La Catedral de Orvieto en Italia custodia uno de los milagros eucarísticos más importantes en la historia de la Iglesia y que motivó que el Papa Urbano IV instituyera la Solemnidad del Corpus Christi.
Más información en: https://www.aciprensa.com/noti....cias/el-milagro-euca

La Virgen de la Medalla Milagrosa, cuya fiesta es el 27 de noviembre, le pidió a Santa Catalina Labouré que realizara una medalla según lo que presenció durante la aparición y, por ello, este objeto cuenta con varios detalles que ayudan a entender su real significado.
Encuentra la nota completa en:
http://ow.ly/EaCv30mKTpr

Atención señoras y señores, damas y caballeros, el Capitán Topa y la tripulación del Junior Express, los quieren invitar a vivir una aventura divirtiéndose en familia.
Junto a tus niños podrás disfrutar de divertidos juegos a lo largo del recorrido hacia las coloridas estaciones. En el trayecto podrán interactuar con la tripulación y formar parte de ella, mientras arman rompecabezas, pintan, ayudan a Arnoldo en la cocina, completan el álbum de figuritas, ensayan canciones y eligen el próximo destino desde la cabina de control.
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Temnospondyls were a huge group of amphibians that existed for 210 million years. And calling them ‘diverse’ would be putting it mildly. Yet in the end, two major threats would push them to extinction: the always-changing climate and the amniote egg.

Thanks to Ceri Thomas for the very cool Temnospondyl reconstructions throughout this episode. Check out more of Ceri's paleoart at http://alphynix.tumblr.com and http://nixillustration.com

And thanks as always to Nobumichi Tamura for allowing us to use his wonderful paleoart: http://spinops.blogspot.com/

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Super special thanks to the following Patreon patrons for helping make Eons possible:

Katie Fichtner, Aldo Espinosa Zúñiga, Anthony Callaghan, الخليفي سلطان, Gabriel Cortez, Marcus Lejon, Anel Salas, Robert Arévalo, Robert Hill, Kelby Reid, Todd Dittman, Betsy Radley, Svetlana Pylaeva, Colin Sylvester, Philip Slingerland, John Vanek, Jose Garcia, Noah offitzer, Eric Vonk, Tony Wamsley, Henrik Peteri, Jonathan Wright, Jon Monteiro, James Bording, Brad Nicholls, Miles Chaston, Michael McClellan, Jeff Graham, Maria Humphrey, Nathan Paskett, Connor Jensen, Sapjes, Daisuke Goto, Hubert Rady, Yuntao Zhou, Gregory Kintz, Tyson Cleary, Chandler Bass, Maly Lor, Joao Ascensao. Tsee Lee, Sarah Fritts, Ruben Winter, Ron Harvey Jr, Joshua Mitchell, Johnny Li, Jacob Gerke, Alex Yan

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References:
Gaining Ground: The Origin and Evolution of Tetrapods, Second Edition by Jennifer A. Clack.
The Rise of Amphibians: 365 Million Years of Evolution by Robert Carroll.
Amphibian Evolution: The Life of Early Land Vertebrates by Rainer R. Schoch.
Earth Before the Dinosaurs by Sebastian Steyer.
How Vertebrates Left the Water by Michel Laurin.
The Late Triassic World: Earth in a Time of Transition, edited by Lawrence H. Tanner.
The Story of Life in 25 Fossils: Tales of Intrepid Explorers and the Wonders of Evolution by Donald R. Prothero.
http://rspb.royalsocietypublis....hing.org/content/281
https://academic.oup.com/zooli....nnean/article/150/4/
https://www.researchgate.net/p....ublication/256496340
“Fishes and Amphibians From the Late Permian Pedra De Fogo Formation of Northern Brazil” by Cox and Barry, 1991.
https://www.jstor.org/stable/4524569
“Lower Triassic Temnospondyli of Tasmania” by Cogsgriff, 1974.
https://onlinelibrary.wiley.co....m/doi/pdf/10.1111/j.
https://www.researchgate.net/p....ublication/281863720
https://www.tandfonline.com/do....i/abs/10.1080/027246
https://onlinelibrary.wiley.co....m/doi/abs/10.1111/j.

As we learn more about electricity, we have to talk about fields. Electric fields may seem complicated, but they're really fascinating and a crucial part of physics. In this episode of Crash Course Physics, Shini chats about capacitors, conductors, electric field lines, and how objects with net charge generate electric fields.

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Composer: Ludwig van Beethoven
Artist: Staatskapelle Dresden, Herbert Blomstedt (conductor)

Beethoven’s nine symphonies – composed between 1800 and 1824 – are true cornerstones of the classical canon. Marking an irrefutable turning point in the history of music, they transformed audiences’ expectations of the symphony and influenced the genre’s future development through their experimental, dramatic and expressive weight. Conductors have long been drawn to the profundity of these works: a complete cycle of Beethoven symphonies is viewed as one of the ultimate challenges in the repertoire, and the performances in this set are undoubtedly among the greatest to have been recorded, illuminating the skill of the Staatskapelle Dresden and Herbert Blomstedt, one of the most distinguished conductors of the 20th and 21st centuries.

00:00:00 Symphony No. 1 in C, Op. 21: I. Adagio molto – Allegro con brio
00:09:03 Symphony No. 1 in C, Op. 21: II. Andante cantabile con moto
00:17:36 Symphony No. 1 in C, Op. 21: III. Menuetto & Trio: Allegro molto e vivace
00:21:02 Symphony No. 1 in C, Op. 21: IV. Finale: Adagio – Allegro molto e vivace
00:27:21 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: I. Allegro con brio
00:42:24 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: II. Marcia funebre: Adagio assai
00:59:11 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: III. Scherzo & Trio: Allegro vivace
01:05:01 Symphony No. 3 in E-Flat, Op. 55 ‘EROICA’: IV. Allegro molto – Poco andante – Presto
01:16:50 Symphony No. 2 in D, Op. 36: I. Adagio molto – Allegro con brio
01:29:56 Symphony No. 2 in D, Op. 36: II. Larghetto
01:42:30 Symphony No. 2 in D, Op. 36: III. Scherzo & Trio: Allegro
01:46:37 Symphony No. 2 in D, Op. 36: IV. Allegro molto
01:53:30 Symphony No. 4 in B-Flat, Op. 60: I. Adagio – Allegro vivace
02:05:40 Symphony No. 4 in B-Flat, Op. 60: II. Adagio
02:16:12 Symphony No. 4 in B-Flat, Op. 60: III. Menuetto: Allegro vivace – Trio: Un poco meno allegro
02:22:03 Symphony No. 4 in B-Flat, Op. 60: IV. Allegro ma non troppo
02:29:14 Symphony No.5 in C Minor, Op. 67: I. Allegro con brio
02:37:19 Symphony No.5 in C Minor, Op. 67: II. Andante con moto
02:48:41 Symphony No.5 in C Minor, Op. 67: III. Allegro
02:57:34 Symphony No.5 in C Minor, Op. 67: IV. Allegro – Presto
03:06:37 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: I. Allegro ma non troppo (Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande)
03:16:08 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: II. Andante molto mosso (Szene am Bach)
03:28:49 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: III. Allegro – sempre più stretto – In tempo d’allegro – Tempo I – Presto (Lustiges Zusammensein der Landleute)
03:34:33 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: IV. Allegro (Gewitter, Sturm)
03:38:16 Symphony No. 6 in F, Op. 68 ‘PASTORAL’: V. Allegretto (Hirtengesang, frohe und dankbare Gefühle nach dem Sturm)
03:48:07 Symphony No. 7 in A, Op. 92: I. Poco sostenuto – Vivace
04:01:38 Symphony No. 7 in A, Op. 92: II. Allegretto
04:11:36 Symphony No. 7 in A, Op. 92: III. Presto – Assai meno presto
04:21:21 Symphony No. 7 in A, Op. 92: IV. Allegro con brio
04:30:34 Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio
04:40:37 Symphony No. 8 in F, Op. 93: II. Allegretto scherzando
04:44:33 Symphony No. 8 in F, Op. 93: III. Tempo di Menuetto
04:49:20 Symphony No. 8 in F, Op. 93: IV. Allegro vivace
04:57:11 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: I. Allegro ma non troppo, un poco maestoso
05:14:06 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: II. Molto vivace – Presto
05:27:54 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
05:44:19 Symphony No. 9 in D Minor, Op. 125 ‘CHORAL’: IV. Presto – Allegro assai – Presto – Recitativo – Allegro assai – Allegro assai vivace (alla marcia) – Andante maestoso – Adagio ma non troppo ma divoto – Allegro energico e sempre ben marcato – Allegro ma non tanto Presto – Maestoso – Prestissimo

The Polonaise was a peasant dance from Poland that gained popularity in the early 18th century among composers and high society. Bach and Handel both wrote movements marked ‘Polonaise’, and in the early 19th century examples can be found in the finales of Beethoven’s Triple Concerto, and Field’s Third Piano Concerto. Chopin grew up with polonaise and other forms of traditional Polish music. His teacher, Elsner was a Polonaise composer, and the business of writing and publishing sets of polonaises was a lucrative one.

There was another reason why such a traditional was so popular in Poland at this time; the country had once again been robbed of its independence, and the nationalistic pulling power of such music helped keep the national identity and spirit alive. Chopin’s genius took the simple tunes of the Polonaise and allowed him to create large-scale complex and dramatic works with myriad emotions. In many ways they captured the Polish spirit which remained defiantly unbroken.

Folke Nauta was born in 1973 and has won many prizes in key competitions around Europe.

Composer: Frédéric Chopin
Artist: Folke Nauta (piano)

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00:00:00 Polonaises: Andante spianato et Grande Polonaise brillante Op.22 in E flat
00:14:15 Polonaises: Polonaise Op.26 No.1 in C sharp Minor
00:22:45 Polonaises: Polonaise Op.26 No.2 in E flat Minor
00:31:57 Polonaises: Polonaise Op.40 No.1 in A ‘Military’
00:37:31 Polonaises: Polonaise Op.40 No.2 in C Minor
00:46:01 Polonaises: Polonaise Op.44 in F sharp Minor
00:56:55 Polonaises: Polonaise Op.53 in A flat ‘Heroic’
01:03:55 Polonaises: Polonaise-Fantaisie Op.61 in A flat

#chopin #classicalmusic #Classical #chopinpolonaises

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Composer: Johann Sebastian Bach
Artists: Chamber Choir of Europe,
Nicol Matt conductor

About this Album:
Here perhaps is the very heart of Bach; a very palpable demonstration of his heritage and impact. Bach revered his forebears, while at the same time wishing to renew their legacy – both that of his own, already notable Bach family and of their musical contemporaries – and leave a mark on posterity. His endless inventiveness in taking the old hymn tunes devised in the generations before him, and clothing them in rich and strange harmonies, each one tailored to the specific text and mood of its content, creates a box of small wonders

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #bach

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Bartok’s assessment of Zoltán Kodály’s music as “the most perfect embodiment of the Hungarian spirit” will strike a chord with those familiar with the suite from his opera Háry János, the Dances of Galanta or indeed the works for cello which moved the instrument on from the Romantic idiom of Brahms, and at the same time looked backwards to the dancing elegance of Bach’s solo Suites.

He had taught himself to play the cello to a reasonable standard (also the violin and viola) and while, as he freely admitted, not a natural virtuoso, he had a feeling for the instrument which is obvious in his writing. The Adagio was his first published work, dating from 1905 and originally written for violin and piano: still broadly Romantic in idiom, and unaffected as yet by his work in collecting folk songs from the countries of south-eastern Europe which would decisively influence his mature idiom.

Composer: Zoltán Kodály
Artist: István Várdai (cello)
Klara Würtz (piano)

00:00:00 Sonata for Cello in B Minor, Op. 8: I. Allegro maestoso ma appassionato
00:09:16 Sonata for Cello in B Minor, Op. 8: II. Adagio con gran espressione
00:20:46 Sonata for Cello in B Minor, Op. 8: III. Allegro molto vivace
00:32:26 Sonatina for Cello and Piano
00:41:12 Capriccio for Cello Solo
00:46:07 Adagio for Cello and Piano
00:53:55 Sonata, Op. 4: I. Fantasia
01:01:31 Sonata, Op. 4: II. Allegro con spirit

"¿Porque los viejos de Samaná saben ingles?"

Freed Slave Emigrants to Samana
by Dr. Dana Minaya of the Samana College Research Center
https://www.youtube.com/watch?v=3oDgbDGxI4s

African Americans in Samana
by Nestor Montilla, Sr. (The Common Roots Project)
https://www.youtube.com/watch?v=8zXumAsq03Y

Samana History
by JorgeLuisAnderson
https://www.youtube.com/watch?v=HddZn8TMzv0

El coro al final The Plantation Singers
Swing Low, Sweet Chariot
https://www.youtube.com/watch?v=ljup8cIRzIk

Visite http://kiskeya.life para mas vídeos y artículos en Ingles y Español sobre Quisqueya!

¡Duda, investiga y aprende!

Patreon: https://www.patreon.com/user?u=877947
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#samanaenglish #megustapila #kiskeyalife

------------------------------------------------

Créditos:

Escrito, dirigido y producido por Alec Corday
http://www.aleccorday.com

Productor Ejecutivo Lola Mendez
http://instagram.com/uh.lola
http://instagram.com/lolamendezphotography
http://www.uhlola.com
http://www.lolamendezphotography.com

Tema musical principal por SENNA
https://sennamusic.bandcamp.com/

Son decenas de lugares! Comenzemos con estos 5...

Visit http://kiskeya.life For more videos and articles about the Kiskeya island, also known as the Dominican Republic and Haiti!

Patreon: https://www.patreon.com/user?u=877947
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See here the camera and equipment we used:
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------------------------------------------------

Credits:

Written, directed, edited and produced by Alec Corday
http://www.aleccorday.com

Executive Producer Lola Mendez
http://www.uhlola.com

Theme Music by SENNA
http://sennamusic.tumblr.com/

All videos/pictures by
Alec Corday

-------------------------------------------------

Transcript:

"An American, a French and a German walk into a bar..."

Visit http://kiskeya.life For more videos and articles about the Kiskeya island, also known as the Dominican Republic and Haiti!

Instagram: http://instagram.com/kiskeya.life/
Facebook: http://facebook.com/kiskeyalife
Twitter: http://twitter.com/aleccorday
Patreon: http://www.patreon.com/user?u=877947

See here the camera and equipment we used:
http://amzn.to/1VD2vSJ

------------------------------------------------

Credits:

Written, directed, edited and produced by Alec Corday
http://www.aleccorday.com

Executive Producer Lola Mendez
http://www.uhlola.com

Theme Music by SENNA
http://sennamusic.tumblr.com/

All videos/pictures by
Alec Corday

-------------------------------------------------

"They only needed one successful film to show the Dominican potential"

Visit the page http://kiskeya.life/sorcerer for more

Visite http://kiskeya.life para mas vídeos y artículos en Ingles y Español sobre Quisqueya!

¡Duda, investiga y aprende!

Patreon: https://www.patreon.com/user?u=877947
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#starwars #cinedominicano #kiskeyalife

------------------------------------------------

Créditos:

Escrito, dirigido y producido por Alec Corday
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Productor Ejecutivo Lola Mendez
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Tema musical principal por SENNA
http://sennamusic.tumblr.com/

Music: Madhumaya Kiirtan by Dada Anindya and Indumanii

Sara Torres, nicaragüense, residente en Miami, Florida, cantautora y productora de música católica, nos visita nuevamente después de varios años y abre su corazón al contarnos acerca de su vida familiar… las tribulaciones y los milagros y su continuo servicio al pueblo de Dios a través de su ministerio. En este programa especial de fin de año y año nuevo, Sara, con su particular voz, nos deleitará con sus alegres e inspiradores cantos.

En la Confesión encontramos la gracia que cura al corazón arrepentido y herido por el pecado así como la fuerza para levantarse y seguir adelante.