Buenas, antes que todo doy gracias a Dios por la vida de esta cantante, es una canción hermosa y me tome la libertad de editarla. No tiene publicidad mía, ni de otras iglesias y mucho menos de paginas de Internet.
Disfrútenlo.

Whitney Houston's official music video for 'Try It On My Own'. Click to listen to Whitney Houston on Spotify: http://smarturl.it/WhitneyHSpo....tify?IQid=WhitneyHTI

As featured on Just Whitney. Click to buy the track or album via iTunes: http://smarturl.it/JustWhitney?IQid=WhitneyHTIO
Google Play: http://smarturl.it/TIOGPlay?IQid=WhitneyHTIO
Amazon: http://smarturl.it/JustWhitney....Amazon?IQid=WhitneyH

More From Whitney Houston
I Will Always Love You: https://youtu.be/3JWTaaS7LdU
I Look To You: https://youtu.be/5Pze_mdbOK8
I Wanna Dance With Somebody: https://youtu.be/eH3giaIzONA

More great 00s videos here: http://smarturl.it/Ultimate00?IQid=WhitneyHTIO

Follow Whitney Houston
Website: http://www.whitneyhouston.com
Facebook: https://www.facebook.com/WhitneyHouston

Subscribe to Whitney Houston on YouTube: http://smarturl.it/WhitneyHous....tonSub?IQid=WhitneyH

---------

Lyrics:

I'm wiser now
I'm not the foolish girl you used to know
So long ago
I'm stronger now
I've learned from my mistakes which way to go
And I should know
I put myself aside to do it your way
But now I need to do it all alone

And I am not afraid to try it on my own
I don't care if I'm right or wrong
I'll live my life the way I feel
No matter what I'll keep it real you know
Time for me to do it on my own
Yeah yeah, mmm, yeah yeah

It's over now
I can't go back to living through your eyes
Too many lies
And if you don't know by now
I can't go back to being someone else
Not anymore
I never had a chance to do things my way
So now it's time for me to take control

University of North Carolina - Greensboro
- Symphony Orchestra
- Chamber Singers
- University Chorale
- Men's and Women's Glee Clubs
Welborn E. Young, conductor

with
Carrboro High School Chamber Choir - Kay Johnson, director
Chapel Hill High School Chamber Choir - Jeremy Nabors, director
East Chapel Hill High School Chamber Choir - Desiree Davis-Omburo, director
Greensboro Day School Select Choir - Brett Nolker, director

Sunday, February 28, 2016, 3:30pm
UNCG Auditorium, Greensboro, NC

Live audio and video recording by Mark Manring - http://www.manring.net
(7) V2

•••SUBBABLE MESSAGE•••

TO: Ciaran
FROM: your sister Jillian

Happy birthday! Hope you enjoy being immortalized via doobly-doo!

***

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***

Anatomy & Physiology continues with a look at your biggest organ - your skin.

--

Table of Contents:

All About Skin 0:22
Epidermis, Dermis, & Hypodermis 1:30
Melanin And Keratin Cells 2:15
Ensure You Get A Good Tattoo 8:01

--

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A trip to #Mars involves radiation, muscle and bone loss, intermediate axis theorem and liquids.
Check out Mars on National Geographic, Monday Nov 12 at 9/8c
#sponsored

When I got offered the chance to fly in another #zeroG plane, I jumped at the chance. Do you know how hard it is when you are thrust into low-gravity, like the 37% of Earth's gravity of Mars, and you have to remember what you were going to say in a 30 second window as blood floods your head? It's pretty hard. It would be even harder to actually travel to Mars. It would take about 8 months in microgravity during which time your muscles and bones would weaken substantially, even if you exercise for hours a day like the astronauts on the space station. And your heart is a muscle too so it weakens as well. Before I contemplated these rates of muscle and bone loss, I thought the major challenge with a round trip journey to Mars would be the logistics of spacecraft and having enough fuel to get back. But with the weakening of the human body, it's an open question whether anyone would really want to come back.

Filmed by Steve Boxall

Music from Epidemic Sound: http://epidemicsound.com

Solo Goofy conoce los ingredientes que contiene su increíble combustible pero lo que nadie sabe es qué poderes les dará esta vez a los bólidos de Mickey y sus amigos. Descubre este misterio de las colinas Hot Dog en Disney Junior. Mickey: Aventuras sobre ruedas, en Disney Junior

Sitio Oficial: http://www.disneylatino.com/disneyjunior/

Síguenos en Facebook: http://www.facebook.com/DisneyJuniorLatinoamerica

¡Haz click en el botón SUSCRIBIR y entérate de los nuevos videos de Disney Junior en Youtube!

NUEVO: https://www.youtube.com/watch?v=HBC21hmvdvY

Lista de canciones:
01. Supe Que Me Amabas
02. Antes De Ti
03. Un Viaje Largo
04. En Tu Hogar
05. Es Una Aventura
06. Girando Hacia Ti
07. El Mismo
08. Mas Que Un Anhelo
09. Me Haces Crecer
10. Quiero Ver
11. Tu Palabra
Follow Marcela Gandara:
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Vastago:
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https://www.facebook.com/vastagomusic
https://twitter.com/vastagomusic

The total solar eclipse from Madras, Oregon on August 21, 2017. As the moon passed in front of the sun turning day to night and revealing the sun's corona, apparently all I could think to say was 'Oh my goodness!'

Special thanks to Patreon Supporters:
Nathan Hansen, Donal Botkin, Ron Neal, Zach Mueller, Jeff Straathof, Curational, Tony Fadell

Everyone says not to photograph your first solar eclipse and I think they might be right. I was focused on getting the exposure right for Bailey's beads and the diamond ring, plus making sure to get the corona and solar flares. This was a bit stressful but I'm delighted with the results.

This video originally included more info but since I'm uploading from Madras where the internet is sluggish, I cut out three minutes so the upload would happen before I had to leave for my flight.

Special thanks also to Dr. Teagan Wall for sharing this experience with me and Raquel Nuno for inspiring me to come to Oregon.

Music from http://epidemicsound.com "Spinning Earth 2" and
Kevin MacLeod http://incompetech.com "Big Mojo"

Minnie Toons - Hogar, limpio hogar
Moños y diversión junto a Minnie y su mejor amiga Daisy.

Sitio Oficial: http://www.disneylatino.com/disneyjunior/

Síguenos en Facebook: http://www.facebook.com/DisneyJuniorLatinoamerica

¡Haz click en el botón SUSCRIBIR y entérate de los nuevos videos de Disney Junior en Youtube!

Whitney Elizabeth Houston

Born: August 9, 1963, Newark, NJ

Died: February 11, 2012, Beverly Hills, CA

The sad truth of one of America's most talented Singers and Actress.
Worth more dead than alive.
She did not die because of a drug overdose..
She died from forceful drowning...
Whitney almost drowned in the pool the same day they found her dead....
Her daughter almost drowned in that same tub the day before. I have to update water was at burning temptures, I made a mistake with that. Her body had burn Mark's from being drown in that tub.
She also had defense wounds on her body. Proving there was a struggle.


Interview she walks in on saying "They tried to drown me again, Yes again!"
Interview https://youtu.be/wmxSNgyVNrU

Super bowl Performance Ritual
https://youtu.be/W795W63n7mA

Super bowl commerical
https://youtu.be/uKmvcNY1U_g

Jennifer Hudson Whitney tribute at 54th Grammys
https://youtu.be/ZIAW8eEcRLM

Illuminati Scarfice
https://youtu.be/__rTc5Jnzc4

Like, Share & Subscribe!
Hit that ?
Email :Witchy.Glam.Inc@gmail.com
Website: witchyglaminc.com/shop

It thinks I'm dodging.

https://ko-fi.com/the_rearview_mirror
https://www.patreon.com/The_Rearview_Mirror

In which John Green teaches you how to assess the sources of information you find on the internet. The growing suspicion of expertise is a growing problem on the internet, and it can be very difficult to figure out which sources are authoritative. In this episode John offers some strategies to help you identify credible sources and take into account a source's point of view.

Special thanks to our partners from MediaWise who helped create this series:
The Poynter Institute
The Stanford History Education Group (sheg.stanford.edu)

Follow MediaWise and their fact-checking work across social:
https://www.instagram.com/mediawise/
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https://twitter.com/mediawise
https://www.facebook.com/MediaWise/

MediaWise is supported by Google.

Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse

Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

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Tracklist below.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/KhachaturianBall
More Information: https://www.brilliantclassics.....com/articles/k/khach
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

Composers: Aram Ilyich Khachaturian
Artists: Bolshoi Theatre Orchestra, Evgeny Svetlanov (conductor)

Along with Shostakovich and Prokofiev, Khachaturian was one of the most famous and celebrated composers of the Soviet Union. Born in Tbilisi, Georgia, his earliest musical influences were the folk music of Georgia and of his ancestral homeland, Armenia. His ballet Gayaneh, composed in 1942, tapped into this passion for his Armenian heritage; set on a collective farm, its story is concerned with the triumph of love and loyalty to the Motherland over treason – themes that would keep Stalin happy. Khachaturian’s later ballet Spartacus, written in 1956, took the famous story of the Greek slave turned gladiator and his defeat of the Roman general Crassus as its basis. Composed in the dying years of Stalin’s rule, Khachaturian and his audiences were drawn to the story’s theme of resistance against tyranny.

Several movements from these ballets have taken on a life outside the original ballet suites – for example, the Sabre Dance from Gayaneh and the famous Adagio from Spartacus – ensuring that these wonderful and colourfully scored ballet suites have become firm favourites in the concert hall.

‘The Bolshoi orchestra are obviously completely at home in this repertoire, and Svetlanov’s ear for orchestral detail is as sure as ever. How beautifully he handles the tapering down at the end of the ‘Dance of the Nymphs’ (from Spartacas), while the opening of the ‘Dance of the Young Girls of Gadès’ brings a slow, subtle crescendo… The famous ‘Adagio of Spartacus and Phrygia’ has never sounded more touchingly refined on record and the climax does not disappoint. In Gayaneh there is a beguilingly sinuous sophistication in ‘Ayesha’s dance’, and the ‘Lullaby’ and ‘Gayeneh’s Adagio’ are beautifully played, creating much delicacy of texture.’ Gramophone.

00:00:00 Gayaneh, Ballet Suite: Dance of the Rose Maidens
00:02:41 Gayaneh, Ballet Suite: Aysha’s Dance
00:07:04 Gayaneh, Ballet Suite: Dance of the Highlanders
00:09:01 Gayaneh, Ballet Suite: Lullaby
00:14:54 Gayaneh, Ballet Suite: Noune’s Dance
00:16:39 Gayaneh, Ballet Suite: Armen’s Var
00:18:37 Gayaneh, Ballet Suite: Gayaneh’s Adagio
00:22:37 Gayaneh, Ballet Suite: Lezghinka
00:25:35 Gayaneh, Ballet Suite: Dance with Tambourines
00:28:35 Gayaneh, Ballet Suite: Sabre Dance
00:30:58 Spartacus, Ballet Suite: Introduction – Dance of the Nymphs
00:37:02 Spartacus, Ballet Suite: Aegina’s Dance
00:41:02 Spartacus, Ballet Suite: Scene and Dance with Crotalums
00:44:55 Spartacus, Ballet Suite: Adagio of Spartacus and Phrygia
00:54:38 Spartacus, Ballet Suite: Dance of the Gaditan Maidens – Victory of Spartacus

Delta Airlines (Karaoke Version) (In the Style of Adiemus) · The Karaoke Universe

Delta Airlines (Karaoke Version) (In the Style of Adiemus)

℗ The Karaoke Universe

Released on: 2014-02-06

Music Publisher: D.R
Author: The Karaoke Universe
Composer: The Karaoke Universe

Auto-generated by YouTube.

Por Carolina Requena
Todavía era muy joven cuando supo que estaba embarazada de su novio. Desde el primer momento él la apoyó y le dijo que juntos se harían cargo del niño y saldrían adelante. Sin embargo, Patricia Sandoval, asustada por su futuro y mal aconsejada por unas amigas, decidió abortar.

Luego vino el segundo y después el tercer hijo abortado. Al poco tiempo, esta mexicana comenzó a trabajar en la transnacional abortista Planned Parenthood donde ayudaba a otras jóvenes a abortar. Allí descubrió las mentiras y el negocio que estaba detrás.

Sin embargo, no fue hasta que producto de las drogas y las malas influencias, tocó fondo y entonces la misericordia de Dios permitió que ella tuviera un encuentro con Cristo, que le hizo levantarse y renacer en la fe.

Patricia se convirtió al catolicismo en 2002 luego de que había quedado sola viviendo en la calle durante tres años, abandonada por su novio y supuestos amigos, en extrema delgadez, desesperada sentada en una banca, sin nada que comer, se dio cuenta que no tenía nada y comenzó a llorar.

En entrevista concedida a ACI Prensa en Santiago de Chile, Sandoval dijo que en ese momento “por primera vez en mi corazón sentí muy fuerte la presencia de Dios en el Cielo que me miraba y estaba conmigo. Volteé la cara arriba hacia el Cielo, miraba las nubes y le dije a Dios Padre: No tengo nada, no te conozco pero sé que existes y en este momento eres lo único que tengo. Te quiero agradecer mi niñez y lo feliz que era y sé que todo lo bueno que tenía venía de ti. Perdón por destruir mi vida”.

En la calle y sola sintió un abrazo y cuando volteó para ver quien la abrazaba, miró a una jovencita que “con amor, misericordia y una sonrisa brillante me miró y me dijo: Jesús te ama. Soy mesera en ese restaurante de la esquina. Dios me habló al corazón y me dijo que te dijera que Él te ama. Aunque tu padre o tu madre te abandonen, Él nunca te va a abandonar y Él te promete estar contigo hasta los finales de los tiempos”.

La mesera le dijo también luego: “’Patricia hoy regresas a casa’. Dios entró en mi miseria, fue por mí y me levantó con su misericordia y amor infinito”.

Activista pro-vida

Hoy Patricia, de 34 años, viaja por el mundo dando su testimonio, defendiendo la vida y ayudando a jóvenes a no abortar con su apostolado el "Viñedo de Raquel" en defensa de la vida desde la concepción www.patriciasandoval.com

De paso por Chile, invitada a dar su testimonio por la organización pro-vida ISFEM (Investigación, formación y estudio sobre la mujer) contó a ACI Prensa cómo decidió hacerle una valiente promesa a Dios: ser la voz de los que no tienen voz y aún están en el vientre materno.

“Yo le hice una promesa a Dios, no importando que la gente me conozca como la mujer que abortó tres hijos. Desafortunadamente mucha gente en mi familia no apoya lo que hago, he perdido familia, la gente me ha humillado, pero para mí Dios es más importante, la vida es más importante”, aseguró.

“Yo le prometí a Dios que yo iba a ser esa voz de todos esos niños que no pueden gritar, que no pueden hablar, y de toda esas mujeres y hombres que están sufriendo el síndrome post aborto y están en silencio”, indicó luego.

Agregó que en la clínica donde trabajó como enfermera, durante tan sólo tres semanas, donde aconsejaba a las mujeres antes del aborto y asistía además a los doctores durante la operación, “la encargada me decía, Patricia si tú miras que una joven tiene miedo de abortar y se quiere arrepentir, tú vas a hacer todo en tu poder para que esta joven no falte a su cita. Tú les va a decir que tú tuviste tres abortos y que tú estás muy bien y que ellas van a estar muy bien”.

Patricia explicó que “en los Estados Unidos más o menos se cobran por aborto de 500 a 1000 dólares. Hay ciertas clínicas, en diferentes estados, donde hoy en día se practican 30 abortos por hora. Entonces podemos ver que es totalmente un negocio, incluso después del aborto no termina el negocio ahí, hoy en día hay cremas, productos cosméticos que son hechos de bebés, de partes humanas. Entonces el negocio sigue”.

Sobre el proyecto de despenalización del aborto que se discute en Chile Patricia dijo: “imagino que Chile no quiere una generación con jóvenes de 10 años, 11 o 12 años abortando aquí. Si la ley de aborto se aprueba en Chile les espera una cultura de muerte”.

Puso como ejemplo lo que sucede en Estados Unidos donde, según expuso, “51 por ciento de las mujeres que abortan una vez, terminando abortando dos, tres, cuatro, cinco veces. No queremos que aquí reine la muerte, sino que reine la vida”.

www.aciprensa.com

Want more videos about psychology every Monday and Thursday? Check out our sister channel SciShow Psych at https://www.youtube.com/scishowpsych!

You know what's amazing? That we can talk to people, they can make meaning out of it, and then talk back to us. In this episode of Crash Course Psychology, Hank talks to us and tries to make meaning out of how our brains do this thing called Language. Plus, monkeys!

--
Table of Contents

Phonemes, Morphemes, Grammar 01:48:13
Receptive and Productive Language 03:22:06
Babbling 03:55:22
How We Acquire Language 05:50:22

--
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The talented musician Erik Bosgraaf recorded the Complete Suites and Concertos for Recorder of Georg Phillip Telemann. This video contains the full album.

Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannComplete
For physical sales: http://brilliantclassics.com/a....rticles/t/telemann-c
Listen on Spotify: https://open.spotify.com/album..../46zjwcVWCHGVYNVhu6I

Telemann’s concertos offer a unique combination of virtuosity, wit and sense of the theatrical. Having taught himself to play the instrument as a child, the German master had a special understanding of and fondness for the recorder, and for it he created a new hybrid form, the Suite auf Concertenart, which combines soloistic display with baroque dances.

These suites and concertos may be less overtly virtuosic than works in the same genre which were beginning to appear around the same time over the other side of the Alps, but Telemann yields nothing to his Italian counterparts in terms of melodic freshness and fertility. The suites are styled in the French manner, as a series of courtly dances, though the A minor Suite features a grand and tragic ‘Air in the Italian style’ and concludes with a snappy Polonaise – one of Telemann’s favourite dance rhythms – reeling away like an inspired tavern fiddler.

Erik Bosgraaf’s discography on Brilliant Classics ranges from Vivaldi (BC94637 – now also available on LP) to Boulez (BC94842), not to mention two previous sets of Telemann – the solo fantasias (BC93757) and sonatas with basso continuo (BC95247) – as well as more rarely encountered delights by Jakob van Eyck (BC93391). These discs and others have garnered both popular attention and critical praise. Of Bosgraaf’s own, composer-approved transcription of the Dialogue de l’ombre double by Boulez, Gramophone commented that ‘balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of any other recorded option.’

Closer to the recorder’s natural home in music several centuries earlier, Julie Anne Sadie wrote in the same magazine about Bosgraaf’s ‘magical version of the ubiquitous Four Seasons. ‘A carefully researched and arrestingly translucent chamber interpretation… the rapport between solo and ripieno forces is simply fabulous.’
00:00:00 Ouverture Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
00:07:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
00:11:04 Ouverture Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
00:12:49 Ouverture Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
00:16:08 Ouverture Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
00:17:57 Ouverture Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
00:18:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
00:20:54 Ouverture Suite in A Minor, TWV 55:a2: I. Ouverture
00:29:35 Ouverture Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:32:22 Ouverture Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:38:30 Ouverture Suite in A Minor, TWV 55:a2: IV. Menuet I & II
00:41:12 Ouverture Suite in A Minor, TWV 55:a2: V. Réjouissance
00:43:12 Ouverture Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
00:44:58 Ouverture Suite in A Minor, TWV 55:a2: VII. Polonoise
00:48:28 Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
00:51:14 Recorder Concerto in F Major, TWV 51:F1: II. Allegro
00:54:48 Recorder Concerto in F Major, TWV 51:F1: III. Adagio
00:57:14 Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
01:00:28 Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
01:03:34 Recorder Concerto in C Major, TWV 51:C1: II. Allegro
01:07:22 Recorder Concerto in C Major, TWV 51:C1: III. Andante
01:11:13 Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet

Artist:
Erik Bosgraaf (recorder)
Ensemble Cordevento

Level 8-Wudang Rescue
Platforms:Playstation 2,Windows PC,Nintendo Wii,Playstation 3 And Xbox 360
Develonpers:Luxoflux,Xpec,Dreamworks Animation SKG And Activision

musica cristiana