Get ready for hilarity, because this week, we're diving head first into Greek Comedy. Actually, though, maybe don't get TOO ready for hilarity. Taste in humor has changed a little over the last couple of thousand years. You already know about Greek Tragedies, with their hamartia and catharsis and whatnot. Today we're going to look at how Greek comedy evolved out of those tragedies, first as Satyr plays, and later as full-blown comedies. So come along. There are a few laughs involved, I promise.

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Composer: Luigi Boccherini
Artist: Eros Roselli (guitar), La Magnifica Comunità, Enrico Casazza (violin and concert master)

The 9 guitar quintets by Luigi Boccherini are probably arrangements of other pieces he wrote. Some were originally for piano quintet, some are combinations of pieces for other instruments. Nevertheless they sound very original, have a definite Spanish feel to them and make very enjoyable listening.

Of course two movements have become famous by themselves. There is the Fandango, the final movement of the fourth quintet with an unmistakable obviously Spanish rhythm. And the ninth quintet has the highly entertaining 'La ritirata di Madrid', depicting Madrid at night. Luciano Berio liked it so much that he made an arrangement of it.

A recording by La Magnifica Communitá. This ensemble has recorded Boccherini’s other quintets as well. They are here joined by guitarist Eros Roselli.

00:00:00 Quintetto I in D Minor, G. 445: Allegro moderato
00:08:01 Quintetto I in D Minor, G. 445: Cantabile
00:12:35 Quintetto I in D Minor, G. 445: Minuetto
00:17:14 Quintetto I in D Minor, G. 445: Allegro assai
00:22:40 Quintetto III in B-Flat Major, G. 447: Allegro moderato
00:28:17 Quintetto III in B-Flat Major, G. 447: Tempo di Minuetto
00:33:18 Quintetto III in B-Flat Major, G. 447: Adagio
00:38:23 Quintetto III in B-Flat Major, G. 447: Allegro
00:44:47 Quintetto V in D Major, G.449: Andantino pausato
00:50:18 Quintetto V in D Major, G.449: Minuetto (Allegro)
00:53:29 Quintetto V in D Major, G.449: Allegro giusto
00:56:31 Quintetto V in D Major, G.449: Andantino pausato con variazioni
01:04:27 Quintetto VI in G Major, G. 450: Allegro con vivacità
01:08:49 Quintetto VI in G Major, G. 450: Andantino lento
01:12:01 Quintetto VI in G Major, G. 450: Tempo di Minuetto
01:16:15 Quintetto VI in G Major, G. 450: Allegretto
01:20:03 Quintetto IV in D Major, G. 448, "Fandango": Pastorale
01:24:29 Quintetto IV in D Major, G. 448, "Fandango": Allegro maestoso
01:31:08 Quintetto IV in D Major, G. 448, "Fandango": Grave assai
01:32:40 Quintetto IV in D Major, G. 448, "Fandango": Fandango
01:38:23 Quintetto II in E Major, G. 446: Maestoso assai
01:46:44 Quintetto II in E Major, G. 446: Adagio
01:48:48 Quintetto II in E Major, G. 446: Allegretto
01:51:53 Quintetto II in E Major, G. 446: Polacca. Tempo di Minuetto
01:57:48 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Allegro maestoso assai
02:08:47 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Andantino
02:15:01 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Allegretto
02:21:10 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Maestoso e lento (La Ritirata di Madrid)

Este domingo 27 de enero, al término de la Misa de Clausura de la Jornada Mundial de la Juventud, Kevin Joseph Farrell, Prefecto del Dicasterio para los Laicos, La Familia y la Vida anunció que la sede del evento internacional del 2022 será la ciudad de Lisboa (Portugal), provocando el grito jubiloso de los peregrinos de este país.
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This sublime compilation will take listeners on a journey through 3 hours of the most beautiful classical music ever written.

A compilation with some of the best classical music for studying, work, concentration, sleep and relaxation.

Included are works by J.S Bach, Handel, Mozart, Vivaldi, Albinoni, Marcello, Pachelbel, Beethoven, Chopin, Bizet, Debussy, Elgar, Liszt, Mascagni, Massenet, Saint-Saëns, Satie, Schubert, Schumann, Shostakovich, Straiss, Tchaikovsky, Brahms, Orff, Piazolla, Rachmaninoff, Ravel and Tárrega.

Tracklist can be Found down Below!

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El canal de Bebe milo es para publico infantil. Podrás encontrar canciones infantiles, música infantil para niños y niñas, chicos y chicas. También podrás ver jugar juegos como minecraft gratis, roleplay muy entretenido y en español latino, roblox y mucho mas.
Lo importante es divertirse y tener lo mejor de minecraft para bebes en 2018!

How do we study black holes if we can’t even see them? Could a black hole “eat” an entire galaxy? What would happen if you fell into a black hole? Join experts on #NASAScience Live as we take a journey to explore these mysterious objects that can be found all over the universe.

ultimo cd de roberto orellana!!
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El Papa Francisco está en Morelia y sostiene un encuentro con miles de jóvenes de todo México en el estadio “José María Morelos y Pavón”.
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Iglesia Cristiana Cielos Abiertos
Pastores Leonel y Esther Mateo
102-05 32 Ave Queens, NY 11369
Domingos Servicio Evangelistico:
Con sermones del pastor e invitados a la iglesia, videos de alabanzas, y Adoracion. Martes tenemos Servicio de ORACIÓN y CLASE BIBLICA. Viernes
servicios de los Ministerios, no te lo pierdas. !TE ESPERAMOS!

This week, we're starting our discussion of Mythical Creatures with the WORST creatures. Monsters. What makes a monster monstrous though? Mike Rugnetta will guide you through the fine line between a magical creature and a monster. Spoiler alert: like 60% of the time, the difference is that monsters eat people. We'll talk about sea monsters, Sphinxes, and take an elongated look directly into the Canadian face of horror, the Wendigo.

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© 2006 WMG
On My Knees (Video)

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #mozart

El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

With beautiful images ranging describing the lyrics of the song, accompanied by the angelic voice of Enya, just .... Beautiful!
Con imágenes preciosas que van describiendo la letra de la canción, acompañando la voz angelical de Enya, simplemente.... Hermoso!

"El amor nunca dejará de ser"

Tomado de la Gira San Pablo en España ésta es la primera presentación de esta canción.

La temática es la gran enseñanza del Amor en letra de San Pablo. El niño es ejemplo de Fe, pero no así de Amor. Por eso, al Madurar la fe en el Amor debe de hacerlo también junto con el concepto mismo del Amor. Todo esto basado en 1 Corintios 13, 11.

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La canción favorita de mi Papá
Junto a mi hermana menor

All the magic that we know is in the transfer of electrons. Reduction (gaining electrons) and oxidation (the loss of electrons) combine to form Redox chemistry, which contains the majority of chemical reactions. As electrons jump from atom to atom, they carry energy with them, and that transfer of energy is what makes all life on earth possible.

**Special Thanks to Matt Young at the University of Montana (Geosciences Department, Environmental Biogeochemistry Lab) who helped with the chemical demonstrations.**

Oxidation 1:42
Reduction 1:03
Oxidation Numbers 3:29
Redox Reactions 5:59
Oxidation Reactions 6:28
Balancing Oxidation Reactions 7:18

Also thank you to the following chemistry teachers for assistance:
James Sarbinoff
Rachel Wentz
Edi González
Lucas Moore
Chris Conley
Addie Clark
Julia Rosinski

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Our exploration of ethical theories continues with another theistic answer to the grounding problem: natural law theory. Thomas Aquinas’s version of this theory says that we all seek out what’s known as the basic goods and argued that instinct and reason come together to point us to the natural law. There are, of course, objections to this theory – in particular, the is-ought problem advanced by David Hume.


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