"Gayatri is the embodiment of all Gods and all Mantras....... There is no need to chant any other Mantra if you chant the Gayatri Mantra" Sathya Sai Baba, march 2000.

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20 de junio, 2016. Papa visita residencia de sacerdotes ancianos enfermos, para darles gracias
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This is the second video reviewing the Saramonic Mix Mic Audio System. I wanted to see if I could get good sound recording directly into a DSLR. The short version? If I were going to record audio into my DSLR camera, I would definitely use this system. Links below...

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Erik Bosgraaf is an established Brilliant Classics artist whose recordings span the centuries. His previous release was of Pierre
Boulez, a recording of Dialogue de l’ombre double (BC94842) that won warm critical opinions such as this from Gramophone:
‘Balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of
any other recorded option.’

In his latest recording, he brings these same qualities (minus the electronics) to the music of Telemann, who as a player of the
instrument lavished particularly rich treasures upon it, even considering a total output of over 3000 separate works. Bosgraaf has made a personal selection of sonatas from various chamber music collections which Telemann made throughout his career such as the Musique de table, Essercizii musicali and Der getreue
Music‐meister, especially during the latter stages of his career when he was still producing music with a phenomenal industry not least due to the need to recoup his wife’s enormous gambling debts. The result is something of a love‐letter to the recorder, celebrating its qualities of agility and songfulness, full of syncopated quick movements, Italianate arias and taking in both arcane technical devices such as canons as well as simple folk tunes from Poland. Bosgraaf plays a wide selection of recorders to match the breadth of Telemann’s invention. The harpsichord used is a Mietke model by Bruce Kennedy. This release should join an acclaimed version of Vivaldi’s Four Seasons (BC94637) as one of the most popular items in the ever‐growing discography of this exciting young recorder virtuoso.

This selection gives you an beautiful impression of the first volume of the J.S. Bach - Complete Edition. For the Complete first Volume and the Complete Boxset please check the following links:

Physical purchase: http://brilliantclassics.com/a....rticles/j/js-bach-co

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
Vol. 1: https://brilliant-classics.lnk.to/bachvol1
Vol. 2: https://brilliant-classics.lnk.to/Bachvol2
Vol. 3: https://brilliant-classics.lnk.to/Bachvol3
Vol. 4: https://brilliant-classics.lnk.to/Bachvol4
Vol. 5: https://brilliant-classics.lnk.to/Bachvol5
Vol. 6: https://brilliant-classics.lnk.to/Bachvol6
Vol. 7: https://brilliant-classics.lnk.to/Bachvol7
Vol. 8: https://brilliant-classics.lnk.to/Bachvol8
Vol. 9: https://brilliant-classics.lnk.to/Bachvol9
Vol. 10: https://brilliant-classics.lnk.to/Bachvol10


Tracklist:
00:00:00 Concerto No. 1 in F Major, BWV 1046: I. –
00:03:54 Concerto No. 1 in F Major, BWV 1046: II. Adagio
00:07:28 Concerto No. 1 in F Major, BWV 1046: III. Allegro
00:11:34 Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Trio No. 1 - Polonaise - Trio No. 2
00:19:39 Concerto No. 4 in G Major, BWV 1049: I. Allegro
00:26:21 Concerto No. 4 in G Major, BWV 1049: II. Andante
00:29:52 Concerto No. 4 in G Major, BWV 1049: III. Presto
00:34:26 Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture
00:40:05 Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante
00:41:43 Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavotte No. 1 - Gavotte No. 2
00:44:10 Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane
00:45:27 Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuet No. 1 - Menuet No. 2
00:48:12 Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrée No. 1 - Bourrée No. 2
00:50:37 Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepied No. 1 - Passepied No. 2
00:53:46 Violin Concerto in E Major, BWV 1042: I. Allegro
01:00:57 Violin Concerto in E Major, BWV 1042: II. Adagio
01:07:43 Violin Concerto in E Major, BWV 1042: III. Allegro assai
01:10:31 Harpsichord Concerto in D Minor, BWV 1052: I. Allegro
01:18:19 Harpsichord Concerto in D Minor, BWV 1052: II. Adagio
01:24:00 Harpsichord Concerto in D Minor, BWV 1052: III. Allegro
01:32:03 Harpsichord Concerto in F Minor, BWV 1056: I. –
01:36:31 Harpsichord Concerto in F Minor, BWV 1056: II. Largo
01:38:58 Harpsichord Concerto in F Minor, BWV 1056: III. Presto
01:42:31 Concerto in C Major for Two Harpsichords and Strings, BWV 1061: I. –
01:49:30 Concerto in C Major for Two Harpsichords and Strings, BWV 1061: II. Adagio ovvero largo
01:54:40 Concerto in C Major for Two Harpsichords and Strings, BWV 1061: III. Fugue
02:00:21 Concerto in A Minor, BWV 1044: I. Allegro
02:09:16 Concerto in A Minor, BWV 1044: II. Adagio
02:15:18 Concerto in A Minor, BWV 1044: III. Alla breve
02:22:25 Sonata No. 1 in G Minor, BWV 1001: I. Adagio
02:26:48 Sonata No. 1 in G Minor, BWV 1001: II. Fugue. Allegro
02:32:16 Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
02:45:21 Suite No. 5 in C Minor, BWV 1011: I. Prelude
02:51:45 Suite No. 5 in C Minor, BWV 1011: II. Allemande
02:58:32 Suite No. 5 in C Minor, BWV 1011: III. Courante
03:00:58 Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
03:04:01 Suite No. 5 in C Minor, BWV 1011: V. Gavotte No. 1 - Gavotte No. 2
03:09:21 Suite No. 5 in C Minor, BWV 1011: VI. Gigue
03:11:51 Suite No. 2 in D Minor, BWV 1008: I. Prelude
03:15:51 Suite No. 2 in D Minor, BWV 1008: II. Allemande
03:19:32 Suite No. 2 in D Minor, BWV 1008: III. Courante
03:21:58 Sonata in E Minor, BWV 1034: I. Adagio ma non tanto
03:25:04 Sonata in E Minor, BWV 1034: II. Allegro
03:27:34 Sonata in E Minor, BWV 1034: III. Andante
03:30:33 Sonata in E Minor, BWV 1034: IV. Allegro
03:35:36 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Largo
03:40:41 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Allegro
03:45:15 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Andante
03:47:49 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Allegro
03:50:29 Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude
03:53:33 Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fugue
04:00:21 Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro
04:04:42 Partita in C Minor, BWV 997: I. Prelude
04:08:37 Partita in C Minor, BWV 997: II. Fugue
04:16:20 Partita in C Minor, BWV 997: III. Sarabande
04:20:45 Partita in C Minor, BWV 997: IV. Gigue – Double
04:24:17 Sonata in G Minor, BWV 1029: I. Vivace
04:30:13 Sonata in G Minor, BWV 1029: II. Adagio
04:36:08 Sonata in G Minor, BWV 1029: III. Allegro
04:40:26 Musikalisches Opfer, BWV 1079: I. Ricercare a 3
04:46:43 Musikalisches Opfer, BWV 1079: II. Ricercare a 6

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https://brilliant-classics.lnk.....to/ClassicalPianoPl
Composer: Franz Liszt

Franz Liszt is universally celebrated as one of the greatest-ever virtuoso performers on the modern piano. Contemporary accounts describe his seemingly superhuman technical abilities and equally striking charisma and stage presence. Yet Liszt was a formidable composer, and his expansion of pianistic possibilities was achieved as much through innovation in his own great piano works as through his astonishing performance on the instrument, if not more. Like many child virtuosos thrust early into busy concert careers (Liszt’s began at the age of nine) he retired early, weary of the spotlight, turning his back on the stage at the remarkably early age of 35. Since he lived to the likewise remarkable old age of 75, much more than the latter half of his life was devoted solely to composition, and having been a pianist of his calibre, the works he created for his own instrument were indeed groundbreaking.

Tracklist Below:

Played by: Vincenzo Maltempo
00:00:00 Hungarian Rhapsodies No. 1 in C-Sharp Minor, S.244/1
00:13:02 Hungarian Rhapsodies No. 2 in C-Sharp Minor, S.244/2
00:25:41 Hungarian Rhapsodies No. 3 in B-Flat Minor, S.244/3
00:30:58 Hungarian Rhapsodies No. 4 in E-Flat Major
00:36:20 Hungarian Rhapsodies No. 5 in E Minor, S.244/5
00:46:17 Hungarian Rhapsodies No. 6 in D-Flat Major, S.244/6
00:53:22 Hungarian Rhapsodies No. 7 in D Minor, S.244/7
00:58:57 Hungarian Rhapsodies No. 8 in F-Sharp Minor, S.244/8
01:06:13 Hungarian Rhapsodies No. 9 in E-Flat Major, S.244/9
01:17:35 Hungarian Rhapsodies No. 10 in E Major, S.244/10
01:23:39 Hungarian Rhapsodies No. 11 in A Minor, S.244/11
01:29:37 Hungarian Rhapsodies No. 12 in C-Sharp Minor, S.244/12
01:39:56 Hungarian Rhapsodies No. 13 in A Minor, S.244/13
01:50:05 Hungarian Rhapsodies No. 14 in F Minor, S.244/14
02:02:59 Hungarian Rhapsodies No. 15 in A Minor, S.244/15
02:08:49 Hungarian Rhapsodies No. 16 in A Minor, S.244/16
02:13:50 Hungarian Rhapsodies No. 17 in D Minor, S.244/17
02:16:46 Hungarian Rhapsodies No. 18 in F-Sharp Minor, S.244/18
02:19:53 Hungarian Rhapsodies No. 19 in D Minor, Ss.244/19

Played by: Enrico Pace
02:30:04 Années de pèlerinage I, S.160: I. Chapelle de Guillaume Tell
02:35:34 Années de pèlerinage I, S.160: II. Au lac de Wallenstadt
02:38:43 Années de pèlerinage I, S.160: III. Pastorale
02:40:24 Années de pèlerinage I, S.160: IV. Au bord d'une source
02:44:22 Années de pèlerinage I, S.160: V. Orage
02:48:29 Années de pèlerinage I, S.160: VI. Vallée d'Obermann
03:02:20 Années de pèlerinage I, S.160: VII. Eglogue
03:05:58 Années de pèlerinage I, S.160: VIII. Le mal du pays
03:11:54 Années de pèlerinage I, S.160: IX. Les cloches de Genève

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/VivaldiOp6
More Information: https://www.brilliantclassics.....com/articles/v/vival
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer: Antonio Vivaldi
Artists: l'Arte dell'Arco, Federico Guglielmo (violin & concert master)

These performances of Vivaldi’s violins concertos Op. 6 are a far cry from the elegant and charming performances of past generations: played on period instruments Vivaldi sounds powerful, vibrant, full of passion and drama.The “one player per part” formation is based on recent research by English scholar Richard Maunder, and provide a close, immediate sound, as it might have been heard in a Venetian Palace.

Vivaldi’s op.6 concertos first appeared in print in Amsterdam in 1719. However, this edition was unreliable in the extreme. Scoring was incorrect, the number of works indistinct, random movements separated from their correct work, and a host of other errors.
What is clear though is that these concertos are a decisive step forward from the works found in opp. 3 and 4. For example, all follow the fast-slow-fast pattern of the threemovement concerto. The solo violin has prominence, so we are moving away from the concerto-grosso style.
These recordings are the world premiere of the new critical edition by Alessandro Borin, Istituto Italiano Antonio Vivaldi, Fondazione Giorgio Cini,Venice.

00:00:00 Concerto No. 4 in D, RV 216 for violin, strings and continuo: I. Allegro
00:02:01 Concerto No. 4 in D, RV 216 for violin, strings and continuo: II. Adagio
00:03:33 Concerto No. 4 in D, RV 216 for violin, strings and continuo: III. Allegro
00:06:00 Concerto No. 5 in E Minor, RV 280 for violin, strings and continuo: I. Allegro
00:09:00 Concerto No. 5 in E Minor, RV 280 for violin, strings and continuo: II. Largo
00:11:05 Concerto No. 5 in E Minor, RV 280 for violin, strings and continuo: III. Allegro)
00:13:05 Concerto No. 6 in D Minor, RV 239 for violin, strings and continuo: I. Allegro
00:16:29 Concerto No. 6 in D Minor, RV 239 for violin, strings and continuo: II. Largo
00:18:55 Concerto No. 6 in D Minor, RV 239 for violin, strings and continuo: III. Allegro
00:22:03 Concerto No. 2 in E-Flat, RV 259 for violin, strings and continuo: I. Allegro
00:26:00 Concerto No. 2 in E-Flat, RV 259 for violin, strings and continuo: II. Largo
00:27:47 Concerto No. 2 in E-Flat, RV 259 for violin, strings and continuo: III. Allegro
00:30:48 Concerto No. 1 in G Minor, RV 324 for violin, strings and continuo: I. Allegro
00:34:19 Concerto No. 1 in G Minor, RV 324 for violin, strings and continuo: II. Grave
00:37:33 Concerto No. 1 in G Minor, RV 324 for violin, strings and continuo: III. Allegro
00:40:11 Concerto No. 3 in G, RV 318 for violin, strings and continuo: I. Allegro
00:43:17 Concerto No. 3 in G, RV 318 for violin, strings and continuo: II. Adagio
00:45:00 Concerto No. 3 in G, RV 318 for violin, strings and continuo: III. Allegro

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/overtures1
Physical purchase: http://www.brilliantclassics.c....om/articles/t/telema
Facebook page: https://www.facebook.com/brilliantclassics/

Composer: Georg Philipp Telemann
Artists: Collegium Instrumentale Brugense, Patrick Peire (conductor)

Georg Philipp Telemann (1681–1767) was one of the most prolific composers of the 18th century; although the largest part of his compositional activities were devoted to vocal music, he wrote a substantial number of overtures, which this splendid 8-disc collection is dedicated to.

Although Telemann chose the title of ‘Overtures’, this was somewhat interchangeable with the genre of the Suite in his era. Each work opens with a three-part French overture, and this is followed by a series of varied, shorter pieces – encompassing everything from dances (drawn from the French tradition and beyond), fugues, chaconnes, passacailles, musical portraits, folk dances and evocations of scenes and characters.

In these eight discs, Collegium Instrumentale Brugense and Patrick Peire’s three separate volumes of Telemann Overtures have been collected together for the first time, creating a box set that is set apart by its breadth. Its overview of 33 Overtures illuminates Telemann’s hugely inventive approach to instrumentation, while revealing the wealth of subjects that he sought inspiration in. The ‘Alster Overtüre’, for example, named after the Alster river in Germany, features a ‘Concert of Frogs and Crows’, while another Overture is inspired by Cervantes’ Don Quixote.

A generous selection of 33 Overtures (or Orchestral Suites) by Georg Philipp Telemann, formerly issued separately, now collected in one 8-CD set. This collection contains the Last 2 out of 8 discs.

CD1: TWV55: D18, G10 ‘Burlesque de Quixotte’, c2 & D4
CD2: TWV55: F11 ‘Alster’, B5 ‘Volker’,d2 & B7
CD3: TWV55: a4, A4, D23 & G4 ‘Des Nations anciens et modernes’
CD4: TWV55: D22 ‘Ouverture jointes d’une Suite tragi-comique’, e7, h4, e3 & c4
CD5: TWV55: d3, F4, B11 ‘La Bourse’ & Es1
CD6: TWV55: C6, f1, B8 ‘Burlesque’ & g9
-CD7: TWV55: D17, A2, a2 & e8 ‘l’Omphale’
-CD8: TWV55: F16 ‘Pour S.A.S. Monseigheur Le Landgrave de Darmstadt’, g2 ‘La Changeante’, G7 & D13 ‘La Gaillarde’


Tracklist can be found in the comment section below!

Tracklist in the Comment Section:
Spotify: https://open.spotify.com/album..../2QxN1IuNDfpMAmqKBKh
Physical CD: http://brilliantclassics.com/a....rticles/t/tessarini-
iTunes: https://itunes.apple.com/album..../tessarini-violin-so

The 18th-century Italian Carlo Tessarini has only emerged relatively recently as the brilliant musician and composer that he was (thanks, in part, to an in-depth study published in 2012). He travelled widely, taking on diverse forms of work, and remaining musically active until a ripe old age – remembered by one of his contemporaries as a ‘lively 70-year-old who still regularly played the violin’.

We are treated here to an album consisting almost entirely of world premiere recordings. Within Tessarini’s exclusively instrumental oeuvre, he was in particular a prolific solo sonata writer. His works oscillated between virtuosity and accessibility – reflecting in part the commercial considerations attached to the publication of his work – though there is more than enough of the former here to excite the listener’s ear. Equally manifest are his subtle compositional innovations, such as the fluid approach to melodic counterpoint discernible in the Sonata in C major Op.2. The result is an album sure to convince listeners of the deeper attention that this skilful composer merits.

The sonatas are played by Valerio Losito, an esteemed violinist and viola d’amore player as well as a musicologist, whose first recording for Brilliant Classics was a Scarlatti album in 2011. The basso continuo is played by harpsichordist, professor and radio broadcaster Federico del Sordo.

Other information:
- Rarely recorded repertoire.
- Carlo Tessarini received his musical tuition in Venice, probably with Vivaldi and Corelli (whose musical heir he clearly is). He became a famous virtuoso on the violin, travelling Europe like a modern day pop star. He died in Amsterdam, leaving a substantial oeuvre mainly written for his own instrument.
- His violin sonatas are firmly rooted in the baroque tradition, but already pointing towards the “galante style” of the late 18th century, with an emphasis on belcanto melodies and cler and transparent structures.

Tracklist Below:

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/LocatelliViolinS
More Information: https://www.brilliantclassics.....com/articles/l/locat
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Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer:
Pietro Antonio Locatelli

Artist:
Igor Ruhadze (baroque violin & concert master )
Ensemble Violini Capricciosi

Pietro Antonio Locatelli might not exactly be a household name, but in his day he was an international phenomenon – a prodigiously talented violinist who entertained royalty and who had studied with Corelli’s contemporaries from the age of 15. Renowned for exploring the very top register of his instrument, Locatelli is today considered the founding father of the modern virtuoso style. Spanning 5CDs, this compilation celebrates the genius of a man whose violin sonatas occupy an significant position in the history of the string repertoire.

00:00:00 Sonata in B-Flat, Op. 6 No. 1: I. Andante
00:05:16 Sonata in B-Flat, Op. 6 No. 1: II. Allegro
00:08:57 Sonata in B-Flat, Op. 6 No. 1: III. Aria: Cantabile
00:17:03 Sonata in F, Op. 6 No. 2: I. Andante
00:23:56 Sonata in F, Op. 6 No. 2: II. Allegro – Vivace
00:28:08 Sonata in F, Op. 6 No. 2: III. Aria: Vivace
00:35:18 Sonata in B, Op. 6 No. 3: I. Andante
00:38:39 Sonata in B, Op. 6 No. 3: II. Allegro
00:41:50 Sonata in B, Op. 6 No. 3: III. Aria: Menuetto
00:49:40 Sonata in E, Op. 6 No. 4: I. Andante
00:53:17 Sonata in E, Op. 6 No. 4: II. Allegro
00:56:36 Sonata in E, Op. 6 No. 4: III. Aria: Andante
01:03:46 Sonata in C Minor, Op. 6 No. 5: I. Andante
01:07:34 Sonata in C Minor, Op. 6 No. 5: II. Allegro
01:11:38 Sonata in C Minor, Op. 6 No. 5: III. Aria: Vivace
01:20:40 Sonata in D, Op. 6 No. 6: I. Largo
01:21:25 Sonata in D, Op. 6 No. 6: II. Andante
01:26:52 Sonata in D, Op. 6 No. 6: III. Allegro
01:31:42 Sonata in D, Op. 6 No. 6: IV. Aria: Menuetto
01:39:08 Sonata in F Minor, Op. 6 No. 7: I. Largo
01:39:48 Sonata in F Minor, Op. 6 No. 7: II. Grave
01:46:13 Sonata in F Minor, Op. 6 No. 7: III. Vivace
01:49:49 Sonata in F Minor, Op. 6 No. 7: IV. Aria: Cantabile
02:01:41 Sonata in C, Op. 6 No. 8: I. Adagio – Andante
02:07:08 Sonata in C, Op. 6 No. 8: III. Allegro
02:11:53 Sonata in C, Op. 6 No. 8: IV. Andante
02:18:12 Sonata in B Minor, Op. 6 No. 9: I. Largo
02:21:07 Sonata in B Minor, Op. 6 No. 9: II. Vivace
02:24:38 Sonata in B Minor, Op. 6 No. 9: III. Aria: Vivace
02:32:30 Sonata in G, Op. 6 No. 10: I. Andante
02:37:55 Sonata in G, Op. 6 No. 10: II. Allegro
02:41:33 Sonata in G, Op. 6 No. 10: III. Aria: Vivace
02:49:20 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
02:55:22 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
02:57:24 Sonata in E-Flat, Op. 6 No. 11: III. Aria: Cantabile
03:03:06 Sonata in D Minor, Op. 6 No. 12: I. Adagio
03:08:06 Sonata in D Minor, Op. 6 No. 12: II. Allegro
03:11:21 Sonata in D Minor, Op. 6 No. 12: III. Andante
03:14:16 Sonata in D Minor, Op. 6 No. 12: IV. Allegro
03:17:36 Sonata in D Minor, Op. 6 No. 12: V. Capriccio Prova dell’Intonazione
03:23:27 Sonata in G Minor: I. Adagio
03:23:55 Sonata in G Minor: II. Allegro
03:26:16 Sonata in G Minor: III. Largo
03:29:27 Sonata in G Minor: IV. Allegro
03:30:23 Sonata in F, Op. 8 No. 1: I. Largo
03:33:00 Sonata in F, Op. 8 No. 1: II. Allegro
03:37:19 Sonata in F, Op. 8 No. 1: III. Allegro
03:43:01 Sonata in D, Op. 8 No. 2: I. Adagio
03:45:56 Sonata in D, Op. 8 No. 2: II. Allegro
03:49:15 Sonata in D, Op. 8 No. 2: III. Presto – Lento
03:52:50 Sonata in E-Flat, Op. 6 No. 11: I. Adagio
03:55:15 Sonata in E-Flat, Op. 6 No. 11: II. Allegro
03:59:26 Sonata in E-Flat, Op. 6 No. 11: III. Vivace
04:04:26 Sonata in C, Op. 8 No. 4: I. Cantabile
04:07:56 Sonata in C, Op. 8 No. 4: II. Allegro
04:11:38 Sonata in C, Op. 8 No. 4: III. Vivace
04:15:52 Sonata in C, Op. 8 No. 4: IV. Allegro molto
04:18:36 Sonata in G, Op. 8 No. 5: I. Largo
04:25:09 Sonata in G, Op. 8 No. 5: II. Allegro
04:29:22 Sonata in G, Op. 8 No. 5: III. Andante
04:33:05 Sonata in G, Op. 8 No. 5: IV. Allegro
04:37:22 Sonata in E-Flat, Op. 8 No. 6: I. Adagio
04:42:22 Sonata in E-Flat, Op. 8 No. 6: II. Allegro
04:44:59 Sonata in E-Flat, Op. 8 No. 6: III. Aria di menuetto pietro Locatelli

Tracklist below.

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Composer: Giorgio Gentili
Artist: Soavi Affetti Baroque Music Ensemble
Patrizio Focardi (violin)
Paolo Cantamessa (violin)
Rebeca Ferri (cello)
Anna Clemente (cembalo & organ)
Giovanni Bellini theorbo
Here’s another name from the Italian Baroque to conjure with, rescued from dusty obscurity by stylish Italian musicians and Brilliant Classics, who have an unrivalled back-catalogue of such discoveries. Giorgio Gentili (1669-1737) was a Venetian musician who made his name as a violinist, playing in the ducal chapel of St Mark’s. Appointed at the age of 20, he remained
in post as a principal soloist in the ensemble for over 40 years, as well as taking on a music-director post at the Ospedale dei Mendicanti. Though now almost forgotten, he was clearly well-respected within the competitive musical scene of early 18th-century Venice, being among the highest-paid musicians in the city.


00:00:00 12 Sonatas, Op. 1, sonata VIII in G Major: I. Adagio - Presto – Grave
00:02:14 12 Sonatas, Op. 1, sonata VIII in G Major: II. Allegro
00:03:47 12 Sonatas, Op. 1, sonata VIII in G Major: III. Adagio
00:05:29 12 Sonatas, Op. 1, sonata VIII in G Major: IV. Allegro
00:06:38 12 Sonatas, Op. 1, sonata IV in E Minor: I. Grave
00:09:07 12 Sonatas, Op. 1, sonata IV in E Minor: II. Allegro
00:10:58 12 Sonatas, Op. 1, sonata IV in E Minor: III. Largo e staccato
00:12:25 12 Sonatas, Op. 1, sonata IV in E Minor: IV. Allegro
00:13:48 12 Sonatas, Op. 1, sonata I in A Major: I. Adagio
00:16:00 12 Sonatas, Op. 1, sonata I in A Major: II. Allegro
00:18:29 12 Sonatas, Op. 1, sonata I in A Major: III. Grave
00:19:54 12 Sonatas, Op. 1, sonata I in A Major: IV. Allegro
00:20:36 12 Sonatas, Op. 1, sonata I in A Major: V. Allegro
00:21:32 12 Sonatas, Op. 1, sonata IX in C Minor: I. Grave
00:24:12 12 Sonatas, Op. 1, sonata IX in C Minor: II. Allegro
00:25:38 12 Sonatas, Op. 1, sonata IX in C Minor: III. Largo
00:27:09 12 Sonatas, Op. 1, sonata IX in C Minor: IV. Allegro
00:28:26 12 Sonatas, Op. 1, sonata II in F Major: I. Grave
00:30:45 12 Sonatas, Op. 1, sonata II in F Major: II. Presto
00:32:30 12 Sonatas, Op. 1, sonata II in F Major: III. Largo
00:34:22 12 Sonatas, Op. 1, sonata II in F Major: IV. Allegro
00:35:44 12 Sonatas, Op. 1, sonata III in D Minor: I. Adagio
00:37:41 12 Sonatas, Op. 1, sonata III in D Minor: II. Allegro
00:39:29 12 Sonatas, Op. 1, sonata III in D Minor: III. Grave
00:41:26 12 Sonatas, Op. 1, sonata III in D Minor: IV. Presto
00:42:19 12 Sonatas, Op. 1, sonata XI in G Minor: I. Adagio
00:44:05 12 Sonatas, Op. 1, sonata XI in G Minor: II. Presto
00:45:33 12 Sonatas, Op. 1, sonata XI in G Minor: III. Grave
00:47:34 12 Sonatas, Op. 1, sonata XI in G Minor: IV. Presto
00:48:37 12 Sonatas, Op. 1, sonata VII in B-Flat Major: I. Grave
00:50:44 12 Sonatas, Op. 1, sonata VII in B-Flat Major: II. Allegro
00:52:39 12 Sonatas, Op. 1, sonata VII in B-Flat Major: III. Grave
00:54:21 12 Sonatas, Op. 1, sonata VII in B-Flat Major: IV. Presto
00:55:33 12 Sonatas, Op. 1, sonata X in B Minor: I. Grave
00:57:33 12 Sonatas, Op. 1, sonata X in B Minor: II. Allegro
00:59:38 12 Sonatas, Op. 1, sonata X in B Minor: III. Grave
01:01:14 12 Sonatas, Op. 1, sonata X in B Minor: IV. Allegro
01:02:44 12 Sonatas, Op. 1, sonata XII in D Major: I. Adagio - Presto – Adagio
01:04:55 12 Sonatas, Op. 1, sonata XII in D Major: II. Allegro
01:06:26 12 Sonatas, Op. 1, sonata XII in D Major: III. Grave
01:08:07 12 Sonatas, Op. 1, sonata XII in D Major: IV. Allegro
01:09:45 12 Sonatas, Op. 1, sonata V in A Minor: I. Grave
01:11:59 12 Sonatas, Op. 1, sonata V in A Minor: II. Allegro
01:13:59 12 Sonatas, Op. 1, sonata V in A Minor: III. Largo e piano
01:15:39 12 Sonatas, Op. 1, sonata V in A Minor: IV. Presto
01:16:54 12 Sonatas, Op. 1, sonata VI in C Major: I. Adagio - Allegro – Adagio
01:18:47 12 Sonatas, Op. 1, sonata VI in C Major: II. Allegro
01:20:40 12 Sonatas, Op. 1, sonata VI in C Major: III. Adagio – Vivace – Adagio
01:21:46 12 Sonatas, Op. 1, sonata VI in C Major: IV. Allegro

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Composer & Artist:
Composer: Michele Esposito
Artists: Carmelo Andriani (violin), Vincenzo Maltempo (piano)

About this Album:
It might be unusual to find classical music that manages to imbibe the spirit of Irish folk music; it must be even more unusual for that ‘Irish’ music to actually be by an Italian. But Michele Esposito was an unusual composer. Born in southern Italy, financial circumstances led him to settle abroad, and, after a brief spell in Paris, he arrived in Dublin in 1882, making Ireland his homeland for the next 46 years. His time there coincided with the Irish cultural revival that was taking place during the latter half of the 19th century, leading Esposito to find a place at the heart of several prominent cultural institutions.

One of these institutions was the Feis Ceoil, the Irish competitive music festival, at which Esposito won first prize for his Irish Rhapsody No.2 Op.54 in 1902. Folk music also inspired his Irish symphonies, for which he is well known, as well as the simple yet highly effective airs and melodies featured on this release. The three violin sonatas all stem from very different periods of the composer’s life; the first contains elements of Schumannesque piano writing in the third movement, as well as clear echoes of Saint-Saëns, whereas the second – more technically advanced – is more akin to the music of Brahms. Esposito’s last violin sonata, composed in 1913, is tonally much more experimental, and structured in a highly unconventional manner, with the Scherzo movement a slow and solemn minuet, concluding in an unusual sonata form.

Tracklist:
00:00:00 Violin Sonata No. 1 in G Major, Op. 32: I. Moderato
00:06:37 Violin Sonata No. 1 in G Major, Op .32: II. Lento
00:14:24 Violin Sonata No. 1 in G Major, Op. 32: III. Allegro vivace
00:19:42 Irish Rhapsody No. 1 for Violin and Piano, Op. 51
00:34:36 Five Irish Melodies for Violin and Piano, Op. 56: No. 3 “Silent, O Moyle”
00:38:46 Five Irish Melodies for Violin and Piano, Op. 56: No. 5 “When through life”
00:41:43 Two Irish Airs for Violin and Piano, Op. 57: No. 2 “The silver tip” (Irish reel)
00:43:20 Five Irish Melodies for Violin and Piano, Op. 56: No. 2 “The Coulin”
00:46:38 Violin Sonata No. 2 in E Minor, Op. 46: I. Allegro moderato
00:54:09 Violin Sonata No. 2 in E Minor, Op. 46: II. Andantino
00:58:55 Violin Sonata No. 2 in E Minor, Op. 46: III. Allegro con fuoco
01:04:50 Violin Sonata No. 3 in A Major, Op. 67: I. Affettuosamente
01:13:55 Violin Sonata No. 3 in A Major, Op. 67: II. Allegretto moderato
01:17:17 Violin Sonata No. 3 in A Major, Op. 67: III. Andante cantabile
01:21:55 Violin Sonata No. 3 in A Major, Op. 67: IV. Allegretto grazioso
01:27:08 Irish Rhapsody No. 2 for Violin and Piano, Op. 54

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PC Reddy, fundador de los Hospitales Apollo, le pregunta a Sadhguru qué es lo que se necesita para estar saludable. Sadhguru hace la diferencia entre las causas de las enfermedades infecciosas y las causas de las enfermedades crónicas. Las segundas, dice, son creadas desde dentro del cuerpo y pueden ser fácilmente curadas si tenemos acceso al “fabricante” interior de este organismo.

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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.

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Sadhguru habla sobre cómo la gente tiende a dividir Creador y creación pensando que el Creador es magnífico pero la creación es sucia. Él explica que, cualquier idea que tengamos sobre Dios en nuestra mente, es tan solo una definición formulada a partir de lo que vemos a nuestro alrededor. La fuente de la creación solo puede ser experimentada, no comprendida.

Pláticas de Sadhguru @ Programa de Ingeniería Interior, Chennai, Jun 2004

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