What is light? That is something that has plagued scientists for centuries. It behaves light a wave... and a particle... what? Is it both? In this episode of Crash Course Physics, Shini introduces to the idea of Quantum Mechanics and how it helps us understand light. Also, there's this thing called the ULTRAVIOLET CATASTROPHE!


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In today’s episode, Hank asks you to consider all the ways people talk about justice and what we really mean when we use that word. We’ll explain various theories of justice, just distribution, and different approaches to punishment.


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Population ecology is the study of groups within a species that interact mostly with each other, and it examines how they live together in one geographic area to understand why these populations are different in one time and place than they are in another. How is that in any way useful to anyone ever? Hank uses the example a of West Nile virus outbreak in Texas to show you in this episode of Crash Course: Ecology.

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Table of Contents
1) Density & Dispersion 02:03
2) Population Growth 03:07
3) Limiting Factors 03:45
a) Density Dependent 06:16
b) Density Independent 07:11
4) Exponential & Logistical Growth 08:04
5) How to Calculate Growth Rate 09:33

References:
http://www.latimes.com/news/na....tion/nationnow/la-na
http://www.dshs.state.tx.us/id....cu/disease/arboviral
http://en.wikipedia.org/wiki/Mosquito
http://www.nature.com/scitable..../knowledge/library/p
Campbell Biology 9th ed. Support CrashCourse on Subbable: http://subbable.com/crashcourse

In which John Green teaches you about the United States Constitution. During and after the American Revolutionary War, the government of the new country operated under the Articles of Confederation. While these Articles got the young nation through its war with England, they weren't of much use when it came to running a country. So, the founding fathers decided try their hand at nation-building, and they created the Constitution of the United States, which you may remember as the one that says We The People at the top. John will tell you how the convention came together, some of the compromises that had to be made to pass this thing, and why it's very lucky that the framers installed a somewhat reasonable process for making changes to the thing. You'll learn about Shays' Rebellion, the Federalist Papers, the elite vs rabble dynamic of the houses of congress, and start to find out just what an anti-federalist is.

Hey teachers and students - Check out CommonLit's free collection of reading passages and curriculum resources to learn more about the events of this episode.Founding Fathers debated over how to govern the new nation, beginning with the Articles of Confederation: https://www.commonlit.org/text....s/articles-of-confed
When the Founding Fathers finally wrote the Constitution, they realized that they needed to add The Bill of Rights to get citizens on board with the new government: https://www.commonlit.org/texts/the-bill-of-rights

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Today, Craig is going to dive into the controversy of monetary and fiscal policy. Monetary and fiscal policy are ways the government, and most notably the Federal Reserve, influences the economy - for better or for worse. So we’re going to start by looking at monetary policy, and specifically how the Federal Reserve uses interests rates as a means of controlling (or at least attempting to control) inflation. We’ll then move onto fiscal policy - that is the government’s use of taxation to raise and spend money. It’s all, well, pretty controversial, but as it seems Americans hate taxes the most, monetary policy is most often used - meaning that the Federal Reserve plays a hugely significant role in steering the U.S. economy.

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In which John Green, Hank Green, and Emily Graslie teach you about, well, everything. Big History is the history of everything. We're going to start with the Big Bang, take you right through all of history (recorded and otherwise), and even talk a little bit about the future. It is going to be awesome. In the awe-inspiring sense of the word awesome. In this episode, we walk you through the start of everything: The Big Bang. We'll look at how the universe unfolded at its very beginning, and how everything in the universe that we know today came into being. So that's kind of a big deal, right?

For more information, visit www.bighistoryproject.com

Hank brings us to the next level of ecological study with ecosystem ecology, which looks at how energy, nutrients, and materials are getting shuffled around within an ecosystem (a collection of living and nonliving things interacting in a specific place), and which basically comes down to who is eating who.

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Table of Contents
1) Defining Ecosystems 0:49:1
2) Trophic Structure 4:44:1
a) Primary Producers 5:27
b) Primary Consumers 5:41
c) Secondary Consumers 5:49:1
d) Tertiary Consumers 5:58:2
e) Detrivores 6:08:1
3) Bioaccumulation 8:47


References and image licenses for this episode in the Google doc here: http://dft.ba/-3f2M Support CrashCourse on Subbable: http://subbable.com/crashcourse

Today we are investigating our moral obligations to our parents and our families. Do we owe our parents anything as adults? Would it be a good idea to license parents? We’ll explore these questions as well as the ethics of care, and some potential problems that type of approach to morality carries with it.

Want more Crash Course in person? We'll be at NerdCon: Nerdfighteria in Boston on February 25th and 26th! For more information, go to http://www.nerdconnerdfighteria.com/

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This episode was sponsored by Prudential. Go to http://Raceforretirement.com and see how quickly 1% can add up.

You’re probably familiar with the basics of magnets already: They have a north pole and a south pole. Two of the same pole will repel each other, while opposites attract. Only certain materials, especially those that contain iron, can be magnets. And there’s a magnetic field around Earth, which is why you can use a compass to figure out which way is north. In this episode of Crash Course Physics, Shini takes us into the world of magnetism!


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So we ended last episode at the start of the 20th century with special purpose computing devices such as Herman Hollerith’s tabulating machines. But as the scale of human civilization continued to grow as did the demand for more sophisticated and powerful devices. Soon these cabinet-sized electro-mechanical computers would grow into room-sized behemoths that were prone to errors. But is was these computers that would help usher in a new era of computation - electronic computing.

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How does education work? Where does the money come from? Who pays for it? Is going to college a good investment? Adriene and Jacob are talking today about the economics of education. Most countries require that their citizens get some education, and most countries pay for basic education, but the quality of education can vary widely. And in the US, post-secondary education can come with a lot of costs.

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This week Craig is going to give you a broad overview of elections in the United States. So as you may have noticed, there are kind of a lot of people in the U.S, and holding individual issues up to a public vote doesn't seem particularly plausible. So to deal with this complexity, we vote for people, not policies, that represent our best interests. But as you'll see, this process was not thoroughly addressed in the Constitution, so there have been a number of amendments and laws at the state level implemented to create the election system we all know and (maybe) love today.

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Get ready for hilarity, because this week, we're diving head first into Greek Comedy. Actually, though, maybe don't get TOO ready for hilarity. Taste in humor has changed a little over the last couple of thousand years. You already know about Greek Tragedies, with their hamartia and catharsis and whatnot. Today we're going to look at how Greek comedy evolved out of those tragedies, first as Satyr plays, and later as full-blown comedies. So come along. There are a few laughs involved, I promise.

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Welcome to Crash Course Statistics! In this series we're going to take a look at the important role statistics play in our everyday lives, because statistics are everywhere! Statistics help us better understand the world and make decisions from what you'll wear tomorrow to government policy. But in the wrong hands, statistics can be used to misinform. So we're going to try to do two things in this series. Help show you the usefulness of statistics, but also help you become a more informed consumer of statistics. From probabilities, paradoxes, and p-values there's a lot to cover in this series, and there will be some math, but we promise only when it's most important. But first, we should talk about what statistics actually are, and what we can do with them. Statistics are tools, but they can't give us all the answers.

Episode Notes:

On Tea Tasting:
"The Lady Tasting Tea" by David Salsburg

On Chain Saw Injuries:
https://www.cdc.gov/disasters/chainsaws.html
https://www.ncbi.nlm.nih.gov/pubmed/15027558
https://www.hindawi.com/journals/aem/2015/459697/

Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse

Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

Mark Brouwer, Nickie Miskell Jr., Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, Robert Kunz, SR Foxley, Sam Ferguson, Yasenia Cruz, Daniel Baulig, Eric Koslow, Caleb Weeks, Tim Curwick, Evren Türkmenoğlu, Alexander Tamas, Justin Zingsheim, D.A. Noe, Shawn Arnold, mark austin, Ruth Perez, Malcolm Callis, Ken Penttinen, Advait Shinde, Cody Carpenter, Annamaria Herrera, William McGraw, Bader AlGhamdi, Vaso, Melissa Briski, Joey Quek, Andrei Krishkevich, Rachel Bright, Alex S, Mayumi Maeda, Kathy & Tim Philip, Montather, Jirat, Eric Kitchen, Moritz Schmidt, Ian Dundore, Chris Peters, Sandra Aft, Steve Marshall

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Sublime Classical / Choral music set to cosmic video.
Best viewed in HD 720p.
If u like this, u may also like Edward Elgar - Nimrod: https://youtu.be/NhnMd1Jl7SA
Craig Armstrong - Escape: https://youtu.be/BBGYrM11F2U
Lyrics:
Benedictus / Benedictus
Qui venit in nomine domini
Benedictus / Benedictus
Qui venit in nomine domini
Hosanna in excelsis (repeated)

NO copyright infringement intended.
All rights belong to their respective owners.
This video is for entertainment purposes only.
None of my videos are monetized.
If you want this taken down please just ask me.

Click Here for Digital Playbill: https://goo.gl/Nd8Yfe

Celebrate Sir Karl Jenkins's 75th birthday with a full concert devoted to his music at Carnegie Hall. The program which originally took place on January 21, includes the US premiere of Symphonic Adiemus, his version of the popular work for SATB chorus and full orchestra which was released on disc by Decca last year, together with Stabat Mater. Performing forces include singers and orchestra of Distinguished Concerts International New York conducted by its artistic director Jonathan Griffith, with visiting participating choirs travelling to New York from the US, Canada, Australia, UK, France, Germany, Switzerland and Sweden. Soloists include concertmaster Jorge Avila on violin, Baidar Al Basri, Vocal Soloists and Sara Couden, Contralto

THE MUSIC OF SIR KARL JENKINS: A 75TH BIRTHDAY CELEBRATION
Monday, January 21, 2019 at 7:00 PM
Stern Auditorium/Perelman Stage, Carnegie Hall, New York City
Jenkins: Symphonic Adiemus (US Premiere)
Jenkins: Stabat Mater
Jonathan Griffith, DCINY Artistic Director and Principal Conductor
Sir Karl Jenkins, CBE, DCINY Composer-in-Residence
Elliott Forrest, WQXR Radio Host
Baidar Al Basri, Vocal Soloist
Sara Couden, Contralto
Featuring Distinguished Concerts Orchestra and Distinguished Concerts Singers International

Provided to YouTube by Universal Music Group

Jenkins: Requiem - II. Dies Irae · Karl Jenkins · Nicole Tibbels · Serendipity · Cor Caerdydd & Cytgan · West Kazakhstan Philharmonic Orchestra · Marat Bisengaliev · Clive Bell · Catrin Finch · Tim Thorne · Timothy Rhys-Evans · Marat Bisengaliev · Gary Kettel

Requiem

℗ A Decca Records Recording; ℗ 2005 Karl Jenkins Music Ltd, under exclusive licence to Universal Music Operations Ltd.

Released on: 2019-01-01

Associated Performer, Soprano: Nicole Tibbels
Choir: Serendipity
Choir: Cor Caerdydd & Cytgan
Orchestra: West Kazakhstan Philharmonic Orchestra
Associated Performer, Orchestra Leader: Marat Bisengaliev
Conductor, Producer: Karl Jenkins
Associated Performer, Shakuhachi: Clive Bell
Associated Performer, Harp: Catrin Finch
Associated Performer, Horn: Tim Thorne
Associated Performer, Chorus Master: Timothy Rhys-Evans
Associated Performer, Mezzo- Soprano: Marat Bisengaliev
Associated Performer, Percussion: Gary Kettel
Programmer: Rupert Christie
Producer, Executive Producer: Helen Connolly
Composer: Karl Jenkins
Author: Traditional

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Provided to YouTube by Universal Music Group

Kayama · Karl Jenkins · London Philharmonic Choir · Adiemus Symphony Orchestra Of Europe

Symphonic Adiemus

℗ A Decca Records recording; ℗ 2017 Karl Jenkins Music Ltd., under exclusive license to Universal Music Operations Limited.

Released on: 2017-09-29

Conductor, Producer: Karl Jenkins
Conductor: Peter Pejtsik
Choir: London Philharmonic Choir
Associated Performer, Chorus Director: Neville Creed
Orchestra: Adiemus Symphony Orchestra Of Europe
Associated Performer, Percussion: Zands Duggan
Associated Performer, Percussion, Producer, Studio Personnel, Editor, Recording Engineer: Jody Jenkins
Associated Performer, Concertmaster: Balazs Buitor
Associated Performer, Concertmaster: Gergely Kuklis
Studio Personnel, Recording Engineer, Mix Engineer: Simon Changer
Studio Personnel, Asst. Recording Engineer: Chris Parker
Studio Personnel, Recording Engineer: Tamas Kurina
Studio Personnel, Asst. Recording Engineer: Peter Barabas
Producer, Associate Producer: Carol Barratt
Studio Personnel, Mastering Engineer: Andrew Walter
Associated Performer, Flute: Harry Witstanley
Associated Performer, Flute: Claire Wickes
Associated Performer, Piccolo: Gareth McLearnon
Associated Performer, Clarinet: Jon Carnac
Associated Performer, Clarinet: Duncan Ashby
Associated Performer, Bass Clarinet: David Fuest
Associated Performer, Oboe: Jenny Brittlebank
Associated Performer, Oboe: Janey Miller
Associated Performer, Cor Anglais: Ilid Jones
Associated Performer, Bassoon: Julie Andrews
Associated Performer, Bassoon: Richard Skinner
Associated Performer, Contra Bassoon: Ruth Rosales
Associated Performer, French Horn: John Thurgood
Associated Performer, French Horn: Joseph Walters
Associated Performer, French Horn: Pip Eastop
Associated Performer, French Horn: Dave Bentley
Associated Performer, Trumpet: Christopher Deacon
Associated Performer, Trumpet: Simon Munday
Associated Performer, Trumpet: David Geoghegan
Associated Performer, Trombone: Becky Smith
Associated Performer, Trombone: Peter Beachill
Associated Performer, Bass Trombone: Robert Collinson
Associated Performer, Tuba: Peter Smith
Associated Performer, Timpani: Scott Bywater
Composer Lyricist: Karl Jenkins

Auto-generated by YouTube.

Provided to YouTube by Sony Music Entertainment

An Ordinary Day · Bent

The Everlasting Blink

℗ 2002 Sport|Ministry of Sound Recordings Limited

Released on: 2011-10-21

Composer, Lyricist: Carol Barratt
Composer, Lyricist: Karl Jenkins
Composer, Lyricist: Simon Mills
Composer, Lyricist: Neil Tolliday

Auto-generated by YouTube.

Provided to YouTube by Universal Music Group

Chorale: Za Ma Ba · Karl Jenkins · London Philharmonic Choir · Adiemus Symphony Orchestra Of Europe

Symphonic Adiemus

℗ A Decca Records recording; ℗ 2017 Karl Jenkins Music Ltd., under exclusive license to Universal Music Operations Limited.

Released on: 2017-09-29

Conductor, Producer: Karl Jenkins
Conductor: Peter Pejtsik
Orchestra: Adiemus Symphony Orchestra Of Europe
Choir: London Philharmonic Choir
Associated Performer, Chorus Director: Neville Creed
Associated Performer, Percussion: Zands Duggan
Associated Performer, Percussion, Producer, Studio Personnel, Editor, Recording Engineer: Jody Jenkins
Associated Performer, Concertmaster: Balazs Buitor
Associated Performer, Concertmaster: Gergely Kuklis
Studio Personnel, Recording Engineer, Mix Engineer: Simon Changer
Studio Personnel, Asst. Recording Engineer: Chris Parker
Studio Personnel, Recording Engineer: Tamas Kurina
Studio Personnel, Asst. Recording Engineer: Peter Barabas
Producer, Associate Producer: Carol Barratt
Studio Personnel, Mastering Engineer: Andrew Walter
Associated Performer, Flute: Harry Witstanley
Associated Performer, Flute: Claire Wickes
Associated Performer, Clarinet: Jon Carnac
Associated Performer, Clarinet: Duncan Ashby
Associated Performer, Bass Clarinet: David Fuest
Associated Performer, Oboe: Jenny Brittlebank
Associated Performer, Oboe: Janey Miller
Associated Performer, Cor Anglais: Ilid Jones
Associated Performer, Bassoon: Julie Andrews
Associated Performer, Bassoon: Richard Skinner
Associated Performer, Contra Bassoon: Ruth Rosales
Associated Performer, French Horn: John Thurgood
Associated Performer, French Horn: Joseph Walters
Associated Performer, French Horn: Pip Eastop
Associated Performer, French Horn: Dave Bentley
Associated Performer, Trumpet: Christopher Deacon
Associated Performer, Trumpet: Simon Munday
Associated Performer, Trumpet: David Geoghegan
Associated Performer, Trombone: Becky Smith
Associated Performer, Trombone: Peter Beachill
Associated Performer, Bass Trombone: Robert Collinson
Associated Performer, Tuba: Peter Smith
Associated Performer, Timpani: Scott Bywater
Composer: Karl Jenkins

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