A Morko le encanta hacer travesuras y sorprender a sus amigos de la selva. A ti, ¿qué bromas te divierten más?

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Composer: Johannes Brahms
Artists: Sara Mingardo alt
Luca Sanzò viola
Maurizio Paciariello piano

About this Album:
Brahms had already declared to his long-suffering publisher Simrock that he was done with the business of composition before producing these, his final pieces of chamber music. He was inspired by the clarinettist Richard Mühlfeld, a player in the court orchestra of Meiningen, where Hans von Bülow conducted the composer’s music including all the symphonies. Mühlfeld’s breath control and superb melodic sensitivity evidently reawakened in the composer the long-breathed melodies which mark out his chamber music throughout his career, but Brahms soon declared that the sonatas could just as well be played on the viola, perhaps with one eye on his royalties from Simrock, but violists have been glad to seize on their ‘own’ Brahms ever since.
Melancholy is perhaps inevitably the major key of both sonatas – Brahms had been drawn to express autumnal loneliness even 40 years before – but they are not gloomy works, and are built with undimmed ingenuity as masterfully organic structures in which the usual contrast of first and second themes is forsaken for the kind of continuous variation which Arnold Schoenberg could justly and admiringly describe as ‘musical prose’.

Tracklist:
00:00:00 Violin Sonata No. 1 in F Minor, Op. 120: I. Allegro appassionato
00:08:32 Violin Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio
00:13:20 Violin Sonata No. 1 in F Minor, Op. 120: III. Alegretto grazioso
00:18:11 Violin Sonata No. 1 in F Minor, Op. 120: IV. Vivace
00:23:44 2 Gesänge, Op. 91: I. Gestillte Sehnsucht
00:29:53 2 Gesänge, Op. 91: II. Geistliches Wiegenlied
00:35:25 Violin Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile
00:44:14 Violin Sonata No. 2 in E-Flat Major, Op. 120: II. Allegro appassionato
00:50:13 Violin Sonata No. 2 in E-Flat Major, Op. 120: III. Andante con moto

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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¡Los Muppet Babies celebran que todo es posible con maginación en este increíble musical!

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Jesús Adrián Romero, Oscar Medina, Marcela Gandara, Roberto Orellana,Julio Melgar,Rabito..MIX EXITOS
Jesús Adrián Romero, Oscar Medina, Marcela Gandara, Roberto Orellana,Julio Melgar,Rabito..MIX EXITOS
Jesús Adrián Romero, Oscar Medina, Marcela Gandara, Roberto Orellana,Julio Melgar,Rabito..MIX EXITOS
#MusicaCristiana #OscarMedina #RobertoOrellana

Whitney Houston Sus Grandes Éxitos || Top 20 Mejores Canciones || Recordando Con Whitney Houston
Whitney Houston Sus Grandes Éxitos || Top 20 Mejores Canciones || Recordando Con Whitney Houston
Whitney Houston Sus Grandes Éxitos || Top 20 Mejores Canciones || Recordando Con Whitney Houston
==========================
https://bit.ly/2wm0net

1983 Mercury.

Tracklist below.

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Artist: Ensemble Seicentonovecento, Flavio Colusso (conductor)

Today Mascagni is best remembered for his verismo opera Cavalleria rusticana, a work which firmly belongs in many of the greatest opera houses’ core repertory, but his Messa di Gloria – which predates this composition by a matter of months and from which many of Cavalleria’s themes in fact derive – was also greatly lauded in its day. Mascagni’s interest in church music can be traced back to the days of his gifted adolescence: by the age of 13 he has written a Kyrie; at the age of 16 he refers in a letter to his involvement in composing a Mass (together with his friend Barbini); and during his student days in Milan he composed a motet as well as a great deal of music for the Messa per la festa di Maria SS. del Rosario. First performed in the Apulian town of Cerginola and conducted by the composer himself, a contemporary account of the Messa di Gloria described it as ‘a very powerful and original work, full of beauty, inspired by the requirements of modern taste’. In 1891 Mascagni repeated the peformance to an audience of 6000, as part of the celebrations marking the sixth centenary of Orvieto’s famous cathedral; such was the reception that the magazine Teatro illustrato declared the occasion ‘an event for the art of music in Italy’. Anyone expecting to hear a chorale, a fugue or even a simple fugato anywhere in the piece would have been disappointed, however, and doubts were raised regarding the religious nature of the work.

Instead, as the composer himself wrote, the Messa di Gloria can be described as a ‘prayer. The Mass is a prayer, all love and all passion!’ Here it is performed with aplomb by Ensemble Seicentonovento, an internationally renowned vocal-instrumental group that has recorded widely and appeared with such notable singers as José Carreras and Patrizia Pace. Iorio Zennaro and Pietro Spagnoli contribute well-executed arias to the mix as the respective tenor and bass soloists.

00:00:00 Messa di Gloria: Kyrie (Tenor, Bass, Chorus)
00:05:18 Messa di Gloria: Gloria (Tenor, Bass, Chorus)
00:07:00 Messa di Gloria: Gloria. Laudamus (Tenor, Chorus)
00:11:25 Messa di Gloria: Gloria. Gratias (Bass)
00:16:30 Messa di Gloria: Gloria. Domine Deus (Tenor, Bass)
00:18:48 Messa di Gloria: Gloria. Qui tollis (Tenor)
00:23:11 Messa di Gloria: Gloria. Qui sedes (Bass)
00:27:30 Messa di Gloria: Gloria. Quoniam (Tenor, Bass, Chorus)
00:28:42 Messa di Gloria: Gloria. Cum Sancto Spiritu (Tenor, Bass, Chorus)
00:29:51 Messa di Gloria: Credo (Chorus)
00:31:32 Messa di Gloria: Credo. Et incarnatus (Tenor, Chorus)
00:35:07 Messa di Gloria: Credo. Et resurrexit (Tenor, Bass, Chorus)
00:38:12 Messa di Gloria: Sanctus (Tenor, Chorus)
00:40:21 Messa di Gloria: Sanctus. Elevazione
00:44:08 Messa di Gloria: Sanctus. Benedictus (Bass)
00:47:15 Messa di Gloria: Sanctus. Hosanna (Chorus)
00:47:53 Messa di Gloria: Agnus Dei (Tenor, Bass, Chorus)

Elsa y Ana se embarcan en una nueva aventura congelada para para ver las luces mágicas. Sus amigos Olaf, Kristoff y Sven las ayudarán a cumplir su sueño ¿Llegarán a tiempo? Descúbrelo en Disney Junior.

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#whitneyhouston #ihavenothing

This selection gives you a beautiful impression of the J.S. Bach - Complete Edition’s second volume. For the complete second volume (18 hours) and Complete Boxset, please check the following links:

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Vol. 10: https://brilliant-classics.lnk.to/Bachvol10

The full tracklist can be found in the comments section below!

Johann Sebastian Bach’s stature as a composer of extraordinary talent and widespread influence is so firmly established in Western culture that it is difficult to believe that only 150 years ago his works lay in veritable obscurity, unknown to all but a small group of scholars. It is largely thanks to ohn, who essentially effected a revival of the composer’s music through his rediscovery and promulgation of the St Matthew Passion, besides other pieces, that his works are today regarded as pinnacles of music expression. That they are among the most performed and widely attended is in no doubt; in Holland alone, thousands of singers and musicians are involved in dozens of performances of the St Matthew Passion in Holy Week, with hundreds of thousands listening in churches and concert halls, or gathered around the radio, to what has been described as ‘the Gospel according to Bach’.

The collection Contains 142 CDs (112 hours) representing the entirety of Johann Sebastian Bach’s oeuvre in historically informed performances. This includes all 200 sacred cantatas recorded for Brilliant Classics on period instruments and sung by the Holland Boys Choir.

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Eline Snel es la referencia europea del mindfulness aplicado a la educación. En este vídeo nos habla de los beneficios de la práctica del mindfulness en la educación. Sostiene que en la era de la constante distracción y el estrés, el mindfulness ofrece prácticas basadas en la respiración y relajación para niños, educadores y padres con un objetivo: recuperar su capacidad de atención plena.



Snel es terapeuta y fundadora de la Academy for Mindful Teaching para entrenar a profesionales de la enseñanza y la salud en "mindfulness" para niños y jóvenes. Es autora de los libros "Tranquilos y atentos como una rana" y "Respirad". En este manual, desarrolla su método, “La atención funciona”, un trabajo basado en el Mindfulness Based Stress Reduction (MBSR) del Dr Jon Kabatt-Zinn en el MIT (Massachusetts Institute of Technology).



Su método se aplica en escuelas de primaria y secundaria de países como Francia, Alemania, Singapur y también España. El Ministerio de Educación de Holanda ha decidido ofrecer esta formación a todos los maestros que lo deseen ya que sostiene que es beneficioso tanto para niños como para los profesores, una de las profesiones más exigentes del mundo, explica.



#AprendemosJuntos

Nuestra Señora de la Caridad de Cobre

Music video by Sting performing Englishman In New York. (C) 1987 A&M Records

#Sting #EnglishmaninNewYork #Vevo #Rock #OfficialMusicVideo

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Music video by Tears For Fears performing Mother's Talk. (C) 1984 Mercury Records Limited

From the album Making Mirrors

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Video credits:
Directed, produced and edited by Natasha Pincus
Body art by Emma Hack
Cinematographer and colourist: Warwick Field
Scenic artist: Howard Clark
Key grip: Rob Hansford
Assistants: Rose Cidoni, Claire Leighton, Rob Murray
Original artwork by Frank De Backer

Music credits:
Produced by Wally De Backer
Mixed by Francois Tetaz, assisted by Wally at Moose Mastering, Richmond, VIC
Bass recorded by Wally in Lucas Taranto's loungeroom, Melbourne, VIC
All other sounds put together by Wally in The Barn, Merricks, VIC

Bass guitar: Lucas Taranto
Lead and backing vocals: Kimbra
Guitar, flutes, percussion and synth samples, lead and backing vocals: Wally

Contains a sample of the recording Seville as performed by Luiz Bonfa. Courtesy of Geffen Records, under license from Universal Music Enterprises. Used by permission. All rights reserved. Written by Luiz Bonfa and published by Sasqua Music. Used by permission.

**********************************************
Somebody That I Used To Know - lyrics

Now and then I think of when we were together
Like when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember

You can get addicted to a certain kind of sadness
Like resignation to the end
Always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad that it was over

But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know

Now and then I think of all the times you screwed me over
But had me believing it was always something that I'd done
And I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know...

But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know

I used to know
That I used to know

Somebody...
*************

Tracklist below.

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While J.S. Bach, along with Buxtehude, has long been considered the father of Baroque organ music in northern Germany, organ music connoisseurs today have started to look beyond the established canon of this time to the great composer’s contemporaries. Particularly interesting are three German composers who were also active around the same time as Bach: Erich, Saxer and Druckenmüller, whose complete works (as discovered in manuscript form) feature on this release.
All three were unusual in that they came from provincial areas of Germany rather than being based in a thriving cultural centre like Hamburg or Lübeck. Druckenmüller – just two years younger than Bach – was highly unusual in publishing completely original Concertos for organ solo, in contrast to Bach’s settings of established chorale tunes that were the norm. The Concertos – all fast–slow–fast – are written in the style that was fast becoming the established one in Germany, the Italian Style. Slightly younger was Georg Saxer, whose style was starting to reflect the new galant Rococo. His Preludes, followed by a long Fugue, reflect new tensions with dominant seventh chords that seem to hang in the air, creating moments of suspense. Daniel Erich – more of Buxtehude’s time than Bach’s – wrote chorale preludes, of which only four survive. They reveal a composer full of expressivity and elegance in the way he embellishes the theme, whether in the soprano or the pedal. His original compositions show a remarkable originality as well as knowledge of the idiomatic writing of the time.
Italian organist Manuel Tomadin’s passion for these undiscovered composers comes across clearly in this release. He has specially chosen a Baroque organ by Arp Schnitger, the most important organ builder of the period, who worked closely with both Saxer and Druckenmüller during his life, making this a wonderfully authentic recording.
This new recording features the magnificent Schnitger organ of the St. Michael Church in Zwolle, the Netherlands. It was built in 1721 by Arp Schnitger and his sons, and after careful restoration over the last decades by Flentrop the organ is restored in its full glory, one of the finest examples of the Golden Age of organ building, the Baroque.
The works on this recording are derived from the Husumer Orgelbuch (Husum organ book), a collection of organ works by North German major and minor masters. Presented are substantial Preludes by Georg Wilhelm Saxer, Choralvorspiele by Daniel Erich and two Concertos by Wolfgang Druckenmüller, written in the Italian style, as original compositions and not as transcriptions of Italian Concerti grossi, as was the custom of that period.
Manuel Tomadin is one of the foremost Italian organists, a scholar, teacher and passionate musician. He won the Grand Prix of the Schnitger Organ Competition of Alkmaar in 2011, and recorded several CD’s for Brilliant Classics, among which the complete keyboard works by Alberti (BC95161). He wrote the excellent liner notes for the booklet, which also contains all information on the organ.
 
00:00:00 Christum wir sollen loben schon
00:02:48 Es ist das Heil uns kommen her
00:05:10 Allein zu dir, Herr Jesu Christ
00:10:00 Praeludium et Ciaccona in D Major: I. Praeludium
00:12:30 Praeludium et Ciaccona in D Major: II. Ciaccona
00:18:53 Concerto in A Major: I. Allegro
00:22:03 Concerto in A Major: II. Siciliana
00:23:23 Concerto in A Major: III. Vivace
00:26:35 Concerto in F Major: I. Allegro
00:28:36 Concerto in F Major: II. Adagio
00:30:10 Concerto in F Major: III. Vivace
00:32:41 Concerto in D Major: I. Allegro
00:35:54 Concerto in D Major: II. Largo
00:37:48 Concerto in D Major: III. Vivace
00:39:14 Concerto in G Major: I. Allegro
00:42:19 Concerto in G Major: II. Adagio
00:44:00 Concerto in G Major: III. Allegro
00:45:52 Praeludium in D Major
00:54:43 Praeludium in B-Flat Major
01:00:20 Praeludium in F Major
01:06:51 Praeludium in D Major
01:13:17 Praeludium in E Minor

Artist
Manuel Tomadin (organ)

¿Te gusta cantar y bailar? ¡Entonces te va a encantar el Monito Mandón! ¡No te lo pierdas! ¡Además, Somos Dinosaurios, Bebé Tiburón, El baile del Dinosaurio con Bebé T-Rex, Quiero ser grande, Itsy Bitsy Surfista y muchas otras canciones divertidas! #littleangel #littleangelespañol

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¡Ve a tu canción favorita eligiendo en el título debajo!

00:04 Monito Mandón
02:18 Somos Dinosaurios
04:04 El Baile de Bebé Tiburón
05:37 ¿Estás durmiendo, hermano Juan?
07:22 Familia Dedo
08:39 Manzanas contra Bananas
10:47 El Niño y el Dinosaurio
12:38 Cinco Perritos Juguetones
14:10 Tiburones contra Dinosaurios
15:53 La Araña Itsy Bitsy
18:01 Humpty Dumpty
19:43 Señor Sol
22:18 María tiene un corderito
23:52 Quiero ser Bailarina
25:27 Cinco Patitos
27:17 El baile del Dinosaurio con Bebé T-Rex
28:47 Policía Tiburón
30:18 La Princesa tiene una varita
31:45 Bebé Tiburón ¿Dónde está mi aleta?
33:53 Quiero ser grande
35:42 Itsy Bitsy Surfista
37:34 Cinco perritos Peekaboo
38:58 Un elefante se balanceaba
40:50 ¿Qué hay debajo de mi cama?
43:06 ¿Dónde está mi nariz?

Nuestras canciones para niños enseñan habilidades básicas y mejoran su habilidad para comprender y seguir instrucciones. Las canciones infantiles aceleran las capacidades fonéticas y mejoran la comprensión oral, de lectura y escritura.

No olvides darnos un LIKE (?) si disfrutaste este video.

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Nursery rhymes and kids songs, músicas para crianças, música infantil, canciones para niños, अंग्रेजी में बच्चों के गाने, детские песни для детей, comptines en espagnol, bata kanta sa ingles, lagu kanak-kanak Inggeris, lagu anak-anak dalam bahasa inggris, أغاني الأطفال باللغة الإنجليزية, 兒童歌曲英文.

Animations by: Valnet Inc.
Copyright 2018 Valnet

00:00 01. Úngeme
04:13 02. Magnífico
09:17 03. Confió en Dios
13:36 04. Tengo fe
17:24 05. Te daré
21:41 06. Confesión
25:55 07. Cada mañana
30:23 08. Unos a otros
33:44 09. Úngeme (Pista)
37:57 10. Magnífico (Pista)
43:00 11. Confió en Dios (Pista)
47:19 12. Tengo fe (Pista)
51:36 13. Te daré (Pista)
55:50 14. Confesión (Pista)
1:00:18 15. Cada mañana (Pista)
1:03:40 16. Unos a otros (Pista)

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Composer: Claude Debussy
Artist: Mariangela Vacatello (piano)

About this Album:
The Debussy-year 2012 brought a wealth of reissues on the market, but surprisingly few new recordings. Reason the more to welcome this new recording of a generous selection of Debussy piano works, centred around the substantial “12 Etudes”.These works, written in the later stage of Debussy’s creative life, form the apotheosis of his style. Far from any evocative “impressionistic” Tonmalerei or picturesque
atmosphere painting they are Debussy’s answer to the Etudes of Chopin, purely abstract creations of melody, harmony and rhythm. Fiercely uncompromising and difficult, they form the summit of Debussy’s piano oeuvre, and one of the highest challenges to any performing pianist.

The exciting young Italian pianist Mariangela Vacatello is a Liszt specialist, renowned for her passionate performances and technical ability. She has given concerts at prestigious venues across the USA and Europe, and she has won many awards. These include second prize at the Franz Liszt International Piano Competition in 1999, and the Internet Audience Award at the 2009 Van Cliburn International Piano Competition. ‘A very exciting player’ Musical Opinion, 2008.

Tracklist:
00:00:00 Etudes: I. Pour les cinq doigts (d’après Monsieur Czerny)
00:03:19 12 Etudes: II. Pour les tierces
00:07:15 12 Etudes: III. Pour les quartes
00:13:33 12 Etudes: IV. Pour les sixtes
00:18:11 12 Etudes: V. Pour les octaves
00:20:56 12 Etudes: VI. Pour les huit doigts
00:22:33 12 Etudes: VII. Pour les degrés chromatiques
00:24:48 12 Etudes: VIII. Pour les agréments
00:29:55 12 Etudes: IX. Pour les notes répétées
00:33:17 12 Etudes: X. Pour les sonorités opposées
00:38:50 12 Etudes: XI. Pour les arpèges composés
00:43:24 12 Etudes: XII. Pour les accords
00:47:50 Estampes: I. Pagodes
00:52:35 Estampes: II. La soirée dans Grenade
00:57:54 Estampes: III. Jardins sous la pluie
01:01:39 Deux Arabesques: No. 1 Andantino con moto
01:06:19 Deux Arabesques: No.2 Allegretto scherzando
01:09:46 L’Isle joyeuse

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Debussy