El Papa Francisco participa del Via Crucis con los Jóvenes en el Campo Santa María La Antigua - Cinta Costera JMJ Panamá 2019

Gustavo y los Muppet Babies nos guían por la sala de juegos mientras ponen en marcha su imaginación en este corto musical de los Muppet Babies.

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Composer: Nicolò Paganini
Artist: Luigi Attademo (Guitar)
Nicolò Paganini’s works for guitar were only published in their entirety in 1989. The Genoese musician was a sensation during his lifetime and is still counted among the greatest violinists of all time, yet he was also an excellent guitarist. At the other end of the compositional spectrum to his works for violin, Paganini’s guitar works have a more intimate feel; not intended for the concert hall, they are often free from the virtuosic display that was typical of solo works of the era.

The Ghiribizzi collection contains a charm and simplicity appropriate to the musical proficiency and development of a young guitar student, concentrating on areas such as ornamentation, scalic exercises and pedal notes. The 37 Sonatas are a collection of two-movement pieces (with the exception of No.11 and Nos. 34–37); among the movements are charismatic minuets, mellow Andantinos and lilting waltzes. A further wealth of compositional variation can be found in the Guitar works MS85–105. The Grande Sonata, one of Paganini's most popular works, originally employed the violin as an accompaniment to the guitar; this collection provides a performance of the Sonata for solo guitar -- a real treat. The use of a period guitar for this recording adds a special quality to the collection.
Tracklist in the comment description.

I take a look at the Saramonic Mix Mic Audio System. BUT FIRST, in PART 1 of this review, I check the first point of failure - the shotgun mic included with this system. If that doesn't work, then the system is worthless. So I UNFAIRLY compare the included Saramonic SR-NV5 to my favorite mic of all time - the $700 Rode NTG-3. Links below...

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REVIEW GEAR:
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Thanks to Saramonic for supplying me this unit for review.

LINKS:
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GEAR USED TO MAKE THIS EPISODE:
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Canon 5D Mark III and 50mm lens.
Rode NTG-3 Shotgun Mic.
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Zoom H6 Recorder.
Adobe Premier Pro.

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Tracklist below.

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Artist:
François Dumont (piano)
Laurent Le Flécher (violin)
Virginie Constant (cello)
Trio Élégiaque

00:00:00 Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace
00:12:05 Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione
00:21:57 Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro
00:25:40 Piano Trio in G Major, Op. 1 No. 2: IV. Finale. Presto
00:33:30 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: I. Allegro vivace
00:43:58 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: II. Largo assai ed espressivo
00:55:02 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: III. Presto
01:03:28 Piano Trio in E-Flat Major, WoO 38: I. Allegro moderato
01:07:36 Piano Trio in E-Flat Major, WoO 38: II. Scherzo. Allegro ma non troppo
01:12:01 Piano Trio in E-Flat Major, WoO 38: III. Rondo. Allegretto
01:17:05 Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio
01:26:22 Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni
01:33:26 Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio
01:36:54 Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo
01:44:43 Piano Trio in E-Flat Major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo
01:55:04 Piano Trio in E-Flat Major, Op. 70 No. 2: II. Allegretto
02:00:01 Piano Trio in E-Flat Major, Op. 70 No. 2: III. Allegretto ma non troppo
02:04:47 Piano Trio in E-Flat Major, Op. 70 No. 2: IV. Finale. Allegro
02:12:39 Piano Trio in E-Flat Major, Op. 44: 14 Variations on an Original Theme: Tema. Andante con variazioni
02:25:22 Piano Trio in E-Flat Major, Op. 1 No. 1: I. Allegro
02:35:00 Piano Trio in E-Flat Major, Op. 1 No. 1: II. Adagio cantabile
02:42:02 Piano Trio in E-Flat Major, Op. 1 No. 1: III. Scherzo. Allegro assai
02:46:56 Piano Trio in E-Flat Major, Op. 1 No. 1: IV. Finale. Presto
02:54:23 Piano Trio in D Major, After Symphony No. 2, Op. 36: I. Adagio – Allegro con brio
03:06:37 Piano Trio in D Major, After Symphony No. 2, Op. 36: II. Larghetto quasi andante
03:17:33 Piano Trio in D Major, After Symphony No. 2, Op. 36: III. Scherzo
03:21:14 Piano Trio in D Major, After Symphony No. 2, Op. 36: IV. Allegro molto
03:27:54 Triosatz in E-Flat Major, Op. Posth. (Allegretto)
03:31:18 Piano Trio in B-Flat Major, Op. 97 “Archduke”: I. Allegro moderato03:44:09 Piano Trio in B-Flat Major, Op. 97 “Archduke”: II. Scherzo. Allegro
03:50:29 Piano Trio in B-Flat Major, Op. 97 “Archduke”: III. Andante cantabile, ma però con moto – Poco più adagio
04:02:27 Piano Trio in B-Flat Major, Op. 97 “Archduke”: IV. Allegro moderato
04:09:26 Piano Trio in B-Flat Major WoO39 (Allegretto)
04:15:39 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: I. Allegro con brio
04:23:43 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: II. Andante
03:30:23 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: III. Menuetto – Trio
04:36:36 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: IV. Finale. Presto
04:42:32 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: I. Allegro con brio
04:51:23 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: II. Adagio
04:56:30 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: III. Tema. Pria ch'io l'impegno allegretto con variazioni
05:03:15 Piano Trio in G Major, Op. 121a “Ich bin der Schneider Kakadu” (Introduzione. Adagio assai – Tema. Allegretto con variazioni)
05:19:19 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: I. Adagio – Allegro con brio
05:26:38 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: II. Adagio cantabile
05:34:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: III. Tempo di menuetto
05:37:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: IV. Andante con variazioni
05:44:44 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: V. Scherzo. Allegro molto e vivace
05:48:01 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: VI. Andante con moto alla marcia – Presto

I was looking at the Saramonic website and saw this SmartRig thing. It's $22, and says you can connect your XLR mic to a phone. I thought that was crazy, so I checked it out. I also have a tip at the end when you can't find the holes on your phone.

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Whitney Houston - You Give Good Love (432Hz | Live Audio) · Whitney Houston · 1985
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℗ 2020 PT JreamFrequency WAA1., Unreleased Tracks will only be sent through email with no exceptions. Request any song in the frequency you want down in the comments.

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#WhitneyHouston #PranaTuneZ

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If you can realize that you are listening to a lot of intervals, you can still hear the music in the silence, the beauty in the silence. The power of the interval can reprogram the subconscious mind in a positive way. Listening to 432Hz music can unlock the right brain hemisphere. You can now unlock the creative part of your brain which is what you need to become limitless.

Pure Love & Elevation to You & Your Soul Tribe.

When I'm racing with destiny...

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Video Oficial: https://www.youtube.com/watch?v=JR49dyo-y0E

“Higher Love” out now! https://smarturl.it/xHigherLove

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#Kygo #WhitneyHouston #HigherLove

Lyrics:

[Intro]
Bring me higher love, love
Bring me higher love

[Verse 1]
Think about it, there must be a higher love
Down in the heart or hidden in the stars above
Without it, life is wasted time
Look inside your heart, and I'll look inside mine

[Pre-Chorus]
Things look so bad everywhere
In this whole world, what is fair?
We walk the line and try to see
Falling behind in what could be, oh

[Chorus]
Bring me a higher love
Bring me a higher love, oh
Bring me a higher love
Where's that higher love I keep thinking of?

[Post-Chorus]
Bring me higher love, love
Bring me higher love (Oh)
Bring me higher love, love
Bring me a higher love
Bring me higher love, love
Bring me higher love (Oh)
Bring me higher love, love
Bring me a higher love

[Verse 2]
Worlds are turning, and we're just hanging on
Facing our fear, and standing out there alone
A yearning, yeah, and it's real to me
There must be someone who's feeling for me

[Pre-Chorus]
Things look so bad everywhere
In this whole world, what is fair?
We walk the line and try to see
Falling behind in what could be, oh

[Chorus]
Bring me a higher love (My love)
Bring me a higher love, oh (Oh)
Bring me a higher love (My love)
Where's that higher love I keep thinking of?

[Post-Chorus]
Bring me higher love, love
Bring me higher love (Oh)
Bring me higher love, love
Bring me a higher love

[Chorus]
Bring me a higher love (Oh, bring me love)
Bring me a higher love, oh (We need a higher love)
Bring me a higher love (Bring me, bring me, yeah)
A higher love I keep thinking of, oh

[Post-Chorus]
(Bring me a higher love)
Bring me higher love, love
(Bring me a higher love)
Bring me higher love (Oh)
(Bring me a higher love)
Bring me higher love
A higher love I keep thinking of, oh

[Outro]
Bring me a higher love
(Bring me higher love, love)
Bring me a higher love, oh
(Bring me higher love)

No te pierdas las aventuras de Cars en diferentes escenarios. Mc Queen y sus amigos te sorprenderán.

Aprende a hacer tu nombre al estilo de Mickey y los Superpilotos.

Mickey y sus amigos se adentran en el emocionante mundo de las carreras donde cada uno tiene su propio vehículo de carreras personalizado. Esta nueva serie está llena de diversión, comedia… ¡y carreras! Aunque se encuentran muchos obstáculos en el camino, Mickey y sus amigos siempre consiguen cruzar la meta a tiempo para ganar su trofeo.

Muchas aventuras ocurrirán fuera de las pistas y estará en manos de Mickey usar su ingenio para solucionar las alocadas y divertidas aventuras de cada día.


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Noveno capitulo de esta serie de minecraft y sin resultados SIIIIII :), like si te ha gustado y suscribete para mas si aún no lo has hecho, MIAUUUUUU
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For his 2018 Physics Slam presentation at Fermilab, Northwestern University scientist André de Gouvêa took on one of the most fascinating particles in physics: the neutrino. In 10 minutes, he explained—with the help of a few props—what neutrinos are and how physicists discovered that these particles can transform into one other, a phenomenon known as neutrino oscillation. At the end of the evening, the audience declared him to be the winner of the 2018 Physics Slam.

Curious about neutrinos? Learn more about these particles at All Things Neutrino: http://neutrinos.fnal.gov

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Composers: Antonio Vivaldi, Nicolas Chedeville
Artists: Collegium Pro Musica, Stefano Bagliano (solo recorder), Alberto Pisani (cello), Fabiano Martignago (bass recorder), Andrea Coen (harpsichord)

The first thing to say about these six flute sonatas is that they are not by Vivaldi, nor did they ever have anything to do with the Italian composer. They are instead the work of Nicolas de Chédeville (1705-1782), an oboist and musette player, a student of the great French recorder virtuoso Louis Hotteterre who by the age of 25 had acquired a sufficient name for himself to publish his own compositions. He in turn became an esteemed teacher who worked for the royal households.

In 1737 he made a secret agreement with Jean-Noël Marchand for the latter to obtain a privilege to engrave, print and sell a work as Vivaldi's Il pastor fido, op.13, but in a notarial act dated 17 September 1749 Marchand declared that Chédeville was the composer, also revealing that Chédeville had provided the money for the publication and was receiving the emoluments. It is not certain why Chédeville chose to have his own work attributed to Vivaldi and issued under the privilege of Marchand, but perhaps, as Lescat has suggested, he was trying to give the musette, his favourite instrument, the endorsement of a great composer that it had lacked up until then.
But Chédeville, Vivaldi, whoever: what counts is the dancing vitality and simple, beguiling charm of these sonatas, which are played here by an experienced Italian early-music ensemble, whose previous recordings on Brilliant have met with warm critical response.

The Baroque recorder sonatas on this album bear the title “Il pastor fido”, a hugely popular play by Giovanni Guarini, which inspired many composers with its sensuous, pastoral and “romantic” atmosphere. The sonatas were attributed to Antonio Vivaldi (because of the commercial power of his fame) till in 1990 proof was found they have been written by the French composer Nicolas Chédeville, who borrowed material from Vivaldi and other composers, and developed it in the same idiom.
Excellent performances by the Ensemble Pro Musica, elite players from the Italian Early Music scene: Stefano Bagliano (recorder), Andrea Coen (harpsichord and organ).

00:00:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: I. Moderato
00:03:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: II. Allegro, tempo di gavotte
00:04:25 Il pastor fido, Op. 13 Sonata No. 1 in C Major: III. Aria affettuoso
00:07:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: IV. Allegro
00:09:25 Il pastor fido, Op. 13 Sonata No. 1 in C Major: V. Giga allegro
00:11:32 Il pastor fido, Op. 13 Sonata No. 2 in C Major: I. Preludio, adagio
00:13:51 Il pastor fido, Op. 13 Sonata No. 2 in C Major: II. Allegro assai
00:15:50 Il pastor fido, Op. 13 Sonata No. 2 in C Major: III. Sarabanda, adagio
00:18:00 Il pastor fido, Op. 13 Sonata No. 2 in C Major: IV. Allegro
00:19:54 Il pastor fido, Op. 13 Sonata No. 3 in G Major: I. Preludio, andante
00:22:12 Il pastor fido, Op. 13 Sonata No. 3 in G Major: II. Allegro ma non presto
00:24:54 Il pastor fido, Op. 13 Sonata No. 3 in G Major: III. Sarabanda
00:26:31 Il pastor fido, Op. 13 Sonata No. 3 in G Major: IV. Corrente
00:29:00 Il pastor fido, Op. 13 Sonata No. 3 in G Major: V. Giga, allegro
00:30:13 Il paster fido, Op. 13 Sonata No. 4 in A Major: I. Preludio, largo
00:32:38 Il pastor fido, Op. 13 Sonata No. 4 in A Major: II. Allegro ma non presto
00:35:36 Il pastor fido, Op. 13 Sonata No. 4 in A Major: III. Pastorale
00:39:08 Il pastor fido, Op. 13 Sonata No. 4 in A Major: IV. Allegro
00:41:04 Il pastor fido, Op. 13 Sonata No. 5 in C Major: I. Un poco vivace
00:42:54 Il pastor fido, Op. 13 Sonata No. 5 in C Major: II. Allegro ma non presto
00:45:32 Il pastor fido, Op. 13 Sonata No. 5 in C Major: III. Un poco vivace
00:48:32 Il pastor fido, Op. 13 Sonata No. 5 in C Major: IV. Giga
00:50:36 Il pastor fido, Op. 13 Sonata No. 5 in C Major: V. Adagio
00:51:48 Il pastor fido, Op. 13 Sonata No. 5 in C Major: VI. Minuetto I/II/I
00:52:24 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: I. Vivace
00:55:51 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: II. Fuga da capella
00:57:40 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: III. Largo
00:59:34 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: IV. Allegro ma non presto

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Composer: Johannes Brahms
Artists: Sara Mingardo alt
Luca Sanzò viola
Maurizio Paciariello piano

About this Album:
Brahms had already declared to his long-suffering publisher Simrock that he was done with the business of composition before producing these, his final pieces of chamber music. He was inspired by the clarinettist Richard Mühlfeld, a player in the court orchestra of Meiningen, where Hans von Bülow conducted the composer’s music including all the symphonies. Mühlfeld’s breath control and superb melodic sensitivity evidently reawakened in the composer the long-breathed melodies which mark out his chamber music throughout his career, but Brahms soon declared that the sonatas could just as well be played on the viola, perhaps with one eye on his royalties from Simrock, but violists have been glad to seize on their ‘own’ Brahms ever since.
Melancholy is perhaps inevitably the major key of both sonatas – Brahms had been drawn to express autumnal loneliness even 40 years before – but they are not gloomy works, and are built with undimmed ingenuity as masterfully organic structures in which the usual contrast of first and second themes is forsaken for the kind of continuous variation which Arnold Schoenberg could justly and admiringly describe as ‘musical prose’.

Tracklist:
00:00:00 Violin Sonata No. 1 in F Minor, Op. 120: I. Allegro appassionato
00:08:32 Violin Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio
00:13:20 Violin Sonata No. 1 in F Minor, Op. 120: III. Alegretto grazioso
00:18:11 Violin Sonata No. 1 in F Minor, Op. 120: IV. Vivace
00:23:44 2 Gesänge, Op. 91: I. Gestillte Sehnsucht
00:29:53 2 Gesänge, Op. 91: II. Geistliches Wiegenlied
00:35:25 Violin Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile
00:44:14 Violin Sonata No. 2 in E-Flat Major, Op. 120: II. Allegro appassionato
00:50:13 Violin Sonata No. 2 in E-Flat Major, Op. 120: III. Andante con moto

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The Large Hadron Collider (or LHC) is the world’s most powerful particle accelerator.  In 2012, scientists used data taken by it to discover the Higgs boson, before pausing operations for upgrades and improvements.  In the spring of 2015, the LHC will return to operations with 163% the energy it had before and with three times as many collisions per second.  It’s essentially a new and improved version of itself.  In this video, Fermilab’s Dr. Don Lincoln explains both some of the absolutely amazing scientific and engineering properties of this modern scientific wonder.

In a long line of intellectual triumphs, Einstein’s theory of general relativity was his greatest and most imaginative.  It tells us that what we experience as gravity can be most accurately described as the bending of space itself.  This idea leads to consequences, including gravitational lensing, which is caused by light traveling in this curved space.  This is works in a way analogous to a lens (and hence the name).  In this video, Fermilab’s Dr. Don Lincoln explains a little general relativity, a little gravitational lensing, and tells us how this phenomenon allows us to map out the matter of the entire universe, including the otherwise-invisible dark matter.

Related video:
http://www.youtube.com/watch?v=oPNrcKeqbBM