Recorded on February 1st, 2010, in the same studio as the original 25 years earlier (Henson Recording Studios, formerly A&M Recording Studios) "We Are The World 25 For Haiti", in which Quincy Jones and Lionel Richie serve as executive producers and producers, was created in collaboration with executive producers Wyclef Jean, Randy Phillips and Peter Tortorici; producers Humberto Gattica and RedOne; and co-producers Rickey Minor, Mervyn Warren and Patti Austin to benefit the Haitian earthquake relief efforts and the rebuilding of Haiti.

Academy Award-winning writer-director Paul Haggis (Crash, Million Dollar Baby), whose own personal efforts as well as those of Artists for Peace and Justice have already saved countless lives in Haiti, filmed the private recording session to create the accompanying video and behind-the-scenes production, and serves as Film Director and as an Executive Producer with Jones, Richie, Jean, Phillips and Tortorici.

The 25th Anniversary recording features over 80 artists and performers. The recording of We Are The World 25 For Haiti embodied the same enthusiasm, sense of purpose and generosity as the original recording 25 years ago. Every one of the artists who participated, regardless of genre or generation, walked into the room with their hearts and souls completely open to coming together to help the people of Haiti.

We begin our unit on ethics with a look at metaethics. Hank explains three forms of moral realism – moral absolutism, and cultural relativism, including the difference between descriptive and normative cultural relativism – and moral subjectivism, which is a form of moral antirealism. Finally, we’ll introduce the concept of an ethical theory.


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In which John Green teaches you about Reconstruction. After the divisive, destructive Civil War, Abraham Lincoln had a plan to reconcile the country and make it whole again. Then he got shot, Andrew Johnson took over, and the disagreements between Johnson and Congress ensured that Reconstruction would fail. The election of 1876 made the whole thing even more of a mess, and the country called it off, leaving the nation still very divided. John will talk about the gains made by African-Americans in the years after the Civil War, and how they lost those gains almost immediately when Reconstruction stopped. You'll learn about the Freedman's Bureau, the 14th and 15th amendments, and the disastrous election of 1876. John will explore the goals of Reconstruction, the successes and ultimate failure, and why his alma mater Kenyon College is better than Raoul's alma mater NYU. Support CrashCourse on Patreon: https://www.patreon.com/crashcourse

Hey teachers and students - Check out CommonLit's free collection of reading passages and curriculum resources to learn more about the events of this episode.The period of Reconstruction that followed the Civil War was imperfect, and failed to create lasting change after 1876: https://www.commonlit.org/texts/reconstruction
Following the end of the Civil War, many African Americans found themselves turning from slavery to sharecropping, an unfair system that would last until World War II and the Civil Rights Movement: https://www.commonlit.org/text....s/from-slaves-to-sha

Want more videos about psychology every Monday and Thursday? Check out our sister channel SciShow Psych at https://www.youtube.com/scishowpsych!

***Subbable Message***

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Thank you for showing me the world, darling!
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and

That's happiness; to be dissolved into something complete and great.
From Ty Scaletta

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Even if you're Mel Gibson or Kanye, it's probably best to not wear all of your emotions on your sleeve. In this episode of Crash Course Psychology, Hank talks about these things called "Emotions". What are they? And why do we need them?

--
Table of Contents:

Emotions 00:54:22
Theories on Emotions 02:10:20
Cognition & Emotion 03:35:17
The Autonomic Nervous System 07:39:11
--
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Why do people buy the stuff they buy? In classical economics, most models assume that consumers behave rationally. As you've probably noticed in your real life, in case after case, people don't actually make rational decisions. There can be emotional or social reasons for all this irrationality, and behavioral economics tries to address this. We'll talk about risk, nudge theory, prices and perception, and the ultimatum game. So, let's get irrational, in a logical way, of course.

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***
Why do people do bad things? Is it because of the situation or who they are at their core? In this week's episode of Crash Course Psychology, Hank works to shed a little light on the ideas of Situation vs. Personality. Oh, and we'll have a look at the Stanford Prison Experiment... It's alarming.

If you are currently in need of help: http://www.mentalhealth.gov/get-help/

--
Table of Contents:

Social Psychology 01:29
Fundamental Attribution Error 02:04
Dual-Process Theory of Persuasion 03:18
Foot-In-The-Door Phenomenon 04:35
Stanford Prison Experiment 05:12
Cognitive Dissonance 8:08

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In which John relates a condensed history of India, post-Indus Valley Civilization. John explores Hinduism and the origins of Buddhism. He also gets into the reign of Ashoka, the Buddhist emperor who, in spite of Buddhism's structural disapproval of violence, managed to win a bunch of battles.

Resources:

Awesome comic book about Ashoka by Anant Pai: http://dft.ba/-ashoka He did a huge series of comics about Indian history and religion: http://dft.ba/-AnantPai

India: A History by John Keay: http://dft.ba/-IndiaHistory

The Bhagavad Gita: http://dft.ba/-gita

The Bhagavad Gita, Upanishads, and Rig Veda, all-in-one edition: http://dft.ba/-India

Credits:

Executive Producer: John Green
Producer: Stan Muller
Writer and historian: Raoul Meyer
Script Supervisor: Danica Johnson
Music: Jason Weidner

Thought Bubble is a product of the Smart Bubble Society: http://dft.ba/-smartbubble
the Smart Bubble Society is:
Suzanna Brusikiewicz
Jonathon Corbiere
Nick Counter
Allan Levy
James Tuer
Adam Winnik

Set Design: Donna Sink
Props: Brian McCutcheon

Photos:

David Shankbone

ClipWorks

Crash Course World History is now available on DVD! http://store.dftba.com/product....s/crashcourse-world-

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In which Craig Benzine teaches you about the United States Congress, and why it's bicameral, and what bicameral means. Craig tells you what the Senate and House of Representatives are for, some of the history of the institutions, and reveal to you just how you can become a representative. It's not that easy. But an eagle gets punched, so there's that.

Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios

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Today we’re talking about our galactic neighborhood: The Milky Way. It’s a disk galaxy, a collection of dust, gas, and hundreds of billions of stars, with the Sun located about halfway out from the center. The disk has grand spiral patterns in it, formed by the traffic jams of stars and nebulae, where stars are born. The central region is shaped like a bar, and is mostly old, red stars. There’s also a halo surrounding us of old stars.

Crash Course Astronomy Poster: http://store.dftba.com/product....s/crashcourse-astron

--

Table of Contents
Milky Way Is A Disc 2:54
Grand Spiral Patterns 4:21
The Central Region Is Bar Shaped 7:48
Outer Halo Of Old Stars 9:09

--

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PHOTOS/VIDEOS
Milky Way, Artist’s Drawing http://www.nasa.gov/mission_pa....ges/spitzer/multimed [credit: NASA/JPL-Caltech]
Joshua Tree http://deepskycolors.com/astro..../2013/04/2013-04_Jos [credit: Rogelio Bernal Andreo]
Milky Way Center Region Mosaic http://sguisard.astrosurf.com/Pagim/GC.html [credit: ESO]
New Hubble image of star cluster Messier 15 http://www.spacetelescope.org/images/heic1321a/ [credit: NASA, ESA]
Artist’s impression of the Milky Way http://www.spacetelescope.org/....videos/hubblecast70b [credit: ESA/Hubble and M. Kornmesser]
M83 (Hubble Only and Hubble-Subaru-ESO Composite) http://www.robgendlerastropics.....com/M83-New-HST.htm [credit: Robert Gendler, 8.2 Meter Subaru Telescope (NAOJ), European Southern Observatories, Hubble Legacy Archive]
Hubble's Largest Galaxy Portrait Offers a New High-Definition View http://hubblesite.org/newscent....er/archive/releases/ [credit: NASA, ESA, K. Kuntz (JHU), F. Bresolin (University of Hawaii), J. Trauger (Jet Propulsion Lab), J. Mould (NOAO), Y.-H. Chu (University of Illinois, Urbana), and STScI]
NGC 3344 http://skycenter.arizona.edu/g....allery/Galaxies/NGC3 [credit: Adam Block/Mount Lemmon SkyCenter/University of Arizona]
Annotated Milky Way http://www.jpl.nasa.gov/images..../wise/20150603/spitz [credit: NASA/JPL-Caltech]
Black hole with corona, X-ray source (artist's concept) https://en.wikipedia.org/wiki/....Black_hole#/media/Fi [credit: NASA/JPL-Caltech]
A Galaxy and its Halo http://www.esa.int/spaceinimag....es/Images/2008/06/A_ [credit: ESA (image by C. Carreau)]
How to Become a Star http://www.eso.org/public/images/eso0102a/ [credit: ESO]

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In which John Green teaches you about the Vereenigde Oostindische Compagnie, doing business as the VOC, also known as the Dutch East India Company. In the 16th and 17th centuries, the Dutch managed to dominate world trade, and they did all through the pioneering use of corporations and finance. Well, they did also use some traditional methods like violently enforced monopolies, unfair trade agreements, and plain old warfare. You'll learn how the Dutch invented stuff like joint stock corporations, maritime insurance, and futures trading. Basically, how the Dutch East India Company crashed the US economy in 2008. I'm kidding. Or am I?

Citation 1: William J. Bernstein, A Splendid Exchange: How Trade Shaped the World. Grove Press. 2008. p. 218
Citation 2: Stephen R. Bown. Merchant Kings: When Companies Ruled the World, 1600-1900. New York. St. Martin’s Press. 2009. p. 28
Citation 3: Bernstein p. 223
Citation 4: Bernstein p. 228
Citation 5: Bown p. 53

IF YOU ARE A CURRENT SUBBABLE SUBSCRIBER
Go to https://subbable.com and click the "continue to patreon button." You will be guided through the process to merge your account with Patreon to continue supporting your portfolio of creators. Make sure to use the money in your perk bank by August 1st, 2015. Get yourself something nice you deserve it! Also. you are the best. Yes. You. You are awesome, and we can't thank you enough!

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In our final episode of Crash Course Philosophy, we consider what it means to live a good life. We’ll look at the myth of Sisyphus, Robert Nozick’s experience machine, Aristotle’s eudaimonistic picture of a good human life, and the existentialists’ view that we each determine the value of our own lives. And we’ll think about how you, too, can live the life of a philosopher.

Want more Crash Course in person? We'll be at NerdCon: Nerdfighteria in Boston on February 25th and 26th! For more information, go to http://www.nerdconnerdfighteria.com/

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So political campaigns are a pretty big deal in the United States. For instance the 2012 presidential election clocked in at the most expensive ever - at around $6 billion dollars! Needless to say, money plays a very big role in American elections. So today, Craig is going to take a look at why we have campaigns in the first place, why the campaign seasons run for so long, and of course why campaigns cost so much.

Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios

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All attributed images are licensed under Creative Commons by Attribution 4.0
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Today, Craig is going to talk about social policy - in the United States this means achieving one of three goals: protecting Americans from risk, promoting equal opportunity, or assisting the poor. Many Americans strongly believe in individualism, that is self-reliance, but since the Great Depression and the New Deal the government’s role has increased significantly. We’re going to focus on two social policies that came out of the New Deal - Social Security and what we tend to think of as “welfare” - and talk about why they’re still around now and potentially the future. These and other social policies are not without controversy, as things tend to be when involving our tax dollars, and we’re going to talk about that too.


Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudiosSupport is provided by Voqal: http://www.voqal.orgAll attributed images are licensed under Creative Commons by Attribution 4.0https://creativecommons.org/licenses/...

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We've been asking big questions for a really long time and we've all wanted to explore how we've sought to answer those questions through the centuries. Questions like, "What is stuff?" and "Where are we?" have inspired people all over the world to investigate. So lets dive in and see how we, as a people, have tried to figure this stuff out in this first episode of Crash Course History of Science!

Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

Mark Brouwer, Nickie Miskell Jr., Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, Robert Kunz, SR Foxley, Sam Ferguson, Yasenia Cruz, Daniel Baulig, Eric Koslow, Caleb Weeks, Tim Curwick, Evren Türkmenoğlu, Alexander Tamas, Justin Zingsheim, D.A. Noe, Shawn Arnold, mark austin, Ruth Perez, Malcolm Callis, Ken Penttinen, Advait Shinde, Cody Carpenter, Annamaria Herrera, William McGraw, Bader AlGhamdi, Vaso, Melissa Briski, Joey Quek, Andrei Krishkevich, Rachel Bright, Alex S, Mayumi Maeda, Kathy & Tim Philip, Montather, Jirat, Eric Kitchen, Moritz Schmidt, Ian Dundore, Chris Peters, Sandra Aft, Steve Marshall
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Hey! Every once in a while I like to have some fun. I've received comments about my on-camera-ness, so, pick one for yourself. I prefer my MESELF. NOTE: It's obvious from the video I am not and have never been an actor. The lesson here is it's best to be yourself. More in the description. ▼

MUSIC:
▶ PREMIUM BEAT: http://bit.ly/PremiumBeatMusic

HELP:
▶ http://bit.ly/DonationsWelcome

GEAR:
▶ https://kit.com/BasicFilmmaker

TRAINING:
▶ http://bit.ly/BFUniversityEnrollment

SHARE:
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SOCIAL:
▶ http://bit.ly/BasicFilmmakerFacebook
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▶ http://bit.ly/BasicFilmmakerYouTube
▶ http://bit.ly/BasicFilmmakerWebsite #basicfilmmaker #filmmaking #videos

Before you spend a ton of money on gear, make sure you practice creating the BASIC FOUNDATION of a film - THE STORY! And, I battle with a dog!

LAST 2 EPISODES:
Commercials: http://youtu.be/0sKXftjOoCk
Screenplay Tips: http://youtu.be/_AZk2JGjZxo

REACH THE BASIC FILMMAKER:
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50% Off Vimeo: http://www.jdoqocy.com/click-7168208-11319345

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answering any question you ask about filming.

GEAR USED.
Canon DSLR and 50mm lens. Rode lapel mic and Zoom H1 recorder. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

Here's some gear and links you can check out. It throws a few pennies my way, and costs you nothing. :)

AMAZON YOURSELF HERE:
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ADORAMA GEAR HERE:
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7 DAYS UNLIMITED FREE ACCESS:
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RENT GEAR HERE:
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http://GraphicStock.evyy.net/c/69880/91712/2238

THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing. #basicfilmmaker #filmmaking #videos

Download on iTunes: https://itunes.apple.com/album..../locatelli-concerti-
For physical sales: http://www.brilliantclassics.c....om/articles/l/locate
Listen via Spotify: https://open.spotify.com/album..../7G8E61QOvd8KwAIodFh

Composer: Pietro Antonio Locatelli
Artists: Igor Ruhadze (violin), Ensemble Violine Capricciosi

Virtuosity, showy improvisation and stratospherically high violin playing are the characteristics of Baroque composer Pietro Antonio Locatelli’s theatrical concerti grossi for soloists and ripieno. While concerti grossi from this time could usually be divided into two types, ‘da camera’ and ‘da chiesa’ – with the former containing more dance movements – Locatelli went down his own distinct path, creating a new model more like that of Torelli. His ripieno section was larger than the traditional accompanying group, and his slow movements contained drawn-out notes over which the first violinist or harpsichordist was free to improvise. Indeed, one harpsichord passage in Op.7 is so extraordinarily virtuosic that Locatelli labelled it ‘ad libitum’, presumably to avoid frightening the amateur musician.

Only the most consummate and accomplished musicians can perform works of this calibre. Igor Ruhadze and his ensemble Violini Capricciosi have spent years recording Locatelli’s works, having previously released his violin concertos and trio sonatas, described by Gramophone magazine as ‘brilliantly and at times breathtakingly performed’. They bring their expertise to this release once more, with a tight and supple ripieno section supporting the sumptuous, virtuosic solo playing.

The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument.
This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing, as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.
This set is part of the Locatelli Edition, the complete works by Locatelli, as performed by Igor Ruhadze and his early music band Violini Capricciosi, playing with great gusto, zest and dazzling virtuosity.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.....to/TunderCompleteOr

Physical Purchase:
https://www.brilliantclassics.....com/articles/t/tunde

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer & Artist:
Composer: Franz Tunder
Artist: Emanuele Cardi organ

About this Album:
ranz Tunder (1614-1667) was born in the German city of Lübeck, where he stayed his whole life as organist and treasurer of the St. Marienkirche.
Tunder is one of the cornerstones of the North German organ school. His style is the “Stylus Phantasticus”, in which the emotional content of the text is the basis of the musical expression, using sudden harmonic changes, dissonances and tone painting.
Tunder left an oeuvre consisting of Chorale Preludes on Lutheran hymns, as well as several separate organ preludes.
Emanuele Cardi is one of the foremost Italian organists, specialized in early organs and the restoration of Baroque instruments. On this recording he plays a magnificent Ghilardi organ built in 1996, inspired by the 17th century German Arp Schnitger instruments.
Excellent liner notes written by a musicologist, as well as the complete disposition and photo of the organ are included in the booklet. Another fine issue in the Brilliant Classics series of Pre-Bachian organ masters

Tracklist:
00:00:00 Præludium in G minor (I)
00:03:09 In dich hab ich gehoffet, Herr
00:08:37 Auf meinen lieben Gott
00:16:03 Præludium in F Major
00:19:43 Herr Gott, dich loben wir
00:27:25 Canzona in G Major
00:29:08 Christ lag in Todes Banden
00:41:05 Jesus Christus, wahr’ Gottes Sohn
00:46:25 Præludium in G Minor (III)
00:50:27 Jesus Christus, unser Heiland: I. Primus versus
00:52:45 Jesus Christus, unser Heiland: II. Secundus versus
00:54:18 Jesus Christus, unser Heiland: III. Tertius versus
00:56:29 Was kann uns kommen an für Not (vers.1)
01:10:46 Komm, Heiliger Geist, Herre Gott
01:18:07 Was kann uns kommen an für Not (vers.2)
01:27:53 Præludium in G Minor (II)

#ClassicalOrganMusic #OrganMusic #Classical #BrilliantClassics #Music #Composer #ClassicalMusic