http://www.aciprensa.com/puntodevista
El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

El Ateneo Pontificio Regina Apostolorum en Roma inaugura hoy viernes 29 de febrero el Congreso internacional "La Sábana Santa, entre la ciencia y la fe", organizado por la Maestría de Ciencia y Fe del ateneo.

El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

Nuestra Señora de la Caridad de Cobre

El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

http://www.aciprensa.com/puntodevista
El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

ADVERTENCIA: Estas imágenes pueden herir su susceptibilidad.

Una turba de no más de 500 abortistas militantes, reunidas con ocasión del 27º Encuentro Nacional de Mujeres de la Argentina, atacó la Catedral de Posadas la noche del domingo 7 de octubre profiriendo insultos contra los católicos, escupiéndolos, gritándoles en la cara y pintando las paredes, así como a los jóvenes que defendieron el templo de manera pacífica y rezándole el Rosario a la Virgen.

Más información: http://www.aciprensa.com/notic....ias/turba-del-aborto

El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.

This is the second video reviewing the Saramonic Mix Mic Audio System. I wanted to see if I could get good sound recording directly into a DSLR. The short version? If I were going to record audio into my DSLR camera, I would definitely use this system. Links below...

LINKS MENTIONED:
--------------------------------------------------------------
http://bit.ly/SaramonicMixMicReviewPart1
http://bit.ly/SaramonicMixMicKitAmazon
http://bit.ly/ZoomH6-Amazon
http://bit.ly/ZoomH6BandH
http://bit.ly/RodeNTG-3Amazon
http://bit.ly/RodeNTG-3BandH
http://bit.ly/BFUniversityEnrollment
http://bit.ly/BFUniversityFreeCommercialCourse

SHARING THIS LINK WITH OTHERS HELPS:
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BUY HERE TO SUPPORT THE CHANNEL (costs you nothing):
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SOCIAL:
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REVIEW GEAR:
--------------------------------------------------------------
Thanks to Saramonic for supplying me this unit for review.

LINKS:
--------------------------------------------------------------
The links to Amazon and B&H give me a VERY SMALL amount to support the channel. Using these does NOT cost you anything.

GEAR USED TO MAKE THIS EPISODE:
--------------------------------------------------------------
Canon 5D Mark III and 50mm lens.
Rode NTG-3 Shotgun Mic.
Saramonic MixMic Audio Kit.
Zoom H6 Recorder.
Adobe Premier Pro.

LEGAL:
--------------------------------------------------------------
All music, footage and graphics are created or licensed.

MUSIC:
--------------------------------------------------------------
Music from PremiumBeat.com licensed here: http://bit.ly/PremiumBeatMusic #basicfilmmaker #filmmaking #videos

I was going to review these two awesome shotgun mics, and this is what I ended up with - there is no comparison. Also, I sing, and then, I stop - forever.

Rode NTG-3: https://amzn.to/2qytbgR
Rode NTG-2: https://amzn.to/2JNvqWE

REACH THE BASIC FILMMAKER:
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ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answering any question you ask about filming.

GEAR USED.
Canon DSLRs and lenses. Rode mics and Zoom recorders. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
Music licensed from Footage Firm. All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

BUY STUFF HERE: If you use these links it throws a few pennies my way and helps me, and costs you absolutely nothing. I know you're a filmmaker, so you buy stuff. We all do! :)

AMAZON YOURSELF HERE:
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ADORAMA GEAR HERE:
http://adorama.evyy.net/c/72663/37879/1036

TRAINING HERE:
7 DAYS UNLIMITED FREE ACCESS:
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RENT GEAR HERE:
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GET 50% OFF VIMEO
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GET GRAPHICS HERE:
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THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing.

#Rode #NTG-2 #NTG-3 #Shotgun #Mic #basicfilmmaker #filmmaking #videos

Here's the exact 72 steps I use to create a YouTube episode: setting up, shooting, editing, rendering, uploading, thumbnail, keywords, description, end screens, cards, playlists, and publishing. Make sure to http://bit.ly/SubscribeToBasicFilmmaker More info in description.

My last video (https://youtu.be/tDZuFd7x9e8) showed my studio setup. This video shows WHY - to save time. These 72 steps are a process I now do without thinking, something you should develop and drill over and over. The Result? You spend more time on the quality of the content instead of wasting time on the process.

----------------------------------------------
THE CAMERA SIDE:
----------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Cheap Camera Remote:
https://amzn.to/2SeO0Lf

Camera Cage:
https://amzn.to/2R8LDZ0

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv

Tripod (replaced head):
https://amzn.to/2yr8ZSU
https://bhpho.to/2PpdG9E

Replaced Head With:
https://amzn.to/2RaAMOy
https://bhpho.to/2JhjUmd

Alternative Tripod:
https://amzn.to/2qdpttt

Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb

----------------------------------------------
LENSES:
----------------------------------------------
Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1

85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY

24-70mm f2.8:
https://amzn.to/2MlJw6l
https://bhpho.to/2nLOJ8W

24-105mm f/4.0:
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https://bhpho.to/2N3X2aU

70-200mm f/2.8:
https://amzn.to/2PlNKJ1
https://bhpho.to/2MGJ7Ln

----------------------------------------------
AUDIO:
----------------------------------------------
Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75

Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf

Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB

SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY

SD Card:
https://amzn.to/2CZVv4n
https://bhpho.to/2Pk7q30

Lapel Mic:
https://amzn.to/2R8KGzU
https://bhpho.to/2JkDXAA

Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr

Sound Blankets:
https://amzn.to/2R9Y7Qa

Colored Acoustic Foam:
https://amzn.to/2R89CrC

----------------------------------------------
LIGHTING:
----------------------------------------------
Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

Aputure L/S 1/2:
https://amzn.to/2Sb8oNn
https://bhpho.to/2JfrNZp

Pulsar Spotlight:
https://amzn.to/2q85wEr

Light Stands:
https://amzn.to/2yuk9GH

Cheap Can Light:
https://amzn.to/2R9XF4q

Wall Mounting Brackets:
https://amzn.to/2CYpzxz

C-Stand:
https://amzn.to/2D0WWzv

Sandbags:
https://amzn.to/2Sdpiew

----------------------------------------------
BACKGROUND:
----------------------------------------------
Fake Brick Tapestry:
https://amzn.to/2RcrzoZ

Backdrop Mounting Unit:
https://amzn.to/2CYFQlS

Portable Green/Blue/White/Gray Screen:
https://amzn.to/2Opnb5m

----------------------------------------------
EDITING:
----------------------------------------------
Adobe Premiere Pro:
http://bit.ly/AdobeCCFull

----------------------------------------------
OTHER:
----------------------------------------------
Mavic 2 Pro:
https://amzn.to/2yDkeqM
https://bhpho.to/2QNoGdS

Smooth 4:
https://amzn.to/2xZfw9M
https://bhpho.to/2HBLcDc

Color Checker:
http://bit.ly/X-RiteAmazon
http://bit.ly/X-RiteBandH

Teleprompter:
https://amzn.to/2pR4HzB
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Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Blackout Window Shades:
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Clicker for Lights:
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Gaffer Tape:
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Up and Down Desk:
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Worktable:
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See gear at https://www.kit.com/basicfilmmaker

----------------------------------------------
Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

----------------------------------------------
Credits
----------------------------------------------
Bumper Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic

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Connect with me here:
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Copyright (c) 2018 Basic Filmmaker
All rights reserved.
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Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

About 8 months ago, I was helping a new filmmaker who wanted tips and tricks to quickly shoot a voiceover. He had one (1) crappy recorder, a girl with a nice voice, and a gym next to a noisy street. He recorded it with an iPhone and I thought these tips and tricks might be useful for you.

GEAR PAGES:
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PLEASE HELP TO 100K SUBS!
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FILMMAKING COURSES:
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INTRO/OUTRO:
By Kevin Anson. Please visit him here:
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MUSIC:
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CONNECT WITH ME:
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Copyright (c) 2018 by The Basic Filmmaker.

What I shoot my episodes with:
----------------------------------------

Amazon:

Canon 5D: https://amzn.to/2HA1zQC
Canon 50mm: https://amzn.to/2vgPcq4
Rode NTG-3: https://amzn.to/2GY9cPO
Zoom H6: https://amzn.to/2HxHcn3


B&H:


Canon 5D: https://bhpho.to/2GXbUoz
Canon 50mm: https://bhpho.to/2HzkoDE
Rode NTG-3: https://bhpho.to/2HxxL75
Zoom H6: https://bhpho.to/2Hz3nJx

---------------------------------------- #basicfilmmaker #filmmaking #videos

Erik Bosgraaf is an established Brilliant Classics artist whose recordings span the centuries. His previous release was of Pierre
Boulez, a recording of Dialogue de l’ombre double (BC94842) that won warm critical opinions such as this from Gramophone:
‘Balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of
any other recorded option.’

In his latest recording, he brings these same qualities (minus the electronics) to the music of Telemann, who as a player of the
instrument lavished particularly rich treasures upon it, even considering a total output of over 3000 separate works. Bosgraaf has made a personal selection of sonatas from various chamber music collections which Telemann made throughout his career such as the Musique de table, Essercizii musicali and Der getreue
Music‐meister, especially during the latter stages of his career when he was still producing music with a phenomenal industry not least due to the need to recoup his wife’s enormous gambling debts. The result is something of a love‐letter to the recorder, celebrating its qualities of agility and songfulness, full of syncopated quick movements, Italianate arias and taking in both arcane technical devices such as canons as well as simple folk tunes from Poland. Bosgraaf plays a wide selection of recorders to match the breadth of Telemann’s invention. The harpsichord used is a Mietke model by Bruce Kennedy. This release should join an acclaimed version of Vivaldi’s Four Seasons (BC94637) as one of the most popular items in the ever‐growing discography of this exciting young recorder virtuoso.

The talented musician Erik Bosgraaf recorded the Complete Suites and Concertos for Recorder of Georg Phillip Telemann. This video contains the full album.

Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannComplete
For physical sales: http://brilliantclassics.com/a....rticles/t/telemann-c
Listen on Spotify: https://open.spotify.com/album..../46zjwcVWCHGVYNVhu6I

Telemann’s concertos offer a unique combination of virtuosity, wit and sense of the theatrical. Having taught himself to play the instrument as a child, the German master had a special understanding of and fondness for the recorder, and for it he created a new hybrid form, the Suite auf Concertenart, which combines soloistic display with baroque dances.

These suites and concertos may be less overtly virtuosic than works in the same genre which were beginning to appear around the same time over the other side of the Alps, but Telemann yields nothing to his Italian counterparts in terms of melodic freshness and fertility. The suites are styled in the French manner, as a series of courtly dances, though the A minor Suite features a grand and tragic ‘Air in the Italian style’ and concludes with a snappy Polonaise – one of Telemann’s favourite dance rhythms – reeling away like an inspired tavern fiddler.

Erik Bosgraaf’s discography on Brilliant Classics ranges from Vivaldi (BC94637 – now also available on LP) to Boulez (BC94842), not to mention two previous sets of Telemann – the solo fantasias (BC93757) and sonatas with basso continuo (BC95247) – as well as more rarely encountered delights by Jakob van Eyck (BC93391). These discs and others have garnered both popular attention and critical praise. Of Bosgraaf’s own, composer-approved transcription of the Dialogue de l’ombre double by Boulez, Gramophone commented that ‘balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of any other recorded option.’

Closer to the recorder’s natural home in music several centuries earlier, Julie Anne Sadie wrote in the same magazine about Bosgraaf’s ‘magical version of the ubiquitous Four Seasons. ‘A carefully researched and arrestingly translucent chamber interpretation… the rapport between solo and ripieno forces is simply fabulous.’
00:00:00 Ouverture Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
00:07:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
00:11:04 Ouverture Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
00:12:49 Ouverture Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
00:16:08 Ouverture Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
00:17:57 Ouverture Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
00:18:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
00:20:54 Ouverture Suite in A Minor, TWV 55:a2: I. Ouverture
00:29:35 Ouverture Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:32:22 Ouverture Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:38:30 Ouverture Suite in A Minor, TWV 55:a2: IV. Menuet I & II
00:41:12 Ouverture Suite in A Minor, TWV 55:a2: V. Réjouissance
00:43:12 Ouverture Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
00:44:58 Ouverture Suite in A Minor, TWV 55:a2: VII. Polonoise
00:48:28 Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
00:51:14 Recorder Concerto in F Major, TWV 51:F1: II. Allegro
00:54:48 Recorder Concerto in F Major, TWV 51:F1: III. Adagio
00:57:14 Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
01:00:28 Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
01:03:34 Recorder Concerto in C Major, TWV 51:C1: II. Allegro
01:07:22 Recorder Concerto in C Major, TWV 51:C1: III. Andante
01:11:13 Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet

Artist:
Erik Bosgraaf (recorder)
Ensemble Cordevento

Spotify: https://open.spotify.com/album..../5VrkA4ovpByMDuXqlfS
Physical CD: http://brilliantclassics.com/a....rticles/m/mozart-com
iTunes: https://itunes.apple.com/album..../mozart-complete-sym

The year was 1778. Mozart (22 Years old) was in Paris, trying to break into musical society and get a well-payed placement.

It was first the first trip he had made without his father Leopold. But the places he visited weren't impressed by his skills now, even though they'd been whipped into a wild frenzy by Mozart when he was a 6 year old performing prodigy.

His entire Paris trip was catastrophic, personally and professionally. Aside from his mother dying during his stay there (she had accompanied him), French musicians and listeners were snobby and rude to Mozart. He deeply resented them for the rest of his life.

Worse still, his job search was futile. Nobody wanted to hire him!

But a fantastic opportunity presented itself at one point. Mozart was asked to write a symphony to open Paris's most famous concert series, with a fantastically large orchestra at his disposal.

Perfect - a chance to make a huge splash, and get himself noticed by Paris's elite!

He finished the piece, his 31st symphony, in June 1778. The premiere was at a private concert at an ambassador's house, and the public premiere followed a few days later.

Mozart had tried hard to fit his symphony into the mold of French tastes. The audiences in Paris at that time loved raw excitement and flashy colors in their music. Mozart delivered in spades, using his large orchestra to dazzle and delight.

The audience were very pleased with the symphony, even applauding in the middle of it at certain points!

Composer:
Wolfgang Amadeus Mozart

Artist:
Mozart Akademie Amsterdam
Jaap ter Linden (conductor)

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/vivaldiflutesona
More Information: https://www.brilliantclassics.....com/articles/v/vival
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

Composer: Antonio Vivaldi
Artist: ConSerto Musico, Mario Folena (flute), Stefania Marusi (flute), Francesco Baroni (harpsichord), Roberto Loreggian (harpsichord and organ)

Though several of Vivaldi’s most delightful concertos are written for the flute, he left relatively little chamber music for the instrument: the ‘Il Pastor Fido’ set which used to be attributed to him is now known to have been composed by Nicolas Chédeville. On this valuable new recording, Mario Folena and Roberto Loreggian offer what seems to be all that is left of Vivaldi’s output for the genre, informed by the latest scholarship and in delightful and lively period-instrument recordings. They couple it not with the previously recorded ‘Il Pastor Fido’ sonatas, but with a genuine rarity: an arrangement of ‘Spring’ from The Four Seasons made by Jean-Jacques Rousseau, the composer and philosopher who argued that, in politics as in music, Man should return to first principles.

00:00:00 Sonata in C Major, RV 48, for flute and basso continuo: [Preludio]
00:00:45 Sonata in C Major, RV 48, for flute and basso continuo: Affettuoso
00:04:43 Sonata in C Major, RV 48, for flute and basso continuo: Allegro assai
00:06:59 Sonata in C Major, RV 48, for flute and basso continuo: Larghetto
00:09:11 Sonata in C Major, RV 48, for flute and basso continuo: Allegro
00:11:21 Sonata in G Major, RV 80, for two flutes and b.c.: Allegro
00:13:48 Sonata in G Major, RV 80, for two flutes and b.c.: Larghetto
00:15:23 Sonata in G Major, RV 80, for two flutes and b.c.: Allegro
00:17:11 Sonata in D Minor, RV 49, for flute and b.c.: Preludio
00:19:56 Sonata in D Minor, RV 49, for flute and b.c.: Siciliana
00:22:26 Sonata in D Minor, RV 49, for flute and b.c.: Sarabanda
00:24:25 Sonata in D Minor, RV 49, for flute and b.c.: Allegro
00:25:49 Le Printemps de Vivaldi arrangé pour une Flûte sans accompagnement (1775) in D Major: Allegro
00:29:22 Le Printemps de Vivaldi arrangé pour une Flûte sans accompagnement (1775) in D Major: Largo
00:31:50 Le Printemps de Vivaldi arrangé pour une Flûte sans accompagnement (1775) in D Major: Allegro
00:36:07 Sonata in G Minor, RV 51, for flute and b.c.: [Preludio]
00:36:42 Sonata in G Minor, RV 51, for flute and b.c.: Largo
00:39:19 Sonata in G Minor, RV 51, for flute and b.c.: Allegro
00:41:17 Sonata in G Minor, RV 51, for flute and b.c.: [Recitativo]
00:41:59 Sonata in G Minor, RV 51, for flute and b.c.: Andante
00:44:50 Sonata in G Minor, RV 51, for flute and b.c.: Allegro
00:46:34 Sonata in E Minor, RV 50, for flute and b.c.: Andante
00:51:20 Sonata in E Minor, RV 50, for flute and b.c.: Siciliano
00:54:14 Sonata in E Minor, RV 50, for flute and b.c.: Allegro
00:56:21 Sonata in E Minor, RV 50, for flute and b.c.: Arioso
00:59:04 Sonata in A Major, RV 800, for two flutes and b.c.: Allegro
01:01:11 Sonata in A Major, RV 800, for two flutes and b.c.: Andante
01:02:51 Sonata in A Major, RV 800, for two flutes and b.c.: Allegro

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/TrumpetConcertos

Componist:
Georg Philip Telemann

Artist:
Otto Sauter
Kurpfälzisches Kammerochester Mannheim,
nicol Matt & Franz Wagnermeyer

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.to/RomanticHarp
Physical Purchase:
https://www.brilliantclassics.....com/articles/r/roman

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
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Composer: Georg Frideric Handel, Wolfgang Amadeus Mozart
Artists: Charlotte Balzereit harp,
Giselle Herbert harp,
Jutta Zoff harp,
Jana Bouskova harp,
Staatskapelle Dresden,
Les Violins du Roy,
Stuttgart Chamber Orchestra,
Nicol Matt conductor,
Südwestdeutsches Kammerorchester Pforzheim,
Vladislav Czarnecki conductor,

About this Album:
The harp is the ultimate romantic icon: the instrument of angels, and of Cupid, the god of love. One of the world’s oldest musical instruments, yet one of the most versatile and cherished, its modern counterpart also has the largest range of any orchestral instrument. This dreamy collection pulls together an equally extensive range of concertos for harp, contrasting the towering figures of Handel and Mozart with gems by lesser-known composers such as François-Adrien Boieldieu and Johann Georg Albrechtsberger.


Tracklist:
00:00:00 Harp Concerto in B-Flat Major, HWV 294: I. Andante – allegro (Handel)
00:04:18 Harp Concerto in B-Flat Major, HWV 294: II. Larghetto (Handel)
00:09:49 Harp Concerto in B-Flat Major, HWV 294: III. Allegro moderato (Handel)
00:12:30 Concerto for Flute and Harp in C Major, K. 299: I. Allegro (Mozart)
00:22:06 Concerto for Flute and Harp in C Major, K. 299: II. Andantino (Mozart)
00:30:16 Concerto for Flute and Harp in C Major, K. 299: III. Rondo. Allegro (Mozart)
00:39:55 Harp Concerto in C in Major: I. Allegro brillante (Boieldieu)
00:50:54 Harp Concerto in C in Major: II. Andante lento (Boieldieu)
00:55:02 Harp Concerto in C in Major: III. Rondo. Allegro agitato (Boieldieu)
01:02:04 Harp Concerto in A Major: I. Allegro molto (Dittersdorf)
01:08:42 Harp Concerto in A Major: II. Larghetto (Dittersdorf)
01:17:52 Harp Concerto in A Major: III. Rondo. Allegretto (Dittersdorf)
01:21:25 Harp Concerto in C Major: I. Allegro moderato (Albrechtsberger)
01:27:54 Harp Concerto in C Major: II. Adagio (Albrechtsberger)
01:37:39 Harp Concerto in C Major: III. Allegro (Albrechtsberger)
01:40:54 Partita in F Major: I. Presto (Albrechtsberger)
01:44:44 Partita in F Major: II. Adagio un poco (Albrechtsberger)
01:51:46 Partita in F Major: III. Menuetto (Albrechtsberger)
01:54:29 Partita in F Major: IV. Finale. Allegro (Albrechtsberger)
01:58:35 Harp Concerto in G Major: I. Allegro (Wagenseil)
02:02:25Harp Concerto in G Major: II. Andante (Wagenseil)
02:07:03 Harp Concerto in G Major: III. Vivace (Wagenseil)

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Composer: Charles Henri Valentin Alkan
Artist: Stanley Hoogland (piano)
Alan Weiss (piano)

- Adventurous piano Music of the composer in whose presence even Franz Liszt was afraid to play.
- Piano music ranging from the miniaturist to the gigantic.
- Both a modern Steinway and a period Erard piano are used in this set, a fascinating way of comparison

00:00:00 Nocturne No.1 Op.22
00:06:24 Esquisses: 48 motifs Op.63: No.2 Le Staccatissimo
00:07:33 Esquisses: 48 motifs Op.63: No.3 Le Legatissimo
00:09:18 Esquisses: 48 motifs Op.63: No.21 Morituri te salutant
00:10:49 Esquisses: 48 motifs Op.63: No.10 Increpatio
00:12:23 Esquisses: 48 motifs Op.63: No.11 Les Soupirs
00:14:04 Esquisses: 48 motifs Op.63: No.46 Le Premier Billet doux
00:15:03 Esquisses: 48 motifs Op.63: No.47 Scherzetto
00:16:55 Esquisses: 48 motifs Op.63: Le Festin d’Ésope Op.39 No.12 (Douze Études dans les tons mineurs)
00:27:10 Esquisses: 48 motifs Op.63: Le Temps qui n’est plus – Prélude Op.31 No.12
00:28:46 Esquisses: 48 motifs Op.63: Fa Op.38b No.2 (Receuil de Chants, Book 2)
00:31:59 Grande Sonate Op.33 ‘Les Quatre Âges’: 20 ans: Scherzo (Tres vite, décidément) – Trio (Timidement – Amoureusement)
00:38:39 Grande Sonate Op.33 ‘Les Quatre Âges’: 30 ans: Quasi-Faust (Assez vite, sataniquement)
00:54:33 Grande Sonate Op.33 ‘Les Quatre Âges’: 40 ans: Un heureux ménage (Lentement, avec tendresse et quiétitude)
01:05:12 Grande Sonate Op.33 ‘Les Quatre Âges’: 50 ans: Prométhée enchainé (Extremement lent)
01:13:41 Toccatina in C Minor, Op. 75
01:15:30 Les Mois Op.74: No.6 Promenade sur l’eau
01:18:01 Les Mois Op.74: No.10 Gros temps
01:21:24 Les Mois Op.74: Petite Fantaisie Op.41 No.2
01:27:47 Les Mois Op.74: Petit Conte
01:32:11 Les Mois Op.74: Le Tambour bat aux champs Op.50 No.2
01:36:51 Trente Chants – Suite No.1 Op.38: No.1 Assez vivement
01:41:26 Trente Chants – Suite No.1 Op.38: No.5 Agitatissimo
01:45:25 Trente Chants – Suite No.1 Op.38: No.6 Barcarolle

01:49:14 Symphony for solo piano Op.39 Nos. 4–7: I. Allegro
02:00:00 Symphony for solo piano Op.39 Nos. 4–7: II. Marche funèbre: Andantino
02:07:20 Symphony for solo piano Op.39 Nos. 4–7: III. Menuet
02:13:23 Symphony for solo piano Op.39 Nos. 4–7: IV. Finale: Presto
02:18:45 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.1 in C
02:21:06 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.6 in G Minor ‘Ancienne mélodie de la synagogue’
02:24:14 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.11 in F ‘Un petit rien’
02:25:07 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.12 in B flat Minor ‘Le temps qui n’est plus’
02:26:18 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.13 in G flat ‘J’étais endormie, mais mon coeur veillait’
02:29:42 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.14 in B Minor
02:32:25 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.8 in A flat Minor ‘La chanson de la folle au bord de la mer’
02:36:13 25 Préludes, dans tous les tons Majeurs et Mineurs Op.31: No.15 in B ‘Dans le genre gothique’
02:38:30 Les Mois Op.74 – Suite No.1
02:42:36 Les Mois Op.74 – Suite No.4: No.1 Gros temps
02:46:55 Les Mois Op.74 – Suite No.1
02:48:37 Trente Chants – Suite No.3 Op.65: No.5 Horace et Lydie
02:52:19 Trente Chants – Suite No.3 Op.65: No.6 Barcarolle
02:55:59 Trente Chants – Suite No.4 Op.67: No.2 Chanson de la bonne vieille
02:59:21 Esquisses: 48 motifs Op.63: No.1 La Vision
03:01:43 Esquisses: 48 motifs Op.63: No.4 Les Cloches
03:02:36 Esquisses: 48 motifs Op.63: No.8 Pseudo-naïvité
03:04:36 Esquisses: 48 motifs Op.63: No.10 Increpatio
03:06:18 Esquisses: 48 motifs Op.63: No.11 Les Soupirs
03:08:02 Esquisses: 48 motifs Op.63: No.35 Musique militaire
03:09:18 Esquisses: 48 motifs Op.63: No.43 Notturnino innamorato
03:11:17 Esquisses: 48 motifs Op.63: No.46 Le Premier Billet doux
03:12:22 Esquisses: 48 motifs Op.63: No.48 En songe
03:13:41 Esquisses: 48 motifs Op.63: No.49 Laus Deo
03:17:29 Esquisses: 48 motifs Op.63: Petit Conte