Ballet Suite: Aysha’s Dance
00:07:04 Gayaneh, Ballet Suite: Dance of the Highlanders
00:09:01 Gayaneh, Ballet Suite: Lullaby
00:14:54 Gayaneh, Ballet Suite: Noune’s Dance
00:16:39 Gayaneh, Ballet Suite: Armen’s Var
00:18:37 Gayaneh, Ballet Suite: Gayaneh’s Adagio
00:22:37 Gayaneh, Ballet Suite: Lezghinka
00:25:35 Gayaneh, Ballet Suite: Dance with Tambourines
00:28:35 Gayaneh, Ballet Suite: Sabre Dance
00:30:58 Spartacus, Ballet Suite: Introduction – Dance of the Nymphs
00:37:02 Spartacus, Ballet Suite: Aegina’s Dance
00:41:02 Spartacus, Ballet Suite: Scene and Dance with Crotalums
00:44:55 Spartacus, Ballet Suite: Adagio of Spartacus and Phrygia
00:54:38 Spartacus, Ballet Suite: Dance of the Gaditan Maidens – Victory of Spartacus

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Whitney Houston's official music video for 'Try It On My Own'. Click to listen to Whitney Houston on Spotify: http://smarturl.it/WhitneyHSpo....tify?IQid=WhitneyHTI

As featured on Just Whitney. Click to buy the track or album via iTunes: http://smarturl.it/JustWhitney?IQid=WhitneyHTIO
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More From Whitney Houston
I Will Always Love You: https://youtu.be/3JWTaaS7LdU
I Look To You: https://youtu.be/5Pze_mdbOK8
I Wanna Dance With Somebody: https://youtu.be/eH3giaIzONA

More great 00s videos here: http://smarturl.it/Ultimate00?IQid=WhitneyHTIO

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---------

Lyrics:

I'm wiser now
I'm not the foolish girl you used to know
So long ago
I'm stronger now
I've learned from my mistakes which way to go
And I should know
I put myself aside to do it your way
But now I need to do it all alone

And I am not afraid to try it on my own
I don't care if I'm right or wrong
I'll live my life the way I feel
No matter what I'll keep it real you know
Time for me to do it on my own
Yeah yeah, mmm, yeah yeah

It's over now
I can't go back to living through your eyes
Too many lies
And if you don't know by now
I can't go back to being someone else
Not anymore
I never had a chance to do things my way
So now it's time for me to take control

? Use headphones to enjoy the full 8-D surround sound experience!!!

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♫♪ Thank you for your support!! ♪♫

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I love getting all of your song requests, please keep them coming! Don't forget to leave me a comment before you leave if you have a song you'd like to hear next!

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El informe PISA evalúa el rendimiento de los alumnos en lengua, ciencias y matemáticas en más de 70 países. En este informe, Portugal es el único país europeo que mejora su nivel educativo desde el año 2000. ¿Cómo se ha convertido Portugal en el alumno aventajado de Europa? Viajamos a la Escuela Pública de Carcavelos de Lisboa para conocer de primera mano a los profesores y alumnos que están protagonizando esta revolución silenciosa de la educación portuguesa. Una escuela en la que está prohibido mandar deberes para casa. Una escuela en la que no se puede repetir hasta 3º de ESO para no fomentar la desmotivación. Y en la que las habilidades “blandas” ("soft skills”) como el trabajo en equipo o hablar en público cobran especial importancia ante el convencimiento de que la escuela puede cambiar la vida de las personas.

#AprendemosJuntos

喜多郎 Kitaro - Caravansary (Vocal Version) from Live in Jakarta on 04/07/2011 - Staff Report 34

iTunes Store
http://itunes.apple.com/us/art....ist/kitaro/id2382005

The Silk Road - East & West
Venue: Jakarta Convention Centre, Plenary HallAddress: JL. Jend. Gatot Subroto, Jakarta 10270 IDKitaro

Official Website
http://www.domomusicgroup.com/kitaro/index.php

喜多郎オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php

Domo Music Official Website
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On Sundays I will try to post Ambient/Space/Instrumentals in honor of my favorite radio program Hearts of Space...
1981
00:30 Revelation
07:21 Stream Of Being
13:32 Kaleidoscope
18:00 Oasis
24:16 Sun
29:12 Endless Water
33:00 Tree
36:50 Clouds In The Sky

A stereo edit of Whitney Houston performing I Wanna Dance With Somebody, on Top of the Pops in 1987. The presenter says "singing live in the studio." At that time artists on TotP all mimed. I suspect what he meant was, appearing live in the studio rather than being on video. A couple of people have picked me up complaining that this is the CD version of the song, dubbed on to this performance. I don't deny it, that's why it's a stereo edit, as all my videos are. If you can't enjoy a stereo edit, go find the mono version here on YouTube. Disclaimer: No Copyright infringement intended. I own absolutely none of these videos. (Unless otherwise stated) Copyrights belong to their original owners. All music videos, Interviews and Opening Credits posted on this channel is meant for entertainment purposes only.

musica cristiana

NUEVO: https://www.youtube.com/watch?v=HBC21hmvdvY

Lista de canciones:
01. Supe Que Me Amabas
02. Antes De Ti
03. Un Viaje Largo
04. En Tu Hogar
05. Es Una Aventura
06. Girando Hacia Ti
07. El Mismo
08. Mas Que Un Anhelo
09. Me Haces Crecer
10. Quiero Ver
11. Tu Palabra
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The talented musician Erik Bosgraaf recorded the Complete Suites and Concertos for Recorder of Georg Phillip Telemann. This video contains the full album.

Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannComplete
For physical sales: http://brilliantclassics.com/a....rticles/t/telemann-c
Listen on Spotify: https://open.spotify.com/album..../46zjwcVWCHGVYNVhu6I

Telemann’s concertos offer a unique combination of virtuosity, wit and sense of the theatrical. Having taught himself to play the instrument as a child, the German master had a special understanding of and fondness for the recorder, and for it he created a new hybrid form, the Suite auf Concertenart, which combines soloistic display with baroque dances.

These suites and concertos may be less overtly virtuosic than works in the same genre which were beginning to appear around the same time over the other side of the Alps, but Telemann yields nothing to his Italian counterparts in terms of melodic freshness and fertility. The suites are styled in the French manner, as a series of courtly dances, though the A minor Suite features a grand and tragic ‘Air in the Italian style’ and concludes with a snappy Polonaise – one of Telemann’s favourite dance rhythms – reeling away like an inspired tavern fiddler.

Erik Bosgraaf’s discography on Brilliant Classics ranges from Vivaldi (BC94637 – now also available on LP) to Boulez (BC94842), not to mention two previous sets of Telemann – the solo fantasias (BC93757) and sonatas with basso continuo (BC95247) – as well as more rarely encountered delights by Jakob van Eyck (BC93391). These discs and others have garnered both popular attention and critical praise. Of Bosgraaf’s own, composer-approved transcription of the Dialogue de l’ombre double by Boulez, Gramophone commented that ‘balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of any other recorded option.’

Closer to the recorder’s natural home in music several centuries earlier, Julie Anne Sadie wrote in the same magazine about Bosgraaf’s ‘magical version of the ubiquitous Four Seasons. ‘A carefully researched and arrestingly translucent chamber interpretation… the rapport between solo and ripieno forces is simply fabulous.’
00:00:00 Ouverture Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
00:07:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
00:11:04 Ouverture Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
00:12:49 Ouverture Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
00:16:08 Ouverture Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
00:17:57 Ouverture Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
00:18:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
00:20:54 Ouverture Suite in A Minor, TWV 55:a2: I. Ouverture
00:29:35 Ouverture Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:32:22 Ouverture Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:38:30 Ouverture Suite in A Minor, TWV 55:a2: IV. Menuet I & II
00:41:12 Ouverture Suite in A Minor, TWV 55:a2: V. Réjouissance
00:43:12 Ouverture Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
00:44:58 Ouverture Suite in A Minor, TWV 55:a2: VII. Polonoise
00:48:28 Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
00:51:14 Recorder Concerto in F Major, TWV 51:F1: II. Allegro
00:54:48 Recorder Concerto in F Major, TWV 51:F1: III. Adagio
00:57:14 Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
01:00:28 Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
01:03:34 Recorder Concerto in C Major, TWV 51:C1: II. Allegro
01:07:22 Recorder Concerto in C Major, TWV 51:C1: III. Andante
01:11:13 Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet

Artist:
Erik Bosgraaf (recorder)
Ensemble Cordevento

I love YouTube, but seriously, can we employ a bit of rational thinking please? Thank you. More FILMMAKING videos to come.

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Minnie Toons - Hogar, limpio hogar
Moños y diversión junto a Minnie y su mejor amiga Daisy.

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