In this painting demo I show how I paint an ear with oils.

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie

▷ For prints and original paintings please visit https://dariacallie.com/store/


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: https://www.dariacallie.com/


Materials used:

• Oil paints - Nevskaya palitra
Colors: Burnt umber, Cadmium Yellow, Ultramarine Blue, Cadmium Red and Titanium White.
(I have a color-mixing video where I explain how I premix my palette - https://youtu.be/kKT1gXBC_L4 )
In addition I have a couple of colors that I use sometimes: Ivory Black, Celestial Blue and Cobalt Violet Deep.
• Acrylic primer
• Paper 30 x 30 cm (12 x 12 inches) 280gsm
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - Detail brushes & Filbert synthetic brushes of different sizes
• Glass palettes (homemade)
• Palette knife (from a local art-store)
• Paper towels (or tissues that I use to wipe the brushes)


Music: Paperchaser “Perception by degrees”
https://soundcloud.com/paperchaser-music

In this video I show the process of working on an oil painting titled “Silver lining” - 52 x 65 cm

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie/overview


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie
Facebook: https://www.facebook.com/DariaCallieArt
Website: https://www.dariacallie.com

Commissions: closed.


Materials used:
• Oil paints "Nevskaya palitra"
• Frosted acrylic panel
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes
• Glass palette
• Palette knife
• Paper towels (or tissues that I use to wipe the brushes)

More information about supplies I use: https://www.patreon.com/posts/....where-to-start-21960



Music: "Håller Mig" by Joachim Heinrich
https://soundcloud.com/joachimheinrich/haller-mig

Oil on paper, 8 x 10 inches

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie

▷ For prints and original paintings please visit https://dariacallie.com/store/


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: https://www.dariacallie.com/


Materials used:
• Oil paints - "Nevskaya palitra"
Colors: Burnt Umber, Cadmium Yellow Pale, Ultramarine Blue, Cadmium Red and Titanium White.
In addition I have a couple of colors that I use sometimes: Ivory Black, Celestial Blue and Cobalt Violet Deep.
• Primed 280gsm paper
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - Detail brushes & Filbert synthetic brushes of different sizes
• Glass palette (homemade)
• Palette knife (from a local art-store)
• Paper towels (or tissues that I use to wipe the brushes)


Music: Paperchaser “Perception by degrees”
Paperchaser “Better left unsaid”
https://soundcloud.com/paperchaser-music

In this painting demo I show how I paint hair with oils

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie

▷ For prints and original paintings please visit https://dariacallie.com/store/


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: https://www.dariacallie.com/


Materials used:
• Oil paints - "Nevskaya palitra"
Colors: Burnt Umber, Cadmium Yellow Pale, Ultramarine Blue, Cadmium Red and Titanium White.
In addition I have a couple of colors that I use sometimes: Ivory Black, Celestial Blue and Cobalt Violet Deep.
• Primed 280gsm paper
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - Detail brushes & Filbert synthetic brushes of different sizes
• Glass palette (homemade)
• Palette knife (from a local art-store)
• Paper towels (or tissues that I use to wipe the brushes)


Music: “Home” by Amarante (Instrumental version)
https://soundcloud.com/amarantemusic

In this painting demo I show how I paint an eye with oils.

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie

Reference Photo: https://www.dropbox.com/s/szwx....5vymzudskay/Referenc


▷ For prints and original paintings please visit https://dariacallie.com/store/

CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: http://www.dariacallie.com/


Materials used:

• Oil paints - Gamblin Oil Colors and Nevskaya palitra (russian brand)
Colors: Burnt umber, Cadmium Yellow, Ultramarine Blue, Cadmium Red and Titanium White.
(I have a color-mixing video where I explain how I premix my palette - https://youtu.be/kKT1gXBC_L4 )
In addition I have a couple of colors that I use sometimes: Ivory Black, Celestial Blue and Cobalt Violet Deep.
• Acrylic primer
• Paper 30 x 30 cm (12 x 12 inches) 280gsm
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - Detail brushes & Filbert synthetic brushes of different sizes
• Glass palettes (homemade)
• Palette knife (from a local art-store)
• Paper towels (or tissues that I use to wipe the brushes)


Music: “re:MEMORY” by A. Taylor
https://soundcloud.com/a-taylor

In this video I’m painting a portrait with oils. (8 x 6 inches)

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie/overview


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie
Facebook: https://www.facebook.com/DariaCallieArt
Website: https://www.dariacallie.com

Commissions: closed.


Materials used:
• Oil paints
• Primed paper with linen texture (280gsm)
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes
• Glass palette
• Palette knife
• Paper towels (or tissues that I use to wipe the brushes)

More information about supplies I use: https://www.patreon.com/posts/....where-to-start-21960


Music: "Tender wind" by Ikson
https://soundcloud.com/ikson/tender-wind

In this video I share some highlights from my Patreon painting tutorials.

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie/overview


Commissions: closed.

CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: https://www.dariacallie.com/


Materials used:
• Oil paints - "Nevskaya palitra"
Colors: Burnt Umber, Cadmium Yellow Pale, Ultramarine Blue, Cadmium Red and Titanium White.
• Primed 280gsm paper or frosted acrylic panels
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - round detail brushes in sizes 1, 0 and 00; and synthetic filbert brushes in different sizes.
• Glass palette
• Palette knife
• Paper towels (or tissues that I use to wipe the brushes)


Music: Mindthings https://soundcloud.com/mindthings
Liam J Hennessy https://soundcloud.com/liamjhennessy

In this video I show the process of working on an oil painting titled "Chasing Dreams" - 80 x 100 cm

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie/overview


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie
Facebook: https://www.facebook.com/DariaCallieArt
Website: https://www.dariacallie.com

Commissions: closed.


Materials used:
• Oil paints "Nevskaya palitra"
• Frosted acrylic panel
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes
• Glass palette
• Palette knife
• Paper towels (or tissues that I use to wipe the brushes)

More information about supplies I use: https://www.patreon.com/posts/....where-to-start-21960



Music: "Windlicht" by Joachim Heinrich
https://soundcloud.com/joachimheinrich/windlicht

In this video I’m showing the process of working on an oil painting titled “Glow” - 50 x 60 cm (19.7 x 23.6 inches)

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie

▷ For prints and original paintings please visit https://dariacallie.com/store/

CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: http://www.dariacallie.com/


Materials used:

• Oil paints - Gamblin Oil Colors and Nevskaya palitra (russian brand)
Colors: Burnt umber, Cadmium Yellow, Ultramarine Blue, Red and Titanium White. (I have a color-mixing video where I explain how I premix my palette) In addition I have a couple of colors that I use very rarely: Ivory Black, Celestial Blue and Cobalt Violet Deep.
• Primed linen canvas (from a local art-store)
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - Detail brushes & Filbert synthetic brushes of different sizes
• Glass palette (homemade)
• Palette knife (from a local art-store)
• Varnish
• Paper towels (or tissues that I use to wipe the brushes)


Music: Acoustic/Folk Instrumental by Hyde
Music License: https://creativecommons.org/licenses/by/3.0/

In this video I’m showing the process of working on an oil painting titled “Intuition” - 30 x 30 cm (12 x 12 inches)


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: http://www.dariacallie.com/


* Jukin Media Verified *
Find this video and others like it by visiting https://www.jukinmedia.com/licensing/view/966827
For licensing / permission to use, please email licensing(at)jukinmedia(dot)com.


Materials used:

• Oil paints - Gamblin Oil Colors and Nevskaya palitra (russian brand)
Colors: Burnt umber, Cadmium Yellow, Ultramarine Blue, Red and Titanium White. (I have a color-mixing video where I explain how I premix my palette) In addition I have a couple of colors that I use very rarely: Ivory Black, Celestial Blue and Cobalt Violet Deep.
• Primed linen canvas (from a local art-store)
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - Detail brushes & Filbert synthetic brushes of different sizes
• Glass palette (homemade)
• Palette knife (from a local art-store)
• Varnish
• Paper towels (or tissues that I use to wipe the brushes)


Music: Walking On A Dream (Empire of the Sun cover) by Kongsingwei
Music License: https://creativecommons.org/licenses/by/3.0/

This is how I clean oil paint brushes!

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie

▷ For prints and original paintings please visit https://dariacallie.com/store/


CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: https://www.dariacallie.com/

Music: Oasis - Wonderwall Instrumental
SoundCloud: https://soundcloud.com/suliman815
Music License: https://creativecommons.org/licenses/by/3.0/

In this video I show the process of working on an oil painting titled "Blurring the lines"- 100 x 80 cm.


REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie/overview



CONNECT WITH ME:
Instagram: https://www.instagram.com/dariacallie/
Facebook: https://www.facebook.com/DariaCallieArt/
Website: https://www.dariacallie.com/

Commissions: closed.



Vision behind the painting:
I wanted the main figure to represent strength and independence, and the abstraction surrounding the figure to create a free boundless environment, an imaginary world of some kind. I believe this blend of realism and abstraction can really produce something unique.
I decided to use soothing but as the same time expressive colors and their combinations to support the feelings I want this painting to evoke. Such as a feeling of serenity, strength, awareness.. and certainly a feeling of freedom.


Materials used:
• Oil paints "Nevskaya palitra"
• Frosted acrylic panel
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - round detail brushes in sizes 1, 0 and 00; and synthetic filbert brushes in different sizes.
• Glass palette (homemade)
• Palette knife (from a local art-store)
• Paper towels (or tissues that I use to wipe the brushes)


Music:
“Ambient” by Strange day
https://soundcloud.com/strange-day/ambient
"Lùnastal" by Joachim Heinrich
https://soundcloud.com/joachimheinrich/lunastal

Viewers like you help make PBS (Thank you

Viewers like you help make PBS (Thank you

El Cardenal Newman ya es santo. San John Henry Newman fue inscrito en el libro de los santos en una multitudinaria Misa celebrada este domingo 13 de octubre en la Plaza de San Pedro del Vaticano presidida por el Papa Francisco en la que también se canonizó a Santa Giuseppina Vanni, Santa Mariam Thresia Chiramel Mankidiyan, Santa Dulce Lopes Pontes y a Santa Marguerite Bays.
Más información en: https://www.aciprensa.com/noti....cias/fiesta-en-el-ci

A weaver ant fortress comes under attack from a neighbouring colony but is the home guard enough to defend and protect the next generation? Taken from Life Story.

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Tyrannosaurus rex was big, Tyrannosaurus rex was vicious, and Tyrannosaurus rex had tiny arms. The story of how T-Rex lost its arms is, itself, pretty simple. But the story of why it kept those little limbs, and how it used them? Well, that’s a little more complicated.

Thanks as always to Nobumichi Tamura for allowing us to use his wonderful paleoart: http://spinops.blogspot.com/

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Super special thanks to the following Patreon patrons for helping make Eons possible:
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References:
Baron, Matthew G., David B. Norman, and Paul M. Barrett. "A new hypothesis of dinosaur relationships and early dinosaur evolution." Nature 543.7646 (2017): 501.
Bates, Karl T., and Peter L. Falkingham. "Estimating maximum bite performance in Tyrannosaurus rex using multi-body dynamics." Biology Letters (2012): rsbl20120056.
Brusatte, Stephen L., and Thomas D. Carr. "The phylogeny and evolutionary history of tyrannosauroid dinosaurs." Scientific Reports 6 (2016): 20252.
Burch, Sara. Osteological, Myological, and Phylogenetic Trends of Forelimb Reduction in Nonavian Theropod Dinosaurs. Diss. The Graduate School, Stony Brook University: Stony Brook, NY., 2015.
Carpenter, Kenneth. "Forelimb biomechanics of nonavian theropod dinosaurs in predation." Senckenbergiana lethaea 82.1 (2002): 59-75.
Erickson, Gregory M., et al. "Bite-force estimation for Tyrannosaurus rex from tooth-marked bones." Nature 382.6593 (1996): 706.
Fowler, Denver W., et al. "Reanalysis of “Raptorex kriegsteini”: a juvenile tyrannosaurid dinosaur from Mongolia." PLoS One 6.6 (2011): e21376.
Gillingham, James C., and Jeffrey A. Chambers. "Courtship and pelvic spur use in the Burmese python, Python molurus bivittatus." Copeia 1982.1 (1982): 193-196.
Gould, Stephen Jay, and Richard C. Lewontin. "The spandrels of San Marco and the Panglossian paradigm: a critique of the adaptationist programme." Proc. R. Soc. Lond. B 205.1161 (1979): 581-598.
Hutchinson, John R., and Stephen M. Gatesy. "Dinosaur locomotion: beyond the bones." Nature 440.7082 (2006): 292.
Makovicky, Peter J. "A new small theropod from the Morrison Formation of Como Bluff, Wyoming." Journal of Vertebrate Paleontology 17.4 (1997): 755-757.
MIDDLETON, KEVIN M., and STEPHEN M. GATESY. "Theropod forelimb design and evolution." Zoological Journal of the Linnean Society 128.2 (2000): 149-187.
Personal communication, Amy Atwater & Dr. John Scanella, Museum of the Rockies
Pontzer, Herman, et al. "Control and function of arm swing in human walking and running." Journal of Experimental Biology 212.4 (2009): 523-534.
Ruiz, Javier, et al. "The hand structure of Carnotaurus sastrei (Theropoda, Abelisauridae): implications for hand diversity and evolution in abelisaurids." Palaeontology 54.6 (2011): 1271-1277.
Sellers, William I., et al. "Investigating the running abilities of Tyrannosaurus rex using stress-constrained multibody dynamic analysis." PeerJ 5 (2017): e3420.
Sereno, Paul C., et al. "Tyrannosaurid skeletal design first evolved at small body size." Science 326.5951 (2009): 418-422.
Stanley, Steven M. “Evidence that the Arms of Tyrannosaurus rex were not functionless but adapted for vicious slashing.” Geological Society of America Annual Meeting 2017.
Sullivan, Corwin, et al. "The asymmetry of the carpal joint and the evolution of wing folding in maniraptoran theropod dinosaurs." Proceedings of the Royal Society of London B: Biological Sciences (2010): rspb20092281.
Therrien, François, and Donald M. Henderson. "My theropod is bigger than yours… or not: estimating body size from skull length in theropods." Journal of Vertebrate Paleontology 27.1 (2007): 108-115. [108:MTIBTY]2.0.CO;2
USAMI, Yoshiyuki, and Ryuta KINUGASA. "A Possibility of Fast Running of TYRANNOSAURUS." DEStech Transactions on Engineering and Technology Research amma (2017).
Xu, Xing, et al. "A basal tyrannosauroid dinosaur from the Late Jurassic of China." Nature 439.7077 (2006): 715.

En una entrevista exclusiva para Eternal World Television Network, EWTN, la cadena de radio y televisión católica más grande del mundo, el entonces Cardenal Jorge Mario Bergoglio, hoy Papa Francisco, compartió algunas reflexiones sobre el Año de la Fe, convocado por Benedicto XVI, la Iglesia en América Latina y las virtudes teologales: la fe, la esperanza y la caridad.

Más información: http://www.aciprensa.com/notic....ias/entrevista-exclu

When a caiman attacks the otter cubs, the whole family comes together to defend them.
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Giant otters are one of the toughest creatures in the Amazon jungle. Not only are they living in a lake in the middle of the Peruvian Amazon, but they are also surrounded by three hundred black caiman, anaconda, jaguar and puma. Diablo the giant otter also has six unruly pups to keep from harm, and educate in the ways of the jungle. This otter dad certainly has his paws full. Leading wildlife cameraman Charlie Hamilton-James follows the family in their remarkable location over the course of a whole season, through their ups, downs, and the start of a new generation of otters.

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Angelo Giuseppe Roncalli nació en Lombardía (Italia) el 25 de noviembre de 1881. Fue el cuarto

hijo de un total de catorce hermanos del matrimonio formado por Giovanni Battista Roncalli y

Marianna Giulia Mazzolla quienes trabajaban como agricultores.

El ambiente religioso de su familia y la vida parroquial bajo la guía del Padre Francesco Rebuzzini,

le proporcionaron a Angelo una sólida formación cristiana.

Ingresó en el seminario de Bérgamo en 1892. En 1896 fue admitido en la Orden Franciscana Seglar

haciendo su profesión en 1897. El 10 de agosto de 1904 fue ordenado sacerdote en la Basílica de

Santa María de Monte Santo. En 1905, fue nombrado secretario del Obispo de Bérgamo y en el

año siguiente fue el encargado de la enseñanza de Historia y Patrología en el Seminario.

Durante la Primera Guerra Mundial, ejerció primero como sargento médico y más tarde como

capellán militar. En 1921, fue llamado desde Roma por el Papa Benedicto XV para ocupar el cargo

de Presidente para Italia del Consejo Central de la Obra Pontificia de la Propagación de la Fe.

El Papa Pío XI lo designó Arzobispo de Areopoli y fue enviado oficial para Bulgaria el 3 de marzo de

1925. En Bulgaria, realizó su labor apostólica visitando las comunidades católicas y estableciendo

relaciones de respeto y estima con otras comunidades cristianas, en especial de la Iglesia

Ortodoxa.

En 1934 fue designado Arzobispo de Mesembria y en 1935 fue nombrado delegado apostólico

para Turquía Su intervención para socorrer a miles de judíos de la persecución nazi mientras servía

como Delegado Apostólico del Vaticano en Turquía durante la Segunda Guerra Mundial fue crucial.

El 23 de diciembre de 1944, el Papa Pío XII lo nombró nuncio apostólico de Francia. Gracias a su

cortesía, su sencillez, su buen humor y su amabilidad pudo resolver los problemas y conquistar el

corazón de los franceses y de todo el Cuerpo Diplomático.

El 12 de enero de 1953 el papa Pío XII lo crea Cardenal, siendo designado como Patriarca de

Venecia.

Durante esta época solía navegar por los canales de la ciudad sin la vestimenta de cardenal y

detenerse para hablar con los más pobres quienes le contaban sus problemas.

El 28 de octubre de 1958, contando con casi 77 años, Roncalli fue elegido Papa ante la sorpresa de

todo el mundo. Ni los cardenales ni el resto de la Iglesia esperaban que el temperamento alegre, la

calidez y la generosidad del Papa Juan XXIII cautivaran los afectos del mundo.

Fue el primero desde 1870 que ejerció su ministerio de obispo de Roma visitando personalmente

las parroquias de su diócesis. Al cabo de dos meses de haber sido elegido, dio ejemplo de obras de

misericordia: por Navidad visitó los niños enfermos de los hospitales Espíritu Santo y Niño Jesús; al

día siguiente fue a visitar los prisioneros de la cárcel Regina Coeli.

En 1959, en la Basílica de San Pablo Extramuros y ante la sorpresa de todo el mundo anunció el

Concilio Vaticano II.

El 2 de diciembre de 1960 se reunió en el Vaticano durante una hora con el arzobispo de

Canterbury, Geoffrey Francis Fisher. Era la primera vez en más de 400 años, desde la excomunión

de Isabel I, que la máxima autoridad de la Iglesia de Inglaterra se reunía con el papa. Durante su

Pontificado nombró 37 nuevos cardenales, entre los cuales por primera vez un tanzano, un

japonés, un filipino, un venezolano, un uruguayo y un mexicano.

Su magisterio social en las encíclicas Mater et Magistra y Pacem in terris fue profundamente

apreciado. En ambas pastorales se insiste sobre los derechos y deberes derivados de la dignidad

del hombre como criatura de Dios.

El 11 de octubre de 1962 el Papa Roncalli abrió el Concilio Vaticano II en San Pedro. Desde la

apertura del Concilio, el papa Juan XXIII enfatizó la naturaleza pastoral de sus objetivos: no se

trataba de definir nuevas verdades ni condenar errores, sino que era necesario renovar la Iglesia

para hacerla capaz de transmitir el Evangelio en los nuevos tiempos.

El 23 de mayo de 1963 se anunció públicamente que el Papa estaba enfermo de cáncer. Falleció

en Roma el 3 de junio de 1963. Fue beatificado por el Beato Juan Pablo II en el año 2000.

Los dos pontífices serán canonizados en una misma celebración, el 27 de abril de 2014.