Top Vídeos
From pigs to bees to parrots - here are some of the most intelligent animals from the BBC archive!
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Welcome to BBC EARTH! The world is an amazing place full of stories, beauty and natural wonder. Here you'll find 50 years worth of entertaining and thought-provoking natural history content. Dramatic, rare, and exclusive, nature doesn't get more exciting than this.
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Stunning footage of herbivore mammals out-maneouvering their carnivore predators. Includes incredible shots of zebras, gazelles and buffalo being pursued by cheetahs, lions and even baboons; making death-defying escapes. Subscribe: http://bit.ly/BBCEarthSub
From the BBC's Life of Mammals documentary series.
WATCH MORE:
New on Earth: https://bit.ly/2M3La96
Oceanscapes: https://bit.ly/2Hmd2kZ
Wild Thailand: https://bit.ly/2kR7lmh
Welcome to BBC EARTH! The world is an amazing place full of stories, beauty and natural wonder. Here you'll find 50 years worth of astounding, entertaining, thought-provoking and educational natural history content. Dramatic, rare, and exclusive, nature doesn't get more exciting than this.
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The Lion guardians are challenged by younger males looking for lionesses of their own.
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New on Earth: https://bit.ly/2M3La96
Oceanscapes: https://bit.ly/2Hmd2kZ
Wild Thailand: https://bit.ly/2kR7lmh
Welcome to BBC EARTH! The world is an amazing place full of stories, beauty and natural wonder. Here you'll find 50 years worth of astounding, entertaining, thought-provoking and educational natural history content. Dramatic, rare, and exclusive, nature doesn't get more exciting than this.
Want to share your views? Join our BBC Studios Voice: https://www.bbcstudiosvoice.com/register
This is a channel from BBC Studios who help fund new BBC programmes. Service information and feedback: http://bbcworldwide.com/vod-fe....edback--contact-deta
Rheingold - River (Fluss English Version)
River, you're flowing on the ????
Picking out your programmed way
Trace, your timeless trip through
Deutschland
????????????? super regional
Tones keep flowing like currents steadily
Currents are controlling our melody
You, know fortresses in ruins
Mirror glass and stainless steel
We, will build on microcircuits
And we're thinking digitally
Tones keep flowing like currents steadily
Currents are controlling our melody
River, we're living by your sides now
Transforming you into AC [Alternate Current]
You, you tell of days gone bye
Waves reflecting chromatically
Tones keep flowing like currents steadily
Currents are controlling our melody
River, you're flowing on the ????
Picking out your programmed way
Trace, your timeless trip through
Deutschland
????????????? super regional
Tones keep flowing like currents steadily
Currents are controlling our melody
----------------------------------------------
Fluss, Du fließt in alter Weise
durch Dein programmiertes Tal
in zeitloser Deutschlandreise
so schön und überregional.
Töne fließen wie ein Strom den Fluss
hinauf
Ströme steuern diesen neuen Tonverlauf.
Du kennst Burgen und Ruinen,
Spiegelglas und Edelstahl.
Wir, wir bauen auf Platinen
und denken digital.
Töne fließen wie ein Strom den Fluss
hinauf
Ströme steuern diesen neuen Tonverlauf.
Fluß, man lebt an Deinen Seiten
und macht dicht zum Wechselstrom,
du erzählst von alten Zeiten,
Wellen spiegeln sich in Chrom.
Töne fließen wie ein Strom den Fluss
hinauf
Ströme steuern diesen neuen Tonverlauf.
Fluss, Du fließt in alter Weise
durch Dein programmiertes Tal
in zeitloser Deutschlandreise
so schön und überregional.
Töne fließen wie ein Strom den Fluss
hinauf
Ströme steuern diesen neuen Tonverlauf.
The killer punch of the mantis shrimp is the fastest strike in the animal kingdom, a skill that goes hand in hand with its extraordinary eyesight. They can see an invisible level of reality using polarized light, which could lead to a breakthrough in detecting cancer.
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* NEW VIDEOS EVERY OTHER TUESDAY! *
Aggressive, reef-dwelling mantis shrimp take more than one first-place ribbon in the animal kingdom. Outwardly resembling their lobster cousins, their colorful shells contain an impressive set of superpowers.
There are two types of mantis shrimp, named for their attack mode while hunting prey: smashers and spearers. With their spring-loaded, weaponized legs, these predators can crack a snail shell or harpoon a passing fish in a single punch.
The speed of these attacks has earned the mantis shrimp one of their world records: fastest strike in the animal kingdom.
Scientists are finding that another of their special abilities -- incredible eyesight -- has potential life-saving implications for people with cancer.
Mantis shrimp can perceive the most elusive attribute of light from the human standpoint: polarization. Polarization refers to the angle that light travels through space. Though it’s invisible to the human eye, many animals see this quality of light, especially underwater.
But mantis shrimp can see a special kind of polarization, called circular polarization. Scientists have found that some mantis shrimp species use circular polarization to communicate with each other on a kind of secret visual channel for mating and territorial purposes.
Inspired by the mantis shrimp’s superlative eyesight, a group of researchers is collaborating to build polarization cameras that would constitute a giant leap for early cancer detection. These cameras see otherwise invisible cancerous tissues by detecting their polarization signature, which is different between diseased and healthy tissues.
--- How fast is the mantis shrimp punch?
Their strike is about as fast as a .22 caliber rifle bullet. It’s been measured at 50mph.
--- What do mantis shrimp eat?
The “smasher” mantis shrimp eat hard-shelled creatures like snails and crabs. The “spearers” grab fish, worms, seahorses, and other soft-bodied prey by impaling them.
--- Where do mantis shrimp live?
In reefs, from the east coast of Africa to the west coast of Australia, and throughout Indonesia. A few species are scattered around the globe, including two in California.
---+ Read the entire article on KQED Science:
https://ww2.kqed.org/science/2....016/11/15/the-snail-
---+ For more information:
Caldwell Lab at U.C. Berkeley: http://ib.berkeley.edu/labs/caldwell/
---+ More Great Deep Look episodes:
Nature's Scuba Divers: How Beetles Breathe Underwater
https://www.youtube.com/watch?v=T-RtG5Z-9jQ
Sea Urchins Pull Themselves Inside Out to be Reborn
https://www.youtube.com/watch?v=ak2xqH5h0YY
---+ See some great videos and documentaries from the PBS Digital Studios!
Physics Girl: The Ultraviolet Catastrophe
https://www.youtube.com/watch?v=FXfrncRey-4
Gross Science: What Sound Does An Ant Make?
https://www.youtube.com/watch?v=yif0c0bRA48
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---+ About KQED
KQED, an NPR and PBS affiliate in San Francisco, CA, serves Northern California and beyond with a public-supported alternative to commercial TV, Radio and web media.
Funding for Deep Look is provided in part by PBS Digital Studios and the John S. and James L. Knight Foundation. Deep Look is a project of KQED Science, which is also supported by HopeLab, the S. D. Bechtel, Jr. Foundation, the Dirk and Charlene Kabcenell Foundation, the Vadasz Family Foundation, the Gordon and Betty Moore Foundation, the Smart Family Foundation and the members of KQED.
#deeplook
Male side-blotched lizards have more than one way to get the girl. Orange males are bullies. Yellows are sneaks. Blues team up with a buddy to protect their territories. Who wins? It depends - on a genetic game of roshambo.
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* NEW VIDEOS EVERY OTHER TUESDAY! *
Every spring, keen-eyed biologists carrying fishing poles search the rolling hills near Los Banos, about two hours south of San Francisco. But they’re not looking for fish. They’re catching rock-paper-scissors lizards.
The research team collects Western side-blotched lizards, which come in different shades of blue, orange and yellow.
Barry Sinervo, a professor of ecology and evolutionary biology at UC Santa Cruz, leads the team. Their intricate mating strategies reminded the the researchers of the rock-paper-scissors game where rock beats scissors, scissors beats paper and paper beats rock.
It’s all about territories. Orange males tend to be the biggest and most aggressive. They hold large territories with several females each and are able to oust the somewhat smaller and less aggressive blues. Blue males typically hold smaller territories and more monogamous, each focusing his interest on a single female. Yellow males tend not to even form exclusive territories Instead they use stealth to find unaccompanied females with whom to mate.
The yellow males are particularly successful with females that live in territories held by their more aggressive orange competitors. Because the orange males spread their attention among several females, they aren’t able to guard each individual female against intruding yellow males. But the more monogamous blues males are more vigilant and chase sneaky yellow males away.
Their different strategies keep each other in check making the system stable. Sinervo believes this game has likely been in play for at least 15 million years.
--- How do side-blotched lizards choose a mate?
The males compete with each other, sometimes violently, for access to females. The females generally prefer males of their own color but also give preference to whichever color male is more rare that mating season.
--- Why do lizards do push up and down?
Male lizards do little pushups as a territorial display meant to tell competitors to back off. It’s best to use a warning instead of fighting right away because there’s always a danger of getting hurt in a fight. Some lizards like side-blotched lizards also use slow push ups to warn their neighbors of an incoming threat.
--- Why do side-blotched lizards fight?
Sometimes aggressive territorial displays are not enough to dissuade invaders so side-blotched lizards will resort to fighting. They have small sharp teeth and will lunge at each other inflicting bites and headbutts.
---+ Read the entire article on KQED Science: https://ww2.kqed.org/science/2....016/05/17/these-liza
---+ For more information:
The Lab of Dr. Barry Sinervo, LizardLand, University of California, Santa Cruz http://bio.research.ucsc.edu/~....barrylab/lizardland/
---+ More Great Deep Look episodes:
Meet the Dust Mites, Tiny Roommates That Feast On Your Skin
https://www.youtube.com/watch?v=ACrLMtPyRM0
Stinging Scorpion vs. Pain-Defying Mouse
https://www.youtube.com/watch?v=w-K_YtWqMro
These Crazy Cute Baby Turtles Want Their Lake Back
https://www.youtube.com/watch?v=YTYFdpNpkMY
---+ See some great videos and documentaries from the PBS Digital Studios!
It's Okay to Be Smart: The Cosmic Afterglow
https://www.youtube.com/watch?v=ZvrHL7-c1Ys
It's Okay to Be Smart: The Most Important Moment in the History of Life
https://www.youtube.com/watch?v=Jf06MlX8yik
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Funding for Deep Look is provided in part by PBS Digital Studios and the John S. and James L. Knight Foundation. Deep Look is a project of KQED Science, which is also supported by HopeLab, the David B. Gold Foundation, the S. D. Bechtel, Jr. Foundation, the Dirk and Charlene Kabcenell Foundation, the Vadasz Family Foundation, the Gordon and Betty Moore Foundation, the Smart Family Foundation and the members of KQED.
#deeplook #lizards #rockpaperscissorslizardspock
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Cone Snails have an arsenal of tools and weapons under their pretty shells. These reef-dwelling hunters nab their prey in microseconds, then slowly eat them alive.
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New research shows that cone snails — ocean-dwelling mollusks known for their brightly colored shells — attack their prey faster than almost any member of the animal kingdom.
There are hundreds of species of these normally slow-moving hunters found in oceans across the world. They take down fish, worms and other snails using a hollow, harpoon-like tooth that acts like a spear and a hypodermic needle. When they impale their prey, cone snails inject a chemical cocktail that subdues their meal and gives them time to dine at their leisure.
Cone snails launch their harpoons so quickly that scientists were previously unable to capture the movement on camera, making it impossible to calculate just how speedy these snails are. Now, using super-high-speed video, researchers have filmed the full flight of the harpoon for the first time.
From start to finish, the harpoon’s flight takes less than 200 micro-seconds. That’s one five-thousandth of a second. It launches with an acceleration equivalent to a bullet fired from a pistol.
So how do these sedentary snails pull off such a high-octane feat? Hydrostatic pressure — the pressure from fluid — builds within the half of the snail’s proboscis closest to its body, locked behind a tight o-ring of muscle. When it comes time to strike, the muscle relaxes, and the venom-laced fluid punches into the harpoon’s bulbous base. This pressure launches the harpoon out into the snail’s unsuspecting prey.
As fast as the harpoon launches, it comes to an even more abrupt stop. The base of the harpoon gets caught at the end of the proboscis so the snail can reel in its meal.
The high-speed action doesn’t stop with the harpoon. Cone snail venom acts fast, subduing fish in as little as a few seconds. The venom is filled with unique molecules, broadly referred to as conotoxins.
The composition of cone snail venom varies from species to species, and even between individuals of the same species, creating a library of potential new drugs that researchers are eager to mine. In combination, these chemicals work together to rapidly paralyze a cone snail’s prey. Individually, some molecules from cone snail venom can provide non-opioid pain relief, and could potentially treat Parkinson’s disease or cancer.
--- Where do cone snails live?
There are 500 species of cone snails living in the Indian and Pacific Oceans, the Caribbean and Red Seas, and the Florida coast.
--- Can cone snails kill humans?
Most of them do not. Only eight of those 500 species, including the geography cone, have been known to kill humans.
--- Why are scientists interested in cone snails?
Cone snail venom is derived from thousands of small molecules call peptides that the snail makes under its shell. These peptides produce different effects on cells, which scientists hope to manipulate in the treatment of various diseases.
---+ Read the entire article on KQED Science:
https://wp.me/p6iq8L-84uC
---+ For more information:
Here’s what WebMD says about treating a cone snail sting:
https://www.webmd.com/a-to-z-g....uides/cone-snail-sti
---+ More Great Deep Look episodes:
This Mushroom Starts Killing You Before You Even Realize It
https://www.youtube.com/watch?v=bl9aCH2QaQY
Take Two Leeches and Call Me in the Morning
https://youtu.be/O-0SFWPLaII
---+ See some great videos and documentaries from the PBS Digital Studios!
Space Time: Quantum Mechanics Playlist
https://www.youtube.com/watch?v=-IfmgyXs7z8&list=PLsPUh22kYmNCGaVGuGfKfJl-6RdHiCjo1
Above The Noise: Endangered Species: Worth Saving from Extinction?
https://www.youtube.com/watch?v=h5eTqjzQZDY
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---+ About KQED
KQED, an NPR and PBS affiliate in San Francisco, CA, serves Northern California and beyond with a public-supported alternative to commercial TV, Radio and web media.
Funding for Deep Look is provided in part by PBS Digital Studios. Deep Look is a project of KQED Science, which is supported by the Templeton Religion Trust and the Templeton World Charity Foundation, the S. D. Bechtel, Jr. Foundation, the Dirk and Charlene Kabcenell Foundation, the Vadasz Family Foundation, the Gordon and Betty Moore Foundation, the Fuhs Family Foundation Fund and the members of KQED.
#deeplook
Kidnapper ants raid other ant species' colonies, abduct their young and take them back to their nest. When the enslaved babies grow up, the kidnappers trick them into serving their captors – hunting, cleaning the nest, even chewing up their food for them.
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DEEP LOOK is a ultra-HD (4K) short video series created by KQED San Francisco and presented by PBS Digital Studios. See the unseen at the very edge of our visible world. Explore big scientific mysteries by going incredibly small.
A miniature drama is playing out on the forest floor in California’s preeminent mountain range, the Sierra Nevada, at this time of year. As the sun sets, look closely and you might see a stream of red ants frantically climbing over leaves and rocks.
They aren’t looking for food. They’re looking for other ants. They’re kidnappers.
“It’s hard to know who you're rooting for in this situation,” says Kelsey Scheckel, a graduate student at UC Berkeley who studies kidnapper ants. “You're just excited to be a bystander.”
On this late summer afternoon, Scheckel stares intently over the landscape at the Sagehen Creek Field Station, part of the University of California’s Natural Reserve System, near Truckee, California.“The first thing we do is try to find a colony with two very different-looking species cohabitating,” Scheckel says.
“That type of coexistence is pretty rare. As soon as we find that, we can get excited.”
--- How do ants communicate?
Ants mostly use their sense of smell to learn about the world around themselves and to recognize nestmates from intruders. They don’t have noses. Instead, they use their antennae to sense chemicals on surfaces and in the air. Ants’ antennae are porous like a kitchen sponge allowing chemicals to enter and activate receptors inside. You will often see ants tap each other with their antennae. That behavior, called antennation, helps them recognize nestmates who will share the same chemical nest signature.
---Can ants bite or sting?
Many ants will use their mandibles, or jaws, to defend themselves but that typically just feels like a pinch. Some ants have a stinger at the end of their abdomen that can deliver a venomous sting. While the type of venom can vary across species, many ants’ sting contains formic acid which causes a burning sensation. Some have special glands containing acid that can spray at attackers causing burning and alarming odors.
---+ Read the entire article on KQED Science:
https://www.kqed.org/science/1....947369/kidnapper-ant
---+ For more information:
Neil Tsutsui Lab of Evolution, Ecology and Behavior of Social Insects at the University of California, Berkeley
https://nature.berkeley.edu/tsutsuilab/
---+ Shoutout!
?Congratulations ?to the following fans for correctly naming and describing the inter-species, mandible-to-mandible ant behavior we showed on our Deep Look Community Tab… "trophallaxis:"
Senpai
Ravinraven6913
CJ Thibeau
Maksimilian Tašler
Isha
https://www.youtube.com/channe....l/UC-3SbfTPJsL8fJAPK
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---+ About KQED
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Download & Streams (Spotify, iTunes, Amazon Music, Deezer, Google Play):
https://brilliant-classics.lnk.....to/AlbinoniOboeC0nc
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Composer: Tomaso Giovanni Albinoni
Artist: Stefan Schilli (oboe), Giovanni Deangeli (oboe), Stuttgart Kammerorchester, Nicol Matt conductor
00:00:00 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro non presto
00:03:49 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Adagio
00:07:56 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro
00:10:48 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
00:12:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Adagio
00:13:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
00:15:40 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allego
00:18:21 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Adagio
00:20:00 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allegro
00:22:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Allegro
00:26:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Adagio
00:28:45 Concerto à 5 in C Major for two Oboes and Strings: Allegro, Op. 9 No. 9
00:32:14 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: No Tempo Indication
00:34:32 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Largo
00:36:30 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Allegro
00:38:16 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
00:41:36 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Adagio
00:43:32 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
00:46:42 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
00:49:29 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Adagio
00:51:31 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
00:53:45 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro
00:58:15 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Adagio
01:00:29 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro
Tracklist below.
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Tracklist:
The Choir of King’s College, Cambridge, is one of the world’s best-known choral groups. Founded in the 15th century, it ranks among the oldest of its kind, and, while originally created for singing the daily services in the college chapel, now enjoys an international tour schedule that has seen it perform all over Europe and beyond. Every Christmas Eve, millions of people tune in to watch the choir’s A Festival of Nine Lessons and Carols from King’s – a service which has been continuously broadcast since 1928.
Recorded in 1994, this reissue joins the group’s already extensive discography of Christmas music – recordings that have enhanced its worldwide fame and reputation. The compilation mixes some of the best-loved traditionals, including Once in royal David’s city and O Come all ye faithful, with more recent repertoire – such as Rutter’s rousing What Sweeter Music and Judith Weir’s striking Illuminare, Jerusalem (specially commissioned by the choir for its 1985 annual service). Also featured are traditional German, French, Dutch and Polish carols (including two settings of Dulce Jubilo) – works which, together with Pärt’s enchanting Bogoróditse Dyévo, contribute to a wonderfully eclectic disc that provides over an hour of festive cheer.
00:00:00 Once in royal David’s city
00:04:41 Rejoice and be merry
00:06:11 Ding dong, merrily on high
00:08:19 What Sweeter Music
00:12:37 O little town of Bethlehem
00:16:17 A Spotless Rose
00:19:25 Heer Jezus heeft een hofken (organ variations)
00:26:44 King Jesus hath a garden
00:30:10 The Lamb
00:33:39 Bogoróditse Dyévo
00:34:55 Infant holy, infant lowly
00:36:43 Illuminare, Jerusalem
00:39:12 While shepherds watched
00:41:54 Quittez, pasteurs
00:45:05 In dulci jubilo (organ prelude)
00:48:06 In dulci jubilo
00:50:46 The First Nowell
00:56:09 Coventry Carol
00:59:17 Personent hodie
01:01:49 O come all ye faithful
Artist: The Choir of King's College, Cambridge
Stephen Cleobury (conductor)
#Christmas #Classical #CarolsfromKings
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Erik Satie (1866-1925) was without doubt one of great ‘one offs’in musical history. Impossible to categorise, he composed around 100 works, which include film scores, ballets, melodies and above all piano works. A friend of Debussy, Ravel, Cocteau,Picasso and Diaghalev, he was at the core of the avant garde in Paris, and yet he remained an outsider – deliberately so.
Happy playing piano in jazz bars – where he and Debussy met each other, Satie was the antithesis of the late 19th century and early 20th musical world as dominated by Wagner and his adherents. The master of Bayreuth had proclaimed himself the prophet of ‘music of the future’and his vast opulently scored music dramas cast their spell over the Second Viennese school, and also Debussy, whose opera Pelléas et Melisande has a good deal of Parsifal and Tristan in its score. With Satie, it was the music of the past that was important, and he even returned to the tones of the ancient Greeks. Gymnopédies evokes the dance of children from ancient Sparta, who danced in honour of Apollo. Similarly, Gnossiennes is from the labyrinth at Knossos (Gnossos). It wasn’t all ancient Greek influences though that guided Satie’s inspiration – jazz and the music hall were potent influences
Perhaps the most idiosyncratic work he composed is Vexations. He composed it in 1893, but refused to show the score to anyone, and the premiere took place in 1963 at the instigation of John Cage. The score occupies a single page, headed ‘Page Mystique. To play this motif 840 times in succession, it will be necessary to prepare oneself in advance, in total silence, by remaining absolutely motionless.’ A complete performance thus takes 18–30 hours. Cristina Ariagno plays an excerpt.
Tracklist can be found below!
The album contains the best classical music composed by Wolfgang Amadeus Mozart.
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00:00:00 Symphony No. 40 in G Minor, KV 550: Andante – Jaap ter Linden
00:09:53 Symphony No. 40 in G Minor, KV 550: Molto allegro – Jaap ter Linden
00:17:22 Symphony No. 40 in G Minor, KV 550: Menuetto – Jaap ter Linden
00:21:12 Symphony No. 40 in G Minor, KV 550: Allegro assai – Jaap ter Linden
00:28:15 Symphony No. 41 in C, KV 551 “Jupiter”: Allegro vivace – Jaap ter Linden
00:39:57 Symphony No. 41 in C, KV 551 “Jupiter”: Andante cantabile – Jaap ter Linden
00:50:12 Symphony No. 41 in C, KV 551 “Jupiter”: Menuetto – Jaap ter Linden
00:54:36 Symphony No. 41 in C, KV 551 “Jupiter”: Molto allegro – Jaap ter Linden
01:03:40 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Allegro – Derek Han, Paul Freeman
01:18:19 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Andante– Derek Han, Paul Freeman
01:25:08 Piano Concerto No. 21 in C, KV 467 “Elvira Madigan”: Allegro vivace assai– Derek Han, Paul Freeman
01:32:33 Piano Concerto No. 23 in A, KV 488: Allegro– Derek Han, Paul Freeman
01:43:21 Piano Concerto No. 23 in A, KV 488: Andante– Derek Han, Paul Freeman
01:49:36 Piano Concerto No. 23 in A, KV 488: Allegro– Derek Han, Paul Freeman
01:57:37 Requiem in D Minor, KV 626: Introitus, Requiem aeternam – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:02:22 Requiem in D Minor, KV 626: Kyrie eleison – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:05:07 Requiem in D Minor, KV 626: Dies Irae – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:07:05 Requiem in D Minor, KV 626: Tuba mirum – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:10:11 Requiem in D Minor, KV 626: Rex tremendae – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:12:20 Requiem in D Minor, KV 626: Recordare – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:16:44 Requiem in D Minor, KV 626: Confutatis – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:19:13 Requiem in D Minor, KV 626: Lacrimosa – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:22:17 Requiem in D Minor, KV 626: Domine Jesu – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:26:03 Requiem in D Minor, KV 626: Hostias – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:30:03 Requiem in D Minor, KV 626: Sanctus – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:31:43 Requiem in D Minor, KV 626: Benedictus – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:36:10 Requiem in D Minor, KV 626: Agnus Dei – Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
02:40:13 Requiem in D Minor, KV 626: Lux aeterna b– Pamela Heuvelmans, Barbera Werner, Robert Morvaj,Thomas Pfeiffer
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This young guitarist’s debut album is the perfect introduction to his artistry, showcasing as it does four leading 20th-century composers of guitar music – Antonio José Palacios, Alberto Ginastera, Antonio Lauro and Julio Gentil Montaña – composers who in turn represent four different countries and four styles of music that differ widely both aesthetically and in terms of the traditions from which they spring.
Composer: Alberto Ginastera, Julio Gentil Montana
Artist: Deion Cho guitar
Among the most promising Spanish composers of his generation, Antonio José was acclaimed by Ravel and counted Lorca and Dali among his associates, but like Lorca, he was executed by a Falangist firing squad during the Spanish Civil War. Only 34 years of age, he had accumulated a catalogue of music impressive not only for its depth but its sophistication, exemplified by the substantial Guitar Sonata which is his best-known work. The Sonata by the Argentine Alberto Ginastera is no less imposing in structure, and harmonically much more adventurous than José’s bluesy neo-classicism. The four Venezuelan waltzes by Antonio Lauro are brief and charming early works, the first three dedicated to his daughter and two nieces, the last named Yacambú after an orchid-rich national park in the northern Andes. The first movement of the fourth Colombian Suite by Julio Gentil Montaña (1942-2011) is likewise named after that country’s capital, Bogotà, and it is followed by three interpretations of national dances, concluding with a snappy Porro.
The 23-year-old Deion Cho is of South Korean origin, currently studying and working in Spain. He has given the album his signature with an arrangement of a popular Korean folksong, ‘About 500 Years’, clearly inflected by his years of work in Hispanic and Iberian music.
00:00:00 Romancillo infantile
00:04:08 Sonata para guitarra: I. Allegro moderato
00:11:37 Sonata para guitarra: II. Minuetto
00:16:19 Sonata para guitarra: III. Pavana triste
00:22:17 Sonata para guitarra: IV. Final
00:27:20 Cuatro valses venezolanos: I. Tatiana
00:28:29 Cuatro valses venezolanos: II. Andreina
00:29:35 Cuatro valses venezolanos: III. Natalia
00:31:13 Cuatro valses venezolanos: IV. Yacambú
00:34:26 Suite colombiana No. 4: I. Pasillo (nostalgia bogotana)
00:38:56 Suite colombiana No. 4: II. Danza (Giessel Daniela)
00:45:21 Suite colombiana No. 4: III. Bambuco
00:50:02 Suite colombiana No. 4: IV. Porro
00:54:45 Sonata for Guitar, Op. 47: I. Esordio
00:58:33 Sonata for Guitar, Op. 47: II. Scherzo
01:01:19 Sonata for Guitar, Op. 47: III. Canto
01:04:41 Sonata for Guitar, Op. 47: IV. Finale
01:06:49 Canción popular coreana, Traditional Korean Folk Song: “Unos 500 años” (Arr. Deion Cho)
"Gayatri is the embodiment of all Gods and all Mantras....... There is no need to chant any other Mantra if you chant the Gayatri Mantra" Sathya Sai Baba, march 2000.
More beautiful images from South India at www.omimages.net
En este discurso, Sadhguru explica que la depresión es la consecuencia de estar constantemente «empujando los límites de la cordura» y que, de la misma manera, el 70% de las enfermedades que nos aquejan son auto-generadas.
Pláticas de Sadhguru @ Darshan, Isha Yoga Center, Coimbatore, Sep 2010.
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Yogui, místico y visionario, Sadhguru es un maestro espiritual con una diferencia. Una notable combinación de profundidad y pragmatismo, su vida y su trabajo sirven como recordatorio de que el yoga es una ciencia contemporánea, de vital relevancia en nuestro tiempo.
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Devenons des maîtres du Kung Fu! =)
Vous pouvez visiter mon site si vous le voulez: http://superbabou77.jimdo.com/
Bon visionnage! =)
Sometimes the placements of where my arms need to be is weird.
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¿Qué tan común es para usted distraerse durante la Misa? ¿Le gustaría poder entender y vivir de forma más plena esta celebración?
Con el fin de dar respuesta a este tipo de interrogantes, y enseñar a los fieles de una manera cercana la importancia de los sacramentos, sobre todo la Eucaristía y la Reconciliación, el sacerdote Ricardo Reyes Castillo viaja por el mundo dando conferencias y publicando libros como “Me dejé seducir” y “Cartas entre Cielo y Tierra”.
En su visita a Chile, el sacerdote de la diócesis de Roma y doctor en Sagrada Liturgia del Pontificio Ateneo San Anselmo, conversó con ACI Prensa y entregó tres consejos para comprender la Santa Misa.
Desde hace algunos años en Francia las Hermanitas Discípulas del Cordero demuestran que el síndrome de Down no es un impedimento para entregarse por completo y con alegría a Dios. Aquí te contamos su historia.
Más información en: https://www.aciprensa.com/noti....cias/el-sindrome-de-
Angelo Giuseppe Roncalli nació en Lombardía (Italia) el 25 de noviembre de 1881. Fue el cuarto
hijo de un total de catorce hermanos del matrimonio formado por Giovanni Battista Roncalli y
Marianna Giulia Mazzolla quienes trabajaban como agricultores.
El ambiente religioso de su familia y la vida parroquial bajo la guía del Padre Francesco Rebuzzini,
le proporcionaron a Angelo una sólida formación cristiana.
Ingresó en el seminario de Bérgamo en 1892. En 1896 fue admitido en la Orden Franciscana Seglar
haciendo su profesión en 1897. El 10 de agosto de 1904 fue ordenado sacerdote en la Basílica de
Santa María de Monte Santo. En 1905, fue nombrado secretario del Obispo de Bérgamo y en el
año siguiente fue el encargado de la enseñanza de Historia y Patrología en el Seminario.
Durante la Primera Guerra Mundial, ejerció primero como sargento médico y más tarde como
capellán militar. En 1921, fue llamado desde Roma por el Papa Benedicto XV para ocupar el cargo
de Presidente para Italia del Consejo Central de la Obra Pontificia de la Propagación de la Fe.
El Papa Pío XI lo designó Arzobispo de Areopoli y fue enviado oficial para Bulgaria el 3 de marzo de
1925. En Bulgaria, realizó su labor apostólica visitando las comunidades católicas y estableciendo
relaciones de respeto y estima con otras comunidades cristianas, en especial de la Iglesia
Ortodoxa.
En 1934 fue designado Arzobispo de Mesembria y en 1935 fue nombrado delegado apostólico
para Turquía Su intervención para socorrer a miles de judíos de la persecución nazi mientras servía
como Delegado Apostólico del Vaticano en Turquía durante la Segunda Guerra Mundial fue crucial.
El 23 de diciembre de 1944, el Papa Pío XII lo nombró nuncio apostólico de Francia. Gracias a su
cortesía, su sencillez, su buen humor y su amabilidad pudo resolver los problemas y conquistar el
corazón de los franceses y de todo el Cuerpo Diplomático.
El 12 de enero de 1953 el papa Pío XII lo crea Cardenal, siendo designado como Patriarca de
Venecia.
Durante esta época solía navegar por los canales de la ciudad sin la vestimenta de cardenal y
detenerse para hablar con los más pobres quienes le contaban sus problemas.
El 28 de octubre de 1958, contando con casi 77 años, Roncalli fue elegido Papa ante la sorpresa de
todo el mundo. Ni los cardenales ni el resto de la Iglesia esperaban que el temperamento alegre, la
calidez y la generosidad del Papa Juan XXIII cautivaran los afectos del mundo.
Fue el primero desde 1870 que ejerció su ministerio de obispo de Roma visitando personalmente
las parroquias de su diócesis. Al cabo de dos meses de haber sido elegido, dio ejemplo de obras de
misericordia: por Navidad visitó los niños enfermos de los hospitales Espíritu Santo y Niño Jesús; al
día siguiente fue a visitar los prisioneros de la cárcel Regina Coeli.
En 1959, en la Basílica de San Pablo Extramuros y ante la sorpresa de todo el mundo anunció el
Concilio Vaticano II.
El 2 de diciembre de 1960 se reunió en el Vaticano durante una hora con el arzobispo de
Canterbury, Geoffrey Francis Fisher. Era la primera vez en más de 400 años, desde la excomunión
de Isabel I, que la máxima autoridad de la Iglesia de Inglaterra se reunía con el papa. Durante su
Pontificado nombró 37 nuevos cardenales, entre los cuales por primera vez un tanzano, un
japonés, un filipino, un venezolano, un uruguayo y un mexicano.
Su magisterio social en las encíclicas Mater et Magistra y Pacem in terris fue profundamente
apreciado. En ambas pastorales se insiste sobre los derechos y deberes derivados de la dignidad
del hombre como criatura de Dios.
El 11 de octubre de 1962 el Papa Roncalli abrió el Concilio Vaticano II en San Pedro. Desde la
apertura del Concilio, el papa Juan XXIII enfatizó la naturaleza pastoral de sus objetivos: no se
trataba de definir nuevas verdades ni condenar errores, sino que era necesario renovar la Iglesia
para hacerla capaz de transmitir el Evangelio en los nuevos tiempos.
El 23 de mayo de 1963 se anunció públicamente que el Papa estaba enfermo de cáncer. Falleció
en Roma el 3 de junio de 1963. Fue beatificado por el Beato Juan Pablo II en el año 2000.
Los dos pontífices serán canonizados en una misma celebración, el 27 de abril de 2014.