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SEGMENTO DE LA CANCION EL PUEBLO QUE LE AMA CON LA PARTICIPACION ESPECIAL DE LOS NIÑOS
VIITA DE ALFAREROS A GUATEMALA JUNIO 2008
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En este vídeo, Gregorio Luri reflexiona sobre el papel de los maestros y maestras en el contexto de la sociedad actual. También debate sobre algunas de las propuestas pedagógicas actuales y explica cuáles son las cualidades fundamentales que debe tener un buen maestro/a para enfrentarse a los desafíos educativos del siglo XXI. Según el filósofo y pedagogo “el maestro ha de ser capaz de dar forma a lo mejor que el alumno puede llegar a ser. Y hacérselo visible y apetecible a este alumno”.
“Maestro de escuela” es el atributo que mejor define a Gregorio Luri. Obtuvo el Premio Extraordinario en la Licenciatura en Ciencias de la Educación y también en el Doctorado en Filosofía. Ha trabajado como maestro de primaria, como profesor de filosofía en bachillerato y como docente universitario. Trabaja como columnista en varios diarios y ha publicado más de una veintena de libros sobre filosofía y educación.
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The talented musician Erik Bosgraaf recorded the Complete Suites and Concertos for Recorder of Georg Phillip Telemann. This video contains the full album.
Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannComplete
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Telemann’s concertos offer a unique combination of virtuosity, wit and sense of the theatrical. Having taught himself to play the instrument as a child, the German master had a special understanding of and fondness for the recorder, and for it he created a new hybrid form, the Suite auf Concertenart, which combines soloistic display with baroque dances.
These suites and concertos may be less overtly virtuosic than works in the same genre which were beginning to appear around the same time over the other side of the Alps, but Telemann yields nothing to his Italian counterparts in terms of melodic freshness and fertility. The suites are styled in the French manner, as a series of courtly dances, though the A minor Suite features a grand and tragic ‘Air in the Italian style’ and concludes with a snappy Polonaise – one of Telemann’s favourite dance rhythms – reeling away like an inspired tavern fiddler.
Erik Bosgraaf’s discography on Brilliant Classics ranges from Vivaldi (BC94637 – now also available on LP) to Boulez (BC94842), not to mention two previous sets of Telemann – the solo fantasias (BC93757) and sonatas with basso continuo (BC95247) – as well as more rarely encountered delights by Jakob van Eyck (BC93391). These discs and others have garnered both popular attention and critical praise. Of Bosgraaf’s own, composer-approved transcription of the Dialogue de l’ombre double by Boulez, Gramophone commented that ‘balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of any other recorded option.’
Closer to the recorder’s natural home in music several centuries earlier, Julie Anne Sadie wrote in the same magazine about Bosgraaf’s ‘magical version of the ubiquitous Four Seasons. ‘A carefully researched and arrestingly translucent chamber interpretation… the rapport between solo and ripieno forces is simply fabulous.’
00:00:00 Ouverture Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
00:07:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
00:11:04 Ouverture Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
00:12:49 Ouverture Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
00:16:08 Ouverture Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
00:17:57 Ouverture Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
00:18:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
00:20:54 Ouverture Suite in A Minor, TWV 55:a2: I. Ouverture
00:29:35 Ouverture Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:32:22 Ouverture Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:38:30 Ouverture Suite in A Minor, TWV 55:a2: IV. Menuet I & II
00:41:12 Ouverture Suite in A Minor, TWV 55:a2: V. Réjouissance
00:43:12 Ouverture Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
00:44:58 Ouverture Suite in A Minor, TWV 55:a2: VII. Polonoise
00:48:28 Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
00:51:14 Recorder Concerto in F Major, TWV 51:F1: II. Allegro
00:54:48 Recorder Concerto in F Major, TWV 51:F1: III. Adagio
00:57:14 Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
01:00:28 Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
01:03:34 Recorder Concerto in C Major, TWV 51:C1: II. Allegro
01:07:22 Recorder Concerto in C Major, TWV 51:C1: III. Andante
01:11:13 Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet
Artist:
Erik Bosgraaf (recorder)
Ensemble Cordevento
"El amor nunca dejará de ser"
Tomado de la Gira San Pablo en España ésta es la primera presentación de esta canción.
La temática es la gran enseñanza del Amor en letra de San Pablo. El niño es ejemplo de Fe, pero no así de Amor. Por eso, al Madurar la fe en el Amor debe de hacerlo también junto con el concepto mismo del Amor. Todo esto basado en 1 Corintios 13, 11.
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Tracklist below.
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Composers: Aram Ilyich Khachaturian
Artists: Bolshoi Theatre Orchestra, Evgeny Svetlanov (conductor)
Along with Shostakovich and Prokofiev, Khachaturian was one of the most famous and celebrated composers of the Soviet Union. Born in Tbilisi, Georgia, his earliest musical influences were the folk music of Georgia and of his ancestral homeland, Armenia. His ballet Gayaneh, composed in 1942, tapped into this passion for his Armenian heritage; set on a collective farm, its story is concerned with the triumph of love and loyalty to the Motherland over treason – themes that would keep Stalin happy. Khachaturian’s later ballet Spartacus, written in 1956, took the famous story of the Greek slave turned gladiator and his defeat of the Roman general Crassus as its basis. Composed in the dying years of Stalin’s rule, Khachaturian and his audiences were drawn to the story’s theme of resistance against tyranny.
Several movements from these ballets have taken on a life outside the original ballet suites – for example, the Sabre Dance from Gayaneh and the famous Adagio from Spartacus – ensuring that these wonderful and colourfully scored ballet suites have become firm favourites in the concert hall.
‘The Bolshoi orchestra are obviously completely at home in this repertoire, and Svetlanov’s ear for orchestral detail is as sure as ever. How beautifully he handles the tapering down at the end of the ‘Dance of the Nymphs’ (from Spartacas), while the opening of the ‘Dance of the Young Girls of Gadès’ brings a slow, subtle crescendo… The famous ‘Adagio of Spartacus and Phrygia’ has never sounded more touchingly refined on record and the climax does not disappoint. In Gayaneh there is a beguilingly sinuous sophistication in ‘Ayesha’s dance’, and the ‘Lullaby’ and ‘Gayeneh’s Adagio’ are beautifully played, creating much delicacy of texture.’ Gramophone.
00:00:00 Gayaneh, Ballet Suite: Dance of the Rose Maidens
00:02:41 Gayaneh, Ballet Suite: Aysha’s Dance
00:07:04 Gayaneh, Ballet Suite: Dance of the Highlanders
00:09:01 Gayaneh, Ballet Suite: Lullaby
00:14:54 Gayaneh, Ballet Suite: Noune’s Dance
00:16:39 Gayaneh, Ballet Suite: Armen’s Var
00:18:37 Gayaneh, Ballet Suite: Gayaneh’s Adagio
00:22:37 Gayaneh, Ballet Suite: Lezghinka
00:25:35 Gayaneh, Ballet Suite: Dance with Tambourines
00:28:35 Gayaneh, Ballet Suite: Sabre Dance
00:30:58 Spartacus, Ballet Suite: Introduction – Dance of the Nymphs
00:37:02 Spartacus, Ballet Suite: Aegina’s Dance
00:41:02 Spartacus, Ballet Suite: Scene and Dance with Crotalums
00:44:55 Spartacus, Ballet Suite: Adagio of Spartacus and Phrygia
00:54:38 Spartacus, Ballet Suite: Dance of the Gaditan Maidens – Victory of Spartacus
Este vídeo es sobre BECAS HONDURAS 2015. Consuelen a mi Pueblo como fundación entrega becas para que muchos niños y niña puedan seguir estudiando en colegios católicos.
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Composer: Nicolò Paganini
Artist: Luigi Attademo (Guitar)
Nicolò Paganini’s works for guitar were only published in their entirety in 1989. The Genoese musician was a sensation during his lifetime and is still counted among the greatest violinists of all time, yet he was also an excellent guitarist. At the other end of the compositional spectrum to his works for violin, Paganini’s guitar works have a more intimate feel; not intended for the concert hall, they are often free from the virtuosic display that was typical of solo works of the era.
The Ghiribizzi collection contains a charm and simplicity appropriate to the musical proficiency and development of a young guitar student, concentrating on areas such as ornamentation, scalic exercises and pedal notes. The 37 Sonatas are a collection of two-movement pieces (with the exception of No.11 and Nos. 34–37); among the movements are charismatic minuets, mellow Andantinos and lilting waltzes. A further wealth of compositional variation can be found in the Guitar works MS85–105. The Grande Sonata, one of Paganini's most popular works, originally employed the violin as an accompaniment to the guitar; this collection provides a performance of the Sonata for solo guitar -- a real treat. The use of a period guitar for this recording adds a special quality to the collection.
Tracklist in the comment description.
¡Feliz día del amor y la amistad de parte de Vástago!
Fue imposible incluir todas las decenas de miles de fotos recibidas. ¡Gracias por participar!
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Hna Glenda visita la casa-refugio para inmigrantes en Ensenada, México.
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https://brilliant-classics.lnk.to/BestOfChopin
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Composer & Artist:
Composer: Frédéric François Chopin
Artists: Various artists
About this Album:
3 CD's containing the best music composed by Frédéric François Chopin.
Tracklist:
00:00:00 Ballade No. 1 in G Minor, Op. 23
00:08:28 Prelude in C sharp Minor, Op. 45
00:12:53 Rondo a la Mazur in F, Op. 5
00:22:37 Polonaise in A, Op. 40 No. 1 “Military”
00:28:13 Etude in A-Flat, Op. 25 NO. 1 “Aeolian Harp”
00:30:51 Waltz in E-Flat, Op. 18
00:35:58 Nocturne in C-Sharp Minor, Op. 27 No. 1
00:41:03 Mazurka Op.24 No. 1 in G Minor
00:44:03 Mazurka Op. 24 No. 2 in C
00:46:25 Mazurka Op. 24 No. 3 in A-Flat
00:48:55 Mazurka Op. 24 No. 4 in B-Flat Mino
00:53:04 Fantasie in F Minor, Op. 49
01:06:14 Andante Spianato et Grande Polonaise Brilliante in E-Flat, Op. 22
01:20:31 Nocturne in D-Flat, Op. 27 No. 2
01:26:57 Krakoviak for piano & orchestra, Op. 14
01:42:49 Nocturne in C-Sharp Minor, Op. Posth.
01:46:54 Mazurka Op. 59 No. 1 in A Minor
01:50:32 Mazurka Op. 59 No. 2 in A-Flat
01:53:16 Mazurka Op. 59 No. 3 in F-Sharp Minor
01:56:45 Impromptu in A-Flat, Op. 29
02:00:32 Waltz in A Minor, Op. 34 No. 1
02:05:56 Ballade No. 4 in F Minor, Op. 52
02:17:21 Berceuse in D-Flat, Op. 57
02:22:30 Polonaise in A-Flat, Op. 53 “Heroic”
02:29:32 Nocturne in E-Flat, Op. 9 No. 2
02:33:42 Waltz in D-Flat, Op. 64 No. 1 “Minute Waltz”
02:35:28 Waltz in C-Sharp Minor, Op. 64 No. 2
02:39:09 Ballade No. 3 in A-Flat, Op. 47
02:46:31 Souvenir de Paganini
02:50:49 Fantasie-Impromptu No. 4 in C-Sharp Minor, Op. 66
02:55:59 Etude in E, Op. 10 No. 3 “Tristesse”
03:00:02 Scherzo No. 2 in B-Flat Minor, Op. 31
03:09:52 Prelude in D-Flat, Op. 28 No. 15 “Raindrop”
03:15:08 Etude in C Minor, Op. 10 No. 12 “Revolutionary”
03:17:54 Nocturne in B-Flat Minor, Op. 9 No. 1
03:23:07 Barcarolle in F-Sharp, Op. 60
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Roma - Basilica di San Paolo Fuori le Mura - Chrystal Symphony Orchestra diretta da Giampaolo Violi - Cori: Gruppo Vocale Cristallo Roma (Dr. Piero Melfa e Ida Piccolantonio), Liberi Cantores Aprilia (LT) (Dr. Rita Nuti) - Ensemble Notevolmente Roma (Dr. Marco Schunnach) - Corale Centonote Roma (Rino Andolfi) - Corale "G. Savani" Carpi (MO) (Dr. Giampaolo Violi), Coro di Voci Bianche "Cantintondo" Aprilia (LT) (Dr. Rita Nuti), Coro di Voci Bianche ArCoroBaleno Piranesi Roma (Dr. Rino Andolfi) - Soprano: Maria Ausilia D'Antona - Soprano Monica Di Maria - Mezzosoprano: Chiara Chialli - Direzione artistica: Giovanni Galotta - Regia Arianna Pieragostini.
La musica pubblicata in questo canale ha esclusivamente scopi di divulgazione e non commerciali.
Chi dovesse sostenere che un qualsiasi video pubblicato in questo canale viola il diritto d'autore, prima di inviare una richiesta di Youtube, lo invito vivamente ad informarmi ... provvederò personalmente a rimuoverlo.
Provided to YouTube by Universal Music Group
Jenkins: Dona Nobis Pacem (Part I) · Adiemus · Karl Jenkins · The Adiemus Singers · London Philharmonic Orchestra
Adiemus V - Vocalise
℗ A Decca Records Recording; ℗ 2003 Karl Jenkins Music Ltd, under exclusive licence to Universal Music Operations Limited
Released on: 2019-01-01
Conductor, Producer: Karl Jenkins
Choir: The Adiemus Singers
Studio Personnel, Engineer: Guy Wiffen
Studio Personnel, Mixer: Steven Price
Producer, Executive Producer: Helen Connolly
Orchestra: London Philharmonic Orchestra
Producer: Jody K. Jenkins
Composer, Author: Karl Jenkins
Auto-generated by YouTube.
Lafayette High School's Symphonic Orchestra performs Passacaglia by Karl Jenkins at their March 8, 2011 Pre-Festival Concert. Conducted by Mr. Joseph Gutowski.
Vangelis - Message (Audio)
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List of materials:
Black lead holder: H lead
Red lead holder: 2B lead
Kneaded eraser
Pencil eraser (Magic Rub)
Soft, synthetic brush
White drawing paper, fine grain
This tutorial shows how to draw a rose and drawing roses in 3D as well as simply sketch.
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The link for the water drop tutorial is this: http://www.youtube.com/watch?v=82e3Osa83_w
