With beautiful images ranging describing the lyrics of the song, accompanied by the angelic voice of Enya, just .... Beautiful!
Con imágenes preciosas que van describiendo la letra de la canción, acompañando la voz angelical de Enya, simplemente.... Hermoso!

Roma - Basilica di San Paolo Fuori le Mura - Chrystal Symphony Orchestra diretta da Giampaolo Violi - Cori: Gruppo Vocale Cristallo Roma (Dr. Piero Melfa e Ida Piccolantonio), Liberi Cantores Aprilia (LT) (Dr. Rita Nuti) - Ensemble Notevolmente Roma (Dr. Marco Schunnach) - Corale Centonote Roma (Rino Andolfi) - Corale "G. Savani" Carpi (MO) (Dr. Giampaolo Violi), Coro di Voci Bianche "Cantintondo" Aprilia (LT) (Dr. Rita Nuti), Coro di Voci Bianche ArCoroBaleno Piranesi Roma (Dr. Rino Andolfi) - Soprano: Maria Ausilia D'Antona - Soprano Monica Di Maria - Mezzosoprano: Chiara Chialli - Direzione artistica: Giovanni Galotta - Regia Arianna Pieragostini.

La musica pubblicata in questo canale ha esclusivamente scopi di divulgazione e non commerciali.
Chi dovesse sostenere che un qualsiasi video pubblicato in questo canale viola il diritto d'autore, prima di inviare una richiesta di Youtube, lo invito vivamente ad informarmi ... provvederò personalmente a rimuoverlo.

Epigenetics means women have different active x-chromosomes in different cells. Animation courtesy of http://wehi.tv
Music by Amarante: http://bit.ly/VeAmarante
Animation: Etsuko Uno
Art and Technical Direction: Drew Berry
Sound Design: Francois Tetaz & Emma Bortignon
Scientific Consultation: Marnie Blewitt
Courtesy of Walter and Eliza Hall Institute of Medical Research: http://wehi.tv

When a female embryo is four days old it consists of just 100 cells. At this point the x-chromosome from Mom and the one from Dad are both active. But in order for proper development to occur, one of the x chromosomes must be switched off.

Through a tiny molecular battle within each cell, one of the x-chromosomes wins and remains active while the loser is deactivated.

This is done by wrapping the DNA tighter around proteins, modifying histone tails, and DNA methylation - molecular markers to indicate this DNA should not be read.

What's surprising is that it's pretty random which x chromosome wins - sometimes it's Mom's and sometimes it's Dad's. So when a female is just 100 cells big, her cells have a mix of active x-chromosomes, some from Mom and some from Dad.

Many technologies have promised to revolutionize education, but so far none has. With that in mind, what could revolutionize education?
These ideas have been percolating since I wrote my PhD in physics education: http://www.physics.usyd.edu.au..../super/theses/PhD(Mu
I have also discussed this topic with CGP Grey, whose view of the future of education differs significantly from mine: https://www.youtube.com/watch?v=7vsCAM17O-M

I think it is instructive that each new technology has appeared to be so transformative. You can imagine, for example, that motion pictures must have seemed like a revolutionary learning technology. After all they did revolutionize entertainment, yet failed to make significant inroads into the classroom. TV and video seem like a cheaper, scaled back film, but they too failed to live up to expectations. Now there is a glut of information and video on the internet so should we expect it to revolutionize education?

My view is that it won't, for two reasons: 1. Technology is not inherently superior, animations over static graphics, videoed presentations over live lectures etc. and 2. Learning is inherently a social activity, motivated and encouraged by interactions with others.

Filmed and edited by Pierce Cook

Supported by Screen Australia's Skip Ahead program.

Music By Kevin MacLeod, www.incompetech.com "The Builder" and by Amarante Music: http://www.amarantemusic.com

The atmosphere applies a pressure of about 100 000 N to every square metre on Earth's surface. We take this pressure for granted because we have the same amount of pressure pushing out. But what happens when the pressure of the atmosphere is applied to an object with no outward pressure? It implodes. In spectacular fashion.

A rare look inside the Svalbard Global Seed Vault which is closed ~350 days a year
Check out Audible: http://bit.ly/AudibleVe
More info on the seed vault: http://wke.lt/w/s/EKFlK
My trip to Norway was funded by Screen Australia, Film Victoria and Genepool Productions as part of a new project. More information soon.

Special thanks to Bente Naeverdal and the Crop Trust: https://www.croptrust.org

Stained glass is thicker at the bottom - so is it a liquid? Earth's mantle enables plate tectonics, so is it a liquid?
Check out Audible: http://bit.ly/AudibleVe
Sign up for the mailing list: http://www.veritasium.com
Pitch drop experiment: http://www.thetenthwatch.com

Thanks to Meg Rosenburg for scripting and animation, Raquel Nuno for filming and Aaron White for script consultation.

A trip to #Mars involves radiation, muscle and bone loss, intermediate axis theorem and liquids.
Check out Mars on National Geographic, Monday Nov 12 at 9/8c
#sponsored

When I got offered the chance to fly in another #zeroG plane, I jumped at the chance. Do you know how hard it is when you are thrust into low-gravity, like the 37% of Earth's gravity of Mars, and you have to remember what you were going to say in a 30 second window as blood floods your head? It's pretty hard. It would be even harder to actually travel to Mars. It would take about 8 months in microgravity during which time your muscles and bones would weaken substantially, even if you exercise for hours a day like the astronauts on the space station. And your heart is a muscle too so it weakens as well. Before I contemplated these rates of muscle and bone loss, I thought the major challenge with a round trip journey to Mars would be the logistics of spacecraft and having enough fuel to get back. But with the weakening of the human body, it's an open question whether anyone would really want to come back.

Filmed by Steve Boxall

Music from Epidemic Sound: http://epidemicsound.com

The world's roundest object helps solve the longest running problem in measurement -- how to define the kilogram.
Support Veritasium on Patreon: http://bit.ly/VePatreon

A kilogram isn't what it used to be. Literally. The original name for it was the 'grave', proposed in 1793 but it fell victim to the French Revolution like its creator, Lavoisier. So begins the tale of the most unusual SI unit. The kilogram is the only base unit with a prefix in its name, and the only one still defined by a physical artifact, the international prototype kilogram or IPK.

But the problem with this definition has long been apparent. The IPK doesn't seem to maintain its mass compared to 40 similar cylinders minted at the same time. The goal is therefore to eliminate the kilogram's dependence on a physical object. Two main approaches are being considered to achieve this end: the Avogadro Project and the Watt Balance.

The Avogadro project aims to redefine Avogadro's constant (currently defined by the kilogram -- the number of atoms in 12 g of carbon-12) and reverse the relationship so that the kilogram is precisely specified by Avogadro's constant. This method required creating the most perfect sphere on Earth. It is made out of a single crystal of silicon 28 atoms. By carefully measuring the diameter, the volume can be precisely specified. Since the atom spacing of silicon is well known, the number of atoms in a sphere can be accurately calculated. This allows for a very precise determination of Avogadro's constant.

Special thanks to Katie Green, Dr. David Farrant, the CSIRO, and the National Measurment Institute for their help. Thanks also to Nessy Hill for filming and reviewing earlier drafts of this video.

There is debate as to whether this is truly the roundest object ever created. The Gravity Probe-B rotors are also spherical with very low tolerances such that they may in fact be rounder.

Music by Kevin McLeod (incompetech.com) Decision, Danse Macabre, Scissors

The talented musician Erik Bosgraaf recorded the Complete Suites and Concertos for Recorder of Georg Phillip Telemann. This video contains the full album.

Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannComplete
For physical sales: http://brilliantclassics.com/a....rticles/t/telemann-c
Listen on Spotify: https://open.spotify.com/album..../46zjwcVWCHGVYNVhu6I

Telemann’s concertos offer a unique combination of virtuosity, wit and sense of the theatrical. Having taught himself to play the instrument as a child, the German master had a special understanding of and fondness for the recorder, and for it he created a new hybrid form, the Suite auf Concertenart, which combines soloistic display with baroque dances.

These suites and concertos may be less overtly virtuosic than works in the same genre which were beginning to appear around the same time over the other side of the Alps, but Telemann yields nothing to his Italian counterparts in terms of melodic freshness and fertility. The suites are styled in the French manner, as a series of courtly dances, though the A minor Suite features a grand and tragic ‘Air in the Italian style’ and concludes with a snappy Polonaise – one of Telemann’s favourite dance rhythms – reeling away like an inspired tavern fiddler.

Erik Bosgraaf’s discography on Brilliant Classics ranges from Vivaldi (BC94637 – now also available on LP) to Boulez (BC94842), not to mention two previous sets of Telemann – the solo fantasias (BC93757) and sonatas with basso continuo (BC95247) – as well as more rarely encountered delights by Jakob van Eyck (BC93391). These discs and others have garnered both popular attention and critical praise. Of Bosgraaf’s own, composer-approved transcription of the Dialogue de l’ombre double by Boulez, Gramophone commented that ‘balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of any other recorded option.’

Closer to the recorder’s natural home in music several centuries earlier, Julie Anne Sadie wrote in the same magazine about Bosgraaf’s ‘magical version of the ubiquitous Four Seasons. ‘A carefully researched and arrestingly translucent chamber interpretation… the rapport between solo and ripieno forces is simply fabulous.’
00:00:00 Ouverture Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
00:07:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
00:11:04 Ouverture Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
00:12:49 Ouverture Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
00:16:08 Ouverture Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
00:17:57 Ouverture Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
00:18:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
00:20:54 Ouverture Suite in A Minor, TWV 55:a2: I. Ouverture
00:29:35 Ouverture Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:32:22 Ouverture Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:38:30 Ouverture Suite in A Minor, TWV 55:a2: IV. Menuet I & II
00:41:12 Ouverture Suite in A Minor, TWV 55:a2: V. Réjouissance
00:43:12 Ouverture Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
00:44:58 Ouverture Suite in A Minor, TWV 55:a2: VII. Polonoise
00:48:28 Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
00:51:14 Recorder Concerto in F Major, TWV 51:F1: II. Allegro
00:54:48 Recorder Concerto in F Major, TWV 51:F1: III. Adagio
00:57:14 Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
01:00:28 Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
01:03:34 Recorder Concerto in C Major, TWV 51:C1: II. Allegro
01:07:22 Recorder Concerto in C Major, TWV 51:C1: III. Andante
01:11:13 Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet

Artist:
Erik Bosgraaf (recorder)
Ensemble Cordevento

Do we take the Earth for granted? It gives us life and sustains us in the manner we're accustomed to, but we don't know the first thing about it: like where did it come from? And how did it form? Most people recognize that the Earth has a big explosion in its history, which they refer to descriptively as the 'Big Bang.' But there are two very good reasons why the Big Bang is not directly responsible for forming the Earth: 1) It happened 13.7 billion years ago. That's more than 9 billion years before the Earth formed (what happened during that time?), and 2) After the Big Bang the universe consisted of only Hydrogen and Helium - not great raw material for building the Earth. The truth is the big bang formed stars, which exploded and then (perhaps) formed more stars, which exploded and then formed our solar system, including the Earth. The early stars performed the vital role of making the heavier elements of which Earth is composed and we are made.

Aerogels are the world's lightest (least dense) solids. They are also excellent thermal insulators and have been used in numerous Mars missions and the Stardust comet particle-return mission. The focus of this video is silica aerogels, though graphene aerogels are now technically the lightest.

At one point Dr. Steven Jones literally held the Guinness World Record for making the lightest aerogel and therefore lightest solid. If you're interested in learning more about aerogels, let me know in the comments as there is a potential trilogy in the works...

Huge thanks to Dr. Stephen Steiner and the crew at Aerogel Technologies. To find out more or buy your own aerogel sample, check out: http://www.aerogeltechnologies.com/

Thanks to Dr. Steven Jones and Dr. Mihail Petkov at NASA's Jet Propulsion Laboratory

And thanks to FLIR for loaning us the awesome high definition thermal camera. The footage is amazing! https://www.flir.com

Special thanks to Patreon supporters:
Donal Botkin, Michael Krugman, Ron Neal, Stan Presolski, Terrance Shepherd, Penward Rhyme and everyone who provided feedback on an early draft of this video.

Filming by Raquel Nuno
Animations by Maria Raykova
Drawings by Mariel Solsberg

Music From http://epidemicsound.com "Seaweed" "Swagger Stagger"

Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/KhachaturianBall
More Information: https://www.brilliantclassics.....com/articles/k/khach
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

Composers: Aram Ilyich Khachaturian
Artists: Bolshoi Theatre Orchestra, Evgeny Svetlanov (conductor)

Along with Shostakovich and Prokofiev, Khachaturian was one of the most famous and celebrated composers of the Soviet Union. Born in Tbilisi, Georgia, his earliest musical influences were the folk music of Georgia and of his ancestral homeland, Armenia. His ballet Gayaneh, composed in 1942, tapped into this passion for his Armenian heritage; set on a collective farm, its story is concerned with the triumph of love and loyalty to the Motherland over treason – themes that would keep Stalin happy. Khachaturian’s later ballet Spartacus, written in 1956, took the famous story of the Greek slave turned gladiator and his defeat of the Roman general Crassus as its basis. Composed in the dying years of Stalin’s rule, Khachaturian and his audiences were drawn to the story’s theme of resistance against tyranny.

Several movements from these ballets have taken on a life outside the original ballet suites – for example, the Sabre Dance from Gayaneh and the famous Adagio from Spartacus – ensuring that these wonderful and colourfully scored ballet suites have become firm favourites in the concert hall.

‘The Bolshoi orchestra are obviously completely at home in this repertoire, and Svetlanov’s ear for orchestral detail is as sure as ever. How beautifully he handles the tapering down at the end of the ‘Dance of the Nymphs’ (from Spartacas), while the opening of the ‘Dance of the Young Girls of Gadès’ brings a slow, subtle crescendo… The famous ‘Adagio of Spartacus and Phrygia’ has never sounded more touchingly refined on record and the climax does not disappoint. In Gayaneh there is a beguilingly sinuous sophistication in ‘Ayesha’s dance’, and the ‘Lullaby’ and ‘Gayeneh’s Adagio’ are beautifully played, creating much delicacy of texture.’ Gramophone.

00:00:00 Gayaneh, Ballet Suite: Dance of the Rose Maidens
00:02:41 Gayaneh, Ballet Suite: Aysha’s Dance
00:07:04 Gayaneh, Ballet Suite: Dance of the Highlanders
00:09:01 Gayaneh, Ballet Suite: Lullaby
00:14:54 Gayaneh, Ballet Suite: Noune’s Dance
00:16:39 Gayaneh, Ballet Suite: Armen’s Var
00:18:37 Gayaneh, Ballet Suite: Gayaneh’s Adagio
00:22:37 Gayaneh, Ballet Suite: Lezghinka
00:25:35 Gayaneh, Ballet Suite: Dance with Tambourines
00:28:35 Gayaneh, Ballet Suite: Sabre Dance
00:30:58 Spartacus, Ballet Suite: Introduction – Dance of the Nymphs
00:37:02 Spartacus, Ballet Suite: Aegina’s Dance
00:41:02 Spartacus, Ballet Suite: Scene and Dance with Crotalums
00:44:55 Spartacus, Ballet Suite: Adagio of Spartacus and Phrygia
00:54:38 Spartacus, Ballet Suite: Dance of the Gaditan Maidens – Victory of Spartacus

Einstein's classic thought experiment involves sitting on a train travelling at the speed of light. If you hold a mirror in front of your face, will you see your reflection in a mirror? How could light from your face reach the mirror if the mirror is travelling away from you? But it would be a pretty spooky train if you couldn't see your reflection so Einstein felt this solution wasn't realistic. On the other hand if you could see your reflection, it would mean light was travelling at the speed of light inside the train. But that meant the same light observed from outside the train would be going twice the speed of light. This again seems inconsistent. So Einstein resolved that you must see your reflection but that light must travel at the same speed inside and outside the train. The only way this is possible is if space and time are perceived differently by observers inside and outside the train.

University of North Carolina - Greensboro
- Symphony Orchestra
- Chamber Singers
- University Chorale
- Men's and Women's Glee Clubs
Welborn E. Young, conductor

with
Carrboro High School Chamber Choir - Kay Johnson, director
Chapel Hill High School Chamber Choir - Jeremy Nabors, director
East Chapel Hill High School Chamber Choir - Desiree Davis-Omburo, director
Greensboro Day School Select Choir - Brett Nolker, director

Sunday, February 28, 2016, 3:30pm
UNCG Auditorium, Greensboro, NC

Live audio and video recording by Mark Manring - http://www.manring.net
(7) V2

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/PaganiniComplete
More Information: https://www.brilliantclassics.....com/articles/p/pagan
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

Composer: Nicolò Paganini
Artist: Luigi Attademo (Guitar)
Nicolò Paganini’s works for guitar were only published in their entirety in 1989. The Genoese musician was a sensation during his lifetime and is still counted among the greatest violinists of all time, yet he was also an excellent guitarist. At the other end of the compositional spectrum to his works for violin, Paganini’s guitar works have a more intimate feel; not intended for the concert hall, they are often free from the virtuosic display that was typical of solo works of the era.

The Ghiribizzi collection contains a charm and simplicity appropriate to the musical proficiency and development of a young guitar student, concentrating on areas such as ornamentation, scalic exercises and pedal notes. The 37 Sonatas are a collection of two-movement pieces (with the exception of No.11 and Nos. 34–37); among the movements are charismatic minuets, mellow Andantinos and lilting waltzes. A further wealth of compositional variation can be found in the Guitar works MS85–105. The Grande Sonata, one of Paganini's most popular works, originally employed the violin as an accompaniment to the guitar; this collection provides a performance of the Sonata for solo guitar -- a real treat. The use of a period guitar for this recording adds a special quality to the collection.
Tracklist in the comment description.

This fungus lives on your scalp and may affect the genes you express.
Check out Head & Shoulders research on getting rid of dandruff: https://ve42.co/HS

Animation by Pindex: https://ve42.co/pindex

When I started this project, I wasn't sure what caused dandruff and I also didn't think much science would go into making a shampoo like Head & Shoulders. So what I learned really surprised me:

There are hundreds of scientists working on this shampoo. They run crazy-sounding experiments like hanging hair near Tokyo highways to understand how real-world environments deposit dirt on hair. They use sophisticated scientific techniques like electron microscopes, nuclear magnetic resonance and gene sequencing to study dandruff on the molecular level.

In fact they sequenced the entire genome of Malassezia globosa in 2002, one year after the human genome project. Their findings are published in international refereed journals. What they have found is that the Malassezia fungi create free fatty acids as byproducts of their digestion, which for some people create irritation and lead to hyper-proliferation of skin cells, flaking, histamines, inflammatory cytokines, and blood proteins reaching the surface of the skin. These findings indicate the unhealthiness of dandruff scalp and suggest a possible remedy - controlling the metabolism of the Malassezia fungi. This is achieved using different active ingredients in different products and different parts of the world, including zinc pyrithione, selenium sulfide, and piroctone olamine. With the reduction of irritants, the scalp actually expresses different genes, producing a signature more similar to a non-dandruff baseline scalp.

Music from Epidemic Sound: http://epidemicsound.com
Music also by Kevin MacLeod: http://incompetech.com

In 2020, NASA will send a new rover to the Martian surface with one of its objectives to search for evidence of ancient life on the planet. I made this clip as a correspondent for Bill Nye Saves the World on Netflix.

Touring the Jet Propulsion Lab (JPL) in Pasadena was an awesome experience. I didn't think we were going to get into the control room but we got lucky. Some of the greatest moments in the history of space exploration have taken place there. They have a giant vacuum chamber where they can take the rover down to the atmospheric pressure on Mars (roughly .01x Earth's atmosphere) and test all of the devices to make sure there are no electrical discharges due to the reduced pressure. I also enjoyed seeing how the rocks will be cored and stored in tubes and deposited on the Martian surface awaiting pickup by the following mission.

Images courtesy of NASA.

Filmed by Raquel Nuno from 3:30 onwards.

Music: http://epidemicsound.com "Serene Story 2"

Delta Airlines (Karaoke Version) (In the Style of Adiemus) · The Karaoke Universe

Delta Airlines (Karaoke Version) (In the Style of Adiemus)

℗ The Karaoke Universe

Released on: 2014-02-06

Music Publisher: D.R
Author: The Karaoke Universe
Composer: The Karaoke Universe

Auto-generated by YouTube.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.to/BestOfChopin

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer & Artist:
Composer: Frédéric François Chopin
Artists: Various artists

About this Album:
3 CD's containing the best music composed by Frédéric François Chopin.

Tracklist:
00:00:00 Ballade No. 1 in G Minor, Op. 23
00:08:28 Prelude in C sharp Minor, Op. 45
00:12:53 Rondo a la Mazur in F, Op. 5
00:22:37 Polonaise in A, Op. 40 No. 1 “Military”
00:28:13 Etude in A-Flat, Op. 25 NO. 1 “Aeolian Harp”
00:30:51 Waltz in E-Flat, Op. 18
00:35:58 Nocturne in C-Sharp Minor, Op. 27 No. 1
00:41:03 Mazurka Op.24 No. 1 in G Minor
00:44:03 Mazurka Op. 24 No. 2 in C
00:46:25 Mazurka Op. 24 No. 3 in A-Flat
00:48:55 Mazurka Op. 24 No. 4 in B-Flat Mino
00:53:04 Fantasie in F Minor, Op. 49
01:06:14 Andante Spianato et Grande Polonaise Brilliante in E-Flat, Op. 22
01:20:31 Nocturne in D-Flat, Op. 27 No. 2
01:26:57 Krakoviak for piano & orchestra, Op. 14
01:42:49 Nocturne in C-Sharp Minor, Op. Posth.
01:46:54 Mazurka Op. 59 No. 1 in A Minor
01:50:32 Mazurka Op. 59 No. 2 in A-Flat
01:53:16 Mazurka Op. 59 No. 3 in F-Sharp Minor
01:56:45 Impromptu in A-Flat, Op. 29
02:00:32 Waltz in A Minor, Op. 34 No. 1
02:05:56 Ballade No. 4 in F Minor, Op. 52
02:17:21 Berceuse in D-Flat, Op. 57
02:22:30 Polonaise in A-Flat, Op. 53 “Heroic”
02:29:32 Nocturne in E-Flat, Op. 9 No. 2
02:33:42 Waltz in D-Flat, Op. 64 No. 1 “Minute Waltz”
02:35:28 Waltz in C-Sharp Minor, Op. 64 No. 2
02:39:09 Ballade No. 3 in A-Flat, Op. 47
02:46:31 Souvenir de Paganini
02:50:49 Fantasie-Impromptu No. 4 in C-Sharp Minor, Op. 66
02:55:59 Etude in E, Op. 10 No. 3 “Tristesse”
03:00:02 Scherzo No. 2 in B-Flat Minor, Op. 31
03:09:52 Prelude in D-Flat, Op. 28 No. 15 “Raindrop”
03:15:08 Etude in C Minor, Op. 10 No. 12 “Revolutionary”
03:17:54 Nocturne in B-Flat Minor, Op. 9 No. 1
03:23:07 Barcarolle in F-Sharp, Op. 60

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Chopin #Piano #ClassicalPianoMusic